Growing Old Together Quotes

We've searched our database for all the quotes and captions related to Growing Old Together. Here they are! All 100 of them:

I'll be happy if running and I can grow old together.
Haruki Murakami (What I Talk About When I Talk About Running)
I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together.
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
Nothing, in truth, can ever replace a lost companion. Old comrades cannot be manufactured. There is nothing that can equal the treasure of so many shared memories, so many bad times endured together, so many quarrels, reconciliations, heartfelt impulses. Friendships like that cannot be reconstructed. If you plant an oak, you will hope in vain to sit soon under its shade. For such is life. We grow rich as we plant through the early years, but then come the years when time undoes our work and cuts down our trees. One by one our comrades deprive us of their shade, and within our mourning we always feel now the secret grief of growing old. If I search among my memories for those whose taste is lasting, if I write the balance sheet of the moments that truly counted, I surely find those that no fortune could have bought me. You cannot buy the friendship of a companion bound to you forever by ordeals endured together.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
You’re growing old together,” she said to me. “You and what frightens you.
Vivian Gornick (Fierce Attachments)
Goddamn it. You’ll never be without me. We’re going to grow old together. Die together. I’m not going to live a single day without you.
Sylvia Day (Captivated by You (Crossfire, #4))
posterity, n. I try not to think about us growing old together, mostly because I try not to think about growing old at all. Both things - the years passing, the years together - are too enormous to contemplate. But one morning, I gave in. You were asleep, and I imagined you older and older. Your hair graying, your skin folded and creased, your breath catching. And I found myself thinking: If this continues, if this goes on, then when I die, your memories of me will be my greatest accomplishment. Your memories will be my most lasting impression.
David Levithan (The Lover's Dictionary)
I hope we'll get lucky enough to grow old together.
Paula McLain (The Paris Wife)
It is a splendid thing to think that the woman you really love will never grow old to you. Through the wrinkles of time, through the mask of years, if you really love her, you will always see the face you loved and won. And a woman who really loves a man does not see that he grows old; he is not decrepit to her; he does not tremble; he is not old; she always sees the same gallant gentleman who won her hand and heart. I like to think of it in that way; I like to think that love is eternal. And to love in that way and then go down the hill of life together, and as you go down, hear, perhaps, the laughter of grandchildren, while the birds of joy and love sing once more in the leafless branches of the tree of age.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
Marry me he said voice full of emotion. Be my soul mate my friend and my lover as long as we both live. Make babies with me that have curly hair and big brown eyes. Grow old with me and we'll watch the sun set together in the evenings. And when I leave this world I'll be happy knowing I was the best man I could be for having loved you.
Jo Davis (Line of Fire (Firefighters of Station Five, #4))
Some lovers were fortunate enough to grow old together. They’d grown old apart. She did not think him any less handsome. She only wished that she’d been there when the first line on his face had appeared, so that she could have stroked and kissed and cherished it.
Sherry Thomas (Delicious (The Marsdens, #1))
We were supposed to grow old together, Dolores. Have kids. Take walks under old trees. I wanted to watch the lines etch themselves into your flesh and know when each and every one of them appeared. Die together.
Dennis Lehane (Shutter Island)
That casual kiss on my cheek would have meant nothing up until recently, I realized I was in love with him. Not that, 'I love you, man,' type of love. Nope. I was ass over teacup in love with my best friend. The 'let's get married and grow old together' type of love.
Summer Michaels (Lucky Boy)
LIFE FEELS BEAUTIFUL that day. The four of us Liars, we have always been. We always will be. No matter what happens as we go to college, grow old, build lives for ourselves; no matter if Gat and I are together or not. No matter where we go, we will always be able to line up on the roof of Cuddledown and gaze at the sea. This island is ours. Here, in some way, we are young forever.
E. Lockhart (We Were Liars)
Death. The only thing inevitable in life. People don't like to talk about death because it makes them sad. They don't want to imagine how life will go on without them, all the people they love will briefly grieve but continue to breathe. They don't want to imagine how life will go on without them, Their children will still grow Get married Get old.. They don't want to imagine how life will continue to go on without them Their material things will be sold Their medical files stamped "closed" Their name becoming a memory to everyone they know. They don't want to imagine how life will go on without them, so instead of accepting it head on, they avoid the subject all together, hoping and praying it will somehow... pass them by. Forget about them, moving on to the next one in line. no, they didn't want to imagine how life would continue to go on.... without them. But death didn't forget. Instead they were met head-on by death, disguised as an 18-wheeler behind a cloud of fog. No. Death didn't forget about them. If only they had been prepared, accepted the inevitable, laid out their plans, understood that it wasn't just their lives at hand. I may have legally been considered an adult at the age of nineteen, but still i felt very much all of just nineteen. Unprepared and overwhelmed to suddenly have the entire life of a seven-year-old in my realm. Death. The only thing inevitable in life. -Will
Colleen Hoover (Slammed (Slammed, #1))
Suddenly it seemed to me that I looked back from a great distance on that smile and saw it all again - the smile and the day, the whole sunny, sad, funny, wonderful day and all the days that we had spent here together. What was I going to do when such days came no more? There could not be many; for we were a family growing old. And how would I learn to live without these people? I who needed them so little that I could stay away all year - what should I do without them?
Jetta Carleton (The Moonflower Vine)
You’re mine and in some ways, you belong to me forever. No matter what happens when we grow old, no matter where life takes us, no matter if you and I end up together. You’re in my heart. You’ll always be in my heart. You’re mine and in some ways, you’ll belong to me forever.
Pratibha Malav (If Tomorrow Comes (A Kind Of Commitment, #2))
How does one man assert his power over another, Winston?“ Winston thought. “By making him suffer”, he said. “Exactly. By making him suffer. Obedience is not enough. Unless he is suffering, how can you be sure that he is obeying your will and not his own? Power is in inflicting pain and humiliation. Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing. Do you begin to see, then, what kind of world we are creating? It is the exact opposite of the stupid hedonistic Utopias that the old reformers imagined. A world of fear and treachery is torment, a world of trampling and being trampled upon, a world which will grow not less but MORE merciless as it refines itself. Progress in our world will be progress towards more pain. The old civilizations claimed that they were founded on love or justice. Ours is founded upon hatred. In our world there will be no emotions except fear, rage, triumph, and self-abasement. Everything else we shall destroy – everything. Already we are breaking down the habits of thought which have survived from before the Revolution. We have cut the links between child and parent, and between man and man, and between man and woman. No one dares trust a wife or a child or a friend any longer. But in the future there will be no wives and no friends. Children will be taken from their mothers at birth, as one takes eggs from a hen. The sex instinct will be eradicated. Procreation will be an annual formality like the renewal of a ration card. We shall abolish the orgasm. Our neurologists are at work upon it now. There will be no loyalty, except loyalty towards the Party. There will be no love, except the love of Big Brother. There will be no laughter, except the laugh of triumph over a defeated enemy. There will be no art, no literature, no science. When we are omnipotent we shall have no more need of science. There will be no distinction between beauty and ugliness. There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed.
George Orwell (1984)
I will never have a photograph of her to carry around in my pocket. I will never have a letter in her handwriting, or a scrap-book of everything we've done. I will never share an apartment with her in the city. I will never know if we are listening to the same song at the same time. We will not grow old together. I will not be the person she calls when she's in trouble. She will not be the person I call when I have stories to tell. I will never be able to keep anything she's given to me.
David Levithan (Every Day (Every Day, #1))
Right now I am full of greed and vanity, so I cannot live with you like before. But may be we can meet like this. I think just being together and talking would be nice. But when we grow old, when greed and vanity will be completely gone, when I will be tired of singing can I return to that place too?
Ai Yazawa
I was looking forward to us growing old together. Me and you, growing old and dying together. Douglas, who in their right mind would look forward to that?
David Nicholls (Us)
There is a river running through this city and every time my best friend laughs I want to grab him by the shoulders and shout Grow old with me and never kiss me on the mouth!  I want to spend the next eighty years together, eating Doritos and riding bikes.
Clementine von Radics (Mouthful of Forevers)
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..." "It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself." "The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.” “You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.” “If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.” “If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.” "Certain things in life simply have to be experienced -and never explained. Love is such a thing." "There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark." "But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'” "When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.” “There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
Paulo Coelho (Maktub)
Someday I will stop being young and wanting stupid tattoos. There are 7 people in my house. We each have different genders. I cut my hair over the bathroom sink and everything I own has a hole in it. There is a banner in our living room that says “Love Cats Hate Capitalism.” We sit around the kitchen table and argue about the compost pile and Karl Marx and the necessity of violence when The Rev comes. Whatever the fuck The Rev means. Every time my best friend laughs I want to grab him by the shoulders and shout “Grow old with me and never kiss me on the mouth!” I want us to spend the next 80 years together eating Doritos and riding bikes. I want to be Oscar the Grouch. I want him and his girlfriend to be Bert and Ernie. I want us to live on Sesame Street and I will park my trash can on their front stoop and we will be friends every day. If I ever seem grouchy it’s just because I am a little afraid of all that fun. There is a river running through this city I know as well as my own name. It’s the first place I’ve ever called home. I don’t think its poetry to say I’m in love with the water. I don’t think it’s poetry to say I’m in love with the train tracks. I don’t think it’s blasphemy to say I see God in the skyline. There is always cold beer asking to be slurped on back porches. There are always crushed packs of Marlboro’s in my back pockets. I have been wearing the same patched-up shorts for 10 days. Someday I will stop being young and wanting stupid tattoos.
Clementine von Radics
And it feels good to feel young with you, and at the same time to grow old with you. And it's all those things together at the same moment.
