Groove Dance Quotes

The groove is so mysterious. We're born with it and we lose it and the world seems to split apart before our eyes into stupid and cool. When we get it back, the world unifies around us, and both stupid and cool fall away. I am grateful to those who are keepers of the groove. The babies and the grandmas who hang on to it and help us remember when we forget that any kind of dancing is better than no dancing at all.

I am grateful to those who are keepers of the groove. The babies and the grandmas who hang on to it and help us remember when we forget that any kind of dancing is better than no dancing at all.

Title: Blue Light Lounge Sutra For The Performance Poets At Harold Park Hotel the need gotta be so deep words can't answer simple questions all night long notes stumble off the tongue & color the air indigo so deep fragments of gut & flesh cling to the song you gotta get into it so deep salt crystalizes on eyelashes the need gotta be so deep you can vomit up ghosts & not feel broken till you are no more than a half ounce of gold in painful brightness you gotta get into it blow that saxophone so deep all the sex & dope in this world can't erase your need to howl against the sky the need gotta be so deep you can't just wiggle your hips & rise up out of it chaos in the cosmos modern man in the pepperpot you gotta get hooked into every hungry groove so deep the bomb locked in rust opens like a fist into it into it so deep rhythm is pre-memory the need gotta be basic animal need to see & know the terror we are made of honey cause if you wanna dance this boogie be ready to let the devil use your head for a drum

I believe that when you’re making a mix, you’re making history. You ransack the vaults, you haul off all the junk you can carry, and you rewire all your ill-gotten loot into something new. You go through an artist’s entire career, zero in on that one moment that makes you want to jump and dance and smoke bats and bite the heads off drugs. And then you play that one moment over and over. A mix tape steals these moments from all over the musical cosmos, and splices them into a whole new groove.

Strolling, keeping step, his stout polished well-made boots setting themselves down firmly beside her thin-soled black suede, they put off as long as they could the end of their moment together, and kept up as well as they could their small talk that flew back and forth over little grooves worn in the thin upper suface of the brain, things you could say and hear clink reassuringly at once without disturbing the radiance which played and darted about the simple and lovely miracle of being two persons named Adam and Miranda, twenty-four years old each, alive and on earth at the same moment: 'Are you in the mood for dancing, Miranda?' and 'I'm always in the mood for dancing, Adam!' but there were things in the way, the day that ended with dancing was a long way to go.

My Mommy likes to wiggle And it really makes me giggle. The music keeps her moving And she's smiling as she's grooving. She goes...Wiggle, wiggle to the left; wiggle to the right, Wiggle, wiggle, jiggle, jiggle - Dancing through the night...

As women we're raised to take tepid two-steps, to doubt, to let the other make the move. And when you are caught with another girl in that dance... How many times have I stepped the same steps, trodden the same tired grooves of my mind, an ouroboros of extreme elation and suffocating uncertainty? How does one get out of this labyrinth? Burn all your romantic novels, cough on the fumes till you spit out the sediment? Bury your pink lingerie in a bed of rock, quell those femme yearnings, become stone?

The world, once flat to his eyes, now bristled with edges and textures. He saw the tiny grooves of petals and leaves, like fingerprints, their identities written like poems across their surfaces. He saw the slow firecrackers of pine cones, popping and stretching all summer, their stiff armor like soldiers on parade, and also the rolling softness of their sap like happy tears. He understood the flurry of motes, which no longer looked like chaos fogging his vision as it had when he was Birthless. Now he could hear the tune of the world, the song of the wind, and the play of all things in it and he knew now that it was a dance, choreographed down to the smallest antennae thrust into the reeling.

I’m dancing to songs about death again. I’m grooving to a tune about disease. I’m clapping to a rhythm that’s terminal. I’m singing with the greatest of ease.

if God is the DJ and my life is the dance floor, then he is in constant control of the songs that play. Sometimes right as I’m getting into the groove of a particular tune, Mr. DJ of All DJs switches the cut on me, forcing me to find a completely new rhythm to dance to.

