“
After all," Anne had said to Marilla once, "I believe the nicest and sweetest days are not those on which anything very splendid or wonderful or exciting happens but just those that bring simple little pleasures, following one another softly, like pearls slipping off a string.
”
”
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
“
Perhaps, after all, romance did not come into one’s life with pomp and blare, like a gay knight riding down; perhaps it crept to one’s side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music, perhaps . . . perhaps . . . love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.
”
”
L.M. Montgomery
“
Someday no one will remember that she ever existed, I wrote in my notebook, and then, or that I did. Because memories fall apart, too. And then you're left with nothing, left not even with a ghost but with its shadow. In the beginning, she had haunted me, haunted my dreams, but even now, just weeks later, she was slipping away, falling apart in my memory and everyone else's, dying again.
”
”
John Green (Looking for Alaska)
“
I went to bed and woke in the middle of the night thinking I heard someone cry, thinking I myself was weeping, and I felt my face and it was dry.
Then I looked at the window and thought: Why, yes, it's just the rain, the rain, always the rain, and turned over, sadder still, and fumbled about for my dripping sleep and tried to slip it back on.
”
”
Ray Bradbury (Green Shadows, White Whale)
“
I told myself – as I’ve told myself before – that the body shuts down when the pain gets too bad, that consciousness is temporary, that this will pass. But just like always, I didn’t slip away. I was left on the shore with the waves washing over me, unable to drown.
”
”
John Green (The Fault in Our Stars)
“
For a moment Anne's heart fluttered queerly and for the first time her eyes faltered under Gilbert's gaze and a rosy flush stained the paleness of her face. It was as if a veil that had hung before her inner consciousness had been lifted, giving to her view a revelation of unsuspected feelings and realities. Perhaps, after all, romance did not come into one's life with pomp and blare, like a gay knight riding down; perhaps it crept to one's side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music, perhaps. . . perhaps. . .love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.
”
”
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
“
Be always drunken.
Nothing else matters:
that is the only question.
If you would not feel
the horrible burden of Time
weighing on your shoulders
and crushing you to the earth,
be drunken continually.
Drunken with what?
With wine, with poetry, or with virtue, as you will.
But be drunken.
And if sometimes,
on the stairs of a palace,
or on the green side of a ditch,
or in the dreary solitude of your own room,
you should awaken
and the drunkenness be half or wholly slipped away from you,
ask of the wind,
or of the wave,
or of the star,
or of the bird,
or of the clock,
of whatever flies,
or sighs,
or rocks,
or sings,
or speaks,
ask what hour it is;
and the wind,
wave,
star,
bird,
clock will answer you:
"It is the hour to be drunken!
”
”
Charles Baudelaire (Paris Spleen)
“
So she told me a story. A story about a boy who was born with very green eyes, and the man who was so captivated by their color that he searched the world for a stone in exactly the same shade.” His voice is fading now, falling into whispers so quiet I can hardly hear him. “She said the boy was me. That this ring was made from that very same stone, and that the man had given it to her, hoping one day she’d be able to give it to me. It was his gift, she said, for my birthday." He stops. Breathes. “And then she took it off, slipped it on my index finger, and said, ‘If you hide your heart, he will never be able to take it from you'.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
It's funny, when you're a child you think time will never go by, but when you hit about twenty, time passes like you're on the fast train to Memphis. I guess life just slips up on everybody. It sure did on me.
”
”
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
“
When a mood of "not belonging" is haunting our mind and tolling the bell for relief or happiness, life may be like a scar on the canvas of our dreams. Now is the time to wake up and slip back to the basics, in the vein of crawling back to mum's lap. ("The grass was greener over there")
”
”
Erik Pevernagie
“
Then Carol slipped her arm under her neck, and all the length of their bodies touched fitting as if something had prearranged it. Happiness was like a green vine spreading through her, stretching fine tendrils, bearing flowers through her flesh. She had a vision of a pale white flower, shimmering as if seen in darkness, or through water. Why did people talk of heaven, she wondered
”
”
Patricia Highsmith (The Price of Salt, or Carol)
“
Was I not tempting enough?” I asked him. “Not classy enough?”
I didn’t expect him to answer, but he did. And that was almost worse. “There’s nothing wrong with you.”
He’d stood up and slipped his hands into his pockets. I met his gaze and saw the green fire in his eyes. “You’re perfect—beautiful, intelligent, intractable in a kind of . . . attractive way. Headstrong, but a good strategist. An amazing fighter.
”
”
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
“
Party lights hang over the street, yellow and red and green. Sadie stumbles over someone’s chair, but I’m ready for this and I catch her easily by the arm.
“Sorry, clumsy,” she says.
“You always were, Sadie. One of your more endearing traits.”
Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat that’s too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man …
She speaks in a voice almost too low to be heard over the music. But I hear her – I always did. “Who are you, George?”
“Someone you knew in another life, honey.
”
”
Stephen King (11/22/63)
“
She did not seem to want to speak, or perhaps she was not able to, but she mad timid motions toward Neville, holding something in her outstretched hand.
"Again?" said Mrs. Longbottom, sounding slightly weary. "Very well, Alice dear, very well- Neville, take it, whatever it is..."
But Neville had already stretched out his hand, into which his mother dropped an empty Droobles Blowing Gum wrapper.
"Very nice, dear," said Neville's grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, "Thanks Mum."
His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he'd ever found anything less funny in his life.
"Well, we'd better get back," sighed Mrs. Longbottom, drawing on her long green gloves. "Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now..."
But as they left, Harry was sure he saw Neville slip the wrapper into his pocket.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
And then I screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers.