Dave Isay (All There Is: Love Stories from StoryCorps)
She and Roman would survive this war. They would have the chance to grow old together, year by year. They would be friends until they both finally acknowledged the truth. And they would have everything that other couples had—the arguments and the hand-holding in the market and the gradual exploration of their bodies and the birthday celebrations and the journeys to new cities and the living as one and sharing a bed and the gradual sense of melting into each other. Their names would be entwined—Roman and Iris or Winnow and Kitt because could you truly have one without the other?—and they would write on their typewriters and ruthlessly edit each other’s pieces and read books by candlelight at night.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
It was a standard fantasy when you fell in love to imagine you could go back in time and find your beloved growing up, appear there, save him or her, get together as adolescents, by magic, and go on together, fighting for one another, into old age, never wavering.
Norman Rush (Subtle Bodies)
Beside the watch was a pearl bracelet she always wore. She never took it off. Will had given it to her when they had been married thirty years, smiling as fastened it on. He had had gray in his hair them, she knew, though she had never really seen it. As if her love had given him his own shape-shifting ability, no matter how much time had passed, when she looked at him, she always saw the wild, black-haired boy she had fallen in love with. It still seemed incredible to her sometimes that they had managed to grow old together, herself and Will Herondale, whom Gabriel Lightwood had once said would not live to be older than nineteen. They had been good friends with the Lightwoods too, through all those years. Of course Will could hardly not be friends with the man who was married to his sister. Both Cecily and Gabriel had seen Will on the day he dies, as had Sophie, though Gideon had himself passed away several years before.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
We grew up together but we won't grow old together.
Lurlene McDaniel (A Rose for Melinda)
I hope we'll get lucky enough to grow old together. You can see them on the street, those couples who've been married so long you can't tell them apart.
Paula McLain (The Paris Wife)
In another life we are happy,” I murmur, squeezing my eyes shut. “In another life we grow old together.
Suzanne Young (A Want So Wicked (A Need So Beautiful, #2))
I guess that's how people grow old together. You don't see wrinkles and receding hairlines. You just see what made you care to begin with-the beautiful things they have on the inside.
Jax Garren (How Beauty Saved the Beast (Tales of the Underlight #2))
I guess its time you officially met the lost boys," I said to Daniel. "Lost boys? You mean like that old Kiefer Sutherland movie? "What? No, I mean like Peter Pan and the lost boys." "Is she calling us fairies?" Asked Slade. "No," Brent said. "She means the lost boys that never wanted to grow up, and got into mischief with Peter Pan." "Still sounds like fairies to me." Slade crossed his tattooed arms in front of his chest. "Still sounds like that Kiefer Sutherland movie to me." Daniel smirked. "We were in the play together, like, seven years ago. You were mad because my mom made you wear tights, but you wanted to be a pirate." Daniel held his hand up. "Partial amnesia here, remember? I must have blocked out any and all recollections associations with said tights." Brent, Zach, and Ryan laughed. Slade almost cracked a smile. ~ Grace, Daniel, and The Lost Boys
Bree Despain (The Savage Grace (The Dark Divine, #3))
Beauty isn’t all about tooth whiteners, hard abs, and hundred-dollar lipstick. Beauty is about growing old together, remembering when together, laughing together. If my picture disgusts you, fine. Go look at the faces of women who named a price you can buy them for. I’m not the kind of woman who will ever be for sale, and shame on you for not expecting more from a woman, or from yourself.
Virginia Nelson (Sugar On Top)
ON THE DAY I DIE On the day I die, when I'm being carried toward the grave, don't weep. Don't say, He's gone! He's gone. Death has nothing to do with going away. The sun sets and the moon sets, but they're not gone. Death is a coming together. The tomb looks like a prison, but it's really release into union. The human seed goes down in the ground like a bucket into the well where Joseph is. It grows and comes up full of some unimagined beauty. Your mouth closes here, and immediately opens with a shout of joy there. --------------------------------- One who does what the Friend wants done will never need a friend. There's a bankruptcy that's pure gain. The moon stays bright when it doesn't avoid the night. A rose's rarest essence lives in the thorn. ---------------------------------- Childhood, youth, and maturity, and now old age. Every guest agrees to stay three days, no more. Master, you told me to remind you. Time to go. ----------------------------------- The angel of death arrives, and I spring joyfully up. No one knows what comes over me when I and that messenger speak! ------------------------------------- When you come back inside my chest no matter how far I've wandered off, I look around and see the way. At the end of my life, with just one breath left, if you come then, I'll sit up and sing. -------------------------------------- Last night things flowed between us that cannot now be said or written. Only as I'm being carried out and down the road, as the folds of my shroud open in the wind, will anyone be able to read, as on the petal-pages of a turning bud, what passed through us last night. ------------------------------------- I placed one foot on the wide plain of death, and some grand immensity sounded on the emptiness. I have felt nothing ever like the wild wonder of that moment. Longing is the core of mystery. Longing itself brings the cure. The only rule is, Suffer the pain. Your desire must be disciplined, and what you want to happen in time, sacrificed.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
I thought marriage was for ever. I really did. I thought Luke and I would grow old and grey together. Or at least, old. (I'm not intending to go grey, ever...)
Sophie Kinsella (Shopaholic & Baby (Shopaholic, #5))
I don’t think either of us will get to grow old, especially if we’re together. The only question is: Do I wanna die young with anyone else?
Sylvain Neuvel (Waking Gods (Themis Files, #2))
When I look at you, I don’t just see your face. I see my entire future. I see our marriage. I see our children. I see us fighting. I see us making up. I see us growing old together. In my version of the future, we are quite lucky. Because I even see us dying together. I see my forever in you.
M.V. Kasi (Bound by Hatred (The Singham Bloodlines #2))
We have a lifetime ahead of us to decide what we're going to do. I love you; heart and soul, and we're going to grow old together. We'll make things right and find our way, no matter how long it takes or where life takes us.
Ella Dominguez (The Art of Control (The Art of D/s, #3))
My old friend, what are you looking for? After years abroad you’ve come back with images you’ve nourished under foreign skies far from you own country.’ ‘I’m looking for my old garden; the trees come to my waist and the hills resemble terraces yet as a child I used to play on the grass under great shadows and I would run for hours breathless over the slopes.’ ‘My old friend, rest, you’ll get used to it little by little; together we will climb the paths you once knew, we will sit together under the plane trees’ dome. They’ll come back to you little by little, your garden and your slopes.’ ‘I’m looking for my old house, the tall windows darkened by ivy; I’m looking for the ancient column known to sailors. How can I get into this coop? The roof comes to my shoulders and however far I look I see men on their knees as though saying their prayers.’ ‘My old friend, don’t you hear me? You’ll get used to it little by little. Your house is the one you see and soon friends and relatives will come knocking at the door to welcome you back tenderly.’ ‘Why is your voice so distant? Raise your head a little so that I understand you. As you speak you grow gradually smaller as though you’re sinking into the ground.’ ‘My old friend, stop a moment and think: you’ll get used to it little by little. Your nostalgia has created a non-existent country, with laws alien to earth and man.’ ‘Now I can’t hear a sound. My last friend has sunk. Strange how from time to time they level everything down. Here a thousand scythe-bearing chariots go past and mow everything down
George Seferis
Ive told you before and my feelings haven't changed. I love you Sakura. Even if I cant match up to Natsume, my feelings would not lose to his. Even if we part ways and you forget about me, I will always think of you. Even if I grow old and leave this academy, I will definitely come see you. I'm here for you, until the day you look my way, I will always... I will always wait for you, together with Natsume. And this time around, I wont let Natsume steal you away again. Next time we meet, I will be more straight forward with my feelings, so that this time around, it wont be Natsume, but me you will choose, and me you will love. I wont lose, definitely." - Ruka
Tachibana Higuchi (学園アリス 27 [Gakuen Alice 27])
Just like that. Gone forever. They will not grow old together. They will never live on a beach by the sea, their hair turned white, dancing in a living room to Billie Holiday or Nat Cole. They will not enter a New York club at midnight and show the poor hip-hop fools how to dance. They will not chuckle together over the endless folly of the world, its vanities and stupid ambitions. They will not hug each other in any chilly New York dawn. Oh, Mary Lou. My baby. My love.
Pete Hamill (Tabloid City)
The gods granted us misery, in jealousy over the thought that we two, always together, should enjoy our youth, and then come to the threshold of old age.
