“
He's not a dark knight, but a white knight in shining, dazzling armor - Anastasia Steele
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
We’re coming near to the end of the bridge, and the road is once more bathed in the neon light of the street lamps so his face is intermittently in the light and the dark. And it’s such a fitting metaphor. This man, whom I once thought of as a romantic hero, a brave shining white knight—or the dark knight, as he said. He’s not a hero; he’s a man with serious, deep emotional flaws, and he’s dragging me into the dark. Can I not guide him into the light?
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
These old knights are more cunning than you think, or they would never have lived to see their first grey hair.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
We do not know what our chances of survival are, so we fight as if they were zero. We do not know what we are facing, so we fight as if it was the dark gods themselves. No one will remember us now and we may never be buried beneath Titan, so we will build our own memorial here. The Chapter might lose us and the Imperium might never know we existed, but the Enemy — the Enemy will know. The Enemy will remember. We will hurt it so badly that it will never forget us until the stars burn out and the Emperor vanquishes it at the end of time. When Chaos is dying, its last thought will be of us. That is our memorial — carved into the heart of Chaos. We cannot lose, Grey Knights. We have already won." ~Justicar Alaric
”
”
Ben Counter
“
Hell was grey. Dim and lifeless... I felt numb and in pain at the same time and that was not supposed to happen in heaven. But you would think that with all the queers they had sent here since time began, hell would have a better decorating job.
”
”
J.M. Redmann (Death by the Riverside (Micky Knight, #1))
“
Queen's knight," he said quietly. "To queen two." It was, he knew, a dangerous opening.
”
”
Diana Gabaldon (The Scottish Prisoner (Lord John Grey, #3))
“
He’s not my white knight. Pretty sure he’s my soulmate though.
”
”
Sadie Kincaid (Dante (Chicago Ruthless, #1))
“
The critics say that epics have died out with Agamemnon and the goat-nursed gods; I'll not believe it. I could never deem as Payne Knight did, that Homer's heroes measured twelve feet high. They were but men: -his Helen's hair turned grey like any plain Miss Smith's who wears a front; And Hector's infant whimpered at a plume as yours last Friday at a turkey-cock. All heroes are essential men, and all men possible heroes: every age, heroic in proportions, double faced, looks backward and before, expects a morn and claims an epos.
”
”
Elizabeth Barrett Browning
“
That’s what people do when they’re afraid of something. They don’t try to understand it, work with it, adapt to it. They destroy it.
”
”
Rachel DeFriez (Grey Knights (Walking Grey #2))
“
There must come a moment when the soul knows: this far, and no further. But we are cursed never to hear that warning until it is too late.’
– attributed to the remembrancer Ignace Karkasy [M31]
”
”
James Swallow (Garro: Knight Of Grey (The Horus Heresy: Siege of Terra))
“
I.
My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the workings of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
II.
What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare.
III.
If at his counsel I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed, neither pride
Now hope rekindling at the end descried,
So much as gladness that some end might be.
IV.
For, what with my whole world-wide wandering,
What with my search drawn out through years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring,
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.
V.
As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bit the other go, draw breath
Freelier outside, ('since all is o'er,' he saith
And the blow fallen no grieving can amend;')
VI.
When some discuss if near the other graves
be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves
And still the man hears all, and only craves
He may not shame such tender love and stay.
VII.
Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among 'The Band' to wit,
The knights who to the Dark Tower's search addressed
Their steps - that just to fail as they, seemed best,
And all the doubt was now - should I be fit?
VIII.
So, quiet as despair I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.
IX.
For mark! No sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backwards a last view
O'er the safe road, 'twas gone; grey plain all round;
Nothing but plain to the horizon's bound.
I might go on, naught else remained to do.
X.
So on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers - as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind with none to awe,
You'd think; a burr had been a treasure trove.
XI.
No! penury, inertness and grimace,
In some strange sort, were the land's portion. 'See
Or shut your eyes,' said Nature peevishly,
It nothing skills: I cannot help my case:
Tis the Last Judgement's fire must cure this place
Calcine its clods and set my prisoners free.
”
”
Robert Browning
“
As it happens with many people who do not trouble about religion in the ordinary trend of life, I hastily invented a soft, warm, tear-misty God, and whispered an informal prayer. Let me get there in time, let him hold out till I come, let him tell me his secret. Now it was all snow: the glass had grown a grey beard.
”
”
Vladimir Nabokov (The Real Life of Sebastian Knight)
“
There’s some of them’ll be nursing a guid scratch or two on their hinder-ends this night.… Man, it was a rout.’
‘I imagine,’ said Piero Strozzi, his dark face impassive, ‘that my lord Grey’s army would not relish their defeat either.’
‘Oh, aye, the English,’ said Buccleuch absently.
