Grey Color Quotes

The color of truth is grey.

...and so many colors I will have seen... the menacing greys and pine greens the soft pink and purples of spring and summer blue and so many others without you.

I feel the color in my cheeks rising again. I must be the color of The Communist Manifesto.

If there's one thing I've learned over the years It's that it only takes one person...one moment to change your life forever. To change your perspective. Color your thinking. To force you to reevaluate everything you think you know. To make you ask yourself the toughest questions; Do you know who you are? Do you understand what has happened to you? Do you want to live this way?

She feels like kicking out all the windows And setting fire to this life She could change everything about her Using colors bold and bright But all the colors mix together - to grey And it breaks her heart To grey

Before you came, things were as they should be: the sky was the dead-end of sight, the road was just a road, wine merely wine. Now everything is like my heart, a color at the edge of blood: the grey of your absence, the color of poison, of thorns, the gold when we meet, the season ablaze, the yellow of autumn, the red of flowers, of flames, and the black when you cover the earth with the coal of dead fires. And the sky, the road, the glass of wine? The sky is a shirt wet with tears, the road a vein about to break, and the glass of wine a mirror in which the sky, the road, the world keep changing. Don’t leave now that you’re here— Stay. So the world may become like itself again: so the sky may be the sky, the road a road, and the glass of wine not a mirror, just a glass of wine.

I was wondering about my eyes; one of my eyes–-the left–-saw everything golden and yellow and orange, and the other eye saw shades of blue and grey and green; perhaps one eye was for daylight and the other was for night. If everyone in the world saw different colors from different eyes there might be a great many new colors still to be invented.

Grey has no agenda. . . . Grey has the ability, that no other colour has, to make the invisible visible.

All the color had been leached from Winterfell until only grey and white remained. The Stark colors. Theon did not know whether he ought to find that ominous or reassuring. Even the sky was grey. The eyes of the bride were brown. Big and brown and full of fear.

One evening, when we were already resting on the floor of our hut, dead tired, soup bowls in hand, a fellow prisoner rushed in and asked us to run out to the assembly grounds and see the wonderful sunset. Standing outside we saw sinister clouds glowing in the west and the whole sky alive with clouds of ever-changing shapes and colors, from steel blue to blood red. The desolate grey mud huts provided a sharp contrast, while the puddles on the muddy ground reflected the glowing sky. Then, after minutes of moving silence, one prisoner said to another, "How beautiful the world could be...

This is my last letter There will be no others. This is the last grey cloud That will rain on you, After this, you will never again Know the rain. This is the last drop of wine in my cup There will be no more drunkenness. This is the last letter of madness, The last letter of childhood. After me you will no longer know The purity of youth The beauty of madness. I have loved you Like a child running from school Hiding birds and poems In his pockets. With you I was a child of Hallucinations, Distractions, Contradictions, I was a child of poetry and nervous writing. As for you, You were a woman of Eastern ways Waiting for her fate to appear In the lines of the coffee cups. How miserable you are, my lady, After today You won't be in the blue notebooks, In the pages of the letters, In the cry of the candles, In the mailman's bag. You won't be Inside the children's sweets In the colored kites. You won't be in the pain of the letters In the pain of the poems. You have exiled yourself From the gardens of my childhood You are no longer poetry.

Alpha children wear grey. They work much harder than we do, because they're so frightfully clever. I'm awfully glad I'm a Beta, because I don't work so hard. And then we are much better than the Gammas and Deltas. Gammas are stupid. They all wear green, and Delta children wear khaki. Oh no, I don't want to play with Delta children. And Epsilons are still worse. They're too stupid to be able to read or write. Besides they wear black, which is such a beastly color. I'm so glad I'm a Beta.

Sometimes they are heroes. Sometimes they are villains. More often they are something in between, grey characters … and grey has long been my favorite color. It is so much more interesting than black or white.

Gray. The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me. Gray...

Wind and storm colored July. Also, in the middle, cadaverous, awful, lay the grey puddle in the courtyard, when holding an envelope in my hand, I carried a message. I came to the puddle. I could not cross it. Identity failed me. We are nothing, I said, and fell. I was blown like a feather. I was wafted down tunnels. Then very gingerly, I pushed my foot across. I laid my hand against a brick wall. I returned very painfully, drawing myself back into my body over the grey, cadaverous space of the puddle. This is life then to which I am committed.

The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

I think your eyes might be the exact same color as mine," she said wonderingly. "What fine gray-eyed babies we shall have," he said, before he thought the better of it.

After all, color in itself has no color — it's simply a construction of the mind: a sensation, like the Humming Chorus from Madame Butterfly and the smell of honeysuckle.

For grey matter, there is no black and white. If you think in black and white, then you do not use enough brain functions.

Why should I cooperate with you now?” “Because you’re stuck in a ship with four creatively sadistic people who hate your grey guts, and maybe the Jedi and the strill aren’t that fond of you either, and all you’ve got are the clothes you stand in. See how long you last…

I just found out that people with brown eyes actually have blue eyes or blue-grey eyes underneath! The brown is just a layer that covers the real colour underneath. And brown is the only colour eye that is multilayered like that. So in other words, people with brown eyes are layered individuals with deep souls; pull away the top layer and you’ll find an ocean underneath!

He told me to not let my friends throw my clothes out of the window," she paused and looked pointedly at Sally, who had the good sense to look sheepish, "because he had to get my clothes back – which he called souvenirs – from the wolves who apparently found them." She chuckled to herself, knowing she was once again the color of a beet. "And from the tone in his voice, said souvenirs must've been my womanly garments." Jacque laughed. "Did you just call your bras and panties 'womanly garments'?" "That is classic." Sally laughed along. "Could you two Pollyannas focus, please?

And because I was six, I remember believing color was a kind of happiness—so I took the brightest shades in the crayon box and filled my sad cow with purple, orange, red, auburn, magenta, pewter, fuchsia, glittered grey, lime green.

My sisters and I stand, arms around each other, laughind and wiping the tears from each others eyes. The flash of the Polaroid goes off and my family hands me the snapshot. My sisters and I watch quietly together, eager to see what develops. Ghe grey-greensurface changes to the bright colors of our three images, sharpening and deepening all at once. And although we don't speak, I know we all see it: Together we look like our mother. Her same eyes, her same mouth, open in suprise to see, her long-cherished wish.