Homer (The Odyssey (Marvel Illustrated))
It doesn't matter what the manifest problem was in our childhood family. In a home where a child is emotionally deprived for one reason or another that child will take some personal emotional confusion into his or her adult life. We may spin our spiritual wheels in trying to make up for childhood's personal losses, looking for compensation in the wrong places and despairing that we can find it. But the significance of spiritual rebirth through Jesus Christ is that we can mature spiritually under His parenting and receive healing compensation for these childhood deprivations. Three emotions that often grow all out of proportion in the emotionally deprived child are fear, guilt, and anger. The fear grows out of the child's awareness of the uncontrollable nature of her fearful environment, of overwhelming negative forces around her. Her guilt, her profound feelings of inadequacy, intensify when she is unable to put right what is wrong, either in the environment or in another person, no matter how hard she tries to be good. If only she could try harder or be better, she could correct what is wrong, she thinks. She may carry this guilt all her life, not knowing where it comes from, but just always feeling guilty. She often feels too sorry for something she has done that was really not all that serious. Her anger comes from her frustration, perceived deprivation, and the resultant self-pity. She has picked up an anger habit and doesn't know how much trouble it is causing her. A fourth problem often follows in the wake of the big three: the need to control others and manipulate events in order to feel secure in her own world, to hold her world together- to make happen what she wants to happen. She thinks she has to run everything. She may enter adulthood with an illusion of power and a sense of authority to put other people right, though she has had little success with it. She thinks that all she has to do is try harder, be worthier, and then she can change, perfect, and save other people. But she is in the dark about what really needs changing."I thought I would drown in guilt and wanted to fix all the people that I had affected so negatively. But I learned that I had to focus on getting well and leave off trying to cure anyone around me." Many of those around - might indeed get better too, since we seldom see how much we are a key part of a negative relationship pattern. I have learned it is a true principle that I need to fix myself before I can begin to be truly helpful to anyone else. I used to think that if I were worthy enough and worked hard enough, and exercised enough anxiety (which is not the same thing as faith), I could change anything. My power and my control are illusions. To survive emotionally, I have to turn my life over to the care of that tender Heavenly Father who was really in charge. It is my own spiritual superficiality that makes me sick, and that only profound repentance, that real change of heart, would ultimately heal me. My Savior is much closer than I imagine and is willing to take over the direction of my life: "I am the vine, ye are the branches: He that abideth in me, and I in him, the same bringeth forth much fruit: for without me, ye can do nothing." (John 15:5). As old foundations crumble, we feel terribly vulnerable. Humility, prayer and flexibility are the keys to passing through this corridor of healthy change while we experiment with truer ways of dealing with life. Godly knowledge, lovingly imparted, begins deep healing, gives tools to live by and new ways to understand the gospel.
M. Catherine Thomas
She grimaced, remembering one incarnation when she and he had been forced to grow old together, peacefully. Most boring life she’d ever known, though at the time—ignorant of her grander part in the Pattern—she’d been happy with it.
Robert Jordan (Towers of Midnight (The Wheel of Time, #13))
I went back to my thoughts of Lia. How could I tell her that I knew in my gut from almost the beginning that we were meant to be together? That I had seen myself growing old with her. That a gift I wasn’t even sure she really possessed had told me her name long before I ever laid eyes on her.
Mary E. Pearson (The Heart of Betrayal (The Remnant Chronicles, #2))
What's a colony without its dusky natives? Where's the fun if they're all going to die off? Just a big chunk of desert, no more maids, no field-hands, no laborers for the construction or the mining--wait, wait a minute there, yes it's Karl Marx, that sly old racist skipping away with his teeth together and his eyebrows up trying to make believe it's nothing but Cheap Labor and Overseas Markets... Oh, no. Colonies are much, much more. Colonies are the outhouses of the European soul, where a fellow can let his pants down and relax, enjoy the smell of his own shit. Where he can fall on his slender prey roaring as loud as he feels like, and guzzle her blood with open joy. Eh? Where he can just wallow and rut and let himself go in a softness, a receptive darkness of limbs, of hair as woolly as the hair on his own forbidden genitals. Where the poppy, and the cannabis and coca grow full and green, and not to the colors and style of death, as do ergot and agaric, the blight and fungus native to Europe. Christian Europe was always death, Karl, death and repression. Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts... No word ever gets back. The silences down here are vast enough to absorb all behavior, no matter how dirty, how animal it gets....
Thomas Pynchon (Gravity’s Rainbow)
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
Bea is the only good thing I've ever done in my life,' he said. 'Take care of her for me.' My father went with him to the door and watched him walk away down Calle Santa Ana, with that sadness that softens men who are aware that they are growing old together.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
During terms, Professor Marsden lives in Cambridge with his wife, chess player extraordinaire and distinguished physician and surgeon Bryony Asquith Marsden. His favorite time of day is half past six in the evening, when he meets Mrs. Marsden’s train at the station, as the latter returns from her day in London. On Sunday afternoons, rain or shine, Professor and Mrs. Marsden take a walk along The Backs, and treasure growing old together.
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
Our self-image and our habits tend to go together. Change one and you will automatically change the other. The word “habit” originally meant a garment or clothing... Our habits are literally garments worn by our personalities. They are not accidental, or happenstance. We have them because they fit us. They are consistent with our self-image and our entire personality pattern. When we consciously and deliberately develop new and better habits, our self-image tends to outgrow the old habits and grow into the new pattern.
Maxwell Maltz
... a gaggle of old ladies is glued to the window at the end of the hall like children or jailbirds. They're spidery and frail, their hair as fine as mist. Most of them are a good decade younger than me, and this astounds me. Even as your body betrays you, your mind denies it.---- There are five of them now, white headed old things huddled together and pointing crooked fingers at the glass.
Sara Gruen (Water for Elephants)
She recognized that the assassination had transformed him into a hero too: 'Now, I think I should have known that he was magic all along- but I should have guessed that it would be too much to ask to grow old with [him] and see our children grow up together. So now, he is a legend when he would have preferred to be a man.
James L. Swanson
I want to be there with you. I want to graduate with you guys. I want to move out of Ellensburg, and live with you, and grow old together. But I can’t.” Another pause. “But you still can. You can still have all those things, Julie. Because you deserve them. And you deserve to fall in love a dozen times, because you are kind
Dustin Thao (You've Reached Sam)
M-O-T-H-E-R "M" is for the million things she gave me, "O" means only that she's growing old, "T" is for the tears she shed to save me, "H" is for her heart of purest gold; "E" is for her eyes, with love-light shining, "R" means right, and right she'll always be, Put them all together, they spell "MOTHER," A word that means the world to me.
Howard Johnson
Perhaps she lived a thousand lifetimes before, a world that breathed on Love, a home that bloomed of togetherness, a wild crazy love that rolled between peace and madness, but no matter what held onto each other, that believed in growing into each other for each other with each other.
Debatrayee Banerjee
We are made for art . . . The moment Maddy took up the tendril phrase, Els knew she was as dear to him as his own life. Talons gripped his ribs, and he felt a joy bordering on panic. He needed to know how this woman would unfold. He needed to write music that would settle into her range like frost on fields. They’d spend their years together, grow old, get sick, die in shared bewilderment.
Richard Powers (Orfeo)
Gavin, we're going to grow old together, and whether you pick up a gardening hobby, or learn to make you won sushi, or even decide to learn an instrument, I will be right there with you, growing with you. We'll share our whole lives, our quirks and bad habits. It's not just learning your past and who you are today; its getting to see who you'll become tomorrow. I want to be there for that.
A.J. Rose (Power Exchange (Power Exchange, #1))
We take it for granted that life moves forward. You build memories; you build momentum.You move as a rower moves: facing backwards. You can see where you've been, but not where you’re going. And your boat is steered by a younger version of you. It's hard not to wonder what life would be like facing the other way. Avenoir. You'd see your memories approaching for years, and watch as they slowly become real. You’d know which friendships will last, which days are important, and prepare for upcoming mistakes. You'd go to school, and learn to forget. One by one you'd patch things up with old friends, enjoying one last conversation before you meet and go your separate ways. And then your life would expand into epic drama. The colors would get sharper, the world would feel bigger. You'd become nothing other than yourself, reveling in your own weirdness. You'd fall out of old habits until you could picture yourself becoming almost anything. Your family would drift slowly together, finding each other again. You wouldn't have to wonder how much time you had left with people, or how their lives would turn out. You'd know from the start which week was the happiest you’ll ever be, so you could relive it again and again. You'd remember what home feels like, and decide to move there for good. You'd grow smaller as the years pass, as if trying to give away everything you had before leaving. You'd try everything one last time, until it all felt new again. And then the world would finally earn your trust, until you’d think nothing of jumping freely into things, into the arms of other people. You'd start to notice that each summer feels longer than the last. Until you reach the long coasting retirement of childhood. You'd become generous, and give everything back. Pretty soon you’d run out of things to give, things to say, things to see. By then you'll have found someone perfect; and she'll become your world. And you will have left this world just as you found it. Nothing left to remember, nothing left to regret, with your whole life laid out in front of you, and your whole life left behind.
Sébastien Japrisot
We were no longer, technically, children although in many ways I am quite sure that we were. Childish has become a term of contempt. "Don't be childish, darling." "I hope to Christ I am. Don't be childish yourself." It is possible to be grateful that no one that you would willingly associate with you say, "Be mature. Be well-balanced, be well-adjusted." Africa, being as old as it is, makes all people except the professional invaders and spoilers into children. No one says to anyone in Africa, "Why don't you grow up?" . . . Men know that they are children in relation to the country and, as in armies, seniority and senility ride close together. But to have the heart of a child is not a disgrace. It is an honor. A man must comport himself as a man. . . . But it is never a reproach that he has kept a child's heart, a child's honesty and a child's freshness and nobility.
Ernest Hemingway (True at First Light)
O’Brien: How does one man assert his power over another, Winston? Winston: By making him suffer. O’Brien: Exactly. By making him suffer. Obedience is not enough. Unless he is suffering, how can you be sure that he is obeying your will and not his own? Power is in inflicting pain and humiliation. Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing. Do you begin to see, then, what kind of world we are creating? It is the exact opposite of the stupid hedonistic Utopias that the old reformers imagined. A world of fear and treachery and torment, a world of trampling and being trampled upon, a world which will grow not less but MORE merciless as it refines itself. Progress in our world will be progress towards more pain. The old civilizations claimed that they were founded on love or justice. Ours is founded upon hatred.
