“
I thought of all the others who had tried to tie her to the ground and failed. So I resisted showing her the songs and poems I had written, knowing that too much truth can ruin a thing. And if that meant she wasn't entirely mine, what of it? I would be the one she could always return to without fear of recrimination or question. So I did not try to win her and contented myself with playing a beautiful game. But there was always a part of me that hoped for more, and so there was a part of me that was always a fool.
”
”
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
“
Out of the corner of his eye, he saw Tyson pounding the Earthborn into the ground like a game of whack-a-mole. Ella was fluttering above him, dodging missiles and calling out advice: "The groin. The Earthborn's groin is sensitive."
SMASH!
"Good. Yes. Tyson found its groin.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
When I break into the clearing, she's on the ground, hopelessly entangled in a net. She just has the time to reach her hand through the mesh and say my name before the spear enters her body.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
When you play the game of thrones, you win or you die. There is no middle ground.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Beetee is still messing round the tree, doing I don't know what. At one point he snaps off a sliver of bark, joins us, and throws it against the force field. It bounces back and lands on the ground, glowing. In a few moments it returns to its original color. "Well, that explains a lot," says Beetee. I look at Peeta and can't help biting my lip to keep from laughing since it explains absolutely nothing to anyone but Beetee.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Yes,” I whisper. The red blinking light on one of the cameras catches my eye. I know I’m being recorded. “Yes,” I say more forcefully. Everyone is drawing away from me—Gale, Cressida, the insects—giving me the stage. But I stay focused on the red light. “I want to tell the rebels that I am alive. That I’m right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women, and children. There will be no survivors.” The shock I’ve been feeling begins to give way to fury. “I want to tell people that if you think for one second the Capitol will treat us fairly if there’s a cease-fire, you’re deluding yourself. Because you know who they are and what they do.” My hands go out automatically, as if to indicate the whole horror around me. “This is what they do! And we must fight back!”
I’m moving in toward the camera now, carried forward by my rage. “President Snow says he’s sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that?” One of the cameras follows as I point to the planes burning on the roof of the warehouse across from us. The Capitol seal on a wing glows clearly through the flames. “Fire is catching!” I am shouting now, determined that he will not miss a word. “And if we burn, you burn with us!
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
I can see the first apple teetering when I let the third arrow go, catching the torn flap and ripping it from the bag. For a moment, everything seems frozen in time. Then the apples spill to the ground and I'm blown backward into the air.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I've been down by the stream collecting berries. Would you care for some?"
I would, actually, but I don't want to relent too soon. I do walk over and look at them. I've never seen this type before. No, I have. But not in the arena. These aren't Rue's berries, although they resemble them. Nor do they match any I learned about in training. I lean down and scoop up a few, rolling them between my fingers.
My father's voice comes back to me. "Not these, Katniss. Never these. They're nightlock. You'll be dead before they reach your stomach."
Just then the cannon fires. I whip around, expecting Peeta to collapseto the ground, but he only raises his eyebrows. The hoovercraft appears a hundred metres or so away.What's left of Foxface's emaciated body is lifted into the air.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
And we must fight back! President Snow says he's sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that? Fire is catching! And if we burn, you burn with us!
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
What would it take to make you stay?"
The question was so unexpected Neil had to turn back. "What?"
Andrew laughed quietly at his shock and leaned forward. "Name it and it's yours. It doesn't matter what it is so long as you stand your ground here with us.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
My insides feel like they are crumbling like a towering JENGA game. I lose.
”
”
Steph Campbell (Grounding Quinn)
“
Strangers when you meet, strangers when you part -a gymnasium of bodies namelessly masturbating each other. People with no morals often considered themselves more free, but mostly they lacked the ability to feel or to love. So they became swingers. The dead fucking the dead. There was no gamble or humor in their game -it was corpse fucking corpse. Morals were restrictive, but they were grounded on human experience down through the centuries. Some morals tended to keep people slaves in factories, in churches and true to the State. Other morals simply made good sense. It was like a garden filled with poisoned fruit and good fruit. You had to know which to pick and eat, which to leave alone.
”
”
Charles Bukowski (Women)
“
Your body is a temple, not a daily dumping ground for another person’s pain, anger, betrayal, judgment, hypocrisy, denial, games, jealousy or blame. When you are being psychologically, spiritually or emotionally abused by a person, and they don’t care how it hurts you, then it is time to leave what is polluting your relationship with God.
”
”
Shannon L. Alder
“
Harry was speeding toward the ground when the crowd saw him clap his hand to his mouth as though he was going to be sick-he hit the field on all fours-coughed-and something gold fell into his hand.
'I've got the snitch!' he shouted, waving it above his head, and the game ended in complete confusion.
'He didn't catch it, he nearly swalloed it,' Flint was still howling twenty minutes later, but it made no difference-Harry hadn't broken any rules and Lee Jordan was still happily shouting the results-Gryffindor had won by 170 points to 60.
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
I search his eyes for the slightest sign of anything, fear, remorse, anger. But there's only the same look of amusement that ended our last conversation. It's as if he's speaking the words again. "Oh, my dear Miss Everdeen. I thought we had agreed not to lie to each other."
He's right. We did.
The point of my arrow shifts upward. I release the string. And President Coin collapses over the side of the balcony and plunges to the ground. Dead.
”
”
Suzanne Collins
“
I need some Starbucks. What about you? (Cassandra)
Always game for java. Give me ground-up beans or give me death. (Katra)
”
”
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
“
The walls of this elevator are made of crystal so that you can watch the people on the ground floor shrink to ants as you shoot up into the air. It's exhilarating and I'm tempted to ask Effie Trinket if we can ride it again, but somehow that seems childish.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I want to tell the rebels that I am alive. That I'm right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women and children. There will be no survivors." The shock I've been feeling begins to give way to fury. "I want to tell people that if you think for one second the Capitol will treat us fairly if there's a cease-fire, you're deluding yourself. Because you know who they are and what they do." My hands go out automatically, as if to indicate the whole horror around me. "This is what they do and we must fight back!"
"President Snow says he's sending a message. Well I have one for him. You can torture us and bomb and burn our districts to the ground, but do you see that?" One of the cameras follows where I point to the planes burning on the roof of a warehouse across from us. "Fire is catching!" I am shouting now, determined he will not miss a word of it, "And if we burn, you burn with us!
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Even the weather seemed to be celebrating; as June approached, the days became cloudless and sultry, and all anybody felt like doing was strolling onto the grounds and flopping down on the grass with several pints of iced pumpkin juice, perhaps playing a casual game of Gobstones or watching the giant squid propel itself dreamily across the surface of the lake.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
Why don't you like girls?"
Nicky looked startled by the interruption, but he rallied quickly and made a face. "They're so soft."
Neil thought about Renee's bruised knuckles, Dan's fierce spirit, and Allison holding her ground on the court a week after Seth's death. He thought about his mother standing unflinching in the face of his father's violent anger and her ruthlessly leaving bodies in their wake. He felt compelled to say, "Some of the strongest people I've known are women."
"What? Oh, no," Nicky hurried to say. "I mean literally soft. Too many curves, see? I feel like my hands would slide right off. It's totally not my thing. I like…" He drew a box with his fingers as he searched for words. "Erik. Erik's perfect. He's a total outdoors junkie, rock climbing and hiking and mountain biking, all that awful bug-infested fresh-air stuff. But oh my god, you should see what it does to his body. He's like this, all hard edges." He drew another box. "He's stronger than I am, and I like that. I feel like I could lean on him all day and he wouldn't break a sweat.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
Facing Riko like this went against everything his mother taught him. He'd been raised to run, to sacrifice everything and everyone to ensure his own survival. His mother had never given him ground to stand on. Maybe that was why he hadn't been strong enough to save her in the end. A jumble of lies had nothing to fight for. But Neil Josten was a Fox. Andrew called this home; Nicky called him family. Neil wasn't going to lose any of it. If two weeks with Riko was the price to keep his team safe, Neil would pay it. Somehow
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
Clove!" Cato's voice is much nearer now. I can tell by the pain in it that he sees her on the ground.
"You better run now, Fire Girl," says Thresh.