‘We are, after all, at war with them and not with the Kerrs,’ the Marshal said mildly.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles #3))
“
As Grey put his hand on the pommel, he heard a low Scots voice murmur in his ear: “Queen’s rook to king eight. Check.” Grey laughed out loud, a burst of exhilaration pushing aside his disquiet. “Ha,” he said, though without raising his voice. “Queen’s bishop to knight four. Check. And mate, Mr … MacKenzie.
”
”
Diana Gabaldon (The Scottish Prisoner (Lord John Grey, #3))
“
This way, if we fall, we fall together. And hopefully, you land on top of me" - Julius Devereux
”
”
Elizabeth Pearson Grey (The Black Knight: A Marriage of True Minds Series)
“
She's tolerable looking at best. I'd rather dance with an orangutan in the jungle then a peasant girl who likely smells of three-day-old cod" - Julius Devereux
”
”
Elizabeth Pearson Grey (The Black Knight: A Marriage of True Minds Series)
“
It wasna a man,’ said Andrew Kerr broadly. ‘T’was my aunty. I tellt ye. I’m no risking cauld steel in ma wame for a pittance, unless all that’s mine is well lookit after—’ ‘An old lady,’ said Lord Grey with forbearance, ‘in curling papers and a palatial absence of teeth?’ ‘My aunt Lizzie!’ said Andrew Kerr. ‘She has just,’ said Lord Grey austerely, ‘seriously injured one of my men.’ ‘How?’ The old savage looked interested. ‘From an upper window. The castle was burning, and he was climbing a ladder to offer the lady her freedom. She cracked his head with a chamberpot,’ said Lord Grey distastefully, ‘and retired crying that she would have no need of a jurden in Heaven, as the good Lord had no doubt thought of more convenient methods after the seventh day, when He had had a good rest.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles #3))
“
I feel the pounding of her pulse against my hand as it lazily wraps around her throat. Leaning down, I murmur against her lips, unable to help myself. “There is nowhere in this world you can go, nowhere you can escape us, princess.” I crave her heat, her body, her mind, even her fight. She is my ever-growing weakness, a grey area blooming in my dark heart and stretching its colour across my soul until I can’t help but want to be a better man for her, to be the man she deserves. But I will never be, so instead, she gets me. She will have to learn to survive it and get used to it, because I have a feeling she’s going nowhere.
”
”
K.A. Knight (Den of Vipers)
“
The theme of the book is simple: a man is dying: you feel him sinking throughout the book; his thought and his memories pervade the whole with greater or lesser distinction (like the swell and fall of uneven breathing), now rolling up this image, now that, letting it ride in the wind, or even tossing it out on the shore, where it seems to move and live for a minute on its own and presently is drawn back again by grey seas where it sinks or is strangely transfigured.
”
”
Vladimir Nabokov (The Real Life of Sebastian Knight)
“
My sorrow is my knight’s castle, which lies like an eagle’s eyrie high up upon the mountain peaks among the clouds. No one can take it by storm. From it I fly down into reality and seize my prey; but I do not remain down there, I bring my prey home; and this prey is a picture I weave into the tapestries in my palace. Then I live as one dead. In the baptism of forgetfulness I plunge everything experienced into the eternity of remembrance; everything finite and contingent is forgotten and erased. Then I sit thoughtful like an old man, grey-headed, and in a low voice, almost a whisper, explain the pictures; and by my side a child sits and listens, even though he remembers everything before I tell it.
”
”
Søren Kierkegaard (Either/Or: A Fragment of Life)
“
Westover Hall looked like an evil knight’s castle. It was all black stone, with towers and slit windows and a big set of wooden double doors. It stood on a snowy cliff overlooking this big frosty forest on one side and the grey churning ocean on the other.
”
”
Rick Riordan (Percy Jackson and the Titan's Curse (Percy Jackson and the Olympians, #3))
“
Perhaps everything you say is true and these are the death throes of the human race, but even if that was true, I would not lose faith. There must be hope, and I must fight for my Emperor against Chaos and it's servants.
That is insanity.
Wrong, it's being human.
”
”
Ben Counter (Hammer of Daemons (Grey Knights #3))
“
He told me that a maester’s collar is made of chain to remind him that he is sworn to serve,” Jon said, remembering. “I asked why each link was a different metal. A silver chain would look much finer with his grey robes, I said. Maester Luwin laughed. A maester forges his chain with study, he told me. The different metals are each a different kind of learning, gold for the study of money and accounts, silver for healing, iron for warcraft. And he said there were other meanings as well. The collar is supposed to remind a maester of the realm he serves, isn’t that so? Lords are gold and knights steel, but two links can’t make a chain. You also need silver and iron and lead, tin and copper and bronze and all the rest, and those are farmers and smiths and merchants and the like. A chain needs all sorts of metals, and a land needs all sorts of people.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Everyone’s a sinner in one way or another. You can cover it in roses and use excuses, but it’s all the same. It could be shiny and rich, but a sinner is still a sinner in a suit. There is no black and white, only grey. Deep down, we all do things that are considered bad, even for good causes.
