Gregory's Girl Quotes

We've searched our database for all the quotes and captions related to Gregory's Girl. Here they are! All 100 of them:

β€œ
You can smile when your heart is breaking because you're a woman.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels))
β€œ
If it means something, take it to heart. If it means nothing, it's nothing. Let it go.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
And girls need cold anger. They need the cold simmer, the ceaseless grudge, the talent to avoid forgiveness, the side stepping of compromise. They need to know when they say something that they will never back down, ever, ever.
”
”
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β€œ
I can't sleep, I can't eat, I can't do anything but think about him. At night I dream of him, all day I wait to see him, and when I do see him my heart turns over and I think I will faint with desire.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
I would know you anywhere for my true love. Whoever I was and whoever you were, I would know you at once for my true love.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
The world hasn't changed that much; men still rule.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels))
β€œ
I never thought it would end like this. I never thought he would leave me without saying goodbye.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
I shall be dark and French and fashionable and difficult. And you shall be sweet and open and English and fair. What a pair we shall be! What man can resist us?
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Jane," I said quietly. She opened her eyes, she had been far away in prayer. "Yes, Mary? Forgive me, I was praying." "If you go on flirting with the king with those sickly little smiles, one of us Boleyns is going to scratch your eyes out.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
He is my brother. She is my sister. Come what will, they are my kin.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels))
β€œ
Anyone can attract a man. The trick is to keep him.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
I am too dark in my heart tonight.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
I was born to be your rival,' she [Anne] said simply. 'And you mine. We're sisters, aren't we?
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Indians are the Italians of Asia and vice versa. Every man in both countries is a singer when he is happy, and every woman is a dancer when she walks to the shop at the corner. For them, food is the music inside the body and music is the food inside the heart. Amore or Pyar makes every man a poet, a princess of peasant girl if only for second eyes of man and woman meets.
”
”
Gregory David Roberts (Shantaram)
β€œ
When they see us dance. When they see how you look at me. When they see how I smile at you.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Tell my daughter Elizabeth -- no! Tell all my daughters, everywhere, in all the ages yet to come. Tell them how I died, and why. And tell them to remember this: the future is unwritten. Know your rights.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Before anything else I was a woman who was capable of passion and who had a great need and a great desire for love.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Every woman has to have something which singles her out, which catches the eyes, which makes her the center of attention. I am going to be french.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Some women attract desire. Others do not.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
She is a girl and would not be afraid to walk the whole world with herself.
”
”
Lady Gregory (Visions and Beliefs in the West of Ireland)
β€œ
There are two kinds of anger: hot and cold. Boys and girls experience both, but as they grow up the anger separates according to the sex. Boys need hot anger to survive. They need inclination to fight, the drive to sink the knife into the flesh, the energy and initiative of fury. It's a requirement of hunting, of defense, of pride. Maybe of sex too. And girls need cold anger. They need the cold simmer, the ceaseless grudge, the talent to avoid forgiveness, the sidestepping of compromise. They need to know when they say something that they will never back down, ever, ever. It's the compensation for a more limited scope in the world. Cross a man and you struggle, one of you wins, you would adjust and go on -- or you lie there dead. Cross a woman and the universe is changed, once again, for cold anger requires an eternal vigilance in all matters of slight and offense.
”
”
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β€œ
Oh yes. Draw your hem back from my mud, little sister.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
We're going' Anne said firmly. So soon?' Percy pleaded. 'But stars come out at night.' Then they fade at dawn', Anne replied. 'This star needs to veil herself in darkness.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
We might, either of us, be Queen of England and yet we'll always be nothing to our family.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
You can smile when your heart is breaking because you are a woman, and a courtier, and a Howard. That's three reasons for being the most deceitful creature on God's earth.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
When they launch snakes you'll have your namesake.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
When it's done, it's done. And no one will know until it's done.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Because she is my sister, and therefore one-half of me.
