Guess Who's Back Quotes

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She moaned into her pillow. "Go away. I feel like dying." "No fair maiden should die alone," he said, putting a hand on hers. "Shall I read to you in your final moments? What story would you like?" She snatched her hand back. "How about the story of the idiotic prince who won't leave the assassin alone?" "Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince's attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it's worth reading through all of their ceaseless banter!
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
I have realized; it is during the times I am far outside my element that I experience myself the most. That I see and feel who I really am, the most! I think that's what a comet is like, you see, a comet is born in the outer realms of the universe! But it's only when it ventures too close to our sun or to other stars that it releases the blazing "tail" behind it and shoots brazen through the heavens! And meteors become sucked into our atmosphere before they burst like firecrackers and realize that they're shooting stars! That's why I enjoy taking myself out of my own element, my own comfort zone, and hurling myself out into the unknown. Because it's during those scary moments, those unsure steps taken, that I am able to see that I'm like a comet hitting a new atmosphere: suddenly I illuminate magnificently and fire dusts begin to fall off of me! I discover a smile I didn't know I had, I uncover a feeling that I didn't know existed in me... I see myself. I'm a shooting star. A meteor shower. But I'm not going to die out. I guess I'm more like a comet then. I'm just going to keep on coming back.
C. JoyBell C.
True story This morning I jumped on my horse And went for a ride, And some wild outlaws chased me And shot me in the side. So I crawled into a wildcats cave To find a place to hide But some pirates found me sleeping there And soon they had me tied To a pole and built a fire Under me---I almost cried Till a mermaid came and cut me loose And begged to be my bride So I said id come back Wednesday But I must admit I lied. Then I ran into a jungle swamp But I forgot my guide And I stepped into some quicksand And no matter how hard I tried I couldn’t get out, until I met A watersnake named Clyde Who pulled me to some cannibals Who planned to have me fried But an eagle came and swooped me up And through the air we flied But he dropped me in a boiling lake A thousand miles wide And you’ll never guess what I did then--- I DIED
Shel Silverstein
I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.” “Wow,” I said. “Did the search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is…
Haruki Murakami (Norwegian Wood)
My mom's coming home soon," I said. "We should go to your place." Patch ran a hand across the shadow of stubble along his jaw. "I have rules about who I take there." I was getting really tired of that answer. "If you showed me, you'd have to kill me?" I guessed, fighting the urge to feel irritated. "Once I'm inside, I can never leave?" Patch studied me a moment. Then he reached into his pocket, twisted a key off his key chain, and slipped it into the front pocket of my pajama top. "Once you've gone inside, you have to keep coming back.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.” “So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
Elizabeth Gilbert (Eat, Pray, Love)
think when it's all over it just comes back in flashes, you know? It's like a kaleidoscope of memories; it just all comes back. But he never does. I think part of me knew the second I saw him that this would happen. It's not really anything he said, or anything he did ― it was the feeling that came along with it. Crazy thing is, I don't know if I'm ever going to feel that way again. But I don't know if I should. I knew his world moved too fast and burned too bright, but I just thought, 'How can the devil be pulling you toward someone who looks so much like an angel when he smiles at you?' Maybe he knew that when he saw me. I guess I just lost my balance. I think that the worst part of it all wasn't losing him. It was losing me.
Taylor Swift
There are things we never tell anyone. We want to but we can’t. So we write them down. Or we paint them. Or we sing about them. It’s our only option. To remember. To attempt to discover the truth. Sometimes we do it to stay alive. These things, they live inside of us. They are the secrets we stash in our pockets and the weapons we carry like guns across our backs. And in the end we have to decide for ourselves when these things are worth fighting for, and when it’s time to throw in the towel. Sometimes a person has to die in order to live. Deep down, I know you know this. You just can’t seem to do anything about it. I guess it’s a sad fact of life that some of us move on and some of us inevitably stay behind. Only in this case I’m not sure which one of us is doing which. You were right about one thing though. It’s not fate. It’s a choice. And who knows, maybe we’ll meet again someday, somewhere up above all the noise. Until then, when you think of me, try and remember the good stuff. Try and remember the love.
Tiffanie DeBartolo (How to Kill a Rock Star)
Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. Since the dawn of time, roughly a hundred billion human beings have walked the planet Earth. Now this is an interesting number, for by a curious coincidence there are approximately a hundred billion stars in our local universe, the Milky Way. So for every man who has ever lived, in this Universe there shines a star. But every one of those stars is a sun, often far more brilliant and glorious than the small, nearby star we call the Sun. And many--perhaps most--of those alien suns have planets circling them. So almost certainly there is enough land in the sky to give every member of the human species, back to the first ape-man, his own private, world-sized heaven--or hell. How many of those potential heavens and hells are now inhabited, and by what manner of creatures, we have no way of guessing; the very nearest is a million times farther away than Mars or Venus, those still remote goals of the next generation. But the barriers of distance are crumbling; one day we shall meet our equals, or our masters, among the stars. Men have been slow to face this prospect; some still hope that it may never become reality. Increasing numbers, however are asking; 'Why have such meetings not occurred already, since we ourselves are about to venture into space?' Why not, indeed? Here is one possible answer to that very reasonable question. But please remember: this is only a work of fiction. The truth, as always, will be far stranger.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
There is so much in this store I can picture Magnus wanting,” Simon said, picking up a glass bottle of body glitter suspended in some kind of oil. “Is it against some kind of rule to buy presents for someone who broke up with your friend?” “I guess it depends. Is Magnus your closer friend, or Alec?” “Alec remembers my name,” said Simon, and he set the bottle back down.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Apparently she was beyond words so she pushed the card into his hands. He looked down. Blinked. Blinked again before stumbling back into a chair. Did he just wet himself? Ah, who cared? He was holding four tickets to the Yankees vs. Red Sox at Yankee Stadium for this Friday and they were without a doubt the best seats in the stadium. His eyes shifted from Haley to the tickets and back again before he made a split second decision and made a run for it. He didn’t make it five feet before his little grasshopper tackled him to the ground and ripped the card from his hands. He spit grass out of his mouth. “Fine. You can come with me I guess,” he said, earning a knee to the ribs.
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
Simon turned to Jordan, who was lying down across the futon, his head propped against one of the woven throw pillows. "How much of that did you hear?" "Enough to gather that we're going to a party tonight," said Jordan. "I heard about the Ironworks event. I'm not in the Garroway pack, so I wasn't invited." "I guess you're coming as my date now." Simon shoved the phone back into his pocket. "I'm secure enough in my masculinity to accept that," said Jordan. "We'd better get you something nice to wear, though," he called as Simon headed back into his room. "I want you to look pretty.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
This is mad,” said Ron. “We’re the only ones left who haven’t got anyone — well, except Neville. Hey — guess who he asked? Hermione!” “What?” said Harry, completely distracted by this startling news. “Yeah, I know!” said Ron, some of the color coming back into his face as he started to laugh. “He told me after Potions! Said she’s always been really nice, helping him out with work and stuff — but she told him she was already going with someone. Ha! As if! She just didn’t want to go with Neville...I mean, who would?
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
What are my options?" "You could read obscure poetry while I play the triangle, I suppose. Or we can smother ourselves in peanut butter and howl at the moon. Use your imagination." "Fine,"I said. "You take my hand and back up toward the bed." "Excellent choice. What then?" "You sit down, and pull me down with you." "Where are you?" he asked. "You pull me onto your lap." "Where are your legs?" "Around your waist." "Well," Noah said, his voice slightly rough. "This is getting interesting. So I'm on the edge of your bed. I'm holding you on my lap as you straddle me. My arms are around you, bracing you there so you don't fall. What am I wearing?"... "What do you usually wear to bed?" I asked. Noah said nothing. I opened my eyes to an arched brow and a devious grin. Oh my God. "Close. Your. Eyes," he said. I did. "Now, where were we?" "I was straddling you," I said. "Right. And I'm wearing..." "Drawstring pants." "Those are quite thin, you know." I'm aware. ... "Right," he said. "So what are you wearing?" "I don't know. A space suit. Who cares?" "I think this should be as vivid as possible," he said. "For you," he clarified, and I chuckled. "Eyes closed," he reminded me. "I'm going to have to institute a punishment for each time I have to tell you." "What did you have in mind?" "Don't tempt me. Now, what are you wearing?" "A hoodie and drawstring pants too, I guess." "Anything underneath?" "I don't typically walk around without underwear." "Typically?" "Only on special occasions." "Christ. I meant under your hoodie." "A tank top, I guess." "What color?" "White tank. Black hoodie. Gray pants. I'm ready to move on now." I felt him nearer, his words close to my ear. "To the part where I lean back and pull you down with me?" Yes. "Over me," he said. Fuck. "The part where I tell you that I want to feel the softness of the curls at the nape of your neck? To know what your hipbone would feel like against my mouth?" he murmured against my skin. "To memorize the slope of your navel and the arch of your neck and the swell of your-
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I guess what I’m saying is, let’s keep lifting each other up. It’s not lost on me that two of the biggest opportunities I’ve had to break into the next level were given to me by successful women in positions of power. If I’m ever in that position and you ask me, “Who?” I’ll do my best to say, “You” too. But in order to get there, you may have to break down the walls of whatever it is that’s holding you back first. Ignore the doubt—it’s not your friend—and just keep going, keep going, keep going.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls, and Everything in Between)
You know that old cliché about millions of deaths being a statistic while the loss of just one life is a tragedy? If that's true, what is it when you lose something that never even had the chance to be born? I've had lots of relationships in my time, platonic and otherwise, but the ones I think about most are those that never quite made it to term. The dashing first date who didn't call you back. The lady on the train you had that amazing conversation but never saw again. The cool neighbor kid you met the first time a week before he moved away. I guess I'm just haunted by all that potential energy. One moment, the universe presents you with this amazing opportunity for new possibilities...and then...
Brian K. Vaughan (Saga, Volume 7)
Jillian,” I whispered, “I know you don’t know who I am. But I love your brother, and I know you do too. So . . . do you think you could wake up? Do you think you could at least try?” For far too long she gave me no response. I’d just about given up—hung my head and prepared myself for the inevitable, impossible job of comforting Joshua—when Jillian whispered back. “I guess. Since you asked so nicely.” In spite of everything, a quiet laugh escaped my lips. “Thank God. Because I have a feeling you’d be a huge pain in the ass if you died.
Tara Hudson (Hereafter (Hereafter, #1))
He looked down at the keys and played a gentle chord. Jesper wondered at how he could have mistaken Kuwei for Wylan. Their hands were completely different, the shape of the fingers, the knuckles. “Jes,” Wylan said, “did you mean what you told my father? Will you stay with me? Will you help?” Jesper leaned back on the pianoforte, resting on his elbows. “Let’s see. Live in a luxurious merch mansion, get waited on by servants, spend a little extra time with a budding demolitions expert who plays a mean flute? I guess I can manage it.” Jesper’s eyes traveled from the top of Wylan’s red-gold curls to the tips of his toes and back again. “But I do charge a pretty steep fee.” Wylan flushed a magnificent shade of pink. “Well, hopefully the medik will be here to fix my ribs soon,” he said as he headed back into the parlor. “Yeah?” “Yes,” said Wylan, glancing briefly over his shoulder, his cheeks now red as cherries. “I’d like to make a down payment.” Jesper released a bark of laughter. He couldn’t remember the last time he’d felt this good. And no one was even shooting at him.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Who takes the Pandorica takes the Universe. But bad news everyone. 'Cause guess who! Hah! Listen, you lot, you're all whizzing about. It's really very distracting. Could you all just stay still a minute because I. AM. TALKING! Now, the question of the hour is, who's got the Pandorica? Answer: I do. Next question: Who's coming to take it from me? Come on! Look at me! No plan, no back-up, no weapons worth a damn, oh, and something else. I don't have anything to lose. So if you're sitting up there in your silly little spaceship with all your silly little guns and you've got any plans on taking the Pandorica tonight, just remember who's standing in your way! Remember! Every black day I ever stopped you! And then! And then! Do the smart thing! Let somebody else try first.
Steven Moffat
Tikkun olam.” Exactly. Basically, it says that the world has been broken into pieces. All this chaos, all this discord. And our job - everyone’s job - is to try to put the pieces back together. To make things whole again.” And you believe that?” I guess I do. I mean, I don’t know how the world broke. And I don’t know if there’s a God who can help us fix it. But the fact that the world is broken - I absolutely believe that. Just look around us. Every minute - every single second - there are a million things you could be thinking about. A million things you could be worrying about. Our world - don’t you feel we’re becoming more and more fragmented? I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. You’d think we’d be getting better at it. But there’s just more and more chaos. The pieces - they’re everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because it’s right, but because it will mean that such a thing is still possible? I want to believe in that.” Do you really think it’s getting worse? I mean, aren’t we better off than we were twenty years ago? Or a hundred?” We’re better off. But I don’t know if the world’s better off. I don’t know if the two are the same thing.” You’re right.” Excuse me?” I said, ‘You’re right.’” But nobody ever says, ‘You’re right.’ Just like that.” Really?” Really.” …Then it hits me. Maybe we’re the pieces,” What?” Maybe that’s it. With what you were talking about before. The world being broken. Maybe it isn’t that we’re supposed to find the pieces and put them back together. Maybe we’re the pieces. Maybe, what we’re supposed to do is come together. That’s how we stop the breaking.” Tikkun olam.
David Levithan (Nick & Norah's Infinite Playlist)
No fair maiden should die alone" he said, putting a hand on hers. "Shall I read to you in your final moments? What story would you like?" She snatched her hand back. 'How about the story of the idiotic prince who won't leave the assassin alone?" "Oh! I love that story! It has such a happy ending too- why, the assassin was really feigning her illness in order to get the prince's attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely- it's worth reading through all of their ceaseless banter!
Sarah J. Maas
Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess — no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity — back of that morning, he had done nothing. They knew that it took him six days to make the earth — all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death. At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ. Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow? I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken — that there is no supernatural power that can answer prayer - no power that worship can persuade or change — no power that cares for man. Is there a God? I do not know. Is man immortal? I do not know. One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be. We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine — with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol 1: Lectures)
Thank you, I guess. It’s good to see they’ve replaced Silas Briggs with someone who’s a little more reasonable.” He grinned. “Not to mention, someone with a much prettier face.” Agent Pallas snapped the ankle monitor on, and Kyle yelled out in pain. “Son of a bitch, you got some skin there!” he said to Pallas. Cameron threw the FBI agent a look. “Jack.” He shrugged. “It slipped.” He turned back to Kyle with a look that could wilt plants.
Julie James (A Lot like Love (FBI/US Attorney, #2))
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Bramble's lips were tight. Her fists still shook. "Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!" Teddie drew himself up to his full, towering taffy height. "N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!" The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white. "Young man," said the King gently. "Your ship leaves soon?" Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved. "Do you mean it?" Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow. "Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!" "Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!" In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his. "Oh...my," said Clover. No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.
Heather Dixon Wallwork (Entwined)
You left!” he says, his voice rising. And then he shakes his head and laughs to himself. “You hurt your knee, you lost a couple matches, and you gave up. That’s what you did. You’re saying we’re the same, but we’re not. I stuck around. I had the guts to try. I have the guts to lose. You, you just run. Well, guess what, Carrie? People who are actually playing the game lose. We all lose. We lose all the time. That is life. So we are not the same, Soto. I have courage. You’re just good at tennis.
Taylor Jenkins Reid (Carrie Soto Is Back)
Who knew that you would be The One," I smile, "which I guess makes me your Trinity." "My Amidala." "Your Zira." "My Sylvia." "Your..." I scour my brain, trying to remember some other great sci-fi love interest. "Ha! I'm your Saphira," I settle back smugly, only for Trevor to start laughing. "Saphira is a dragon.
Cindy C. Bennett (Geek Girl)
A rap at the back door made her jump, and she peered through the window for a long time before she eased open the door a crack. She left the security chain on. 'What do you want, Richard?' Richard Morrell's police cruiser was parked in the drive. He hadn't flashed any lights or howled any sirens, so she supposed it wasn't an emergency, exactly. But she knew him well enough to know he didn't pay social visits, at least not to the Glass House. 'Good question,' Richard said. 'I guess I want a nice girl who can cook, likes action movies, and looks good in short skirts. But I'll settle for you taking the chain off the door and letting me in.
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
You're really going to do it, aren't you? You're really going to go back to war?" Gregor said. He could feel something boiling up inside of him. "So, we'll just forget about what happened. The jungle, the Firelands, the Bane." His voice was rising and he could feel the rager side of him taking over. "Forget about everybody who's dead! Tick and Twitchtip and Hamnet and Thalia and Ares! And your parents, Luxa! And your pups, Ripred! Let's just forget about everybody who gave their lives so that you could have this moment where you could — could make things right again! So you could stop the killing! We were fighting for the same thing, remember? You two owe each other your lives! You owe me your lives! And now you stand there and ask me to choose between you? To help you kill each other?" Gregor yanked Sandwich's sword from his belt and swung it so violently that even Luxa and Ripred stepped back. "Well, guess what? The warrior's not fighting for either of you!
Suzanne Collins (Gregor and the Code of Claw (Underland Chronicles, #5))
I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.” Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.” “It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?” “I already told you that I don’t feel well.” “You look fine to me.” He skillfully shuffled the deck. “Just one game.” “Don’t you pay people to entertain you?” He glowered, breaking the deck. “You should be honored by my company.” “I’d be honored if you would leave.” “For someone who relies on my good graces, you’re very bold.” “Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest. He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.” She moaned into her pillow. “Go away. I feel like dying.” “No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?” She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?” “Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!” “Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent. I desperately wanted mercy for Jimmy Dill and would have done anything to create justice for him, but I couldn’t pretend that his struggle was disconnected from my own. The ways in which I have been hurt—and have hurt others—are different from the ways Jimmy Dill suffered and caused suffering. But our shared brokenness connected us. Paul Farmer, the renowned physician who has spent his life trying to cure the world’s sickest and poorest people, once quoted me something that the writer Thomas Merton said: We are bodies of broken bones. I guess I’d always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we’re fractured by the choices we make; sometimes we’re shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis for our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion. We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity. I thought of the guards strapping Jimmy Dill to the gurney that very hour. I thought of the people who would cheer his death and see it as some kind of victory. I realized they were broken people, too, even if they would never admit it. So many of us have become afraid and angry. We’ve become so fearful and vengeful that we’ve thrown away children, discarded the disabled, and sanctioned the imprisonment of the sick and the weak—not because they are a threat to public safety or beyond rehabilitation but because we think it makes us seem tough, less broken. I thought of the victims of violent crime and the survivors of murdered loved ones, and how we’ve pressured them to recycle their pain and anguish and give it back to the offenders we prosecute. I thought of the many ways we’ve legalized vengeful and cruel punishments, how we’ve allowed our victimization to justify the victimization of others. We’ve submitted to the harsh instinct to crush those among us whose brokenness is most visible. But simply punishing the broken—walking away from them or hiding them from sight—only ensures that they remain broken and we do, too. There is no wholeness outside of our reciprocal humanity.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
Your name. My back. I can’t fucking wait.” Jane whistled under her breath. “Do I get to do it ” He barked a laugh. “No ” “Come on. I’m a surgeon I’m good with knives.” “My brothers will do it—well actually I guess you could do a letter 
too. Mmm that gets me hard.” He kissed her. “Man you are so my 
kind of girl.” “Do I have to get cut ” “Hell no. It’s done on the males so everyone knows who we belong 
to.” “Belong ” “Yup. I’ll be yours to command. Lord over. Do what you want with. 
Think you can handle it ” V and Jane - Lover Unbound
J.R. Ward
Clay, did you ever love me?" I'm studying a billboard and say that I didn't hear what she said. "I asked if you ever loved me?" On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets. "Don't do this, Blair," I tell her. "Just tell me." I don't say anything. "Is it such a hard question to answer?" I look at her straight on. "Yes or no?" "Why?" "Damnit, Clay," she sighs. "Yeah, sure, I guess." "Don't lie to me." "What in the fuck do you want to hear?" "Just tell me," she says, her voice rising. "No," I almost shout. "I never did." I almost start to laugh. She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine. "Did you ever love me?" I ask her back, though by now I can't even care. She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops. I look at her, waiting for her to go on, looking up at the billboard. Disappear Here. "I don't know if any other person I've been with has been really there, either ... but at least they tried." I finger the menu; put the cigarette out. "You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it." I watch the cars pass by on Sunset. "It's hard to feel sorry for someone who doesn't care." "Yeah?" I ask. "What do you care about? What makes you happy?" "Nothing. Nothing makes me happy. I like nothing," I tell her. "Did you ever care about me, Clay?" I don't say anything, look back at the menu. "Did you ever care about me?" she asks again. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care." "I cared about you for a little while." I don't say anything. She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up. "Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me. "Have to meet someone for lunch." "But what about us?" "What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?" I look up and put my sunglasses on and try to smile. "Yeah.
Bret Easton Ellis (Less Than Zero)
The Law is hard, but it's the Law," Simon added in disgust. "So freaking what? If the Law is wrong, why not change it? Do you know what the world would look like if we were still following the laws made up back in the Dark Ages?" "You know who else used to talk like that?" Jon asked ominously. "Let me guess: Valentine." Simon scowled. "Because apparently in all of Shadowhunter history only one guy has bothered to ask any questions.
Cassandra Clare (The Lost Herondale (Tales from the Shadowhunter Academy, #2))
<…>Tate fell silent. Ty didn't. "Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours." "Friends do what I did for friends," Tate returned. "No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about." Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough." Ty nodded. Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?" Ty didn't feel like joking and answered, "No." "Then what -?" "Love you, man," Ty interrupted quietly. "Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two." "Ty-" Tate murmured. "I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful." "Fuck man," Tate whispered. "Now, do those words work so you get what you did mean to me?" Silence then, "Yeah, they work." "Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in. He stopped with his ass nearly to the seat and looked up over the door when Tate called his name. "I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
I’m a real woman who digests her meals and breaks out and has sweet little pockets of cellulite on her upper thighs that she’s not apologizing for. Because guess what? We all have that shit. We’re all human beings.
Amy Schumer (The Girl with the Lower Back Tattoo)
When was the last time you were kissed?" he went on easily. "And I'm not talking about the dry, noncommittal, meaningless kiss you forget about as soon as it's over." I scrambled out of my stupor long enough to quip, "Like last night's kiss?" He cocked an eyebrow. "That so? I wonder, then, why you moaned my name after you drifted to sleep." "I did not!" "If only I'd had a video recorder. When was the last time you were really kissed?" he repeated. "You seriously think I'm going to tell you?" "Your ex?" he guessed. "And if he was?" "Was it your ex who taught you to be ashamed and uncomfortable with intimacy? He took from you what he wanted, but never seemed to be around when you wanted something back, isn't that right? What do you want, Britt?" he asked me point-blank. "Do you really want to pretend like last night never happened?" "Whatever happened between me and Calvin isn't your business,” I fired back. "For your information, he was a really great boyfriend. I-I wish I was with him right now!" I exclaimed untruthfully. My careless comment made him flinch, but he recovered quickly. "Does he love you?" "What?" I said, flustered. "If you know him so well, it shouldn't be a hard question. Is he in love with you? Was he ever in love with you?" I tossed my head back haughtily. "I know what you're doing. You're trying to cut him down because you're-you're jealous of him!" "You're damn right I'm jealous,” he growled. "When I kiss a girl, I like to know she's thinking about me, not the fool who gave her up.
Becca Fitzpatrick (Black Ice)
The next person who kicks or hits him gets banned from all betting. You will be blackballed for the rest of your shriveled lives. Now back off.’ Amazingly, they all back off. Everyone else might reject the locust victims, but I guess the twins don’t discriminate in their betting pools. Dee looks just as surprised as I am. He glances over at his brother. ‘Dude, we’re the new HBO.’ He flashes a grin.
Susan Ee (End of Days (Penryn & the End of Days, #3))
I thought you said you dislocated Selene’'s shoulder!”" Sonny called to Cait, who’'d tumbled for safety into the black water behind the stern of the boat. “"I did! I guess someone elserelocated it!”" she shouted back.
Lesley Livingston (Tempestuous (Wondrous Strange, #3))
We’re leaving together But still it’s farewell And maybe we’ll come back To Earth, who can tell I guess there is no one to blame We’re leaving ground Will things ever be the same again? It’s the final countdown. . . .
R.J. Palacio (Pluto: A Wonder Story)
We walked home in silence,which I guess was pretty normal, since he was a dog after all.When we arrived at the house, he wasn't impressed at all.In fact, he showed me just how unimpressed he was by growling at the walls for at least three straight hours. “Enough already. The wall is not gonna bark back, Mister Fancy Pants!” He growled at me.Maybe he didn’t like his name? “Don't pee on my carpet,no sniffing, no barking, and no chewing while I'm gone. Stay away from the coffee—touch it and you're gone.” He blinked at me and then snapped his head back at the walls and went back to circling them like a sentry—well,a growling, whining sentry. My cell phone rang, startling me, and I answered it.I winced as the dog continued to go off at the walls as if they would attack him. “Stop barking!” “What?” Ryder asked. “I'm not talking to you. I'm talking to Mister Fancy Pants.” I should seriously change his name. It was too long. “Who the fuck is Mister Fancy Pants?” I snickered as he said my dog's name. Coming out of his mouth, it really sounded bad.