George Orwell
That immense framework and planking of concepts to which the needy man clings his whole life long in order to preserve himself is nothing but a scaffolding and toy for the most audacious feats of the liberated intellect. And when it smashes this framework to pieces, throws it into confusion, and puts it back together in an ironic fashion, pairing the most alien things and separating the closest, it is demonstrating that it has no need of these makeshifts of indigence and that it will now be guided by intuitions rather than by concepts. There is no regular path which leads from these intuitions into the land of ghostly schemata, the land of abstractions. There exists no word for these intuitions; when man sees them he grows dumb, or else he speaks only in forbidden metaphors and in unheard — of combinations of concepts. He does this so that by shattering and mocking the old conceptual barriers he may at least correspond creatively to the impression of the powerful present intuition.
Friedrich Nietzsche
I was thinking not very long ago about the difference between the people we "grew up" with vs. the people we're "growing old" with - not always being one and the same - and how time (and the memories we forge together) really does strengthen pretty much all of our relationships/friendships (whether they had started on the right foot or not). And I guess what I've mostly learned (by moving to NZ especially) is that the more Significant people you have in your life, the more 'manageable' the idea of loss, losing a loved-one, can become - not because you can replace them (obviously you can't) or because they're interchangeable (no one is), but because like a foundation to a house the more pillars you have (people you love) holding it up (loving you) the more solid/resilient you become - and from there, I find you're better equipped to overcome whatever life throws your way. That said time does pass us by very quickly. I find it much more noticeable through our growing kids than ever before.
Kim Dallmeier
This feeling of adventure definitely does not come from events: I have proved it. It's rather the way in which the moments are linked together. I think this is what happens: you suddenly feel that time is passing, that each instant leads to another, this one to another one, and so on; that each instant is annihilated, and that it isn't worth while to hold it back, etc., etc. And then you attribute this property to events which appear to you in the instants; what belongs to the form you carry over to the content. You talk a lot about this amazing flow of time but you hardly see it. You see a woman, you think that one day she'll be old, only you don't see her grow old. But there are moments when you think you see her grow old and feel yourself growing old with her: this is the feeling of adventure.
Jean-Paul Sartre (Nausea)
Aging brings out the flavors of a personality. The individual emerges over time, the way fruit matures and ripens. In the Renaissance view, depression, aging, and individuality all go together: the sadness of growing old is part of becoming an individual. Melancholy thoughts carve out an interior space where wisdom can take up residence. Saturn
Thomas Moore (Care of the Soul: Guide for Cultivating Depth and Sacredness in Everyday Life)
So, what is family? How is it best defined? Must you be related by blood? If that’s true, then how does marriage make a family of the husband and wife? Could a group of dear friends who are witness to each others’ lives, who grow old together and pledge to support one another in sickness and in health, till death do they part, be anything less?
Aralyn Hughes (Kid Me Not: An anthology by child-free women of the '60s now in their 60s)
I am wounded. I am marked by old codes, which shielded me in one world and then chained me in the next. I think of your grandmother calling me and noting how you were growing tall and would one day try to “test me.” And I said to her that I would regard that day, should it come, as the total failure of fatherhood because if all I had over you were my hands, then I really had nothing at all. But, forgive me, son, I knew what she meant and when you were younger I thought the same. And I am now ashamed of the thought, ashamed of my fear, of the generational chains I tried to clasp onto your wrists. We are entering our last years together, and I wish I had been softer with you. Your mother had to teach me how to love you—how to kiss you and tell you I love you every night. Even now it does not feel a wholly natural act so much as it feels like ritual. And that is because I am wounded. That is because I am tied to old ways, which I learned in a hard house. It was a loving house even as it was besieged by its country, but it was hard. Even in Paris, I could not shake the old ways, the instinct to watch my back at every pass, and always be ready to go.
Ta-Nehisi Coates (Between the World and Me)
And thus it passed on from Candlemass until after Easter, that the month of May was come, when every lusty heart beginneth to blossom, and to bring forth fruit; for like as herbs and trees bring forth fruit and flourish in May, in like wise every lusty heart that is in any manner a lover, springeth and flourisheth in lusty deeds. For it giveth unto all lovers courage, that lusty month of May, in something to constrain him to some manner of thing more in that month than in any other month, for divers causes. For then all herbs and trees renew a man and woman, and likewise lovers call again to their mind old gentleness and old service, and many kind deeds that were forgotten by negligence. For like as winter rasure doth alway arase and deface green summer, so fareth it by unstable love in man and woman. For in many persons there is no stability; for we may see all day, for a little blast of winter's rasure, anon we shall deface and lay apart true love for little or nought, that cost much thing; this is no wisdom nor stability, but it is feebleness of nature and great disworship, whosomever useth this. Therefore, like as May month flowereth and flourisheth in many gardens, so in like wise let every man of worship flourish his heart in this world, first unto God, and next unto the joy of them that he promised his faith unto; for there was never worshipful man or worshipful woman, but they loved one better than another; and worship in arms may never be foiled, but first reserve the honour to God, and secondly the quarrel must come of thy lady: and such love I call virtuous love. But nowadays men can not love seven night but they must have all their desires: that love may not endure by reason; for where they be soon accorded and hasty heat, soon it cooleth. Right so fareth love nowadays, soon hot soon cold: this is no stability. But the old love was not so; men and women could love together seven years, and no licours lusts were between them, and then was love, truth, and faithfulness: and lo, in like wise was used love in King Arthur's days. Wherefore I liken love nowadays unto summer and winter; for like as the one is hot and the other cold, so fareth love nowadays; therefore all ye that be lovers call unto your remembrance the month of May, like as did Queen Guenever, for whom I make here a little mention, that while she lived she was a true lover, and therefore she had a good end.
Thomas Malory (Le Morte d'Arthur: King Arthur and the Legends of the Round Table)
And then comes the reassembled self, the self you have to put back together. You no longer have to devote time to finding out what you are, you are just free to be whatever you want to be, unimpeded by the incessant needs of others. You somehow grow into the fullness of your humanity, form your own character, become a proper person – I don’t know, someone who has become a part of things, not someone separated from or at odds with the world. You mean you get old. Yes, Seán, old and free!
Nick Cave (Faith, Hope and Carnage)
And if someone were to ask, Noah, what’s the most important aspect of story? I would most likely answer, character, but I’m not sure that’s true, because my favorite books contain my favorite places. I do not say, I love Harry Potter, or I love Frodo Baggins; I say, I love Hogwarts, and I love Middle-earth. Thoreau’s Walden is less about the book, more about the pond. The woods. And so setting, I think, is the secret weapon of storytelling. I always want to meet new people until I’ve met them. I think if I spend enough time with a person so we get woven together like an old basket, eventually we’ll think in similar patterns until our various histories are apples and oranges spilling over the edge of the basket, and I think this kind of shared history is dangerous. I think it’s okay to recognize a thing’s faults and still like that thing. Because apples and oranges spilling from a basket can be beautiful too. I think I’m whatever personality hates personality tests. I think nostalgia is just a soul’s way of missing a thing, and like long-distance love, nostalgia grows deeper with time until the reality of what a thing actually was gets blurred to the point you miss the idea of the thing more than the thing itself. I like the idea of hot cocoa more than drinking
David Arnold (The Strange Fascinations of Noah Hypnotik)
It’s not as if he’s had much of a chance until now, but somehow he has internalized the ur-cultural narrative: you grow up, go to university, get a job, meet Ms. Right, get married, settle down, have kids, grow old together . . . it’s like some sort of checklist. Or maybe a list of epic quests you’ve got to complete while level-grinding in a game you’re not allowed to quit, with no respawns and no cheat codes.
Charles Stross (The Nightmare Stacks (Laundry Files, #7))
I really want us to grow old together, you know? Go through all the typical life stuff together, even if that means we can only e-mail each other once a week because you moved to the middle of nowhere in Nebraska with your ten kids, and I'm still California because it's amazing. Just like in that one movie - we'll never lose touch with each other, ever. Is that weird?! No, Feenie said. It's perfectly fucking normal.
Claire Kann (Let's Talk About Love)
And she thinks perhaps that is what love is: letting someone else see that part of you that shatters like glass...They will grow old together, broken together, and as long as they both don't completely shatter at the same time, they might find a way to pick each other off the ground.
Thomas Christopher Greene (The Headmaster's Wife)
What she thinks is: this could have been me. Why not? A real girl, in a real house, with a mother and a father and a brother and a sister and an aunt and an uncle and a nephew and a niece and a cousin and all those other words for the map of people who love each other and stay together. The map called family. Growing up and growing old. Playing. Exploring. Like Pooh and Piglet. And then like the Famous Five. And then like Heidi and Anne of Green Gables. And then like Pandora, opening the great big box of the world and not being afraid, not even caring whether what’s inside is good or bad. Because it’s both. Everything is always both. But you have to open it to find that out.
M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
She thumped her weapon (others might call it a cane, but he knew better) against the floor. “Fell off your horse?” “No, I—” “Tripped down the stairs? Dropped a bottle on your foot?” Her expression grew sly. “Or does it involve a woman?” He fought the urge to cross his arms. She was looking up at him with a bit of a smirk. She liked poking fun at her companions; she’d once told him that the best part of growing old was that she could say anything she wanted with impunity. He leaned down and said with great gravity, “Actually, I was stabbed by my valet.” It was, perhaps, the only time in his life he’d managed to stun her into silence. Her mouth fell open, her eyes grew wide, and he would have liked to have thought that she even went pale, but her skin had such an odd tone to begin with that it was hard to say. Then, after a moment of shock, she let out a bark of laughter and said, “No, really. What happened?” “Exactly as I said. I was stabbed.” He waited a moment, then added, “If we weren’t in the middle of a ballroom, I’d show you.” “You don’t say?” Now she was really interested. She leaned in, eyes alight with macabre curiosity. “Is it gruesome?” “It was,” he confirmed. She pressed her lips together, and her eyes narrowed as she asked, “And where is your valet now?” “At Chatteris House, likely nicking a glass of my best brandy.” She let out another one of her staccato barks of laughter.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
We scoffed at the kids who weren't like us, the ones who already talked about careers, or bliddy mortgages and pensions. Kids wanting to be old before they were young. Kids wanting to be dead before they'd lived. They were digging their own graves, building the walls of their own damn jails. Us, we hung to our youth. We were footloose, fancy free. We said we'd never grow boring and old. We plundered charity shops for vintage clothes. We bought battered Levis and gorgeous faded velvet stuff from Attica in High Bridge. We wore coloured boots, hemp scarves from Gaia. We read Baudelaire and Byron. We read our poems to each other. We wrote songs and posted them on YouTube. We formed bands. We talked of the amazing journeys we'd take together once school was done. Sometimes we paired off, made couples that lasted for a little while, but the group was us. We hung together. We could say anything to each other. We loved each other.
