Grinding Alone Quotes

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There are times when solitude is better than society, and silence is wiser than speech. We should be better Christians if we were more alone, waiting upon God, and gathering through meditation on His Word spiritual strength for labour in his service. We ought to muse upon the things of God, because we thus get the real nutriment out of them. . . . Why is it that some Christians, although they hear many sermons, make but slow advances in the divine life? Because they neglect their closets, and do not thoughtfully meditate on God's Word. They love the wheat, but they do not grind it; they would have the corn, but they will not go forth into the fields to gather it; the fruit hangs upon the tree, but they will not pluck it; the water flows at their feet, but they will not stoop to drink it. From such folly deliver us, O Lord. . . .
Charles Haddon Spurgeon
I think two of the fundamental facts of being a person are 1. We must go on, and 2. None of us ever walks alone. We may feel alone (in fact, we will feel alone), but even in the crushing grind of isolation, we aren't alone.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
But now what? Why, now comes my master, takes me right away from my work, and my friends, and all I like, and grinds me down into the very dirt! And why? Because, he says, I forgot who I was; he says, to teach me that I am only a nigger! After all, and last of all, he comes between me and my wife, and says I shall give her up, and live with another woman. And all this your laws give him power to do, in spite of God or man. Mr. Wilson, look at it! There isn't one of all these things, that have broken the hearts of my mother and my sister, and my wife and myself, but your laws allow, and give every man power to do, in Kentucky, and none can say to him nay! Do you call these the laws of my country? Sir, I haven't any country, anymore than I have any father. But I'm going to have one. I don't want anything of your country, except to be let alone,--to go peaceably out of it; and when I get to Canada, where the laws will own me and protect me, that shall be my country, and its laws I will obey. But if any man tries to stop me, let him take care, for I am desperate. I'll fight for my liberty to the last breath I breathe. You say your fathers did it; if it was right for them, it is right for me!
Harriet Beecher Stowe (Uncle Tom’s Cabin)
I’m perfectly alone right now, my mind is on overdrive, the gears are grinding in whirring dissonance – and it’s just how I like it.
Trevor J. Freeman
My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive.
Charles Darwin
It is not for you to say - you Englishmen, who have conquered your freedom so long ago, that you have conveniently forgotten what blood you shed, and what extremities you proceeded to in the conquering - it is not for you to say how far the worst of all exasperations may, or may not, carry the maddened men of an enslaved nation. The iron that has entered into our souls has gone too deep for you to find it. Leave the refugee alone! Laugh at him, distrust him, open your eyes in wonder at the secret self which smolders in him, sometimes under the every-day respectability and tranquility of a man like me - sometimes under the grinding poverty, the fierce squalor, of men less lucky, less pliable, less patient than I am - but judge us not. In the time of your first Charles you might have done us justice - the long luxury of your freedom has made you incapable of doing us justice now.
Wilkie Collins (The Woman in White)
Every single thing I must do – any hint of a demand – grinds against me. I resent it all. I want to be left, quietly, alone. I don’t know what I do in that time should I ever achieve that perfect aloneness. I like to think I would read, but in truth I would probably sleep. I don’t have the attention for reading. I don’t have the attention for anything, really. My brain feels entirely separate from me. It is empty, but it also cannot take any more in. It seems that it’s a useless organ, endlessly refusing to notice what I want it to notice. It will not engage. It just glances off everything, like a pale beam.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
even in the crushing grind of isolation, we aren’t alone.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
Nothing in the world can take the place of persistence. Talent will not; nothing is more common than unsuccessful individuals with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence and determination alone are omnipotent.
Ray Kroc (Grinding It Out: The Making of McDonald's)
Before you arrived here in this world, I had nothing to live for. I hunted. I existed. I did not look forward to anything. But now you are here, and you might be carrying my child even now.” His jaw flexes. “I know you are more than capable. The problem is not with you. It is with me. This world is dangerous, and I think of you, alone, out in the wild, and it is more than I can bear.” He stares at me for so long and so hard that I think his jaw is going to snap from grinding his teeth. “If I lose you,” he finally says gruffly, “I have nothing.
Ruby Dixon (Barbarian Alien (Ice Planet Barbarians, #2))
The other day in connection with my uncle’s letter you asked me about my plans and prospects. I was amazed by your question, and am now reminded of it again by this stranger’s question. Needless to say I have no plans, no prospects; I cannot step into the future; I can crash into the future, grind into the future, stumble into the future, this I can do; but best of all I can lie still. Plans and prospects, however—honestly, I have none; when things go well, I am entirely absorbed by the present; when things go badly, I curse even the present, let alone the future! -Franz
Franz Kafka (Letters to Felice)
The Idea of Order at Key West She sang beyond the genius of the sea. The water never formed to mind or voice, Like a body wholly body, fluttering Its empty sleeves; and yet its mimic motion Made constant cry, caused constantly a cry, That was not ours although we understood, Inhuman, of the veritable ocean. The sea was not a mask. No more was she. The song and water were not medleyed sound Even if what she sang was what she heard, Since what she sang was uttered word by word. It may be that in all her phrases stirred The grinding water and the gasping wind; But it was she and not the sea we heard. For she was the maker of the song she sang. The ever-hooded, tragic-gestured sea Was merely a place by which she walked to sing. Whose spirit is this? we said, because we knew It was the spirit that we sought and knew That we should ask this often as she sang. If it was only the dark voice of the sea That rose, or even colored by many waves; If it was only the outer voice of sky And cloud, of the sunken coral water-walled, However clear, it would have been deep air, The heaving speech of air, a summer sound Repeated in a summer without end And sound alone. But it was more than that, More even than her voice, and ours, among The meaningless plungings of water and the wind, Theatrical distances, bronze shadows heaped On high horizons, mountainous atmospheres Of sky and sea. It was her voice that made The sky acutest at its vanishing. She measured to the hour its solitude. She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had, became the self That was her song, for she was the maker. Then we, As we beheld her striding there alone, Knew that there never was a world for her Except the one she sang and, singing, made. Ramon Fernandez, tell me, if you know, Why, when the singing ended and we turned Toward the town, tell why the glassy lights, The lights in the fishing boats at anchor there, As the night descended, tilting in the air, Mastered the night and portioned out the sea, Fixing emblazoned zones and fiery poles, Arranging, deepening, enchanting night. Oh! Blessed rage for order, pale Ramon, The maker's rage to order words of the sea, Words of the fragrant portals, dimly-starred, And of ourselves and of our origins, In ghostlier demarcations, keener sounds
Wallace Stevens
You are well off, you are alone, Hasse had said. All very well—the man who is alone cannot be forsaken. But sometimes, at night, the whole artificial structure collapses, life turns into a sobbing insistent melody; out of the senseless grinding of the everlasting barrel organ, rises up a whirlwind of wild desires, cravings, melancholy, hope, without direction seeking an object. Ach, this pitiful need for a little bit of warmth—couldn’t it be two hands then and a face bowed near? Or was that too only deception, surrender, and flight? Was there nothing then, but to be alone? I shut the window. No, there was nothing. For anything more, there was too little solid ground under one’s feet.
Erich Maria Remarque (Three Comrades)
My mind liked the idea of watching both of them, either with me or the two of them alone. The
Allyson Lindt (The Roommates (Three Player Grind, #1))
he must have read in my face that it was a happy moment. For months I had been grinding away, feeling alone, ugly.