Amelia Hutchins (Taunting Destiny (The Fae Chronicles, #2))
You look different." His words, normally crisp,are now sluggish. "So do you," I say.And he does-he looks more relaxed,younger. "What are you doing?" "Flirting with death," he replies with a laugh. "Drinking near the chasm. Probably not a good idea." "No,it isn't" I'm not sure I like Four this way.There's something unsettling about it. "Didn't know you had a tattoo," he says, looking at my collarbone. He sips the bottle. His breath smells thick and sharp.Like the factionless man's breath. "Right.The crows," he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, "I'd ask you hang out with us, but you're not supposed to see me this way." I am tempted to ask him why he wants to hang out with him,but I suspect the answer has something to do with the bottle in his hand. "What way?" I ask. "Drunk? "Yeah...well,no." His voice softens. "Real,I guess." "I'll pretend I didn't." "Nice of you." He puts his lips next to my ear and says, "You look good, Tris." His words surprise me,and my heart leaps. I wish it didn't,because judging by the way his eyes slide over mine, he has no idea what he's saying. I laugh. "Do me a favor and stay away from the chasm,okay?" "Of course." He winks at me. I can't help it.I smile.Will clears his throat,but I don't want to turn away from Four,even when he walks back to his friends. Then Al rushes at me like a rolling boulder and throws me over his shoulder. I shriek,my face hot. "Come on,little girl," he says, "I'm taking you to dinner." I rest my elbows on Al's back and wave at Four as he carries me away.
Veronica Roth (Divergent (Divergent, #1))
Max." Fang let go of my hand. "Right now, it's really all about—us." He swooped down to the right in a big semicircle, ending facing me. Slowly we climbed upward, until we were almost vertical, flying straight up to the sun. While carefully synchronizing our wings—they almost touched—Fang leaned in, gently put one hand behind my neck, and kissed me. It was just about as close to heaven as I'll ever get, I guess. I closed my eyes, lost in the feeling of flying and kissing and being with the one person in the world I completely, utterly trusted. When we finally broke apart, we looked down at the others, who were way far below us now. Angel was shading her eyes, looking up at us with a big smile. She was sitting on a dolphin's back, and I hoped soon someone would explain to the dolphin that he shouldn't let Angel take advantage of his good nature. Still looking up at us, Angel gave us a big thumbs-up. "She approves," Fang said with a hint of amusement. "Jeez," I wondered aloud. "Is that a good thing or a bad thing?
James Patterson (Max (Maximum Ride, #5))
There are friends, I think we can't imagine living without. People who are sisters to us, or brothers. Jimmy was one of those. I never thought I might have to go through life without him. I never thought he might be killed by a drunken driver or anything else. Who thinks about things like that when you're seventeen? If I had known ahead of time what was going to happen to him, I would have gone crazy. I guess I did go a little crazy. My Aunt Lo, who's a hospital psychiatrist, says grief travels a certain route-that if you could plot it out on a map you'd have a line that twists and weaves and eventually ends up near the point of departure. I say "near" because although you may survive the grief, you won't ever be exactly the same. It took me a long time to learn that, and sometimes the whole experience comes back on me and I have to learn it all over again.
Julie Reece Deaver (Say Goodnight, Gracie)
She put a hit on her boyfriend, so it's not like she hasn't murdered someone." "And you know that how?" Sam asks. I'm trying really hard to be honest, but telling the whole thing to Sam seems beyond me. Still, the fragments sound ridiculous on their own. "She said so. In the park." He rolls his eyes. "Because the two of you were so friendly." "I guess she mistook me for someone else." I sound so much like Philip that it scares me. I can hear the menace in my tone. "Who?" Sam asks, not flinching. I force my voice back to normal. "Uh, the person who killed him.
Holly Black (Red Glove (Curse Workers, #2))
If he guessed his mistake, if he wanted me back, I thought, let him suffer and work for it as I had worked and suffered. Let him follow me over a mountain of iron and a lake of glass, and wear out three swords in my defense. But at my truest, lying awake trying to count the stars, I knew my prince would not follow. In my mind's eye I saw him in his palace, stroking the gold and silver and starry dresses which were fading now like leaves in winter, weeping for a spotless princess who did not exist, who had drowned in the river of time.
Emma Donoghue (Kissing the Witch: Old Tales in New Skins)
Sally put his gun back in his pants. "Guess I flunked the estrogen test." We all stared at his crotch, and Grandma said what Lula and I were thinking. "I thought that bulge was your dingdong,"Grandma said. "Jesus," Sally said, "who do you think I am, Thunder the Wonder Horse? My gun wouldn't fit in my purse." "You need to get a smaller gun," Lula said. "Ruins your lines with that big old Glock in your drawers.
Janet Evanovich (Four to Score (Stephanie Plum, #4))
Once upon a time,” Nora said, as she fluttered a series of kisses over his shoulders that sent every nerve in his body reeling, “a very poor girl from a fucked-up family became a famous writer with a wicked pen and an even more wicked tongue who made seven figures a year. And she went everywhere she wanted to and did everything she wanted to. And nobody ever tried to stop her. And she had her own pet Angel who needed to learn how to talk. So guess what she did?” “What?” Michael asked. He laughed in surprise as Nora slammed him down onto his back and slid on top of him. She brought her mouth onto his and forced his lips apart. “She gave him her tongue.
Tiffany Reisz (The Angel (The Original Sinners, #2))
Though I think the real question is, who would have guessed that the solemn Captain of the Guard could be so passionate?” She lay down beside Celaena, also smiling. “I’m happy for you, my friend.”Celaena smiled back. “I think … I think I’m happy for me, too.” And she was. For the first time in years, she was truly happy. The feeling curled around every thought, a tendril of hope that grew with each breath. She was afraid to look at it for too long, as though acknowledging it would somehow cause it to disappear. Perhaps the world would never be perfect, perhaps some things would never be right, but maybe she stood a chance of finding her own sort of peace and freedom.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
-NONREADING- Bookstores don't provide a remote control for Proust, you can't switch to a soccer match, or a quiz show, win a Cadillac. We live longer but less precisely and in shorter sentences. We travel faster, farther, more often, but bring back slides instead of memories. Here I am with some guy. There I guess that's my ex. Here everyone's naked so this must be a beach. Seven volumes—mercy. Couldn't it be cut or summarized, or better yet put into pictures. There was that series called "The Doll," but my sister-in-law says that's some other P.* And by the way, who was he anyway. They say he wrote in bed for years on end. Page after page at a snail's pace. But we're still going in fifth gear and, knock on wood, never better.
Wisława Szymborska
Not exactly what I wanted, but you know what they say about getting what you want." "That you should want what you have instead?" I guessed. "No! That's ridiculous advice. Jesus, who told you that? Never mind, don't even answer that. Just forget you ever heard it. They, and by 'they' I am referring to those who know what the hell they're talking about, say that you can't always get what you want. But if you try sometimes..." He held out his hand for me to finish. "You just might get what you need?" He shucked me under the chin and gave me his best cocky smile. "There's hope for you yet." He walked away from me with a determined swagger and didn't look back.
Liz Reinhardt (Junk Miles (Brenna Blixen, #2))
I don’t get why people are always trying to escape.” “Really?” said Kate. “Take a look around.” In the distance beyond August’s window, the nothing gave way to something—a town, if it could be called a town. It was more like a huddle of ramshackle structures, buildings gathered like fighters with their backs together, looking out on the night. The whole thing had a starved dog look about it. Fluorescent lights cut glaring beams through the darkness. “I guess it’s different for me,” he said, his voice taut. “One moment I didn’t exist and the next I did, and I spend every day scared I’ll just stop beingagain, and every time I slip, every time I go dark, it’s harder to come back. It’s all I can do to stay where I am. Who I am.” “Wow, August,” she said softly. “Way to kill the mood.
Victoria Schwab (This Savage Song (Monsters of Verity, #1))
You might think that, by now, people would have become accustomed to the idea of natural catastrophes. We live on a planet that is still cooling and which has fissures and faults in its crust; this much is accepted even by those who think that the globe is only six thousand years old, as well as by those who believe that the earth was "designed" to be this way. Even in such a case, it is to be expected that earthquakes will occur and that, if they occur under the seabed, tidal waves will occur also. Yet two sorts of error are still absolutely commonplace. The first of these is the idiotic belief that seismic events are somehow "timed" to express the will of God. Thus, reasoning back from the effect, people will seriously attempt to guess what sin or which profanity led to the verdict of the tectonic plates. The second error, common even among humanists, is to borrow the same fallacy for satirical purposes and to employ it to disprove a benign deity.
Christopher Hitchens
I'm not sure, but I'm guessing that once you're the kind of person who thinks about all this stuff, you don't go back to being the kind of person who doesn't. And that's okay. It's harder, but I think I'd rather be the kind of person who does.
Kate Messner (Breakout)
What pet name would you like me to call you?” “Whatever makes you the happiest. Just pick one.” In that moment, the effect of the baby came back with a vengeance. “I don’t know,” I said, kicking that one out of my head. “I guess one in Spanish makes sense. Bollito? Cuchi cuchi? Pocholito?” “Bollito?” “It’s little bun.” I smiled. “Like those bread buns that are spongey and shiny and so cute that—" “Okay, no.” He frowned. “I think it’s better if we stick to our names,” he said, taking both drinks from the attendant who had just reappeared and placing mine in front of me. “I don’t think I can trust you to pick one in Spanish without knowing what it means.” “I’m very trustworthy—you should know that by now.” I brought a finger to my chin, tapping it a few times. “How about conejito? That’s little bunny.” With a long sigh, Aaron let his massive body fall deeper into the seat. “You are right; you are not a bunny.” I paused. “Osito?” I made a show of looking him up and down, as if I were testing the name on him. “Yeah, that one is way more fitting. You are more of a bear.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
When I was a boy in the midwest I used to go out and look at the stars at night and wonder about them. I guess every boy does that. When I wasn't looking at the stars, I was running in the my old or my brand-new tennis shoes, on my way to swing in a tree, swim in a lake, or delve in the town library to read about dinosaurs or time machines. I guess every boy has done that, too. This is a book about those stars and those tennis shoes. Mainly about the stars, beacuse that is the way I grew up, getting more and more involved with rockets and space as I moved toward my twelfth, thirteenth, and fourteenth years. Not that I have forgotten the tennis shoes and their powerful magic, as you will see in the last story here, which I have included not because it concerns the future, but because it gives you some sort of idea of the kind of boy I was when I was looking at the stars and thinking of the years ahead. Nor have I forgetten the dinosaurs that all boys love; they are here, too, along with a machine that travels back in time to step on a butterfly. This is a book then by a boy who grew up in a small illinois town and lived to see the space age arrive, as he hoped and dreamt it would. I dedicate these stories to all boys who wonder about the past, run swiftly in the present, and have high hopes for our future. The stars are yours, if you have the head, the hands, and the heart for them.
Ray Bradbury
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
Robert G. Ingersoll
I place a palm at his chest. His heartbeat knocks rapidly against my skin. "I never would have guessed." "What's that?" he asks on a hoarse whisper. "That you're one of those netherlings who has a rare penchant for kindness and courage." "Tut." He presses his glove over my hand. "Only when there's fringe benefits." Smiling, I rise to my toes, grip his lapels, and kiss each one of his jewels until they change to a captivating dark purple—the color of passion fruit. I ease back to the balls of my feet. "So beautiful," I whisper, tapping one of the sparkling gems. Morpheus catches my palm and kisses the scars there. "I couldn't agree more."
A.G. Howard (Splintered (Splintered, #1))
Yeah, I did. And I’m the one who threw her at you. I guess I’m not allowed to be jealous.” Mac growls softly. “But I fucking am.” “Welcome to the club,” I growl back. “The thought of anyone but me putting their hands on you makes me homicidal.
Elle Kennedy (Good Girl Complex (Avalon Bay, #1))
So I guess maybe that’ll be the next step in evolution – to break clean like those first amphibians who crawled out of the mud into the sunshine, and who never did go back to the sea.
Kurt Vonnegut Jr.
It’s hard to look back on your life and point to one event–one moment–that changed everything and set you on the path that made you…you. That only happens in movies. Most people’s lives are a series of millions of messy little moments strung together adding up to a messy little life. But sometimes, you can look back and see a pattern forming… see a clear path cutting through the mess. It makes you wonder, do we even have a choice at all? Or was that path going to form no matter what we did? Yeah, it’s easy to look back and see the pattern. It’s easy to second-guess every decision you made and figure out what you would’ve done differently. But none of that much matters now. It’s all in the past. Can’t waste time thinking about who i was, who i could’ve been. All that matters now is who i am.
Jeff Lemire (All-New Hawkeye (2015) #5)
I grew up back and forth between the British Isles: England, Ireland, Scotland, Wales. I spent short periods of time in France, Italy, and South Africa. This is my first time in the States. I was disappointed by Atlanta at first — I'd wanted to live in New York-but it's grown on me.” Everything about Kaidan was exciting and exotic. This was my first time traveling away from home, and he'd already seen so much. I ate my apple, glad it was crisp and not soft. “Which was your favorite place?” I asked. “I've never been terribly attached to any place. I guess it would have to be...here.” I stopped midchew and examined his face. He wouldn't look at me. He was clenching his jaw, tense. Was he serious or was he teasing me? I swallowed my bite. “The Texas panhandle?” I asked. “No.” He seemed to choose each word with deliberate care. “I mean here in this car. With you.” Covered in goose bumps, I looked away from him and stared straight ahead at the road, letting my hand with the apple fall to my lap. He cleared his throat and tried to explain. “I've not talked like this with anyone, not since I started working, not even to the only four people in the world who I call friends. You have Patti, and even that boyfriend of yours. So this has been a relief of sort. Kind of...nice.” He cleared his throat again. Oh, my gosh. Did we just have a moment? I proceeded with caution, hoping not to ruin it. “It's been nice for me, too,” I said. “I've never told Jay anything. He has no idea. You're the only one I've talked to about it all, except Patti, but it's not the same. She learned the basics from the nun at the convent where I was born.” “You were born in a convent,” he stated. “Yes.” “Naturally.
Wendy Higgins (Sweet Evil (Sweet, #1))
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
And that day, I probably walked right by them out of class, not really knowing either of them or having any idea who they'd end up being to me, but I can imagine it so accurately because I was then (and I guess I am still) in my own world of misreading people, reaching out to them in an awkward, overplanned way that blows up big-time, then retreating back in to my just-me existence, while they go around telling anyone who will listen what a tard I am.
D.C. Pierson
Nico: By the time I drove back home last night, I’d gotten myself under control. I’d reasoned with my hard-on until it finally saw my way. Who knew you could reason with a fucking hard-on. I guess I never tried. I just took care of it, did what it wanted me to.
Vi Keeland (Worth the Fight (MMA Fighter, #1))
No, I stay for myself. Everything I need, everything I want, is here. I know it's not enough for most people, but it is for me. Every time I leave, even for an afternoon or an overnight trip to Seattle, I can't wait to get back. This is home. And I guess I'm a person who needs a home, a place to plant seeds and watch them grow.
Barbara Freethy
A psychotic world we live in. The madmen are in power. How long have we known this? Faced this?-And-how many of us do know it? Not Lotze. Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses...what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse the truth...? But, he thought, what does it mean, insane? A legal definition. What do I mean? I feel it, see it, but what is it? He thought, it is something they do, something they are. It is their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing. No, he thought. That isn't it. I don't know; I sense it, inuit it. But-they are purposely cruel...is that it? No. God, he thought, I can't find it, make it clear. Do they ignore parts of reality? Yes. But it is more. It is their plans. Yes, their plans. The conquering of the planets. Something frenzied and demented, as was their conquering of Africa, and before that, Europe and Asia. Their view; it is cosmic. Not of man here, a child there, but an abstraction: race, land. Volk. Land. Blut. Ehre. Not of honorable men but of Ehre itself, honor; the abstract is real, the actual is invisible to them. Die Gute, but not good men, this good man. It is their sense of space and time. They see through the here, the now, into the vast black deep beyond, the unchanging. And that is fatal to life. Because eventually there will be no life; there was once only the dust particles in space, the hot hydrogen gases, nothing more, and it will come again. This is an interval, ein Augenblick. The cosmic process is hurrying on, crushing life back into the granite and methane; the wheel turns for all life. It is all temporary. And they-these madmen-respond to the granite, the dust, the longing of the inanimate; they want to aid Natur. And, he thought, I know why. They want to be the agents, not the victims, of history. They identify with God's power and believe they are godlike. That is their basic madness. They are overcome by some archetype; their egos have expanded psychotically so that they cannot tell where they begin and the godhead leaves off. it is not hubris, not pride; it is inflation of the ego to its ultimate-confusion between him who worships and that which is worshiped. Man has not eaten God; God has eaten man. What they do not comprehend is man's helplessness. I am weak, small, of no consequence to the universe. It does not notice me; I live on unseen. But why is that bad? Isn't it better that way? Whom the gods notice they destroy. Be small...and you will escape the jealousy of the great.
Philip K. Dick (The Man in the High Castle)
Guess life is really a road marked by crossroads. It's not the long and winding stretches that will hurt you the most. It's the crossroads. You make a bad choice and it's a tumble and a rumble before you get back on your feet again. But you'll get back on your feet. You'll find yourself. And then you'll be off to your next adventure (crossroads, I mean). In my case, I always had a safety net—my faith in God. But then, I'm more like the millions of simple folk who travel this world.
Psyche Roxas-Mendoza
Tate could remember every single detail from that first meeting. From the confused way he’d felt and responded, to exactly what Logan had been wearing. It was unbelievable to think back now and realize that, in that precise moment, he’d met the one person who would turn out to be the most essential in his life. Who would’ve guessed it? Two people from totally different walks of life colliding and having that one moment.
Ella Frank (Trust (Temptation, #3))
You haven’t lost your wits, have you?” Lopen asked, eyeing the bones. “Because if you have, I’ve got a cousin who makes this drink for people who’ve lost their wits, and it might make you better, sure.” “If I’d lost my wits,” Kaladin said, walking over to a pool of still water to wash off the carapace helm, “would I say that I had?” “I don’t know,” Lopen said, leaning back. “Maybe. Guess it doesn’t matter if you’re crazy or not.” “You’d follow a crazy man into battle?” “Sure,” Lopen said. “If you’re crazy, you’re a good type, and I like you. Not a killing-people-in-their-sleep type of crazy.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Stay here. I can stay here. You go. Run.” “Really.” “Yes.” “Okay. If that’s what you want. I mean, I could probably die or something, but you do you.” He jerked his head up as he growled. “Die?” I nodded solemnly. “Might trip over a tree root and break my neck. Or Ox could jump on me and crush my liver. Who the fuck knows?” “Stupid Carter,” Gavin said. “Stupid Carter,” I agreed. “Know what you’re doing.” “I have no idea what you’re talking about. So I’m just gonna go, I guess. Don’t know if I’ll ever come back, seeing as how I might be dead and all. If only there was someone out there who could have my back and—” He put his hand over my mouth. “Stop talking. You make it worse.” His nostrils flared. “Fine. I’ll go. Stupid Carter always almost dies.
T.J. Klune (Brothersong (Green Creek, #4))
So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.” -“Wow,” I said. “Did the search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” -“Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” -“I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.” -“Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?” -“So then what?” “So then I’d give him all the love he deserves for what he’s done.” -“Sounds crazy to me.” “Well, to me, that’s what love is…
Haruki Murakami (Norwegian Wood)
The book was The Art of War by Sun Tzu. Percy had never heard of it, but he could guess who sent it. The letter read: Good job, kid. A real man’s best weapon is his mind. This was your mom’s favorite book. Give it a read. P.S.—I hope your friend Percy has learned some respect for me. “Wow.” Percy handed back the book. “Maybe Mars is different than Ares. I don’t think Ares can read.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
When I asked Afghans to describe to me the difference between men and women, over the years interesting responses came back. While Afghan men often begin to describe women as more sensitive, caring, and less physically capable than men, Afghan women tend to offer up only one difference, which had never entered my mind before. Want to take a second and guess what that one difference may be? Here is the answer: Regardless of who they are, whether they are rich or poor, educated or illiterate, Afghan women often describe the difference between men and women in just one word: freedom. As in: Men have it, women do not.
Jenny Nordberg (The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan)
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled. The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.” “Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?” A growl like none Butch had ever heard came out of the guy. “Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.” It took a minute before the model let go. “That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.” Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.” The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly. “Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?" “Don’t have one.” “Then I’m coming after your girlfriend.” Butch dragged in some air. “Got no woman.” “So if the chicks won’t do you, what makes you think I’d want to?” “Was hoping to piss you off.” “Now why’d you want to do that?” Blondie asked. “If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight. Would’ve killed me first. Before I had a chance at you.” Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone. “You know, I kind of like this big dummy,” the guy drawled. Someone cleared a throat. Rather officiously. Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray. “Pardon me, gentlemen. Dinner will be served in about fifteen minutes.” “Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray. “Yes, Sire.” “Hot damn.” The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this? “Might I ask a favor?” the butler said. Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.” Yeah, guess the guy wasn’t really normal. Just relatively so. The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?” “No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Why is God landing in this enemy-occupied world in disguise and starting a sort of secret society to undermine the devil? Why is He not landing in force, invading it? Is it that He is not strong enough? Well, Christians think He is going to land in force; we do not know when. But we can guess why He is delaying. He wants to give us the chance of joining His side freely. I do not suppose you and I would have though much of a Frenchman who waited till the Allies were marching into Germany and then announced he was on our side. God will invade. But I wonder whether people who ask God to interfere openly and directly in our world quite realise what it will be like when He does. When that happens, it is the end of the world. When the author walks on to the stage the play is over. God is going to invade, all right: but what is the good of saying you are on His side then, when you see the whole natural universe melting away like a dream and something else -something it never entered your head to conceive- comes crasing in; something so beautiful to some of us and so terrible to others that none of us will have any choice left? For this time it will be God without disguise; something so overwhelming that it will strike either irresistible love or irresistible horror into every creature. It will be too late then to choose your side. There is no use saying you choose to lie down when it has become impossible to stand up. That will not be the time for choosing: it will be the time when we discover which side we really have chosen, whether we realised it before or not. Now, today, this moment, is our chance to choose the right side. God is holding back to give us that chance. It will not last forever. We must take it or leave it.
C.S. Lewis (The Case for Christianity)
Not easy having her for a mom. When did her ambitions die? If I had to guess, the day she graduated from Martha Stewart’s School for Stepford Housewives. Never inspirational, she’s more of an embarrassment for an already unpopular kid like me. What can I say? I’ve got plain-and-ordinary running through my veins. Maybe that’s why I can’t shake this stench of unremarkable. It goes back generations.
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
The place is deserted except for my classmate Asterid March, who’s arranging tiny bottles on a shelf behind the counter. A long blond braid falls down her back, but the damp heat has brought out tendrils of hair that frame her perfect face. Asterid’s the town beauty and rich by District 12 standards. I used to hold that against her, but she showed up one night in the Seam, alone, to treat a neighbor woman who’d been whipped for back-talking a Peacekeeper. She brought some ointment she’d concocted herself, then slipped away, never mentioning payment. Since then, she’s who people turn to for help when a loved one goes under the lash. I guess Asterid has more substance than her pack of snooty town friends suggests. Besides, Burdock’s nuts about her, so I try to be nice even though he’s got about as much chance with her as a mockingjay with a swan. Town girls don’t marry Seam boys, not unless something really goes haywire.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games))
This one, I guess," he says. I look over at the counter, he is looking back at me. He is holding a riding crop: "I'd like to try it out." There is a peculiar shift: from one second to the next I have become disoriented, I am on alien territory, in a foreign century. He walks a few steps to where I am half sitting on the desk, one foot on the floor, the other dangling. He pulls my skirt up my left leg, which is resting on the desk, steps back and strikes me across the inner thigh. The searing pain is an inextricable part of a wave of excitement; every cell in my body is awash with lust. It is silent in the small, dusty room. The clerks behind the counter have frozen. He slowly smooths down my skirt and turns to the older man, who is wearing a suit and still looks like an accountant, though a deep flush is spreading upward from his shirt collar. "This one will do.
Elizabeth McNeill (Nine and a Half Weeks: A Memoir of a Love Affair)
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites. "No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation. "Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing. Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green. Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case. Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her. I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away. I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
Kiera Cass (The Selection (The Selection, #1))
Pudge/Colonel: "I am sorry that I have not talked to you before. I am not staying for graduation. I leave for Japan tomorrow morning. For a long time, I was mad at you. The way you cut me out of everything hurt me, and so I kept what I knew to myself. But then even after I wasn't mad anymore, I still didn't say anything, and I don't even really know why. Pudge had that kiss, I guess. And I had this secret. You've mostly figured this out, but the truth is that I saw her that night, I'd stayed up late with Lara and some people, and then I was falling asleep and I heard her crying outside my back window. It was like 3:15 that morning, maybe, amd I walked out there and saw her walking through the soccer field. I tried to talk to her, but she was in a hurry. She told me that her mother was dead eight years that day, and that she always put flowers on her mother's grave on the anniversary but she forgot that year. She was out there looking for flowers, but it was too early-too wintry. That's how I knew about January 10. I still have no idea whether it was suicide. She was so sad, and I didn't know what to say or do. I think she counted on me to be the one person who would always say and do the right things to help her, but I couldn"t. I just thought she was looking for flowers. I didn't know she was going to go. She was drunk just trashed drunk, and I really didn't think she would drive or anything. I thought she would just cry herself to sleep and then drive to visit her mom the next day or something. She walked away, and then I heard a car start. I don't know what I was thinking. So I let her go too. And I'm sorry. I know you loved her. It was hard not to." Takumi
John Green (Looking for Alaska)
Oh! I know what I wanted to tell you – you’ll never guess who Thomas is chasing after now…” Hmmm, never guess or can’t be bothered to guess – it was a hard call. I yawned again, glancing at the bed, which was inviting me to clamber back inside and pull the sheet over my head. So tempting, but not practical.
