Grip Socks Quotes

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Where’s my white out?” “Chapter ten is missing!” “Has anyone seen my socks?” Linda spun around. Mistress Yvonne gripped her shoulders. “This is a regular occurrence. No need to get involved.” Faint shouts echoed down the hall. “Leprechauns!
Marlene Simonette (Trouble In Bookland (Part One))
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
Stephen King (It)
I think my personal minimum score for anything I'm thinking about doing--knitting or not--is about a seven on the interest scale. If something's scoring a five, like a movie, then I need to add at least two points of knitting to do it for me to be able to hang in. If it's something gripping, like a conversation with a charming and entertaining friend, I may not need to add much knitting at all. If my friend scores a nine, I might only toss in a plain sock, with no patterning or anything, just round and round on autopilot while we visit. (I can only think of one thing I do with another person that really has no room to add any sort of knitting to, but let's not discuss it here.)
Stephanie Pearl-McPhee (All Wound Up: The Yarn Harlot Writes for a Spin)
Hateful and spineless, raped and robbed, mangled and witless, they were as good as we are, you can say that again! We never change. Neither our socks nor our masters nor our opinions, or we're so slow about it that it's no use. We were born loyal, and that's what killed us! Soldiers free of charge, heroes for everyone else, talking monkeys, tortured words, we are the minions of King Misery. He's our lord and master! When we misbehave, he tightens his grip ... his fingers are around our neck, that makes it hard to talk, got to be careful if we want to eat ... For nothing at all he'll choke you . . . It's not a life . . .
Louis-Ferdinand Céline (Journey to the End of the Night)
There’s no way I’ll be able to peacefully sleep with my cock throbbing so painfully. I carefully undo my belt and pants before sliding them to my ankles. With my foot, I kick them under the bed. I peel away my sweater and have it join my pants as well. Once I’m standing beside her in nothing but my boxers and socks, I stroke myself through my underwear. God, I fucking want her. I push my boxers down my thighs so that my heavy erection bobs out. When I take it in my grip, it’s hot and pulsating. I’m dying to push into every single one of her holes. To draw out pleasure and pain from her. I want to own every part of her. Fisting my cock feverishly, I attempt to keep my grunts stifled. With each tug, I get closer and closer to release.
K. Webster (Notice)
In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm. My goodness, that was a beautiful prospect. Somehow I had to get on that chopper with him. I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting. One chance. What the heck. Neil shook his head at me, smiling. “God, you push it, Bear, don’t you?” he shouted over the noise of the rotors. “You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.) The pilot shouted that two people would be too heavy. “I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly. The pilot looked back at me, then at the white cross on my sleeve. He agreed to drop Neil somewhere down at a lower altitude, and then come back for me. “Perfect. Go. I’ll be here.” I shook his hand firmly. Let’s just get this done before anyone thinks too much about it, I mumbled to myself. And with that the pilot took off and disappeared from view. Mick and Henry were laughing. “If you pull this one off, Bear, I will eat my socks. You just love to push it, don’t you?” Mick said, smiling. “Yep, good try, but you aren’t going to see him again, I guarantee you,” Henry added. Thanks to the pilot’s big balls, he was wrong. The heli returned empty, I leapt aboard, and with the rotors whirring at full power to get some grip in the thin air, the bird slowly lifted into the air. The stall warning light kept buzzing away as we fought against gravity, but then the nose dipped and soon we were skimming over the rocks, away from base camp and down the glacier. I was out of there--and Mick was busy taking his socks off.
Bear Grylls (Mud, Sweat and Tears)
I pulled open the door and yelped.  The steady thump in my head increased its tempo. Clay stood just outside the door, leaning against the wall.  He held a glass of water in one hand and two pills in the other.  I tried to read his face, but he kept it perfectly blank.  I hoped that meant he wasn’t angry with me.  Desperate to relieve the pain in my head, I released my death grip on the door and gulped down the pills. When I tried handing him the empty glass, he shook his head and picked me up again.  My feet had been getting cold, anyway.  Holding the empty glass, I sighed and rested my head against his chest. He went toward my room, and I almost complained until I saw what he’d done.  He’d changed the sheets and remade the bed.  Socks, slippers, and my hairbrush lay on the quilt, waiting.  He’d known I would go for the shower and had given me privacy even though he hadn’t wanted me to get out of bed.  Not only that, but he’d gotten everything ready for when I finished. I looked at him.  He studied me, his arms still securely around me.  I leaned in, kissed his cheek tenderly, and hesitated there.  He smelled so good.  I just wanted to curl back up with him. 