David Almond (A Song for Ella Grey)
She liked numbers and sums. She devised a game in which each number was a family member and the “answer” made a family grouping with a story to it. Naught was a babe in arms. He gave no trouble. Whenever he appeared you just “carried” him. The figure 1 was a pretty baby girl just learning to walk, and easy to handle; 2 was a baby boy who could walk and talk a little. He went into family life (into sums, etc.) with very little trouble. And 3 was an older boy in kindergarten, who had to be watched a little. Then there was 4, a girl of Francie’s age. She was almost as easy to “mind” as 2. The mother was 5, gentle and kind. In large sums, she came along and made everything easy the way a mother should. The father, 6, was harder than the others but very just. But 7 was mean. He was a crotchety old grandfather and not at all accountable for how he came out. The grandmother, 8, was hard too, but easier to understand than 7. Hardest of all was 9. He was company and what a hard time fitting him into family life! When Francie added a sum, she would fix a little story to go with the result. If the answer was 924, it meant that the little boy and girl were being minded by company while the rest of the family went out. When a number such as 1024 appeared, it meant that all the little children were playing together in the yard. The number 62 meant that papa was taking the little boy for a walk; 50 meant that mama had the baby out in the buggy for an airing and 78 meant grandfather and grandmother sitting home by the fire of a winter’s evening. Each single combination of numbers was a new set-up for the family and no two stories were ever the same. Francie took the game with her up into algebra. X was the boy’s sweetheart who came into the family life and complicated it. Y was the boy friend who caused trouble. So arithmetic was a warm and human thing to Francie and occupied many lonely hours of her time.
Betty Smith (A Tree Grows in Brooklyn)
In the afterglow of the Big Bang, humans spread in waves across the universe, sprawling and brawling and breeding and dying and evolving. There were wars, there was love, there was life and death. Minds flowed together in great rivers of consciousness, or shattered in sparkling droplets. There was immortality to be had, of a sort, a continuity of identity through replication and confluence across billions upon billions of years. Everywhere they found life. Nowhere did they find mind—save what they brought with them or created—no other against which human advancement could be tested. With time, the stars died like candles. But humans fed on bloated gravitational fat, and achieved a power undreamed of in earlier ages. They learned of other universes from which theirs had evolved. Those earlier, simpler realities too were empty of mind, a branching tree of emptiness reaching deep into the hyperpast. It is impossible to understand what minds of that age—the peak of humankind, a species hundreds of billions of times older than humankind—were like. They did not seek to acquire, not to breed, not even to learn. They had nothing in common with us, their ancestors of the afterglow. Nothing but the will to survive. And even that was to be denied them by time. The universe aged: indifferent, harsh, hostile, and ultimately lethal. There was despair and loneliness. There was an age of war, an obliteration of trillion-year memories, a bonfire of identity. There was an age of suicide, as the finest of humanity chose self-destruction against further purposeless time and struggle. The great rivers of mind guttered and dried. But some persisted: just a tributary, the stubborn, still unwilling to yield to the darkness, to accept the increasing confines of a universe growing inexorably old. And, at last, they realized that this was wrong. It wasn't supposed to have been like this. Burning the last of the universe's resources, the final down-streamers—dogged, all but insane—reached to the deepest past. And—oh. Watch the Moon, Malenfant. Watch the Moon. It's starting—
Stephen Baxter (Time (Manifold #1))
After the sudden release of the laughter, he was trembling. All his body seemed growing weak. He felt, almost physically, more barriers breaking--those necessary barriers of defense, built up through the months of loneliness and desperation. He must touch another human being, and he put forward his hand in the old conventional gesture of the handshake. She took it, and doubtless as she noticed his trembling, she drew him toward a chair and almost pushed him into it. As he sat down, she patted his shoulder lightly. She spoke again, once more neither questioning nor commanding: "I'll get you something to eat." He did not protest, though he had just eaten heartily. But he knew that behind her quiet affirmation lay something more than any call of the body for food. There was need now for the symbolic eating together, that first common bond of human beings--the sitting at the same table, the sharing of bread and salt.
George R. Stewart (Earth Abides)
A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater. "No, mama." "Excuse me?" "No, I don't want to wear that sweater, it makes me look fat." "What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater." She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less. The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides. Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt. Grace and Bella, will you have any idea how lovely you are when you try? Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean." My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.
Kristin Armstrong
OBEDIENCE IS NOT ENOUGH. Unless he is suffering, how can you be sure that he is obeying your will and not his own? Power is in inflicting pain and humiliation. Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing. Do you begin to see, then, what kind of world we are creating? It is the exact opposite of the stupid hedonistic Utopias that the old reformers imagined. A world of fear and treachery and torment, a world of trampling and being trampled upon, a world which will grow not less but more merciless as it refines itself. Progress in our world will be progress toward more pain. The old civilizations claimed that they were founded on love or justice. Ours is founded upon hatred. In our world there will be no emotions except fear, rage, triumph, and self-abasement. Everything else we shall destroy--everything. Already we are breaking down the habits of thought which have survived from before the Revolution. We have cut the links between child and parent, and between man and man, and between man and woman. No one dares trust a wife or a child or a friend any longer. But in the future there will be no wives and no friends. Children will be taken from their mothers at birth, as one takes eggs from a hen. The sex instinct will be eradicated. Procreation will be an annual formality like the renewal of a ration card. We shall abolish the orgasm. Our neurologists are at work upon it now. There will be no loyalty, except loyalty toward the Party. There will be no love, except the love of Big Brother. There will be no laughter, except the laugh of triumph over a defeated enemy. There will be no art, no literature, no science. When we are omnipotent we shall have no more need of science. There will be no distinction between beauty and ugliness. There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed. But always--do not forget this, Winston--always there will be the intoxication of power, constantly increasing and constantly growing subtler. Always, at every moment, there will be the thrill of victory, the sensation of trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human face--forever.
George Orwell (1984)
The Redwood Tree My father once told me a story about an old redwood tree—how she stood tall and proud—her sprawling limbs clothed in emerald green. With a smile, he described her as a mere sapling, sheltered by her elders and basking in the safety of the warm, dappled light. But as this tree grew taller, she found herself at the mercy of the cruel wind and the vicious rain. Together, they tore relentlessly at her pretty boughs, until she felt as though her heart would split in two. After a long, thoughtful pause, my father turned to me and said, “My daughter, one day the same thing will happen to you. And when that time comes, remember the redwood tree. Do not worry about the cruel wind or the vicious rain—but do as that tree did and just keep growing.
Lang Leav (The Universe of Us (Volume 4) (Lang Leav))
Our family was starting. We kept on moving with our young lives, shortly afterward and took Ben Young with us everywhere. But pretty soon Pegi started noticing that Ben was not doing the things some other babies were doing. Pegi was wondering if something was wrong. She was young, and nothing had ever gone wrong in her life. People told us kids grow at different rates and do things at different times. But as Ben reached six months old, we found ourselves sitting in a doctor's office. He glanced at us and offhandedly said, "Of course. Ben has cerebral palsy." I was in shock. I walked around in a for for weeks. I couldn't fathom how I had fathered two children with a rare condition that was not supposed to be hereditary, with tow different mothers. I was so angry and confused inside, projecting scenarios in my mind where people said something bad about Ben or Zeke and I would just attack them, going wild. Luckily that never did happen, but there was a root of instability inside me for a while. Although it mellowed with time, I carried that feeling around for years. Eventually Pegi and I, wanting to have another child after Ben, went to se an expert of the subject. That was Pegi's idea. Always organized and methodical in her approach to problems, Pegi planned an approach to our dilemma with her very high intelligence. We both loved children but were a little gun-shy about having another, to say the least. After evaluating our situation and our children, the doctor told us that probably Zeke dis not actually have CP-he likely had suffered a stroke in utero. The symptoms are very similar. Pegi and I weighed this information. To know someone like her and to make a decision about a subject as important as this with her was a gift beyond anything I have ever experienced. It was her idea, and she had guided us to this point. We made a decision together to go forward and have another child.