”
”
John Green (Looking for Alaska)
“
Perhaps LOVE unfolded naturally out of a beautiful friendship.. as a golden hearted rose slipping from its green sheath.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
Gilbert took from his desk a little pink candy heart with a gold motto on it, “You are sweet,” and slipped it under the curve of Anne’s arm. Whereupon Anne arose, took the pink heart gingerly between the tips of her fingers, dropped it on the floor, ground it to powder beneath her heel, and resumed her position without deigning to bestow a glance on Gilbert.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
He blinks. Touches the side of my face, near my eyes. My eyes that are blue now, not green. With oval irises.
"I'm still me," I say, because my greatest fear now is that he doesn't want a hybrid Amy.
He cocks an eyebrow. "You think I care if your eyes are blue or green? I just care about you." His hand slips down my arm, and he wraps his pinky finger around mine.
"You came back to me," I say, my voice breaking over unshead tears of joy.
"I'll always come back to you," he tells me pulling me close.
Always.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
For a moment nothing happens. The figure stands still and I stand cold and alive and-
He starts to run. I make my way down the rocks, slipping, sliding, trying to get to the plain. I wish, I think, my feet clumsy, moving too fast, not fast enough, I wish i could run, I wish I'd written a whole poem, I wish I kept the compass-
And then I reach the plain and wish for nothing but what I have. Ky. Running toward me. I have never seen him run like this, fast, free, strong, wild. He looks so beautiful, his body moves so right. He stops just close enough for me to see the blue of his eyes and forget the red on my hands and the green I wish I wore. "You're here," he says, breathing hard and hungry. sweat and dirt cover his face, and he looks at me as though I'm the only thing he ever needed to see. I open my mouth to say yes. But I only have time to breathe in before he closes the last of the distance. All I know is the kiss.
”
”
Ally Condie (Crossed (Matched, #2))
“
I jog through the halls and then go upstairs to Jane’s locker and carefully slip the note I wrote last night through the vent:
To: The Locker Houdini
From: Will Grayson
Re: An Expert in the Field of Good Boyfriends?
Dear Jane,
Just so you know: e. e. cummings cheated on both of his wives. With prostitutes.
Yours,
Will Grayson
”
”
John Green (Will Grayson, Will Grayson)
“
Perhaps, after all, romance did not come into one's life with pomp and blare, like a gay knight riding down; perhaps it crept to one's side like an old friend through quiet ways; perhaps. . . perhaps. . .love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.
”
”
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
“
And so, as quietly as he had lived, he slipped out of town, leaving only a note behind:
Well, that's that. I'm off, and if you don't believe I'm leaving, just count the days I'm gone. When you hear the phone not ringing, it'll be me that's not calling. Goodbye, old girl, and good luck.
Yours truly,
Earl Adcock
P.S. I'm not deaf.
”
”
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
“
Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of, the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the looking for a Great Perhaps, for real friends, and a more-than minor life.
And then i screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there's no sugar-coating it: She deserved better friends.
When she fucked up, all those years ago, just a little girl terrified. into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it spite of having lost her.
Beacause I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know that she forgives me for being dumb and sacred and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here's how I know:
I thought at first she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her-green eyes, half a smirk, the soft curves of her legs-would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere.
I still think that, sometimes. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just a matter, and matter gets recycled.
But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirety. There is a part of her knowable parts. And that parts has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, One thing I learned from science classes is that energy is never created and never destroyed.
And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable because we are as indestructible as we believe ourselves to be.
When adults say "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are.
We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.
So I know she forgives me, just as I forgive her. Thomas Eidson's last words were: "It's very beautiful over there." I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.
”
”
John Green (Looking for Alaska)
“
About halfway through I broke down crying, which I hadn't expected. I was a little ashamed, but only a little;it was her, you see, and she never taxed me with the times that I slipped from the way I thought a man should be...the way I thought I should be, at any rate. A man with a good wife is the luckiest of God's creatures, and one without must be among the most miserable, I think, the only true blessing of their lives that they don't know how poorly off they are.
”
”
Stephen King (The Green Mile)
“
Somewhere, on the long road that wound through those four years, the girl with her sachet & dancing slippers had slipped away & there was left a woman with sharp green eyes, who counted pennies & turned her hands to many menial tasks, a woman to whom nothing was left from the wreckage except the indestructible red earth on which she stood.
”
”
Margaret Mitchell (Gone with the Wind)
“
I slipped in and out of consciousness as time stretched and flowed around me. Dreams and reality blurred, but I liked the dreams better. Noah was in them.
I dreamed of us, walking hand in hand down a crowded street in the middle of the day. We were in New York. I was in no rush—I could walk with him forever—but Noah was. He pulled me alongside him, strong and determined and not smiling. Not today.
We wove among the people, somehow not touching a single one. The trees were green and blossoming. It was spring, almost summer. A strong wind shook a few steadfast flowers off of the branches and into our path. We ignored them.
Noah led me into Central Park. It was teeming with human life. Bright colored picnic blankets burst across the lawn, the pale, outstretched forms of people wriggling over them like worms in fruit. We passed the reservoir, the sun reflecting off its surface, and then the crowd began to thicken.
They funneled into a throbbing mass as we strode up a hill, over and through. Until we could see them all below us, angry and electric. Noah reached into his bag. He pulled out the little cloth doll, my grandmother’s. The one we burned.
”
”
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
“
Because memories fall apart, too.
And then you're left with nothing, left not even with a ghost but with its shadow. In the beginning she haunted me, haunted my dreams, but even now, just weeks later, she was slipping away, falling apart in my memory and everyone else's, dying again.