Melissa Haag (Hope(less) (Judgement of the Six #1))
I am your wife, but I will do as I please, I raged, and the spell rose in my head without effort. Belt that holds my husband’s pants, Loosen now and make him dance. Tiras’s belt flew from his breeches like a sea serpent, slithering through the air only to strike at him with its tail. He stepped back from me, his eyes growing wide as he gripped the gyrating length of leather, holding it at arm’s length with one hand as he held up his pants with the other. But I wasn’t finished. Boots upon my husband’s feet, Kick him so he’ll take a seat. Tiras fell flat on his behind as his boots shimmied and wriggled free, throwing him off balance. His boots then proceeded to kick him on his back and his thighs as he yowled in stunned outrage. “Lark!” Shirt upon my husband’s chest, Wrap yourself around his head. His tunic promptly rose like Tiras was shrugging it off, only it wrapped itself around him, obscuring his angry face. I started to laugh then. I couldn’t help it. He looked so ridiculous sitting on the floor of the library, his socks hanging from his feet, his breeches falling around his hips, his shirt over his head, and his boots and belt attacking him. Tiras lashed out and grabbed my skirts, yanking me down beside him. “Call off the hounds, Lark!” he bellowed, and I laughed even harder, shaking with mirth even as he rolled himself on top of me and valiantly fought the tunic that kept wrapping itself around his face. The tunic was slightly dangerous, the boots weren’t very accurate, and the tail end of the belt had made a welt across my cheek. I decided enough was enough. I performed a sloppy rhyme, and Tiras let out a stream of profanities as the shirt ceased its murderous attempts and the belt and boots fell to the floor, inanimate once again. Tiras’s breathing was harsh and fast, his hair mussed and falling over his eyes as he braced his forearms on either side of my head. His big body pressed me into the floor, making it hard to draw breath. I was well and truly trapped, but I felt like the victor regardless. Are you injured, husband? He was glaring and angry for all of three seconds. Then the lines around his eyes deepened and a smile broke out across his face. He laughed with me, but he kept me pinned beneath him, his face inches from mine. “You enjoyed that, didn’t you?” Immensely. “Tell me this, wife. Is there a spell to quickly remove your dress?” he whispered, still smiling, his breath tickling my mouth. I felt my face grow hot, and I closed my eyes, trying to retreat, even as I immediately considered a spell to render us both naked.
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm. My goodness, that was a beautiful prospect. Somehow I had to get on that chopper with him. I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting. One chance. What the heck. Neil shook his head at me, smiling. “God, you push it, Bear, don’t you?” he shouted over the noise of the rotors. “You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.) The pilot shouted that two people would be too heavy. “I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly. The pilot looked back at me, then at the white cross on my sleeve. He agreed to drop Neil somewhere down at a lower altitude, and then come back for me. “Perfect. Go. I’ll be here.” I shook his hand firmly. Let’s just get this done before anyone thinks too much about it, I mumbled to myself. And with that the pilot took off and disappeared from view. Mick and Henry were laughing. “If you pull this one off, Bear, I will eat my socks. You just love to push it, don’t you?” Mick said, smiling. “Yep, good try, but you aren’t going to see him again, I guarantee you,” Henry added. Thanks to the pilot’s big balls, he was wrong. The heli returned empty, I leapt aboard, and with the rotors whirring at full power to get some grip in the thin air, the bird slowly lifted into the air. The stall warning light kept buzzing away as we fought against gravity, but then the nose dipped and soon we were skimming over the rocks, away from base camp and down the glacier. I was out of there--and Mick was busy taking his socks off. As we descended, I spotted, far beneath us, this lone figure sat on a rock in the middle of a giant boulder field. Neil’s two white “beacons” shining bright. I love it. I smiled. We picked Neil up, and in an instant we were flying together through the huge Himalayan valleys like an eagle freed. Neil and I sat back in the helicopter, faces pressed against the glass, and watched our life for the past three months become a shimmer in the distance. The great mountain faded into a haze, hidden from sight. I leaned against Neil’s shoulder and closed my eyes. Everest was gone.
Bear Grylls (Mud, Sweat and Tears)
A young soldier stepped into the old rowboat and reached for Matt and Q first, grabbing them by the arms and directing them over to the general’s vessel. He then tried to separate Hooter and Tony, but Hooter had pulled Tony to him and wouldn’t let go. He was holding him to his chest as if Tony were his teddy bear. Actually Hooter still slept with a teddy bear but it was a secret he had kept from his friends. Tony wasn’t furry or cuddly like his bear but Hooter wasn’t about to be choosy. He was so scared he just needed something to hold on to. “Hooter, let go! You’re squeezing me so hard I can’t breathe,” Tony cried as they were lifted together onto the general’s boat. “Sorry,” Hooter mumbled, without loosening his grip.