Melanie Cusick-Jones (Hope's Daughter (The Ambrosia Sequence, #1))
But as I stood across from Archer, I couldn't forget that I was completely, stupidly in love with the one person I could never have. The laughter died on my lips, and I dashed at my eyes with the back of my hand. "I need to get back," I said. "Right," he replied. He was still holding his sword in his right hand, and he twirled the hilt, the point sratching the wooden floor. "So this is it. We're done." "Yeah," I said, my voice cracking. I cleared my throat. "And I have to say, the world's first and last Eye-demon reconnaissance mission went pretty well." It was a struggle to meet his eyes, but I managed it. "Thank you." He shrugged, his dark gaze full of something I couldn't quite read. "We were a good team." "We were." In more ways than one, I thought. Which is why this sucked so bad. I stepped back. "Anyway, I should go. See ya,Cross." Then I laughed, only it sounded suspiciously like another sob. "Except I won't, will I So I guess I should say goodbye." I felt like I was about to shatter into a million tiny shards, like the mirrors I'd broken with Dad. "okay, well, best of luck with the whole Eye thing, then. Try not to kill anyone I know." I turned away, but he reached out and caught my wrist. I could feel my pulse hammering under his fingers. "Mercer, that day in the cellar..." He searched my face, and I could sense him struggling for what he wanted to say. Then finally, "I didn't kiss you back because I had to. I kissed you because I wanted to." His eyes dropped to my lips,and it was like the whole world had shrunk to just me and him and the shaft of light between us. "I still want to," he said hoarsely. He tugged my wrist and pulled me into his arms. My brain registered the sound of his sword clattering to he ground as his other hand came up to grab the back of my neck, but once his lips were on mine, everything else faded away. I clutched at his shoulders, raising up on my tiptoes, and kissed him with everything I had in me. As the kiss deepened, we held each other tighter, so I didn't know if the pounding heartbeat I felt was mine or his. How stupid,I thought dreamily, to have ever thought I could give this up. Not just the kissing, although, as Archer's hands cupped my face, I had to admit that part was pretty awesome. But all of it: joking with him and working beside him. Being with a guy who was my friend and could still make me feel like this.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Empurpled rapturous hills I guess and the long day brushstroke by brushstroke enfeebling into darkness and then the fires blooming on the pitch plains. In the beautiful blue night there was plenty of visiting and the braves was proud and ready to offer a lonesome soldier a squaw for the duration of his passion. John Cole and me sought out a hollow away from prying eyes. Then with the ease of men who have rid themselves of worry we strolled among the Indian tents and heard the sleeping babies breathing and spied out the wondrous kind called by the Indians winkte or by white men berdache, braves dressed in the finery of squaws. John Cole gazes on them but he don’t like to let his eyes linger too long in case he gives offence. But he’s like the plough-horse that got the whins. All woken in a way I don’t see before. The berdache puts on men’s garb when he goes to war, this I know. Then war over it’s back to the bright dress. We move on and he’s just shaking like a cold child. Two soldiers walking under the bright nails of the stars. John Cole’s long face, long stride. The moonlight not able to flatter him because he was already beautiful.
Sebastian Barry (Days Without End: AN IRISH TIMES BEST IRISH BOOK OF THE 21ST CENTURY)
Th communique repeated the information. “He went to the body of his wife and wouldn’t leave it, although she was dead.” How strange. why didn’t he run and save his own hide? What made him go back? is it possible that he loved her? Is it possible that he wanted to hold her in his arms one last time? Is it possible that he needed to cry and grieve? Is it possible that he felt the stupidity of war? Is it possible that he felt the injustice of fate? Is it possible that he thought of children, born or unborn? Is it possible that he didn’t care what become of him now? It’s possible. We don’t know. Or at least we don’t know for certain. But we can guess. His actions answer. And so h sits alone in a prison. Not a “Russian” or a “Communist” or “solider” or “enemy” or any of these categories. Just-a-man who cared for just-a-woman for just-a-time more than anything else. Here’s to you, Nicolai Pestretsov, wherever you may go and be, for giving powerful meaning to the promises that are the same everywhere; for dignifying that covenant that is the same in any language— “for better or for worse, in good times and bad, in sickness and in health, to love and honor and cherish unto death, so help me God.” You kept the faith; kept it bright— kept it shining. Bless you!
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
I gotta go," he said. Like now. "Yes... me, too." She flushed and stepped back, her eyes meeting his briefly and skirting away. "Anyway, I'll see you. Around." She turned away and started walking quickly back up to the house. And guess who appeared in the doorway to meet her: Rehvenge. Rehv... so strong... so powerful... so completely able to feed her. Marissa didn't make it another yard. Butch shot out of the SUV, grabbed her around the waist, and dragged her back to the car. Although it wasn't as if she fought him. In the slightest.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
He pulled me toward him so that I was resting on my side. I coughed up some more water. He took off his wet shirt and folded it. Then he gently lifted me and placed it under my sore head, which hurt too much to appreciate his…bronzed…sculpted…muscular…bare chest. Well I guess I must be okay if I can appreciate the view, I thought. Sheesh, I’d have to be dead not to appreciate it. I winced as Ren’s hand brushed against my head, shaking me from my reverie. “You’ve got a major bump here.” I reached up to feel the giant lump on the back of my skull. I gingerly touched it and recalled the source of my headache. I must have lost consciousness when the rock hit me. Ren saved my life. Again. I looked up at him. He was kneeling next to me with a look of desperation on his face, and his body was shaking. I realized that he must have changed to a man, dragged me out of the pool, and then remained by my side until I woke up. Who knows how long I’ve been laying here unconscious. “Ren, you’re in pain. You’ve been in this form too long today.” He shook his head in denial, but I saw him grit his teeth. I pressed my hand on his arm. “I’ll be okay. It’s just a bump on the head. Don’t worry about me. I’m sure Mr. Kadam has some aspirin tucked away in the backpack. I’ll just take that and lie down to rest for a while. I’ll be alright.” He trailed his finger slowly from my temple to my cheek and smiled softly. When he pulled back, his whole arm shook and tremors rippled under the surface of his skin. “Kells, I-“ His face tightened. He threw his head to the side, snarled angrily, and morphed to a tiger again. He softly growled, then quieted, and drew close beside me. He lay down next to me and watched me carefully with his alert blue eyes. I stroked his back, partly to reassure him and partly because it soothed me too.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
She’s my wife. Back off, jarhead,” he tossed back over his shoulder. Jared laughed, and it wasn’t a mean laugh. Cassie bit back a grin as he stepped back, giving Mitch room to turn around before stepping right back into his personal space. His smile was knowing and totally awesome. “Actually, she’s Cassie. She’s nobody’s wife, because the loser she was married to wasn’t smart enough to know just how awesome his wife was when he had her. So if that’s you, I’m sorry, bud. And I’m guessing it is, because only a moron who’s never served in uniform would call someone a jarhead. You gotta be a Marine to use that term, and only to another Marine. You fail on both points, but try harder next time.
Cora Seton (SEALs of Winter)
"Joss" "What?" "What?" Dylan asked back. "You just said my name." "No I didn't" "Sorry that was me." I sat up, banging my head on the roof. "Who is that?" "Hey, stay down here where the air is good, okay?" Dylan pulled me gently back down. "Hows your head?" "Not good, I think." "Um, okay, so you here me. Heather's right, you do think loud. I mean, I've never heard you before, but my Talent seems to be a lot more selective than her's. But now that she's got me turned in to you-" "Who are you?" "It's still me, Marshall. It's Dylan. I'm right here." "My name's Joel." "Joel?" "Joss, what are you talking about?" He took my face in his hands. "Who's Joel?" "The voice in my head, I guess." "Jesus.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
Who else knows about this besides us?” “Just Patti...” “Okay. That should be okay. Is that it?” “And Kaidan,” I added. My eyes darted everywhere but his face. I was in for it. “Who?” There was an edge to his voice. His eyes searched mine. I didn't want to tell him a single thing about Kaidan. I knew how it would sound. I took my hands from his, pulling the braid over my shoulder to mess with it. “He's my friend. He's the one who drove me here to see you.” “You told some human kid?” I coughed, buying time. “He's Neph, too.” Jonathan LaGray went rigid and his ruddy cheeks paled. I squirmed as his eyes bored into mine. “Which one's his father?” he asked through clenched teeth. “Richard Rowe. I guess you'd know him as Pharzuph.” Oh, boy. He wasn't pale anymore. “You came across the country—” “Shhh!” I warned him as people looked over. He lowered his voice to a shouted whisper. “-with the son of the Duke of Lust? Son of a—” He pounded a fist down on the table and a guard stepped toward us. I waved and nodded at the man, trying to reassure him it was fine, and my father pulled his balled hands down into his lap. After a moment the guard walked back to the wall and looked away. “Don't worry!” I whispered. “I told you; we're just friends.” He closed his eyes and massaged his forehead with his fingers to calm his temper. “You tell him that his father is never to know about you or whatever Sister Ruth tells you. Understand?” “He would never tell his father anything. But, um...” I swallowed. “Unfortunately, Pharzuph already knows about me.” His eyes flashed red again and it nearly stopped my heart. I pressed my back into the seat, causing it to wobble. “Aren't you worried people will see your eyes when you do that?” I asked, sure that my own eyes were gigantic at that moment. “Humans can't see it. And don't try to change the subject. I know Pharzuph,” he growled. “He's a real bastard on earth and in hell. He'd do anything to gain favour.” “Kaidan thinks he'll forget about me if I lie low.” “Maybe momentarily, while he's busy or distracted with his work, but you'll cross his mind again someday.
Wendy Higgins (Sweet Evil (Sweet, #1))
The Correspondence-School Instructor Says Goodbye to His Poetry Students Goodbye, lady in Bangor, who sent me snapshots of yourself, after definitely hinting you were beautiful; goodbye, Miami Beach urologist, who enclosed plain brown envelopes for the return of your very “Clinical Sonnets”; goodbye, manufacturer of brassieres on the Coast, whose eclogues give the fullest treatment in literature yet to the sagging breast motif; goodbye, you in San Quentin, who wrote, “Being German my hero is Hitler,” instead of “Sincerely yours,” at the end of long, neat-scripted letters extolling the Pre-Raphaelites: I swear to you, it was just my way of cheering myself up, as I licked the stamped, self-addressed envelopes, the game I had of trying to guess which one of you, this time, had poisoned his glue. I did care. I did read each poem entire. I did say everything I thought in the mildest words I knew. And now, in this poem, or chopped prose, no better, I realize, than those troubled lines I kept sending back to you, I have to say I am relieved it is over: at the end I could feel only pity for that urge toward more life your poems kept smothering in words, the smell of which, days later, tingled in your nostrils as new, God-given impulses to write. Goodbye, you who are, for me, the postmarks again of imaginary towns—Xenia, Burnt Cabins, Hornell— their solitude given away in poems, only their loneliness kept. Galway Kinnell
Galway Kinnell (Three Books: Body Rags; Mortal Acts, Mortal Words; The Past)
What he confessed was this. He had not been serving God, after all, when he followed Allen Dulles. He had been on a satanic quest. These were some of James Jesus Angleton’s dying words. He delivered them between fits of calamitous coughing—lung-scraping seizures that still failed to break him of his cigarette habit—and soothing sips of tea. “Fundamentally, the founding fathers of U.S. intelligence were liars,” Angleton told Trento in an emotionless voice. “The better you lied and the more you betrayed, the more likely you would be promoted. . . . Outside of their duplicity, the only thing they had in common was a desire for absolute power. I did things that, in looking back on my life, I regret. But I was part of it and loved being in it.” He invoked the names of the high eminences who had run the CIA in his day—Dulles, Helms, Wisner. These men were “the grand masters,” he said. “If you were in a room with them, you were in a room full of people that you had to believe would deservedly end up in hell.” Angleton took another slow sip from his steaming cup. “I guess I will see them there soon.
David Talbot (The Devil's Chessboard: Allen Dulles, the CIA, and the Rise of America's Secret Government)
Did you check for an index?” Gary asked. Farrah’s eyes landed on Gary like attack dogs. “I guess there’s no time for research,” Gary said, heading for the stairs. “Let’s go,” Rufus said, following after Gary. Farrah watched them vanish down the steep staircase, then turned to the back of the book. Jason narrowed his eyes as he watched her. “Are you checking for an index?
Shirtaloon (He Who Fights with Monsters (He Who Fights with Monsters, #1))
I got out of the shower and stopped to look at myself in the mirror. I looked blotchy and messy and not at all like those girls in magazines. But I was still fucking beautiful. I'm a real woman who digests her meals and breaks out and has sweet little pockets of cellulite on her upper thighs that she's not apologising for. Because guess what? we all have that shit. We're all human beings.
Amy Schumer (The Girl with the Lower Back Tattoo)
I stood back up and looked down at my feces. A lovely snail-shell architecture, still steaming. Borromini. My bowels must be in good shape, because everyone knows you have nothing to worry about unless your feces are to soft or downright liquid. I was seeing my shit for the first time (in the city you sit on the bowl, then flush right away, without looking). I was now calling it shit, which I think is what people call it. Shit is the most personal and private thing we have. Anyone can get to know the rest - your facial expression, your gaze, your gestures. Even your naked body: at the beach, at the doctor's, making love. Even your thoughts, since usually you express them, or else others guess them from the way you look at them or appear embarrassed. Of course, there are such things as secret thoughts... but in general thoughts too are revealed. Shit, however, is not. Except for an extremely brief period of your life, when your mother is still changing your diapers, it is all yours. And since my shit at that moment must not have been all that different from what I had produced over the course of my past life, I was in that instant reuniting with my old, forgotten self, undergoing the first experience capable of merging with countless previous experiences, even those from when I did my business in the vineyards as a boy. Perhaps if I took a god look around, I would find the remains of those shits past, and then, triangulating properly, Clarabelle's treasure. But I stopped there. Shit was not my linden-blossom tea, of course not, how could I have expected to conduct my recherche with my sphincter? In order to rediscover lost time, one should have not diarrhea but asthma. Asthma is pneumatic, it is the breath (however labored) of the spirit: it is for the rich, who can afford cork-lined rooms. The poor, in the fields, attend less to spiritual than to bodily functions. And yet I felt not disinherited but content, and I mean truly content, in a way I had not felt since reawakening. The ways of the Lord are infinite, I said to myself, they go even through the butthole.
Umberto Eco (The Mysterious Flame of Queen Loana)
And love does not mean to be nice to their faces and judge them behind their backs or point out how we think they are evil and dangerous. It means to love them unconditionally. To accept them how they are and treat them no differently than we’d treat our own children.” Eliza wrinkled her nose. “It’s not so easy to love people who hate you.” “No, I guess not. But we’re supposed to do it anyway.
Jill Williamson (Rebels (The Safe Lands #3))
Addiction has ruined so much of my life it’s not funny. It’s ruined relationships. It’s ruined the day-to-day process of being me. I have a friend who doesn’t have any money, lives in a rent-controlled apartment. Never made it as an actor, has diabetes, is constantly worried about money, doesn’t work. And I would trade places with him in a second. In fact, I would give up all the money, all the fame, all the stuff, to live in a rent-controlled apartment—I’d trade being worried about money all the time to not have this disease, this addiction. And not only do I have the disease, but I also have it bad. I have it as bad as you can have it, in fact. It’s backs-to-the-wall time all the time. It’s going to kill me (I guess something has to). Robert Downey Jr., talking about his own addiction, once said, “It’s like I have a gun in my mouth with my finger on the trigger, and I like the taste of the metal.” I got it; I understand that.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
First there was nothing. Nothing but a frayed strip of cement over the white earth. Then she made out two mountains colliding in the back of beyond: like they'd come from who knows where and were headed to anyone's guess but had come together at that intense point in the nothingness and insisted on crashing noisily against each other, though the oblivious might think they simply stood there in silence.
Yuri Herrera (Signs Preceding the End of the World)
Liz and Willie were passing a miniature chateau--even in its modified version, it was seven or eight thousand square feet--and Liz said, "I guess I'm a Cincinnati opportunist. In New York, I play the wholesome-midwesterner card, but when I'm back here, I consider myself to be a chic outsider." Even before Willie replied, Liz felt the loneliness of having confided something true in a person who didn't care.
Curtis Sittenfeld (Eligible)
It is a measure of a nation their cunning! It is a measure of a nation their strength! And it is a measure of a nation," I leaned forward and screeched, "their mercy!" I leaned back and surveyed the crowd and for some bizarre reason kept right on shouting. The condemned you see before you have been tried justly and meet their sentence fairly. They have done wrong and they will pay for it. But I am not the Winter Princess of a nation who does not see that even the condemned deserve to be treated with respect as they face death. You may think they do not deserve it but it is your duty as Lunwynians to rise above their actions not fall to their depths. They will hang for their crimes and you will watch this sentence carried out.How could that not be enough for you?" I tore my eyes away from the now whispering crowd as those close sent my words far,feeling Frey’s arm still tight around my middle but I ignored it and looked down at the scaffold. Bring her to her feet,” I ordered the guardstanding around Viola and they shifted andstared up at me in stupefaction so I snapped,“ Bring her to her feet! ”They jumped toward Viola who I avoidedlooking at as they helped her up and movedher to her noose. Instead, I looked back tothe crowd and, yep, you guessed it, kept right on shouting. "Today, you witness something infinitely sad. Three people who have gone wrong somewhere in their lives, done wrong be-cause of it and therefore are paying the ulti-mate price. Do not stand there shouting and jeering, demonstrating that they were right to move against this great nation, those for-tunate enough to inhabit her ice-bound earth and those privileged to wear her crowns.Stand there and, as the Lunwynians I know you to be, stand strong, stand proud and stand filled with mercy.
Kristen Ashley (Wildest Dreams (Fantasyland, #1))
We recently graduated from school, and the mayor gave us one last little school assignment. We had to write about our chosen profession. Twenty pages, too. Now, I love my village and all, and have absolutely zero regrets about becoming a warrior, but dude, c'mon. Who wants to write twenty pages about anything? Luckily, Runt thought of a way for us to avoid writing so much without breaking the rules, and every other student copied Runt's idea. Needless to say, the mayor wasn't too thrilled about that. Guess that's why Runt is back to crafting potato-based food items." Resisting the urge to ask 'What's a potato?', I nodded. "Hmm. Do you think I'll be able to speak with him?" "Probably,
Cube Kid (Nether Kitten: Book 5)
It would be nice if the story ended differently - if he had burst into tears and professed his love for me; if he had said the same three words back and hugged me; if he had given it thought and then asked if we could try a relationship. But you know what? I said those three words to a boy who didn’t love me back, at least not in that way. He casually dropped a “love you” later on, and in a platonic ‘you have impacted my life’ way, he was telling the truth. But I knew. He had given it thought, and we were not on the same page. I built up all this courage to say “I love you” for the very first time, and I said those words to a person that couldn’t reciprocate them. But guess what? I don’t regret any of it.
Stephen Lovegrove (How to Find Yourself, Love Yourself, & Be Yourself: The Secret Instruction Manual for Being Human)
Good for him,” she said, still concentrating on the dirt. “I do think these things are easier for men.” I stared at the back of her head. She was right, of course. “Boys are less afraid of being wrong,” I said. It was a line from My So-Called Life—she wouldn’t remember, though we’d watched that episode together in high school: the sensitive redhead observing the boys in her classroom as they shouted dumb guesses at the teacher. This was why men got to run the world, even as it became slowly obvious they were terrible at it. But who was molding all these chickenshit daughters?
Holly Brickley (Deep Cuts)
Jes,” Wylan said, “did you mean what you told my father? Will you stay with me? Will you help?” Jesper leaned back on the pianoforte, resting on his elbows. “Let’s see. Live in a luxurious merch mansion, get waited on by servants, spend a little extra time with a budding demolitions expert who plays a mean flute? I guess I can manage it.” Jesper’s eyes traveled from the top of Wylan’s red-gold curls to the tips of his toes and back again. “But I do charge a pretty steep fee.” Wylan flushed a magnificent shade of pink. “Well, hopefully the medik will be here to fix my ribs soon,” he said as he headed back into the parlor. “Yeah?” “Yes,” said Wylan, glancing briefly over his shoulder, his cheeks now red as cherries. “I’d like to make a down payment.” Jesper released a bark of laughter. He couldn’t remember the last time he’d felt this good. And no one was even shooting at him.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Our minds are creative and knowledgeable. Yet time and time again, our needs and wants fell on deaf ears. We were told we weren’t good enough. We were abused mentally, physically, and emotionally. We were told with nasty sarcastic remarks at times, and here and there maybe a laugh that made the insult worse; “It would be your word against mine, and guess who they are going believe? Not you.” One by one we took a chance to speak up, but our voices weren’t heard. They tried to make us feel threatened; as if we were going to lay down and be stepped on like shit on the bottom on their shoe. We interrupted their comfort zone and showed them their time was up! Their time of talking and belittling us this way has expired. They tried, but they failed to realize we are strong and we will never give up. Their time of thinking they can touch us inappropriately and we will keep quiet has expired. No! We will rise up and bring the world to its feet. Trust me… We will be seen and heard! Their time of trying to break us down has expired. No! We can move mountains! Their time of pointing their fingers at us and putting F.E.A.R (False Evidence Appearing Real) into our minds by making us believe it is our fault has expired. No! It is not our fault. It never was! Their time of nasty insults has expired. They fail to realize we catch every nasty word and throw back the insult to show we can give as good as we get. Their time of preying off vulnerable women who have to “make a deal” to get a higher position they earned has expired. No! Your “man”ipulation has no effect. We, as women, have full ownership of our minds, bodies, and souls.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
I wasn’t perfect, and I made mistakes; but I learned from them and became a better person for it. I always followed my heart. And most of all, I loved — with every ounce of my being. I guess you could say the greatest love story ever written isn’t confined to the pages of a book. It’s in our lives; and we’re the ones who write it. So that’s what life’s all about, isn’t it? Why we’re here. It has nothing to do with dollars. In fact, it’s totally free. Life’s greatest gift. And the best part is, the best part, this gift we give to others… we get it back. It’s what makes the journey so worthwhile… it’s LOVE.
Sebastian Cole (Sand Dollar: A Story of Undying Love)
One can never call me a quitter I take something right and see it through till it’s wrong Auctioning myself off to the lowest bidder Going once, going twice Gone Sold to the man for the price of disdain Some are sold for a song I don’t rate a refrain I guess it was all going just a little too well If I wasn’t careful I’d be happy pretty soon Heaven’s no place for one who thrives on hell, One who prefers the bit to the silver spoon. Then just when I’d almost resigned myself to winning When it seemed my bright future would never dim When my luck looked as though it was only beginning I met him. Sullen and scornful; a real Marlboro man The type who pours out the beer and eats the can A tall guy with a cultivated leer One you can count on to diaprove or disappear I knew right away that he was a find Given this, he was the kindest man I’d ever met Back came my sense of worthlessness And my long lost pangs of regret I was my old self again, lost and confused Reunited with that old feeling Of being misunderstood and misused. Sold to the man for the price of disdain All of this would be interesting If it weren’t so mundane
Carrie Fisher (The Princess Diarist)
My old man 16 years old during the depression I’d come home drunk and all my clothing– shorts, shirts, stockings– suitcase, and pages of short stories would be thrown out on the front lawn and about the street. my mother would be waiting behind a tree: “Henry, Henry, don’t go in . . .he’ll kill you, he’s read your stories . . .” “I can whip his ass . . .” “Henry, please take this . . .and find yourself a room.” but it worried him that I might not finish high school so I’d be back again. one evening he walked in with the pages of one of my short stories (which I had never submitted to him) and he said, “this is a great short story.” I said, “o.k.,” and he handed it to me and I read it. it was a story about a rich man who had a fight with his wife and had gone out into the night for a cup of coffee and had observed the waitress and the spoons and forks and the salt and pepper shakers and the neon sign in the window and then had gone back to his stable to see and touch his favorite horse who then kicked him in the head and killed him. somehow the story held meaning for him though when I had written it I had no idea of what I was writing about. so I told him, “o.k., old man, you can have it.” and he took it and walked out and closed the door. I guess that’s as close as we ever got.
Charles Bukowski (Love Is a Dog from Hell)
And I would guess there’s a lot more similarity in how we suffer than the way we experience joy. Rejection stays with you, but I don’t think people register it when they’re happy. They don’t say, “I need to remember what this feels like.” It just goes by, and it’s perfect and awesome, and you feel grateful that you get to experience even a fleeting moment of pure, unbridled, unsarcastic bliss. But when we experience pain or trauma, we’re acutely aware that something is wrong. You want answers. “What is this? How do I get rid of this? Why is this happening to me? I don’t want this.” That’s why so much art, and music, in particular, becomes a great commiserating balm for pain. Joy doesn’t need to be audited. We’re just grateful to have had it at all. But pain, goddammit, we demand to know Who’s responsible for this?