”
”
Philippa Gregory
β€œ
Stars in the night,' he said. 'Something something something something, some delight
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
She was like a mother to me...and I betrayed as a daughter will betray her mother and yet, never stop loving her.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
He had taken George, my beloved George, from me. And he had taken my other self: Anne.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
I wanted the heat and the sweat and the passion of a man that I could love and trust. And I wanted to give myself to him: not for advantage, but for desire.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
I woke at dawn every morning to his touch, the delight of his warmth and the heady smell of his skin. I had never before lain with a man who had loved me completely, for myself, and it was a dizzy experience. I had never lain with a man whose touch I adored without any need to hide my adoration, or exaggerate it, or adjust it at all. I simply loved him as if he were my one and only lover, and he loved me too with the same simplicty of appetite and disire which made me wonder what I thought I had been doing all those years when I had been dealing in the false coin of vanity and lust. I had not known then that all along there had been this other currency of pure gold.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels))
β€œ
Your trouble, William, is that you have no ambition. You don't see that there is in life only ever one goal.' 'And what is that?' More', George said simply. 'Just more of anything. More of everything.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Katherine of Aragon was speaking out for the women of the country, for the good wives who should not be put aside just because their husbands had taken a fancy to another, for the women who walked the hard road between kitchen, bedroom, church and childbirth. For the women who deserved more than their husband's whim.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
But Anne, do you love him?" I asked curiously. The curve of her hood hid all but the corner of her smile. "I am a fool to own it, but I am in a fever for his touch.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
It is luck to love someone who is free to love you in return.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
What a test of love it is, when the beloved is less than perfect.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
I would play ball with Catherine, and hide and seek: Not a very challenging game in an open meadow, but she was still at the age where she believed that if she shut her eyes and buried her head under a shawl then she could not be seen.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Good Evening , Sir John. I hope that you will accept a little gift from me.' I should be honored, Your Majesty.' I want to give you a little carved stool from my privy chambers. A pretty little piece from France. I hope you will like it.' I should be grateful.' It is for your daughter. For Jane. To sit on. She seems not to have a seat of her own but she must borrow mine.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
She looked at me as if for a moment she would seek someone who would understand the dreadful predicament of a woman, in this world ruled by men.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Either you have me or not at all. Either you love me or not at all. Either I am all yours or I am nobody’s. I will have no half-measures with you.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
When you get right down to it, every collection of letters is a magic spell, even it it's a moronic proclamation ... Words have their impact, girl. Mind your manners. I may not know how to fly but I know how to read, and that's almost the same thing.
”
”
Gregory Maguire (Out of Oz (The Wicked Years, #4))
β€œ
Plainly, she is quite besotted by him,... a girl, a young girl, and she is falling in love for the first time in her life. ...little Kitty Howard at a loss, stumbling in her speech, blushing like a rose, thinking of someone else and not herself is to see a girl become a woman.
”
”
Philippa Gregory
β€œ
I had meant my promise to George. I had said that I was, before anything else, a Boleyn and a Howard through and through; but now, sitting in th shadowy room, looking out over the gray slates of the city, and up at the dark clouds leaning on the roof of Westminster Palace, I suddenly realized that George was wrong, and that my family was wrong, and that I had been wrong-- for all my life. I was not a Howard before anything else. Before anything else I was a woman who was capable of passion and who had a great need and a great desire for love, I didn't want the rewards for which Anne had surrendered her youth. I didn' want the arid glamour of George's life, I wanted the heat and the sweat and the passion of a man that I could love and trust. And I wanted to give myself to him: not for advantage, but for desire.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels))
β€œ
We never look back. We have no time for regrets or second thoughts. If a plan goes awry we make another, if one weapon breaks in our hands we find a second. If the steps fall down before us we overleap them and go up.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
In a world where women were bought and sold as horses I had found a man I loved; and married for love. I would never suggest that this was a mistake.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
β€œ
Her sadness had given her a serenity which had not been there before. It was as if she had learned a hard lesson: that chances in life would not fall into her lap like ripe cherries.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
In truth, I did not have to wonder. She would be feeling that disturbing mixture of emotions that she always summoned from me: admiration and envy, pride and a furious rivalry, a longing to see a beloved sister succeed, and a passionate desire to see a rival fall.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Cassandra Gregory?" I say, not able to keep the question out of my voice. "I'm Grace, your---" The door slams in my face before I can finish. "----daughter." Well this is not a good start to our reunion.