Elvira Woodruff (George Washington's Socks (Time Travel Adventure))
Advantages of the ASP I have already explained how the ASP is advantageous with regard to its compactness and ease of carry, but there are other advantages. Carrying an impact weapon gives you the ability to counter a threat with less than lethal force, which may save you a long stint in prison. The compact ASP has advantages over the 28-inch stick of the traditional Filipino martial arts. When you are chest-to-chest against an opponent, it's difficult to hit him decisively with a 26-28 inch long stick. Filipino martial artists practice raising the arm and twisting the wrist to snap the tip into an opponent's head, but these flicking strikes can't be counted on to drop an attacker. Also, because of the stick's light weight, space and distance are needed to wind up and generate power. At very close range the short, heavy stick –such as a blackjack, sap, or an 8-inch steel bar-- is a better weapon. The striking tip of the ASP is made of steel, and the middle section is high-grade aluminum. This solid construction means that the ASP hits hard. The unexpanded ASP can be used like a metal yawara (palm stick), which is devastating in close. The Knife The second weapon in Steel Baton EDC is a knife carried at the neck. The knife should be compact and relatively light so that it is comfortable enough for neck carry. Get a light beaded chain that will break away, so that you aren't strangled with your own neck lanyard. The knife should have a straight handle without loops or fingerholes, because you want to be able to access the knife with either hand in an instant, without having to thread your fingers into holes or work to secure a grip. Avoid folding knives. You want a knife that you can draw in an instant. No matter how much you practice drawing and opening your knife, or even if you get an automatic (switchblade) or assisted opener, you will always be slower getting the folding knife open and into action, particularly under stress. Keep in mind that “under stress” may mean somebody socking you in the face repeatedly. Once again, you want open carry. Open carry is almost always legal and is more easily accessible if you are under attack. You can get a neodymium magnet and put it in the gap between the seam of your shirt, in between the buttons. The magnet will attract the steel blade of your knife so that the knife will stay centered and not flop around if you're moving. My recommended knives for neck carry are the Cold Steel Super Edge and the Cold Steel Hide Out. The Super Edge is small, light, and inconspicuous. It also comes in useful as a day-to-day utility tool, opening packages, trimming threads, removing tags, and so on. Get the Rambo knife image out of your mind. You only need a small knife to deter an attacker, because nobody wants to get cut. And if your life is on the line, you can still do serious damage with a small blade.
Darrin Cook (Steel Baton EDC: 2nd Edition)
Normally I'd never get access to the other player's kits. But these were delivered just yesterday. They're brand new for the match against Starlight Academy today.” Geraldine brushed her fingers over the bag marked Rigel with a visible shiver. “Smell that?” she breathed and I glanced at Tory. “Um...no?” Tory said. “It smells like the Heirs' lives falling apart,” she said dramatically. “Oh good,” I chuckled, hurrying forward with the Griffin poo. Geraldine produced some plastic gloves from her pocket and I had to admire how prepared she was for this. “I am happy to do it alone.” “I want to actually,” I said keenly, taking a pair and Tory plucked the other from her grip. “Yep, I'm in so long as there's gloves. You got us in here Geraldine, you've done plenty.” Geraldine's eyes brimmed with proud tears for a moment and she bowed low, stepping back to watch as I unzipped the bag and pulled out Max's navy and silver kit. It consisted of a large shirt with Waterguard printed above his surname, a pair of long shorts, socks and steel capped boots. We first turned each item inside out then I took out the solid lump of poo and broke it in half, handing one bit to Tory. (darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Modern biomimicry is far more than just copying nature's shapes. It includes systematic design and problem-solving processes, which are now being refined by scientists and engineers in universities and institutes worldwide. The first step in any of these processes is to clearly define the challenge we're trying to solve. Then we can determine whether the problem is related to form, function, or ecosystem. Next, we ask what plant, animal, or natural process solves a similar problem most effectively. For example, engineers trying to design a camera lens with the widest viewing angle possible found inspiration in the eyes of bees, which can see an incredible five-sixths of the way, or three hundred degrees, around their heads. The process can also work in reverse, where the exceptional strategies of a plant, animal, or ecosystem are recognized and reverse engineered. De Mestral's study of the tenacious grip of burrs on his socks is an early example of reverse engineering a natural winner, while researchers' fascination at the way geckos can hang upside down from the ceiling or climb vertical windows has now resulted in innovative adhesives and bandages. Designs based on biomimicry offer a range of economic benefits. Because nature has carried out trillions of parallel, competitive experiments for millions of years, its successful designs are dramatically more energy efficient than the inventions we've created in the past couple of hundred years. Nature builds