”
”
K.A. Knight (Den of Vipers)
“
Is there for honest Poverty
That hings his head, an' a' that;
The coward slave-we pass him by,
We dare be poor for a' that!
For a' that, an' a' that.
Our toils obscure an' a' that,
The rank is but the guinea's stamp,
The Man's the gowd for a' that.
What though on hamely fare we dine,
Wear hoddin grey, an' a that;
Gie fools their silks, and knaves their wine;
A Man's a Man for a' that:
For a' that, and a' that,
Their tinsel show, an' a' that;
The honest man, tho' e'er sae poor,
Is king o' men for a' that.
Ye see yon birkie, ca'd a lord,
Wha struts, an' stares, an' a' that;
Tho' hundreds worship at his word,
He's but a coof for a' that:
For a' that, an' a' that,
His ribband, star, an' a' that:
The man o' independent mind
He looks an' laughs at a' that.
A prince can mak a belted knight,
A marquis, duke, an' a' that;
But an honest man's abon his might,
Gude faith, he maunna fa' that!
For a' that, an' a' that,
Their dignities an' a' that;
The pith o' sense, an' pride o' worth,
Are higher rank than a' that.
Then let us pray that come it may,
(As come it will for a' that,)
That Sense and Worth, o'er a' the earth,
Shall bear the gree, an' a' that.
For a' that, an' a' that,
It's coming yet for a' that,
That Man to Man, the world o'er,
Shall brothers be for a' that.
”
”
Robert Burns
“
Lord Stannis had rewarded Davos with choice lands on Cape Wrath, a small keep, and a knight’s honors … but he had also decreed that he lose a joint of each finger on his left hand, to pay for all his years of smuggling. Davos had submitted, on the condition that Stannis wield the knife himself; he would accept no punishment from lesser hands. The lord had used a butcher’s cleaver, the better to cut clean and true. Afterwards, Davos had chosen the name Seaworth for his new-made house, and he took for his banner a black ship on a pale grey field—with an onion on its sails. The one-time smuggler was fond of saying that Lord Stannis had done him a boon, by giving him four less fingernails to clean and trim.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
story there was to tell about me. Thalia wiped the fog off the car window and peered outside. ‘Oh, yeah. This’ll be fun.’ Westover Hall looked like an evil knight’s castle. It was all black stone, with towers and slit windows and a big set of wooden double doors. It stood on a snowy cliff overlooking this big frosty forest on one side and the grey churning ocean on the other. ‘Are you sure you don’t want
”
”
Rick Riordan (Percy Jackson and the Titan's Curse (Percy Jackson and the Olympians, #3))
“
And are we not guilty of offensive disparagement in calling chess a game? Is it not also a science and an art, hovering between those categories as Muhammad’s coffin hovered between heaven and earth, a unique link between pairs of opposites: ancient yet eternally new; mechanical in structure, yet made effective only by the imagination; limited to a geometrically fixed space, yet with unlimited combinations; constantly developing, yet sterile; thought that leads nowhere; mathematics calculating nothing; art without works of art; architecture without substance – but nonetheless shown to be more durable in its entity and existence than all books and works of art; the only game that belongs to all nations and all eras, although no one knows what god brought it down to earth to vanquish boredom, sharpen the senses and stretch the mind. Where does it begin and where does it end? Every child can learn its basic rules, every bungler can try his luck at it, yet within that immutable little square it is able to bring forth a particular species of masters who cannot be compared to anyone else, people with a gift solely designed for chess, geniuses in their specific field who unite vision, patience and technique in just the same proportions as do mathematicians, poets, musicians, but in different stratifications and combinations. In the old days of the enthusiasm for physiognomy, a physician like Gall might perhaps have dissected a chess champion’s brain to find out whether some particular twist or turn in the grey matter, a kind of chess muscle or chess bump, is more developed in such chess geniuses than in the skulls of other mortals. And how intrigued such a physiognomist would have been by the case of Czentovic, where that specific genius appeared in a setting of absolute intellectual lethargy, like a single vein of gold in a hundredweight of dull stone. In principle, I had always realized that such a unique, brilliant game must create its own matadors, but how difficult and indeed impossible it is to imagine the life of an intellectually active human being whose world is reduced entirely to the narrow one-way traffic between black and white, who seeks the triumphs of his life in the mere movement to and fro, forward and back of thirty-two chessmen, someone to whom a new opening, moving knight rather than pawn, is a great deed, and his little corner of immortality is tucked away in a book about chess – a human being, an intellectual human being who constantly bends the entire force of his mind on the ridiculous task of forcing a wooden king into the corner of a wooden board, and does it without going mad!