”
”
Tera Lynn Childs (Sweet Legacy (Medusa Girls, #3))
β€œ
The Indians are the Italians of Asia", Didier pronounced with a sage and mischievous grin. "It can be said, certainly, with equal justice, that the Italians are the Indians of Europe, but you do understand me, I think. There is so much Italian in the Indians, and so much Indians in the Italians. They are both people of the Madonna - they demand a goddess, even if the religion does not provide one. Every man in both countries is a singer when he is happy, and every woman is a dancer when she walks to the shop at the corner. For them, food is music inside the body, and music is food inside the heart. The Language of India and the language of Italy, they make every man a poet, and make something beautiful from every banalite. They are nations where love - amore, pyaar - makes a cavalier of a Borsalino on a street corner, and makes a princess of a peasant girl, if only for the second that her eyes meet yours.
”
”
Gregory David Roberts (Shantaram)
β€œ
And then the sword came down like a flash of lightning, and then her head was off her body and the long rivalry between me and the other Boleyn girl was over.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
If it was not in your interests to betray me then you would have been loyal.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Good Christian people, I am come hither to die, for according to the law, and by the law I am judged to die, and therefore I will speak nothing against it. I am come hither to accuse no man, nor to speak anything of that, whereof I am accused and condemned to die, but I pray God save the king and send him long to reign over you, for a gentler nor a more merciful prince was there never: and to me he was ever a good, a gentle and sovereign lord. And if any person will meddle of my cause, I require them to judge the best. And thus I take my leave of the world and of you all, and I heartily desire you all to pray for me. O Lord have mercy on me, to God I commend my soul.' After being blindfolded and kneeling at the block, she repeated several times: To Jesus Christ I commend my soul; Lord Jesu receive my soul.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
We stand hand-clasped, our faces quite blank, as if this were not a nightmare that tells me, as clearly as if it were written in letters of fire, what ending a girl may expect if she defies the rules of men and thinks she can make her own destiny. I am here not only to witness what happens to a heretic. I am here to witness what happens to a woman who thinks she knows more than men.
”
”
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
β€œ
There are women that men marry and there are women that men don't," Anne pronouned. "And you are the sort of mistress a man doesn't bother to marry. Sons or no sons." "Yes," Mary said. "I expect your right. But there clearly is a third sort and that is the woman that men neither marry or take as their mistress. Woman that go home ...alone for Xmas. And thats seems to be you my dear sister. Good day.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Anne's smile was as sweet as poison. 'What matter? So long as it is a Boleyn girl?' 'I didn't want you to come back to court to be my rival,' I said sulkily. 'I was born to be your rival,' she said simply. 'And you mine. We're sisters aren't we?
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
I have overturned the order. Nothing will ever be the same for any woman in this country again.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Keep him coming forward but never let him think that you come forward yourself. He wants to feel that he is pursuing you, not that you are entrapping him. When he gives you the choice of coming forward or running away, like thenβ€”you must always run away.But don’t run too fast. Remember he has to catch you.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
But now? Now? Children in the twentieth and this early twenty-first century hated the Alice books, couldn't read them, and why should they? Their world had strayed into madness long ago. Look at the planet. Rain is acid, poisonous. Sun causes cancer. Sex=death. Children murder other children. Parents lie, leaders lie, the churches have less moral credibility than Benetton ads. And the faces of missing children staring out from milk cartons-imagine all those poor Lost Boys, and Lost Girls, not in Neverland but lost here, lost now. No wonder Wonderland isn't funny anymore: We live there full-time. We need a break from it.
”
”
Gregory Maguire (Lost)
β€œ
Poor little girl. Poor little girl," Nan says, and at first I think she is speaking of the baby, perhaps it is a girl after all. But then I realize she is speaking of me, a girl of thirteen years, whose own mother has said that they can let her die as long as a son and heir is born.