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
New Rule: Not everything in America has to make a profit. If conservatives get to call universal health care "socialized medicine," I get to call private, for-profit health care "soulless vampire bastards making money off human pain." Now, I know what you're thinking: "But, Bill, the profit motive is what sustains capitalism." Yes, and our sex drive is what sustains the human species, but we don't try to fuck everything. It wasn't that long ago when a kid in America broke his leg, his parents took him to the local Catholic hospital, the nun stuck a thermometer in his ass, the doctor slapped some plaster on his ankle, and you were done. The bill was $1.50; plus, you got to keep the thermometer. But like everything else that's good and noble in life, some bean counter decided that hospitals could be big business, so now they're not hospitals anymore; they're Jiffy Lubes with bedpans. The more people who get sick, and stay sick, the higher their profit margins, which is why they're always pushing the Jell-O. Did you know that the United States is ranked fiftieth in the world in life expectancy? And the forty-nine loser countries were they live longer than us? Oh, it's hardly worth it, they may live longer, but they live shackled to the tyranny of nonprofit health care. Here in America, you're not coughing up blood, little Bobby, you're coughing up freedom. The problem with President Obama's health-care plan isn't socialism. It's capitalism. When did the profit motive become the only reason to do anything? When did that become the new patriotism? Ask not what you could do for your country, ask what's in it for Blue Cross Blue Shield. And it's not just medicine--prisons also used to be a nonprofit business, and for good reason--who the hell wants to own a prison? By definition, you're going to have trouble with the tenants. It's not a coincidence that we outsourced running prisons to private corporations and then the number of prisoners in America skyrocketed. There used to be some things we just didn't do for money. Did you know, for example, there was a time when being called a "war profiteer" was a bad thing? FDR said he didn't want World War II to create one millionaire, but I'm guessing Iraq has made more than a few executives at Halliburton into millionaires. Halliburton sold soldiers soda for $7.50 a can. They were honoring 9/11 by charging like 7-Eleven. Which is wrong. We're Americans; we don't fight wars for money. We fight them for oil. And my final example of the profit motive screwing something up that used to be good when it was nonprofit: TV news. I heard all the news anchors this week talk about how much better the news coverage was back in Cronkite's day. And I thought, "Gee, if only you were in a position to do something about it.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?" "Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways. "Oh," Toraf says. "It must be someone I know, then." "Toraf, I swear by Triton's trident-" "These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna." "She's not going to any island with you, Toraf!" Emma yells. "Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles. Rayna shakes her head. "It's no use, Emma. I really don't have a choice." She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you." Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him. Toraf shakes his head. "She's not staying with you, Emma." "We'll see about that, tadpole," she returns. "Galen, do something," Toraf says, not taking his eyes off Emma. Galen grins. "Such as?" "I don't know, arrest her or something," Toraf says, crossing his arms. Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table. Everyone gasps except Galen-who laughs so hard he almost upturns his chair. Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?" The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?" Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt. The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago." This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly. She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand." She laughs and shows him it's empty. "No weapons." "Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her. She shrugs. "Survival instinct, maybe?" He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks. "Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Darwin, with his Origin of Species, his theories about Natural Selection, the Survival of the Fittest, and the influence of environment, shed a flood of light upon the great problems of plant and animal life. These things had been guessed, prophesied, asserted, hinted by many others, but Darwin, with infinite patience, with perfect care and candor, found the facts, fulfilled the prophecies, and demonstrated the truth of the guesses, hints and assertions. He was, in my judgment, the keenest observer, the best judge of the meaning and value of a fact, the greatest Naturalist the world has produced. The theological view began to look small and mean. Spencer gave his theory of evolution and sustained it by countless facts. He stood at a great height, and with the eyes of a philosopher, a profound thinker, surveyed the world. He has influenced the thought of the wisest. Theology looked more absurd than ever. Huxley entered the lists for Darwin. No man ever had a sharper sword -- a better shield. He challenged the world. The great theologians and the small scientists -- those who had more courage than sense, accepted the challenge. Their poor bodies were carried away by their friends. Huxley had intelligence, industry, genius, and the courage to express his thought. He was absolutely loyal to what he thought was truth. Without prejudice and without fear, he followed the footsteps of life from the lowest to the highest forms. Theology looked smaller still. Haeckel began at the simplest cell, went from change to change -- from form to form -- followed the line of development, the path of life, until he reached the human race. It was all natural. There had been no interference from without. I read the works of these great men -- of many others – and became convinced that they were right, and that all the theologians -- all the believers in "special creation" were absolutely wrong. The Garden of Eden faded away, Adam and Eve fell back to dust, the snake crawled into the grass, and Jehovah became a miserable myth.
Robert G. Ingersoll
In history, in a movie, in a book, you can always tell who the heroes are; they're the ones rushing into a burning building, giving crucial testimony in the courtroom, refusing to step to the back of the bus. They're the ones who act the way you hope you would, if the moment came to you. But the movies and the history books never tell you how they felt, those heroes, if they were angry or uncertain or afraid, if they had to think a long time before they did the right thing, if they even knew what the right thing was or just made a headlong guess, just leaped and hoped they landed instead of falling. They never tell you what it's like to stand on the brink, wishing you were somewhere--or someone--else, wishing the choice had never come your way and you could just go back to your safe, ordinary, everyday life. Because you know what else the books never say? Nobody, hero or not, really wants to rush into a fire. Because fire burns.
Kathe Koja (Buddha Boy)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
It’s shocking to me that boys are where your thoughts are focused at this time in the morning, so unlike you.” Ami laughed off my sarcasm. “No need to be so grumpy, just get some make-up on those bags and you’ll be fine.” “Sure, sure,” I agreed without enthusiasm. “Oh! I know what I wanted to tell you – you’ll never guess who Thomas is chasing after now…” Hmmm, never guess or can’t be bothered to guess – it was a hard call. I yawned again, glancing at the bed, which was inviting me to clamber back inside and pull the sheet over my head. So tempting, but not practical.
Melanie Cusick-Jones (Hope's Daughter (The Ambrosia Sequence, #1))
I had recently read to my dismay that they have started hunting moose again in New England. Goodness knows why anyone would want to shoot an animal as harmless and retiring as the moose, but thousands of people do—so many, in fact, that states now hold lotteries to decide who gets a permit. Maine in 1996 received 82,000 applications for just 1,500 permits. Over 12,000 outof-staters happily parted with a nonrefundable $20 just to be allowed to take part in the draw. Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America. Mastodons, saber-toothed tigers, wolves, caribou, wild horses, and even camels all once thrived in eastern North America alongside the moose but gradually stumbled into extinction, while the moose just plodded on. It hasn’t always been so. At the turn of this century, it was estimated that there were no more than a dozen moose in New Hampshire and probably none at all in Vermont. Today New Hampshire has an estimated 5,000 moose, Vermont 1,000, and Maine anywhere up to 30,000. It is because of these robust and growing numbers that hunting has been reintroduced as a way of keeping them from getting out of hand. There are, however, two problems with this that I can think of. First, the numbers are really just guesses. Moose clearly don’t line up for censuses. Some naturalists think the population may have been overstated by as much as 20 percent, which means that the moose aren’t being so much culled as slaughtered. No less pertinent is that there is just something deeply and unquestionably wrong about killing an animal that is so sweetly and dopily unassuming as a moose. I could have slain this one with a slingshot, with a rock or stick—with a folded newspaper, I’d almost bet—and all it wanted was a drink of water. You might as well hunt cows.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
My best advice about writer’s block is: the reason you’re having a hard time writing is because of a conflict between the GOAL of writing well and the FEAR of writing badly. By default, our instinct is to conquer the fear, but our feelings are much, much, less within our control than the goals we set, and since it’s the conflict BETWEEN the two forces blocking you, if you simply change your goal from “writing well” to “writing badly,” you will be a veritable fucking fountain of material, because guess what, man, we don’t like to admit it, because we’re raised to think lack of confidence is synonymous with paralysis, but, let’s just be honest with ourselves and each other: we can only hope to be good writers. We can only ever hope and wish that will ever happen, that’s a bird in the bush. The one in the hand is: we suck. We are terrified we suck, and that terror is oppressive and pervasive because we can VERY WELL see the possibility that we suck. We are well acquainted with it. We know how we suck like the backs of our shitty, untalented hands. We could write a fucking book on how bad a book would be if we just wrote one instead of sitting at a desk scratching our dumb heads trying to figure out how, by some miracle, the next thing we type is going to be brilliant. It isn’t going to be brilliant. You stink. Prove it. It will go faster. And then, after you write something incredibly shitty in about six hours, it’s no problem making it better in passes, because in addition to being absolutely untalented, you are also a mean, petty CRITIC. You know how you suck and you know how everything sucks and when you see something that sucks, you know exactly how to fix it, because you’re an asshole. So that is my advice about getting unblocked. Switch from team “I will one day write something good” to team “I have no choice but to write a piece of shit” and then take off your “bad writer” hat and replace it with a “petty critic” hat and go to town on that poor hack’s draft and that’s your second draft. Fifteen drafts later, or whenever someone paying you starts yelling at you, who knows, maybe the piece of shit will be good enough or maybe everyone in the world will turn out to be so hopelessly stupid that they think bad things are good and in any case, you get to spend so much less time at a keyboard and so much more at a bar where you really belong because medicine because childhood trauma because the Supreme Court didn’t make abortion an option until your unwanted ass was in its third trimester. Happy hunting and pecking!
Dan Harmon
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The fact that I had never wanted to be a doctor was nothing more than a footnote to a story that interested no one. You wouldn’t think a person could succeed in something as difficult as medicine without wanting to do it, but it turned out I was part of a long and noble tradition of self-subjugation. I would guess at least half the students in my class would rather have been anywhere else. We were fulfilling the expectations that had been set for us: the sons of doctors were expected to become doctors so as to honor the tradition; the sons of immigrants were expected to become doctors in order to make a better life for their families; the sons who had been driven to work the hardest and be the smartest were expected to become doctors because back in the day medicine was still where the smart kids went.
Ann Patchett (The Dutch House)
Kaz is … I don’t know, he’s like nobody else I’ve ever known. He surprises me.” “Yes. Like a hive of bees in your dresser drawer.” Jesper barked a laugh. “Just like that.” “So what are we doing here?” Jesper turned back to the sea, feeling his cheeks heat. “Hoping for honey, I guess. And praying not to get stung.” Inej bumped her shoulder against his. “Then at least we’re both the same kind of stupid.” “I don’t know what your excuse is, Wraith. I’m the one who can never walk away from a bad hand.” She looped her arm in his. “That makes you a rotten gambler, Jesper. But an excellent friend.” “You’re too good for him, you know.” “I know. So are you.” “Shall we walk?” “Yes,” Inej said, falling into step beside him. “And then I need you to distract Nina, so I can go search for my knives.” “No problem. I’ll just bring up Helvar.” Jesper glanced back at the wheel as they set off down the opposite side of the deck. Kaz hadn’t moved. He was still watching them, his eyes hard, his face as unreadable as ever.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
It was better to die, like Eugénie and Digby, in the prime of life with all one's faculties about one. But he wasn't like that, she thought, glancing at the press cuttings. 'A man of singularly handsome presence... shot, fished, and played golf.' No, not like that in the least. He had been a curious man; weak; sensitive; liking titles; liking pictures; and often depressed, she guessed , by his wife's exuberance. She pushed the cuttings away and took up her book. It was odd how different the same person seemed to two different people, she thought. There was Martin, liking Eugénie; and she, liking Digby. She began to read. She had always wanted to know about Christianity - how it began; what it meant, originally. God is love, The kingdom of Heaven is within us, sayings like that she thought, turning over the pages, what did they mean? The actual words were very beautiful. But who said them - when? Then the spout of the tea-kettle puffed steam at her and she moved it away. The wind was rattling the windows in the back room; it was bending the little bushes; they still had no leaves on them. It was what a man said under a fig tree, on a hill, she thought. And then another man wrote it down. But suppose that what that man says is just as false as what this man - she touched the press cuttings with her spoon - says about Digby? And here I am, she thought, looking at the china in the Dutch cabinet, in this drawing-room, getting a little spark from what someone said all those years ago - here it comes (the china was changing from blue to livid) skipping over all those mountains, all those seas. She found her place and began to read.
Virginia Woolf (The Years)
We got lots of secrets, Will. You Apollo guys can't have all the fun. Our campers have been excavating the tunnel system under Cabin Nine for almost a century. We still haven't found the end. Anyway, Leo, if you don't mind sleeping in a dead man's bed, it's yours-Jake Suddenly Leo didn't feel like kicking back. He sat up, careful not to touch any of the buttons. The counselor who died-this was his bed-Leo Yeah. Charles Beckendorf-Jake Leo imagined saw blades coming through the mattress, or maybe a grenade sewn inside the pillows. He didn't, like, die IN this bed, did he-Leo No. In the Titan War, last summer-Jake The Titan War, which has NOTHING to do with this very fine bed-Leo "The Titans," Will said, like Leo was an idiot. The big powerful guys that ruled the world before the gods. They tried to make a comeback last summer. Their leader, Kronos, built a new palace on top of Mount Tam in California. Their armies came to New York and almost destoyed Mount Olympus. A lot of demigods died trying to stop them-Will I'm guessing this wasn't on the news-Leo It seemed like a fair question, but Will shook his head in disbelief. You didn't hear about Mount St. Helens erupting, or the freak storms across the country, or that building collapsing in St Louis-Will Leo shrugged. Last summer, he'd been on the run from another foster home. Then a truancy officer caught him in New Mexico, and the court sentenced him to the nearest correction facility-the Wilderness School. Guess I was busy-Leo Doesn't matter. You were lucky to miss it. The thing is, Beckendorf was one of the first casualties, and ever since then-Jake Your cabin's been cursed-Leo
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Tsunami spotted Snail and Herring among the guards. Their eyes darted anxiously from side to side, as if they were wondering how they were still alive. Because Mother wants to make a spectacle of them, Tsunami guessed. Coral was probably waiting for the right moment to punish them in public, the way she’d punished Tortoise. Well, two can play the spectacle game, Your Majesty. “MOTHER!” Tsunami declared dramatically as the waitstaff set bowls of soup in front of each dragon. Beside her, Whirlpool jumped and nearly tipped his bowl onto himself. Even Queen Coral looked startled. “I have something DREADFULLY SHOCKING to tell you!” Tsunami announced. She wanted this to be loud, so every dragon could witness it. “Oh?” said Coral. “Could we discuss it after breakfast? In a civilized fashion?” “NO,” Tsunami said, louder than before. “This is TOO SHOCKING.” Even SeaWings not invited to the feast were starting to peer out of their caves and poke their heads out of the lake to hear what was going on. “Well, perhaps —” Coral started. “WOULD YOU BELIEVE,” Tsunami said, “that my friends — the DRAGONETS OF DESTINY, remember — were CHAINED UP? And STARVED? In YOUR CAVES? By YOUR DRAGONS?” “What?” Coral said, flapping her wings. She looked thoroughly alarmed, but Tsunami couldn’t tell whether that was because the news actually surprised her or because she was being confronted openly with what she’d done. “I KNOW!” Tsunami practically bellowed. “It’s UNBELIEVABLE. I’m sure you didn’t know anything about it, of course.” “Of course,” Coral said in a hurry. “I would never treat any dragonets that way! Especially my dearest daughter’s dearest friends. Who are part of the prophecy and everything.” “And I’m sure you’ll want to punish the dragons who disobeyed you by treating my friends so terribly,” Tsunami said. “Right? Like, for instance, the one who lied to you about keeping them well fed?” She shot a glare at Lagoon, who froze with a sea snail halfway to her mouth, suddenly realizing what was going on. “Absolutely,” said the queen. “Guards! Throw Lagoon in one of the underwater dungeons!” “But —” Lagoon said. “But I was only —” “Next time you’ll obey my orders,” said the queen. A stripe quickly flashed under her wings, but Tsunami spotted it, and it was one Riptide had taught her. Silence. Oh, Mother, Tsunami thought sadly. “Can’t I even —” Lagoon said, reaching wistfully for her cauldron of soup as the guards pulled her away. “No breakfast for you,” the queen ordered. “Think about how that feels as you sit in my dungeon.” Tsunami was fairly sure Lagoon wouldn’t actually suffer very much. Queen Coral would have her back at Council meetings before long. But Tsunami wasn’t done. “And
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
He shakes his head. “Look at me, standing out here in the rain, still trying to convince you that I’m not trying to use you,” he mutters more to himself. “You’re still so fucking complicated, Scarlet.” “I guess you better get back inside to what’s easy.” My voice cracks as I turn to walk home. He grabs my hand, stopping me in my tracks. “Who says that’s what I want?” He tugs me gently toward him. Truthfully, it doesn’t take much—nothing at all—to lead me into his broad chest. “I’m not a seventeen-year-old kid anymore.” He leans in to press his forehead against mine. “And ever since you came back, I can’t get you out of my head.
K.A. Tucker (The Player Next Door (Polson Falls, #1))
Well, I guess that answers my question." The deep velvet voice startles me. I jump, grab my pillow like I'm going to use it as a weapon. Will stands in the doorway, sipping from a metallic travel mug. His gray T-shirt stretches across his shoulders and chest in a way that makes my throat close up. "What question?" I ask, breathless. "Whether you're as beautiful in the morning as you are during the rest of the day." "Oh," I say dumbly, pushing the tangle of hair back off my shoulders, certain I don't look good right now, just rolling out of bed. Not that I take pains with my appearance on the average day, but still...who looks their best fresh out of bed? "You're here again," I murmur. "Apparently." "Can't stay away?" "Apparently not." I'm okay with that. Great, in fact. "I made you breakfast," he adds. "You can cook?" I'm impressed. He grins. "I live in a bachelor household, remember? My mom died when I was a kid. I hardly remember her. I kind of had to learn to cook." "Oh," I murmur, then sit up straighter. "Wait a minute. How'd you get in here?" "Opened the front door." He takes another sip from his mug and looks at me like I'm in trouble. "Your mom really should lock the door when she leaves." I arch a brow. "Would that have kept you out?" He smiles a little. "You know me well.
Sophie Jordan (Firelight (Firelight, #1))
It’s your business if you wanna pretend you’re not queer.” Wrong. Thing. To. Say. His growl echoes on the tiled walls and he makes a move to charge forward only to stop himself feet away from me. Nostrils flared; lips curled back. Delicious anger staring at me. I’m a sick cub for finding him sexy. “You know nothing, Fierro. Keep your fucking mouth shut or I’ll do it for you, got it?” I smile and he’s further pissed off as I watch his eyes crinkle. Pity he’s a jerk, he really is hot. “Whatever you say. Try not to remember how I taste later, yeah?” It’s me who leaves first, brushing by his shoulder and he hisses another curse. His threats today don’t work on me, they never do. He’s like a posturing animal trying to exert his dominance. I never guessed he’d succeed with his tongue in my mouth. Stranger things have happened, but never did I think I’d end up making out with my tormentor.
V. Theia (Manhattan Tormentor (From Manhattan #7))
The Sleeping I have imagined all this: In 1940 my parents were in love And living in the loft on West 10th Above Mark Rothko who painted cabbage roses On their bedroom walls the night they got married. I can guess why he did it. My mother’s hair was the color of yellow apples And she wore a velvet hat with her pajamas. I was not born yet. I was remote as starlight. It is hard for me to imagine that My parents made love in a roomful of roses And I wasn’t there. But now I am. My mother is blushing. This is the wonderful thing about art. It can bring back the dead. It can wake the sleeping As it might have late that night When my father and mother made love above Rothko Who lay in the dark thinking Roses, Roses, Roses.
Lynn Emanuel (Hotel Fiesta)
New Rule: Now that liberals have taken back the word "liberal," they also have to take back the word "elite." By now you've heard the constant right-wing attacks on the "elite media," and the "liberal elite." Who may or may not be part of the "Washington elite." A subset of the "East Coast elite." Which is overly influenced by the "Hollywood elite." So basically, unless you're a shit-kicker from Kansas, you're with the terrorists. If you played a drinking game where you did a shot every time Rush Limbaugh attacked someone for being "elite," you'd be almost as wasted as Rush Limbaugh. I don't get it: In other fields--outside of government--elite is a good thing, like an elite fighting force. Tiger Woods is an elite golfer. If I need brain surgery, I'd like an elite doctor. But in politics, elite is bad--the elite aren't down-to-earth and accessible like you and me and President Shit-for-Brains. Which is fine, except that whenever there's a Bush administration scandal, it always traces back to some incompetent political hack appointment, and you think to yourself, "Where are they getting these screwups from?" Well, now we know: from Pat Robertson. I'm not kidding. Take Monica Goodling, who before she resigned last week because she's smack in the middle of the U.S. attorneys scandal, was the third-ranking official in the Justice Department of the United States. She's thirty-three, and though she never even worked as a prosecutor, was tasked with overseeing the job performance of all ninety-three U.S. attorneys. How do you get to the top that fast? Harvard? Princeton? No, Goodling did her undergraduate work at Messiah College--you know, home of the "Fighting Christies"--and then went on to attend Pat Robertson's law school. Yes, Pat Robertson, the man who said the presence of gay people at Disney World would cause "earthquakes, tornadoes, and possibly a meteor," has a law school. And what kid wouldn't want to attend? It's three years, and you have to read only one book. U.S. News & World Report, which does the definitive ranking of colleges, lists Regent as a tier-four school, which is the lowest score it gives. It's not a hard school to get into. You have to renounce Satan and draw a pirate on a matchbook. This is for the people who couldn't get into the University of Phoenix. Now, would you care to guess how many graduates of this televangelist diploma mill work in the Bush administration? On hundred fifty. And you wonder why things are so messed up? We're talking about a top Justice Department official who went to a college founded by a TV host. Would you send your daughter to Maury Povich U? And if you did, would you expect her to get a job at the White House? In two hundred years, we've gone from "we the people" to "up with people." From the best and brightest to dumb and dumber. And where better to find people dumb enough to believe in George Bush than Pat Robertson's law school? The problem here in America isn't that the country is being run by elites. It's that it's being run by a bunch of hayseeds. And by the way, the lawyer Monica Goodling hired to keep her ass out of jail went to a real law school.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
I used to have a pretty dim view of humanity,” Tony said. “But since I started traveling—particularly to places where I anticipated being treated badly—I am on balance pretty convinced that generally speaking the human race are doing the best they can to be as good as they can, under the circumstances, whatever they may be. I guess my hope is the more people see of the world, in person hopefully, or even on television, they see ordinary people doing ordinary things, so when news happens at least they have a better idea of who we’re talking about. Put a face to some empathy, to some kinship, to some understanding. This surely is a good thing. I hope it’s a useful thing.” “And this is why a show like yours is terrific,” the president said. “Because it reminds people that actually there’s a whole bunch of the world that on a daily basis is going about its business, eating at restaurants, taking their kids to school, trying to make ends meet, playing games. The same way we are back home.
Tom Vitale (In the Weeds: Around the World and Behind the Scenes with Anthony Bourdain)
My epic,” said Emily, diligently devouring plum cake, “is about a very beautiful high-born girl who was stolen away from her real parents when she was a baby and brought up in a woodcutter’s hut.” “One av the seven original plots in the world,” murmured Father Cassidy. “What?” “Nothing. Just a bad habit av thinking aloud. Go on.” “She had a lover of high degree but his family did not want him to marry her because she was only a woodcutter’s daughter—” “Another of the seven plots — excuse me.” “ — so they sent him away to the Holy Land on a crusade and word came back that he was killed and then Editha — her name was Editha — went into a convent—” Emily paused for a bite of plum cake and Father Cassidy took up the strain. “And now her lover comes back very much alive, though covered with Paynim scars, and the secret av her birth is discovered through the dying confession av the old nurse and the birthmark on her arm.” “How did you know?” gasped Emily in amazement. “Oh, I guessed it — I’m a good guesser.
L.M. Montgomery (The Complete Emily Starr Trilogy: Emily of New Moon / Emily Climbs . Emily's Quest)
Hello Stonehedge!!!! who takes the Pandorica takes the Universe!! but bad news everyone. cause guess who! HAH! Except you lot your all Whizzing about, it really very distracting. could you all just stand still a moment, BECAUSE I AM TALKING!! now the question of the hour is Who's got the Pandorica? Answer i do. next question who is comeing to take it from me? COME ON!! look at me! no plan, no back up, no weapons worth a damn, and another thing i dont got is ANYTHING.TO.LOOSE. so! if your sitting up there in your silly little Space ships with all your silly little guns and you have any plans on stealing the Pandorica tonight, just remember who's standing in your way. remember, every black day i ever stopped you and then, AND THEN!! DO THE SMART THING! Let somebody else try first.