I don't need to be told twice. I flip over and my feet dig into the hard-packed earth as I run away from Thresh and Clove and the sound of Cato's voice. Only when I reach the woods do I turn back for an instant. Thresh and both large backpacks are vanishing over the edge of the plain into the area I've never seen. Cato kneels beside Clove, spear in hand, begging her to stay with him. In a moment, he will realize it's futile, she can't be saved.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Andrew made the mistake of turning his face away at one point, so Neil chased water down the side of Andrew's neck. Andrew's fingers clenched convulsively on Neil's sides as a shudder wracked Andrew's frame. Andrew tried to recover with a ground-out, "Your neck fetish is not attractive." "You like it," Neil said, unapologetic. "I like that you like it." He
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
He glances over his shoulder, no doubt hearing my insanely loud shoes stop in their tracks. Then he looks again. It’s a double take for the record books.
“I’m out stalking,” I call. It doesn’t come out the way I’d intended. It’s not lighthearted or funny. It comes out like a warning. I’m one scary bitch right now. I hold my hands up to show I’m not armed. My heart is racing.
“Me too,” he replies. Another cab cruises past like a shark.
“Where are you actually going?” My voice rings down the empty street.
“I just told you. I’m going out stalking.”
“What, on foot?” I come closer by another six paces. “You were going to walk?”
“I was going to run down the middle of the street like the Terminator.”
The laugh blasts out of me like bah.I’m breaking one of my rules by grinning at him, but I can’t seem to stop.
“You’re on foot, after all. Stilts.” He gestures at my sky-high shoes.
“It gives me a few extra inches of height to look through your garbage.”
“Find anything of interest?” He strolls closer and stops until we have maybe ten paces between us. I can almost pick up the scent of his skin.
“Pretty much what I was expecting. Vegetable scraps, coffee grounds, adult diapers.
”
”
Sally Thorne (The Hating Game)
“
The shudder went all through him. Bones pressed me so close that his body ground into mine, jerking my head back with a thick handful of hair until our eyes locked. What had started out as a game was now an open challenge, as well as a direct threat. Any further action would bear results, it was clear from the way his gaze smoldered into mine. All of this should have frightened me, but it was as if my mind were incapable of rational thought. He was a vampire, a hit man, and had almost killed me...and nothing mattered more than the feel of him. I licked my lips and didn't pull away, and it was all the invitation he needed.
”
”
Jeaniene Frost
“
so people really do tear out their hair and beat the ground with their fists
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
The seven of us slipped onto the porch and down the deck stairs, finding lawn chairs to sit in under a giant oak tree. Kaidan leaned back in his chair, balancing it on the back two legs.
“How about a game of Truth or Dare?” Marna offered.
I was immediately apprehensive. Just as I was about to suggest something else, Kaidan spoke and my heart faltered.
“I'll go first,” he said. “I dare Kope to kiss Anna.”
Everything inside me flooded with fury and embarrassment. Kaidan leaned far back with his arms crossed, cocky. I stood up without thinking and hooked my foot under his chair, swiftly kicking upward and causing him to topple backward. He looked up at me from the ground with a stunned expression that morphed into a grin.
The twins and Blake were in hysterics. Blake laughed so hard he fell sideways out of his own chair, which made Jay join in the laughter. I couldn't sit there with them anymore. This whole night was a disaster. I turned and walked through the yard, toward the side of the house. I heard Ginger talk between gasps of mirth.
“Maybe she's not so bad after all!
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
I tried taking you off his hands at one point." When Neil looked at her in surprise, Renee affected an innocent look that for once was not entirely convincing. "Andrew refused on the grounds he wouldn't wish you on anyone except a mortician."
"Drama queen," Neil muttered.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
This principle - that your spouse should be capable of becoming your best friend - is a game changer when you address the question of compatibility in a prospective spouse. If you think of marriage largely in terms of erotic love, then compatibility means sexual chemistry and appeal. If you think of marriage largely as a way to move into the kind of social status in life you desire, then compatibility means being part of the desired social class, and perhaps common tastes and aspirations for lifestyle. The problem with these factors is that they are not durable. Physical attractiveness will wane, no matter how hard you work to delay its departure. And socio-economic status unfortunately can change almost overnight. When people think they have found compatibility based on these things, they often make the painful discovery that they have built their relationship on unstable ground. A woman 'lets herself go' or a man loses his job, and the compatibility foundation falls apart.
”
”
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
“
Andrew doesn't believe in regret; he says regret is grounded in shame and guilt, neither of which serves any real purpose. That being said, I tried taking you off his hands at one point." When Neil looked at her in surprise, Renee affected an innocent look that for once was not entirely convincing. "Andrew refused on the grounds he wouldn't wish you on anyone except a mortician.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
I am more than this," Dan whispered.
If she didn't believe in herself, no one would, but how much longer could she hold her ground when everyone else kept kicking her feet out from under her?
”
”
Nora Sakavic
“
Remember, that choosing to stay on the ground is a choice to facilitate a relationship, to honor it. You don't play a game or color a picture with a child to show your superiority. Rather, you choose to limit yourself so as to facilitate and honor that relationship... It is not about winning and losing, but about love and respect.
”
”
William Paul Young (The Shack)
“
and a most curious country it was. There were a number of tiny little brooks running straight across it from side to side, and the ground between was divided up into squares by a number of little green hedges, that reached from brook to brook.
I declare it's marked out just like a large chessboard!' Alice said at last. 'There ought to be some men moving about somewhere--and so there are!' she added in a tone of delight, and her heart began to beat quick with excitement as she went on. 'It's a great huge game of chess that's being played--all over the world--if this is the world at all, you know. Oh, what fun it is!
”
”
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
“
Let no one ever intimidate you, you are standing on no one's ground. But again, some have claimed the earth as their own and usurped power from the rest of us. But they are usurpers; power belongs to every one of us. Seek it as much as possible. There is no shame in that. In fact it's a necessity. Either you have power or you are trampled to death in the stampede to get to the top
”
”
Bangambiki Habyarimana (Pearls Of Eternity)
“
Finally, Peeta turns to Pollux. "Well, then you just became our most valuable asset." Castor laughs and Pollux manages a smile.
We're halfway down the first tunnel when I realize what was so remarkable about that exchange. Peeta sounded like his old self, the one who could always think of the right thing to say when nobody else could... I glance back at him as he trudges along under his guards, Gale and Jackson, his eyes fixed on the ground, his shoulders hunched forward. So dispirited. But for a moment, he was really here.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Lucky!" she shouted. The creature pulled up and pranced excitedly before her, front hooves pawing at the ground. Laughing with happiness, Kelley flung her arms around the kelpie and buried her face in his mane. Lucky nuzzled her shoulder and head-butted at her in delight.
Besides Sonny, Fennrys gestured with his good arm. "Isn't that...?"
"The Roan Horse, Harbinger of the Wild Hunt and Fearsome Bringer of Doom. Yeah" Sonny nodded. "Used to be."
"Thought so." Lucky kicked up his back hooves like a frolicking colt, and Fennrys snorted is disgust. "Evil really needs to step up its game.
”
”
Lesley Livingston
“
Gray texted me a joke the other day. Want to hear it?”
“Knowing Gray’s terrible jokes, probably not. But okay.”
He rubs the back of his neck. “What do you call a cow with no legs?”
I caress his waist where muscles ripple. “What?”
“Ground beef.
”
”
Kristen Callihan (The Game Plan (Game On, #3))
“
There is no neutral ground when it comes to the tolerance question. Everybody has a point of view she thinks is right, and everybody passes judgment at some point or another. The Christian gets pigeonholed as the judgmental one, but everyone else is judging, too, even people who consider themselves relativists.
”
”
Gregory Koukl (Tactics: A Game Plan for Discussing Your Christian Convictions)
“
think it's better this way, with you as the last line of defense. You let us run ourselves into the ground and clean up behind us. You play the game like you play life. That's why you're so good at it.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
The waves may break upon the mountain, yet still they come, wave upon wave, and in the end only pebbles remain where once the mountain stood. And soon even the pebbles are swept away, to be ground beneath the sea for all eternity.
”
”
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
“
Whenever you're done reading the chapter," he held uo his hands like take your time, "we'll start the concert." With a quick flip of my wrist I gave him the middle finger. He threw his head back and laughed.
I looked up at Hawkins, who locked eyes with mine as he sang, "Love in an elevator, lovin' it up, til I hit the ground.
”
”
Leah Spiegel (Foolish Games (Foolish Games, #1))
“
Andrew refused on the grounds he wouldn't wish you on anyone except a mortician."