A twitch. Your eyes keep wiggling around.” He laughed again when I glared at him. “Those are some amazing eyes though,” he said, leaning just inches from my face. “What color is that, anyway? Grey?

The inner life has its soft and gentle beauty; an abstract formlessness as well as a subtle charm. I often consider myself as a figure in a foggy painting: faltering lines, insecure distances, and a merging of greys and blacks. An emotion or a mood—a mere wisp of color—is shaded off and made to spread until it becomes one with all that surrounds it.

He fell into step beside me and we both got into the Blue Beetle — he got in the red door. I got in the white one, and we peered out over the grey hood[...]

It was like she was the only thing in color to me, everything else in my life felt so grey.

The world is not made up of black or white, it's a mixture of those colors that gets blurred together, fighting each other. Good vs evil, light vs, dark. Grey is what wins. A palette of color sometimes very light, sometimes very dark, and everything in between. We all live in the Grey.

I had seen the world as either white or black. It is only when I read the pages of her diary that I understood why the sky looked so grey.

It comforted the great to deal with it and they knew, a man who could reduce any color to grey.

It’s perfect. Blurred lines; it’s when fact and fiction become indiscernible. Fantasy and reality fade into a color of grey yarn and you become tangled up in it and can’t escape into the world of black and white you desperately need as proof of the reality of life itself.

The snow had ceased, and the sky was a soft eggshell color, the mountains dreaming under their woolen blankets. There was a loveliness in the forest's absence of color, its haunted dark framed by grey-white boughs, as if the snowfall had winnowed it down to the essence of what a forest is.

It was 3:57 AM. An explosion hit me from beneath my bedroom floor like an atomic bomb, jolting me awake. Its concussive wave carried horrible colors, smells and textures, but among them floated a familiar purple. I sat up, shivering with revulsion while the aftershocks flowed over me. As I focused on the warm, sweet purple buried inside the frigid, choking grey, my eyes widened with recognition. Mom!

Rich colours actually look more luminous on a grey day, because they are seen against a somber background and seem to be burning with a lustre of their own. Against a dark sky all flowers look like fireworks.

Must love decorating for holidays, mischief, kissing in cars, and wind chimes. No specific height, weight, hair color, or political affiliation required but would prefer a warm spirited non racist. Cynics, critics, pessimists, and “stick in the muds” need not apply. Voluptuous figures a plus. Any similarity in look, mind set, or fashion sense to Mary Poppins, Claire Huxtable, Snow White, or Elvira wholeheartedly welcomed. I am dubious of actresses, fellons and lesbians but dont want to rule them out entirely. Must be tolerant of whistling, tickle torture, James Taylor, and sleeping late. I have a slight limp, eerily soft hands, and a preternatural love of autumn. I once misinterpreted being called a coal-eyed dandy as a compliment when it was intended as an insult. I wiggle my feet in my sleep, am scared of the dark, and think the Muppets Christmas Carol is one of the greatest films of all time. All I want is butterfly kisses in the morning, peanut butter sandwiches shaped like a heart, and to make you smile until it hurts.

Justin wandered over to the big fir between the coach house and his studio, and began freeing the new growth from their rust colored casings. “Why do you do that?” I walked around kitten’s nose, and came up behind him. “So they have a few more days in the sun.” “Is that why you keep trying to save me? So I have a few more days in the sun?” He shook his head and glanced back at me. “No. You still don’t understand do you? You are my sun.

Alice came upon treasure after treasure: everlasting daisies in pastel pinks and yellows, trails of grey and white feathers, boughs heavy with blossom buds on the gum trees. She breathed in the warm earth and appreciated the sky, a blend of soldier-crab blue and every shade of purple in a pipi shell. The desert's an old dream of the sea.

24 carat gold is a pure naturally occurring yellow metal. There are 4 basic shades of gold alloys: yellow gold, white gold, rose gold and green gold. A huge range of other colored golds are also possible including red (gold and copper), grey (gold, iron and copper), purple (gold and aluminum), blue (gold and iron) and black (gold and cobalt), depending on the amounts of different metals alloyed together.

As the day light left the city that night, the streetlamps were not up to anything like their usual candle-power. It was difficult to make anything out clearly. Ordinary social restraints were apt to be defective or not there at all. The screaming that went on all night, ignored as background murmur during the day, now, absent the clamor of street traffic, had taken on urgency and despair – a chorale of pain just about to pass from its realm of the invisible into something that might actually have to be dealt with. Figures which late at night appeared only in levels of grey were now seen to possess color, not the fashionable shades of daytime but blood reds, morgue yellows, and poison greens.

The world of Katherine Kavanagh is very clear, very black and white. Not the intangible, mysterious, vague hues of gray that color my world. Welcome to my world.

Her skin is cold, and clammy; her eyes are the color of sky, on the grey, wet days that leach the world of color and meaning; her voice is little more than a whisper; and while she has no odor, her shadow smells mucky, and pungent, like the skin of a snake. Many years gone, a sect in what is now Afghanistan declared her a goddess, and proclaimed all empty rooms her sacred places. The sect, whose members called themselves The Unforgiven, persisted for two years, until its last adherent finally killed himself, having survived the other members by almost seven months. Despair says little, and is patient.

The color palette is confined to that of a Gustave Dore' engraving, greys and blacks, and subtle shadings of these rendered in harrowing crosshatches and highlighted with sudden glaring areas of nothingness, like splotches of vitiligo sent to haunt the dead with memories of what real light did to the eyes.

The old face, crinkled and dented with canals running every which way, pushed and shoved up against itself for a while, till a big old smile busted out from beneath 'em all, and his grey eyes fairly glowed. It was the first time I ever saw him smile free. A true smile. It was like looking at the face of God. And I knowed then, for the first time, that him being the person to lead the colored to freedom weren't no lunacy. It was something he knowed true inside him. I saw it clear for the first time. I knowed then, too, that he knowed what I was - from the very first.

The color has faded out of the sky. It is grey, becoming darker as the world turns herself round a little more. The clouds are long and black and ragged, like the wings of stormbattered dragons.