Neil Young (Waging Heavy Peace: A Hippie Dream)
Yes, Phebe was herself now, and it showed in the change that came over her at the first note of music. No longer shy and silent, no longer the image of a handsome girl, but a blooming woman, alive and full of the eloquence her art gave her, as she laid her hands softly together, fixed her eye on the light, and just poured out her song as simply and joyfully as the lark does soaring toward the sun. "My faith, Alec! that's the sort of voice that wins a man's heart out of his breast!" exclaimed Uncle Mac, wiping his eyes after one of the plaintive ballads that never grow old. "So it would!" answered Dr. Alec, delightedly. "So it has," added Archie to himself; and he was right: for just at that moment he fell in love with Phebe. He actually did, and could fix the time almost to a second: for at a quarter past nine, he thought merely thought her a very charming young person; at twenty minutes past, he considered her the loveliest woman he ever beheld; at five and twenty minutes past, she was an angel singing his soul away; and at half after nine he was a lost man, floating over a delicious sea to that temporary heaven on earth where lovers usually land after the first rapturous plunge. If anyone had mentioned this astonishing fact, nobody would have believed it; nevertheless, it was quite true: and sober, business-like Archie suddenly discovered a fund of romance at the bottom of his hitherto well-conducted heart that amazed him. He was not quite clear what had happened to him at first, and sat about in a dazed sort of way; seeing, hearing, knowing nothing but Phebe: while the unconscious idol found something wanting in the cordial praise so modestly received, because Mr. Archie never said a word.
Louisa May Alcott (Rose in Bloom (Eight Cousins, #2))
They agreed they neither gave two hoots now as to how marriages were normally conducted. They would do as they pleased and run their lives by the roll of the seasons. In autumn the apple trees would be bright and heavy with apples and they would hunt birds together, since Ada had proved so successful with the turkeys. They would not hunt with the gaudy Italian piece of Monroe's but with fine simple shotguns they would order from England. In summer they would catch trout with tackle from the same sporting country. They would grow old together measuring time by the life spans of a succession of speckled bird dogs. At some point, well past midlife, they might take up painting and get little tin fieldboxes of watercolors, likewise from England. Go on country walks, and when they saw a scene that pleased them, stop and dip cups of water from a creek and form the lines and tints on paper for future reference.
Charles Frazier (Cold Mountain)
On average, odd years have been the best for me. I’m at a point where everyone I meet looks like a version of someone I already know. Without fail, fall makes me nostalgic for things I’ve never experienced. The sky is molting. I don’t know if this is global warming or if the atmosphere is reconfiguring itself to accommodate all the new bright suffering. I am struck by an overwhelming need to go to Iceland. Despite all awful variables, we are still full of ideas as possible as unsexed fruit. I was terribly sorry to be the one to explain to the first graders the connection between the sunset and pollution. On Venus you and I are not even a year old. Then there were two skies. The one we fly through and the one we bury ourselves in. I appreciate my wide beveled spatula which fulfills the moment I realized I would grow up and own such things. I am glad I do not yet want sexy bathroom accessories. Such things. In the story we were together every time. On his wedding day, the stone in his chest not fully melted but enough. Sometimes I feel like there are birds flying out of me.
Jennifer K. Sweeney
I love you, Kate,” he whispered, his lips brushing the words against her mouth. “I love you so much.” She nodded, unable to make a sound. “And right now I wish . . . I wish . . .” And then the strangest thing happened. Laughter bubbled up inside of him. He was overtaken by the pure joy of the moment, and it was all he could do not to pick her up and twirl her grandly through the air. “Anthony?” she asked, sounding equal parts confused and amused. “Do you know what else love means?” he murmured, planting his hands on either side of her body and letting his nose rest against hers. She shook her head. “I couldn’t possibly even hazard a guess.” “It means,” he grumbled, “that I’m finding this broken leg of yours a damned nuisance.” “Not half so much as I, my lord,” she said, casting a rueful glance at her splinted leg. Anthony frowned. “No vigorous exercise for two months, eh?” “At least.” He grinned, and in that moment he looked every inch the rake she’d once accused him of being. “Clearly,” he murmured, “I shall have to be very, very gentle.” “Tonight?” she croaked. He shook his head. “Even I haven’t the talent to express myself with that light a touch.” Kate giggled. She couldn’t help herself. She loved this man and he loved her and whether he knew it or not, they were going to grow very, very old together. It was enough to make a girl— even a girl with a broken leg— positively giddy. “Are you laughing at me?” he queried, one of his brows arching arrogantly as he slid his body into place next to her. “I wouldn’t dream of it.” “Good. Because I have some very important things to tell you.” “Really?” He nodded gravely. “I may not be able to show you how much I love you this eve, but I can tell you.” “I should never tire of hearing it,” she murmured. “Good. Because when I’m done telling you, I’m going to tell you how I’d like to show you.” “Anthony!” she squeaked. “I think I’d start with your earlobe,” he mused. “Yes, definitely the earlobe. I’d kiss it, and then nibble it, and then . . .” Kate gasped. And then she squirmed. And then she fell in love with him all over again.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Someone once said that the challenge of living is to develop a long obedience in the same direction. When it's demanded, we can rise on occasion and be patient . . . as long as there are limits. But we balk when patience is required over a long haul. We don't much like endurance. It's painful to persevere through a marriage that's forever struggling. A church that never crest 100 members. Housekeeping routines that never vary from week-to-week. Even caring for an elderly parent or a handicapped child can feel like a long obedience in the same direction. If only we could open our spiritual eyes to see the fields of grain we're planting, growing, and reaping along the way. That's what happens when we endure... Right now you may be in the middle of a long stretch of the same old routine.... You don't hear any cheers or applause. The days run together―and so do the weeks. Your commitment to keep putting one foot in front of the other is starting to falter. Take a moment and look at the fruit. Perseverance. Determination. Fortitude. Patience. Your life is not a boring stretch of highway. It's a straight line to heaven. And just look at the fields ripening along the way. Look at the tenacity and endurance. Look at the grains of righteousness. You'll have quite a crop at harvest . . . so don't give up!
Joni Eareckson Tada (Holiness in Hidden Places)
Order Out of Chaos ... At the right temperature ... two peptide molecules will stay together long enough on average to find a third. Then the little trio finds a fourth peptide to attract into the little huddle, just through the random side-stepping and tumbling induced by all the rolling water molecules. Something extraordinary is happening: a larger structure is emerging from a finer system, not in spite of the chaotic and random motion of that system but because of it. Without the chaotic exploration of possibilities, the rare peptide molecules would never find each other, would never investigate all possible ways of aggregating so that the tape-like polymers emerge as the most likely assemblies. It is because of the random motion of all the fine degrees of freedom that the emergent, larger structures can assume the form they do. Even more is true when the number of molecules present becomes truly enormous, as is automatically the case for any amount of matter big enough to see. Out of the disorder emerges a ... pattern of emergent structure from a substrate of chaos.... The exact pressure of a gas, the emergence of fibrillar structures, the height in the atmosphere at which clouds condense, the temperature at which ice forms, even the formation of the delicate membranes surrounding every living cell in the realm of biology -- all this beauty and order becomes both possible and predictable because of the chaotic world underneath them.... Even the structures and phenomena that we find most beautiful of all, those that make life itself possible, grow up from roots in a chaotic underworld. Were the chaos to cease, they would wither and collapse, frozen rigid and lifeless at the temperatures of intergalactic space. This creative tension between the chaotic and the ordered lies within the foundations of science today, but it is a narrative theme of human culture that is as old as any. We saw it depicted in the ancient biblical creation narratives of the last chapter, building through the wisdom, poetic and prophetic literature. It is now time to return to those foundational narratives as they attain their climax in a text shot through with the storm, the flood and the earthquake, and our terrifying ignorance in the face of a cosmos apparently out of control. It is one of the greatest nature writings of the ancient world: the book of Job.
Tom McLeish (Faith and Wisdom in Science)
When older people ask me, “How have you been so successful after age 65?” I tell them, “Anyone who’s reached 65 years of age has had a world of experience behind him. He’s had his ups and downs and all the trials and tribulations of life. He certainly ought to be able to gather something out of that, something he can put together at the end of his 65 years so he can get a new start.” The way I see it, a man’s life is written by the way he lives it. It’s using any talent God has given him, even if his talent is cooking food or running a good motel. You can reach higher, think bigger, grow stronger and live deeper in this country of ours than anywhere else on Earth. The rules here give everybody a chance to win. If my story is different, it’s because my life really began at age 65 when most folks have already called it a day. I’d been modestly successful before I hit 65. After that I made millions. When they’re about 60 or 65, a lot of people feel that life is all over for them. Too many of them just sit and wait until they die or they become a burden to other people. The truth is they can make a brand new life for themselves if they just don’t give up and hunker down. I want to tell people, “You’re only as old as you feel or as you think, and no matter what your age there’s plenty of work to be done.” I don’t want to sound like I’m clearing my throat and giving advice about how a man can be successful. I’m not all puffed up. My main trade secret is I’m not afraid of hard, back-cracking work. After all, I was raised on a farm where hard work is the way of life.
Harland Sanders (Colonel Harland Sanders: The Autobiography of the Original Celebrity Chef)
My God,” she says. “I feel like I’ve gone through a car wash.” I laugh, or force myself to, because it’s not something I’d normally laugh at. “What about you?” she says to Scottie. “How did you make out?” “I’m a boy,” Scottie says. “Look at me.” Sand has gotten into the bottom of her suit, creating a huge bulge. She scratches at the bulge. “I’m going to go to work now,” she says. I think she’s impersonating me and that Mrs. Speer is getting an unrealistic, humiliating glimpse. “Scottie,” I say. “Take that out.” “It must be fun to have girls,” Mrs. Speer says. She looks at the ocean, and I see that she’s looking at Alex sunbathing on the floating raft. Sid leans over Alex and puts his mouth to hers. She raises a hand to his head, and for a moment I forget it’s my daughter out there and think of how long it has been since I’ve been kissed or kissed like that. “Or maybe you have your hands full,” Mrs. Speer says. “No, no,” I say. “It’s great,” and it is, I suppose, though I feel like I’ve just acquired them and don’t know yet. “They’ve been together for ages.” I gesture to Alex and Sid. I don’t understand if they’re a couple or if this is how all kids in high school act these days. Mrs. Speer looks at me curiously, as if she’s about to say something, but she doesn’t. “And boys.” I gesture to her little dorks. “They must keep you busy.” “They’re a handful. But they’re at such a fun age. It’s such a joy.” She gazes out at her boys. Her expression does little to convince me that they’re such a joy. I wonder how many times parents have these dull conversations with one another and how much they must hide. They’re so goddamn hyper, I’d do anything to inject them with a horse tranquilizer. They keep insisting that I watch what they can do, but I truly don’t give a fuck. How hard is it to jump off a diving board? My girls are messed up, I want to say. One talks dirty to her own reflection. Did you do that when you were growing up? “Your girls seem great, too,” she says. “How old are they?” “Ten and eighteen. And yours?” “Ten and twelve.” “Oh,” I say. “Great.” “Your younger one sure is funny,” she says. “I mean, not funny. I meant entertaining.” “Oh, yeah. That’s Scottie. She’s a riot.