only with locally derived materials, so it uses little transport energy. Its designs can be less expensive to manufacture than traditional approaches, because nature doesn't waste materials. For example, the exciting new engineering frontier of nanotechnology mirrors nature's manufacturing principles by building devices one molecule at a time. This means no offcuts or excess. Nature can't afford to poison itself either, so it creates and combines chemicals in a way that is nontoxic to its ecosystems. Green chemistry is a branch of biomimicry that uses this do-no-harm principle, to develop everything from medicines to cleaning products to industrial molecules that are safe by design. Learning from the way nature handles materials also allows one of our companies, PaxFan, to build fans that are smaller and lighter while giving higher performance. Finally, nature has methods to recycle absolutely everything it creates. In natures' closed loop of survival on this planet, everything is a resource and everything is recycled-one of the most fundamental components of sustainability. For all these reasons, as I hear one prominent venture capitalist declare, biomimicry will be the business of the twenty-first century. The global force of this emerging and fascinating field is undeniable and building on all societal levels.
Jay Harman (The Shark's Paintbrush: Biomimicry and How Nature is Inspiring Innovation)
Harley Diekerhoff looked up from peeling potatoes to glance out the kitchen window. It was still snowing... even harder than it had been this morning. So much white, it dazzled. Hands still, breath catching, she watched the thick, white flakes blow past the ranch house at a dizzying pace, enthralled by the flurry of the lacy snowflakes. So beautiful. Magical A mysterious silent ballet in all white, the snow swirling, twirling just like it did in her favorite scene from the Nutcracker—the one with the Snow Queen and her breathtaking corps in their white tutus with their precision and speed—and then that dazzling snow at the end, the delicate flakes powdering the stage. Harley’s chest ached. She gripped the peeler more tightly, and focused on her breathing. She didn’t want to remember. She wasn’t going to remember. Wasn’t going to go there, not now, not today. Not when she had six hungry men to feed in a little over two hours. She picked up a potato, started peeling. She’d come to Montana to work. She’d taken the temporary job at Copper Mountain Ranch to get some distance from her family this Christmas, and working on the Paradise Valley cattle ranch would give her new memories. Like the snow piling up outside the window. She’d never lived in a place that snowed like this. Where she came from in Central California, they didn’t have snow, they had fog. Thick soupy Tule fog that blanketed the entire valley, socking in airports, making driving nearly impossible. And on the nights when the fog lifted and temperatures dropped beneath the cold clear sky, the citrus growers rushed to light smudge pots to protect their valuable, vulnerable orange crops. Her family didn’t grow oranges. Her family were Dutch dairy people. Harley had been raised on a big dairy farm in Visalia, and she’d marry a dairyman in college, and they’d had their own dairy, too. But that’s the part she needed to forget. That’s why she’d come to Montana, with its jagged mountains and rugged river valleys and long cold winters. She’d arrived here the Sunday following Thanksgiving and would work through mid-January, when Brock Sheenan’s housekeeper returned from a personal leave of absence. In January, Harley would either return to California or look for another job in Crawford County. Harley was tempted to stay, as the Bozeman employment agency assured her they’d have no problem finding her a permanent position if she wanted one.
Jane Porter (Christmas at Copper Mountain (Taming of the Sheenans Book 1))
Ripped calluses are manly, but since they make you lose training time, try to avoid them when you do your quick lifts. It is elementary, Watson—you must gradually build up the volume of swings, cleans, and snatches to let your skin adapt. You may want to sandpaper your kettlebell’s handles, as kettlebell sport competitors do. Remove the paint and smooth out the iron. Unlike presses and other grind lifts, swings, cleans, and snatches call for a loose grip. “Hook” the handle with your fingers rather than gripping it. Try to lift in a way that minimally stretches the skin on your palm. Figure it out. Load the calluses at the bases of your fingers as little as possible; let the kettlebell handle glide from the “hook” of the fingers to the heel of the palm and back in a manner that does not pinch the skin at the bases of the fingers. Do not let the calluses get thick and rough. Russian gireviks soak their hands in hot water at night, then thin out and smooth out their calluses with a pumice stone, and finally apply an oily cream or a three-to-one mix of glycerin and ammonia. I hang my head in shame to be giving you metrosexual skin-care advice. Speaks Brett Jones, Senior RKC, who gives his hands the double abuse of kettlebell lifting and extreme gripping feats: “Go out and get Cornhuskers Lotion and use it several times a day. This lotion is unique in that it is not greasy and actually toughens and conditions your skin. At night you may want to use a product that penetrates and moisturizes in a different way. Bag Balm and other heavy (oily) lotions can be used at night and can best be absorbed if you put them on before bed and wear mittens, socks or specially designed gloves available at some health and beauty stores. [Brett, I will take your word for it.]