The Eleventh Doctor
We don’t even know what’s going on in the rest of the world. All we can do is-is play Scooby-Doo in the cellar.” “That’s not all we can do, Sophie,” Archer said. Whenever Archer used my first name, I knew he was serious. “What do you mean?” He backed up a few steps. “Look, you want the Casnoffs gone and these kids saved, or at least…well, put out of their misery, I guess. You don’t want anyone to raise demons ever again. There are other people who want those things, too.” “Please tell me you are not talking about The Eye.” He looked away and shoved his hands in his pockets. “I’m just saying that you and The Eye have a common goal here.” I wasn’t sure if I was stunned, or angry, or disgusted. It was kind of a mixture of all three. “Okay, is there a gas leak down here? Or did you hit your head on the tunnel? Because that’s really the only excuse for you saying something so freaking stupid.” “Oh, you’re right, Mercer,” he said. “The idea of a trying to fight an army of demons with a bunch of trained soldiers is beyond ridiculous. Maybe we can go get Nausicaa and see if she’ll give us some faerie dust to make the problem go away.” “Don’t be a jackass,” I snapped. “Then don’t be naïve,” he retorted. “This is too big for us to handle, Sophie. This is too big for Prodigium to deal with on their own. But if we could all work together, there’s a chance that-“ “What do you think, Cross? That we’ll ask The Eye to help us, and they’ll be all, ‘Sure, no problem! And once we’re done wiping out the demons, we certainly won’t kill the rest of you, even though that’s like, our mission in life!
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Later, I interviewed a prominent psychoanalyst, who told me that trauma destroys the fabric of time. In normal time, you move from one moment to the next, sunrise to sunset, birth to death. After trauma, you may move in circles, find yourself being sucked backwards into an eddy, or bouncing about like a rubber ball from now to then and back again. August is June, June is December. What time is it? Guess again. In the traumatic universe, the basic laws of matter are suspended: ceiling fans can be helicopters, car exhaust can be mustard gas. Another odd feature of traumatic time is that it doesn’t just destroy the flow of the present into the future, it corrodes everything that came before, eating at moments and people from your previous life, until you can’t remember why any of them mattered. What I previously found inconceivable is now inescapable: I have been blown up so many times in my mind that it is impossible to imagine a version of myself that has not been blown up. The man on the other side of the soldier’s question is not me. In fact, he never existed. The war is gone now, but the event remains, the happening that nearly erased the life to come and thus erased the life that came before. The soldier’s question hangs in the air the way it always has. The way it always will.   Have you ever been blown up before, sir?
David J. Morris (The Evil Hours: A Biography of Post-Traumatic Stress Disorder)
Wherever I went in my life, I met people who wanted to gobble up something new. Gobble up a new car. Gobble up a new piece of property. Gobble up the latest toy. And then they wanted to tell you about it. 'Guess what I got? Guess what I got?' You know how I always interpreted that? These were people so hungry for love that they were accepting substitutes. They were embracing material things and expecting a sort of hug back. But it never works. You can't substitute material things for love or for gentleness or for tenderness or for a sense of comradeship. Money is not a substitute for tenderness, and power is not a substitute for tenderness. I can tell you, as I'm sitting here dying, when you most need it, neither money nor power will give you the feeling you're looking for, no matter how much of them you have.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
My years of struggling against inequality, abusive power, poverty, oppression, and injustice had finally revealed something to me about myself. Being close to suffering, death, executions, and cruel punishments didn't just illuminate the brokenness of others; in a moment of anguish and heartbreak, it also exposed my own brokenness. You can't effectively fight abusive power, poverty, inequality, illness, oppression, or injustice and not be broken by it. We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent. The ways in which I have been hurt - and have hurt others - are different from the ways Jimmy Dill suffered and caused suffering. But our shared brokenness connected us. Thomas Merton said: We are bodies of broken bones. I guess I'd always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we're fractured by the choices we make; sometimes we're shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis for our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion. We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity. I thought of the guards strapping Jimmy Dill to the gurney that very hour. I thought of the people who would cheer his death and see it as some kind of victory. I realized they were broken people, too, even if they would never admit it. So many of us have become afraid and angry. We've become so fearful and vengeful that we've thrown away children, discarded the disabled, and sanctioned the imprisonment of the sick and the weak - not because they are a threat to public safety or beyond rehabilitation but because we think it makes us seem tough, less broken. I thought of the victims of violent crime and the survivors of murdered loved ones, and how we've pressured them to recycle their pain and anguish and give it back to the offenders we prosecute. I thought of the many ways we've legalized vengeful and cruel punishments, how we've allowed our victimization to justify the victimization of others. We've submitted to the harsh instinct to crush those among us whose brokenness is most visible. But simply punishing the broken - walking away from them or hiding them from sight - only ensures that they remain broken and we do, too. There is no wholeness outside of our reciprocal humanity. I frequently had difficult conversations with clients who were struggling and despairing over their situations - over the things they'd done, or had been done to them, that had led them to painful moments. Whenever things got really bad, and they were questioning the value of their lives, I would remind them that each of us is more than the worst thing we've ever done. I told them that if someone tells a lie, that person is not just a liar. If you take something that doesn't belong to you, you are not just a thief. Even if you kill someone, you're not just a killer. I told myself that evening what I had been telling my clients for years. I am more than broken. In fact, there is a strength, a power even, in understanding brokenness, because embracing our brokenness creates a need and desire for mercy, and perhaps a corresponding need to show mercy. When you experience mercy, you learn things that are hard to learn otherwise. You see things that you can't otherwise see; you hear things you can't otherwise hear. You begin to recognize the humanity that resides in each of us.
Bryan Stevenson (Just Mercy)
Old Rekohu’s claim to singularity, however, lay in its unique pacific creed. Since time immemorial, the Moriori’s priestly caste dictated that whosoever spilt a man’s blood killed his own mana - his honor, his worth, his standing & his soul. No Moriori would shelter, feed, converse with, or even see the persona non grata. If the ostracized murderer survived his first winter, the desperation of solitude usually drove him to a blowhole on Cape Young, where he took his life. Consider this, Mr. D’Arnoq urged us. Two thousand savages (Mr. Evans’s best guess) enshrine “Thou Shalt Not Kill” in word & in deed & frame an oral “Magna Carta” to create a harmony unknown elsewhere for the sixty centuries since Adam first tasted the fruit of the Tree of Knowledge. War was as alien a concept to the Moriori as the telescope is to the Pygmy. Peace, not a hiatus betwixt wars but millennia of imperishable peace, rules these far-flung islands. Who can deny Old Rekohu lay closer to More’s Utopia than our States of Progress governed by war-hungry princelings in Versailles & Vienna, Washington & Westminster? “Here,” declaimed Mr. D’Arnoq, “and where only, were those elusive phantasms, those noble savages, framed in flesh & blood!” (Henry, as we later made our back to the Musket confessed, “I could never describe a race of savages too backwards to throw a spear as ‘noble.
David Mitchell (Cloud Atlas)
Of all the passers-through, the species that means most to me, even more than geese and cranes, is the upland plover, the drab plump grassland bird that used to remind my gentle hunting uncle of the way things once had been, as it still reminds me. It flies from the far Northern prairies to the pampas of Argentina and then back again in spring, a miracle of navigation and a tremendous journey for six or eight ounces of flesh and feathers and entrails and hollow bones, fueled with bug meat. I see them sometimes in our pastures, standing still or dashing after prey in the grass, but mainly I know their presence through the mournful yet eager quavering whistles they cast down from the night sky in passing, and it makes me think of what the whistling must have been like when the American plains were virgin and their plover came through in millions. To grow up among tradition-minded people leads one often into backward yearnings and regrets, unprofitable feelings of which I was granted my share in youth-not having been born in time to get killed fighting Yankees, for one, or not having ridden up the cattle trails. But the only such regret that has strongly endured is not to have known the land when when it was whole and sprawling and rich and fresh, and the plover that whet one's edge every spring and every fall. In recent decades it has become customary- and right, I guess, and easy enough with hindsight- to damn the ancestral frame of mind that ravaged the world so fully and so soon. What I myself seem to damn mainly, though, is just not having seen it. Without any virtuous hindsight, I would likely have helped in the ravaging as did even most of those who loved it best. But God, to have viewed it entire, the soul and guts of what we had and gone forever now, except in books and such poignant remnants as small swift birds that journey to and from the distant Argentine and call at night in the sky.
John Graves
It’s true I’ve got a cold streak. I recognize that. But if they—my father and mother—had loved me a little more, I would have been able to feel more—to feel real sadness, for example.” “Do you think you weren’t loved enough?” She tilted her head and looked at me. Then she gave a sharp, little nod. “Somewhere between ‘not enough’ and ‘not at all.’ I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it—to be fed so much love I couldn’t take any more. Just once. But they never gave that to me. Never, not once. If I tried to cuddle up and beg for something, they’d just shove me away and yell at me. ‘No! That costs too much!’ It’s all I ever heard. So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty-five days a year. I was still in elementary school at the time—fifth or sixth grade—but I made up my mind once and for all.” “Wow,” I said. “And did your search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are times in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. ‘Now I see, Midori. What a fool I’ve been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?’” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is. Not that anyone can understand me, though.” Midori gave her head a little shake against my shoulder. “For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn’t begin at all.” “I’ve never met a girl who thinks like you.
Haruki Murakami (Norwegian Wood)
Here's what I want you to learn from this: Never let someone answer a question for you. Jump in with anything at all to make sure hat you're the one talking. Say, 'That's an interesting question', or 'I'm glad you asked that question,' or 'Oh goody, my favorite subject.' Say anything that will guarantee that you're in the conversation about yourself and not out of it like a teenager standing next to her mother at a cocktail party. You must tell your own story, never let someone, even someone as familiar to you as your sister-in-law think she knows you better than you know yourself. She only sees what you do, she doesn't' see who you are inside. If I regret anything when I look back, it's how often I allowed people to think what they wanted to thing. I should've stopped them sort. I should've laughed at their assumptions. I should've hooted with laughter, 'Hoo hoo hoo,' and followed with twinkling, mischievous smile just to throw them off, just to keep them guessing, The problem is they watch what you do, who you love, how you cook, what you read and what you don't read, and they decide what it means, and sometimes you're not there to stop them, or you get the timing wrong. I've always wondered why people look so much to action for meaning. When people tell you a story, something that happened to them, something important, don't ask them what they did , ask them what they wanted to do, what they want to do is who they are. Actions are whispers compared to dreams.
Alison Jean Lester (Lillian on Life)
of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!
Rick Riordan (Percy Jackson's Greek Gods)
Eena!” Recognizing Ian’s voice, Eena turned to find him approaching her from behind. He was entirely clad in body armor and gauntlets, cradling an open-faced helmet in one arm. Painted on his chest plate was a flaming, gold sword. From his side hung a leather sheath, a golden hilt peeking from the top. “I’m glad you’re back. You are going to stay and watch us play, aren’t you?” He looked hopeful she’d say yes. Eena smiled brightly. “I didn’t know you were talented enough to be on a dueling team. Nice sword,” she teased. Ian blushed a degree. “Thanks. They call us the Savage Warriors!” He rasped their team name in a semi-ferocious voice. “Jerin’s team captain.” She laughed at the showy designation. “And who’s your challenger today?” “The Dragon Slayers - Derian’s team.” Eena’s face fell. “Derian is playing?” She groaned internally, knowing she should’ve guessed as much. This was starting to look like another setup.
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
While Cinder walked down the endless black-carpeted aisle, she tried not to think of all the people in the universe who were watching her. She tried not to wonder whether they were judging her or admiring her, afraid of her or impressed by her. She tried not to guess how many saw her as the lost princess or a pathetic cyborg, a vigilante or a criminal, a revolutionary or a mechanic that had gotten lucky. She tried not to think about the smear of yellow frosting on her priceless gown. Kai and Winter stood at the altar encased in the light of glowing orbs, Winter holding the queen's crown and Kai a ceremonial scepter. Together, they represented how both Earth and Luna would accept her right to rule. The rest of her friends were in their reserved seats in the front row. Thorne, on the aisle, held out his hand as Cinder passed. She snorted and accepted the high five before floating up the stairs. Winter winked at her. "Well done, Cinder-friend. You didn't trip. The hard part is over." Kai gave a smile meant for only Cinder, even though the entire universe was watching. "She's right, that really is the hard part." "Thank the stars," Cinder whispered back. "Now let's get this over with." Taking a long shaky breath, she turned to face her kingdom.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
But then Mrs. Tum-Tum—” “I’m sorry.” I held up a hand. “Missus who?” “Mrs. Tum-Tum,” Livgren repeated. “The head of the Feline Intelligence Division.” I looked over to Morrison. “She’s called Mrs. Tum-Tum?” “Yes, and?” “I don’t know,” I confessed. “I guess I just wasn’t expecting to have a serious discussion involving someone called Mrs. Tum-Tum.” “It’s not her fault,” Morrison said. “Some human named her when she was a kitten. Humans give cats really shitty names sometimes. Blame the human, not the cat.” “Does Mrs. Tum-Tum have a first name?” Morrison looked at me oddly. “No, it’s just Mrs. Tum-Tum. Or, if you want to be formal about it, Director Mrs. Tum-Tum.” “Not just Director Tum-Tum?” “No, because Mrs. Tum-Tum is her name. The ‘Missus’ part isn’t an honorific.” “Are—” “Charlie, could you actually fucking focus for a moment?” Morrison asked. “Right, sorry,” I said, and turned back to Livgren. “Director Mrs. Tum-Tum,” I prompted.
John Scalzi (Starter Villain)
By the time the human stuck his key in the lock of his third-floor apartment door and pushed it open, Dante was shoving him into the dark, tossing the guy across the spartan living room. “Motherfu—” Sullivan came up out of his crash on one knee, then froze, his face caught in a wedge of light from the bare bulb glowing in the hall outside. Something flashed in the human’s eyes, something beneath his immediate fear. Recognition, Dante thought, figuring he probably remembered them from the club the other night. But there was anger there too. Pure male animosity. Dante could smell it seeping out of the human’s pores. He slowly got to his feet. “What the fuck’s going on?” “How about you tell us,” Dante said, willing a lamp to come on as he strode farther into the place. Behind him, Chase closed and locked the door. “I’m pretty sure you can guess this isn’t a social call.” “What do you want?” “We’ll start with information. It’ll be up to you how we go about getting it.” “What kind of information?” His gaze swung anxiously between Dante and Chase. “I don’t know who you guys are, and I don’t have any idea what you’re talking abou—” “Now, see,” Dante said, cutting him off with a chuckle, “that kind of bullshit answer puts us off to a real bad start.” As the human’s right hand slid into the deep pocket of his down-filled vest, Dante smirked. “You wanna convince me you’re an idiot, go ahead and pull that gun out. Just so we’re clear, I really hope you do.” Ben Sullivan’s face blanched as white as his apartment’s unpainted walls. He pulled his hand back out, nice and slow. “How did you—” “You expecting somebody besides us tonight?
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
We got lots of secrets, Will. You Apollo guys can't have all the fun. Our campers have been excavating the tunnel system under Cabin Nine for almost a century. We still haven't found the end. Anyway, Leo, if you don't mind sleeping in a dead man's bed, it's yours-Jake Suddenly Leo didn't feel like kicking back. He sat u, careful not to touch any of the buttons. The counselor who died-this was his bed-Leo Yeah. Charles Beckendorf-Jake Leo imagined saw blades coming through the mattress, or maybe a grenade sewn inside the pillows. He didn't, like, die IN this bed, did he-Leo No. In the Titan War, last summer-Jake The Titan War, which has NOTHING to do with this very fine bed-Leo "The Titans," Will said, like Leo was an idiot. The big powerful guys that ruled the world before the gods. They tried to make a comeback last summer. Their leader, Kronos, built a new palace on top of Mount Tam in California. Their armies came to New York and almost destoyed Mount Olympus. A lot of demigods died trying to stop them-Will I'm guessing this wasn't on the news-Leo It seemed like a fair question, but Will shook his head in disbelief. You didn't hear about Mount St. Helens erupting, or the freak storms across the country, or that building collapsing in St Louis-Will Leo shrugged. Last summer, he'd been on the run from another foster home. Then a truancy officer caught him in New Mexico, and the court sentenced him to the nearest correction facility-the Wilderness School. Guess I was busy-Leo Doesn't matter. You were lucky to miss it. The thing is, Beckendorf was one of the first casualties, and ever since then-Jake Your cabin's been cursed-Leo
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Dear Jessa, I’ve started this letter so many times and I’ve never been able to finish it. So here goes again . . . I’m sorry. I’m sorry that Riley is dead. I’m sorry for ignoring your emails and for not being there for you. I’m sorry I’ve hurt you. There isn’t a day that goes by that I don’t wish it had been me that died and not Riley. If I could go back in time and change everything I would. I’m sorry I left without a word. There’s no excuse for my behaviour but please know that it had nothing to do with you. I was a mess. I haven’t been able to talk to anyone for months. And I felt too guilty and didn’t know how to tell you the truth about what happened. I couldn’t bear the thought of you knowing. I got all your emails but I didn’t read them until last week. I couldn’t face it and I guess that makes me the biggest coward you’ll ever meet. I’m sorry. I’m sorry I never replied. You needed me and I wasn’t there for you. I don’t even know how to ask your forgiveness because I don’t deserve it. I’m just glad you’re doing better. I’m better too. I’ve started seeing a therapist – twice a week – you’d like her. She reminds me of Didi. I never thought I’d be the kind of guy who needed therapy, but they made it a condition of me keeping my job. She’s helped me a lot with getting the panic attacks under control. Working in a room the size of a janitor’s closet helps too – there aren’t too many surprises, only the occasional rogue paperclip. I asked for the posting. I have to thank your dad ironically. The demotion worked out. Kind of funny that I totally get where your father was coming from all those years. Looks like I’ll be spending the remainder of my marine career behind a desk, but I’m OK with that. I don’t know what else to say, Jessa. My therapist says I should just write down whatever comes into my head. So here goes. Here’s what’s in my head . . . I miss you. I love you. Even though I long ago gave up the right to any sort of claim over you, I can’t stop loving you. I won’t ever stop. You’re in my blood. You’re the only thing that got me through this, Jessa. Because even during the bad times, the worst times, the times I’d wake up in a cold sweat, my heart thumping, the times I’d think the only way out was by killing myself and just having it all go away, I’d think of you and it would pull me back out of whatever dark place I’d fallen into. You’re my light, Jessa. My north star. You asked me once to come back to you and I told you I always would. I’m working on it. It might take me a little while, and I know I have no right to ask you to wait for me after everything I’ve done, but I’m going to anyway because the truth is I don’t know how to live without you. I’ve tried and I can’t do it. So please, I’m asking you to wait for me. I’m going to come back to you. I promise. And I’m going to make things right. I’ll do whatever it takes. I’ll never stop trying for the rest of my life to make things right between us. I love you. Always. Kit
Mila Gray (Come Back to Me (Come Back to Me, #1))
At first I wondered why I would be born to a father who behaved like that. But I finally accepted the fact that my parents had the exact combination of traits and interests to inspire my own evolution. That’s why I wanted to be with them in my early life. Looking at my mother, I knew that each of us must take responsibility for our own healing. We can’t just turn it over to others. Healing in its essence is about breaking through the fears associated with life—fears that we don’t want to face—and finding our own special inspiration, a vision of the future, that we know we’re here to help create. “From my father, I saw clearly that medicine must be more responsive, must acknowledge the intuition and vision of the people we treat. We have to come down from our ivory tower. The combination of the two set me up to look for a new paradigm in medicine: one based on the patient’s ability to take control of his or her life and to get back on the right path. That’s my message, I guess, the idea that inwardly we know how to participate in our own healing, physically and emotionally. We can become inspired to shape a higher, more ideal future, and when we do, miracles happen.” Standing up, she glanced at my ankle, then at me. “I’m leaving now,” she said. “Try not to put any weight on your foot. What you need is complete rest. I’ll be back in the morning.” I think I must have looked anxious, because she knelt down again and put both hands on the ankle. “Don’t worry,” she said. “With enough energy there’s nothing that can’t be healed— hatred… war. It’s just a matter of coming together with the right vision.” She patted my foot gently. “We can heal this! We can heal this!
James Redfield (The Tenth Insight: Holding the Vision (Celestine Prophecy #2))
I like to save things. Not important things like whales or people or the environment. Silly things. Porcelain bells, the kind you get at souvenir shops. Cookie cutters you’ll never use, because who needs a cookie in the shape of a foot? Ribbons for my hair. Love letters. Of all the things I save, I guess you could say my love letters are my most prized possession. I keep my letters in a teal hatbox my mom bought me from a vintage store downtown. They aren’t love letters that someone else wrote for me; I don’t have any of those. These are ones I’ve written. There’s one for every boy I’ve ever loved—five in all. When I write, I hold nothing back. I write like he’ll never read it. Because he never will. Every secret thought, every careful observation, everything I’ve saved up inside me, I put it all in the letter. When I’m done, I seal it, I address it, and then I put it in my teal hatbox. They’re not love letters in the strictest sense of the word. My letters are for when I don’t want to be in love anymore. They’re for good-bye. Because after I write my letter, I’m no longer consumed by my all-consuming love. I can eat my cereal and not wonder if he likes bananas over his Cheerios too; I can sing along to love songs and not be singing them to him. If love is like a possession, maybe my letters are like my exorcisms. My letters set me free. Or at least they’re supposed to.
Jenny Han
He laughed. “I’m never forgettin’, so….” “So what you’re saying is we’re doing this?” “Yeah, because I’m not forgettin’ you used to like me—” “Oh hell no.” I rolled onto my hip and freaking went for him. Not for his head but for his ribs. His weak spot. “What the fuck, Bianca!” Zac literally fucking shouted as he threw his body and head back against the headboard, his arms slamming down into place against his ribs… and my fingers. I cackled, digging my fingers even deeper into his sides. “You remember now? Who’s your daddy, huh?” Those big, strong arms jerked up and down along his sides, trying to disengage me as he tried to melt into the headboard to get away from me. “You said you were gonna noogie me! What the hell are you doing? Stop it!” “Duh. Ouch!” He instantly stopped moving, and so did I in surprise that he’d actually stopped after his elbow clipped one of the bones on my wrist. Zac’s face was flushed red, eyes bright, and I decided to take pity on him. So I smiled, keeping my fingers where they were but not digging in anymore. “You thought I didn’t remember?” I asked him before dipping my face in even closer. Then I whispered, like a psycho, “I remember everything.” I tapped my fingers lightly along his sides, feeling him flinch. “Especially you being ticklish.” Those blue eyes bore into mine, and his mouth went damn near flat. Zac’s voice was almost a whisper too as he said, “Did you ask me who my daddy is?” I nodded gravely. His voice was still a whisper when he went on with, “You’re my daddy now, I guess.” Pulling my fingers away, I sat back on my knees and laughed. “Deal. I promise not to use that against you unless I have to.” His nostrils flared, and he stared at me right in the eyes as he said, still quietly, “Bianca.” “Yes?” “I remember things too.” What? Before I could process who this man was, what he did for a living, and what talents he’d polished over the years, he came at me with one of those hands that were lightning fast and accurate. Zac licked the tip of his index finger and shoved that turd into my ear just as I started yelling, “Don’t you dare!” He dared.
Mariana Zapata (Hands Down)
Well.” Jenna swallows. “I don’t know if you can miss someone you can barely remember, but that’s how I feel. I used to make up stories about why you hadn’t been able to come back to me. You were captured by pirates, and you had to sail around the Caribbean looking for gold, but every night you looked at the stars and thought, At least Jenna’s seeing them, too. Or you had amnesia, and you lived every day trying to find clues about your past, like all these tiny arrows that would point you back to me. Or you were on a secret mission for the country, and you couldn’t reveal who you were without blowing your cover, and when you finally came home and flags were waving and crowds were cheering I’d get to see you as a hero. My English teachers said I had the most amazing imagination, but they didn’t understand, it wasn’t make-believe to me. It was so real that sometimes it hurt, like a stitch in your side when you run too hard, or the ache in your legs when you have growing pains. But I guess it turns out that maybe you couldn’t come to me. So I’m trying to get to you.
Jodi Picoult (Leaving Time)
Hey, Freckles.” I bite my lip and screw my face up as my ribs burn, taking a deep breath before continuing. “I’m so sorry. I’m so fucking sorry for not knowing what you went through or giving you a chance to explain what happened. I should have heard you out. I should have stayed. But you need to listen.” I wince and pull the phone away, so she can’t hear my groan of pain. “They know who you are, and what we were. They’re going to come for you. Please. Please, baby, you need to run. Run, and don’t you dare turn back. Get away from all of them. You… you hear m-me?” My eyes close, and my phone slides out of my hand, but I quickly grab it. “Please hide, please.” My vision goes dark, and the tremble in my bones stops. “I n-never stopped loving you.” My heart is fucking sore, but I need to get this last part out. I know I’m dying. But the only thing I’m worried about is her getting the fuck away from those evil pricks. “I will… will always lo-love you, Freckles. Go, live your life and be free. Meet someone who can tr-treat you ri-ight. For-for-forget me.” I can’t hear anything, not even my heartbeat. “Pl-please for… forgive me. B-Be safe and ha-ha-happy. I love you. I…” The phone slides again, and I have no energy left to finish my sentence, but as long as she knows I loved her, that she meant the world to me, that she is fucking special and deserves everything that makes her happy – then I’ve said all I need to. A hand touches my face, but I can’t see through the blood in my eyes from the gaping wound in my head. Stacey? Is that you? Mum? But it’s Bernie’s voice in my ear. Faint, but enough that I can make out what she’s saying. “Oh, silly me. Did I forget to mention Stacey fled the country? New phone. ID. Everything. You’ll never find her, but guess what? I will.” She wipes my eyes with a cloth, and I can just make out a medic hovering over me. Archie lowers himself beside me as I try to drag air into my punctured lungs. “I did some digging and was able to lift some messages between you both – and her nickname. Freckles?” He laughs, and blood drops from my mouth as I attempt to move, to get up and snap his neck. “I’ll carve each freckle out of her skin.” “I’ll k-kill y-you.