"Drama queen," Neil muttered.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
I elbowed James as he shot my army guy in the head yet again.
“This game is so sexist,” I complained. “I can’t believe that there isn’t even an option for me to play as a girl.”
“Do you think that if you were playing as a busty blonde it would distract me?” James asked, amused.
“It couldn’t hurt.”
He tossed his controller on the ground. I gave a little embarrassing shriek as he tossed me over his shoulder. “We’re done, guys. Buttercup wants to distract me. Consider me distracted.
”
”
R.K. Lilley (Grounded (Up in the Air, #3))
“
There was a scuffle and crash in the audience. Neil didn't want to take his eyes off Riko, but it was instinctive to look. Renee was sitting sideways in Andrew's lap, one foot braced against the ground to keep him from shoving her off. She had a hand over his mouth as they both stared up at the stage. Matt had one of Andrew's wrists in both hands. Wymack had the other. The looks on the Foxes' faces ranged from horror to fury.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
It was never just the idea of you, Avery.”
I tried not to feel like the ground was suddenly moving underneath my feet. “You hated the idea of me.”
“But not you.” The words were just as sweet, just as painful. “Never you.
”
”
Jennifer Lynn Barnes (The Final Gambit (The Inheritance Games, #3))
“
Laurel’s in right field, leading off. Her fielding’s crap, but she’s got a good bat.”
“My fielding is not crap.” She hit Del with the glove. “Keep it up and you’re not going to have any problem winning that beat, Brown.”
When she stalked off, Mal took an easy, testing swing. “What bet?”
Laurel strode straight up to Mac. “I want to switch with you. I want to play on Jack’s team.”
“Baseball slut. Okay by me, but you’d better tell Jack.”
She walked over to where Jack sat on the ground writing his lineup. “I switched with Mac. I’m on your team.”
“Trading the redhead for the blonde. Okay, let me figure… You’re right field, leading off.”
Son of a bitch. Did he and Del have telepathy? Laurel narrowed her eyes. “Why right field?”
He flicked her a glance, and she saw him reconsider his response. “You’ve got a strong arm.”
She pointed at him. “Good answer.”
“How come you… Hey. Hey, is that Mal? Del hooked Mal?” Jack barred his teeth. “So that’s the way he wants to play the game?”
“Let’s kick his ass.
”
”
Nora Roberts (Savor the Moment (Bride Quartet, #3))
“
There is one purpose to life and one only: to bear witness to and understand as much as possible of the complexity of the world -- its beauty, its mysteries, its riddles. The more you understand, the more you look, the greater is your enjoyment of life and your sense of peace. That's all there is to it. Everything else is fun and games. If an activity is not grounded in "to love" or "to learn" it does not have value.
”
”
Anne Rice
“
You listen to me,” she says. Her jaw is set, ironclad. It’s the game face he’s seen her use to stare down Congress, to cow autocrats. Her grip on his hand is steady and strong. He wonders, half-hysterically, if this is how it felt to charge into war under Washington. “I am your mother. I was your mother before I was ever the president, and I’ll be your mother long after, to the day they put me in the ground and beyond this earth. You are my child. So, if you’re serious about this, I’ll back your play.”
Alex is silent.
But the debates, he thinks. But the general.
Her gaze is hard. He knows better than to say either of those things. She’ll handle it.
“So,” she says. “Do you feel forever about him?”
And there’s no room left to agonize over it, nothing left to do but say the thing he’s known all along.
“Yeah,” he says, “I do.”
Ellen Claremont exhales slowly, and she grins a small, secret grin, the crooked, unflattering one she never uses in public, the one he knows best from when he was a kid
”
”
Casey McQuiston (Red, White & Royal Blue)
“
Now that you’ve gone looking for him, he won’t be breaking his word. Not technically. You’re fair game.”
I lace my fingers through hers, trying to ground her. “You’re freaking me out. Who are you talking about?”
“He’ll come for you. He’ll step through your dreams. Or the looking glass … stay away from the glass, Allie! Do you understand?”
“Mirrors?” I ask, incredulous. “You want me to stay away from mirrors?”
She scrambles to her feet, and I struggle to balance on my crutch. “Broken glass severs more than skin. It will sever your identity.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
If our primary caregivers are shame-based, they will act shameless and pass their toxic shame onto us. There is no way to teach self-value if one does not value oneself. Toxic shame is multigenerational. It is passed from one generation to the next. Shame-based people find other shame-based people and get married. As each member of a couple carries the shame from his or her own family system, their marriage will be grounded in their shame-core. The major outcome of this will be a lack of intimacy. It’s difficult to let someone get close to you if you feel defective and flawed as a human being. Shame-based couples maintain nonintimacy through poor communication, nonproductive circular fighting, games, manipulation, vying for control, withdrawal, blaming and confluence. Confluence is the agreement never to disagree. Confluence creates pseudointimacy.
”
”
John Bradshaw (Healing the Shame that Binds You)
“
Among all the occurrences possible in the universe the a priori probability of any particular one of them verges upon zero. Yet the universe exists; particular events must take place in it, the probability of which (before the event) was infinitesimal. At the present time we have no legitimate grounds for either asserting or denying that life got off to but a single start on earth, and that, as a consequence, before it appeared its chances of occurring were next to nil. ... Destiny is written concurrently with the event, not prior to it... The universe was not pregnant with life nor the biosphere with man. Our number came up in the Monte Carlo game. Is it surprising that, like the person who has just made a million at the casino, we should feel strange and a little unreal?
”
”
Jacques Monod (Chance and Necessity: An Essay on the Natural Philosophy of Modern Biology)
“
To burning my father to the ground.
”
”
Kiersten White (Mind Games (Mind Games, #1))
“
Go to hell. I'm not playing this game with you."
"Who's playing? I'm just giving you what you want even if you won't say it. That's why you like me, right?" He ground harder. "'Cause I'll touch you when I want, without asking, and I'll do it right. But he treats you like you'll break. Doesn't like to get messy."
I flinched. "Don't use things I told you against me."
"So admit it," Raymond said, pushing my pants down. "You like me because I'm not scared to get nasty.
”
”
Santino Hassell (Sunset Park (Five Boroughs, #2))
“
And none of you teenagers have cell phones?"
I wasn't sure what Addie's plan was, but I stepped forward to help her lie her way out of this one. I could tell she wasn't going to answer right. I pointed to all of us in turn, starting with Addie. "She got grounded from hers." Then to Duke. "His fell in the toilet yesterday." Then to Trevor. "His got stolen at a football game." And then pulled mine out. "And mine is out of batteries.
”
”
Kasie West (Split Second (Pivot Point, #2))
“
A forest," William said, his expression distant. "Where the ground is dry soil and stone. Where tall trees grow and centuries of autumn carpet their roots. Where the wind smells of game and wildflowers."
"Why, that was lovely, Lord Bill. Do you ever write poetry? Something for your blueblood lady?"
"No."
"She doesn't like poetry?"
"Leave it."
Hehe. "Oh, so you have a lady. How interes--
”
”
Ilona Andrews (Bayou Moon (The Edge, #2))
“
But by afternoon, I know the end is coming. My legs are shaking and my heart is too quick. I keep forgetting exactly what I’m doing. I’ve stumbled repeatedly and managed to regain my feet, but when the stick slides out from under me, I finally tumble to the ground unable to get up. I let my eyes close.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
We'll never get you back then," he said. The words were meant to frighten me, but instead they filled me with romantic notions that became a part of my game. I began to imagine being carried on the wind and landing on the ground, seeing for myself what was happening below our city. I could imagine such great and impossible things. Things I didn't have words for.
The madness of youth made me unafraid.
”
”
Lauren DeStefano (Perfect Ruin (The Internment Chronicles, #1))
“
Life was like being dragged through concrete in circles, wet and setting concrete that dried with each rotation of my unwilling body. As a child, I was light. It didn’t matter too much; I slid through it, and maybe it even felt like a game, like I was just playing in mud, like nothing about that slipperiness would ever change, not really. But then I got bigger and it started drying on me and eventually I turned into an uneven block, chipping and sparking on the hard ground, tearing off into painful chunks. I wanted to stay empty, like the eagle in the proverb, left to perch, my bones filled with air pockets, but heaviness found me and I couldn’t do anything about it. I couldn’t shake it off; I couldn’t transform it, evaporate or melt it. It was distinct from me, but it hooked itself into my body like a parasite. I couldn’t figure out if something was wrong with me or if this was just my life—if this was just how people felt, like concrete was dragging their flesh off their bones.