Elena Ferrante (My Brilliant Friend (L'amica geniale #1))
I think the most fundamental facts of being a person are 1. We must go on, 2. None of us ever walks alone. We may feel alone (in fact, we will feel alone), but even in the crushing grind of isolation, we aren't alone.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
To see Peggy rushing toward him like that, for him to be needed, to be an active participant in someone else’s life, to think that maybe he was more than just a lump of carbon being slowly ushered toward an unvarnished coffin; the feeling was one of pure, almost painful happiness, like a desperate embrace squeezing air from his lungs, and it was then that the realization hit him: he might not know what the future held—pain and loneliness and fear might still yet grind him into dust—but simply feeling the possibility that things could change for him was a start, like feeling the first hint of warmth from kindling rubbed together, the first wisp of smoke.
Richard Roper (How Not to Die Alone)
And because evil wants what evil gets. If you're alone in this world, mercurial loudmouth or free spirit, you will make enemies. To you, the dwindling, grinding, maddening work that will kill you if you let it. The rewards are few and more often than not thankless. Do not quit. It is more necessary than ever to have stories that invite us into other worlds, to communicate profoundly. Do not harbor any delusions that failure is not worth the effort.
Manuel Marrero (Thousands of Lies)
Read thought-provoking books. Give long hugs. Grow your own vegetables. Help a neighbor grow theirs. Grind your own coffee. Take a walk in the sunshine. Talk to strangers. Ask questions. Look deeply into people's eyes. Listen. Listen some more. Go somewhere alone. Listen to your own soul. Make something beautiful. Make something messy. Write a letter. Write a poem. Go to the park. Play with your children. Ask them questions. Listen. Listen some more. Make your life beautiful. Plant flowers. Chase dreams. Smile. Cry. Laugh. Hope. Try. Fail. Try again. And again. Peace and happiness come from you, not to you. Don't seek them. Create them. And then help others to do the same. You get one life. Live it well.
L.R. Knost
I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays. I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did. On the other hand, novels which are works of the imagination, though not of a very high order, have been for years a wonderful relief and pleasure to me, and I often bless all novelists. A surprising number have been read aloud to me, and I like all if moderately good, and if they do not end unhappily–against which a law ought to be passed. A novel, according to my taste, does not come into the first class unless it contains some person whom one can thoroughly love, and if a pretty woman all the better. This curious and lamentable loss of the higher aesthetic tastes is all the odder, as books on history, biographies, and travels (independently of any scientific facts which they may contain), and essays on all sorts of subjects interest me as much as ever they did. My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive. A man with a mind more highly organised or better constituted than mine, would not, I suppose, have thus suffered; and if I had to live my life again, I would have made a rule to read some poetry and listen to some music at least once every week; for perhaps the parts of my brain now atrophied would thus have been kept active through use. The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.
Charles Darwin (Autobiography Life and Letters of Charles Darwin, Descent of Man A Naturalist's Voyage Round the World Coral Reefs Voyage of the Beagle Origin of Species Expression of Emotion in Man and Animals)
Empire needed extraction. Violence shocked the system, because the system could not cannibalize itself and survive. The hands of the Empire were tied, because it could not raze that from which it profited. And like those sugar fields, like those markets, like those bodies of unwilling labour, Babel was an asset. Britain needed Chinese, needed Arabic and Sanskrit and all the languages of colonized territories to function. Britain could not hurt Babel without hurting itself. And so Babel alone, an asset denied, could grind the Empire to a halt.
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
Stop treating your creativity like it’s a tired, old, unhappy marriage (a grind, a drag) and start regarding it with the fresh eyes of a passionate lover. Even if you have only fifteen minutes a day in a stairwell alone with your creativity, take it. Go hide in that stairwell and make out with your art.
Elizabeth Gilbert
I’ll Open the Window Our embrace lasted too long. We loved right down to the bone. I hear the bones grind, I see our two skeletons. Now I am waiting till you leave, till the clatter of your shoes is heard no more. Now, silence. Tonight I am going to sleep alone on the bedclothes of purity. Aloneness is the first hygienic measure. Aloneness will enlarge the walls of the room, I will open the window and the large, frosty air will enter, healthy as tragedy. Human thoughts will enter and human concerns, misfortune of others, saintliness of others. They will converse softly and sternly. Do not come anymore. I am an animal very rarely.
Anna Świrszczyńska (Talking to My Body)
I think two of the fundamental facts of being a person are 1. We must go on, and 2. None of us ever walks alone. We may feel alone (in fact, we will feel alone), but even in the crushing grind of isolation, we aren’t alone. Like Louise at her graduation, those who are distant or even gone are still with us, still encouraging us to walk on.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
but just the very tips of the fingers, here, the most sensitive parts, the parts bathed in warm oil, the whorled pads, I feel them singing with nerves and blood I let them extend… further than the warm silver hip-flask’s cap’s very top down its broadening cone where to where the threads around the upraised little circular mouth lie hidden while with the other warm singing hand I gently grip the leather holster so I can feel the way the whole flask feels as I guide… guide the cap around on its silver threads, hear that? stop that and listen, hear that? the sound of threads moving through well-machined grooves, with great care, a smooth barbershop spiral, my whole hand right through the pads of my fingertips less… less unscrewing, here, than guiding, persuading, reminding the silver cap’s body what it’s built to do, machined to do, the silver cap knows, Jim, I know, you know, we’ve been through this before, leave the book alone, boy, it’s not going anywhere, so the silver cap leaves the flask’s mouth’s warm grooved lips with just a snick, hear that? that faintest snick? not a rasp or a grinding sound or harsh, not a harsh brutal Brando-esque rasp of attempted domination but a snick a… nuance, there, ah, oh, like the once you’ve heard it never mistakable ponk of a true-hit ball, Jim, well pick it up then if you’re afraid of a little dust, Jim, pick the book up if it’s going
David Foster Wallace (Infinite Jest)
Before this grief, mountains must bend down And rivers stop, But prison locks are strong, And behind them are the labor-camp bunks And the deadly tedium. For others the fresh breeze is blowing, For others the extravagant sun sets — For us everything is the same, we know nothing, We hear only the keys and their hateful grinding. Only the soldiers' stiff steps. We get up as for early Mass in the city, The savaged city, and coming We meet ourselves, the dead, the unbreathing. The sun is low, the Neva misty, It is only in the distance that hope is singing. The sentence . . . and at once tears, Now everything has been taken, The rest of life, torn from her heart, Knocked backwards by a hoodlum And yet she walks . . . stumbles . . . alone . . . Where are they now, unwilling friends Of years in Hell? What visions do they see in Siberian snow-storms? What hallucinations in the circle of the moon? I send them this goodbye and wish them well.