Kaui Hart Hemmings (The Descendants)
While some of our deepest wounds come from feeling abandoned by others, it is surprising to see how often we abandon ourselves through the way we view life. It’s natural to perceive through a lens of blame at the moment of emotional impact, but each stage of surrender offers us time and space to regroup and open our viewpoints for our highest evolutionary benefit. It’s okay to feel wronged by people or traumatized by circumstances. This reveals anger as a faithful guardian reminding us how overwhelmed we are by the outcomes at hand. While we will inevitably use each trauma as a catalyst for our deepest growth, such anger informs us when the highest importance is being attentive to our own experiences like a faithful companion. As waves of emotion begin to settle, we may ask ourselves, “Although I feel wronged, what am I going to do about it?” Will we allow experiences of disappointment or even cruelty to inspire our most courageous decisions and willingness to evolve? When viewing others as characters who have wronged us, a moment of personal abandonment occurs. Instead of remaining present to the sheer devastation we feel, a need to align with ego can occur through the blaming of others. While it seems nearly instinctive to see life as the comings and goings of how people treat us, when focused on cultivating our most Divine qualities, pain often confirms how quickly we are shifting from ego to soul. From the soul’s perspective, pain represents the initial steps out of the identity and reference points of an old reality as we make our way into a brand new paradigm of being. The more this process is attempted to be rushed, the more insufferable it becomes. To end the agony of personal abandonment, we enter the first stage of surrender by asking the following question: Am I seeing this moment in a way that helps or hurts me? From the standpoint of ego, life is a play of me versus you or us versus them. But from the soul’s perspective, characters are like instruments that help develop and uncover the melody of our highest vibration. Even when the friction of conflict seems to divide people, as souls we are working together to play out the exact roles to clear, activate, and awaken our true radiance. The more aligned in Source energy we become, the easier each moment of transformation tends to feel. This doesn’t mean we are immune to disappointment, heartbreak, or devastation. Instead, we are keenly aware of how often life is giving us the chance to grow and expand. A willingness to be stretched and re-created into a more refined form is a testament to the fiercely liberated nature of our soul. To the ego, the soul’s willingness to grow under the threat of any circumstance seems foolish, shortsighted, and insane. This is because the ego can only interpret that reality as worry, anticipation, and regret.
Matt Kahn (Everything Is Here to Help You: A Loving Guide to Your Soul's Evolution)
There is a change underway, however. Our society used to be a ladder on which people generally climbed upward. More and more now we are going to a planetary structure, in which the great dominant lower middle class, the class that determines our prevailing values and organizational structures in education, government, and most of society, are providing recruits for the other groups — sideways, up, and even down, although the movement downward is relatively small. As the workers become increasingly petty bourgeois and as middle-class bureaucratic and organizational structures increasingly govern all aspects of our society, our society is increasingly taking on the characteristics of the lower middle class, although the poverty culture is also growing. The working class is not growing. Increasingly we are doing things with engineers sitting at consoles, rather than with workers screwing nuts on wheels. The workers are a diminishing, segment of society, contrary to Marx’s prediction that the proletariat would grow and grow. I have argued elsewhere that many people today are frustrated because we are surrounded by organizational structures and artifacts. Only the petty bourgeoisie can find security and emotional satisfaction in an organizational structure, and only a middle-class person can find them in artifacts, things that men have made, such as houses, yachts, and swimming pools. But human beings who are growing up crave sensation and experience. They want contact with other people, moment-to-moment, intimate contact. I’ve discovered, however, that the intimacy really isn’t there. Young people touch each other, often in an almost ritual way; they sleep together, eat together, have sex together. But I don’t see the intimacy. There is a lot of action, of course, but not so much more than in the old days, I believe, because now there is a great deal more talk than action. This group, the lower middle class, it seems to me, holds the key to the future. I think probably they will win out. If they do, they will resolutely defend our organizational structures and artifacts. They will cling to the automobile, for instance; they will not permit us to adopt more efficient methods of moving people around. They will defend the system very much as it is and, if necessary, they will use all the force they can command. Eventually they will stop dissent altogether, whether from the intellectuals, the religious, the poor, the people who run the foundations, the Ivy League colleges, all the rest. The colleges are already becoming bureaucratized, anyway. I can’t see the big universities or the foundations as a strong progressive force. The people who run Harvard and the Ford Foundation look more and more like lower-middle-class bureaucrats who pose no threat to the established order because they are prepared to do anything to defend the system.
Carroll Quigley (Carroll Quigley: Life, Lectures and Collected Writings)
I have, myself, full confidence that if all do their duty, if nothing is neglected, and if the best arrangements are made, as they are being made, we shall prove ourselves once again able to defend our island home, to ride out the storm of war, and to outlive the menace of tyranny, if necessary for years, if necessary alone. At any rate, that is what we are going to try to do. That is the resolve of His Majesty’s Government – every man of them. That is the will of Parliament and the nation. The British Empire and the French Republic, linked together in their cause and in their need, will defend to the death their native soil, aiding each other like good comrades to the utmost of their strength. Even though large tracts of Europe and many old and famous States have fallen or may fall into the grip of the Gestapo and all the odious apparatus of Nazi rule, we shall not flag or fail. We shall go on to the end. We shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our island, whatever the cost may be. We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender, and even if, which I do not for a moment believe, this island or a large part of it were subjugated and starving, then our Empire beyond the seas, armed and guarded by the British Fleet, would carry on the struggle, until, in God’s good time, the new world, with all its power and might, steps forth to the rescue and the liberation of the old.
Anthony McCarten (Darkest Hour: How Churchill Brought us Back from the Brink)
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell
Necessities 1 A map of the world. Not the one in the atlas, but the one in our heads, the one we keep coloring in. With the blue thread of the river by which we grew up. The green smear of the woods we first made love in. The yellow city we thought was our future. The red highways not traveled, the green ones with their missed exits, the black side roads which took us where we had not meant to go. The high peaks, recorded by relatives, though we prefer certain unmarked elevations, the private alps no one knows we have climbed. The careful boundaries we draw and erase. And always, around the edges, the opaque wash of blue, concealing the drop-off they have stepped into before us, singly, mapless, not looking back. 2 The illusion of progress. Imagine our lives without it: tape measures rolled back, yardsticks chopped off. Wheels turning but going nowhere. Paintings flat, with no vanishing point. The plots of all novels circular; page numbers reversing themselves past the middle. The mountaintop no longer a goal, merely the point between ascent and descent. All streets looping back on themselves; life as a beckoning road an absurd idea. Our children refusing to grow out of their childhoods; the years refusing to drag themselves toward the new century. And hope, the puppy that bounds ahead, no longer a household animal. 3 Answers to questions, an endless supply. New ones that startle, old ones that reassure us. All of them wrong perhaps, but for the moment solutions, like kisses or surgery. Rising inflections countered by level voices, words beginning with w hushed by declarative sentences. The small, bold sphere of the period chasing after the hook, the doubter that walks on water and treads air and refuses to go away. 4 Evidence that we matter. The crash of the plane which, at the last moment, we did not take. The involuntary turn of the head, which caused the bullet to miss us. The obscene caller who wakes us at midnight to the smell of gas. The moon's full blessing when we fell in love, its black mood when it was all over. Confirm us, we say to the world, with your weather, your gifts, your warnings, your ringing telephones, your long, bleak silences. 5 Even now, the old things first things, which taught us language. Things of day and of night. Irrational lightning, fickle clouds, the incorruptible moon. Fire as revolution, grass as the heir to all revolutions. Snow as the alphabet of the dead, subtle, undeciphered. The river as what we wish it to be. Trees in their humanness, animals in their otherness. Summits. Chasms. Clearings. And stars, which gave us the word distance, so we could name our deepest sadness.