Women have been programmed to view our bodies only in terms of how they look and feel to others, rather than how they feel to ourselves, and how we wish to use them. We are surrounded by media images portraying women as essentially decorative machines of consumer function, constantly doing battle with rampant decay. (Take your vitamins every day and he might keep you, if you don’t forget to whiten your teeth, cover up your smells, color your grey hair and iron out your wrinkles....) As women, we fight this depersonalization every day, this pressure toward the conversion of one’s own self-image into a media expectation of what might satisfy male demand.

Toombs sees me. This man I’ve admired in agonizing silence for so long sees me. And I see him too. Up close, in vivid colors. He’s a moving symphony of darkness, wicked temptation, and macabre tattoos. He’s beautiful.

The wind blew, from what quarter I know not, but it lifted the half-grown leaves so that there was a flash of silver-grey in the air. It was the time between the lights when colors undergo their intensification and purples and golds burn in windowpanes like the beat of an excitable heart; when for some reason the beauty of the world revealed and yet soon to perish ... has two edges, one of laughter, one of anguish, cutting the heart asunder.

Her hair was sort of a non-color, not brown, not blonde, something in between. Likewise, her face was indistinguishable from a million others. Her eyes matched her hair; something between grey and brown, but neither. The definition of plain Jane. But there was something that almost screamed “nice” about her.

His shoulder-length hair was a rich, dark-brown color with a slight wave to it and it flowed behind him as he ran into the center of the gypsies. He was tall, muscular, and so beautifully handsome, yet primal. He looked magnificent.

London was beginning to illuminate herself against the night. Electric lights sizzled and jagged in the main thoroughfares, gas-lamps in the side streets glimmered a canary gold or green. The sky was a crimson battlefield of spring, but London was not afraid. Her smoke mitigated the splendour, and the clouds down Oxford Street were a delicately painted ceiling, which adorned while it did not distract. She has never known the clear-cut armies of the purer air. Leonard hurried through her tinted wonders, very much part of the picture. His was a grey life, and to brighten it he had ruled off a few corners for romance.

Spices are like colors: if you mix them all together you get a taste that is akin to the colors black, dark brown, or grey. But if you mix spices judiciously and sparingly—as you would mix yellow and blue to make green—you get a wholly unexpected and beautiful flavor.

Leo, you are a riot of color in my grey world.

Technology is grey. More technology, less colors. We're building a world with colors only in poems.

At some point over the years, a woman must have taught him how to color coordinate, presumably before he chopped her up and turned her into jerky.

I am in love with you. You gave my life color where they had left me grey, and I’d like to give you a life worth remembering. Will you let me do that?

Then, at a meeting, Petal Bear. Thin, moist, hot. Winked at him. . . . Grey eyes close together, curly hair the color of oak. The fluorescent light made her as pale as candle wax. Her eyelids gleamed with some dusky unguent. A metallic thread in her rose sweater. These faint sparks cast a shimmer on her like a spill of light. She smiled, the pearl-tinted lips wet with cider. . . . As she spoke she changed in some provocative way, seemed suddenly drenched in eroticism as a diver rising out of a pool gleams like chrome with a sheet of unbroken water for a fractional moment.

Letter 7 In the beginning of time, the skies were filled with flying elephants. Too heavy for their wings, they sometimes crashed through the trees and frightened other animals. All the flying grey elephants migrated to the source of the Ganges. They agreed to renounce their wings and settle on the earth. When they molted millions of wings fell to the earth, the snow covered them, and the Himalayas were born. The blue elephants landed in the sea and their wings became fins. They are the whales, the trunkless elephants of the oceans. Their cousins are the manatees, the trunkless elephants of the rivers. The chameleon elephants kept their wings but agreed never to land on earth. They change colors of their feathers every day. Today they are azure, and when it rains they are the color of pearls. When they go to sleep, the chameleon elephants always lie down in the same place in the sky and dream with one eye open. The stars you see at night are the unblinking eyes of sleeping elephants, who sleep with one eye open to best keep watch over us.

Tall, it was, and gaunt and hard as old bones, with flesh pale as milk. Its armor seemed to change color as it moved; here it was white as new-fallen snow, there black as shadow, everywhere dappled with the deep grey-green of the trees. The patterns ran like moonlight on water with every step it took.

then the shock of the early plunge, the scamper along the bank, and the radiant transformation of earth, air, and water, when suddenly the sun was with them again, and grey was gold and color was born and sprang out of the earth once more.

Your world view is colored by right and wrong, black and white, but that is not the real world, Benny. The real world is shades of grey and sometimes, to survive and protect the people we love, we have to lie our asses off. Do you understand?

Culture is a powerful force that influences our perceptions, our mindsets and even our domestic and foreign policies. The rich, messy complexity of 1,400 years of Islamic civilization and 1.6 billion Muslims has been reduced to token stereotypes. We are either avatars of destruction or the good Muslim who helps the national security narrative. But the overwhelming majority of us live in the giant middle—the grey zone—where impressions exist in more colors than just black and white.” *

Yesterday morning, I awoke to a brilliant rainbow. At first, I marveled at the sky’s pink hues, and I thought how soothing it was. I haven’t had that feeling in a long time, that feeling of being at peace with myself or my life. I got out of bed to stand to pull the obligatory curtain further, the color peeking through the leaves of the oaks outside my window. Where I had been seeing grey for quite some time shone now pink. The color is hard to describe accurately. It was pink; but it bordered on a light red. It told me to come look at it.

He (Lafcadio) was sitting all alone in a compartment of the train which was carrying him away from Rome, & contemplating–not without satisfaction–his hands in their grey doeskin gloves, as they lay on the rich fawn-colored plaid, which, in spite of the heat, he had spread negligently over his knees. Through the soft woolen material of his traveling-suit he breathed ease and comfort at every pore; his neck was unconfined in its collar which without being low was unstarched, & from beneath which the narrow line of a bronze silk necktie ran, slender as a grass snake, over his pleated shirt. He was at ease in his skin, at ease in his shoes, which were cut out of the same doeskin as his gloves; his foot in its elastic prison could stretch, could bend, could feel itself alive. His beaver hat was pulled down over his eyes & kept out the landscape; he was smoking dried juniper, after the Algerian fashion, in a little clay pipe & letting his thoughts wander at their will …

The dead are on their way to work, grey limbs rubbing together in an open grave, stack on stack in the metal containers of car, tube and train. The grisly carriages are painted bright colors, guillotine colors of tumbril and blade, execution-bright. Each man and woman goes to their particular scaffold, kneels, and is killed day after day. Each collects their severed head and catches the train home. Some say that they enjoy their work.