Anna Akhmatova (Poem Without a Hero & Selected Poems)
for him to be needed, to be an active participant in someone else’s life, to think that maybe he was more than just a lump of carbon being slowly ushered toward an unvarnished coffin; the feeling was one of pure, almost painful happiness, like a desperate embrace squeezing air from his lungs, and it was then that the realization hit him: he might not know what the future held—pain and loneliness and fear might still yet grind him into dust—but simply feeling the possibility that things could
Richard Roper (How Not to Die Alone)
You know, of course, that as prophesied by Moroni, there are those whose research relating to Joseph Smith is not for the purpose of gaining added light and knowledge but to undermine his character, magnify his flaws, and if possible destroy his influence. Their work product can sometimes be jarring, and so can issues raised at times by honest historians and researchers with no “axe to grind.” But I would offer you this advice in your own study: Be patient, don’t be superficial, and don’t ignore the Spirit. In counseling patience, I simply mean that while some answers come quickly or with little effort, others are simply not available for the moment because information or evidence is lacking. Don’t suppose, however, that a lack of evidence about something today means that evidence doesn’t exist or that it will not be forthcoming in the future. The absence of evidence is not proof. . . . When I say don’t be superficial, I mean don’t form conclusions based on unexamined assertions or incomplete research, and don’t be influenced by insincere seekers. I would offer you the advice of our Assistant Church Historian, Rick Turley, an intellectually gifted researcher and author whose recent works include the definitive history of the Mountain Meadows Massacre. He says simply, “Don’t study Church history too little.” While some honestly pursue truth and real understanding, others are intent on finding or creating doubts. Their interpretations may come from projecting 21st Century concepts and culture backward onto 19th Century people. If there are differing interpretations possible, they will pick the most negative. They sometimes accuse the Church of hiding something because they only recently found or heard about it—an interesting accusation for a Church that’s publishing 24 volumes of all it can find of Joseph Smith’s papers. They may share their assumptions and speculations with some glee, but either can’t or won’t search further to find contradictory information. . . . A complete understanding can never be attained by scholarly research alone, especially since much of what is needed is either lost or never existed. There is no benefit in imposing artificial limits on ourselves that cut off the light of Christ and the revelations of the Holy Spirit. Remember, “By the power of the Holy Ghost, ye may know the truth of all things.” . . . If you determine to sit still, paralyzed until every question is answered and every whisper of doubt resolved, you will never move because in this life there will always be some issue pending or something yet unexplained.
D. Todd Christofferson
Some relationships are like glass its better to leave them broken than to hurt yourself trying to put the pieces back together again. When you start reading the Bunna Man, most of my readers hate Dre and then they realize that Dre doesn't really have any power. The only power he has is the one Saf gave him. What happens now is that by you reach the middle of the story, your anger turns from Dre to Saf cause you realize that Saf is the catalyst behind her own misery. If she'd leave Dre alone. Her suffering would end
Crystal Evans (The Bunna Man: Joe Grind Series)
He drew his fingers down over her collarbones drifting closer to her breasts. “The muscles here on our women are often as developed as ours.” Judging by the heated look in his eyes, he didn’t mind at all that she had breasts instead of muscular pecs. “And here.” Her pulse picked up as he cupped her breasts. “You’re rounder here. Softer. Fuller.” He squeezed them gently and drew his thumbs across the hard, sensitive peaks. Ava sucked in a breath as sensation shot through her. “Do that again.” He brushed his thumbs across the tight buds again., toyed with them and gave an experimental pinch. Ava jerked and arched against him. “You’re sensitive here,” he murmured. “Yes.” His lips captured hers once more, tasting and tempting as he explored her breasts and ratcheted up her need. She and Jak’ri had been nearly bare with each other countless times in their dreams as they swam and cavorted in Rounaka Sea, but they had been out in the open and the dreams had felt so real that she would never have thought of doing her lustful inclinations there for fear of being discovered. Now, however, they were alone. They were free and the cave enclosing them might has well have been a Honeymoon suite at a secluded resort. So there was no reason for her to hold back. She moaned. Jak’ri certainly wasn’t holding back. The women of Purvel might not have breasts like hers, but he sure as hell knew what to do with them, teasing and tweaking and squeezing until she squirmed against him. Her breath shortening. “Jak’ri,” she whispered, tunneling the fingers of one hand through his thick hair while she slid the other down his back and rocked against the thick, hard ridge concealed by his pants. “I want you.” Nodding he trailed heated kisses down her neck. “I want you too.” One of his big hands left her breast and cupped her ass, grinding her against him. “Are you ready to release your eggs?” Sensation shot through her. “Hmmm?” “Are you ready to release your eggs so I can fertilize them?” he murmured, clutching her closer. Her eyes flew open. “Wait, what?” She leaned back. “I assume your reproduce the same way Purveli’s do,” he said, dragging his eyes up from her breasts to meet hers. “You release your eggs, then I fertilize them.” She stared at him, stunned. Release her eggs? Did he mean like a…like a fish? Her gaze shot to the barely discernable scales that coated his broad chest and handsome face. Did Purveli’s not have sex the way humans and Lasaran’s did? His lips twitched as his eyes danced with mirth. Relief filled her. “Oh my gosh,” laughing Ava shoved one of his shoulders. “You are so bad.” He laughed. “Apologies, I couldn’t resist. My scales seemed to fascinate you.
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
You are well off, you are alone, Hasse had said. All very well—the man who is alone cannot be forsaken. But sometimes, at night, the whole artificial structure collapses, life turns into a sobbing insistent melody; out of the senseless grinding of the everlasting barrel organ, rises up a whirlwind of wild desires, cravings, melancholy, hope, without direction seeking an object. Ach, this pitiful need for a little bit of warmth—couldn’t it be two hands then and a face bowed near? Or was that too only deception, surrender, and flight? Was there nothing then, but to be alone?
Erich Maria Remarque (Three Comrades)
What do we mean by the lived truth of creation? We have to mean the world as it appears to men in a condition of relative unrepression; that is, as it would appear to creatures who assessed their true puniness in the face of the overwhelmingness and majesty of the universe, of the unspeakable miracle of even the single created object; as it probably appeared to the earliest men on the planet and to those extrasensitive types who have filled the roles of shaman, prophet, saint, poet, and artist. What is unique about their perception of reality is that it is alive to the panic inherent in creation: Sylvia Plath somewhere named God "King Panic." And Panic is fittingly King of the Grotesque. What are we to make of a creation in which the routine activity is for organisms to be tearing others apart with teeth of all types-biting, grinding flesh, plant stalks, bones between molars, pushing the pulp greedily down the gullet with delight, incorporating its essence into one's own organization, and then excreting with foul stench and gasses the residue. Everyone reaching out to incorporate others who are edible to him. The mosquitoes bloating themselves on blood, the maggots, the killerbees attacking with a fury and demonism, sharks continuing to tear and swallow while their own innards are being torn out-not to mention the daily dismemberment and slaughter in "natural" accidents of all types: the earthquake buries alive 70 thousand bodies in Peru, automobiles make a pyramid heap of over 50 thousand a year in the U.S. alone, a tidal wave washes over a quarter of a million in the Indian Ocean. Creation is a nightmare spectacular taking place on a planet that has been soaked for hundreds of millions of years in the blood of all its creatures. The soberest conclusion that we could make about what has actually been taking place on the planet for about three billion years is that it is being turned into a vast pit of fertilizer. But the sun distracts our attention, always baking the blood dry, making things grow over it, and with its warmth giving the hope that comes with the organism's comfort and expansiveness. "Questo sol m'arde, e questo m'innamore," as Michelangelo put it.
Ernest Becker (The Denial of Death)
For the great doesn’t happen through impulse alone, and is a succession of little things that are brought together. What is drawing? How does one get there? It’s working one’s way through an invisible iron wall that seems to stand between what one feels and what one can do. How can one get through that wall? — since hammering on it doesn’t help at all. In my view, one must undermine the wall and grind through it slowly and patiently. And behold, how can one remain dedicated to such a task without allowing oneself to be lured from it or distracted, unless one reflects and organizes one’s life according to principles? And it’s the same with other things as it is with artistic matters. And the great isn’t something accidental; it must be willed.