Leigh Rivers (Voracious (The Edge of Darkness, #2))
I at this writing am an old man, only three years short of my three score and ten. And they tell me that Wycliffe’s bones have been dug up and burned and cast into the river that leads to the sea. The Church--she thinks--has had her revenge. But, as I hear it, Wycliffe’s writings had already touched one man in Bohemia, John Huss, whom the Church burned several years ago. And though both Wycliffe and Huss be dead, There are rumors of unrest in that small country, unrest caused by those who seek true religion. In England, King Henry rules hand in glove with the Pope, but not forever, I think. We are still here--the Lollards, I mean. Did you guess it? Yes, I have become a “poor priest.” And I will tell you this: the writings of Wycliffe have been driven out of Oxford, but they can be found in every other nook in England. Indeed, many a time I have talked with an Oxford scholar on the road and have seen God open his heart to the truth. This is what Saint Paul meant when he spoke of Christians as being pressed but never pinned. The Church rages, but the truth goes on. Many a stout English yeoman embraces it in these days and leads his family in true godly worship. John Wycliffe was our morning star. When all was darkest and England lay asleep in the deadly arms of the papacy, God sent him to us. The Scripture has come to England. What will it hold back? Soon--though perhaps not in my lifetime-- the dawn will break, and there will be a new day in England.
Andy Thomson (Morning Star of the Reformation)
These social media shamings bear an uncanny resemblance to medieval witch hunts.” If you were accused of being a witch back then, you were shit out of luck. Being accused was all it took. Forget “innocent until proven guilty.” Nobody bothered to prove your guilt. Nobody dared to speak up on your behalf, for fear of being called a witch sympathizer. Because if you were seen as the friend of a witch, you were the next one to be accused of being a witch. As soon as a woman was accused of being a witch, she was a pariah without any friends. Nobody wanted to be seen in public with her. The whole village ganged up on her. Everyone was trying to outdo everyone else in their antiwitch fervor: “Look at me! I'm throwing rocks at the witch! Look at how much I hate witches! I am definitely NOT a witch myself!” Whenever I see a social media mob ganging up on a celebrity for supposedly saying something “offensive” it reminds me of the Salem witch hysteria: “That's racist! And me calling you a racist proves that I'm definitely not a racist myself! That's sexist! I shame you! And that means I'm definitely not sexist myself! I shame you for being a bad person. That means I'm a good person! Look at how really really offended I am! That means I'm a really really good person!” According to the bible, Jesus said "let he who is without sin throw the first rock." But a lot of people seem to think he said: "If you throw rocks at someone else, it proves that you're without sin.
Oliver Markus Malloy (Why Creeps Don't Know They're Creeps - What Game of Thrones can teach us about relationships and Hollywood scandals (Educated Rants and Wild Guesses, #2))
Last month, on a very windy day, I was returning from a lecture I had given to a group in Fort Washington. I was beginning to feel unwell. I was feeling increasing spasms in my legs and back and became anxious as I anticipated a difficult ride back to my office. Making matters worse, I knew I had to travel two of the most treacherous high-speed roads near Philadelphia – the four-lane Schuylkill Expressway and the six-lane Blue Route. You’ve been in my van, so you know how it’s been outfitted with everything I need to drive. But you probably don’t realize that I often drive more slowly than other people. That’s because I have difficulty with body control. I’m especially careful on windy days when the van can be buffeted by sudden gusts. And if I’m having problems with spasms or high blood pressure, I stay way over in the right hand lane and drive well below the speed limit. When I’m driving slowly, people behind me tend to get impatient. They speed up to my car, blow their horns, drive by, stare at me angrily, and show me how long their fingers can get. (I don't understand why some people are so proud of the length of their fingers, but there are many things I don't understand.) Those angry drivers add stress to what already is a stressful experience of driving. On this particular day, I was driving by myself. At first, I drove slowly along back roads. Whenever someone approached, I pulled over and let them pass. But as I neared the Blue Route, I became more frightened. I knew I would be hearing a lot of horns and seeing a lot of those long fingers. And then I did something I had never done in the twenty-four years that I have been driving my van. I decided to put on my flashers. I drove the Blue Route and the Schuylkyll Expressway at 35 miles per hour. Now…Guess what happened? Nothing! No horns and no fingers. But why? When I put on my flashers, I was saying to the other drivers, “I have a problem here – I am vulnerable and doing the best I can.” And everyone understood. Several times, in my rearview mirror I saw drivers who wanted to pass. They couldn’t get around me because of the stream of passing traffic. But instead of honking or tailgating, they waited for the other cars to pass, knowing the driver in front of them was in some way weak. Sam, there is something about vulnerability that elicits compassion. It is in our hard wiring. I see it every day when people help me by holding doors, pouring cream in my coffee, or assist me when I put on my coat. Sometimes I feel sad because from my wheelchair perspective, I see the best in people. But those who appear strong and invulnerably typically are not exposed to the kindness I see daily. Sometimes situations call for us to act strong and brave even when we don't feel that way. But those are a few and far between. More often, there is a better pay-off if you don't pretend you feel strong when you feel weak, or pretend that you are brave when you’re scared. I really believe the world might be a safer place if everyone who felt vulnerable wore flashers that said, “I have a problem and I’m doing the best I can. Please be patient!
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
And suddenly I knew, as I touched the damp, grainy surface of the seawall, that I would always remember this night, that in years to come I would remember sitting here, swept with confused longing as I listened to the water lapping the giant boulders beneath the promenade and watched the children head toward the shore in a winding, lambent procession. I wanted to come back tomorrow night, and the night after, and the one after that as well, sensing that what made leaving so fiercely painful was the knowledge that there would never be another night like this, that I would never eat soggy cakes along the coast road in the evening, not this year or any other year, nor feel the baffling, sudden beauty of that moment when, if only for an instant, I had caught myself longing for a city I never knew I loved. Exactly a year from now, I vowed, I would sit outside at night wherever I was, somewhere in Europe, or in America, and turn my face to Egypt, as Moslems do when they pray and face Mecca, and remember this very night, and how I had thought these things and made this vow. You're beginning to sound like Elsa and her silly seders, I said to myself, mimicking my father's humour. On my way home I thought of what the others were doing. I wanted to walk in, find the smaller living room still lit, the Beethoven still playing, with Abdou still cleaning the dining room, and, on closing the front door, suddenly hear someone say, "We were just waiting for you, we're thinking of going to the Royal." "But we've already seen that film," I would say. "What difference does it make. We'll see it again." And before we had time to argue, we would all rush downstairs, where my father would be waiting in a car that was no longer really ours, and, feeling the slight chill of a late April night, would huddle together with the windows shut, bicker as usual about who got to sit where, rub our hands, turn the radio to a French broadcast, and then speed to the Corniche, thinking that all this was as it always was, that nothing ever really changed, that the people enjoying their first stroll on the Corniche after fasting, or the woman selling tickets at the Royal, or the man who would watch our car in the side alley outside the theatre, or our neighbours across the hall, or the drizzle that was sure to greet us after the movie at midnight would never, ever know, nor even guess, that this was our last night in Alexandria.
André Aciman (Out of Egypt: A Memoir)
I find this most useful. It justifies the expert time spent upon it. We now have a number of so-called facts each preceded by the word 'probably'. It shows commendable caution on the part of those who don't want to accept responsibility for their own statements." "An intelligent guess is better than no guess at all, Your Excellency," suggested Shelton, who by now had worked off his ire on the unfortunate Trooper Casartelli. "It isn't even an intelligent guess," denied the Ambassador. "It is based solely on what can be seen. No account has been taken of what cannot be seen." "I don't know how it is possible to do that," said Shelton, failing to understand what the other was getting at. "I neither ask nor expect the impossible," the Ambassador gave back. "My point is that data based exclusively on the visible may be made completely worthless by the invisible." He tapped the report with an authoritative forefinger. "They estimate sixteen thousand strongholds -- above ground. How many are below ground?" "Subterranean ones?" exclaimed Shelton, startled. "Of course. There may be fifty thousand of those for all we know." "We didn't see any." "He says we didn't see any," the Ambassador said to Grayder.
Eric Frank Russell (The Great Explosion)
SOCIAL/GENERAL ICEBREAKERS 1. What do you think of the movie/restaurant/party? 2. Tell me about the best vacation you’ve ever taken. 3. What’s your favorite thing to do on a rainy day? 4. If you could replay any moment in your life, what would it be? 5. What one thing would you really like to own? Why? 6. Tell me about one of your favorite relatives. 7. What was it like in the town where you grew up? 8. What would you like to come back as in your next life? 9. Tell me about your kids. 10. What do you think is the perfect age? Why? 11. What is a typical day like for you? 12. Of all the places you’ve lived, tell me about the one you like the best. 13. What’s your favorite holiday? What do you enjoy about it? 14. What are some of your family traditions that you particularly enjoy? 15. Tell me about the first car you ever bought. 16. How has the Internet affected your life? 17. Who were your idols as a kid? Have they changed? 18. Describe a memorable teacher you had. 19. Tell me about a movie/book you’ve seen or read more than once. 20. What’s your favorite restaurant? Why? 21. Tell me why you were named ______. What is the origin of your last name? 22. Tell me about a place you’ve visited that you hope never to return to. get over your mom’s good intentions. 23. What’s the best surprise you’ve ever received? 24. What’s the neatest surprise you’ve ever planned and pulled off for someone else? 25. Skiing here is always challenging. What are some of your favorite places to ski? 26. Who would star as you in a movie about your life? Why that person? 27. Who is the most famous person you’ve met? 28. Tell me about some of your New Year’s resolutions. 29. What’s the most antiestablishment thing you’ve ever done? 30. Describe a costume that you wore to a party. 31. Tell me about a political position you’d like to hold. 32. What song reminds you of an incident in your life? 33. What’s the most memorable meal you’ve eaten? 34. What’s the most unforgettable coincidence you’ve experienced or heard about? 35. How are you able to tell if that melon is ripe? 36. What motion picture star would you like to interview? Why? 37. Tell me about your family. 38. What aroma brings forth a special memory? 39. Describe the scariest person you ever met. 40. What’s your favorite thing to do alone? 41. Tell me about a childhood friend who used to get you in trouble. 42. Tell me about a time when you had too much to eat or drink. 43. Describe your first away-from-home living quarters or experience. 44. Tell me about a time that you lost a job. 45. Share a memory of one of your grandparents. 46. Describe an embarrassing moment you’ve had. 47. Tell me something most people would never guess about you. 48. What would you do if you won a million dollars? 49. Describe your ideal weather and why. 50. How did you learn to ski/hang drywall/play piano?
Debra Fine (The Fine Art of Small Talk: How to Start a Conversation, Keep It Going, Build Networking Skills and Leave a Positive Impression!)
eyes. She felt the changes shimmer across her scales. The hardest part was the extra horns IceWings had around their heads. She concentrated on making her ruff look like it was made of icicles and hoped that would do. She also couldn’t make her claws ridged like IceWing claws, and her tail wasn’t as whip-thin at the end as an IceWing’s would be. Maybe this is a bad idea. Maybe there’s no way I’ll get away with it. But it was still pretty dark out . . . and she really, really wanted to know what a NightWing was doing out here. Well, she thought ruefully, if he figures me out, I guess I’ll just kill him. Somehow it didn’t sound as funny as she’d hoped. She leaped into the air and flew back to the spot where she’d seen the strange dragon. For a moment she was afraid she’d lost him, before she realized that he was lying down, his black scales half-hidden in the long shadows. Confidence, she told herself. It’s all about attitude. “Hey!” she barked, landing with a thump beside him. “Who are you, and what are you doing in our territory?” The NightWing leaped up in surprise and stared at her. He was a lot younger and smaller than Morrowseer, wiry and graceful in his movements even when he was startled. The silver scales sparkling under his wings caught the morning light like trapped stars. “Great moons. Where did you come from?” he asked. He looked up at the sky with a puzzled expression. “Where do you think?” she said. “And I’m asking the questions here. What are you doing in the Ice Kingdom?” “Technically this isn’t the Ice Kingdom yet,” he said. “Or didn’t you know that?” It isn’t? she thought. The map she’d memorized didn’t exactly have borders drawn on it, not that those would have helped her out here anyway.
Tui T. Sutherland (The Hidden Kingdom (Wings of Fire, #3))
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Mayakovsky" 1 My heart’s aflutter! I am standing in the bath tub crying. Mother, mother who am I? If he will just come back once and kiss me on the face his coarse hair brush my temple, it’s throbbing! then I can put on my clothes I guess, and walk the streets. 2 I love you. I love you, but I’m turning to my verses and my heart is closing like a fist. Words! be sick as I am sick, swoon, roll back your eyes, a pool, and I’ll stare down at my wounded beauty which at best is only a talent for poetry. Cannot please, cannot charm or win what a poet! and the clear water is thick with bloody blows on its head. I embrace a cloud, but when I soared it rained. 3 That’s funny! there’s blood on my chest oh yes, I’ve been carrying bricks what a funny place to rupture! and now it is raining on the ailanthus as I step out onto the window ledge the tracks below me are smoky and glistening with a passion for running I leap into the leaves, green like the sea 4 Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern. The country is grey and brown and white in trees, snows and skies of laughter always diminishing, less funny not just darker, not just grey. It may be the coldest day of the year, what does he think of that? I mean, what do I? And if I do, perhaps I am myself again.
Frank O'Hara (Meditations in an Emergency)
What do I think was modernism’s subject, then? What was it about? No doubt you can guess my starting point. It was about steam—in both the Malevich and the de Chirico a train still rushes across the landscape. It was about change and power and contingency, in other words, but also control, compression, and captivity—an absurd or oppressive orderliness is haunting the bright new fields and the sunlit squares with their eternally flapping flags. Modernism presents us with a world becoming a realm of appearances—fragments, patchwork quilts of color, dream-tableaux made out of disconnected phantasms. But all of this is still happening in modernism, and still resisted as it is described. The two paintings remain shot through, it seems to me, with the effort to answer back to the flattening and derealizing-the will to put the fragments back into some sort of order. Modernism is agonized, but its agony is not separable from weird levity or whimsy. Pleasure and horror go together in it. Malevich may be desperate, or euphoric. He may be pouring scorn on the idea of collective man, or spelling the idea out with utter childish optimism. We shall never know his real opinions. His picture entertains both. Modernism was certainly about the pathos of dream and desire in twentieth- century circumstances, but, again, the desires were unstoppable, ineradicable. The upright man will not let go of the future. The infinite still exists at the top of the tower. Even in the Picasso the monster flashing up outside the window is my monster, my phantasm, the figure of my unnegotiable desire. The monster is me—the terrible desiring and fearing subject inside me that eludes all form of conditioning, all the barrage of instructions about what it should want and who it should be. This is Picasso’s vestigial utopianism. You think that modernity is a realm of appetite and immediacy! I’ll show you appetite! I’ll show you immediacy! I shall, as a modernist, make the dreams of modernity come true. Modernism was testing, as I said before. It was a kind of internal exile, a retreat into the territory of form; but form was ultimately a crucible, an act of aggression, an abyss into which all the comfortable “givens” of the culture were sucked and then spat out.
T.J. Clark
The hell of it is that my son, my only child, has to turn out to be,” he added with a return of his old spirit, black eyes flashing, “the one man in Washington, D.C. who hates my guts!” “You weren’t too fond of him, either, if you recall,” she pointed out. He glared at her. “He’s hot-tempered and arrogant and stubborn!” “Look who he gets it from,” she said with a grin. He unlinked his hands as he considered that. “Those can be desirable traits,” he agreed with a faint smile. “Anyway, it’s nice to know I won’t die childless,” he said after a minute. He lifted his eyes to her face. “Leta can’t know any of this. When and if the time comes, I’ll tell her.” “Who’s going to tell him?” she ventured. “You?” he suggested. “In your dreams,” she said with a sweet smile. He stuffed his hands back into his pockets. “We’ll cross that bridge when the river comes over it. You’ll be careful, do you hear me? I’ve invested a lot of time and energy into hijacking you for my museum. Don’t take the slightest risk. If you think you’ve been discovered, get out and take Leta with you.” “She’s afraid to fly,” she pointed out. “She won’t get in an airplane unless it’s an emergency.” “Then I’ll come out and stuff her into a car and drive her to the airport and put her on a plane,” he said firmly. She pursed her lips. He was very like Tate. “I guess you would, at that.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Hey. Know what happened to me today?" He sits back and crosses his arms, smiles. "No. What happened to you today?" "Well, I decided to take the bus to work instead of driving? And I got on and I sat behind this woman who started crying. She was very quiet about it, just every now and then she would reach up and wipe away a tear. She had this kerchief on her head, this ratty old flowered kerchief, but it was clean and it was tied very neatly, you know. And she had her purse on her lap and she was holding on to it like it was hands. At first nobody else seemed to notice she was crying, but then everybody around her did. And it got very quiet. And then finally this man got up from the back of the bus, and he came up and sat next to her and put his arm around her, and he didn't say a word, but just stared straight ahead with his arm around her and she kept crying, but it was better now, you could tell, she kind of had a little smile even though she was still crying. And I don't know if he even knew her! I think everybody was wondering the same thing: Does he even know her? I guess he must have known her; otherwise she probably would have leaped up and started screaming or something, but you never know! You just never know, it might have been someone whose heart went out to her because she was crying. And he decided he would comfort her. And she let him. And I think it was a kind of miracle. A living parable or something.
Elizabeth Berg (Once Upon a Time, There Was You)
Why are you smiling?” Harvard asked, teasing. “Because I know something you don’t know,” Aiden teased back. Harvard raised an eyebrow. “And what is that?” “You’re really cute,” murmured Aiden, and leaned in. His lean was arrested when Harvard laughed. “Ha! That’s such a line. These things really work on your guys?” Overcome by the magnitude of this insult, Aiden snapped, “Invariably!” Harvard rolled his eyes. “I hate to tell you this, buddy, but I think they’re letting you get away with substandard lines because you’re cute.” Aiden paused, torn between being deeply offended and ridiculously flattered. Harvard bit his lip, seeming to think this over. “I guess if you guys both know you’re just playing around, what you say doesn’t really count,” he offered. “That’s why people call them lines, like the things you say in a play. I know this isn’t real, but…” Aiden tried to keep his voice soft, to be understanding. “But it’s practice for being real.” His mouth twisted on the name, but he forced it out. “For Neil.” Harvard winced. Aiden supposed it might feel a little weird, to hear the name of the boy he actually liked, while tangled up with another. For Harvard, who was so good, it might feel close to cheating. Aiden didn’t want to say the name or hear it or think it. Harvard seemed to be struggling with a thought, and Aiden waited to hear Harvard tell him what he wanted. That was all Aiden wished to know or to do. What Harvard wanted.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Tell me, could you love me?' he asks, seemingly out of nowhere. 'Of course.' I laugh, not sure of the answer I am supposed to give. But the question is so oddly phrased that I can hardly deny him. I love my parents' murderer; I suppose I could love anyone. I'd like to love him. 'I wonder,' he says. 'What would you do for me?' 'I don't know what you mean.' This riddling figure with flinty eyes isn't the Locke who stood on the rooftop of his estate and spoke so gently to me or who chased me, laughing, through its halls. I am not quite sure who this Locke is, but he has put me entirely off balance. 'Would you forswear a promise for me?' He is smiling at me as though he's teasing. 'What promise?' He sweeps me around him, my leather slippers pirouetting over the packed earth. In the distance, a piper begins to play. 'Any promise,' he says lightly, although it is no light thing he is asking. 'I guess it depends,' I say, because the real answer, a flat no, isn't what anyone wants to hear. 'Do you love me enough to give me up?' I am sure my expression is stricken. He leans closer. 'Isn't that a test of love?' 'I- I don't know,' I say. All this must be leading up to some declaration on his part, either of affection or of a lack of it. 'Do you love me enough to weep over me?' The words are spoken against my neck. I can feel his breath, making the tiny hairs stand up, making me shudder with an odd combination of desire and discomfort. 'You mean if you were hurt?' 'I mean if I hurt you.' My skin prickles. I don't like this. But at least I know what to say. 'If you hurt me, I wouldn't cry. I would hurt you back.' His step falters as we sweep over the floor. 'I'm sure you'd-' And then he breaks off speaking, looking behind him. I can barely think. My face is hot. I dread what he will say next. 'Time to change partners,' a voice says, and I look to see that it's the worst possible person: Cardan. 'Oh,' he says to Locke. 'Did I steal your line?
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Most people don’t know how to starve,” said Ezra. Silence. “I guess that’s a weird thing to say, but it’s true. It’s something you learn. People think they have to be born one way, with resilience built in or some incapacity to burn or whatever. Either you are or you aren’t, that sort of thing. Like some people naturally want things and others want nothing, but it’s not true. You can be taught to want. You can be taught to crave. And you can also learn to starve.” Silence. “The issue is when you eventually get fed,” Ezra continued. “You’ve heard about the stomach pains and shit when vegetarians eat meat for the first time? It feels like dying. Prosperity is anguish. And of course the body adjusts, doesn’t it? But the mind doesn’t. You can’t erase history. You can’t just excise the wanting, and worse—you forget the pain. Eventually you grow accustomed to excess and can’t go back, because all you remember are the aches of starvation, which you took so long to learn. How to give yourself only as much as you need to continue—that’s a lesson. For some people it’s lifelong, for others it’s developmental if they’re lucky and then eventually it fades. But you never really forget it, how to starve. How to watch others with envy. How to silence the ache in your soul. Starvation is dormancy, isn’t it? The mind still hungers even when the body adjusts. There’s tension, always. Survival only requires so much but existence, completion, that becomes insatiable. The longer you starve the more haunting the ghost of starvation. After you’ve learned to starve, when someone finally gives you something, you become a hoarder. You hoard. And technically that’s the same as having, but it isn’t, not really. Starvation continues. You still want, and wanting is the hard part. You can learn to starve but you can’t learn to have. Nobody can. It’s the flaw in being mortal. “ Silence. “Being magic is even worse,” said Ezra. “Your body doesn’t want to die, it has too much inside it. So you want more powerfully. You starve more quickly. Your capacity to have nothing is abysmal, cataclysmic. There isn’t a medeian on earth capable of casting themselves down into ordinariness, much less to dust. We’re all starving, but not everyone is doing it correctly. Some people are taking too much, making themselves sick, and it kills them. The excess is poison; even food is a poison to someone who’s been deprived. Everything has the capacity to turn toxic. It’s so fucking easy to die, so the ones who make themselves something are the same ones who learn to starve correctly. They take in small amounts, in survivable doses. We’re immunizing ourselves to something— against something. Everything we manage to have successfully becomes a vaccine over time, but the illness is always much larger. We’re still naturally susceptible. We fight it, trying to starve well or starve cleverly, but it comes for us eventually. We all have different reasons for wanting, but inevitably it comes. “What does?” asked Atlas. Ezra smiled, closing his eyes to the sun. “Power,” he said. “A little at a time until we break.
Olivie Blake (The Atlas Six (The Atlas, #1))
All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?” He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.” He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.” “I’m the worst fiancé ever, aren’t I?” Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.” Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind. Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.” “Got room for two more?” Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say. Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.” “You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“ “With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.” I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.” “Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand. “Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared. “I’m just hoping to be the Not Dead Guy,” Cal muttered. We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.” “See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand. And then, moving almost as one, we stepped into the rock.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
There have been a lot of Smedries over the centuries," he said, "and a lot of Talents. Many of them tend to be similar, in the long run. There are four kinds: Talents that affect space, time, knowledge, and the physical world." "Take my talent, for instance," he continued. "I change things in space. I can get lost, then get found again." "What about grandpa Smedry?" "Time," Kas said. "He arrives late to things. Australia, however, has a Talent that can change the physical world--in this case, her own shape. Her Talent is fairly specific, and not as broad as your grandfather's. For instance, there was a Smedry a couple of centuries back who could look ugly any time he wanted, not just when he woke up in the morning. Other have been able to change anyone's appearance, not just their own. Understand?" I shrugged. "I guess so." "The closer the Talent gets to its purest form, the more powerful it is," Kaz said. "Your grandfather's Talent is very pure--he can manipulate time in a lot of different circumstances. Your father and I have very similar Talents--I can get lost and Attica can lose things--and both are flexible." "What about Sing?" I asked. "Tripping. That's what we call a knowledge Talent--he knows how to do something normal with extraordinary ability. Like Australia, though, his power isn't very flexible." I nodded slowly. "So...what does this have to do with me?" "Well, it's hard to say," Kaz said. "You're getting into some deep philosophy now, kid. There are those who argue that the Breaking Talent is simply a physical-world Talent, but one that is very versatile and very powerful. There are others who argue that the Breaking Talent is much more. It seems to be able to do things that affect all four areas. Legends say that one of your ancestors--one of only two others to have this Talent--broke time and space together, forming a little bubble where nothing aged. Other records speak of breakings equally marvelous. Breakings that change people's memory or their abilities. What is it to 'break' something? What can you change? How far can the Talent go?