”
”
Akwaeke Emezi (The Death of Vivek Oji)
“
Remember that choosing to
stay on the ground is a choice to facilitate a relationship; to honor it. Mackenzie, you do this yourself. You don’t
play a game or color a picture with a child to show your superiority. Rather, you choose to limit yourself so as
to facilitate and honor that relationship. You will even lose a competition to accomplish love. It is not about
winning and losing, but about love and respect.
”
”
William Paul Young
“
Come to apologize?” he asked her. “Fuck you,” she replied. “He’s done that,” Hermes commented, sidling past them, white wings dragging the ground. He looked ridiculous, bare chested, wearing only a gold shroud over his waist. “It must not have been very good, because I don’t believe he ever went back.
”
”
Scarlett St. Clair (A Game of Fate (Hades Saga, #1))
“
People told me to give up trying to be special and settle down to a regular life. There ain't nothing wrong with a regular life, and that's the Lord's truth...But it wasn't for me, because I wanted to be something special...I knew how easy it was for a dream to die. I seen that all around me. You could let it die by just looking the other way—you know, some of those Asian people say they don't kill nothing, but they'll take a fish out of water and lay it on the ground and then say it just died on its own—you can do that with a dream, too. And sometimes you can get so frustrated, you feel so bad about your dream, that you go on and kill it yourself. When you do that, you're killing a piece of yourself, too."
—Mr. Cephus
”
”
Walter Dean Myers (Game)
“
There is one purpose to life and one only: to bear witness to and understand as much as possible of the complexity of the world-its beauty, its mysteries, its riddles. The more you understand, the more you look, the greater is your enjoyment of life and your sense of peace. That's all there is to it. Everything else is fun and games. If an activity is not grounded in "to love" or "to learn," it does not have value. - Zurvan
”
”
Anne Rice (Servant of the Bones)
“
Neil watched the door close behind him, then sent a questioning look at Matt. Matt was studying him with a curious intensity. "Why are you so special?" Matt asked. "I'm not," Neil said, confused. "Andrew doesn't give ground to anybody. Why does he keep saying yes to you?" "He's high," Neil said, twirling a finger near his temple. "He thinks it's funny." Matt eyed him a bit longer, then shook his head and relaxed against the back of the couch again.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
Kevin reacted the way Neil expected everyone would to the truth: with a horrified demand that Neil leave immediately. Andrew, though, nodded in the face of it and told Neil to stay. He stood his ground when Neil asked him for murder and gave him a key to their house. But that didn't count, because Andrew was Andrew, and this was definitely the last turn he needed his thoughts to take. He dragged his attention back to the task at hand and vowed never to listen to Nicky again.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
The time came to put Iris Duarte back on the plane.
It was a morning flight which made it difficult. I was
used to rising at noon; it was a fine cure for hangovers
and would add 5 years to my life. I felt no sadness
while driving her to L.A. International. The sex had
been fine; there had been laughter. I could hardly
remember a more civilized time, neither of us making
any demands, yet there had been warmth, it had not
been without feeling, dead meat coupled with dead
meat. I detested that type of swinging, the Los
Angeles, Hollywood, Bel Air, Malibu, Laguna Beach
kind of sex. Strangers when you meet, strangers when
you part—a gymnasium of bodies namelessly
masturbating each other. People with no morals often
considered themselves more free, but mostly they
lacked the ability to feel or to love. So they became
swingers. The dead fucking the dead. There was no
gamble or humor in their game—it was corpse
fucking corpse. Morals were restrictive, but they were
grounded on human experience down through the
centuries. Some morals tended to keep people
slaves in factories, in churches and true to the State.
Other morals simply made good sense. It was like a
garden filled with poisoned fruit and good fruit. You
had to know which to pick and eat, which to leave
alone.
”
”
Charles Bukowski (Women)
“
There was a moment of hesitation in which Joe looked into her eyes, and she looked back without flinching. Many a time, he had been at the same game with her, and she had always crumbled, bowing to his will. Now, he must have realized he was looking into the eyes of a stranger. She was someone he could not recognize, a foreigner inhabiting the body of that old Clairey, the girl he had abused, intimidated, and broken. Clairey decided then and there she would no longer cower before him. It was almost as if she were daring him to strike her in their unspoken exchange.
”
”
Tracy Winegar (Good Ground)
“
For us the chief point of interest is the place where the game is played. Generatly it is a simple circle, dyutamandalam, drawn on the ground. The circle as such, however, has a magic significance. It is drawn with great care, all sorts of precautions being taken against cheating. The players are not allowed to leave the ring until they have discharged their obligations. But, sometimes a special hall is provisionally erected for the game, and this hall is holy ground. The Mahabharata devotes a whole chapter to the erection of the dicing hall - sabha - where the Pandavas are to meet their prtners. Games, of chance, therefore, have their serious side. They are included in ritual.
”
”
Johan Huizinga (Homo Ludens: A Study of the Play Element in Culture)
“
To be or not to be! Hamlet!! I beg to differ! How much more limiting could that question be? How much more restraining could it ever get? Do we only have two possible answers to a question? Do we only have two things to choose from? Are our options so restricted? Are we so grounded? Have we gone color blind? When did our retinas stop seeing the colors of a rainbow? Why do we print our experiences in duotone? In a game of multiple choice questions, how many answers could be correct? What number of choices do we have? Who gives us the options? When do we have to submit our selections? Who decides if we passed or failed?
”
”
Marwa Rakha (The Poison Tree - Planted And Grown In Egypt)
“
Where Is Your Sanctuary? Where do you go when you’re hurting? Let’s say it’s been a terrible day at the office. You come home and go — where? To the refrigerator for comfort food like ice cream? To the phone to vent with your most trusted friend? Do you seek escape in novels or movies or video games or pornography? Where do you look for emotional rescue? The Bible tells us that God is our refuge and strength, our help in times of trouble — so much so that we will not fear though the mountains fall into the heart of the sea (Ps. 46:1 – 2). That strikes me as a good place to run. But it’s so easy to forget, so easy for us to run in other directions. Where we go says a lot about who we are. The “high ground” we seek reveals the geography of our values.
”
”
Kyle Idleman (Gods at War: Defeating the Idols that Battle for Your Heart)
“
Nothing makes us believe more than fear, the certainty of being threatened. When we feel like victims, all our actions and beliefs are legitimized, however questionable they may be. Our opponents, or simply our neighbors, stop sharing common ground with us and become our enemies. We stop being aggressors and become defenders. The envy, greed, or resentment that motivates us becomes sanctified, because we tell ourselves we're acting in self-defense. Evil, menace -- those are always the preserve of the other. The first step for believing passionately is fear. Fear of losing our identity, our life, our status, or our beliefs. Fear is the gunpowder and hatred the fuse. Dogma, the final ingredient, is only a lighted match.
”
”
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
“
When we feel like victims, all our actions and beliefs are legitimised, however questionable they may be. Our opponents, or simply our neighbours, stop sharing common ground with us and become our enemies. We stop being aggressors and become defenders. The envy, greed or resentment that motivates us becomes sanctified, because we tell ourselves we're acting in self-defence. Evil, menace, those are always the preserve of the other.
”
”
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
“
Charles had tried to open the pond and called up for wolf to defeat the black magic and hadn't been able to. Brother Wolf had panicked because Charles had somehow mess up their bond—and then Anna threatened to leave them and Charles had panicked, too. If she hadn't allowed them to make love to her, to reestablish they're claim, things might have gotten... interesting, in the same way that a grizzly attack is interesting. Because neither he nor Brother Wolf was capable of letting her go.
It had been a revelation.
The bottom line was that he was selfish creature, Charles decided more cheerfully than he'd been about anything in a long time. He guided Anna around a hole in the ground with a subtle push of his hand on her hip. She probably had seen the hole, but it please him to take care of her in such a small way. He was willing to pay any price to keep safe...any price except for losing her.
”
”
Patricia Briggs (Fair Game (Alpha & Omega, #3))
“
The jeers that had risen as Barak’s and Greldik’s ships had been manoeuvred onto their wheeled carriages turned rather quickly into angry mutterings as the carriages, pulled by teams of Algar horses, rolled effortlessly toward the escarpment past men straining with every ounce of strength to move their ships a few inches at a time. To leave it all to artistry, Barak and Greldik ordered their men to lounge indolently on the decks of their ships, drinking ale and playing dice.