Vincent van Gogh
I don’t know what’s wrong with me, really. It’s nothing, but it’s also all-encompassing. I feel strangely empty, devoid of thought and energy. I am not sure where my days go, but they go. Every single thing I must do—any hint of a demand—grinds against me. I resent it all. I want to be left, quietly, alone. I don’t know what I’d do in that time should I ever achieve that perfect aloneness. I like to think I would read, but in truth I would probably sleep. I don’t have the attention for reading. I don’t have the attention for anything, really. My brain feels entirely separate from me. It is empty, but it also cannot take any more in. It seems that it’s a useless organ, endlessly refusing to notice what I want it to notice. It will not engage. It just glances off everything, a pale beam.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
No—uh—no, I’m good.” I hold up a sleeve of crackers. “You were right, Paige isn’t feeling well. I thought I’d get her something to eat.” Lame lame lame lame. She’s going to see right through this whole cracker ploy for what it is. Attempts to settle her pregnant daughter’s stomach. Mrs. Nichols lets out an audible sigh as her brow puckers in sympathy. “Poor thing. Those cramps have always been such a nightmare. For that reason alone, I wish she’d remained on the Pill.” For the second time in as many days, everything stops. My breathing. My heart. And I’m pretty sure the couple seconds it takes for her words to register and their meaning to sink in, time grinds to a halt too. Paige’s mother chokes back a laugh as she takes in my expression. “Oh dear, weren’t you supposed to know that I knew my daughter was on the Pill? Or is it me talking about a woman’s cycle that embarrassed you?” she asks, a smile tugging at the corners of her mouth. I
Beverley Kendall (The Trap (Trapped, #0.5))
Let Me Begin Again” Let me begin again as a speck of dust caught in the night winds sweeping out to sea. Let me begin this time knowing the world is salt water and dark clouds, the world is grinding and sighing all night, and dawn comes slowly and changes nothing. Let me go back to land after a lifetime of going nowhere. This time lodged in the feathers of some scavenging gull white above the black ship that docks and broods upon the oily waters of your harbor. This leaking freighter has brought a hold full of hayforks from Spain, great jeroboams of dark Algerian wine, and quill pens that can’t write English. The sailors have stumbled off toward the bars of the bright houses. The captain closes his log and falls asleep. 1/10’28. Tonight I shall enter my life after being at sea for ages, quietly, in a hospital named for an automobile. The one child of millions of children who has flown alone by the stars above the black wastes of moonless waters that stretched forever, who has turned golden in the full sun of a new day. A tiny wise child who this time will love his life because it is like no other.
Philip Levine (7 Years from Somewhere: Poems)
He looked up at her and saw that she wore the face of Everyone. It was the face of the two women who talked in the seat behind him on the bus; it was the face of Mrs. Leslie, saying to him, "Some of us are going to organize a Pretentionist Club ..." It was the face of those who did not dare sit down and talk with themselves, the people who could not be alone a minute, the people who were tired without knowing they were tired and afraid without knowing that they were afraid. And, yes, it was the face of Mrs. Leslie's husband, crowding drink and women into a barren life. It was the grinding anxiety that had become commonplace, that sent people fleeing for psychological shelters against the bombs of uncertainty. Gaiety no longer was sufficient, cynicism had run out, and flippancy had never been more than a temporary shield. So now the people fled to the drug of pretense, identifying themselves with another life and another time and place--at the movie theater or on the television screen or in the Pretentionist movement. For so long as you were someone else you need not be yourself. Clifford D. Simak. Ring Around the Sun (Kindle Locations 1207-1215). Avon. Kindle Edition.
Clifford D. Simak (Ring Around the Sun (Masters of Science Fiction))
She had a big, beautiful man at her mercy, and she wasn't going to relinquish control. Oh, she was under no illusions that she had him physically overpowered. He could have flipped their places at any instant. She hadn't taken the reins. He'd given her the reins. And that made it all the better. She decided how to begin, when to stop. Whether to tease them both with grazing friction or grind her hips. She set the pace. It was hers to grant or deny him mercy when he pleaded in a whisper. "Faster." With every motion- slow or quick, form or gentle- her pleasure spiraled higher. Her breathing grew uneven, and she flushed with heat. She fell forward to kiss him, searching his mouth. Exploring. As their tongues tangled, his whiskers scraped her lips and chin. Her nipples puckered to knots, exquisitely sensitive. With every movement, they kissed the hard planes of his chest. Bliss rushed at her from all sides, propelling her toward that distant promise of satisfaction. Her rhythm lost all elegance. Her hips jerked and bounced as her urgency grew. "Yes." His voice was strained. "Hold nothing back. I want to feel you come against me. I want to hear the sounds you make." His words of encouragement had the opposite effect. For the first time, she felt a moment's trepidation. She'd never climaxed with another person. It had taken her years to feel comfortable with herself, let alone a man. When the pleasure broke, she would be bared to him. More naked than naked.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Despite the rise of the mental health profession, people are becoming increasingly vulnerable to depression. Why? Martin Seligman, a brilliant psychologist with no religious ax to grind, has a theory that it’s because we have replaced church, faith, and community with a tiny little unit that cannot bear the weight of meaning. That’s the self. We’re all about the self. We revolve our lives around ourselves. Ironically, the more obsessed we are with our selves, the more we neglect our souls. All of our language reflects this. If you’re empty, you need to fulfill yourself. If you’re stressed, learn how to take care of yourself. If you’re on a job interview, you have to believe in yourself. If you’re at the tattoo parlor, you must learn to express yourself. If someone dares to criticize you, you have to love yourself. If you’re not getting your own way, you have to stand up for yourself. What should you do on a date? You ought to be yourself. What if your self is a train wreck? What do you do then? Self is a stand-alone, do-it-yourself unit, while the soul reminds us we were not made for ourselves. The soul always exists before God. So soul is needed for deep art, poetry, and music. Former opera singer Scott Flaherty said it best: “I mean, when you sing you’re giving voice to your soul.” Imagine singing, “Then sings my self, my Savior God to thee,” or “Jesus, lover of my self.” Innately we know that the self is not the soul, even as we do everything we can to preserve it.
John Ortberg (Soul Keeping: Caring For the Most Important Part of You)
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
Francis Spufford
For wasn't the practice of slavery at least as serious a system of human-rights wrongs as the Nazi holocaust? Did not the holocaust of slavery last longer–indeed, 234 years longer? Did it not claim at least twice as many lives, in the Middle Passage alone? Did it not savagely eviscerate the emotional core of a whole race of people on three continents? In raising any defense of Jefferson, a powerful American cog in slavery's long-grinding machine, are we not then subscribing to Jefferson's view that a black life has lesser value, black suffering an inconsequential significance? Their griefs are transient. Does not the continued unremarked American deification of Jefferson tell us all how profoundly contemptuous of black sensibilities American society persists in being? How deeply, stubbornly, poisonously racist our society to this day remains?