This distorted lens may lead someone studying human sexuality to ask: “Where are you on a spectrum from straight to gay?” This question would miss a pattern we found in our data suggesting that people's arousal systems are not bundled by the gender of whatever it is that turns them on: 4.5% of men find the naked male form aversive but penises arousing, while 6.7% of women find the female form arousing, but vaginas aversive. Using simplified community identifications like the gay-straight spectrum to investigate how and why arousal patterns develop is akin to studying historic human migration patterns by distributing a research survey asking respondents to report their position on a spectrum from “white” to “person of color.” Yes, “person of color,” like the concept of “gay,” is a useful moniker to understand the life experiences of a person, but a person’s place on a “white” to “person of color” spectrum tells us little about their ethnicity, just as a person’s place on a scale of gay to straight tells us little about their underlying arousal patterns. The old way of looking at arousal limits our ability to describe sexuality to a grey scale. We miss that there is no such thing as attraction to just “females,” but rather a vast array of arousal systems that react to stimuli our society typically associates with “females” including things like vaginas, breasts, the female form, a gait associated with a wider hip bone, soft skin, a higher tone of voice, the gender identity of female, a person dressed in “female” clothing, and female gender roles. Arousal from any one of these things correlates with the others, but this correlation is lighter than a gay-straight spectrum would imply. Our data shows it is the norm for a person to derive arousal from only a few of these stimuli sets and not others. Given this reality, human sexuality is not well captured by a single sexual spectrum. Moreover, contextualizing sexuality as a contrast between these communities and a societal “default” can obscure otherwise-glaring data points. Because we contrast “default” female sexuality against “other” groups, such as the gay community and the BDSM community, it is natural to assume that a “typical” woman is most likely to be very turned on by the sight of male genitalia or the naked male form and that she will be generally disinterested in dominance displays (because being gay and/or into BDSM would be considered atypical, a typical woman must be defined as the opposite of these “other,” atypical groups). Our data shows this is simply not the case. The average female is more likely to be very turned on by seeing a person act dominant in a sexual context than she is to be aroused by either male genitalia or the naked male form. The average woman is not defined by male-focused sexual attraction, but rather dominance-focused sexual attraction. This is one of those things that would have been blindingly obvious to anyone who ran a simple survey of arousal pathways in the general American population, but has been overlooked because society has come to define “default” sexuality not by what actually turns people on, but rather in contrast to that which groups historically thought of as “other.

The mountain pine beetle is a tiny creature that chews through a lodgepole’s bark, gouges out a hollow in the wood and lays its eggs. The larvae hatch hungry and feed on the cambium layer, a tree’s most vital part, the annual layer of cells that makes up a growth ring. To prevent drowning in the tree’s sap, the beetle larvae can eject a choking fungus that not only halts the life-giving flow of sap, but stains the wood a grey-blue color.

In a word, God paints in many colors; but he never paints so gorgeously, I had almost said so gaudily, as when He paints in white. In a sense our age has realized this fact, and expressed it in our sullen costume. For if it were really true that white was a blank and colorless thing, negative and non-committal, then white would be used instead of black and grey for the funereal dress of this pessimistic period. Which is not the case. Meanwhile I could not find my chalk.

I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow. As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass. I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars.

The destruction of sight, wherever the injuries be sustained, follows the same law: all colors are affected in the first place,and lose their saturation. Then the spectrum is simplified, being reduced to four and soon to two colors; finally a grey monochrome stage is reached, although the pathological color is never identifiable with any normal one. Thus in central as in peripheral lesions ‘the loss of nervous substance results not only in a deficiency of certain qualities, but in the change to a less differentiated and more primitive structure’.

High cheekbones, aristocratic nose, sensual lips, chiseled jaw. Hair so pale that it appears white. He’s still far too pretty for a man. So pretty I can’t seem to look away when I know I should. It’s his eyes that have always captivated me the most. They’re every shade of silver, darkest at their edges where a thick band of charcoal grey rings them and lightest near their centers. The color of shadows and moonbeams.

Night: and once again, the nightly grapple with death, the room shaking with daemonic orchestras, the snatches of fearful sleep, the voices outside the window, my name being continually repeated with scorn by imaginary parties arriving, the dark’s spinets. As if there were not enough real noises in these nights the color of grey hair. Not like the rending tumult of American cities, the noise of the unbandaging of great giants in agony.

What exactly is a Rubik’s Cube party?” Becca asked. “It’s simple: everyone wears different colors - red shirt, blue shorts, green socks, whatever - and once you get to the party, you have to swap clothes with people until you’re wearing all of the same color.” Kinsley tsked. “Sounds like an excuse to see people in their skivvies.” I tossed my luggage onto my bed. “Yes, well, isn’t that basically the meaning of life in the first place?

Romance was different in her world. In our world. She believed it lived all around us. In the trees, the blue sky hiding behind rain clouds, snow flakes clinging to windshields, squirrels hiding their food, blades of grass catching drops from a misty morning, and in every person to walk the earth. Ella loved to sit on city benches and make up stories about passing strangers. Since meeting her my entire world changed. I always turned life into strands of color on an empty canvas. People blurred by like flashes of light. Just blurs. Then Ella walked into my life and everything slowed down. The blurs of color became people with stories. People with hearts. People. Like me.

As he watched this beautiful, still world, Louie played with a thought that had come to him before. He had thought it as he had watched hunting seabirds, marveling at their ability to adjust their dives to compensate for the refraction of light in water. He had thought it as he had considered the pleasing geometry of the sharks, their gradation of color, their slide through the sea. He even recalled the thought coming to him in his youth, when he had lain on the roof of the cabin in the Cahuilla Indian Reservation, looking up from Zane Grey to watch night settling over the earth. Such beauty, he thought, was too perfect to have come about by mere chance. That day in the center of the Pacific was, to him, a gift crafted deliberately, compassionately, for him and Phil. Joyful and grateful in the midst of slow dying, the two men bathed in that day until sunset brought it, and their time in the doldrums, to an end.