”
”
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
β€œ
I am sorry for you. And I am sorry for me. When you are sent back to me, perhaps a month from now, perhaps a year, I will try to remember this day, and you looking like a child, a little lost among all these clothes. I will try to remember that you were innocent of any plotting; that today at least, you were more a girl than a Boleyn.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
I raised my hand to wave in case he looked back; but he did not. He rode straight backed, looking forward. He rode like a Howard. We never look back. We have no time for regrets or second thoughts. If a plan goes awry we make another, if one weapon breaks in our hands, we find a second. If the steps fall down before us we overleap them and go up. It is always onwards and upwards for the Howards; and my father was on his way back to court and to the company of the King without a backwards glance for me.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
but if a girl were possible as I am possible then marriage would be possible...
”
”
Gregory Corso
β€œ
Do good though, will you?" She blinked brightly at the green girl. "If not for your parents or your grandmother, then for me?
”
”
Gregory Maguire (Out of Oz (The Wicked Years, #4))
β€œ
Have you ever wondered, Anne, in your untiring dance of seduction, whether you might not be dancing to Henry's tune instead of your own? I know how clever you are. How enticing. People whisper the word "witch" whenever you smile at him. But which of you is pale and hollow-eyed from too many scheming, sleepless nights? Which of you is growing more feverish day by day? Which of you is truly bewitched, Anne?
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
With this contradictory parentage of mine: solid English earth and French water goddess, one could expect anything from me. An enchantress or an ordinary girl. There are some who will say I am both.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
β€œ
Jane would be the next queen and her children, when she had them, would be the next princes or princesses. Or she might wait, as the other queens had waited, every month, desperate to know that she had conceived, knowing each month that it did not happen that Henry's love wore a little thinner, that his patience grew a little shorter. Or Anne's curse of death in childbed, and death to her son, might come true. I did not envy Jane Seymour. I had seen two queens married to King Henry and neither of them had much joy of it.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
. . . this girl who seemed, increasingly, to be interested in learning to read everything except how human beings talked to one another.
”
”
Gregory Maguire (Out of Oz (The Wicked Years, #4))
β€œ
No, my girl, you know nothing of how we women are imprisoned in our lives, but there are ways to determine the sentence we must serve.
”
”
Gregory Maguire (Confessions of an Ugly Stepsister)
β€œ
I would not care whether people thought I was special, if my life was truly special. It would not mater to me that people could see me as pious, if I could truly live as a woman scholar of piety. I want to be what I seem to be. I act as if I am specially holy, a special girl; but this is what I really want to be. I really do.
”
”
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
β€œ
Like almost all girls I don't know the date of my birth: my parents did not trouble to record the day and the time. I only know the year and the season, and I only know the season because my mother had a great desire for asparagus when she was carrying me and swears that she ate it too green and her bellyache brought on my birth.
”
”
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
β€œ
Nothing would be the same for any woman in this country again. From this time onward no wife, however obedient, however loving, would be safe. For everyone would know that if a wife such as Queen Katherine of England could be put aside for no reason, then any wife could be put aside.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
β€œ
Dr. Gregory goes much further; he actually recommends dissimulation, and advises an innocent girl to give the lie to her feelings, and not dance with spirit, when gaiety of would make her feet eloquent without making her gestures immodest. In the name of truth and common sense, why should not one woman acknowledge that she can take more exercise then another?
”
”
Mary Wollstonecraft (A Vindication of the Rights of Woman)
β€œ
I felt his hardness and I suddenly understood-an older girl would have understood long before-that this was the currency of desire. He was my betrothed. he desired me. I desired him. All I had to do was tell him the truth.