”
”
Stefan Zweig (Chess)
“
In his youth, Ser Eustace Osgrey must have been the very picture of chivalry, tall and broad and handsome. Time and grief had worked their will on him, but he was still unbent, a big-boned, broad-shouldered, barrel-chested man with features as strong and sharp as some old eagle. His close-cropped hair had gone white as milk, but the thick mustache that hid his mouth remained an ashy grey. His eyebrows were the same color, the eyes beneath a paler shade of grey, and full of sadness. They
”
”
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
“
Especially not a commander like this one. Ser Waymar Royce was the youngest son of an ancient house with too many heirs. He was a handsome youth of eighteen, grey-eyed and graceful and slender as a knife. Mounted on his huge black destrier, the knight towered above Will and Gared on their smaller garrons. He wore black leather boots, black woolen pants, black moleskin gloves, and a fine supple coat of gleaming black ringmail over layers of black wool and boiled leather. Ser Waymar had been a Sworn Brother of the Night’s Watch for less than half a year, but no one could say he had not prepared for his vocation. At least insofar as his wardrobe
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
For the first time in ten years, the March family gathered to perform the Twelfth Night Revels for the village of Blessingstoke, just as they had done in Master Shakespeare’s day. The dragon breathed fire while the Turkish Knight brandished his sword at St. George, and when it was finished, the resurrected saint and his sad dragon stood in tableau while the white-robed chorus, of which Portia and I made two, sang of the blood-berried holly and the sweetly clinging ivy. Rather like Brisbane and myself, I thought fancifully. Both evergreen and hardy, one sturdy, one tenacious, and forever undivided. But now there was a new little branch grafted to our union.
”
”
Deanna Raybourn (Twelfth Night (Lady Julia Grey, #5.6))
“
He was a strong and noble lord with piercing eyes of grey.
He sat upon his noble throne shining like the dawn.
His sword flashed like the brightest star.
He led our people well.
Yet here and now he lays in blood pierced with arrows.
He was the friend of many knights.
He loved the warrior games.
His heart was won by a lady fair for marriage they did wait.
A kindly prince, his duty carried him to another's bed.
And on her death true love returned, finally they wed.
He felt the grief of children lost to murder and to pain.
I was the youngest of his blood.
I'll never be the same.
Here lays my father and my lord.
I know not what to say.
Except my father and my lord was slain here on this day.
Here lays my father and my lord.
I know not what to say.
Except my father and my lord was slain here on this day….
”
”
Laurel A. Rockefeller (The Ghosts of the Past (Peers of Beinan, #2))
“
Grey wasn’t quite drunk, but he was far from sober when Rose entered his study later that evening. His heart stuttered at the sight of her, but his head…his head couldn’t take any more.
“I’ve been drinking,” he warned her, just in case his sprawled posture and missing cravat wasn’t enough indication. “And I refuse to dance this ridiculous dance with you any more tonight.”
“May I have a drink with you?”
He glanced up. She stood beside the sofa where he half sat, half lay. She looked like someone who’d just lost her best friend or puppy or something equally as tragic.
He sat up. “Of course.” Never mind that it wasn’t proper. Who the hell cared? They were well past proper. He was simply trying to hold on to sane.
She poured herself a substantial glass of sherry and took a seat on the chair nearest him. He sat quietly, nursing the remainder of whiskey in his glass while she took several sips from her own.
“Do you remember my come-out ball?” she asked after a few minutes.
“Of course.” And he did. “I remember telling you that you looked lovely in pink.”
She smiled. “You danced the first dance with me so I wouldn’t have to dance with Papa.”
“You were afraid the other girls would laugh at you if you danced with your father.”
“They didn’t laugh at me for dancing with you.”
“No.” He chuckled at took a drink. “I wager they didn’t.”
Rose sighed. “They thought you were so scandalous, you know. All night I had girls coming up to me wanting to know about you. I felt very important.”
He saluted her with his glass. “Glad to be of service.”
“I think I fell a little bit in love with you that night.”
Grey choked on a mouthful of whiskey. Coughing, he cursed himself for being stupid enough to relax his guard with her. “Rose…”
She held up her hand. “I’m not telling you this to make you uncomfortable, Grey. I wanted to tell you that you were a knight to me that evening-a knight on a big white horse. I didn’t know much about your reputation, all I knew was that you made me feel grown-up.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
Ser Waymar Royce was the youngest son of an ancient house with too many heirs. He was a handsome youth of eighteen, grey-eyed and graceful and slender as a knife. Mounted on his huge black destrier, the knight towered above Will and Gared on their smaller garrons. He wore black leather boots, black woolen pants, black moleskin gloves, and a fine supple coat of gleaming black ringmail over layers of black wool and boiled leather. Ser Waymar had been a Sworn Brother of the Night’s Watch for less than half a year, but no one could say he had not prepared for his vocation. At least insofar as his wardrobe was concerned.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Grey moved a knight and sat back, rubbing the back of his neck, smiling to himself at the effect of his move. He was a good-looking man; slight and fine-boned, but with a strong, clear-cut face and a beautiful, sensitive mouth that many a woman had no doubt envied. Grey was even better at guarding his face than Jamie was; I hadn’t yet seen an incriminating look from him. I’d seen one once, though, in Jamaica, and wasn’t in any doubt about the nature of his feelings for Jamie. On the other hand, I wasn’t in any doubt about Jamie’s feelings in that regard, either.