The Groke looked at the hat. Then she looked at Thingumy and Bob. Then she looked at the hat again. You could see that she was thinking with all her might. Then suddenly she snatched the hat and, without a word, slithered like ann icy grey shadow into the forest. It was the last time she was seen in the Valley of the Moomins, and the last they saw of the Hobgoblin's Hat, too. At once the colors became warmer again and the garden was filled with the sounds and scents of summer.

Dawn will come,’ I told him quietly. ‘The night can be very dark; but I’ll stay by you until the sun rises. These shadows cannot touch you while I am here. Soon we’ll see the first hint of grey in the sky, the color of a pigeon’s coat, then the smallest touch of the sun’s finger, and one bird will be bold enough to wake first and sing of tall trees and open skies and freedom. Then all will brighten and color will wash across the earth and it will be a new day. I will stay with you, until then.

The travelers emerged into a spacious square. In the middle of this square were several dozen people on a wooden bandstand like in a public park. They were the members of a band, each of them as different from one another as their instruments. Some of them looked round at the approaching column. Then a grey-haired man in a colorful cloak called out and they reached for their instruments. There was a burst of something like cheeky, timid bird-song and the air – air that had been torn apart by the barbed wire and the howl of sirens, that stank of oily fumes and garbage – was filled with music. It was like a warm summer cloud-burst ignited by the sun, flashing as it crashed down to earth. People in camps, people in prisons, people who have escaped from prison, people going to their death, know the extraordinary power of music. No one else can experience music in quite the same way. What music resurrects in the soul of a man about to die is neither hope nor thought, but simply the blind, heart-breaking miracle of life itself. A sob passed down the column. Everything seemed transformed, everything had come together; everything scattered and fragmented -home, peace, the journey, the rumble of wheels, thirst, terror, the city rising out of the mist, the wan red dawn – fused together, not into a memory or a picture but into the blind, fierce ache of life itself. Here, in the glow of the gas ovens, people knew that life was more than happiness – it was also grief. And freedom was both painful and difficult; it was life itself. Music had the power to express the last turmoil of a soul in whose blind depths every experience, every moment of joy and grief, had fused with this misty morning, this glow hanging over their heads. Or perhaps it wasn't like that at all. Perhaps music was just the key to a man's feelings, not what filled him at this terrible moment, but the key that unlocked his innermost core. In the same way, a child's song can appear to make an old man cry. But it isn't the song itself he cries over; the song is simply a key to something in his soul.

The destruction of sight, wherever the injuries be sustained, follows the same law: all colours are affected in the first place, and lose their saturation. Then the spectrum is simplified, being reduced to four and soon to two colours; finally a grey monochrome stage is reached, although the pathological colour is never identifiable with any normal one. Thus in central as in peripheral lesions ‘the loss of nervous substance results not only in a deficiency of certain qualities, but in the change to a less differentiated and more primitive structure’.

In silent agreement we squeeze into the window to study our valley. Unlovely in the early spring, crusted with think rime of muddy snow, the river still choked with ice, a single dark thread of water at it’s centre. Sleeping tangle of grey saplings, dead shrubs of sepia or amber or faded dogwood red. Brown sparrows and dust-colored pigeons. The only real color is magpipes, repeated shouts of iridescence, irritatingly clean in their black and white suits. Like photographs of actor or spies. How do they stay so clean in this crap, I always wonder.

To experiment with this principle, take a white piece of cloth and a brilliantly colored piece and lay them out on the grass where you can study them under different light conditions: sunlight, grey day, moonlight, twilight. The tone of the white piece will be more easily noticed, but you may be sure that the changes that affect the white are also present in the brilliant color, but seen with greater difficulty. Much will be gained through this study. It makes no difference what kind of art work you are employed in doing; the study will sensitize your “color-eye.

In 1954 the gulag at Kengir witnessed an uprising by Christian and Muslim prisoners. The guards were driven out, and for forty days worship was freely practiced in the camp. Solzhenitsyn later documented the atmosphere of elation and idealism which prevailed in this doomed island of faith: the Muslims put on turbans and robes again, and 'the grey-black camp was a blaze of color'. The Chechens made kites from which they showered the neighboring villages with messages about the evils of the atheist system. Many marriages were celebrated. Survivors recall the forty days as a testimony to a possible way of living which had been suffocated by dreary unbelief. Delight in the present, and the knowledge of heaven outweighed the awareness of Khrushchev's inevitable revenge. The rebels were crushed under the attacks of tanks, but in the long term, this same spiritual outweighing insured the atheist dystopia's downfall.

Lake Natron resided in northern Tanzania near an active volcano known as Ol Doinyo Lengai. It was part of the reason the lake had such unique characteristics. The mud had a curious dark grey color over where Jack had been set up for observation, and he noted that there was now an odd-looking mound of it to the right of one of the flamingo’s nests. He zoomed in further and further, peering at it, and then realized what he was actually seeing. The dragon had crouched down beside the nests and blended into the mud. From snout to tail, Jack calculated it had to be twelve to fourteen feet long. Its wings were folded against its back, which had small spines running down the length to a spiky tail. It had a fin with three prongs along the base of the skull and webbed feet tipped with sharp black talons. He estimated the dragon was about the size of a large hyena. It peered up at its prey with beady red eyes, its black forked tongue darting out every few seconds. Its shoulder muscles bunched and its hind legs tensed. Then it pounced. The dark grey dragon leapt onto one of flamingoes atop its nest and seized it by the throat. The bird squawked in distress and immediately beat its wings, trying to free itself. The others around them took to the skies in panic. The dragon slammed it into the mud and closed its jaws around the animal’s throat, blood spilling everywhere. The flamingo yelped out its last breaths and then finally stilled. The dragon dropped the limp carcass and sniffed the eggs before beginning to swallow them whole one at a time. “Holy shit,” Jack muttered. “Have we got a visual?” “Oh, yeah. Based on the size, the natives and the conservationists were right to be concerned. It can probably wipe out a serious number of wildlife in a short amount of time based on what I’m seeing. There’s only a handful of fauna that can survive in these conditions and it could make mincemeat out of them.” “Alright, so what’s the plan?” “They told me it’s very agile, which is why their attempts to capture it haven’t worked. I’m going to see if it responds to any of the usual stimuli. So far, they said it doesn’t appear to be aggressive.” “Copy that. Be careful, cowboy.” “Ten-four.” Jack glanced down at his utility belt and opened the pocket on his left side, withdrawing a thin silver whistle. He put it to his lips and blew for several seconds. Much like a dog whistle, Jack couldn’t hear anything. But the dragon’s head creaked around and those beady red eyes locked onto him. Jack lowered the whistle and licked his dry lips. “If I were in a movie, this would be the part where I said, ‘I’ve got a bad feeling about this.’” The dragon roared, its grey wings extending out from its body, and then flew straight at him.