”
”
Philippa Gregory (The Queen's Fool (The Plantagenet and Tudor Novels, #12))
β€œ
I got me slave-girls and slaves.' For what price, tell me? What did you find in existence worth as much as this human nature? What price did you put on rationality? How many obols did you reckon the equivalent of the likeness of God? How many staters did you get for selling that being shaped by God? God said, Let us make man in our own image and likeness. If he is in the likeness of God, and rules the whole earth, and has been granted authority over everything on earth from God, who is his buyer, tell me? Who is his seller? To God alone belongs this power; or, rather, not even to God himself. For his gracious gifts, it says, are irrevocable. God would not therefore reduce the human race to slavery, since he himself, when we had been enslaved to sin, spontaneously recalled us to freedom. But if God does not enslave what is free, who is he that sets his own power above God's?
”
”
Gregory of Nyssa
β€œ
It was Anne who was before the table like a prisoner before the bar. She did not stand with her head bowed as I always did. Anne stood with her head high, one dark eyebrow slightly raised, and she met my Uncle's glare as if she were his equal.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
There was no question now who sat at the right hand of the King. It was the Queen, who walked through the great hall wearing deepest crimson and gold with her head high and a little smile on her lips. She did not flaunt her return to favour. She took it as she had taken her eclipse: as the nature of royal marriage. Now that her star was risen again she walked as proudly as she had ever done when in shadow.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Miss Gregory took nearly everything. Her clothes. New girls don't have the privilege of wearing their own clothes. Her books. Socrates, Plato, Shakespeare? Much too stimulating. No wonder you have Ideas. Certainly, you don't wish to become a bluestocking!
”
”
Suzanne Lazear (Innocent Darkness (The Aether Chronicles, #1))
β€œ
It is luck to love someone who is free to love you in return. But I don’t. I just desire him, desire him and desire him; and I wait for it to burn out. Everything I have ever gained has always turned to ashes after a little while. Why should this be any different?
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
But Dad, you were a grown man, you have got to take responsibility for what you did, too! I mean, you made me eat [snotty] Kleenex, Dad! For Christ's sake, you can't do that to a little girl! You have got to say you're sorry for the stuff you did as a grown man!' 'Well,' Dad snorts, 'I musta done something right! 'Cause you never left any snot rags lying around the house again, now, did you?
”
”
Julie Gregory (Sickened: The Memoir of a Munchausen by Proxy Childhood)
β€œ
The two women look at each other and in both faces there is a glimpse of the girls that they were. A little smile warms Margaret’s face and Jacquetta’s eyes are filled with love. It is as if the years are no more than the mists of Barnet or the snows at Towton: they are gone, it is hard to believe they were ever there. Margaret puts out her hand, not to touch her friend but to make a gesture, a secret shared gesture, and, as we watch, Jacquetta mirrors the movement. Eyes fixed on each other they both raise their index finger and trace a circle in the air – that’s all they do. Then they smile to each other as if life itself is a joke, a jest that means nothing and a wise woman can laugh at it; then, without a word, Margaret passes silently into the darkness of the tower. "What was that?" Isabel exclaims. "It was the sign for the wheel of fortune," I whisper. β€˜The wheel of fortune which put Margaret of Anjou on the throne of England, heiress to the kingdoms of Europe, and then threw her down to this. Jacquetta warned her of this long ago – they knew. The two of them knew long ago that fortune throws you up to greatness and down to disaster and all you can do is endure.