”
”
John Green (Looking for Alaska)
“
I said I wouldn’t be the kind of boyfriend who reads her poetry, and I’m not, but I guess I am the kind of cheesy bastard who slips lines of poetry into her mornings.
”
”
John Green (Will Grayson, Will Grayson)
“
The grief in her green eyes slips then hardens and, for an instant, Pendleton sees the woman she has become and has no right being, not at sixteen.
”
”
Ilsa J. Bick (Drowning Instinct)
“
and I told myself -- as I've told myself before -- that the body shuts down then the pain gets too bad, that consciousness is temporary, that this will pass. But just like always, I didn't slip away. I was left on the shore with the waves washing over me, unable to drown.
”
”
John Green (The Fault in Our Stars)
“
TIME
Time
And how it slips through my fingers
Without putting its ring on them,
And I remain simply its lover
”
”
Visar Zhiti (The Condemned Apple: Selected Poetry (Green Integer) (Albanian Edition))
“
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.
Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds.
Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look.
The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
”
”
Charles Dickens (Bleak House)
“
But just like always, I didn’t slip away. I was left on the shore with the waves washing over me, unable to drown.
”
”
John Green (The Fault in Our Stars)
“
One has just been sent out as a biblical dove, has found nothing green, and slips back into the darkness of the Ark
”
”
Franz Kafka
“
In the beginning, she had hauted me, haunted my dreams, but even now, just weeks later, she was slipping away, falling apart in my memory and everyone else's, dying again.
”
”
John Green (Looking for Alaska)
“
He gave Sophie the smile which had no doubt charmed the Witch of the Waste and possibly Lettie too, firing it along the fork, across the cream, straight into Sophie’s eyes, dazzlingly. “If you can bully Calcifer, the King should give you no trouble at all.”
Sophie stared through the dazzle and said nothing. This, she thought, was where she slithered out. She was leaving. It was too bad about Calcifer’s contract. She had had enough of Howl. First green slime, then glaring at her for something Calcifer had done quite freely, and now this! Tomorrow she would slip off to Upper Folding and tell Lettie all about it.
”
”
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
“
She couldn't believe what she did then. Before she could stop herself, she leaned up on tiptoes, put her arms around his neck, and kissed him on the mouth. Her lips brushed over his for the barest of seconds, but it was still a kiss, and when she came to her senses and dared to pull away and look at him, he had the most curious expression on his face.
Brodick knew she regretted her sponatenity, but as he stared into her brilliant green eyes, he also knew, with a certainty that shook him to the core, that his life had just been irrevocably changed by this mere slip of a woman.
”
”
Julie Garwood (Ransom (Highlands' Lairds, #2))
“
Somewhere in the cosmos, he said, along with all the planets inhabited by humanoids, reptiloids, fishoids, walking treeoids and superintelligent shades of the color blue, there was also a planet entirely given over to ballpoint life forms. And it was to this planet that unattended ballpoints would make their way, slipping away quietly through wormholes in space to a world where they knew they could enjoy a uniquely ballpointoid lifestyle, responding to highly ballpoint-oriented stimuli, and generally leading the ballpoint equivalent of the good life.
And as theories go this was all very fine and pleasant until Veet Voojagig suddenly claimed to have found this planet, and to have worked there for a while driving a limousine for a family of cheap green retractables, whereupon he was taken away, locked up, wrote a book and was finally sent into tax exile, which is the usual fate reserved for those who are determined to make fools of themselves in public.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood.
Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now.
She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered.
His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her.
When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face.
“I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“
Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
A few miles south of Soledad, the Salinas River drops in close to the hillside bank and runs deep and green. The water is warm too, for it has slipped twinkling over the yellow sands in the sunlight before reaching the narrow pool.
”
”
John Steinbeck
“
Harry lost any sense of where they were: Streetlights above him, yells around him, he was clinging to the sidecar for dear life. Hedwig’s cage, the Firebolt, and his rucksack slipped from beneath his knees —
“No — HEDWIG!”
The broomstick spun to earth, but he just managed to seize the strap of his rucksack and the top of the cage as the motorbike swung the right way up again. A second’s relief, and then another burst of green light. The owl screeched and fell to the floor of the cage.
“No — NO!”
The motorbike zoomed forward; Harry glimpsed hooded Death Eaters scattering as Hagrid blasted through their circle.
“Hedwig — Hedwig —”
But the owl lay motionless and pathetic as a toy on the floor of her cage.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
every experience will fill with immediacy. Because I love this, I am never bored. Beauty constantly wells up like the noise of springwater in my ear. Tree limbs rise and fall like ecstatic arms. Leaf sounds talk together like poets making fresh metaphors. The green felt cover slips; we get a flash of the mirror underneath. The conventional opinion of this poetry is that it shows great optimism for the future. But Father Reason says, No need to announce the future. This now is it. Your deepest need and desire is satisfied by this moment’s energy here in your hand.
”
”
Jalal ad-Din Muhammad ar-Rumi (A Year With Rumi)
“
I go in and slip a note in Jane's locker, which I've gotten in the habit of doing. It's always just a line or two that I found from some poem in the gigantic poetry anthology my sophomore English taught me from. I said I wouldn’t be the kind of boyfriend who reads her poetry, and I’m not, but I guess I am the kind of cheesy bastard who slips lines of poetry into her mornings.
”
”
John Green (Will Grayson, Will Grayson)
“
Felt myself slipping, but even that's a metaphor. Descending, but that is, too. Forged in the smithy of someone else's soul. Please just let me out whoever is authoring me, let me up out of this. Anything to be out of this.
”
”
John Green (Turtles All the Way Down)
“
We laughed a lot, to hide it from each other. But fear always finds an out. If you control your face, it slips into your voice. If you manage to keep a grip on your face and your voice, as if they were dead wood, it will slip out through your fingers. It will pass through your skin and lie there. You can see it lying around on objects close by.