You may not be beautiful in the traditional sense, but that doesn't mean you aren't lovely all the same. Uniquely lovely, with an inner radiance that far transcends what passes for pretty these days. Take your eyes, for example." "My eyes?" "Hmmm. Have you ever noticed how they change color with your moods?" She shook her head. "Well, they do. When you're happy, they're a pure pristine blue, like twin brushstrokes of sky. And when you're displeased or lost in serious thought, they shift to grey. Silvery, sensual grey, the sort that ripples like dawn mist over a lake. I can think of no other woman with eyes like yours. Magnificent, soul-deep eyes in which a man could drown if he weren't careful.

Today, we could only look and try to believe the sight of our eyes. We pulled the heavy curtains from the windows and we saw that the rooms were small, and we thought that not more than twelve men could have lived here. We thought it strange that men had been permitted to build a house for only twelve. Never had we seen rooms so full of light. The sunrays danced upon colors, colors, more colors than we thought possible, we who had seen no houses save the white ones, the brown ones and the grey. There were great pieces of glass on the walls, but it was not glass, for when we looked upon it we saw our own bodies and all the things behind us, as on the face of a lake. There were strange things which we had never seen and the use of which we do not know.

Arbole, Arbole . . ." Tree, tree dry and green. The girl with the pretty face is out picking olives. The wind, playboy of towers, grabs her around the waist. Four riders passed by on Andalusian ponies, with blue and green jackets and big, dark capes. “Come to Cordoba, muchacha.” The girl won’t listen to them. Three young bullfighters passed, slender in the waist, with jackets the color of oranges and swords of ancient silver. “Come to Sevilla, muchacha.” The girl won’t listen to them. When the afternoon had turned dark brown, with scattered light, a young man passed by, wearing roses and myrtle of the moon. “Come to Granada, muchacha.” And the girl won’t listen to him. The girl with the pretty face keeps on picking olives with the grey arm of the wind wrapped around her waist. Tree, tree dry and green.

Before his and Pushkin's advent Russian literature was purblind. What form it perceived was an outline directed by reason: it did not see color for itself but merely used the hackneyed combinations of blind noun and dog-like adjective that Europe had inherited from the ancients. The sky was blue, the dawn red, the foliage green, the eyes of beauty black, the clouds grey, and so on. It was Gogol (and after him Lermontov and Tolstoy) who first saw yellow and violet at all. That the sky could be pale green at sunrise, or the snow a rich blue on a cloudless day, would have sounded like heretical nonsense to your so-called "classical" writer, accustomed as he was to the rigid conventional color-schemes of the Eighteenth Century French school of literature. Thus the development of the art of description throughout the centuries may be profitably treated in terms of vision, the faceted eye becoming a unified and prodigiously complex organ and the dead dim "accepted colors" (in the sense of "idées reçues") yielding gradually their subtle shades and allowing new wonders of application. I doubt whether any writer, and certainly not in Russia, had ever noticed before, to give the most striking instance, the moving pattern of light and shade on the ground under trees or the tricks of color played by sunlight with leaves.

The awfulness of sudden death and the glory of heaven stunned me! The thing that had been mystery at twilight, lay clear, pure, open in the rosy hue of dawn. Out of the gates of the morning poured a light which glorified the palaces and pyramids, purged and purified the afternoon's inscrutable clefts, swept away the shadows of the mesas, and bathed that broad, deep world of mighty mountains, stately spars of rock, sculptured cathedrals and alabaster terraces in an artist's dream of color. A pearl from heaven had burst, flinging its heart of fire into this chasm. A stream of opal flowed out of the sun, to touch each peak, mesa, dome, parapet, temple and tower, cliff and cleft into the new-born life of another day. I sat there for a long time and knew that every second the scene changed, yet I could not tell how. I knew I sat high over a hole of broken, splintered, barren mountains; I knew I could see a hundred miles of the length of it, and eighteen miles of the width of it, and a mile of the depth of it, and the shafts and rays of rose light on a million glancing, many-hued surfaces at once; but that knowledge was no help to me. I repeated a lot of meaningless superlatives to myself, and I found words inadequate and superfluous. The spectacle was too elusive and too great. It was life and death, heaven and hell.

I SEEK SOLACE IN THE CRIMSON SUNRISE, That splashes the east with beauty; I am captivated by the azure skies, Which follow with an air of serenity! I watch the color of the seas That paints the canvas of my heart; I brush my thoughts with the elegant breeze That translates my ideas to art! The dainty garden of beauteous flowers - Red, yellow, lilac and white - Toss and frolic in breezy hours Spreading the waves of lucid delight. The hills covered with foliage green, And the faded ones, blue and grey, Enthrall me as my eyes glean Their glimpses while I move away. Each speck of dust, each grain of rice, And the farms reflect life and mirth; Colors of nature, at ease, entice, Bringing the sweet scent of earth. I chase the mesmerizing butterflies Laden with hues of heaven, Solitude becomes a joyous exercise. When by beauty, I am madly driven! The world is filled with colors galore, Each day is a colorful festivity; Every moment you amass more and more, There is no end to beauty!