King Anheg stared very hard at his impudently grinning cousin as the big ship rolled past. His expression was profoundly offended. “That’s going too far!” he exploded, jerking off his dented crown and throwing it down on the ground.
”
”
David Eddings (Enchanters' End Game (The Belgariad #5))
“
To begin with, we have to be more clear about what we mean by patriotic feelings. For a time when I was in high school, I cheered for the school athletic teams. That's a form of patriotism — group loyalty. It can take pernicious forms, but in itself it can be quite harmless, maybe even positive. At the national level, what "patriotism" means depends on how we view the society. Those with deep totalitarian commitments identify the state with the society, its people, and its culture. Therefore those who criticized the policies of the Kremlin under Stalin were condemned as "anti-Soviet" or "hating Russia". For their counterparts in the West, those who criticize the policies of the US government are "anti-American" and "hate America"; those are the standard terms used by intellectual opinion, including left-liberal segments, so deeply committed to their totalitarian instincts that they cannot even recognize them, let alone understand their disgraceful history, tracing to the origins of recorded history in interesting ways. For the totalitarian, "patriotism" means support for the state and its policies, perhaps with twitters of protest on grounds that they might fail or cost us too much. For those whose instincts are democratic rather than totalitarian, "patriotism" means commitment to the welfare and improvement of the society, its people, its culture. That's a natural sentiment and one that can be quite positive. It's one all serious activists share, I presume; otherwise why take the trouble to do what we do? But the kind of "patriotism" fostered by totalitarian societies and military dictatorships, and internalized as second nature by much of intellectual opinion in more free societies, is one of the worst maladies of human history, and will probably do us all in before too long.
With regard to the US, I think we find a mix. Every effort is made by power and doctrinal systems to stir up the more dangerous and destructive forms of "patriotism"; every effort is made by people committed to peace and justice to organize and encourage the beneficial kinds. It's a constant struggle. When people are frightened, the more dangerous kinds tend to emerge, and people huddle under the wings of power. Whatever the reasons may be, by comparative standards the US has been a very frightened country for a long time, on many dimensions. Quite commonly in history, such fears have been fanned by unscrupulous leaders, seeking to implement their own agendas. These are commonly harmful to the general population, which has to be disciplined in some manner: the classic device is to stimulate fear of awesome enemies concocted for the purpose, usually with some shreds of realism, required even for the most vulgar forms of propaganda. Germany was the pride of Western civilization 70 years ago, but most Germans were whipped to presumably genuine fear of the Czech dagger pointed at the heart of Germany (is that crazier than the Nicaraguan or Grenadan dagger pointed at the heart of the US, conjured up by the people now playing the same game today?), the Jewish-Bolshevik conspiracy aimed at destroying the Aryan race and the civilization that Germany had inherited from Greece, etc.
That's only the beginning. A lot is at stake.
”
”
Noam Chomsky
“
I still dream in pictures and color, always the world of my childhood. I see the purple Judas trees at Easter lighting up the roadsides and terraces of the town. Ochre cliffs made of cinnamon powder. Autumn clouds rolling along the ground of the hills, and the patchwork of wet oak leaves on the grass. The shape of a rose petal. And my parents' faces, which will never grow any older.
"But it is strange how scent brings it all back too. I only have to smell certain aromas, and I am back in a certain place with a certain feeling."
The comforting past smelled of heliotrope and cherry and sweet almond biscuits: close-up smells, flowers you had to put your nose to as the sight faded from your eyes. The scents of that childhood past had already begun to slip away: Maman's apron with blotches of game stew; linen pressed with faded lavender; the sheep in the barn. The present, or what had so very recently been the present, was orange blossom infused with hope.
”
”
Deborah Lawrenson (The Sea Garden)
“
What meaning our lives may seem to have is the work of a relatively well-constituted emotional system. As consciousness gives us the sense of being persons, our psychophysiology is responsible for making us into personalities who believe the existential game to be worth playing. We may have memories that are unlike those of anyone else, but without the proper emotions to liven those memories they might as well reside in a computer file as disconnected bits of data that never unite into a tailor-made individual for whom things seem to mean something. You can conceptualize that your life has meaning, but if you do not feel that meaning then your conceptualization is meaningless and you are nobody. The only matters of weight in our lives are colored by rainbows or auroras of regulated emotion which give one a sense of that “old self.” But a major depression causes your emotions to evaporate, reducing you to a shell of a person standing alone in a drab landscape. Emotions are the substrate for the illusion of being a somebody among somebodies as well as for the substance we see, or think we see, in the world. Not knowing this ground-level truth of human existence is the equivalent of knowing nothing at all.
”
”
Thomas Ligotti (The Conspiracy Against the Human Race: A Contrivance of Horror)
“
Once I am sure there's nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence.
Move forward, run my hand around the font.
From where I stand, the roof looks almost new -
Cleaned, or restored? Someone would know: I don't.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
'Here endeth' much more loudly than I'd meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.
Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches will fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?
Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,
A shape less recognisable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and organ-pipes and myrrh?
Or will he be my representative,
Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation - marriage, and birth,
And death, and thoughts of these - for which was built
This special shell? For, though I've no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;
A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognized, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.
”
”
Philip Larkin
“
What started as a normal conversation quickly spiraled out of hand, and Neil had no idea how they went from the construction work on the far side of campus grounds to a likely starting point for World War III. There had to be a correlation between the two, but as hard as he wracked his brain he couldn't find one. Eventually he gave up, because trying to make sense of the jump meant he couldn't actually listen to their argument. Renee expected it to start over resources, particularly water shortages, whereas Andrew was convinced the US government would get involved in the wrong conflict and draw vicious retaliation. There wasn't enough time left in break for either one of them to win the other over, and since Neil wouldn't play tiebreaker they set the debate aside for another day.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Jack?"
"Mmmm?"
The band was playing a softer song, mellow and slow.
"Why did you ask me out when you did?" I tried to sound casual.
"What do you mean?"
"I mean,did something specific happen to make you ask me out?"
"Yes," he said.
"What was it?" Had I thrown myself at Jack Caputo? Had I done something to get in Lacey's way?
"You remember the first game of the season?"
"Yeah," I said. It was Jack's first game as starting quarterback, the youngest starter in school history. I remembered sitting in the second row, directly behind the team bench.
"After I threw for the first touchdown of the game?"
"Yes." I still couldn't figure out where he was going with this.Had I flashed him or something,and blocked it out of my memory? I was pretty sure I wasn't holding up any large signs declaring my love or anything.
"Our defense took the field, and I was on the bench.When I turned around to look at the fans..." He paused.
Oh,no. "What did I do?"
He smiled. "You looked at me.Not the game." He sighed,as if reliving the memory.
I felt my face scrunch up in confusion. "That's it?"
"That's it." He shrugged. "It was the first time I thought there might be a chance. I asked Jules about it."
I bit my lip. "Apparently she doesn't understand that trusty sidekicks aren't supposed to spill secrets."
In a flash,I was suspended in air, the back of my head inches from the ground, Jack's face a breath away from mine, his lips in a wicked grin.
I gasped,more from surprise at the sudden dip than from fear.
"There are no secrets between us,Becks." His smile remained,but his eyes were intense.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
A man must consider what a blindman's-buff is this game of conformity. If I know your sect, I anticipate your argument. I hear a preacher announce for his text and topic the expediency of one of the institutions of his church.
Do I not know beforehand that not possibly can he say a new and spontaneous word? Do I not know that, with all this ostentation of examining the grounds of the institution, he will do no such thing? Do I not know that he is pledged to himself not to look but at one side, — the permitted side, not as a man, but as a parish minister? He is a retained attorney, and these airs of the bench are the emptiest affectation. Well, most men have bound their eyes with one or another handkerchief, and attached themselves to some one of these communities of opinion. This conformity makes them not false in a few particulars, authors of a few lies, but false in all particulars. Their every truth is not quite true. Their two is not the real two, their four not the real four; so that every word they say chagrins us, and we know not where to begin to set them right. Meantime nature is not slow to equip us in the prison-uniform of the party to which we adhere. We come to wear one cut of face and figure, and acquire by degrees the gentlest asinine expression.