”
”
Herta Müller (The Land of Green Plums)
“
It was everything I had dreamed of, his hands snaking through my hair, my own wrapped around his back, unable to believe I had been given license to touch this boy I had loved for so long, license to hold him, to slip my tongue in his mouth, listen to him sigh with pleasure.
”
”
Jane Green (Summer Secrets)
“
I opened the door and stepped down onto something squishy. It was moss, velvety smooth, creating uneven hills of emerald green across the floor of the laundry. I slipped off my silver ballet flats, and my feet sank into the floor
”
”
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
“
But drunkenly, or secretly, we swore,
Disciples of that astigmatic saint,
That we would never leave the island
Until we had put down, in paint, in words,
As palmists learn the network of a hand,
All of its sunken, leaf-choked ravines,
Every neglected, self-pitying inlet
Muttering in brackish dialect, the ropes of mangroves
From which old soldier crabs slipped
Surrendering to slush,
Each ochre track seeking some hilltop and
Losing itself in an unfinished phrase,
Under sand shipyards where the burnt-out palms
Inverted the design of unrigged schooners,
Entering forests, boiling with life,
Goyave, corrosol, bois-canot, sapotille.
Days!
The sun drumming, drumming,
Past the defeated pennons of the palms,
Roads limp from sunstroke,
Past green flutes of the grass
The ocean cannonading, come!
Wonder that opened like the fan
Of the dividing fronds
On some noon-struck sahara,
Where my heart from its rib cage yelped like a pup
After clouds of sanderlings rustily wheeling
The world on its ancient,
Invisible axis,
The breakers slow-dolphining over more breakers,
To swivel our easels down, as firm
As conquerors who had discovered home.
”
”
Derek Walcott (Another Life: Fully Annotated)
“
He reached out and gripped her upper arms. His fingers closed around something silky and he shook her slightly. “Unreasonable? Unreasonable? It’s the middle of the night and I’m standing in a room full of dogs,
talking about a stupid movie!”
“It’s not stupid. Why couldn’t you be more like Ralph Kramden from the Honeymooners? Sure, he was loud and obnoxious, but he saved the whole shelter of dogs when he found out they would be destroyed. Why can’t you be more human?”
“The friggin Honeymooners, now? That’s it, I’ve had enough. You are going to pack up every one of those dogs and take them back to the shelter right now, or God help me, Alexa, I’ll get rid of them myself!”
“I won’t do it.”
“You will.”
“Make me.”
“Make you? Make you?” His fingers twisted around a wad of silky, satiny fabric as he fought for a shred of control. When the haze finally cleared his vision, Nick blinked and looked down. Then realized his wife was naked. Her lime-green robe had slid down over her shoulders and now gaped open. Her sash slipped unnoticed to the floor. He expected to catch a glimpse of some lacy negligee made to incite a man’s lust. He got much more.
Jesus, she was perfect.
”
”
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
“
eveything that comes together, falls apart," the Old Man said. "Everything. the chair I'm sitting on. It was built, and so it will fall apart. I'm gonna fall apart, probably before this chair. And you're gonna fall apart. the cells and organs and systems that make you you - they came together, grew together and so must fall apart. the buddha knew one thing that science didn't prove for millenia after his dead: entropy increases. Things fall apart."
We are all going, I thought, and it applies to turtles and turtlenecks, Alaska the girl and Alaska the place, because nothing can last, not even the earth itself. The buddah said that suffering was caused by desire, we'd learned, and that the cessation of desire meant the cessation of suffering. when you stopped wishing things wouldn't fall apart, you'd stop suffering when they did. Some day no one will remember that she ever existed, i wrote in my notebook, and then, or that I did. Because memories fall apart too. And then you're left with nothing, left not even with a ghost, but with its shadow.
In the beginning, she had haunted me, haunted my dreams, but even now, just weeks later, she was slipping away, falling apart in my memory and everyone else's, dying away. (...) I'd tasted her boozy breath. and then something invisible snapped inside her and that which had come together commenced to fall apart. And maybe that was the only asnwer we'd ever have. She fell apart because that's what happens.
”
”
John Green (Looking for Alaska)
“
When we see things from a different perspective, they either transform into fair features or slip under the cloak of the collective unconscious… overruled by the artistry and allure of the overall piece.
”
”
Kayla Severson (Nature's 1st Gem Is Green)
“
So while this is a book about fighting back, in the end this is a book about love. The songbirds and the salmon need your heart, no matter how weary, because even a broken heart is still made of love. They need your heart because they are disappearing, slipping into that longest night of extinction, and the resistance is nowhere in sight. We will have to build that resistance from whatever comes to hand: whispers and prayers, history and dreams, from our bravest words and braver actions. It will be hard, there will be a cost, and in too many implacable dawns it will seem impossible. But we will have to do it anyway. So gather your heart and join with every living being. With love as our First Cause, how can we fail?
”
”
Derrick Jensen (Deep Green Resistance: Strategy to Save the Planet)
“
Truth be told, happiness is like the artist's muse. She is very whimsical and loves to play little tricks on us. If we search too hard, happiness will slip away. And then, when we are not really concentrating on capturing her, she will suddenly appear in our peripheral vision wearing a green silk gown, winking at us.
”
”
Jamie Cat Callan (Bonjour, Happiness!: Secrets to Finding Your Joie de Vivre)
“
Someday no one will remember that she ever existed. Because memories fall apart, too. And then you're left with nothing, left not even with a ghosts but with its shadow. In the beginning, she had haunted me, haunted my dreams, but even now, just weeks later, she was slipping away. falling apart in my memory and everyone else's, dying again.