We are by the river bank. The river is very, very low. Almost dry. But mostly is wet stones. Grey on the outside. We walk on the stones for awhile. You pick up a stone and crash it onto the others. As it breaks, it is quite wet inside and is very colorful, very pretty. I pick up a stone and break it and run toward the pieces to see the colors. They are beautiful. I laugh and bring the pieces back to you and you are doing the same with your pieces. We keep on crashing stones for hours, anxious to see the beautiful new colors. We are playing. The playfulness of our activity does not presuppose that it is a particular form of play with its own rules. Rather the attitude that carries us through the activity, a playful attitude, turns the activity into play. Our activity has no rules, though it is certainly intentional activity and we both understand what we are doing. The playfulness that gives meaning to our activity includes uncertainty, but in this case the uncertainty is an openness to surprise. This is a particular metaphysical attitude that does not expect the world to be neatly packaged, ruly. Rules may fail to explain what we are doing. We are not self-important, we are not fixed in particular constructions of ourselves, which is part of saying that we are open to self-construction. We are not worried about competence. We are not wedded to a particular way of doing things. While playful we have not abandoned ourselves to, nor are we stuck in, any particular ‘world.’ We are there creatively. We are not passive. Playfulness is, in part, an openness to being a fool, which is a combination of not worrying about competence, not being self-important, not taking norms as sacred and finding ambiguity and double edges a source of wisdom and delight. So, positively, the playful attitude involves openness to surprise, openness to being a fool, openness to self-construction or reconstruction and to construction or reconstruction of the ‘worlds’ we inhabit playfully. Negatively, playfulness is characterized by uncertainty, lack of self-importance, absence of rules or a not taking rules as scared, a no worrying about competence and a lack of abandonment to a particular construction of oneself, others and one’s relation to them. In attempting to take a hold of oneself and one’s relation to others in a particular ‘world,’ one may study, examine and come to understand oneself. One may then see what the possibilities for play are for being one is in that ‘world.’ One may even decide to inhabit that self fully in order to understand it better and find its creative possibilities. All of this is just self-reflection, and is quite different from residing or abandoning oneself to the particular construction of oneself that one is attempting to take a hold of.

When she did, her mouth fell open. The vivid glamour of the world outside paled in comparison to the world within. It was a palace of vaulting glass and shimmering tapestry and, woven through it all like light, magic. The air was alive with it. Not the secret, seductive magic of the stone, but a loud, bright, encompassing thing. Kell had told Lila that magic was like an extra sense, layered on top of sight and smell and taste, and now she understood. It was everywhere. In everything. And it was intoxicating. She could not tell if the energy was coming from the hundreds of bodies in the room, or from the room itself, which certainly reflected it. Amplified it like sound in an echoing chamber. And it was strangely—impossibly—familiar. Beneath the magic, or perhaps because of it, the space itself was alive with color and light. She’d never set foot inside St. James, but it couldn’t possibly have compared to the splendor of this. Nothing in her London could. Her world felt truly grey by comparison, bleak and empty in a way that made Lila want to kiss the stone for freeing her from it, for bringing her here, to this glittering jewel of a place. Everywhere she looked, she saw wealth. Her fingers itched, and she resisted the urge to start picking pockets, reminding herself that the cargo in her own was too precious to risk being caught. The

The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the clouds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream. A

Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.

TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.

He spent the morning at the beach. He had no idea which one, just some open stretch of coastline reaching out to the sea. An unbroken mantle of soft grey clouds was sitting low over the water. Only on the horizon was there a glimmer of light, a faint blue band of promise. The beach was deserted, not another soul on the vast, wide expanse of sand that stretched out in front of him. Having come from the city, it never ceased to amaze Jejeune that you could be that alone in the world. He walked along the beach, feeling the satisfying softness as the sand gave way beneath his slow deliberate strides. He ventured as close to the tide line as he dared, the white noise of the waves breaking on the shingles. A set of paw prints ran along the sand, with an unbroken line in between. A small dog, dragging a stick in its mouth. Always the detective, even if, these days, he wasn’t a very good one. Jejeune’s path became blocked by a narrow tidal creek carrying its silty cargo out to the sea. On each side of it were shallow lagoons and rock pools. When the tide washed in they would teem with new life, but at the moment they looked barren and empty. Jejeune looked inland, back to where the dark smudge of Corsican pines marked the edge of the coast road. He traced the creek’s sinuous course back to where it emerged from a tidal salt flat, and watched the water for a long time as it eddied and churned, meeting the incoming tide in an erotic swirl of water, the fresh intermingling with the salty in a turbulent, roiling dance, until it was no longer possible to tell one from the other. He looked out at the sea, at the motion, the color, the light. A Black-headed Gull swooped in and settled on a piece of driftwood a few feet away. Picture complete, thought Jejeune. For him, a landscape by itself, no matter how beautiful, seemed an empty thing. It needed a flicker of life, a tiny quiver of existence, to validate it, to confirm that other living things found a home here, too. Side by side, they looked out over the sea, the man and the bird, two beating hearts in this otherwise empty landscape, with no connection beyond their desire to be here, at this time. Was it the birds that attracted him to places like this, he wondered, or the solitude, the absence of demands, of expectations? But if Jejeune was unsure of his own motives, he knew this bird would have a purpose in being here. Nature always had her reasons. He chanced a sidelong glance at the bird, now settled to his presence. It had already completed its summer molt, crisp clean feathers having replaced the ones abraded by the harsh demands of eking out a living on this wild, windswept coastline. The gull stayed for a long moment, allowing Jejeune to rest his eyes softly, unthreateningly, upon it. And then, as if deciding it had allowed him enough time to appreciate its beauty, the bird spread its wings and effortlessly lifted off, wheeling on the invisible air currents, drifting away over the sea toward the horizon. p. 282-3

I’m a decade her senior. I was a friend of her father, and I’m sure she looks upon me like a benevolent uncle. Even if she didn’t, I promised Charles I wouldn’t lay a hand on her.” The Earl of Marsden had been one of his dearest friends-practically his only friend. A promise to such a friend should not be easily broken. Archer jerked back, disbelief coloring his angular features. “Why the hell did you do that?” Grey shrugged. “He asked it of me.” Shaking his head, Archer exhaled a breath. “You never told me that before.” “I suppose I was ashamed.” And hurt, even though he understood his friend only made the request to protect his only child from a man whose sexual conquests had resulted in his being marked for like. Were the situation reversed, Grey might have very well demanded the same promise. And despite being a libertine, he was a man of his word. Archer stared at him for a long moment, elbow braced on the table, chin resting on his thumb as his index finger stroked his stubbled upper lip. “Devil take it, Grey. Charles Danvers was one cruel bugger.” A bitter smile curved Grey’s lips at the insult to his late friend. “Quite.