When I feel comfortable enough that he is not going to trip me, I manage to look down, and see that his feet are gliding gracefully on the floor in his bloack loafers. He's even doing this very hot rhythmitic figure eight with his hips. Maybe it's the music that's growing on me, or it's that I'm giddy from not having had anything to eat except half a miniquiche, but after a moment or so, I start to move my hips, too. And suddenly, I'm breathless again, but in a good way. Once Pip gets into the groove, he stops looking at the instructor and his eyes fasten on me. So close like this, they're shocking in their brilliance, so light blue as to be almost white. Like silver medallions moving back and forth on a chain, they're hypnotizing. Where did they come from? I swear they weren't so beautiful a day ago, when we were sitting in the food court, talking about ewl and popping stag mints. " Where did you learn to do this?" I whisper in his ear, still unable to break from his gaze. " Faries love to dance. This is similar to one of theirs," he explains as he slows to near a stop. His eyes focous on Fit Lady again, and before I can ask what he's doing, he expertly glides his leg out from underneath his body, dragging his foot on the ground. " Yours should follow him," Fit Lady says, watching my legs. ...then I feel her hand on my leg, pulling it up into the air. I toddle about on one leg like a top that's about to fall, so Pip steadies me, and I hold on so tight to his arms with my sweaty hands as to cut off his circualtion. But he doesn't seem to mind. I watch as she grips my leg at the knee and pulls it, higher, higher … almost to Pip's hip level, then force me to extend and curve it around him. Ow, I am not a pretzel. " What are you doing?" " Gancho," she says. " Just take your leg up and wrap it around his body." " Wait. Wh- wh-at?" He's still staring at me with those amazing eyes as I push him away, falling back onto my elbows with a deafening crack.

I went up the stairs of the little hotel, that time in Bystřice by Benešov, and at the turn of the stairs there was a bricklayer at work, in white clothes; he was chiselling channels in the wall to cement in two hooks, on which in a little while he was going to hang a Minimax fire-extinguisher; and this bricklayer was already and old man, but he had such an enormous back that he had to turn round to let me pass by, and then I heard him whistling the waltz from The Count of Luxembourg as I went into my little room. It was afternoon. I took out two razors, and one of them I scored blade-up into the top of the bathroom stool, and the other I laid beside it, and I, too, began to whistle the waltz from The Count of Luxembourg while I undressed and turned on the hot-water tap, and then I reflected, and very quietly I opened the door a crack. And the bricklayer was standing there in the corridor on the other side of the door, and it was as if he also had opened the door a crack to have a look at me and see what I was doing, just as I had wanted to have a look at him. And I slammed the door shut and crept into the bath, I had to let myself down into it gradually, the water was so hot; I gasped with the sting of it as carefully and painfully I sat down. And then I stretched out my wrist, and with my right hand I slashed my left wrist ... and then with all my strength I brought down the wrist of my right hand on the upturned blade I'd grooved into the stool for that purpose. And I plunged both hands into the hot water, and watched the blood flow slowly ouf of me, and the water grew rosy, and yet al the time the pattern of the red blood flowing remained so clearly perceptible, as though someone was drawing out from my wrists a long, feathery red bandage, a film, dancing veil ... and presently I thickened there in the bath, as that red paint thickened when we were painting the fence all round the state workshops, until we had to thin it with turpentine - and my head sagged, and into my mouth flowed pink raspberryade, except that it tasted slightly salty .. and then those concentric circles in blue and violet, trailing feathery fronds like coloured spirals in motion ... and then there was a shadow stooping over me, and my face was brushed lightly by a chin overgrown with stubble. It was that bricklayer in the white clothes. He hoisted me out and landed me like a red fish with delicate red fins sprouting from its wrists. I laid my head on his smock, and I heard the hissing of lime as my wet face slaked it, and that smell was the last thing of which I was conscious.