”
”
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4))
β€œ
He had meant to write to Gregory and say, I have seen such a sweet girl, I will find out who she is and, if I steer our family adroitly in the next few years, perhaps you can marry her. He has not written this. In his present precarious situation, it would be about as useful as the letters Gregory used to write to him: Dear father, I hope you are well. I hope your dog is well. And now no more for lack of time.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
β€œ
Well hear this,' she hissed in my ear. 'Hear this Mary. I am playing my own game and I don't want you interrupting. Nobody will know anything until I am ready to tell them, and then they will know everything too late.' 'You're going to make him love you?' Abruptly she released me and I gripped my elbow and arm where the bones ached. 'I'm going to make him marry me.' she said flatly. 'And if you so much as breathe a word to anyone, then I will kill you.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
Tell Anne..." I broke off. There was too much to send in one message. There were long years of rivalry and then a forced unity and always and ever, underpinning our love for each other, our sense that the other must be bested. How could I send her one word which would acknowledge all of that, and yet tell her that I loved her still, that I was glad I had been her sister, even though I knew she had brought herself to this point and taken George here too? That, though I would never forgive her for what she had done to us all, at the same time, I totally and wholly understood? "Tell her what?" Catherine hovered, waiting to be released. "Tell her that I think of her," I said simply. "All the time. Every day. The same as always.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
She flashed me a quick black glance and then her dark eyelashes swept down on her cheeks. 'Not me,' she said 'I make my own plans. I don't risk being taken up and dropped again.' 'You told me to risk it.' I reminded her. 'That was for you,' she said 'I would not live my life as you live yours. You would always do as you were bid. I am not like you. I make my own way.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
For a moment we glared at each other, stubborn as cats on the stable wall, full of mutual resentment and something darker, the old sense between sisters that there is only really room in the world for one girl. The sense that every fight could be to the death.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
β€œ
I was not nervous. For the first time ever I felt as if I had taken my life into my own hands and I could command my own destiny. For once I was obedient neither to uncle nor father nor king, but following my own desires. And I knew that my desire led me, inexorably, to the man I loved. I
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
β€œ
He greeted Anne with a roar of joy, swept her up and kissed her. You would think he had never been Sir Loyal Heart to his Queen Katherine. You would think it had been his worst enemy who had died and not a woman who had loved him faithfully for twenty-seven years and died with a blessing for him on her lips.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
β€œ
A monster crosses over into the everyday world. The mortals struggle and show great courage, but it’s no use. The monster kills first the guilty, then the innocent, until finally only one remains. The Last Boy, the Last Girl. There is a final battle. The Last One suffers great wounds, but in the final moment vanquishes the monster. Only later does he or she recognize that this is the monster’s final trick; the scars run deep, and the awareness of the truth grows like an infection. The Last One knows that the monster isn’t dead, only sent to the other side. There it waits until it can slip into the mundane world again. Perhaps next time it will be a knife-wielding madman, or a fanged beast, or some nameless tentacled thing. It’s the monster with a thousand faces. The details matter only to the next victims.
”
”
Daryl Gregory (We Are All Completely Fine)
β€œ
If you wish to examine me to determine the sex of the child, you may do so.” Her chin lifted. β€œBut as you wish me to accept yourself, for your predatory nature, you must accept me as I am. My heart and soul may be Carpathian, but my mind is human. I will not be put on a shelf somewhere because you or my husband deems it necessary. Human women moved out of the dark ages a long time ago. My place is with Mikhail, and I must make my own decisions. If you feel the need to add your protection to Mikhail’s I will be most grateful.” There was a long silence, and the red glow faded slowly from the slashing silver eyes. Gregori shook his head slowly, with infinite weariness. This woman was so different from his kind. Reckless. Compassionate. Unaware of every taboo she broke. His hand went to her stomach, fingers splayed. He focused, aimed, sent himself out of his body. His breath caught in his throat, and his heart seemed to melt. Deliberately he moved to surround the tiny being, merging his light and will for a heartbeat of time. He was taking no chances. This was his lifemate; he would ensure it with every means at his disposal, from the blood bonding to mental sharing. No one was as powerful as he. This female child was his and his alone. He could hang on until she came of age. β€œWe did it, didn’t we?” Raven said softly, bringing Gregori back to his body. β€œShe’s a girl.” Gregori stepped away from Raven, holding on to his composure with his great strength of will.
”
”
Christine Feehan (Dark Desire (Dark, #2))
β€œ
I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, β€œExcuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. β€œWho are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. β€œI'm...Anna.” β€œRight. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. β€œBut who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? β€œI just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. β€œThey just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. β€œUh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. β€œVery cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. β€œIf you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. β€œNot your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. β€œAre you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. β€œYes,” I assured him with confidence. β€œI am.” β€œHow do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
β€œ
...but she wrote out some extra words on a piece of paper so Rain could practice reading. "Is this a magic spell?" the girl asked her. "Don't let me get sappy on you, but when you get right down to it, every collection of letters is a magic spell, even if it is a moronic proclamation by the Emperor. Β Words have their impact, girl. Β Mind your manners. Β I may not know how to fly but I know how to read, and that's almost the same thing." -Out of Oz
”
”
Gregory Maguire
β€œ
Most loves are like that, from what I can see. Your heart starts to feel like an overcrowded lifeboat. You throw your pride out to keep it afloat, and your self-respect and your independence. After a while you start throwing people outβ€”your friends, everyone you used to know. And it’s still not enough. The lifeboat is still sinking, and you know it’s going to take you down with it. I’ve seen that happen to a lot of girls here. I think that’s why I’m sick of love.