It takes the better part of those months for Herr Thiessen to complete the clock. He works on little else, though the sum of money involved makes the arrangement more than manageable. Weeks are spent on the design and the mechanics. He hires an assistant to complete some of the basic woodwork, but he takes care of all the details himself. Herr Thiessen loves details and he loves a challenge. He balances the entire design on that one specific word Mr. Barris used. Dreamlike. The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As thought clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actually paper pages that turn. There is a silver dragon curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress awaiting an absent prince. Teapots that our into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the hour chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the colds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

You were so good to me.” He took a drink. “Only because you were the daughter of a friend. Were you anyone else I would have plucked you that first season.” Just how much honesty did he owe her? Because surely this was a bit much. She didn’t look nearly as disgusted as she should have. She merely looked…disappointed. That was worse. Necessary, but worse. “But you’re not that man anymore,” she reminded him. Grey smiled, but there was little humor in it. “Who’s to say? I really don’t want to find out. Do you?” She looked away, a frown knitting her delicate brow. He wanted to reach out and smooth that pucker away with his thumb, kiss her flesh smooth again. Hold her and tell her that he could be whatever she wanted him to be. “I understand why you despise society,” she said after a moment’s pause. “I wanted to tell you that.” She drained the rest of her drink and stood. She didn’t quite meet his gaze. “You do?” Color him astonished. He truly hadn’t thought she’d ever see it. She nodded, looking so remote and stiff-not his Rose at all. But she placed her hand on his shoulder as she walked by-a gesture of comfort? “I would avoid it as well if it reviled me as much as it reviles you. Good night, Grey.” And when she left him sitting there, drunk and about to get drunker, what little self-respect he had left got up and went with her.

It was an imprudent idea to begin with.” “I shan’t argue with you on that point.” Rose scoffed at him. “You don’t get to play morally superior with me, Grey. I may have been stupid enough to conspire against you, but you didn’t even recognize someone you’ve known for years! If one of us must be the bigger idiot, I think it must be you!” Oh dear God. She covered her mouth with her hand. What had she just said? Dark arched brows pulled together tightly over stormy blue eyes. “You’re right,” he agreed. “I am an idiot, but only because I allowed this ridiculous ruse past the point when I realized your identity.” Rose froze-like a damp leaf on an icy pond. “You knew?” And yet he continued to pretend…oh, he was worse than she by far. “Of course I knew.” He glowered at her. “Blindfold me and I would know the scent of your skin, the exact color and texture of your skin. Do you not realize that I know the color of your eyes right down to the flecks of gold that light their depths?” Heart pounding, stomach churning in shock, Rose could only stare at him. How could he say such things to her and sound so disgusted? “When?” Her voice was a ragged whisper. “When did you know?” “I suspected before but tried to deny it. The morning after we last met I took one look at your sweet mouth and knew there couldn’t be two women in the world, let alone London with the same delectable bottom lip.” It hurt. Oh, she hadn’t thought hearing him say such wonderful things could hurt so much! She pressed a hand to her chest. “You suspected and yet you made love to me any way.” “Made love?” He snorted. “That’s a girl’s term, Rose. What you and I did…it was something far worse than making trite love.” Worse? How could he malign what had transpired between them. “So you regret it, despite your own choice to continue with the charade.” “What I regret,” he growled, suddenly moving toward her, “is your sudden attack of conscience.” He was mad. She took a step back. “I don’t understand you.” “If only you had managed to keep your guilt where it belonged.” A ravaged smile curved his lips as he shook his head. “We might have continued on, with neither being the wiser, but now we must endure the rest of the Season together, knowing what we can no longer have.” “Then you admit you have feelings for me.” He laughed hollowly. “So many I can scarce discern them all.” It was a hollow victory at best. “If you care for me and I for you, then why can we not reveal our feelings? You have but to ask and I’m yours.

And what is the popular color for gowns this Season?” he asked with a smile when it became necessary to announce himself. She gave a little start, and when she raised her face to look up at him, her cheeks were pink, her eyes wide. She looked, for lack of a better comparison, like a child caught doing something she oughtn’t. “Oh! Hello, Grey.” She glanced away. “Um, blue seems to be very favorable this year.” Arching a brow, he nodded at the periodical in her hand. “Beg pardon. I thought you were reading a ladies’ magazine.” “I am,” she replied with a coy smile. “But fashion is not one of its main areas of interest.” With an expression like hers-very much like the Cheshire cat in that book by Lewis Carroll-he doubted it was an article on housekeeping that put such becoming color in her cheeks. “May I?” he asked, holding out his hand. Her grip on the magazine tightened, reluctant to give it up. “Only if you promise not to tell Mama you saw me reading it.” Oh, this was trouble. Still, it was none of his business what a grown woman of three and twenty read. He was curious, that was all. “I promise.” She hesitated, then put the pages into his hand. Placing his fingers between the thin sheaves to mark her spot, Grey flipped to the cover. Christ on a pony! The magazine looked fairly harmless-the sketch on the front showed a demure young lady in a stylish gown and hat, sitting on a park bench. Only upon closer inspection could one notice that the object of her attention-and rapturous smile-was the young man bathing in the lake just on the edge of the page. He was bare-chested-quite possibly bare everywhere, but that key part of anatomy was carefully hidden with a line of text that read, “Ten ways to keep a gentleman at home-and in bed.” He didn’t want to see what she was reading. He had heard of this magazine before. Voluptuous was a racy publication for women, filled with erotic stories, advice, and articles about sexual relationships, how to conduct oneself to avoid scandal, etc. He could take her to task for reading it, but what would be the point? No doubt the information in it would serve her wisely someday. He gave the magazine back to her. “I have to confess, I’m a little surprised to find you reading such…material.” She shrugged. “I was curious. My parents were so happy in their marriage, so very much the opposite of most of what I’ve heard. If I’m to make a match as good as theirs, I need to know as much as I can about how to have a satisfying marriage.” Grey almost groaned. The image of Rose “satisfying” herself filled his mind with such clarity it was difficult to remember he’d never actually seen such a delightful sight. His body stiffened at the delectable images his mind conjured, and he had to fold his hands in front of him to hide his growing arousal.