King of Qin, rides a tiger, touring eight poles Sword's light shining in empty sky from jade Xihe strikes the sun, as glass is sounded Robbed ashes fly to ends, past, present level Dragon head, flows out wine, inviting wine star Golden groove, pipa in the night: “cheng cheng” Dongting rain, upon the feet, comes blowing sheng Wine hearty, drinking moon, causes change of shape Silver clouds, dense and denser, jade temple bright Palace gates, holding affairs, announces one watch Flower house, jade phoenix, sounds seductive, fierce Sea silk fabric, red text, fragrance shallow, clear Yellow beauty, stumbles dance, thousand year vessel Celestial being, candle’s plant wax smoking lightly Goddess of Qing, drunk, tears of deepest waters

The court is my escape and my paradise. I love basketball. I love the way you can be exhausted and sweaty and running with nine other guys, and yet, at the risk of sounding overly Zen, you are still so wonderfully alone. On the court, nothing bothers me. I see things a few seconds before they actually happen. I love anticipating a teammate’s cut and then throwing a bounce pass between two defenders. I love the rebound, boxing out, figuring angles and positioning myself, willing the ball into my hands. I love dribbling without looking down, the feel, the sense of trust, of control, almost as though the ball were on a leash. I love catching the pass, locking my eyes on the front rim, sliding my fingers into the grooves, raising the ball above my head, cocking my wrist as I begin to leap. I love the feel as I release the shot at the apex of the jump, the way my fingertips stay on the leather until the last possible moment, the way I slowly come back to the ground, the way the ball moves in an arc toward the rim, the way the bottom of the net dances when the ball goes swish. I

against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in

Pretend mic in hand, she danced into the bedroom, singing Rod Stewart's "Do Ya Think I'm Sexy." She executed a few dance steps she'd read about in books on modern dance. Losing herself to the groove of the music, she swayed and gyrated as she belted out the lyrics. She toed off her shoes and shimmied out of her jeans, bending to slip them over her feet... "I'm thinking this is a sight and a sound I could get used to.

I used to lie on his bed for an hour before bedtime or on a Saturday afternoon and read to him and then when he graduated to books with chapters sometimes he read. I'd look over at him, at his entire body, which appeared to have grown in the last few minutes; his lips moved and his eyes danced and darted across the page and I'd think: my son can read; he can comprehend things, he is making discoveries and he will soon have even more opinions about the world.

So the earth is shaking Here the word's faking As there's no time for lies. Kiss and dance all nights! In no need of balance Nothing makes sense Get it loose with no excuse. Shake and dance!

I wrote down, things like: Untangle yourself. Stop saying you love him. You're wearing a groove in your mind. Say it when you mean it. Save money. Small steps. Save money every month. Remember you're a grown woman now. Be more proud and more relaxed. Don't feel persecuted by stupid students. Don't think about them. Don't let your mind get colonized. Get on with your work. Don't pet him. Don't act like a baby. Don't be a cat. Be decent to him and to yourself. Respect yourself and him. See your friends. Don't be sly. Don't be deceitful. Don't snoop. Don't ask him questions for the sake of it, it's lonely-making to sit and listen when he's said it before, when he won't let you in. Keep your footing. Leave the room if he calls you a name. If you save money you can leave the flat if he's nasty. Stand up for yourself but don't waste your energy. This is your time and your energy. Don't try and 'manage' him. Be natural and let him be natural. That's what love is. No more cramped feelings, on either side. How did these small steps fare? Strangely. Keeping myself to myself more. Sometimes it felt like we'd done it. Sometimes not. Sometimes he whimpered in pain and I was Mrs Pusskins again, and what was wrong with that? It felt soothing. Coming home from work, standing on the landing, he'd open his mouth and lift his arms for a hug, and we'd hold each other and I'd feel safe and happy, with someone I could love in a natural way. Once, when I was in the living room after he'd gone to bed, he came in and did a little pirouette in his Y-fronts, trying to get me to look. I did look up and smile, but I didn't run to him, like I used to, didn't fuss him. Was that wrong? He performed a hurt little moue in the proscenium, before walking off slowly with an 'I say' and a sort of half toddlerish wobbling walk. 'That was a good dance!' I called after him, stupidly. I did see my friends more, stayed later at work to do my own work.