Pavel Tsatsouline (Enter the Kettlebell!: Strength Secret of the Soviet Supermen)
Wait!” Both hands come up as his body does this weird rock-swivel thing, like he has no idea what he’s looking for. Then he launches into the living room and returns a moment later, sliding across the floor in his socks, two cookies in his hand. With a shaky grip, he holds them up to me. “Oreos.” My God, he’s freaking adorable.
Becka Mack (Consider Me (Playing For Keeps, #1))
Jardin du Luxembourg A merry-go-round of freshly painted horses sprung from a childish world vividly bright before dispersing in adult oblivion and losing its quaint legendary light spins in the shadows of a burbling circus. Some draw toy coaches but remain upright; a roebuck flashes past, a fierce red lion and every time an elephant ivory-white. As if down in the forest of Fontainebleau a little girl wrapped up in royal blue rides round on a unicorn; a valiant son hangs on to the lion with a frantic laugh, hot fists gripping the handles for dear life; then that white elephant with ivory tusks - an intense scrum of scarves and rumpled socks though the great whirligig is just for fun. The ring revolves until the time runs out, squealing excitedly to the final shout as pop-eyed children gasp there in their grey jackets and skirts, wild bobble and beret. Now you can study faces, different types, the tiny features starting to take shape with proud, heroic grins for the grown-ups, shining and blind as if from a mad scrape.
Derek Mahon
You do realize I could be anybody, right?” Margot veered to the right, careful not to slip as she stepped from carpet onto the kitchen tile, her socks offering no grip. “I could’ve been a murderer for all you knew, and you invited me in.” “Murderers don’t knock, Margot,” Elle said from the other room. “You don’t know that.
Alexandria Bellefleur (Count Your Lucky Stars (Written in the Stars, #3))
It was strange to see my bare feet again. They usually went from boot to bed to boot again, without taking off the socks. They looked quite fragile. My hands, however, are tools = pliers, carabiners, vise grips, antennae, turnbuckles. I should spray them with Rustoleum. No sense trying to grow long nails or putting on polish. Only my toenails are painted pink.
Audrey Sutherland (Paddling North: A Solo Adventure Along the Inside Passage)
I’m sorry I was a stubborn ass. I … I don’t expect you to forgive me for being a coward, but … I had to tell you … even if I’m too late. Just in case there is still a chance.” “Tell me that you’ll buy better socks?” she bit back, gripping onto his coat all the tighter. “No. That I love you.
Delemhach (The House Witch (The House Witch, #1))
The Vigga-Wolf screamed with fury and delight to be out of the horrid wagon and once again at her work, which was murder, and her hobby, too. Also murder. She didn’t know or care why this bastard had a bull’s head. Folk all have their own different heads don’t they? She slipped under his axe, ripped it from his fists, smashed off one of his horns with it, then flung it at the rabbit girl on the wall and split her skull in half. Then she clawed the bull’s guts out with her fists, snarling, weeping, spraying drool, snuffling for the good meat, the nice bits, the tasty morsels. People’s heads might all be different but their insides are much alike. Her jaws snapped shut on a woman with a piggy head, got head and arm together, squeezing, squeezing. The arm snapped first, went floppy as a sock of porridge, and she squealed piggy squeals and beat away with a shield, clobbered with the rim as the Vigga-Wolf snarled in frustration, the bits of arm still wedged in her teeth, and wriggled her head to get the best grip, biting, twisting, biting, wrenching, biting. Squeals became screams then crack the skull popped and the Vigga-Wolf sucked the meat out and ugh, what a horrid salty mouthful. She choked and coughed and ripped at the foul-tasting pig bitch with her back claws and tore her so hard the other arm came off then flung what was left into the bull-man who was struggling up wailing with guts all hanging out and the pair of them went reeling across the yard all the horrid bad meat mashed up together.
Joe Abercrombie (The Devils (The Devils, #1))