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
Yet it was not the sword that made Ser Cleos Frey anxious; it was the beast. Grey
Wind, her son had named him. A direwolf large as any elkhound, lean and smoke-dark,
with eyes like molten gold. When the beast padded forward and sniffed at the captive
knight, every man in that hall could smell the scent of fear. Ser Cleos had been taken
during the battle in the Whispering Wood, where Grey Wind had ripped out the throats
of half a dozen men.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
His elder brother, grey eyes level, held his gaze. “Perfection frightens me,” he said. “They’re too good, Francis. What do you want this axe-edge for?” “To cut with,” said Lymond, his voice mild.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
Then suddenly Merry felt it at last, beyond doubt: a change. Wind was in his face! Light was glimmering. Far, far away, in the South the clouds could be dimly seen as remote grey shapes, rolling up, drifting: morning lay beyond them.
But at that moment there was a flash, as if lightning had sprung from the earth beneath the city. For a searing second it stood dazzling far off in black and white, its topmost tower like a glittering needle; and then as the darkness closed again there came rolling over the fields a great boom.
At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before:
"Arise, arise, Riders of Théoden!
Fell deeds awake: fire and slaughter!
spear shall be shaken, shield be splintered, a sword-day, a red day, ere the sun rises!
Ride now, ride now! Ride to Gondor!"
With that he siezed a great horn from Guthláf his banner-bearer and he blew such a blast upon it that it burst asunder. And straightaway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm on the plain and a thunder in the mountains.
"Ride now, ride now! Ride to Gondor!"
Suddenly the King cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Éomer rode there, the white horsetail on his helm floating in his speed, and the front of the first éored roared like a breaker foaming to the shore, but Théoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Oromë the Great in the battle of the Valar when the world was young. His golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removes, and the hosts of Mordor wailed, and terror overtook them, and they fled, and died, and the hoofs of wrath overtook them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the city.
”
”
Tolkien. J.R.R. (J.R.R. Tolkien 4-Book Boxed Set: The Hobbit and The Lord of the Rings)
“
If you want a knight in shining armor, baby, you’ve got the wrong goddamn guy.
”
”
Sonja Grey (Paved in Rage (Melnikov Bratva, #3))
“
No, definitely not the very impressive bulge in the joggers or the fact that those loose, low riding grey sweatpants are made purely to tease women.
”
”
K.A. Knight (Den of Vipers)
“
Leaning down, I murmur against her lips, unable to help myself. “There is nowhere in this world you can go, nowhere you can escape us, princess.” I crave her heat, her body, her mind, even her fight. She is my ever-growing weakness, a grey area blooming in my dark heart and stretching its colour across my soul until I can’t help but want to be a better man for her, to be the man she deserves. But I will never be, so instead, she gets me. She will have to learn to survive it and get used to it, because I have a feeling she’s going nowhere.
”
”
K.A. Knight (Den of Vipers)
“
That’s not what has me staring though. No, definitely not the very impressive bulge in the joggers or the fact that those loose, low riding grey sweatpants are made purely to tease women. No, it’s the fact he’s shirtless.
”
”
K.A. Knight (Den of Vipers)
“
Please,” said Kissen. She had a knife in her other hand, but she held it by the blade. It had silver-grey stones that flickered. “Do you still have Aan’s gift?”
Inara blinked, surprised. “Y-yes.”
No lie, no connivance, no flicker. Kissen releasing her emotions was releasing vulnerability to the gods, to the world, to her.
“Inara Craier,” said Lessa strongly. “Listen to me, not her.”
Inara ignored her. “Take it,” she said to Kissen. “It’s around my neck.”
“Inara?” Lessa’s tone was both a question and a reprimand, she took another step forward, but Elo moved to guard her and Kissen, lifting his stolen knife. With her as well, her knight and protector.
“Stay back, Mother,” commanded Inara, and Lessa stopped on the tiles. Inara didn’t look back. “I mourned for you,” she said instead.
”
”
Hannah Kaner (Sunbringer (Fallen Gods, #2))
“
A man's a man for a' that
Is there for honest Poverty
That hings his head, an’ a’ that;
The coward-slave, we pass him by,
We dare be poor for a’ that!
For a’ that, an’ a’ that.
Our toils obscure an’ a’ that,
The rank is but the guinea’s stamp,
The Man’s the gowd for a’ that.
What though on hamely fare we dine,
Wear hoddin grey, an’ a that;
Gie fools their silks, and knaves their wine;
A Man’s a Man for a’ that:
For a’ that, and a’ that,
Their tinsel show, an’ a’ that;
The honest man, tho’ e’er sae poor,
Is king o’ men for a’ that.