The Pygmalion and Golem Effects are woven into the fabric of our world. Every day, we make each other smarter or stupider, stronger or weaker, faster or slower. We can't help leaking expectations, through our gazes, our body language and our voices. My expectations about you define my attitude towards you, and the way I behave towards you in turn influences your expectations and therefore your behaviour towards me. If you think about it, this gets to the very crux of the human condition. *Homo puppy* is like an antenna, constantly attuned to other people. Somebody else's finger gets trapped in the door and you flinch. A tightrope walker balances on a thin cord and you feel your own stomach lurch. Someone yawns and it's almost impossible for you not to yawn as well. We're hardwired to mirror one another. Most of the time, this mirroring works well. It fosters connections and good vibes, as when everybody's grooving together on the dance floor. Our natural instinct to mirror others tends to be seen in a positive light for precisely this reason, but the instinct works two ways. We also mirror negative emotions such as hatred, envy and greed. And when we adopt one another's bad ideas - thinking them to be ideas everybody around us holds - the results can be downright disastrous.

Her love was a party With comfortable chairs & A decorative cake. I was a balloon on a string With nowhere to go. Tongue tied Her face reflective on top Of mine. Her tongue my favorite groove, My lips entwined with hers. Her rhythm my blues, We danced without music. We two stepped all night long

If you stumble, try to make it a part of the dance. Don’t let the mistakes in your life keep you from achieving your potential. So make your fumbles a part of your dance and groove to them.

Please don't sing and dance," I whisper, but it's too late. He's snapping his fingers and doing this sexy groove to the music. It should look really stupid - and it kind of does - but with his tight abs and his tattoos and piercings, it's really just...precious.

Fire Groove Gear is owned and operated by Lester Mooney who is one of the original founders of the business in 2005 and one of the 3 Fire Groove siblings (Hannah, Kamala, and Lester). He has been building fire props for over 13 years now and has over 15 years of Fire dance experience. Once you have mastered the skill of Meteor Rope Dart what could be more exciting than doubling your fire and adding a brand new genre of opposing momentum! Technora poi rope is quickly becoming the standard for professional and hobbyist spinners alike who fashion it for its high heat resistance (930° F), burn protection, and its astonishing strength. Our stage balls travel all the way from Italy just to unite with your hands. Made from a flexible hollow PVC giving them a nice grip and a great weight. Our Fire palm torches are hand-crafted with high quality leather and a unique connection that leaves these torches secure, comfortable, and beautiful!

Student behavior had been a challenge, Walmsley told me. One girl sometimes got up from her seat to dance across the classroom. A boy with a special-ed diagnosis could answer problems on paper but had trouble speaking up in front of his classmates. On a quiz, he wrote Walmsley a note: “Teacher, you think I’m stupid, but I’m not.” On the wall was a chart showing a ladder, each level representing one behavioral demerit. Step 1 is a warning. At Step 3, a child is sent to the “icebox,” an isolated chair at the back of the classroom. By Step 5, a parent is notified, and the child is removed from the classroom. Each student’s name was written on a wooden clothespin, and as he or she accrued demerits, the pin moved up the ladder. Like Arpino with her kindergarteners, Walmsley spent an extraordinary amount of time policing how his fourth graders sat. Were their eyes “tracking” the teacher? Were pencils resting in the pencil groove of the desk? He didn’t hesitate to give demerits for small infractions. “Remember how I was talking about chocolate milk? How milk and chocolate are our products?” he asked the students, referencing the previous day’s multiplication lesson. When a boy named Anthony answered, “Yes!” he earned a demerit for speaking out of turn. By the end of the period, Anthony’s clothespin had moved up the ladder, and Anthony was sitting in the icebox, scowling.