”
”
John Green (Looking for Alaska)
“
After slipping the condom on, he rolled on top of her, shoved her hair out of her face and held it while he got lost in those sea green eyes that, in a darkened room, shined bright.
He wanted her. And it wasn’t just the sex. He wanted the whole nutty package.
”
”
Adrienne Giordano (A Just Deception (Private Protectors, #3))
“
Will hadn’t seen him come into the room. He realized that the mysterious figure must have slipped in through a side door while everyone’s attention was on the Craftmasters as they made their entrance. Now he stood behind the Baron’s chair and slightly to one side, dressed in his usual brown and gray clothes and wrapped in his long, mottled gray and green Ranger’s cloak. Halt was an unnerving person. He had a habit of coming up on you when you least expected it—and you never heard his approach. The superstitious villagers believed that Rangers practiced a form of magic that made them invisible to ordinary people. Will wasn’t sure if he believed that—but he wasn’t sure he disbelieved it either. He wondered why Halt was here today. He wasn’t recognized as one of the Craftmasters and, as far as Will knew, he hadn’t attended a Choosing session prior to this one.
”
”
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
“
AT DAWN, a juggernaut of thunder wheeled over the stony heavens in a spark-throwing tumult. Rain fell softly on town cupolas, chuckled from rainspouts, and spoke in strange subterranean tongues beneath the windows where Jim and Will knew fitful dreams, slipping out of one, trying another for size, but finding all cut from the same dark, mouldered cloth.
”
”
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
“
And if sometimes, on the stairs of a palace, or on the green side of a ditch, or in the dreary solitude of your own room, you should awaken and the drunkenness be half or wholly slipped away from you, ask of the wind, or of the wave, or of the star, or of the bird, or of the clock, of whatever flies, or sighs, or rocks, or sings, or speaks, ask what hour it is; and the wind, wave star, bird, clock, will answer you: 'it is the hour to be drunken! Be drunken, if you would not be martyred slaves of Time; be drunken continually! With wine, with poetry, or with virtue, as you will."" (He grins at his father provocatively.)
”
”
Eugene O'Neill (Long Day’s Journey into Night)
“
One time on an island I swam in a green lagoon and saw through the clearness of the water the simple fact of my limbs. I watched the purple, red, and blue fish moving around my body and I paddled to keep myself afloat for a long time. Afterward, I lay down on the sand and concentrated on the warming my kneecaps and my shoulders. I can count moments like that on my hands. My dream is for you to have many such moments, so many that you notice only the times you slip into your own brain and recognize those instances for the traps that they are.
”
”
Lisa Taddeo (Animal)
“
Sometimes at Christmas she would slip into neighborhoods just like this one. She would walk along the streets and peer into windows at family and holiday gatherings, and marvel at the shiny gold, crimson and green decorated trees covered with tinsel and twinkling colored lights, while she wondered what it must be like to experience the beauty of such an ordinary, unattainable life.
”
”
Thea Harrison (Storm's Heart (Elder Races, #2))
“
A Quiet Death
Biting your tongue so words don't slip out. The taste of copper, sharp in your mouth. 'Penny for your thoughts' the saying goes, but they could never afford the words buried below. Sentenced to silence, laid unmarked graves, as you're slowly murdered by the things you don't say.
”
”
John Mark Green
“
Tea's like magic, man. I felt like I could slip a tea reading into a church potluck and everyone would be amused, as opposed to the horrified reaction I'd get slamming a deck of Tarot cards beside the green bean casserole.
”
”
J.W. Ocker
“
For a moment, I was perfectly relaxed, and I began enjoying the sight of this beautifully candlelit room full of well-dressed people. Then Mr. Merchant made a grab for my décolletage from behind, and I almost spilled the punch.
“One of those dear, pretty little roses slipped out of place,” he claimed, with an insinuating grin. I stared at him, baffled. Giordano hadn’t prepared me for a situation like this, so I didn’t know the proper etiquette for dealing with Rococo gropers. I looked at Gideon for help, but he was so deep in conversation with the young widow that he didn’t even notice. If we’d been in my own century, I’d have told Mr. Merchant to keep his dirty paws to himself or I’d hit back, whether or not any little roses had really slipped. But in the circumstances, I felt that his reaction was rather—discourteous. So I smiled at him and said, “Oh, thank you, how kind. I never noticed.”
Mr. Merchant bowed. “Always glad to be of service, ma’am.” The barefaced cheek of it! But in times when woman had no vote, I suppose it wasn’t surprising if they didn’t get any other kind of respect either.
The talking and laughter gradually died away as Miss Fairfax, a thin-nosed lady wearing a reed-green dress, went over to the pianoforte, arranged her skirts, and placed her hands on the keys. In fact, she didn’t play badly. It was her singing that was rather disturbing. It was incredibly . . . well, high-pitched. A tiny bit higher, and you’d have thought she was a dog whistle.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks glasses! of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster— tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone?
”
”
Herman Melville (Moby-Dick or, The Whale)
“
I would never forget the day you slipped away. A small lift of your chin and our eyes met. I only saw emptiness in a place where a wistful vulnerability used to collide with wonder. Now, a hollowness of a bottomless pit. In your eyes, I'd never seen your shade of green so dim. It caused my stomach to fall into the same somber eclipse, spiraling faster and faster with no end, no walls, only darkness.
”
”
Nicole Fiorina (Stay With Me (Stay with Me, #1))
“
You are quarter ghost on your mother’s side.
Your heart is a flayed peach in a bone box.
Your hair comes away in clumps like cheap fabric wet.