Lisel Mueller (Alive Together)
Everything in Nature ran according to its own nature; the running of grass was in its growing, the running of rivers their flowing, granite bubbled up, cooled, compressed and crumbled, birds lived, flew, sang and died, everything did what it needed to do, each simultaneously running its own race, each by living according to its own nature together, never leaving any other part of the universe behind. The world’s Holy things raced constantly together, not to win anything over the next, but to keep the entire surging diverse motion of the living world from grinding to a halt, which is why there is no end to that race; no finish line. That would be oblivion to all. For the Indigenous Souls of all people who can still remember how to be real cultures, life is a race to be elegantly run, not a race to be competitively won. It cannot be won; it is the gift of the world’s diverse beautiful motion that must be maintained. Because human life has been give the gift of our elegant motion, whether we limp, roll, crawl, stroll, or fly, it is an obligation to engender that elegance of motion in our daily lives in service of maintaining life by moving and living as beautifully as we can. All else has, to me, the familiar taste of that domineering warlike harshness that daily tries to cover its tracks in order to camouflage the deep ruts of some old, sick, grinding, ungainly need to flee away from the elegance of our original Indigenous human souls. Our attempt to avariciously conquer or win a place where there are no problems, whether it be Heaven or a “New Democracy,” never mind if it is spiritually ugly and immorally “won” and taken from someone who is already there, has made a citifying world of people who, unconscious of it, have become our own ogreish problem to ourselves, our future, and the world. This is a problem that we cannot continue to attempt to competitively outrun by more and more effectively designed technological approaches to speed away from the past, for the specter of our own earth-wasting reality runs grinning competitively right alongside us. By developing even more effective and entertaining methods of escape that only burn up the earth, the air, animals, plants, and the deeper substance of what it should mean to be human, by competing to get ahead, we have created a brakeless competition that has outrun our innate beauty and marked out a very definite and imminent “finish” line. Living in and on a sphere, we cannot really outrun ourselves anyway. Therefore, I say, the entire devastating and hideous state of the world and its constant wounding and wrecking of the wild, beautiful, natural, viable and small, only to keep alive an untenable cultural proceedance is truly a spiritual sickness, one that will not be cured by the efficient use of the same thinking that maintains the sickness. Nor can this overly expensive, highly funded illness be symptomatically kept at bay any longer by yet more political, environmental, or social programs. We must as individuals and communities take the time necessary to learn how to indigenously remember what a sane, original existence for a viable people might look like. Though there are marvellous things and amazing people doing them, both seen and unseen, these do not resemble in any way the general trend of what is going on now. To begin remembering our Indigenous belonging on the Earth back to life we must metabolize as individuals the grief of recognition of our lost directions, digest it into a valuable spiritual compost that allows us to learn to stay put without outrunning our strange past, and get small, unarmed, brave, and beautiful. By trying to feed the Holy in Nature the fruit of beauty from the tree of memory of our Indigenous Souls, grown in the composted failures of our past need to conquer, watered by the tears of cultural grief, we might become ancestors worth descending from and possibly grow a place of hope for a time beyond our own.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
May I inquire what is the point?” he snapped impatiently. “Indeed you may,” Lucinda said, thinking madly for some way to prod him into remembering his long-ago desire for Elizabeth and to prick his conscience. “The point is that I am well apprised of all that transpired between Elizabeth and yourself when you were last together. I, however,” she decreed grandly, “am inclined to place the blame for your behavior not on a lack of character, but rather a lack of judgment.” He raised his brows but said nothing. Taking his silence as assent, she reiterated meaningfully, “A lack of judgment on both your parts.” “Really?” he drawled. “Of course,” she said, reaching out and brushing the dust from the back of a chair, then rubbing her fingers together and grimacing with disapproval. “What else except lack of judgment could have caused a seventeen-year-old girl to rush to the defense of a notorious gambler and bring down censure upon herself for doing it?” “What indeed?” he asked with growing impatience. Lucinda dusted off her hands, avoiding his gaze. “Who can possibly know except you and she? No doubt it was the same thing that prompted her to remain in the woodcutter’s cottage rather than leaving it the instant she discovered your presence.” Satisfied that she’d done the best she was able to on that score, she became brusque again-an attitude that was more normal and, therefore, far more convincing. “In any case, that is all water under the bridge. She has paid dearly for her lack of judgment, which is only right, and even though she is now in the most dire straits because of it, that, too, is justice.” She smiled to herself when his eyes narrowed with what she hoped was guilt, or at least concern. His next words disabused her of that hope: “Madam, I do not have all day to waste in aimless conversation. If you have something to say, say it and be done!” “Very well,” Lucinda said, gritting her teeth to stop herself from losing control of her temper. “My point is that it is my duty, my obligation to see to Lady Cameron’s physical well-being as well as to chaperon her. In this case, given the condition of your dwelling, the former obligation seems more pressing than the latter, particularly since it is obvious to me that the two of you are not in the least need of a chaperon to keep you from behaving with impropriety. You may need a referee to keep you from murdering each other, but a chaperon is entirely superfluous. Therefore, I feel duty-bound to now ensure that adequate servants are brought here at once. In keeping with that, I would like your word as a gentleman not to abuse her verbally or physically while I am gone. She has already been ill-used by her uncle. I will not permit anyone else to make this terrible time in her life more difficult than it already is.” “Exactly what,” Ian asked in spite of himself, “do you mean by a ‘terrible time’?” “I am not at liberty to discuss that, of course,” she said, fighting to keep her triumph from her voice. “I am merely concerned that you behave as a gentleman. Will you give me your word?” Since Ian had no intention of laying a finger on her, or even spending time with her, he didn’t hesitate to nod. “She’s perfectly safe from me.” “That is exactly what I hoped to hear,” Lucinda lied ruthlessly.
Judith McNaught (Almost Heaven (Sequels, #3))
✓My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man ✓What is a soul? It's like electricity - we don't really know what it is, but it's a force that can light a room ✓There are many spokes on the wheel of life. First, we're here to explore new possibilities. ✓I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man. ✓There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Music to me is like breathing. I don't get tired of breathing, I don't get tired of music. ✓Just because you can't see anything , doesn't mean you should shut your eyes. ✓Don't go backwards - you've already been there. ✓Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine. ✓Sometimes my dreams are so deep that I dream that I'm dreaming. ✓I don't think any of us really knows why we're here. But I think we're supposed to believe we're here for a purpose. ✓I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it. ✓.There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Other arms reach out to me, Other eyes smile tenderly, Still in peaceful dreams I see, The road leads back to you. ✓I can't help what I sound like. What I sound like is what i am. You know? I cannot be anything other that what I am. ✓Music is about the only thing left that people don't fight over. ✓My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching. ✓Absence makes the heart grow fonder and tears are only rain to make love grow. ✓If you can play the blues, you can do anything. ✓I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing. ✓It's like Duke Ellington said, there are only two kinds of music - good and bad. And you can tell when something is good. ✓Rhythm and blues used to be called race music. ... This music was going on for years, but nobody paid any attention to it. ✓Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. ✓I cant retire from music any more than I can retire from my liver. Youd have to remove the music from me surgically—like you were taking out my appendix. ✓The words to country songs are very earthy like the blues. They're not as dressed up and the people are very honest and say, 'Look, I miss you darlin', so I went out and got drunk in this bar.' That's the way you say it. Where in Tin Pan Alley they would say, 'Oh I missed you darling, so I went to this restaurant and I sat down and had a dinn
Ray Charles
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. Withfinocchioin fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Knowledgeable observers report that dating has nearly disappeared from college campuses and among young adults generally. It has been replaced by something called “hanging out.” You young people apparently know what this is, but I will describe it for the benefit of those of us who are middle-aged or older and otherwise uninformed. Hanging out consists of numbers of young men and young women joining together in some group activity. It is very different from dating. For the benefit of some of you who are not middle-aged or older, I also may need to describe what dating is. Unlike hanging out, dating is not a team sport. Dating is pairing off to experience the kind of one-on-one association and temporary commitment that can lead to marriage in some rare and treasured cases. . . . All of this made dating more difficult. And the more elaborate and expensive the date, the fewer the dates. As dates become fewer and more elaborate, this seems to create an expectation that a date implies seriousness or continuing commitment. That expectation discourages dating even more. . . . Simple and more frequent dates allow both men and women to “shop around” in a way that allows extensive evaluation of the prospects. The old-fashioned date was a wonderful way to get acquainted with a member of the opposite sex. It encouraged conversation. It allowed you to see how you treat others and how you are treated in a one-on-one situation. It gave opportunities to learn how to initiate and sustain a mature relationship. None of that happens in hanging out. My single brothers and sisters, follow the simple dating pattern and you don’t need to do your looking through Internet chat rooms or dating services—two alternatives that can be very dangerous or at least unnecessary or ineffective. . . . Men, if you have returned from your mission and you are still following the boy-girl patterns you were counseled to follow when you were 15, it is time for you to grow up. Gather your courage and look for someone to pair off with. Start with a variety of dates with a variety of young women, and when that phase yields a good prospect, proceed to courtship. It’s marriage time. That is what the Lord intends for His young adult sons and daughters. Men have the initiative, and you men should get on with it. If you don’t know what a date is, perhaps this definition will help. I heard it from my 18-year-old granddaughter. A “date” must pass the test of three p’s: (1) planned ahead, (2) paid for, and (3) paired off. Young women, resist too much hanging out, and encourage dates that are simple, inexpensive, and frequent. Don’t make it easy for young men to hang out in a setting where you women provide the food. Don’t subsidize freeloaders. An occasional group activity is OK, but when you see men who make hanging out their primary interaction with the opposite sex, I think you should lock the pantry and bolt the front door. If you do this, you should also hang up a sign, “Will open for individual dates,” or something like that. And, young women, please make it easier for these shy males to ask for a simple, inexpensive date. Part of making it easier is to avoid implying that a date is something very serious. If we are to persuade young men to ask for dates more frequently, we must establish a mutual expectation that to go on a date is not to imply a continuing commitment. Finally, young women, if you turn down a date, be kind. Otherwise you may crush a nervous and shy questioner and destroy him as a potential dater, and that could hurt some other sister. My single young friends, we counsel you to channel your associations with the opposite sex into dating patterns that have the potential to mature into marriage, not hanging-out patterns that only have the prospect to mature into team sports like touch football. Marriage is not a group activity—at least, not until the children come along in goodly numbers.
Dallin H. Oaks