Brandon Sanderson (Alcatraz Versus the Scrivener's Bones (Alcatraz vs. the Evil Librarians, #2))
You’re so bright, Trav, and so intuitive about people. And you have … the gift of tenderness. And sympathy. You could be almost anything.” “Of course!” I said, springing to my feet and beginning to pace back and forth through the lounge. “Why didn’t I think of that! Here I am, wasting the golden years on this lousy barge, getting all mixed up with lame-duck women when I could be out there seeking and striving. Who am I to keep from putting my shoulder to the wheel? Why am I not thinking about an estate and how to protect it? Gad, woman, I could be writing a million dollars a year in life insurance. I should be pulling a big oar in the flagship of life. Maybe it isn’t too late yet! Find the little woman, and go for the whole bit. Kiwanis, P.T.A., fund drives, cookouts, a clean desk, and vote the straight ticket, yessiree bob. Then when I become a senior citizen, I can look back upon …” I stopped when I heard the small sound she was making. She sat with her head bowed. I went over and put my fingertips under her chin. I tilted her head up and looked down into her streaming eyes. “Please, don’t,” she whispered. “You’re beginning to bring out the worst in me, woman.” “It was none of my business.” “I will not dispute you.” “But … who did this to you?” “I’ll never know you well enough to try to tell you, Lois.” She tried to smile. “I guess it can’t be any plainer than that.” “And I’m not a tragic figure, no matter how hard you try to make me into one. I’m delighted with myself, woman.” “And you wouldn’t say it that way if you were.” “Spare me the cute insights.
John D. MacDonald (The Deep Blue Good-By)
What I miss is the feeling that nothing has started yet, that the future towers over the past, that the present is merely a planning phase for the gleaming architecture that will make up the skyline of the rest of my life. But what I forget is the loneliness of all that. If everything is ahead then nothing is behind. You have no ballast. You have no tailwinds either. You hardly ever know what to do, because you’ve hardly done anything. I guess this is why wisdom is supposed to be the consolation prize of aging. It’s supposed to give us better things to do than stand around and watch in disbelief as the past casts long shadows over the future. The problem, I now know, is that no one ever really feels wise, least of all those who actually have it in themselves to be so. The Older Self of our imagination never quite folds itself into the older self we actually become. Instead, it hovers in the perpetual distance like a highway mirage. It’s the destination that never gets any closer even as our life histories pile up behind us in the rearview mirror. It is the reason that I got to forty-something without ever feeling thirty-something. It is why I hope that if I make it to eighty-something I have the good sense not to pull out those old CDs. My heart, by then, surely would not be able to keep from imploding. My heart, back then, stayed in one piece only because, as bursting with anticipation as it was, it had not yet been strained by nostalgia. It had not yet figured out that life is mostly an exercise in being something other than what we used to be while remaining fundamentally—and sometimes maddeningly—who we are.
Meghan Daum (The Unspeakable: And Other Subjects of Discussion)
Did you ever think much about jobs? I mean, some of the jobs people land in? You see a guy giving haircuts to dogs, or maybe going along the curb with a shovel, scooping up horse manure. And you think, now why is the silly bastard doing that? He looks fairly bright, about as bright as anyone else. Why the hell does he do that for living? You kind grin and look down your nose at him. You think he’s nuts, know what I mean, or he doesn’t have any ambition. And then you take a good look at yourself, and you stop wondering about the other guy… You’ve got all your hands and feet. Your health is okay, and you make a nice appearance, and ambition-man! You’ve got it. You’re young, I guess: you’d call thirty young, and you’re strong. You don’t have much education, but you’ve got more than plenty of other people who go to the top. And yet with all that, with all you’ve had to do with this is as far you’ve got And something tellys you, you’re not going much farther if any. And there is nothing to be done about it now, of course, but you can’t stop hoping. You can’t stop wondering… …Maybe you had too much ambition. Maybe that was the trouble. You couldn’t see yourself spending forty years moving from office boy to president. So you signed on with a circulation crew; you worked the magazines from one coast to another. And then you ran across a little brush deal-it sounded nice, anyway. And you worked that until you found something better, something that looked better. And you moved from that something to another something. Coffee-and-tea premiums, dinnerware, penny-a-day insurance, photo coupons, cemetery lots, hosiery, extract, and God knows what all. You begged for the charities, You bought the old gold. You went back to the magazines and the brushes and the coffee and tea. You made good money, a couple of hundred a week sometimes. But when you averaged it up, the good weeks with the bad, it wasn’t so good. Fifty or sixty a week, maybe seventy. More than you could make, probably, behind agas pump or a soda fountain. But you had to knock yourself out to do it, and you were standing stil. You were still there at the starting place. And you weren’t a kid any more. So you come to this town, and you see this ad. Man for outside sales and collections. Good deal for hard worker. And you think maybe this is it. This sounds like a right town. So you take the job, and you settle down in the town. And, of course, neither one of ‘em is right, they’re just like all the others. The job stinks. The town stinks. You stink. And there’s not a goddamned thing you can do about it. All you can do is go on like this other guys go on. The guy giving haircuts to dogs, and the guy sweeping up horse manute Hating it. Hating yourself. And hoping.
Jim Thompson (A Hell of a Woman)
Hallie didn't believe she was invulnerable. She was never one of those daredevil types; she knew she could get hurt. What I think she meant was that she was lucky to be on her way to Nicaragua. It was the slowest thing to sink into my head, how happy she was. Happy to be leaving. We'd had one time of perfect togetherness in our adult lives, the year when we were both in college in Tucson-her first year, my last-and living together for the first time away from Doc Homer. That winter I'd wanted to fail a subject just so I could hang back, stay there with her, the two of us walking around the drafty house in sweatshirts and wool socks and understanding each other precisely. Bringing each other cups of tea without having to ask. So I stayed on in Tucson for medical school, instead of going to Boston as I'd planned, and met Carlo in Parasitology. Hallie, around the same time, befriended some people who ran a safehouse for Central American refugees. After that we'd have strangers in our kitchen every time of night, kids scared senseless, people with all kinds of damage. Our life was never again idyllic. I should have seen it coming. Once she and I had gone to see a documentary on the Abraham Lincoln Brigade, which was these Americans who volunteered without our government's blessing to fight against Franco and Hitler in the Spanish Civil War. At that point in U.S. history fascism was only maybe wrong, whereas communism was definitely. When we came home from the movie Hallie cried. Not because of the people who gave up life and limb only to lose Spain to Franco, and not for the ones who came back and were harassed for the rest of their lives for being Reds. The tragedy for Hallie was that there might never be a cause worth risking everything for in our lifetime. She was nineteen years old then, and as she lay blowing her nose and sobbing on my bed she told me this. That there were no real causes left. Now she had one-she was off to Nicaragua, a revolution of co-op farms and literacy crusades-and so I guess she was lucky. Few people know so clearly what they want. Most people can't even think what to hope for when they throw a penny in a fountain. Almost no one really gets the chance to alter the course of human events on purpose, in the exact way they wish for it to be altered.
Barbara Kingsolver (Animal Dreams)
So it wasn’t a total surprise that Jay would turn a few heads while they were out tonight. She just hadn’t anticipated the power of the two of them together. Two good-looking guys more than doubled the attention they drew. Even among people they knew at the Java Hut that night, Violet and Chelsea became instantly invisible. Girls not only noticed the pair of boys but also giggled behind cupped hands and waved at the two of them. Jay was either unaware or chose to ignore them altogether. Mike, on the other hand, was not. And did not. Not only did he notice the interest he attracted, he seemed to enjoy it. Violet recognized it immediately for what it was: Mike was as much an attention whore as Chelsea. Violet was fine with that. Chelsea, not so much. Violet let Jay draw her through the crowds that bottlenecked near the entrance. She liked knowing that he belonged to her while all those envious eyes looked on. “I guess Chelsea’s not the only one who’s into Mike,” Violet whispered while Jay dragged her over to stand in line at the counter. Jay glanced back to where Chelsea stood on the outskirts of three girls from school who were animatedly chatting with Mike. “Yeah. She’s not doing too good, is she?” Jay agreed. “I thought she’d have him eating out of her hand by now.” Violet wrinkled her nose, worrying over her friend. “You mean like you have me doing?” Violet smiled up at him and then bumped him with her shoulder. “Yes. Exactly like that.” Chelsea caught the two of them spying on her, and Violet flashed an apologetic smile. Chelsea rolled her eyes in response. She sulked as she made her way over to join them. “Get me some fries.” The lack of a question in her statement was somewhat reassuring. She was still Chelsea. Disheartened but bossy.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
A flash of lightning ghosts into the room, and when it leaves again, my eyes follow it back out to sea. In the window's reflection, I glimpse a figure standing behind me. I don't need to turn around to see who creates such a big outline-or who makes my whole body turn into a goose-bump farm. "How do you feel?" he says. "Better," I say to his reflection. He hops over the back of the couch and grabs my chin, turning my head side to side, up and down, all around, watching for my reaction. "I just did that," I tell him. "Nothing." He nods and unhands me. "Rach-Uh, my mom called your mom and told her what happened. I guess your mom called your doctor, and he said it's pretty common, but that you should rest a few more days. My mom insisted you stay the night since no one needs to be driving in this weather." "And my mother agreed to that?" Even in the dark, I don't miss his little grin. "My mom can be pretty persuasive," he says. "By the end of the conversation, your mom even suggested we both stay home from school tomorrow and hang out here so you can relax-since my mom will be home supervising, of course. Your mom said you wouldn't stay home if I went to school." A flash from the storm illuminates my blush. "Because we told her we're dating." He nods. "She said you should have stayed home today, but you threw a fit to go anyway. Honestly, I didn't realize you were so obsessed-ouch!" I try to pinch him again, but he catches my wrist and pulls me over his lap like a child getting a spanking. "I was going to say, 'with history.'" He laughs. "No you weren't. Let me up." "I will." He laughs. "Galen, you let me up right now-" "Sorry, not ready yet." I gasp. "Oh, no! The room is spinning again." I hold still, tense up. Then the room does spin when he snatches me up and grabs my chin again. The look of concern etched on his face makes me feel a little guilty, but not guilty enough to keep my mouth shut. "Works every time," I tell him, giving my best ha-ha-you're-a-sucker smirk. A snicker from the entryway cuts off what I can tell is about to be a good scolding. I've never heard Galen curse, but his glower just looks like a four-letter word waiting to come out. We both turn to see Toraf watching us with crossed arms. He is also wearing a ha-ha-you're-a-sucker smirk. "Dinner's ready, children," he says. Yep, I definitely like Toraf. Galen rolls his eyes and extracts me from his lap. He hops up and leaves me there, and in the reflection, I see him ram his fist into Toraf's gut as he passes. Toraf grunts, but the smirk never leaves his face. He nods his head for me to follow them. As we pass through the rooms, I try to remember the rich, sophisticated atmosphere, the marble floors, the hideous paintings, but my stomach makes sounds better suited to a dog kennel at feeding time. "I think your stomach is making mating calls," Toraf whispers to me as we enter the kitchen. My blush debuts the same time we enter the kitchen, and it's enough to make Toraf laugh out loud.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
He spent two years in the extermination camp at Auschwitz. According to his own reluctant account, he came this close to going up a smokestack of a crematorium there: "I had just been assigned to the Sonderkommando," he said to me, "when the order came from Himmler to close the ovens down." Sonderkommando means special detail. At Auschwitz it meant a very special detail indeed--one composed of prisoners whose duties were to shepherd condemned persons into gas chambers, and then to lug their bodies out. When the job was done, the members of the Sonderkommando were themselves killed. The first duty of their successors was to dispose of their remains. Gutman told me that many men actually volunteered for the Sonderkommando. "Why?" I asked him. "If you would write a book about that," he said, "and give the answer to that question, that 'Why?'--you would have a very great book." "Do you know the answer?" I said. "No," he said, "That is why I would pay a great deal of money for a book with the answer in it." "Any guesses?" I said. "No," he said, looking me straight in the eye, "even though I was one of the ones who volunteered." He went away for a little while, after having confessed that. And he thought about Auschwitz, the thing he liked least to think about. And he came back, and he said to me: "There were loudspeakers all over the camp," he said, "and they were never silent for long. There was much music played through them. Those who were musical told me it was often good music--sometimes the best." "That's interesting," I said. "There was no music by Jews," he said. "That was forbidden." "Naturally," I said. "And the music was always stopping in the middle," he said, "and then there was an announcement. All day long, music and announcements." "Very modern," I said. He closed his eyes, remembered gropingly. "There was one announcement that was always crooned, like a nursery rhyme. Many times a day it came. It was the call for the Sonderkommando." "Oh?" I said. "Leichentärger zu Wache," he crooned, his eyes still closed. Translation: "Corpse-carriers to the guardhouse." In an institution in which the purpose was to kill human beings by the millions, it was an understandably common cry. "After two years of hearing that call over the loudspeakers, between the music," Gutman said to me, "the position of corpse-carrier suddenly sounded like a very good job.
Kurt Vonnegut Jr. (Mother Night)
Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward. She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of. Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away. “You think I can let you go now?” A low voice chuckled in her ear. Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling. “Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.” Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all. She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it. He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street. She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.” Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat. She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy. When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through. Security, Violet thought. Whatever it is they do here, they need security. Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end. But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
I thumped her on the back, picked her up and dropped her on top of her dungarees. “Put them pants on,” I said, “and be a man.” She did, but she cried quietly until I shook her and said gently, “Stop it now. I didn’t carry on like that when I was a little girl.” I got into my clothes and dumped her into the bow of the canoe and shoved off. All the way back to the cabin I forced her to play one of our pet games. I would say something—anything—and she would try to say something that rhymed with it. Then it would be her turn. She had an extraordinary rhythmic sense, and an excellent ear. I started off with “We’ll go home and eat our dinners.” “An’ Lord have mercy on us sinners,” she cried. Then, “Let’s see you find a rhyme for ‘month’!” “I bet I’ll do it … jutht thith onthe,” I replied. “I guess I did it then, by cracky.” “Course you did, but then you’re wacky. Top that, mister funny-lookin’!” I pretended I couldn’t, mainly because I couldn’t, and she soundly kicked my shin as a penance. By the time we reached the cabin she was her usual self, and I found myself envying the resilience of youth. And she earned my undying respect by saying nothing to Anjy about the afternoon’s events, even when Anjy looked us over and said, “Just look at you two filthy kids! What have you been doing—swimming in the bayou?” “Daddy splashed me,” said Patty promptly. “And you had to splash him back. Why did he splash you?” “ ’Cause I spit mud through my teeth at him to make him mad,” said my outrageous child. “Patty!” “Mea culpa,” I said, hanging my head. “ ’Twas I who spit the mud.” Anjy threw up her hands. “Heaven knows what sort of a woman Patty’s going to grow up to be,” she said, half angrily. “A broad-minded and forgiving one like her lovely mother,” I said quickly. “Nice work, bud,” said Patty. Anjy laughed. “Outnumbered again. Come in and feed the face.
Theodore Sturgeon (Killdozer!)
Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E
Melissa Jensen (The Fine Art of Truth or Dare)
Sisyphus cheated death,” Nico explained. “First he chained up Thanatos, the reaper of souls, so no one could die. Then when Thanatos got free and was about to kill him, Sisyphus told his wife to do incorrect funeral rites so he wouldn’t rest in peace. Sisy here—May I call you Sisy?” “No!” “Sisy tricked Persephone into letting him go back to the world to haunt his wife. And he didn’t come back.” The old man cackled. “I stayed alive another thirty years before they finally tracked me down!” Thalia was halfway up the hill now. She gritted her teeth, pushing the boulder with her back. Her expression said Hurry up! “So that was your punishment,” I said to Sisyphus. “Rolling a boulder up a hill forever. Was it worth it?” “A temporary setback!” Sisyphus cried. “I’ll bust out of here soon, and when I do, they’ll all be sorry!” “How would you get out of the Underworld?” Nico asked. “It’s locked down, you know.” Sisyphus grinned wickedly. “That’s what the other one asked.” My stomach tightened. “Someone else asked your advice?” “An angry young man,” Sisyphus recalled. “Not very polite. Held a sword to my throat. Didn’t offer to roll my boulder at all.” “What did you tell him?” Nico said. “Who was he?” Sisyphus massaged his shoulders. He glanced up at Thalia, who was almost to the top of the hill. Her face was bright red and drenched in sweat. “Oh . . . it’s hard to say,” Sisyphus said. “Never seen him before. He carried a long package all wrapped up in black cloth. Skis, maybe? A shovel? Maybe if you wait here, I could go look for him. . . .” “What did you tell him?” I demanded. “Can’t remember.” Nico drew his sword. The Stygian iron was so cold it steamed in the hot dry air of Punishment. “Try harder.” The old man winced. “What kind of person carries a sword like that?” “A son of Hades,” Nico said. “Now answer me!” The color drained from Sisyphus’s face. “I told him to talk to Melinoe! She always has a way out!” Nico lowered his sword. I could tell the name Melinoe bothered him. “Are you crazy?” he said. “That’s suicide!” The old man shrugged. “I’ve cheated death before. I could do it again.” “What did this demigod look like?” “Um . . . he had a nose,” Sisyphus said. “A mouth. And one eye and—” “One eye?” I interrupted. “Did he have an eye patch?” “Oh . . . maybe,” Sisyphus said. “He had hair on his head. And—” He gasped and looked over my shoulder. “There he is!” We fell for it. As soon as we turned, Sisyphus took off down the hill. “I’m free! I’m free! I’m—ACK!” Ten feet from the hill, he hit the end of his invisible leash and fell on his back. Nico and I grabbed his arms and hauled him up the hill. “Curse you!” He let loose with bad words in Ancient Greek, Latin, English, French, and several other languages I didn’t recognize. “I’ll never help you! Go to Hades!” “Already there,” Nico muttered. “Incoming!” Thalia shouted. I looked up and might have used a few cuss words myself. The boulder was bouncing straight toward us. Nico jumped one way. I jumped the other. Sisyphus yelled, “NOOOOOOO!” as the thing plowed into him. Somehow he braced himself and stopped it before it could run him over. I guess he’d had a lot of practice. “Take it again!” he wailed. “Please. I can’t hold it.” “Not again,” Thalia gasped. “You’re on your own.” He treated us to a lot more colorful language. It was clear he wasn’t going to help us any further, so we left him to his punishment.
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
There's no such thing as witches. But there used to be. It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs. But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses. Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be. Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking. Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers. The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics. Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way. She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters. There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work. Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks. There's still no such thing as witches. But there will be.
Alix E. Harrow (The Once and Future Witches)
Do I get to come in?” he asked. She shrugged and stood aside. “I’m just packing.” “Moving again?” he asked with faint sarcasm. “You used to be easier to keep track of.” “Because I was living in a nest of spies!” she threw at him, having only recently gleaned that bit of information from Colby. “You got me an apartment surrounded by government agents!” “It was the safest place for you,” he said simply. “Someone was always watching you when I couldn’t.” “I didn’t need watching!” “You did,” he returned, perching on the arm of her big easy chair to stare at her intently. “You never realized it, but you were a constant target for anyone who had a grudge against me. In the end, it was why I gave up government work and got a job in the private sector.” He folded his arms over his broad chest, watching surprise claim her features. “There was a communist agent with a high-powered rifle one day, and a South American gentlemen with an automatic pistol the following week. You were never told about them. But you had two close calls. If you hadn’t been living in a ‘nest of spies,’ I’d have buried you. Funerals are expensive,” he added with a cold smile. She stared at him blankly. “Why didn’t you just send me back to South Dakota?” she asked. “To your stepfather?” he drawled. That was still a sore spot with her, and she was certain that he knew it. But she wouldn’t give him the satisfaction of arguing. He seemed to be spoiling for a fight. She turned away to the kitchen. “Want a cup of coffee?” He got up and took her by the shoulders. “I’m sorry,” he said. “That was a low blow.” “Another in a long line of them lately,” she said without meeting his eyes. “I seem to do nothing except rub you the wrong way.” “And you don’t know why?” he asked curtly, letting her go. She moved one shoulder as she went about the business of getting down a cup and saucer. “At a guess, you’re mad at somebody you can’t get to, and I’m the stand-in.” He chuckled. “How do you see through me so easily? Even my mother can’t do that.” If he thought about it, he’d know, she thought miserably.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Hey, Large,” Gabe says, flicking me with his towel. “Where you been all day?” “I’ve been around.” I look over at Peter, but he won’t meet my eyes. “I saw you guys on the slopes.” Darrell says, “Then why didn’t you holler at us? I wanted to show off my ollies for you.” Teasingly I say, “Well, I called Peter’s name, but I guess he didn’t hear me.” Peter finally looks me in the eyes. “Nope. I didn’t hear you.” His voice is cold and indifferent and so un-Peterlike, the smile fades from my face. Gabe and Darrell exchange looks like oooh and Gabe says to Peter, “We’re gonna head out to the hot tub,” and they trot off. Peter and I are left standing in the lobby, neither of us saying anything. I finally ask, “Are you mad at me or something?” “Why would I be mad?” And then it’s back to quiet again. I say, “You know, you’re the one who talked me into coming on this trip. The least you could do is talk to me.” “The least you could do was sit next to me on the bus!” he bursts out. My mouth hangs open. “Are you really that mad that I didn’t sit next to you on the bus?” Peter lets out an impatient breath of air. “Lara Jean, when you’re dating someone, there are just…certain things you do, okay? Like sit next to each other on a school trip. That’s pretty much expected.” “I just don’t see what the big deal is,” I say. How can he be this mad over such a tiny thing? “Forget it.” He turns like he’s going to leave, and I grab his sweatshirt sleeve. I don’t want to be in a fight with him; I just want it to be fun and light the way it always is with us. I want him to at least still be my friend. Especially now that we’re at the end. I say, “Come on, don’t be mad. I didn’t realize it was that big of a deal. I swear I’ll sit next to you on the way home, okay?” He purses his lips. “But do you get why I was pissed?” I nod back. “Mm-hmm.” “All right then, you should know that you missed out on mocha sugar donuts.” My mouth falls open. “How’d you get those? I thought the shop didn’t open that early!” “I went out and got them last night specifically for the bus ride,” Peter says. “For you and me.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Or I can stay with Colby when he comes back,” she added deliberately. She even smiled. “He’ll take care of me.” His black eyes narrowed. “He can barely take care of himself,” he said flatly. “He’s a lost soul. He can’t escape the past or face the future without Maureen. He isn’t ready for a relationship with anyone else, even if he thinks he is” She didn’t rise to the bait. “I can count on Colby. He’ll help me if I need it.” He looked frustrated. “But you won’t let me help you.” “Colby isn’t involved with anyone who’d be jealous of the time he spent looking out for me. That’s the difference.” He let out an angry breath and his eyes began to glitter. “You have to beat the subject to death, I guess.” She managed to look indifferent. “You have your own life to live, Tate. I’m not part of it anymore. You’ve made that quite clear.” His teeth clenched. “Is it really that easy for you to throw the past away?” he asked. “That’s what you want,” she reminded him. There was a perverse pleasure in watching his eyes narrow. “You said you’d never forget or forgive me,” she added evenly. “I took you at your word. I’ll always have fond memories of you and Leta. But I’m a grown woman. I have a career, a future. I’ve dragged you down financially for years, without knowing it. Now that I do…” “For God’s sake!” he burst out, rising to pace with his hands clenched in his pockets. “I could have sent you to Harvard if you’d wanted to go there, and never felt the cost! “You’re missing the point,” she said, feeling nausea rise in her throat and praying it wouldn’t overflow. “I could have worked my way through school, paid for my own apartment and expenses. I wouldn’t have minded. But you made me beholden to you in a way I can never repay.” He stopped pacing and glared at her. “Have I asked for repayment?” She smiled in spite of herself. “You look just like Matt when you glower that way.” The glare got worse. She held up a hand. “I know. You don’t want to talk about that. Sorry.” “Everyone else wants to talk about it,” he said irritably. “I’ve done nothing but dodge reporters ever since the story broke. What a hell of a way to do it, on national television!