”
”
Ralph Waldo Emerson (Self-Reliance and Other Essays (Dover Thrift Editions: Philosophy))
“
I want you to stop taking cracker dust." "And he says it isn't a righteous streak," Andrew mused, more to himself than to Neil. "If it was righteousness I'd ask you to give up drinking and smoking, too," Neil said. "I'm only asking for this one thing. It doesn't have any effect on you anyway and it's an unnecessary risk. You don't need a third addiction." "I don't need anything," Andrew reminded him, right on cue. "If you don't need it, it'll be easy to give it up," Neil said. "Right?" Andrew thought it over a minute, then flicked his cigarette at Neil. It singed the material where it bounced off his shirt. Neil ground it out under his shoe when it hit the asphalt. The cool look he flicked Andrew was wasted; Andrew's gaze had already drifted past him in search of something more interesting. "I'm going to take your temper tantrum as a yes," Neil said. "I'll bring the money by your room tonight.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Have you ever heard of the madman who on a bright morning lighted a lantern and ran to the market-place calling out unceasingly: "I seek God! I seek God!"—As there were many people standing about who did not believe in God, he caused a great deal of amusement. Why! is he lost? said one. Has he strayed away like a child? said another. Or does he keep himself hidden? Is he afraid of us? Has he taken a sea-voyage? Has he emigrated?—the people cried out laughingly, all in a hubbub. The insane man jumped into their midst and transfixed them with his glances. "Where is God gone?" he called out. "I mean to tell you! We have killed him,—you and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Back-wards, sideways, forewards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? Do we not hear the noise of the grave-diggers who are burying God? Do we not smell the divine putrefaction?—for even Gods putrefy! God is dead! God remains dead! And we have killed him! How shall we console ourselves, the most murderous of all murderers? The holiest and the mightiest that the world has hitherto possessed, has bled to death under our knife,—who will wipe the blood from us? With what water could we cleanse ourselves? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us? Shall we not ourselves have to become Gods, merely to seem worthy of it? There never was a greater event,—and on account of it, all who are born after us belong to a higher history than any history hitherto!"—Here the madman was silent and looked again at his hearers; they also were silent and looked at him in surprise. At last he threw his lantern on the ground, so that it broke in pieces and was extinguished. "I come too early," he then said, "I am not yet at the right time. This prodigious event is still on its way, and is travelling,—it has not yet reached men's ears. Lightning and thunder need time, the light of the stars needs time, deeds need time, even after they are done, to be seen and heard. This deed is as yet further from them than the furthest star,—and yet they have done it!"—It is further stated that the madman made his way into different churches on the same day, and there intoned his Requiem æternam deo. When led out and called to account, he always gave the reply: "What are these churches now, if they are not the tombs and monuments of God?
”
”
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
“
Neil stared back at him, suddenly lost. He was fluent in two languages, nearly there in a third, and could string together some useful survival phrases in a half-dozen more. But with the whole truth bared between them Neil didn't have the right words to say. "You should have thrown my file away," Neil said at last. "You should have walked away when I threw your contract back in your face. But you took a chance on me and you brought me here. You saved my life. Three times," Neil said, "you've saved my life. I can't just say 'thank you' for that."
"You don't have to," Wymack said. "I brought you here, but you saved yourself. You're the one who decided to stay. You're the one who stopped being afraid long enough to realize you could get a grip here and a foothold there. You found your own way."
"If anything," Wymack continued when Neil tried to protest, "I should be thanking you. You told us last night you intended to end the year dead or in federal custody. You could have shut everyone and everything out and worried about yourself this year. Instead you agreed to help Dan fix this team. You're saving the two I thought we couldn't reach, and you're a living example for Kevin to follow. He never used to watch you," Wymack said, "but he's had eyes on you since December trying to figure out how you stand your ground.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Why do you hate this game so much?"
Andrew sighed as if Neil was being purposefully obtuse.
"I don't care enough about Exy to hate it. It's just slightly less boring than living is, so I put up with it for now."
"I don't understand."
"That's not my problem."
"Isn't it fun?" Neil asked.
"Someone else asked me that same thing two years ago. Should I tell you what I told him? I said no. Something as pointless as this game is can never be fun."
"Pointless," Neil echoed. "But you have real talent."
"Flattery is uninteresting and gets you nowhere."
"I'm just stating facts. You're selling yourself short. You could be something if only you'd try."
Andrew's smile was small and cold.
"You be something. Kevin says you'll be a champion. Four years and you'll go pro. Five years and you'll be Court. He promised Coach. He promised the school board. He argued until they signed off on you. [...] Then Kevin finally got the okay to sign you and you hit the ground running," Andrew said. "Curious that a man with so much potential, who has so much fun, who could be something wouldn't want any of it. Why is that?" [...]
"You're lying," Neil said at last, because he needed that to be the truth. "Kevin hates me."
"Or you hate him," Andrew said. "I can't decide. Your loose ends aren't adding up."
"I'm not a math problem."
"But I'll still solve you.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
XXIV.
And more than that - a furlong on - why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel - that harrow fit to reel
Men's bodies out like silk? With all the air
Of Tophet's tool, on earth left unaware
Or brought to sharpen its rusty teeth of steel.
XXV.
Then came a bit of stubbed ground, once a wood,
Next a marsh it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood -
Bog, clay and rubble, sand, and stark black dearth.
XXVI.
Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss, or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.
XXVII.
And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon's bosom friend,
Sailed past, not best his wide wing dragon-penned
That brushed my cap - perchance the guide I sought.
XXVIII.
For, looking up, aware I somehow grew,
Spite of the dusk, the plain had given place
All round to mountains - with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me - solve it, you!
How to get from them was no clearer case.
XXIX.
Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when -
In a bad dream perhaps. Here ended, then
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts - you're inside the den.
XXX.
Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left a tall scalped mountain ... Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!
XXXI.
What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counterpart
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.
XXXII.
Not see? because of night perhaps? - why day
Came back again for that! before it left
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, -
Now stab and end the creature - to the heft!'
XXXIII.
Not hear? When noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers, my peers -
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.
XXXIV.
There they stood, ranged along the hillsides, met
To view the last of me, a living frame
For one more picture! In a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. 'Childe Roland to the Dark Tower came.
”
”
Robert Browning
“
Last night I dreamed of the "happy hunting ground." I passed through a place of bones that looked human, but weren't--the skulls were wrong. Then I came to a place where the days were the best of every season, the sweetest air and water in spring, then the dry heat where deer make dust in the road, the fog of fall with good leaves. And you could shoot without a gun, never kill, but the rabbits would do a little dance, all as if it were a game, and they were playing it too. Then winter came with heavy powder-snow, and big deer, horses, goats and buffaloes--all white--snorted, tossed their heads, and I lay down with my Army blanket, made my bed in the snow, then dreamed within the dream. I dreamed I was at Fleety's, and she told me the bones were poor people killed by bandits, and she took me back to the place, and under a huge rock where no light should have shown, a cave almost, was a dogwood tree. It glowed the kind of red those trees get at sundown, the buds were purple in that weird light, and a madman came out with an axe and chopped at the skulls, trying to make them human-looking. Then I went back to the other side of both dreams. --from a letter to his mother, Helen Pancake, where he describes a dream that seems to encapsulate the play between violence and gentleness in his life.
”
”
Breece D'J Pancake
“
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
”
”
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
“
An intelligent man wants to ultimately spend his life with a woman with whom he knows he shares complimentary energies with. He wants to feel like him and his woman are solid, because nothing can throw them off base, because the flow of their connection is just so grounded, that nothing can come in between that— not reason, not logic, not lies, not insecurities, not doubts and not fears. Men don't talk about this, but this is what intelligent men innately crave, and they don't want anything less. They want something solid. They don't want to be with women who want to be with guys who don't respect them or who try to make them jealous all the time; they don't want to be with women who need to feel like there's a game that's being played. So, contrary to popular belief, men do want something real, even more real than what many women dream of! And it's not about other people and what they think is real; it's about just him and her and what they know is real. But you can never fake making a man believe this is the kind of connection that you have with him, because you can't fake energies! At the end of the day, if you're that woman, then you're that woman and he's that man for you. Your connection through your energies will just flow through everything— walls, distance, time, fears— you'll be solid.