A reflecting pool gathers around your altar
of plywood sub flooring and split wooden slats.
You are rag doll prone. You are contort,
angle and arc. Here you rot. Here
you are a greening abdomen, slipping skin,
flesh fly, carrion beetles.
This is where bullets take shelter,
where scythes find their function, breath loses
its place on the page. This is where the page is torn
out of every book before chapter’s close,
this is slippage, this is a shroud of neglect
pulled over the body, this
is your chance to escape.
Little wraith,
bend light around your skin until it colors you clear,
disappear like silica in a kiln, become
glass and glass beads, become
the staggered whir of an exhaust fan:
something only noticed
when gone. Become
an origami swan. Fold yourself smaller
than ever before. Become less. More
in some ways but less
in the way a famine is less. They will
forgive you for not being satisfied
with fitting in their hands.
They will forgive you
for dying to be
a bird diminutive enough
to fit in a mouth and not be crushed.
”
”
Jamaal May
“
If his heart raced with excitement of the challenge he would have to make it slow again, like he always did, calming himself, making himself into a rock and then slipping, slowly at first, then more rapidly as he went along, down into the darkening green, down to the cold depths where all the mysteries were.
”
”
John L. Parker Jr. (Once a Runner)
“
Remember that these years of your daughters life are only the rehearsal for everything that comes after. Remember that its in her best interests to slip up now, while she's still safe in the green room.....Dont wait until she's out in the savage white light of the floods, where everyone can see. Let her practice everything in a safe environment, with a helmet and kneepads and packed lunches, and you at the end of the hall with the door cracked open in case anyone cries out in the long hours of the night.
”
”
Eleanor Catton (The Rehearsal)
“
He whispered her name as he pressed his forehead against hers. "So this is what love feels like." His fingers tightened possessively around the back of her neck, the pad of his thumb of his thumb caressing her soft skin.
Her lashes fluttered, eyes going a vibrant green. Her mouth curved into a soft smile. "You say the most beautiful things, Gavriil. You should have been a poet."
He brushed a kiss over each eye and slipped his gun into the waistband at the small of his back before straightening. "I'm a poet with a knife or gun."
-Gavriil & Lexi
”
”
Christine Feehan (Earth Bound (Sea Haven/Sisters of the Heart, #4))
“
In the courtyard there was an angel of black stone, and its angel head rose above giant elephant leaves; the stark glass angel eyes, bright as the bleached blue of sailor eyes, stared upward. One observed the angel from an intricate green balcony — mine, this balcony, for I lived beyond in three old white rooms, rooms with elaborate wedding-cake ceilings, wide sliding doors, tall French windows. On warm evenings, with these windows open, conversation was pleasant there, tuneful, for wind rustled the interior like fan-breeze made by ancient ladies. And on such warm evenings this town is quiet. Only voices: family talk weaving on an ivy-curtained porch; a barefoot woman humming as she rocks a sidewalk chair, lulling to sleep a baby she nurses quite publicly; the complaining foreign tongue of an irritated lady who, sitting on her balcony, plucks a fryer, the loosened feathers floating from her hands, slipping into air, sliding lazily downward.
”
”
Truman Capote
“
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this.
If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
that I would give up my life readily if I found myself in war, or if my plane crashed into a desert. I would struggle tooth and nail to survive. It’s as though my life and I, having sat in opposition to each other, hating each other, wanting to escape each other, have now bonded forever and at the hip. The opposite of depression is not happiness but vitality, and my life, as I write this, is vital, even when sad. I may wake up sometime next year without my mind again; it is not likely to stick around all the time. Meanwhile, however, I have discovered what I would have to call a soul, a part of myself I could never have imagined until one day, seven years ago, when hell came to pay me a surprise visit. It’s a precious discovery. Almost every day I feel momentary flashes of hopelessness and wonder every time whether I am slipping. For a petrifying instant here and there, a lightning-quick flash, I want a car to run me over and I have to grit my teeth to stay on the sidewalk until the light turns green; or I imagine how easily I might cut my wrists; or I taste hungrily the metal tip of a gun in my mouth; or I picture going to sleep and never waking up again. I hate those feelings, but I know that they have driven me to look deeper at life, to find and cling to reasons for living. I cannot find it in me to regret entirely the course my life has taken. Every day, I choose, sometimes gamely and sometimes against the moment’s reason, to be alive. Is that not a rare joy?
”
”
Andrew Solomon (The Noonday Demon)
“
The Moths
There's a kind of white moth, I don't know
what kind, that glimmers
by mid-May
in the forest, just
as the pink moccasin flowers
are rising.
If you notice anything,
it leads you to notice
more
and more.
And anyway
I was so full of energy.
I was always running around, looking
at this and that.
If I stopped
the pain
was unbearable.
If I stopped and thought, maybe
the world
can't be saved,
the pain
was unbearable.
Finally, I had noticed enough.
All around me in the forest
the white moths floated.
How long do they live, fluttering
in and out of the shadows?
You aren't much, I said
one day to my reflection
in a green pond,
and grinned.
The wings of the moths catch the sunlight
and burn
so brightly.
At night, sometimes,
they slip between the pink lobes
of the moccasin flowers and lie there until dawn,
motionless
in those dark halls of honey.
”
”
Mary Oliver (New and Selected Poems, Volume One)
“
This instrument being several years older than Oak's grandfather, had the peculiarity of going either too fast or not at all. The smaller of its hands, too, occasionally slipped round on the pivot, and thus, though the minutes were told with precision, nobody could be quite certain of the hour they belonged to. The stopping peculiarity of his watch Oak remedied by thumps and shakes, and he escaped any evil consequences from the other two defects by constant comparisons with and observations of the sun and stars, and by pressing his face close to the glass of his neighbours' windows, till he could discern the hour marked by the green-faced timekeepers within.