Ye see yon birkie ca’d a lord,
Wha struts, an’ stares, an’ a’ that,
Tho’ hundreds worship at his word,
He’s but a coof for a’ that.
For a’ that, an’ a’ that,
His ribband, star, an’ a’ that,
The man o’ independent mind,
He looks an’ laughs at a’ that.
A Prince can mak a belted knight,
A marquis, duke, an’ a’ that!
But an honest man’s aboon his might –
Guid faith, he mauna fa’ that!
For a’ that, an’ a’ that,
Their dignities, an’ a’ that,
The pith o’ Sense an’ pride o’ Worth
Are higher rank than a’ that.
Then let us pray that come it may,
As come it will for a’ that,
That Sense and Worth, o’er a’ the earth
Shall bear the gree an’ a’ that.
For a’ that, an’ a’ that,
It’s comin yet for a’ that,
That Man to Man the warld o’er
Shall brithers be for a’ that.
”
”
RobertBurns
“
A perkier bit at the beginning of a Three Stooges comedy, Restless Knights (February 20, 1935), has Brennan playing their father, decked out in a large night cap and a fake white beard, lying on his deathbed calling for his sons. He confesses in tremolo that they are of royal blood: “Years ago I was the royal chamberlain of the Kingdom of Anesthesia.” Now, he urges them to offer their swords in service of their imperiled queen. The quality of the writing is best exemplified in Brennan’s telling Curly that his title is “Baron of Grey Matter.” Brennan then says, “Come close my sons so that I may bless you,” and rises enough to give them a sweeping triple slap, as the light fades on his 120-second part in this sixteen minute short.
”
”
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
“
Natalie had painted a large grey tower in the middle of her page and a big green dragon, with fire coming out of his nose, to the left. She had then tried to paint a knight on a horse to the right
”
”
Stephen Edger (Snatched)
“
Meeting the Marches *Hector March, the Earl March (b.1817) His beloved wife, Charlotte, is deceased. He divides his time between his Sussex estate, Bellmont Abbey, and his London home where he is active in Parliamentary debate, particularly over the question of Irish Home Rule. His hobbies are Shakespearean studies and quarrelling with his hermit. His children are: Frederick, Viscount Bellmont “Monty” (b. 1846) Married to Adelaide Walsingham. Resides in London. Represents Blessingstoke as a Member of Parliament. Lady Olivia Peverell (b.1847) Married to Sir Hastings Peverell. Resides in London where she is a prominent political hostess. Hon. Benedick March (b.1848) Married to Elizabeth Pritchett. Manages the Home Farm at Bellmont Abbey and is acknowledged to be Julia’s favourite brother. His two eldest children, Tarquin and Perdita, make an appearance in two of Lady Julia’s adventures. Lady Beatrice “Bee” Baddesley (b. 1850) Married to Sir Arthur Baddesley, noted Arthurian scholar. Resides in Cornwall. Lady Rupert “Nerissa” Haverford (b.1851) Married to Lord Rupert Haverford, third son of the Duke of Lincoln. Divides her time between London and her father-in-law’s estate near Nottingham. Lady Bettiscombe “Portia” (b.1853) Widow. Mother to Jane the Younger. Resides in London. Hon. Eglamour March (b.1854) Known as Plum to the family. Unmarried. A gifted artist, he resides in London where he engages in a bit of private enquiry work for Nicholas Brisbane. Hon. Lysander March (b.1855) Married to Violanthe, his turbulent Neapolitan bride. He is a composer. Lady Julia Brisbane (b.1856) Widow of Sir Edward Grey. Married to Nicholas Brisbane. Her husband permits her to join him in his work as a private enquiry agent against his better judgment. Hon. Valerius March (b.1862) Unmarried. His desire to qualify as a physician has led to numerous arguments with his father. He pursues his studies in London. *Note regarding titles: as the daughters of an earl, the March sisters are styled “Lady”. This title is retained when one of them marries a baronet, knight, or plain gentleman, as is the case with Olivia, Beatrice, and Julia. As Portia wed a peer, she takes her husband’s title, and as Nerissa married into a ducal family, she takes the style of her husband and is addressed as Lady Rupert. Their eldest brother, Frederick, takes his father’s subsidiary title of Viscount Bellmont as a courtesy title until he succeeds to the earldom. (It should be noted his presence in Parliament is not a perk of this title. Unlike his father who sits in the House of Lords, Bellmont sits in the House of Commons as an elected member.) The younger brothers are given the honorific “The Honourable”, a courtesy which is written but not spoken aloud.