”
”
C. JoyBell C.
“
But to be furious, murderously furious, is to be alive. No longer young, no longer pretty, no longer loved, or sweet, or lovable, unmasked, writhing on the ground for all to see in my utter ingloriousness, there’s no telling what I might do. I could film my anger and sell it, I could do some unmasking of my own, beat the fuckers at their own game, and on the way I could become the best-known fucking artist in America, out of sheer spite. You never know. I’m angry enough to set fire to a house just by looking at it. It can’t be contained, stored away with the recycling. I’m done staying quietly upstairs. My anger is not a little person’s, a sweet girl’s, a dutiful daughter’s. My anger is prodigious. My anger is a colossus. I’m angry enough to understand why Emily Dickinson shut out the world altogether, why Alice Neel betrayed her children, even though she loved them mightily. I’m angry enough to see why you walk into the water with rocks in your pockets, even though that’s not the kind of angry I am. Virginia Woolf, in her rage, stopped being afraid of death; but I’m angry enough, at last, to stop being afraid of life, and angry enough—finally, God willing, with my mother’s anger also on my shoulders, a great boil of rage like the sun’s fire in me—before I die to fucking well live. Just watch me.
”
”
Claire Messud (The Woman Upstairs)
“
Act I, Scene 1
GARRY: ....My worst defect is that I am apt to worry too much about what people think of me when I'm alive. But I'm not going to do that anymore. I'm changing my methods and you're my first experiment. As a rule, when insufferable young beginners have he impertinence to criticise me, I dismiss the whole thing lightly because I'm embarrassed for them and consider it not quite fair game to puncture their inflated egos too sharply. But this time my highbrow young friend you're going to get it in the neck. To begin with your play is not a play at all. It's a meaningless jumble of adolescent, pseudo intellectual poppycock. And you yourself wouldn't be here at all if I hadn't been bloody fool enough to pick up the telephone when my secretary wasn't looking. Now that you are here, however, I would like to tell you this. If you wish to be a playwright you just leave the theater of to-morrow to take care of itself. Go and get yourself a job as a butler in a repertory company if they'll have you. Learn from the ground up how plays are constructed and what is actable and what isn't. Then sit down and write at least twenty plays one after the other, and if you can manage to get the twenty-first produced for a Sunday night performance you'll be damned lucky!
ROLAND (hypnotised): I'd no idea you were like this. You're wonderful!
”
”
Noël Coward (Present Laughter)
“
At Chicago I read again 'Philip Van Artevelde,' and certain passages in it will always be in my mind associated with the deep sound of the lake, as heard in the night. I used to read a short time at night, and then open the blind to look out. The moon would be full upon the lake, and the calm breath, pure light, and the deep voice, harmonized well with the thought of the Flemish hero. When will this country have such a man ? It is what she needs — no thin Idealist, no coarse Realist, but a man whose eye reads the heavens while his feet step firmly on the ground and his hands are strong and dextrous in the use of human instruments. A man, religious, virtuous and — sagacious; a man of universal sympathies, but self-possessed; a man who knows the region of emotion, though he is not its slave; a man to whom this world is no mere spectacle or fleeting shadow, but a great, solemn game, to be played with good heed, for its stakes are of eternal value, yet who, if his own play be true, heeds not what he loses by the falsehood of others. A man who lives from the past, yet knows that its honey can but moderately avail him; whose comprehensive eye scans the present, neither infatuated by its golden lures nor chilled by its many ventures; who possesses prescience, as the wise man must, but not so far as to be driven mad to-day by the gift which discerns to-morrow. When there is such a man for America, the thought which urges her on will be expressed.
”
”
Margaret Fuller
“
I soon saw, however, that Creed's obsession with death was typical of most of the children. This came out in their play.
"Let's play funeral" was a favorite game at recess. To me, it seemed bizarre and mawkish play. All that saved it was the spontaneous creativity of the children and the fact that, unerringly, they caught the incongruities and absurdities of their elders.
One child would be elected to be "dead" and would lay himself out on the ground, eyes closed, hands dutifully crossed across his chest. Another would be chosen to be the "preacher," all the rest, "mourners." I remember one day when Sam Houston Holcomb was the "corpse" and Creed Allen, always the class clown of the group, was elected "preacher." Creed, already at ten an accomplished mimic, was turning in an outstanding performance. I stood watching, half-hidden in the shado of the doorway.
Creed (bellowing in stentorian tones): "You-all had better stop your meanness and I'll tell you for why. Praise the Lord! If you'uns don't stop being so defend ornery, you ain't never goin' gift to see Brother Holcomb on them streets paved with rubies and such-like, to give him the time of day, 'cause you'uns are goin' to be laid out on the coolin' board and then roasted in hellfire."
The "congregation" shivered with delight, as if they were hearing a deliciously scary ghost story. The corpse opened one eye to see how his mourners were taking this blast; he sighed contentedly at their palpitations; wriggled right leg where a fly was tickling; adjusted grubby hands more comfortably across chest.
Creed then grasped his right ear with his right hand and spat. Only there wasn't enough to make the stream impressive. So preacher paused, working his mouth vigorously, trying to collect more spit. Another pucker and heave. Ah! Better!
Sermon now resumed: "Friends and neighbors, we air lookin' on Brother Holcombe's face for the last time." (Impressive pause.). "Praise the Lord! We ain't never goin' see him again in this life." (Impressive pause.). "Praise the Lord!"
Small preacher was now really getting warmed up. He remembered something he must have heard at the last real funeral. Hearty spit first, more pulling of ear: "You air enjoyin' life now, folks. Me, I used to git pleasured and enjoy life too. But now that I've got religion, I don't enjoy life no more." At this point I retreated behind the door lest I betray my presence by laughing aloud.
”
”
Catherine Marshall (Christy)
“
What else do you assess during these test drives?" He felt electricity, every nerve in his body firing at once, this attraction raw and unexpected. "Tires?"
As one, they slowed a few feet before the sidewalk, stopping in the shadows as if neither of them wanted to step into the glare of the lights.
She turned to face him, her gaze dipping to his shoes. "They do seem to be in good working order."
"Suspension?" He took a step closer and heard her breath catch in her throat.
"A little bit stiff." She licked her lips. "I think we're in for a rough ride."
"Acceleration?" Jay shoved the warning voice out of his head and cupped her jaw, brushing his thumb over her soft cheek. Her gaze grew heavy and she sighed. Or was it a whimper? He could barely hear over the rush of blood through his ears.
"A little too fast," she whispered, leaning in. She pressed one palm against his chest, and in that moment he knew she wanted him, too. "Maybe I should test the handling."
Dropping his head, he brushed soft kisses along her jaw, feathering a path to the bow of her mouth as he slid one hand under her soft hair to cup her nape. He felt like he'd just trapped a butterfly. If he didn't hold on tight, she might fly away. "Or the navigation."
She moaned, the soft sound making him tense inside. His free hand slid over her curves to her hip and she ground up against him, a deliciously painful pressure on his already-hard shaft.
"Navigation it is." He breathed in the scent of her. Wildflowers. A thunderstorm. The rolling sea.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
I see you have no need of a sword.”
“Very difficult, these days, to get them through security,” she pointed out without changing expression.
“You’re extremely accurate with that weapon.”
“With all weapons. My father was an exacting man.”
“You’re a very dangerous woman, Azami Yoshiie.” Sam meant it as an admiring compliment.
One eyebrow raised. Her mouth curved and she flashed a heart-stopping smile. “You have no idea how dangerous.” She said his own words right back to him and he believed her.
“And you’re as adept with a sword as you are with your other weapons?” he asked curiously.
“More so,” she admitted with no trace of bragging—simply stating a fact. “I said so, didn’t I?”
Sam turned on his heel and strode toward her purposefully. “I’m about to kiss you, Ms. Yoshiie. I’m fully aware I’m breaching every single international law of etiquette there is, and you might, rightfully, stick that knife of yours in my gut, but right at this moment I don’t particularly give a damn.”
Her eyes widened, but she didn’t move. He’d known she wouldn’t. She was every bit as courageous as any member of his team. She would stand her ground.
Thorn moistened her lips. “It might be your heart,” she warned truthfully.
“Still, I have no choice here. I really don’t. So pull the damn thing out and be ready.”