Randall Robinson (The Debt: What America Owes to Blacks)
Up to the age of 30 or beyond it, poetry of many kinds … gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare.… Formerly pictures gave me considerable, and music very great, delight. But now for many years I cannot endure to read a line of poetry: I have tried to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost any taste for pictures or music.… I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did.… My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive.… The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.13
John Piper (Desiring God, Revised Edition: Meditations of a Christian Hedonist)
know about my mom.” I started to advance on them, but he brushed against my arm. I looked to his eyes, and they were wide with fear – for me. “You don’t know what they’re willing to do.” He tugged on my arm. “Please. Let’s leave before they see you.” The gears were grinding in my head. I’d been left alone for a week, and these guys came
Robert J. Crane (Alone, Untouched, Soulless (The Girl in the Box, #1-3))
Meridith stepped down from the chair and scooted it a few feet. “Let me.” Jake took the string and looped it over the hooks one at a time. It took him two minutes to finish the porch. “Show-off,” she said. “Being tall has its benefits.” And being strong. Words of gratitude formed in her mind, but it took a moment to order them. “I never thanked you last night.” He scratched behind Piper’s ears. “No need.” He plugged the lights in the wall outlet, and they glowed dimly. “Hopefully there’s a wall switch inside.” “I mean it, Jake. I don’t know what I would’ve done.” Heat worked into her cheeks. She pulled a cornflower blue pail from the box and set it on one of the tables. “Your arms . . .” She looked down, noticing the bruises. Brownish-gray blotches, Sean’s fingerprints on her skin. She rubbed the spots, wishing she could wipe them away. Seeing them there, she could almost feel Sean’s grip on her, feel the helplessness welling up. “I should’ve beat the kid to a pulp.” Jake’s fists clenched. “He’s long gone. That’s all that matters.” “He should’ve been arrested.” “I don’t think he meant to—to attack me that way. We stumbled, and he fell on me.” “You’re wearing evidence that says otherwise.” He had a point. And the night before, sand grinding into her back, she’d been convinced she was in danger. “Don’t like the idea of you and the kids here alone.” “Aren’t you the one who thought the partitions were silly?” “Never said that.” “Didn’t have to.” She gave a wry smile. She was pretty good at reading people. Like just now, he was thinking she was right. “Maybe I did.” He leaned a shoulder on the shingled wall, looking every bit as cocky as he had that first day he’d turned up on her doorstep. It didn’t bother her just this minute. “I know I said I was done with the repairs, but what would you think of finishing the ones that aren’t too costly?” His gaze intensified. “Really?” Meridith collected a basket and began filling it with shells. “You mentioned the fireplace. I’d like to get it working again. We have tree branches hitting the house, a couple trees that a stiff wind would blow over—if you do that kind of work. Not to mention the other things on the list.” Jake walked to the railing, staring out to sea. When Piper joined him, Jake ruffled her fur. Maybe he didn’t want to stay now. Maybe having the kids underfoot all week had been a pain. Maybe he’d been offended at the way she’d confronted him about being alone with Noelle—a notion that now seemed ludicrous in light of the way he’d come to her rescue. “I mean, if you can’t, that’s all right. You probably have other work lined up.” It was only a couple months. They’d be safe that long, right? She saw Sean’s hardened face, heard the bitter slur of his words, and shuddered. “I’ll stay.” “Are you sure?” Her words rushed out. “Glad to.” She smiled. “All right then.” He straightened, winked, and she felt it down to her bones. “Back
Denise Hunter (Driftwood Lane (Nantucket, #4))
Life is a grindstone, and whether it grinds you down or polishes you up is for you and you alone to decide. - Cavett Robert     The
Kathy Collins (200 Motivational and inspirational Quotes That Will Inspire Your Success)
Welfare grinding had always been my best hustle, so leaving it completely alone was impossible. I simply drove out to Delaware two weeks ago and applied for benefits out there with a fake ID, Social Security number, and an address.
Kendall Banks (Still Grindin' ( part 2 of The Welfare Grind Series))
Please,” she whispered, barely daring to hope. “Does that mean you’ll let me go? Will…will you take me back to Tranq Prime? Will you—” A grinding, shrieking noise, like metal being ripped apart, cut through her words. Xairn gave her a humorless smile. “I would, but it appears I won’t have to. Your warrior has arrived. Though the gods alone know how he found you.” The shrieking noise ended with a resounding clang—the sound of metal bouncing off metal. And then… “Sophia!” The deep, furious roar sounded like something that might come from a male lion on the African veldt. It was Sylvan’s voice—she was sure of that—but so thick with fury it was barely recognizable. Xairn
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
I was going to leave the kids alone for a few hours while I hit the bar and had a few drinks. Treasure could hold it down.
Kendall Banks (Welfare Grind ( part 1) (Welfare Grind Series Book 3))
The conventions are all right, moral, sound, excellent, admirable, but to save their own face there's a blind side to them, a shut-eye side. Keep that side of them and you're all right. They'll let you alone. They'll pretend they don't see you. But come out and stand in front of them and they'll devour you. They'll smash and grind and devour you, Hapgood. They're devouring me.
A.S.M. Hutchinson (If Winter Comes)
I never saw Kelenli, or her child, again. Too ashamed of the monster I’d become, I never sought them out. She lived though. Now and again I heard the grind and grumble of her stone voice, and those of her several children as they were born. They were not wholly alone;
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
Having had the rare and privileged experience of having had my anger taken seriously, valued on its merits, I no longer believe that it is anger that is hurting us, but rather the system that penalizes us for expressing it, that doesn't respect or hear it, that isn't curious about it, that mocks or ignores it. That's what's making us sick; that's what's making us feel crazy, alone; that's why we're grinding our teeth at night.
Rebecca Traister (Good and Mad: The Revolutionary Power of Women's Anger)
Although he said more about hell than most other subjects, Jesus had a very short fuse with those who appeared enthusiastic about the idea of people suffering eternally. Once, after being rejected by a village of Samaritans, Jesus’ disciples asked him for permission to call fire down from heaven to destroy the Samaritans. Jesus’ response was to rebuke his disciples for thinking such a harsh thing.[1] His response makes me wonder what to do with a subject like hell. On one hand, Jesus indicated that the fire of hell is an appropriate punishment for sin.[2] On the other, he got very upset with anyone suggesting that someone else should go there...Howard Thurman, a predecessor to Dr. King and an African American scholar and minister, gave a lecture at Harvard in 1947 during the pre–civil rights era. In that lecture he shared these words: “Can you imagine a slave saying, ‘I and all my children and grandchildren are consigned to lives of endless brutality and grinding poverty? There’s no judgment day in which any wrongdoing will ever be put right?’”[15] Volf and Thurman are saying the same thing: if there is no final judgment, then there is really no hope for a slave, a rape victim, a child who has been abused or bullied, or people who have been slandered or robbed or had their dignity taken from them. If nobody is ultimately called to account for violence and oppression, then the victims will not see justice, ever. They will be left to conclude the same thing that Elie Wiesel concluded after the Holocaust stripped him of his mother, his father, his sister, and his faith: “I was alone, terribly alone in a world without God. . . . Without love or mercy.”[16] If we insist on a universe in which there is no final reckoning for evil, this is what we are left with. To accept that God is a lover but not a judge is a luxury that only the privileged and protected can enjoy. What I’m saying here is that we need a God who gets angry. We need a God who will protect his kids, who will once and for all remove the bullies and the perpetrators of evil from his playground. Those who cannot or will not appreciate this have likely enjoyed a very sheltered life and are therefore naive about the emotional impact of oppression, cruelty, and injustice. To accept that God is a lover but not a judge is a luxury that only the privileged and protected can enjoy.