He traced a groove in the melamine counter. "I had some of the best times sitting around your table, throwing out math problems for you to solve or talking hockey with Sanjay and your dad." He pointed to the dent. "Do you remember this?" Daisy put the pastries in the microwave and took down two mugs from the cupboard. "What is it?" "It's where I dropped a bowl of pakoras when you walked into the kitchen wearing a tight green dress that Layla had bought for you because she was dragging you to a school dance. You were sixteen, and you looked amazing. Your dad and Sanjay went crazy. Sanjay insisted you wear a winter jacket. Layla had to run interference. That was the day I realized you weren't a little girl anymore and I couldn't treat you like you were.

Around 1976, 12" dance and DJ singles emerged. Because the grooves on these oversize singles could be wider, and because they were spinning as fast as a 45, they were louder than LPs that spun at 33 RPM. I remember in the late seventies hearing how the low end (the sound of the kick drum and bass) could be brought forward on this format and made louder. Discos had speakers that could accommodate those frequencies, and they became a world of throbbing, pulsing low end—an experience that had to wait for the CD and digital recording to be experienced outside the club environment.

In the summer she raises flags And cannons blast worldwide The silent war still rages inside her mind The individual against the herd The individual against nature. We are all wretched things Who dance and tilt when the piano plays Oh now you've got soul, poor devil? Now you've found your groove? The dance of ruin For men and beasts.

The sky fell in. Hillel was dead. I crumpled to the floor. No more nothing. No more dancing. No more arguments or petty bullshit. No more supportive discussions. No more yearning. No more discovering ourselves together in the funky grooves. No more of the easy laughter at the unsaid jokes. No more chance to fix it. No more righting the ships in our fleet gone astray out to sea. No more outdoing each other with the absurd. No more of his soulful guidance that had helped me profoundly time and time again. No more nothing. His inspiration lives in me. I would never be the Flea y’all know without him. Left with love and admiration for him. Left with the confusing pain of all that was unresolved. And the absolute knowledge that love is the only thing that counts in the end. It was devastatingly final. I lay with my bride Loesha, my unborn Clara, and we all wept. Hillel, I love you. In my dreams, I love you. In my soberest assessment, I love you. In my thoughtless silence, the sun rises and sets for you.

Besides, taking a chance on romance is a dance in tight pants. It's risky but frisky. But make the right move and your in the groove.

(Verse 1) Well, I woke up late on Christmas Eve, Heard a ruckus, couldn't believe. Tiptoed down, what did I see? Santa Claus dancin' 'round my Christmas tree. (Chorus) Oh, Santa's got the moves, he's got the groove, Shakin' his belly like a bowl full of jelly. Boots a-tappin', reindeer nappin', Santa Claus dancin' 'round my Christmas tree. (Verse 2) He had his hat tilted, boots all shined, Twistin' and turnin', havin' a good time. Rudolph's nose was blinkin' in sync, While Santa did the two-step, I couldn't even blink. (Chorus) Oh, Santa's got the moves, he's got the groove, Shakin' his belly like a bowl full of jelly. Boots a-tappin', reindeer nappin', Santa Claus dancin' 'round my Christmas tree. (Bridge) He did the ho-ho-hoedown, the jingle bell jive, I laughed so hard, I felt alive. He winked at me, said, "Join the fun," So I grabbed my hat, and we danced as one. (Chorus) Oh, Santa's got the moves, he's got the groove, Shakin' his belly like a bowl full of jelly. Boots a-tappin', reindeer nappin', Santa Claus dancin' 'round my Christmas tree. (Outro) Now every year, I wait and see, If Santa will come back to dance with me. It's a Christmas tradition, just him and me, Santa Claus dancin' 'round my Christmas tree.