”
”
Deanna Raybourn (Silent Night (Lady Julia Grey, #5.5))
“
Between the palaces of the knights and those that served them; the convents, the elegant homes belonging to officers of the Church and the town; between the bakehouse and the shops of the craftsmen, the arsenals and magazines, the warehouses, the homes of merchants and courtesans, Italian, Spanish, Greek; past the painted shrines and courtyards scraped from pockets of earth with their bright waxy green carob trees, a fig, a finger of vine, a blue and orange pot of dry, dying flowers and a tethered goat bleating in a swept yard, padded the heirs of this rock, this precious knot in the trade of the world. Umber-skinned, grey-eyed, barefoot and robed as Arabs with the soft, slurring dialect that Dido and Hannibal spoke, they slipped past the painted facades to their Birgu of fishermen's huts and blank, Arab-walled houses or to sleep, curled in the shade, with the curs in a porch.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles #3))
“
One of the Freys stepped forward, a knight long and lean of limb, clean-shaved but for a grey mustache as thin as a Myrish stiletto. “The Red Wedding was the Young Wolf’s work. He changed into a beast before our eyes and tore out the throat of my cousin Jinglebell, a harmless simpleton. He would have slain my lord father too, if Ser Wendel had not put himself in the way.
”
”
Anonymous
“
Loved rock, hunchbacked before the moon,
Offering its grey spine, hugged by flowing curves of knight gold,
In exploding stars to the swirled heavens, feeding its starry dome
”
”
Ilbert d'Orcence (Ardour: A Cinematic Poem)
“
I open my mouth to say thank you, but the words catch in my throat. Two broad bodies walk through the door quietly chatting among themselves. Each dawning similar grey Armani suits and crisp ties that match InnoTech’s color scheme. But it’s not them that have the air in my lungs evaporating. It’s who’s behind them. No. No. No. Alarm bells in my head start ringing and I can feel a trickle of sweat form along my neck. Of all the people in this city he has to work here? Of course, he does.
”
”
Britney Knight (Love Bytes)
“
When my path took me down the darkest of roads, I found the strength to go on at the very blackest of times. When I knew my parents didn’t love me, when they broke my heart, I went on. When I was alone for the first time, when fear was my constant… I chose to go on. Or when I held the hand of the first man I ever loved, the man who helped save me, as he died, I chose to fight. As I watched regret and wishes fill his tear-soaked eyes as his frail hand clutched mine, his voice raspy and skin grey… I chose to go on. But from that moment, I learned a lesson that lives with me always.
”
”
K.A. Knight (Den of Vipers)
“
Loved rock, hunchbacked before the moon,
Offering its grey spine, hugged by flowing curves of knight gold,
In exploding stars to the swirled heavens, feeding its starry dome
”
”
Ilbert d'Orcence (Ardour: A Cinematic Poem)
“
As Mary absorbed the news, she showed herself to be both gracious and merciful to the two men [Henry FitzAlan, Earl of Arundel and Sir William Paget]. After all, this was her moment of triumph, and it was one that she was determined to savour. She had been victorious and won her kingdom without bloodshed - she was now Queen of England.
In the days that followed, 'many nobles and knights presented themselves in the castle where the Queen was'; men who had once supported Jane, and were now eager to ingratiate themselves with Queen Mary in order to procure her forgiveness and goodwill. Mary showed herself to be equally merciful, and declared that in spite of their treachery, they would be forgiven and their lives spared.
”
”
Nicola Tallis (Crown of Blood: The Deadly Inheritance of Lady Jane Grey)
“
Yes, we like money and we profit from our business deals…but everything is not black and white. It’s filled with greys, and we just happen to run the grey area.
”
”
K.A. Knight (Den of Vipers)
“
I see.” Julius reclined in the chair and crossed one of his long legs over the other, his face deep in thought. “Your sisters take after your mother more than you do. Although your resemblance of her is still apparent,” he nodded at her, apparently uninhibited by the inappropriate intimacy of the entire conversation.
“In what way do I resemble my mother?” she asked cautiously.
“You have her lips.”
Eden started, and her tea splashed over her saucer. “I—do?”
His eyes fell to them, and something in his eyes darkened. “Unfortunately. And you inherited the fine almond shape of her eyes. But the eyebrows, the intelligence in your eyes, the mischief in them—those are from your father.”
Eden was astonished. Never had she been thus spoken to. Her face was scarlet. “Are there any other features of mine you wish to trace to their parentage?” she managed.
His eyes flicked over her bosom, tightly buttoned up beneath the faded bodice, past her disappearing waist to the curved, perky bottom perched so tensely on the chair. "The curves I must attribute to the mother, but the lightness of figure, the graceful athleticism, and restlessness to the father."
A great din of a clanging from outside had drown out his words so she could not hear them.
“I beg your pardon?” Eden said over the din.
“The stage coach,” was all he said.
“Oh,” was her only reply. The clanging finished. “I’m afraid I missed what you said earlier.”
"Nothing of import." He leaned forward for another grape.