Scott Sauls (Jesus Outside the Lines: A Way Forward for Those Who Are Tired of Taking Sides)
flooded with relief when Gray came through the door. “You were at the cemetery awhile. I almost drove by, but I figured you wanted to be alone.” “Sorry. I didn’t mean to worry you.” Gray set down Charlene’s messenger bag. “Mind if I change real quick?” Gray snapped her fingers and the skirt turned into a pair of soft blue jeans and ribbed tank top. “Much better,” Gray said, flopping onto the couch. “Actually I ran into Raj McKenna and we left in favor of mochas at The Daily Grind.” “Raj McKenna knows you’re back?” “Hey, Charlene told Ryan Phillips. If she can tell her minion what’s going on I should be able to tell my… well, definitely not minion, but, you know, magically inclined friend.” Gray chuckled at the thought of Raj as her minion. “Speaking of Ryan Phillips, are you and Mr. Phillips still an item?” Yes, let’s change the subject—obviously Mom was mulling over both the fact that Gray had confided in someone and, more likely, that she’d been out having coffee with a boy. “Marc and I aren’t dating any longer.” Gray tilted her head back on the armrest of the couch. “Oh, why not?” “I couldn’t see him after hearing Ryan helped Charlene
Nikki Jefford (Entangled (Spellbound, #1))
It all slowly drifted into focus: Am I an addict? I don’t do drugs, I don’t really drink, I’m not hooked on sex like some ghetto hyena. But I did not know how to stop, or be still, or be quiet, or alone. I’m addicted to the approval of others, and to secure their approval, I became addicted to winning. And to guarantee and sustain my stream of massive victories, I became addicted to working, to grinding, and obsessively pursuing perfection. But there was a deeper issue at play. I saw downtime as the enemy, a place where you lose things.
Will Smith (Will)
By creating from a place of authenticity—offering what you alone can offer, and continuing to do so—you take place in the re-creation of your world. Or perhaps the word is more appropriately written as “recreation.” This is no coincidence.
Erik Wahl (The Spark and the Grind: Ignite the Power of Disciplined Creativity)
I took a step away, pulling my sheets over her and intending to take a position in the armchair by the fire for the night but she caught my hand before I could leave. I looked at her in surprise and found her eyes open, her gaze locked on mine. “Don’t go,” she breathed, her grip tightening. “I don’t think you really-” “Please don’t leave me alone,” she begged and the vulnerability in her voice broke down any further protests I’d been going to make. She sat up a little and tugged on my arm, trying to pull me down into the bed with her. And I couldn’t really deny the fact that I’d thought about getting her in my bed more than once before. Not that I’d lay a finger on her in her current state but even seeing her here, surrounded by gold and half undressed was sending zips of turbulent energy right through me. She pulled on my hand again and I gave up trying to talk myself out of it as I kicked my shoes off and got in beside her. She smiled at me and it wasn’t sarcastic or taunting, the difference that made taking my breath away for a moment. I settled back against the pillows and she rolled against me, pressing her nearly naked body flush to mine. I could feel myself getting hard just from that small amount of contact. I tried to prise her away from me but she wriggled closer, pressing her full breasts against me and giving me a clear view of them trying to break free of the confines of her bra. “Fuck, Roxy, I cant sleep next to you while you’re dressed like that,” I said, rolling her away from me more forcefully. She blinked up at me in confusion for a moment before pushing herself upright and looking down at her undressed state. “Oh, sorry,” she mumbled before pulling off the unbuttoned shirt and throwing it to the floor. “Better?” My mouth dried up and a growl escaped me as the Dragon writhed beneath my skin. “You need to be putting more on, not taking things off,” I said tersely. She huffed like I was the one who was being ridiculous. “Give me your shirt then,” she demanded, reaching out to pull at my black t-shirt. “I don’t think it will help if I start taking off my clothes too,” I said, catching her wrist to stop her. “You’re so fucking bossy,” she muttered, a bit of her usual fire rising to the surface. “Just do as you’re told for once.” Before I could respond to that, she shoved my hand aside and moved to straddle me in one quick movement. I was so surprised that for a moment I couldn’t even react as she yanked on my shirt and pulled it over my head. My hands found her waist, my thumbs brushing against her hip bones as she looked down at me with her dark hair tumbling around her shoulders and that sexy as sin underwear begging me to touch it. She laughed as she waved the shirt at me triumphantly, doing a little victory dance which meant she was grinding right against my hard-on and sending my body haywire. Before I could say or do anything, she pulled the shirt over her head and covered herself with it. I was so much bigger than her that it fell right down to pool around her thighs, trapping my hands beneath the material where I still held her. Her gaze locked with mine and for a moment it was like none of the shit that had passed between us had ever happened and we were just us, alone...in my bed. (DariusPOV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
We don’t want your stupid birth right,” Roxy muttered bitterly before trying to jerk her hand out of my grip. But she was going to have to try harder than that if she expected to break free of a Dragon's strength and I smirked at her before tugging her right back. She gasped as I knocked her off balance in her towering heels and in the next moment, her ass landed in my lap and the beast in me raised its head in contentment as I claimed the treasure I'd been aching for. Mine. Caleb met my gaze with an irritated scowl and I gave him a taunting grin as I wound an arm around her waist and repositioned her so that her ass was firmly seated on my crotch and her side pressed to my chest. I laughed as she gripped my thigh in an attempt to balance herself better and her back arched against me at the sound, giving me even more ideas I shouldn't have been indulging in over her. But that was damn hard with her round ass currently grinding against my cock and giving it plenty of encouragement. “Drink with us,” I insisted, moving my mouth to her ear and feeling her shiver as my stubble grazed her neck. I waved at the bartender through the glass window beside us and the girl who had assigned herself as our personal bartender for the night nodded to show she'd seen me. “I swear we won’t lay a finger on you unless you want us to," I added to Roxy in a low voice, letting my mouth graze against her ear for the briefest moment and loving the way I felt her body react to that despite her trying to hide it. “Well I didn’t want you to drag me into your lap but that didn’t seem to stop you,” she muttered, but she wasn't going anywhere and I wasn't holding her tight enough to force her to stay if she didn't want to. I laughed again and she glanced up at me from beneath dark lashes like she wasn't sure what to make of me when I wasn't scowling and working to intimidate her. I could feel Caleb's attention still on us and I suppressed a growl as he moved closer to us, reaching out to brush his fingers against her arm, despite the fact that I'd clearly beat him to claiming her tonight. Asshole. “I’ll even promise not to bite you tonight if you want?” he offered and I scowled at him while he flipped me off behind her back where no one else could see. I was going to punch him for that later. Roxy looked across the table to her sister, the two of them entering into some kind of silent twin communication and I took the opportunity to slip my Atlas from my pocket and shoot Lance a quick message. Darius: The Vegas just showed up here looking terrified and saying something was chasing them. They said they heard a rattle too. Lance: Stay with them. Keep them safe and I'll scout the area with Francesca. I wasn't going to complain about staying as close as I needed to to the girl currently perched on my ever more solid cock, so I slipped my Atlas back in my pocket and turned my attention back to the girls. “I guess we could stay for one drink,” Gwen said hesitantly as Max stroked her arm, his gifts pushing against all of us as he worked to make them feel amenable to the idea. I shifted Roxy on my lap before she got a really clear idea about how much I wanted her to stay from the feeling of my cock trying to punch a hole in the ass of her jeans and she released a shaky breath as my skin brushed against hers. “One drink then,” she agreed finally and I relaxed as I got what I wanted just as easily as that. The bartender appeared with a smile and a notepad ready to take our order and Seth perked up with a look in his eyes which promised he would be getting utterly shit faced tonight. “Better make it a big one then if you’ll only stay for one,” Seth said as he ordered for all of us. I leaned back in my chair, pulling Roxy closer so that I could steal a moment with her for myself and brushing her hair away from her ear so that I could speak to her alone.(Darius POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
Conversely, an animal with hooves must necessarily be an herbivore, since it has “no means of seizing prey.” It will have “teeth with a flat crown, to grind seeds and grasses,” and a jaw capable of lateral motion. Were any one of these parts to be altered, the functional integrity of the whole would be destroyed. An animal that was born with, say, teeth or sense organs that were somehow different from its parents’ would not be able to survive, let alone give rise to a whole new kind of creature.