She felt her body go liquid with heat, a frightening reaction to a woman of absolute control. “If you’re going to do it, you’d best make it really good, because it very well might be the last thing you ever do. I have no idea how I’ll react. I’ve never actually kissed anyone before.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
But beyond the extravagance of Rome's wealthiest citizens and flamboyant gourmands, a more restrained cuisine emerged for the masses: breads baked with emmer wheat; polenta made from ground barley; cheese, fresh and aged, made from the milk of cows and sheep; pork sausages and cured meats; vegetables grown in the fertile soil along the Tiber. In these staples, more than the spice-rubbed game and wine-soaked feasts of Apicius and his ilk, we see the earliest signs of Italian cuisine taking shape.
The pillars of Italian cuisine, like the pillars of the Pantheon, are indeed old and sturdy. The arrival of pasta to Italy is a subject of deep, rancorous debate, but despite the legend that Marco Polo returned from his trip to Asia with ramen noodles in his satchel, historians believe that pasta has been eaten on the Italian peninsula since at least the Etruscan time. Pizza as we know it didn't hit the streets of Naples until the seventeenth century, when Old World tomato and, eventually, cheese, but the foundations were forged in the fires of Pompeii, where archaeologists have discovered 2,000-year-old ovens of the same size and shape as the modern wood-burning oven. Sheep's- and cow's-milk cheeses sold in the daily markets of ancient Rome were crude precursors of pecorino and Parmesan, cheeses that literally and figuratively hold vast swaths of Italian cuisine together. Olives and wine were fundamental for rich and poor alike.
”
”
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
“
Nicolas sat very still just watching her. What he wanted to do was yank her back into the boat and weld their mouths together. Their bodies. He craved her like he would a drug. He made himself breath. In and out. He could read the desperation in her eyes, the fear. Not of him, for him. The tight coil in his belly began to relax. Not giving her time to argue or think, he simply caught her small wrists and lifted her into the boat. “We’re adults, remember? Now that we know it can happen, we’ll be more careful.” He managed a quick, teasing grin. “Until we don’t want to be careful.”
Dahlia swallowed hard. She had courage, he had to give her that. Respect for her grew with every moment in her company. She didn’t back away from him, but held her ground. They were both standing up, and she had a long way to look up. “It could happen, Nicolas. You’ve never seen what pure energy can do, but I have. I generate heat when it happens and fires start. People get hurt.”
“Have you ever made love to someone, Dahlia?”
His voice was so low she had to strain to hear him. She felt the surge of darkness, of danger, something lethal and deadly emanating from him.
“No, I’ve never wanted to get that close to anyone.”
“Until now.” He wanted to hear her say it. At least give him that much. He needed that much.
“Until now,” she agreed.
Nicolas stepped away from her, sank back into position. “Thanks for not pushing me into the water. You must have thought about it.”
“Don’t give me too much credit.” She made her way to the motor. “I wasn’t certain if I shoved, you’d fall.
”
”
Christine Feehan (Mind Game (GhostWalkers, #2))
“
I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line.
“I’m going into hiding with Jim.”
The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need.
“I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.”
“Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.”
I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.”
“No?”
“There will be no falling, no sex, no you and me.”
“I wanted to kiss you when you were in your house. In Savannah.”
Why the hell was my heart pounding? “And?”
“You looked afraid. That wasn’t the reaction I was hoping for.”
Be calm and reasonable. “You flatter yourself. You’re not that scary.”
“After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.”
Melt?
“You’re scared there might be something there, between you and me.”
Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.”
“You thought about dragging me into your bed this morning.”
“I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.”
“I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.”
“Enjoy the memory,” I ground out. “That’s the last time it will ever happen.”
“Go play your games with Jim. I’ll find you both when I need you.”
Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.”
“Is that a promise?”
“Yes. Go fuck yourself.”
I slammed the phone down. Well, then. That was perfectly reasonable.
On the other side of the counter an older, heavyset man stared at me like I had sprouted horns.
Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
Italy still has a provincial sophistication that comes from its long history as a collection of city states. That, combined with a hot climate, means that the Italians occupy their streets and squares with much greater ease than the English. The resultant street life is very rich, even in small towns like Arezzo and Gaiole, fertile ground for the peeping Tom aspect of an actor’s preparation. I took many trips to Siena, and was struck by its beauty, but also by the beauty of the Siennese themselves. They are dark, fierce, and aristocratic, very different to the much paler Venetians or Florentines. They have always looked like this, as the paintings of their ancestors testify. I observed the groups of young people, the lounging grace with which they wore their clothes, their sense of always being on show. I walked the streets, they paraded them. It did not matter that I do not speak a word of Italian; I made up stories about them, and took surreptitious photographs. I was in Siena on the final day of the Palio, a lengthy festival ending in a horse race around the main square. Each district is represented by a horse and jockey and a pair of flag-bearers. The day is spent by teams of supporters with drums, banners, and ceremonial horse and rider processing round the town singing a strange chanting song. Outside the Cathedral, watched from a high window by a smiling Cardinal and a group of nuns, with a huge crowd in the Cathedral Square itself, the supporters passed, and to drum rolls the two flag-bearers hurled their flags high into the air and caught them, the crowd roaring in approval. The winner of the extremely dangerous horse race is presented with a palio, a standard bearing the effigy of the Virgin. In the last few years the jockeys have had to be professional by law, as when they were amateurs, corruption and bribery were rife. The teams wear a curious fancy dress encompassing styles from the twelfth to the eighteenth centuries. They are followed by gangs of young men, supporters, who create an atmosphere or intense rivalry and barely suppressed violence as they run through the narrow streets in the heat of the day. It was perfect. I took many more photographs. At the farmhouse that evening, after far too much Chianti, I and my friends played a bizarre game. In the dark, some of us moved lighted candles from one room to another, whilst others watched the effect of the light on faces and on the rooms from outside. It was like a strange living film of the paintings we had seen. Maybe Derek Jarman was spying on us.
”
”
Roger Allam (Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company)
“
Can you drive it?"
"No. I can't drive a stick at all. It's why I took Andy's car and not one of yours."
"Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat.
Curious about that, she slid over to make room for the ancient.
Jess hesitated. "Do you know what you're doing?"
Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence."
Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors.
By all means, please take your time. Not like they were all about to die or anything...
She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt.
They even had opposable thumbs.
Whole different ball game.
Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain.
"You sure you odn't want me to try?" Jess offered.
Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again."
Abigail swallowed hard. "How long has it been?"
Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..."
They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills.
Silently, so did she.
The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus...
by tomorrow.
Or at the very least, the day after that.
"...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born."
The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified.
Oh my God, who put him behind the wheel?
Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?"
Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster."
Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
”
”
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
“
That is why the second coming of the Lord is not only salvation, not only the omega that sets everything right, but also judgment. Indeed at this stage we can actually define the meaning of the talk of judgment. It means precisely this, that the final stage of the world is not the result of a natural current but the result of responsibility that is grounded in freedom. This must be regarded as the key to understanding why the New Testament clings fast, in spite of its message of grace, to the assertion that at the end men are judged "by their works" and that no one can escape giving an account of the way he has lived his life. There is a freedom that is not cancelled out even by grace and, indeed, is brought by it face to face with itself: man's final fate is not forced upon him regardless of the decisions he has made in his life. This assertion is in any case also necessary in order to draw the line between faith and false dogmatism or a false Christian self-confidence. This line alone confirms the equality of men by confirming the identity of their responsibility. ...
Perhaps in the last analysis it is impossible to escape a paradox whose logic is completely disclosed only to the experience of a life based on faith. Anyone who entrusts himself to a life of faith becomes aware that both exist: the radical character of grace that frees helpless man and,no less, the abiding seriousness of the responsibility that summons man day after day. Both together mean that the Christian enjoys, on the one hand, the liberating, detached tranquility of him who lives on that excess of divine justice known as Jesus Christ. ... This is the source of a profound freedom, a knowledge of God's unrepentant love; he sees through all our errors and remains well disposed to us. ... At the same time, the Christian knows, however, that he is not free to do whatever he pleases, that his activity is not a game that God allows him and does not take seriously. He knows that he must answer for his actions, that he owes an account as a steward of what has been entrusted to him. There can only be responsibility where there is someone to be responsible to, someone to put the questions. Faith in the Last Judgment holds this questioning of our life over our heads so that we cannot forget it for a moment. Nothing and no one empowers us to trivialize the tremendous seriousness involved in such knowledge; it shows our life to be a serious business and precisely by doing so gives it its dignity.
”
”
Pope Benedict XVI (Introduction to Christianity)