”
”
Elizabeth Pearson Grey (The Black Knight: A Marriage of True Minds Series)
“
There is no black and white, only grey. Deep down, er all do things that are considered bad, even for good causes,
”
”
K.A. Knight (Den of Vipers)
“
Everyone’s a sinner in one way or another. You can cover it in roses and use excuses, but it’s all the same. It could be shiny and rich, but a sinner is still a sinner in a suit. There is no black and white, only grey.
”
”
K.A. Knight (Den of Vipers)
“
I crave her heat, her body, her mind, even her fight. She is my ever-growing weakness, a grey area blooming in my dark heart and stretching its colour across my soul until I can’t help but want to be a better man for her, to be the man she deserves.
”
”
K.A. Knight (Den of Vipers)
“
quite suddenly, Grey knew what to say. “Queen’s knight,” he said quietly. “To queen two.” It was, he knew, a dangerous opening. Fraser didn’t move, but Grey felt his sideways glance. After an instant’s hesitation, he replied, “King’s knight to bishop two,” and Grey felt his heart lighten. It was the answer to the Torremolinos Gambit, the one he had used on that far-off, disastrous evening at Ardsmuir, when he had first laid his hand on Jamie Fraser’s.
”
”
Diana Gabaldon (The Scottish Prisoner (Lord John Grey, #3))
“
The southron knights rode out in plate and mail, dinted and scarred by the battles they had fought, but still bright enough to glitter when they caught the rising sun. Faded and stained, torn and mended, their banners and surcoats still made a riot of colors amidst the winter wood--azure and orange, red and green, purple and blue and gold, glimmering amongst bare brown trunks, grey-green pines and sentinels, drifts of dirty snow.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
When St. Kari of the Blade Met Luke Skywalker, Star Wars Jedi Knight
“What’s that?” Kari asked pointing to the silvery object attached to Luke’s waist.
“It’s my lightsaber,” Luke said cautiously, not knowing where this was going. “It’s like your sword, only many years advanced.”
“I see me thinks,” grinned Kari, “although I cannot see how such a short object labors as a sword. Can you show me how? Here, block my blade.” Kari pull-whipped her sharp, simple straight edge fast and held it so that its steel shaft was stationed off Lukes left shoulder.
“I don’t want to ruin your sword,” Luke said with a slight grinning shrug. “It will cut your blade in half.”
“No it shan’t. C’mon and try” quipped Kari, her violet-grey eyes dancing with mirth.
Luke felt compelled just a little bit to teach the seemingly uncomplicated girl a lesson in advanced blade-play. He struck at her sword, but to his amazement, the laser did not cut through Kari’s antiquated, plain cross-hilt weapon, as it easily should have. She wryed and smiled.
“I’ve never seen anything like this,” Luke said eyes widening in surprise. “The only thing that resists a lightsaber cut is Cortosis.”
“Let me try cutting at you,” Kari said, her gridelin eyes glittering in delight. As she struck Luke’s sword, the neat humming cylindrical beam of laser light that was Luke’s blade fell as one solid piece to the ground and began to eat itself inward and disappear, both ends vaporizing and fizzling, meeting in the middle and ending with a loud “pop!”
“How did you do that?” Skywalker asked in amazement. “What’s your sword made of?”
Kari smiled. “My sword is made of adamantine eternal belief. It both cut and resisted your blade because I shalled it to. I am she. All swordplay in the ’Halla exists on the edge of belief, something you will have to learn if you are to survive here whilst your sky-ship is being refitted and rigged out. Learn about the ’Halla, Luke.”
Luke awkwardly grimaced. His lightsaber was an amazing piece of advanced technology and here this wispy backwater of a fencing lass had just “out-believed” him, making his well-ahead art of laser swordplay more primitive than the girl’s unadorned straightedge. He remembered Yoda’s words on failure and belief and felt stupid. The word Jedi was not in Kari’s vocabulary, Luke thought, but notwithstanding, she seemed more than a Jedi than he.
”
”
Douglas M. Laurent
“
Hope is all we had when we fought the Grey Knights and the Bloodslayers,” Aria reminded her, “and it’s why we won.
”
”
Dana Gricken (The Girl And The Silver Mark (The Dragonwitch Chronicles, #3))
“
I'm no knight in shining armour. Just a weather-beaten man in a crumpled overcoat on a street corner with only a grey idea of something you might as well go ahead and call Morality. Sure, I'm none too scrupulous about the things that might benefit my pocket, and I could no more inspire a bunch of young thugs to do good works than I could stand up and sing a solo in the church choir. But of one thing I was sure. I was through looking at my fingernails when there were thieves in the store.
”
”
Philip Kerr (The Pale Criminal (Bernie Gunther, #2))
“
I don’t need a knight in shining armor to come in and rescue me, because it’s too late for that. I need a villain who doesn’t mind getting his hands dirty, a man who will get revenge for what’s been done to me.
”
”
Sonja Grey (Devil from Moscow (Medvedev Bratva, #1))