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
So I arrive alone alongside Daddy’s home hospital bed. There’s the bleach from the sheets and the air tinny with iodine. Under the air conditioner grind, his breathing is labored. Honeysuckle vines cling to the window screen, and a chameleon hangs by its claws.
Mary Karr (Lit)
Modern natural science experiences the emerging of seeds as a chemical process that is interpolated in terms of the grinding gears of the mechanistically viewed interaction between seeds, the condition of the soil, and thermal radiation. In this situation, the modern mind sees only mechanistic cause- and-effect relationships within chemical procedures that have particular effects following upon them. Modern natural science—chemistry no less than physics, biology no less than physics and chemistry—are and remain, so long as they exist, ‘mechanistic.’ Additionally, ‘dynamics’ is a mechanics of ‘power.’ How else could modern natural science ‘verify’ itself in ‘technology’ (as one says)? The technical efficaciousness and applicability of modern natural science is not, however, the subsequent proof of the ‘truth’ of science: rather, the practical technology of modern natural science is itself only possible because modern natural science as a whole, in its metaphysical essence, is itself already merely an application of ‘technology,’ where ‘technology’ means here something other than only what engineers bring about. The oft-quoted saying of Goethe’s—namely, that the fruitful alone is the true—is already nihilism. Indeed, when the time comes when we no longer merely fiddle around with artworks and literature in terms of their value for education or intellectual history, we should perhaps examine our so-called ‘classics’ more closely. Moreover, Goethe’s view of nature is in its essence no different from Newton’s; the former depends along with the latter on the ground of modern (and especially Leibnizian) metaphysics, which one finds present in every object and every process available to us living today. The fact that we, however, when considering a seed, still see how something closed emerges and, as emerging, comes forth, may seem insubstantial, outdated, and half-poetic compared to the perspective of the objective determination and explanation belonging to the modern understanding of the germination process. The agricultural chemist, but also the modern physicist, have, as the saying goes, ‘nothing to do’ with φύσις. Indeed, it would be a fool’s errand even to try to persuade them that they could have ‘something to do’ with the Greek experience of φύσις. Now, the Greek essence of φύσις is in no way a generalization of what those today would consider the naïve experience of the emerging of seeds and flowers and the emergence of the sun. Rather, to the contrary, the original experience of emerging and of coming-forth from out of the concealed and veiled is the relation to the ‘light’ in whose luminance the seed and the flower are first grasped in their emerging, and in which is seen the manner by which the seed ‘is’ in the sprouting, and the flower ‘is’ in the blooming.
Martin Heidegger
Bring upon a woman only shame. Make sure there is nothing she can say that could be taken as truth! Take the only thing she owns – her voice, her mind. Take it. Grind it into something pestilent. Line her up as dust and imbibe. What a way to get high! Absorb her. Destroy what brought you here. Power is not something women are allowed to own easily or – often – at all, let alone learn to wield.
Jenni Fagan (Hex)
Don't go at it alone, my friend. Look for allies who'll lend a hand, easing the burden with a peaceful flow instead of pushing you into that grind-hustle cycle.
Felecia Etienne (Overcoming Mediocrity: Limitless Women)
Modern natural science experiences the emerging of seeds as a chemical process that is interpolated in terms of the grinding gears of the mechanistically viewed interaction between seeds, the condition of the soil, and thermal radiation. In this situation, the modern mind sees only mechanistic cause- and-effect relationships within chemical procedures that have particular effects following upon them. Modern natural science—chemistry no less than physics, biology no less than physics and chemistry—are and remain, so long as they exist, ‘mechanistic.’ Additionally, ‘dynamics’ is a mechanics of ‘power.’ How else could modern [89] natural science ‘verify’ itself in ‘technology’ (as one says)? The technical efficaciousness and applicability of modern natural science is not, however, the subsequent proof of the ‘truth’ of science: rather, the practical technology of modern natural science is itself only possible because modern natural science as a whole, in its metaphysical essence, is itself already merely an application of ‘technology,’ where ‘technology’ means here something other than only what engineers bring about. The oft-quoted saying of Goethe’s—namely, that the fruitful alone is the true—is already nihilism. Indeed, when the time comes when we no longer merely fiddle around with artworks and literature in terms of their value for education or intellectual history, we should perhaps examine our so-called ‘classics’ more closely. Moreover, Goethe’s view of nature is in its essence no different from Newton’s; the former depends along with the latter on the ground of modern (and especially Leibnizian) metaphysics, which one finds present in every object and every process available to us living today. The fact that we, however, when considering a seed, still see how something closed emerges and, as emerging, comes forth, may seem insubstantial, outdated, and half-poetic compared to the perspective of the objective determination and explanation belonging to the modern understanding of the germination process. The agricultural chemist, but also the modern physicist, have, as the saying goes, ‘nothing to do’ with φύσις. Indeed, it would be a fool’s errand even to try to persuade them that they could have ‘something to do’ with the Greek experience of φύσις. Now, the Greek essence of φύσις is in no way a generalization of what those today would consider the naïve experience of the emerging of seeds and flowers and the emergence of the sun. Rather, to the contrary, the original experience of emerging and of coming-forth from out of the concealed and veiled is the relation to the ‘light’ in whose luminance the [90] seed and the flower are first grasped in their emerging, and in which is seen the manner by which the seed ‘is’ in the sprouting, and the flower ‘is’ in the blooming.
Martin Heidegger
I don't know what's wrong with me, really. It's nothing, but it's also all-encompassing. I feel strangely empty, devoid of though and energy. I am not sure where my days go, but they go. Every single thing I must do--any hint of a demand--grinds against me. I don't know what I'd do in that time should I ever achieve that perfect aloneness. I like to think I would read, but in truth I would probably sleep. I don't have the attention for anything, really. My brain feels entirely separate from me. It is empty, but it also cannot take any more in. It seems that it's a useless organ, endlessly refusing to notice what I want it to notice. It will not engage. It just glances off everything, a pale beam.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
I know you are more than capable. The problem is not with you. It is with me. The world is dangerous, and I think of you, alone, out in the wild, and it is more than I can bear." He stars at me for so long and so hard that I think his jaw is going to snap from grinding his teeth. "If I lose you," he finally says gruffly, "I have nothing.
Ruby Dixon (Barbarian Alien (Ice Planet Barbarians, #2))
Enough,” Soren clipped. I was grinding my teeth to dust, but Meridia’s insults made it easier to maintain my silence if anything. I’d never been good at formulating words when I was truly angry. All of my best retorts came to me hours later, usually when I was alone in the shower.
Colette Rhodes (Superbia (Shades of Sin, #2))
Dante had seen this pattern so many times; woman comes into town, finds a low-end job, waitressing, maybe seamstress in a sweatshop Time passes and the work grinds her down to one of those nameless, faceless bodies no one notices passing by them on the street. Trudging back to her room alone very night. Bone weary, looks wearing out fast. Taking meals with the other thin-faced women in the boarding house, he could see'them sitting prim and proper through the irish lace on the dining room windows. Maybe she finds a friend among them and they talk without much hope about meeting a man some day, a fellow who won’t treat them too bad, provide some kind of a life. Smoking cigarettes on the back porch, breath steaming in the cool evening air. Washing up in the shared bathroom down the hall, never all her clothes off at the same time. Sleeping with her meager dreams. Women like empty cups. Drifting through life waiting for something to happen.