”
”
Gregory David Roberts (Shantaram)
β€œ
As he catches my eye he beams at me, his dark face bright with affection. Anyone can see it who cares to look at him, he is hopelessly indiscreet. He puts his hand to his heart as if swearing fidelity to me. I look to left and right, thank God no-one is looking, they are all getting on their horses and George the duke is shouting for the guard. Recklessly, Richard stands there, his hand on his heart, looking at me as if he wants the world to know that he loves me. He loves me. I shake my head as if reproving him, and I look down at my hands on the reins. I look up again and he is still fixing his gaze on me, his hand still on his heart. I know I should look away, I know I should pretend to feel nothing but disdain – this is how the ladies in the troubadour poems behave. But I am a girl, and I am lonely and alone, and this is a handsome young man who has asked how he may serve me and now stands before me with his hand on his heart and his eyes laughing at me. One of the guard stumbled while mounting his horse and his horse shied, knocking the nearby horseman. Everyone is looking that way, and the king puts his arm around his wife. I snatch off my glove and, in one swift gesture, I throw it towards Richard. He catches it out of the air and tucks it in the breast of his jacket. Nobody has seen it. Nobody knows. The guardsman steadies his horse, mounts it, nods his apology to his captain, and the royal family turn and wave to us. Richard looks at me, buttoning the front of his jacket, and smiles at me warmly, assuredly. He has my glove, my favour.
”
”
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
β€œ
Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm. Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss. Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her. Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about? "Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself." "I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd." Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term." "Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life. Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?" "Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough." Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ." Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.
”
”
Christine Feehan (Dark Magic (Dark, #4))
β€œ
Margaret...you must know that you could never change your own life. You are a girl: girls have no choice. You could never even choose your own husband: you are of the royal family. A husband would always have been chosen for you. It is forbidden for one of royal blood to marry their own choice. You know this too. And finally, you are of the House of Lancaster. You cannot choose your allegiance. You have to serve your house, your family, and your husband. I have allowed you to dream, and I have allowed you to read, but the time has come to put aside silly stories and silly dreams and do your duty.
”
”
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
β€œ
The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.
”
”
Matthew Gregory Lewis (The Monk)
β€œ
That’s not wise, Lin. I think wisdom is very over-rated. Wisdom is just cleverness, with all the guts kicked out of it. I’d rather be clever than wise, any day. Most of the wise people I know give me a headache, but I never met a clever man or woman I didn’t like. If I was giving wise adviceβ€”which I’m notβ€”I’d say don’t get drunk, don’t spend all your money, and don’t fall in love with a pretty village girl. That would be wise. That’s the difference between clever and wise. I prefer to be clever, and that’s why I told you to surrender, when you get to the village, no matter what you find when you get there. Okay. I’m going. Come and see me when you get back. I look forward to it. I really do.
”
”
Gregory David Roberts (Shantaram)
β€œ
Now I understand Isabel's slavish loyalty to George. Now I understand the passionate bond between the king and the queen. Now I even understand the queen's mother Jacquetta dying of heartbreak at the loss of the man she married for love. I learn that to love a man whose interests are mine, whose passion is given freely and openly to me, and whose battle-hardened young lithe body lies beside me every night as his only joy, is to utterly change my life. I was married before; but I was never shaken and touched and puzzled and adored before. I was a wife but I was no lover. With Richard, I become wife and lover, counselor and friend, partner in all things, comrade in arms, fellow traveler. With Richard, I become a woman, not a girl, I become a wife.
”
”
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))