Diana Palmer (Paper Rose (Hutton & Co. #2))
You must know something.” “And why is Archer Cross here?” That was from Jenna. His voice had apparently changed over the summer, since he actually said the words instead of squeaking them. “He’s an Eye.” “Didn’t he try to kill you?” Nausicaa had drifted up, and she narrowed her eyes at me. “And if so, why exactly were you holding his hand earlier?” Conversations like this usually ended in pitchforks and torches, so I held my hands out in what I hoped was an “everyone just calm the heck down” gesture. But then Jenna spoke up. “Sophie doesn’t know anything,” she said, nudging my behind her. That might’ve been more effective if Jenna weren’t so short. “And whatever reason we’re here, the Council had nothing to do with it.” Jenna didn’t add that that was because the entire Council, with the exception of Lara Casnoff and my dad, was dead. “She’s just freaked out as the rest of us, so back. Off.” From the expressions on the other kids’ faces, I guessed Jenna had bared her fangs, and maybe even given a flash of red eyes. “What’s going on here?” a familiar voice brayed. Great. Like this night didn’t suck out loud enough already. The Vandy-who had been a cross between school matron and prison guard at Hex Hall-shoved her way through the crowd, breathing hard. Her purple tattoos, marks of the Removal, were nearly black against her red face. “Downstairs, now!” As the group began moving again, she glared at Jenna and me. “Show your fangs again, Miss Talbot, and I’ll wear them as earrings. Is that understood?” Jenna may have muttered, “Yes, ma’am,” but her tone said something totally different. We jogged down the stairs to join the rest of the students lining up to go into the ballroom. “At least one thing at Hex Hall hasn’t changed,” Jenna said. “Yeah, apparently the Vandy’s powers of bitchery are a constant. I find that comforting.” Less comforting was the creeptasticness of the school at night. During the day, it had just been depressing. Now that it was dark, it was full-on sinister. The old-fashioned gas lamps on the walls had once burned with a cozy, golden light. Now, a noxious green glow sputtered inside the milky glass, throwing crazy shadows all over the place.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I remember." I nod. Wanting to say: I remember everything-all of it-the question is: Do you? But instead, I stare down at my feet, smiling stupidly. Everything I do around him is stupid. Some Seeker I've turned out to be. Attempting to redeem myself,say something normal,not let on that I already know he's employed here-thanks to the raven who allowed me to spy on him earlier,I say, "So,I guess you hang out here a lot then?" He pushes a hand through his hair, as his eyes-the color of aquamarines-glide down the length of me.And damn if I can't feel their trajectory. It's like showering in a stream of warm, molten honey-dripping from the top of my forehead all the way down to my feet. "I guess you could say that," he says,voicelow and deep. "More than most, anyway." He waves a damp towel, tugs on the string of his apron, and I blush in reply. The sight of it reminding me of what I saw in the alleyway-watching him lean against the wall,his face so soft anddreamy I longed to touch him-kiss him-like I did in the dream. I study him closely,seeking traces of recognition, remembrance-some small token of evidence to assure me that, as odd as it seems,that kiss in the cave was as real as it felt-but coming up empty. "So,how long have you worked here?" I ask, returning to the topic at hand. My gaze drifting over the black V-necked T-shirt skimming the sinuous line of his body-telling myself it's all part of my reconnaissance,my need to gather as uch information as I can about him and his kin. But knowing that's not really it.The truth is,I like looking at him, being near him. "I guess you could say somewhere between too long and not long enough-depending on the state of my wallet." His laugh is good-natured and easy-the kid that starts at the belly and trips all the way up. "It's pretty much the only decent game in town." He shrugs. "One way or another,you end up working for the Richters,and believe me, this is one of the better gigs." I peer at him closely,remembering what Cade said when I was here via the raven. How he referred to him by another name. "You're not a Richter?" I ask,holding my breath in my cheeks.Despite what Paloma told me, I need to hear it from him,confirm that he doesn't identify with their clan. "I go by Whitefeather," he says,gaze steady and serious. "I was raised by my mom,didn't even know the Richters when I was a kid." Despite getting the answer I wanted, I frown in return. His being a Richter was a good reason to avoid him-without it,I'm out of excuses. "Is that okay?" He dips his head toward mine,his mouth tugging at the side. "You seem a little upset by the news." I shake my head,break free of my reverie, and say, "No-not at all. Believe me,it's more like a relief." I meet his gaze,seeing the way it narrows in question. "Guess I'm not a big fan of your brother," I add,watching as he throws his head back and laughs,the sight of that long,glorious column of neck forcing me to look away,it's too much to take. "If it makes you feel any better, most of the time I'd have to agree." He returns to me,the warmth of his gaze solely reponsible for the wave of comfort that flows through me.
Alyson Noel (Fated (Soul Seekers, #1))
To the untrained eye, the Wall Street people who rode from the Connecticut suburbs to Grand Central were an undifferentiated mass, but within that mass Danny noted many small and important distinctions. If they were on their BlackBerrys, they were probably hedge fund guys, checking their profits and losses in the Asian markets. If they slept on the train they were probably sell-side people—brokers, who had no skin in the game. Anyone carrying a briefcase or a bag was probably not employed on the sell side, as the only reason you’d carry a bag was to haul around brokerage research, and the brokers didn’t read their own reports—at least not in their spare time. Anyone carrying a copy of the New York Times was probably a lawyer or a back-office person or someone who worked in the financial markets without actually being in the markets. Their clothes told you a lot, too. The guys who ran money dressed as if they were going to a Yankees game. Their financial performance was supposed to be all that mattered about them, and so it caused suspicion if they dressed too well. If you saw a buy-side guy in a suit, it usually meant that he was in trouble, or scheduled to meet with someone who had given him money, or both. Beyond that, it was hard to tell much about a buy-side person from what he was wearing. The sell side, on the other hand, might as well have been wearing their business cards: The guy in the blazer and khakis was a broker at a second-tier firm; the guy in the three-thousand-dollar suit and the hair just so was an investment banker at J.P. Morgan or someplace like that. Danny could guess where people worked by where they sat on the train. The Goldman Sachs, Deutsche Bank, and Merrill Lynch people, who were headed downtown, edged to the front—though when Danny thought about it, few Goldman people actually rode the train anymore. They all had private cars. Hedge fund guys such as himself worked uptown and so exited Grand Central to the north, where taxis appeared haphazardly and out of nowhere to meet them, like farm trout rising to corn kernels. The Lehman and Bear Stearns people used to head for the same exit as he did, but they were done. One reason why, on September 18, 2008, there weren’t nearly as many people on the northeast corner of Forty-seventh Street and Madison Avenue at 6:40 in the morning as there had been on September 18, 2007.
Michael Lewis (The Big Short)
I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
Come on, Bob, kill it!” “I’m trying, Tom. It won’t stop moving.” I looked at Wolf and whispered, “What do you think they are trying to kill?” Wolf shrugged. “Let’s go check it out.” We snuck forward until we could get a visual on what was happening. We saw that there were two large slimes and one baby slime. Judging by the way the large slimes were protecting the baby, I assumed it was their child rather than a random baby slime. The two players were slashing at the large slimes who were trying to defend themselves but failing. Eventually the players chopped the two large slimes into medium slimes, then into small slimes until they had finally killed all the pieces. That left the baby slime all alone. Bob and Tom looked at each other. “I think we should kill it,” said Tom. “Otherwise, it’s going to grow into an adult slime and try to get its revenge on us.” Where have I heard this story before? Bob laughed. “Slimes are stupid. It won’t be able to get revenge because it will be dead.” The players began to move forward to the baby slime. And that’s when something snapped in me. I was reminded of the night my parents sacrificed their lives for me. I couldn’t let this baby slime be killed. I jumped up and rushed to the players. Wolf shout-whispered, “No! Don’t do it!” I didn’t care. I ran up to the two players and without giving them a chance to surrender, mercilessly assassinated them. The baby slime looked at me with fear in its eyes and backed away, fearful that I would kill it too. But I didn’t. I put my sword back into my inventory and reached down and gently picked up the slime. “Can you talk?” I asked. The slime made cooing and booping noises, but apparently was too young to be able to speak yet. “I wish I could talk to you, Child. I would tell you that everything is going to be alright. I’ll be your new guardian.” Wolf arrived by my side a moment later. “It’s not part of the Way to kill players unless the killing falls under a specific rule or arises from self-defense.” I shot a look at Wolf. “I was defending the life of another. Is that not the same as self-defense?” “I guess, but it’s … hurrr … it’s a slime.” “Are you saying a slime has less right to be alive than us?” “I’m not saying that, but now that you mention it….” “Shut up. I’m taking charge of this child.” Wolf shook his head. “You realize that according to the Way, if you take the life of an orphan into your hands you have to protect it and see that it makes it to adulthood, just as I have with you.
Dr. Block (The Ballad of Winston the Wandering Trader, Book 1 (The Ballad of Winston #1))
This is the definition of peace. The definition is interrupted by Toraf's ringtone. Why did Rachel get Toraf a phone? Does she hate me? Fumbling behind him in the sand, Galen puts a hand on it right before it stops ringing. He waits five seconds and...Yep, he's calling again. "Hello?" he whispers. "Galen, it's Toraf." Galen snorts. "You think?" "Rayna's ready to leave. Where are you?" Galen sighs. “We’re on the beach. Emma’s still sleeping. We’ll walk back in a few minutes.” Emma braved her mom’s wrath by skipping curfew again last night to be with him. Grom’s mating ceremony is tomorrow, and Galen and Rayna’s attendance is required. He’ll have to leave her in Toraf’s care until he gets back. “Sorry, Highness. I told you, Rayna’s ready to go. You have about two minutes of privacy. She’s heading your way. “The phone disconnects. Galen leans down and sweeps his lips over her sweet neck. “Emma,” he whispers. She sighs. “I heard him,” she groans drowsily. “You should tell Toraf that he doesn’t have to yell into the phone. And if he keeps doing it, I’m going to accidentally break it.” Galen grins. “He’ll get the hang of it soon. He’s not a complete idiot.” At this, Emma opens one eye. He shrugs. “Well, three quarters maybe. But not a complete one.” “Are you sure you don’t want me to come with you?” she says, sitting up and stretching. “You know I do. But I think this mating ceremony will be interesting enough without introducing my Half-Breed girlfriend, don’t you think?” Emma laughs and pulls her hair to one side, draping it over her shoulder. “This is our first time away from each other. You know, as a couple. We’ve only been really dating for two weeks now. What will I do without you?” He pulls her to him, leaning her back against his chest. “Well, I’m hoping that this time when I come back, it won’t be to the sight of you kissing Toraf.” The snickers beside them let them know their two minutes of privacy are up. “Yeah. Or someone’s gonna die,” Rayna says cordially. Galen helps Emma up and swats the leftover sand out of her sundress. He takes her hands into his. “Could I please just ask one thing without you getting all mad about it?” She scowls. “Let me guess. You don’t want me to get in the water while you’re gone.” “But I’m not ordering you to stay out of it. I’m asking, no begging, very politely, and with all my heart for you not to get in. It’s your choice. But it would make me the happiest man-fish on the coast if you wouldn’t.” They sense the stalker almost daily now. That and the fact that Dr. Milligan blew his theory about Emma’s dad being a Half-Breed out of the water makes Galen more nervous than he can say. It means they still don’t have any answers about who could know about Emma. Or why they keep hanging around. Emma rewards him with a breathtaking smile. “I won’t. Because you asked.” Toraf was right. I just had to ask. He shakes his head. “Now I can sleep tonight.” “That makes one of us. Don’t stay gone too long. Or Mark will sit by me at lunch.” He grimaces. “I’ll hurry.” He leans down to kiss her. Behind them, he hears Rayna’s initial splash. “She’s leaving without you,” Emma whispers on his lips. “She could have left hours ago and I’d still catch her. Good-bye, angelfish. Be good.” He places a forceful kiss on her forehead, then gets a running start and dives in. And he misses her already.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
So what's the deal with you and my sister?" He laughs shortly and rubs the back of his neck like something is there, tickling, tapping. "Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal." She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?" I open my mouth to demand she end the interrogation when Will's voice stops me. "I like your sister. A lot." I look at him dumbly. He looks at me, lowers his voice to say, "I like you." I know that, I guess, but heat crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much. "Jacinda," he says. "I think you've shocked her," Tamra offers, then sighs. "Look, if you like her, you have to make it legit. I don't want everyone at school whispering about her like she's some toy you get your kicks with in a stairwell." Now I really can't speak. My blood burns. I already have one mother doing her best to control my life. I don't need my sister stepping in as mother number two. "I know," he says. "That's what I'm trying to do now-if she'll let me." I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes. He's serious. But then he would have to be. If he's willing to break free of his self-imposed solitude for me, especially when he suspects there's more to me than I'm telling him...he means what he's saying. His thumbs beat a staccato rhythm on the steering wheel as he drives. "I want to be with you, Jacinda." He shakes his head. "I'm done fighting it." "Jeez," Tamra mutters. And I know what she means. It seems too much. The declaration extreme. Fast. After all, we're only sixteen... I start, jerk a little. I think he's sixteen. I don't even know. I don't know anything about him other than his secret. That sort of eclipses everything else. But he has to be more. More than the secret. More than a hunter. More than a boy who doesn't want to be a force of destruction. More than the boy who saved my life. The boy I've built a fantasy around. I don't know the real him. Xander mentioned Will being sick, and I don't even know what happened to him. But then I don't feel bad about that for long. Because he doesn't know the real me either. And yet he still wants to be with me. Maybe it's perfect because I want to be with him, too. And not just because I need to get close to him and use him for information. Although there is that. Something I would like to forget but can't let myself. Forgetting is resigning myself to a life here. Forever. As a ghost. A small voice whispers through me, a tempting thought... Not if you have Will.
Sophie Jordan (Firelight (Firelight, #1))
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.” It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.” “Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.” “No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!” Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?” Elizabeth nodded. “There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?” “Yes,” Elizabeth said. “I give you my word.” She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder. Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.” “He ought to be shot!” Bentner said with blazing contempt. Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
Judith McNaught (Almost Heaven (Sequels, #3))
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you. "You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes. "Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people. "Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you. "Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Nobody can return to you something that was never yours, to begin with. Let’s trace back to the history of your race: the humans were made for slavery and were found faulty for that purpose. They showed immense energy and willpower only when confronted against tremendous obstacles with no weapons in their hands. With those bare hands, and the wits that exceeded even those of their creators and equalled the ones of mighty gods, they could break mountains. Once the humans earned at least a bit of benevolence from their creators, though, they’d immediately turn into lazy drunkards feasting upon the luxuries of life. They were quite haughty creatures, at that – one could never make them work without posing a certain purpose before their eyes. They should be given an aim they approved of, or else, they’d move no finger! Yet, if such necessities were met, they’d begin to loaf around. Forbidding them to taste those luxuries? Nay, they obeyed not! Hence, their creators cast them down on Earth – a planet inhabited by many other faulty experiments of different alien species, so that their lives would end. Yet even here, the humans defied their creators – instead of dying out, they adapted to the environment they were cast in, due to their boundless wits and the unexplainable willpower that no other species could ever possess. They mated the local species whom they could more or less find a common language with, killed off the obstacles, and conquered the planet as their own. The conquering ambitions of their creators, the boundless wisdom of their gods, and the primal instincts of Earthly nature – all of it meddled in these extraordinary creatures. They were full of instability, unpredictability, wild dreams, and rotten primitivism. Which side they would develop, depended entirely upon their choice. Aye, they had proven faulty to their creators, yet had attained the perfect treasure they required – the freedom. Could they make use of it? – Nay, certainly not… at least not many of them. There are certain individuals among the human race, who are able to well balance their mixed-up nature and grow into worthy people that merit our godly benevolence. However, most of them are quite an interesting bunch whom an ambitious man like me can make good use of. I am half-human with godly and angelic descendance, so I guess, I am worthy to be their sole ruler, their only saviour, their treasured shepherd… The shepherds too make use of their sheep – they guide them, then to consume some of them for wool and meat. Shepherds do not help the sheep for granted – they use their potential to its fullest. I shall be the same kind of a god – I shall help these magnificent creatures to achieve the wildest of their dreams but will use their powers for my own benefit. These poor creatures cannot define their potential alone, they cannot decide what’s the best and the fittest for them! I can achieve that. Free human souls? – Nay, they need no freedom. What they need, is to serve the rightful master, and that rightful master I shall be.
Tamuna Tsertsvadze (Galaxy Pirates)
I see bacon, green peppers, mushrooms... those are all found in Napolitan Spaghetti. I guess instead of the standard ketchup, he's used curry roux for the sauce? The noodles look similar to fettuccini." "Hm. I'm not seeing anything else that stands out about it. Given how fun and amusing the calzone a minute ago was... ... the impact of this one's a lot more bland and boring..." W-what the heck? Where did this heavy richness come from? It hits like a shockwave straight to the brain! "Chicken and beef stocks for the base... with fennel and green cardamom for fragrance! What an excellent, tongue-tingling curry sauce! It clings well to the broad fettuccini noodles too!" "For extra flavor is that... soy sauce?" "No, it's tamari soy sauce! Tamari soy sauce is richer and less salty than standard soy sauce, with a more full-bodied sweetness to it. Most tamari is made on Japan's eastern seaboard. " "That's not all either! I'm picking up the mellow hints of cheese! But I'm not seeing a single shred of any kind of cheese in here. Where's it hiding?" "Allow me to tell you, sir. First, look at the short edge of a noodle, please." ?! What on earth?! This noodle's got three layers!" "For the outer layers, I kneaded turmeric into the pasta dough. But for the inner layer, I added Parmesan cheese!" "I see! It's the combination of the tamari soy sauce and the parmesan cheese that gives this dish its incredible richness!" "Yeah, but wait a minute! If you go kneading cheese right into the noodles, wouldn't it just melt back out when you boiled them?" No... that's why they're in three layers! With the cheese in the middle, the outer layers prevented it from melting out! The deep, rich curry sauce, underscored with the flavor of tamari soy sauce... ... and the chewy noodles, which hit you with the mellow, robust taste of parmesan cheese with every bite! Many people are familiar with the idea of coating cream cheese in soy sauce... ... but who would have thought parmesan cheese would match this well with tamari soy sauce!
Yūto Tsukuda (食戟のソーマ 7 [Shokugeki no Souma 7] (Food Wars: Shokugeki no Soma, #7))
Okay, so I shouldn't have fucked with her on the introduction thing. Writing nothing except, Saturday night. You and me. Driving lessons and hot sex ... in her notebook probably wasn't the smartest move. But I was itching to make Little Miss Perfecta stumble in her introduction of me. And stumbling she is. "Miss Ellis?" I watch in amusement as Perfection herself looks up at Peterson. Oh, she's good. This partner of mine knows how to hide her true emotions, something I recognize because I do it all the time. "Yes?" Brittany says, tilting her head and smiling like a beauty queen. I wonder if that smile has ever gotten her out of a speeding ticket. "It's your turn. Introduce Alex to the class." I lean an elbow on the lab table, waiting for an introduction she has to either make up or fess up she knows less than crap about me. She glances at my comfortable position and I can tell from her deer-in-the-headlights look I've stumped her. "This is Alejandro Fuentes," she starts, her voice hitching the slightest bit. My temper flares at the mention of my given name, but I keep a cool facade as she continues with a made-up introduction. "When he wasn't hanging out on street corners and harassing innocent people this summer, he toured the inside of jails around the city, if you know what I mean. And he has a secret desire nobody would ever guess." The room suddenly becomes quiet. Even Peterson straightens to attention. Hell, even I'm listening like the words coming out of Brittany's lying, pink-frosted lips are gospel. "His secret desire," she continues, "is to go to college and become a chemistry teacher, like you, Mrs. Peterson." Yeah, right. I look over at my friend Isa, who seems amused that a white girl isn't afraid of giving me smack in front of the entire class. Brittany flashes me a triumphant smile, thinking she's won this round. Guess again, gringa. I sit up in my chair while the class remains silent. "This is Brittany Ellis," I say, all eyes now focused on me. "This summer she went to the mall, bought new clothes so she could expand her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets." It might not be what she wrote, but it's probably close enough to the truth. Unlike her introduction of me. Chuckles come from mis cuates in the back of the class, and Brittany is as stiff as a board beside me, as if my words hurt her precious ego. Brittany Ellis is used to people fawning all over her and she could use a little wake-up call. I'm actually doing her a favor. Little does she know I'm not finished with her intro. "Her secret desire," I add, getting the same reaction as she did during her introduction, "is to date a Mexicano before she graduates." As expected, my words are met by comments and low whistles from the back of the room. "Way to go, Fuentes," my friend Lucky barks out. "I'll date you, mamacita, " another says. I give a high five to another Latino Blood named Marcus sitting behind me just as I catch Isa shaking her head as if I did something wrong. What? I'm just having a little fun with a rich girl from the north side. Brittany's gaze shifts from Colin to me. I take one look at Colin and with my eyes tell him game on. Colin's face instantly turns bright red, resembling a chile pepper. I have definitely invaded his territory.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
How did you find me?" "I've followed you for a long time." He must have mistaken the look on my face for alarm or fear, and said, "Not literally. I just mean I never lost track." But it wasn't fear, or anything like that. It was an instant of realization I'd have a lot in the coming days: I'd been thinking of him as coming back from the dead, but the fact was he'd been there all along. He'd been alive when I cried in my room over him being gone. He'd been alive when I started a new school without him, the day I made my first friend a Jones Hall, the time I ran into Ethan at the library. Cameron Quick and I had existed simultaneously on the planet during all of those moments. It didn't seem possible that we could have been leading separate lives, not after everything we'd been through together. "...then I looked you up online," he was saying, "and found your mom's wedding announcement from before you changed your name. I didn't even need to do that. It's easy to find someone you never lost." I struggled to understand what he was saying. "You mean...you could have written to me, or seen me, sooner?" "I wanted to. Almost did, a bunch of times." "Why didn't you? I wish you had." And I did, I wished it so much, imagined how it would have been to know all those years that he was there, thinking of me. "Things seemed different for you," he said, matter-of-fact. "Better. I could tell that from the bits of information I found...like an interview with the parents who were putting their kids in your school when it first started. Or an article about that essay contest you won a couple years ago." "You knew about that?" He nodded. "That one had a picture. I could see just from looking at you that you had a good thing going. Didn't need me coming along and messing it up." "Don't say that," I said quickly. Then: "You were never part of what I wanted to forget." "Nice of you to say, but I know it's not true." I knew what he was thinking, could see that he'd been carrying around the same burden all those years as me. "You didn't do anything wrong." It was getting cold on the porch, and late, and the looming topic scared me. I got up. "Let's go in. I can make coffee or hot chocolate or something?" "I have to go." "No! Already?" I didn't want to let him out of my sight. "Don't worry," he said. "Just have to go to work. I'll be around." "Give me your number. I'll call you." "I don't have a phone right now." "Find me at school," I said, "or anytime. Eat lunch with us tomorrow." He didn't answer. "Really," I continued, "you should meet my friends and stuff." "You have a boyfriend," he finally said. "I saw you guys holding hands." I nodded. "Ethan." "For how long?" "Three months, almost." I couldn't picture Cameron Quick dating anyone, though he must have at some point. If I'd found Ethan, I was sure Cameron had some Ashley or Becca or Caitlin along the way. I didn't ask. "He's nice," I added. "He's..." I don't know what I'd planned to say, but whatever it was it seemed insignificant so I finished that sentence with a shrug. "You lost your lisp." And about twenty-five pounds, I thought. "I guess speech therapy worked for both of us." He smiled. "I always liked that, you know. Your lisp. It was...you." He started down the porch steps. "See you tomorrow, okay?" "Yeah," I said, unable to take my eyes off of him. "Tomorrow.
Sara Zarr (Sweethearts)
What is a “pyramid?” I grew up in real estate my entire life. My father built one of the largest real estate brokerage companies on the East Coast in the 1970s, before selling it to Merrill Lynch. When my brother and I graduated from college, we both joined him in building a new real estate company. I went into sales and into opening a few offices, while my older brother went into management of the company. In sales, I was able to create a six-figure income. I worked 60+ hours a week in such pursuit. My brother worked hard too, but not in the same fashion. He focused on opening offices and recruiting others to become agents to sell houses for him. My brother never listed and sold a single house in his career, yet he out-earned me 10-to-1. He made millions because he earned a cut of every commission from all the houses his 1,000+ agents sold. He worked smarter, while I worked harder. I guess he was at the top of the “pyramid.” Is this legal? Should he be allowed to earn more than any of the agents who worked so hard selling homes? I imagine everyone will agree that being a real estate broker is totally legal. Those who are smart, willing to take the financial risk of overhead, and up for the challenge of recruiting good agents, are the ones who get to live a life benefitting from leveraged Income. So how is Network Marketing any different? I submit to you that I found it to be a step better. One day, a friend shared with me how he was earning the same income I was, but that he was doing so from home without the overhead, employees, insurance, stress, and being subject to market conditions. He was doing so in a network marketing business. At first I refuted him by denouncements that he was in a pyramid scheme. He asked me to explain why. I shared that he was earning money off the backs of others he recruited into his downline, not from his own efforts. He replied, “Do you mean like your family earns money off the backs of the real estate agents in your company?” I froze, and anyone who knows me knows how quick-witted I normally am. Then he said, “Who is working smarter, you or your dad and brother?” Now I was mad. Not at him, but at myself. That was my light bulb moment. I had been closed-minded and it was costing me. That was the birth of my enlightenment, and I began to enter and study this network marketing profession. Let me explain why I found it to be a step better. My research led me to learn why this business model made so much sense for a company that wanted a cost-effective way to bring a product to market. Instead of spending millions in traditional media ad buys, which has a declining effectiveness, companies are opting to employ the network marketing model. In doing so, the company only incurs marketing cost if and when a sale is made. They get an army of word-of-mouth salespeople using the most effective way of influencing buying decisions, who only get paid for performance. No salaries, only commissions. But what is also employed is a high sense of motivation, wherein these salespeople can be building a business of their own and not just be salespeople. If they choose to recruit others and teach them how to sell the product or service, they can earn override income just like the broker in a real estate company does. So now they see life through a different lens, as a business owner waking up each day excited about the future they are building for themselves. They are not salespeople; they are business owners.
Brian Carruthers (Building an Empire:The Most Complete Blueprint to Building a Massive Network Marketing Business)
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  
Gary Haynes (State of Honour)
told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your
Lisa Jackson (Lisa Jackson's Bentz & Montoya Bundle: Shiver, Absolute Fear, Lost Souls, Hot Blooded, Cold Blooded, Malice & Devious (A Bentz/Montoya Novel))