Mark Frost (The Six Messiahs (The List of Seven, #2))
Generals whom go into the grind of war exclusively to expand their war chests will find their adulation for battle waning whenever the fiscal costs rise or the security of their being is in jeopardy. Soldiers steeped in the warrior’s cult do not panic when the tide of battle turns. Faced with the possibility of experiencing a great loss, a warrior’s resolve hardens and they become invincible. A warrior never asks how many resources the opposition mustered, only when and where they will fight. At his darkest hour, digging into the deepest sockets of their fissured souls, the warrior summons his prodigious strength to meet their opponent head on. The true warrior’s actual opponent is never his greatest nemesis. A warrior’s greatest enemy is the armchair generals whom at the first sign of danger cut and run or make imprudent decisions that leave the fighting warriors abandoned and alone.
Kilroy J. Oldster (Dead Toad Scrolls)
Before I climbed Everest, I saved up to make an attempt on a peak called Ama Dablam, one of the classic and more technically difficult climbs in the higher Himalayas. For many of the weeks I was there, I climbed alone, plugged into my headphones and utterly absorbed in each step, each grip. I was in tune with myself. I was in tune with the mountain. It was just the mountain and me. During those times, I really had the chance to push my own boundaries a little. I found myself probing, being willing to push the risk envelope a bit. I started to reach a little further for each hold, finely balanced on my crampons, taking a few extra risks - and I made swift, efficient progress. I was exploring my climbing limits and loving it. When I reached the summit and watched in awe as the distant peak of Everest came into view, ten miles to the north, I knew I had the skills to scale that mountain, too. William Blake said: Great things are done when men and mountains meet. This is not done by jostling in the street. He was right. We need time and space and adversity to really get to know ourselves. And you don’t always find that in the grind, when your head is down and you are living someone else’s dreams. Wherever you are in your life, it is possible to find your own challenge and space. You don’t have to go to the jungle or the Himalayas - it is much more a state of mind than a physical location. Mountains of the mind are around us all everywhere. And it is when we test ourselves that we begin to know ourselves.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
We're going to have to be quiet," he whispers, reaching around to slide a hand down the front of Eden's cotton panties. Eden muffles a groan as Shang parts her folds with his fingers. "Fuck, you're already so wet for me." "Shang---" "I've got you, sweetheart." He does little more than brush his fingers up against her clit, but it's enough to make her body tremble beneath him. He draws slow circles against her, amused by how she's struggling to keep her volume under control. The knowledge that he's able to reduce her to a babbling mess with just his fingers makes him painfully hard. He grinds his cock against her ass, the friction he finds almost maddening. It's close, but never enough. Eden writhes and whimpers and it's enough to make him go insane. "Beautiful," he murmurs into her ear. "Love how you move against me." A moan rips from her throat as climax hits her, wave after wave of pleasure causing her muscles to spasm. Shang has to place a gentle hand over her mouth to stifle the sound. It's for him and him alone. His teasing hand comes away wet with her arousal. He's never been quite so proud to see such a mess.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
You will spend 90,000 hours of your life working. That’s more than you will spend doing anything else except sleeping. And you know you owe it to yourself to make those hours the most meaningful that they can possibly be. You know you can’t resign yourself to a listless job. You don’t want to spend your one life grinding out work you care little about, a sad office-humor cliché. You’re here because you want more out of your career, even as you’re facing a stupid-tight and ever-shifting job market, nagging self-doubt, the challenges of rampant sexism and racism in the workplace, a persistent wage gap (particularly for women of color), a lack of precedent for female leadership in most careers, a lack of mentors, and mansplaining men everywhere you look. You’re here because you’re tired of feeling quite so delicate, one professional rejection away from emotional cataclysm, a floor puddle of Chunky Monkey and Netflix. Because you want to get stronger and more sure-footed. Because you don’t want to be tripped up by small things like what to say in an e-mail, and big ones like how to ask for a raise. Because you don’t yet know when you need to stand up for yourself and when you definitely don’t need to stand up for yourself. You’re here because you haven’t realized yet that you’re not alone, that even your heroes think they are impostors, that we all think we don’t deserve to be here, we all believe, despite overwhelming evidence to the contrary, that we are irrelevant, incompetent trash people, and soon THEY ARE ALL GOING TO KNOW. You are here because no matter how nasty the self-talk and shitty programming that’s intermittently popping off in your brain, the voices that tell you you’re lazy, untalented, the worst, you need to find empathy for yourself, you need someone to tell you how you are feeling is normal. That you belong. That you CAN do this. Because you can.
Jennifer Romolini (Weird in a World That's Not: A Career Guide for Misfits, F*ckups, and Failures)
The people in my life found spaces to rest while navigating a racist culture, and they worked themselves into a deadly grind cycle to survive. They straddled the lines between exhaustion and always thriving. They moved mountains with their faith alone and created pathways for invention that I am still uncovering. They resisted every moment by existing in a world that was not welcoming or caring.
Tricia Hersey (Rest Is Resistance: A Manifesto)
Moshe had few friends. Most of Pottstown’s Jews had left Chicken Hill by then. Nate was a friend, but he was a Negro, so there was that space between them. But with Malachi, there was no space. They were fellow escapees who, having endured the landing at Ellis Island and escaped the grinding sweatshops and vicious crime of the vermin-infested Lower East Side, had arrived by hook or crook in the land of opportunity that was Pennsylvania, home to Quakers, Mormons, and Presbyterians. Who cared that life was lonely, that jobs were thankless drudgery, that the romance of the proud American state was myth, that the rules of life were laid carefully in neat books and laws written by stern Europeans who stalked the town and state like the grim reaper, with their righteous churches spouting that Jews murdered their precious Jesus Christ? Their fellow Pennsylvanians knew nothing about the shattered shtetls and destroyed synagogues of the old country; they had not set eyes on the stunned elderly immigrants starving in tenements in New York, the old ones who came alone, who spoke Yiddish only, whose children died or left them to live in charity homes, the women frightened until the end, the men consigned to a life of selling vegetables and fruits on horse-drawn carts. They were a lost nation spread across the American countryside, bewildered, their yeshiva education useless, their proud history ignored, as the clankety-clank of American industry churned around them, their proud past as watchmakers and tailors, scholars and historians, musicians and artists, gone, wasted. Americans cared about money. And power. And government. Jews had none of those things; their job was to tread lightly in the land of milk and honey and be thankful that they were free to walk the land without getting their duffs kicked—or worse. Life in America was hard, but it was free, and if you worked hard, you might gain some opportunity, maybe even open a shop or business of some kind.
James McBride (The Heaven & Earth Grocery Store)
I was just calling to see if you’d survived her alone, considering her ruthless nature. I heard that some dickhead double-crossed her on a piece of jewelry, and she put her stiletto through his temple. The thought kind of turns me on.” My jaw grinds. “I can put on a stiletto through your skull if you’d like.” Will laughs. “Whoa there, I don’t think you would look very good in heels. And it sounds like someone might be falling under the little witch’s spell already, huh? Tell me, is she as beautiful as they say? I’ve seen photos, but surely, she has a fault.” “Whatever photos you have of her, burn them. They don’t do her justice.” He lets out a whistle. “Are you sure you want the brother back?
Kia Carrington-Russell (Cunning Vows (Lethal Vows #3))
I think two fundamental facts of being a person are 1. We must go on, and 2. None of us ever walk alone. We may feel alone (in fact, we will feel alone), but even in the crushing grind of isolation, we aren't alone.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)