”
”
Thomas Hardy (Far from the Madding Crowd)
“
He’s brought a sleeping bag, one of those big green bulky L.L. Bean ones. I look at it questioningly.
Following my gaze, he turns red. “I told my parents I was going to help you study, then we might watch a movie, and if it got late enough, I’d crash on your living room floor.”
“And they said?”
“Mom said, ‘Have a nice time, dear.’ Dad just looked at me.”
“Embarrassing much?”
“Worth it.”
He walks slowly over, his eyes locked on mine, then puts his hands around my waist.
“Um. So . . . are we going to study?” My tone’s deliberately casual.
Jase slides his thumbs behind my ears, rubbing the hollow at their base. He’s only inches from my face, still looking into my eyes. “You bet. I’m studying you.” He scans over me, slowly, then returns to my eyes. “You have little flecks of gold in the middle of the blue.” He bends forward and touches his lips to one eyelid, then the other, then moves back. “And your eyelashes aren’t blond at all, they’re brown. And . . .” He steps back a little, smiling slowly at me. “You’re already blushing—here”—his lips touch the pulse at the hollow of my throat—“and probably here . . .” The thumb that brushes against my breast feels warm even through my T-shirt.
In the movies, clothes just melt away when the couple is ready to make love. They’re all golden and backlit with the soundtrack soaring. In real life, it just isn’t like that. Jase has to take off his shirt and fumbles with his belt buckle and I hop around the room pulling off my socks, wondering just how unsexy that is. People in movies don’t even have socks. When Jase pulls off his jeans, change he has in his pocket slips out and clatters and rolls across the floor.
“Sorry!” he says, and we both freeze, even though no one’s home to hear the sound.
In movies, no one ever gets self-conscious at this point, thinking they should have brushed their teeth. In movies, it’s all beautifully choreographed, set to an increasingly dramatic soundtrack.
In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again.
But here’s the truth: In movies, it’s never half so lovely as it is here and now with Jase.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
Almost every day I feel momentary flashes of hopelessness and wonder every time whether I am slipping. For a petrifying instant here and there, a lightning-quick flash, I want a car to run me over and I have to grit my teeth to stay on the sidewalk until the light turns green; or I imagine how easily I might cut my wrists; or I taste hungrily the metal tip of a gun in my mouth; or I picture going to sleep and never waking up again. I hate those feelings, but I know that they have driven me to look deeper at life, to find and cling to reasons for living. I cannot find it in me to regret entirely the course my life has taken. Every day, I choose, sometimes gamely and sometimes against the moment’s reason, to be alive. Is that not a rare joy?
”
”
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
“
If there was indeed a recording of the conversation that followed, it did not exist for long. Carter would never speak of it, except to say that it was among the most difficult of his long career. The only other witness was Ed Fielding. The security man could not hear Carter's words, but he could see the terrible toll they were taking. He saw a hand gripping the telephone with such force that the knuckles were white. And he saw the eyes. The unusually bright green eyes now burning with a terrifying rage. As Fielding slipped quietly from the room, he realized he had never seen such rage before. He did not know what his friend Adrian Carter was saying to the legendary Israeli assassin. But he was certain of one thing. Blood was going to flow. And men were going to die.
”
”
Daniel Silva (The Defector (Gabriel Allon, #9))
“
All at once, in his dangerous position, Ćorkan felt himself separated from his companions. He was now like some gigantic monster above them. His first steps were slow and hesitating. His heavy clogs kept slipping on the stones covered with ice. It seemed to him that his legs were failing him, that the depths below attracted him irresistibly, that he must slip and fall, that he was already falling. But his unusual position and the nearness of great danger gave him strength and hitherto unknown powers. [...] Instead of walking, he began to dance, he himself did not know how, as free as if he had been on a wide green field and not on that narrow and icy edge.
All of a sudden he felt himself light and skilful as a man sometimes in dreams. His heavy and exhausted body felt without weight. The drunken Ćorkan danced and floated above the depths as if on wings. [...] His dance bore him onward where his walk would never have borne him- No longer thinking of the danger of the possibility of a fall, he leapt from one leg to the other and sang with outstretched arms as accompanying himself on a drum.
”
”
Ivo Andrić (The Bridge on the Drina (Bosnian Trilogy, #1))
“
The thing no one tells you, the thing you have to find out on your own through firsthand experience, is that there is never an easy way to talk about suicide. There never was, there will never be. If ever someone asked, I'd tell them the truth: that my aunt was amazing, that she lived widely, that she had the most infectious laugh, that she knew four different languages and had a passport cluttered with so many stamps from different countries that it'd make any world traveler green with envy, and that she had a monster over her shoulder she didn't let anyone else see.
And in turn, that monster didn't let her see all the things she would miss. The birthdays. The anniversaries. The sunsets. The bodega on the corner that had turned into that shiplap furniture store. The monster closed her eyes to all the pain she would give the people she left—the terrible weight of missing her and trying not to blame her in all the same breath. And then you started blaming yourself. Could you have done something, been that voice that finally broke through? If you loved them more, if you paid more attention, if you were better, if you only asked, if you even knew to ask, if you could just read between the lines and—
If, if, if.
There is no easy way to talk about suicide.
Sometimes the people you love don't leave you with goodbyes—they just leave.
”
”
Ashley Poston (The Seven Year Slip)
“
Oh, America the Beautiful, where are our standards? How did Europeans, ancestral cultures to most of us, whose average crowded country would fit inside one of our national parks, somehow hoard the market share of Beautiful? They’ll run over a McDonald’s with a bulldozer because it threatens the way of life of their fine cheeses. They have international trade hissy fits when we try to slip modified genes into their bread. They get their favorite ham from Parma, Italy, along with a favorite cheese, knowing these foods are linked in an ancient connection the farmers have crafted between the milk and the hogs. Oh. We were thinking Parmesan meant, not “coming from Parma,” but “coming from a green shaker can.” Did they kick us out for bad taste?
No, it was mostly for vagrancy, poverty, or being too religious. We came here for the freedom to make a Leaves of Grass kind of culture and hear America singing to a good beat, pierce our navels as needed, and eat whatever we want without some drudge scolding: “You don’t know where that’s been!” And boy howdy, we do not.” (p.4)
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
This was the time when all we could talk about was sentences, sentences—nothing else stirred us. Whatever happened in those days, whatever befell our regard, Clea and I couldn’t rest until it had been converted into what we told ourselves were astonishingly unprecedented and charming sentences:
“Esther’s cleavage is something to be noticed” or “You can’t have a contemporary prison without contemporary furniture” or “I envision an art which will make criticism itself seem like a cognitive symptom, one which its sufferers define to themselves as taste but is in fact nothing of the sort” or “I said I want my eggs scrambled not destroyed.”
At the explosion of such a sequence from our green young lips, we’d rashly scribble it on the wall of our apartment with a filthy wax pencil, or type it twenty-five times on the same sheet of paper and then photocopy the paper twenty-five times and then slice each page into twenty-five slices on the paper cutter in the photocopy shop and then scatter the resultant six hundred and twenty-five slips of paper throughout the streets of our city, fortunes without cookies.
”
”
Jonathan Lethem
“
Eighteen years have gone by, and still I can bring back every detail of that day in the meadow. Washed clean of summer’s dust by days of gentle rain, the mountains wore a deep, brilliant green. The October breeze set white fronds of head-high grasses swaying. One long streak of cloud hung pasted across a dome of frozen blue. It almost hurt to look at that far-off sky. A puff of wind swept across the meadow and through her hair before it slipped into the woods to rustle branches and send back snatches of distant barking – a hazy sound that seemed to reach us from the doorway to another world. We heard no other sounds. We met no other people. We saw only two bright red birds leap startled from the centre of the meadow and dart into the woods. As we ambled along, Naoko spoke to me of wells.
”
”
Haruki Murakami (Norwegian Wood)
“
He never cried, not even when his alarm went off. Swaddled in his Moses basket, wires trailing out the bottom, his monitor flashing green, green, green, his entire four-pound body motionless except his eyelids, it seemed he understood everything I was working so hard to understand: his mother's love, his brother's ceaseless crying: he was already forgiving me my shortcomings as a father; he was a distillation of a dozen generations, all stripped into a single flame and stowed still-burning inside the this slip of his ribs. I'd hold him to the window and he'd stare out into the night, blue tributaries of veins pulsing his neck, his big eyelids slipping down now and then, and it would feel as if tethers were falling away, and the two of us were gently rising, through the glass, through the trees, through the interweaving layers of atmosphere, into whatever was beyond the sky.
”
”
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
“
That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips.
She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest.
Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani.
She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.
”
”
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
“
That’s just the way life is. It can be exquisite, cruel, frequently wacky, but above all utterly, utterly random. Those twin imposters in the bell-fringed jester hats, Justice and Fairness—they aren’t constants of the natural order like entropy or the periodic table. They’re completely alien notions to the way things happen out there in the human rain forest. Justice and Fairness are the things we’re supposed to contribute back to the world for giving us the gift of life—not birthrights we should expect and demand every second of the day. What do you say we drop the intellectual cowardice? There is no fate, and there is no safety net. I’m not saying God doesn’t exist. I believe in God. But he’s not a micromanager, so stop asking Him to drop the crisis in Rwanda and help you find your wallet. Life is a long, lonely journey down a day-in-day-out lard-trail of dropped tacos. Mop it up, not for yourself, but for the guy behind you who’s too busy trying not to drop his own tacos to make sure he doesn’t slip and fall on your mistakes. So don’t speed and weave in traffic; other people have babies in their cars. Don’t litter. Don’t begrudge the poor because they have a fucking food stamp. Don’t be rude to overwhelmed minimum-wage sales clerks, especially teenagers—they have that job because they don’t have a clue. You didn’t either at that age. Be understanding with them. Share your clues. Remember that your sense of humor is inversely proportional to your intolerance. Stop and think on Veterans Day. And don’t forget to vote. That is, unless you send money to TV preachers, have more than a passing interest in alien abduction or recentlypurchased a fish on a wall plaque that sings ‘Don’t Worry, Be Happy.’ In that case, the polls are a scary place! Under every ballot box is a trapdoor chute to an extraterrestrial escape pod filled with dental tools and squeaking, masturbating little green men from the Devil Star. In conclusion, Class of Ninety-seven, keep your chins up, grab your mops and get in the game. You don’t have to make a pile of money or change society. Just clean up after yourselves without complaining. And, above all, please stop and appreciate the days when the tacos don’t fall, and give heartfelt thanks to whomever you pray to….
”
”
Tim Dorsey (Triggerfish Twist (Serge Storms, #4))
“
Like here it was that I entered that stage when a child overcomes naivite enough to realize an adult's emotional reaction as somethimes freakish for its inconsistencies, so can, on his own reasoning canvas, paint those early pale colors of judgement, resulting from initial moments of ability to critically examine life's perplexities, in tentative little brain-engine stirrings, before they faded to quickly join that train of remembered experience carrying signals indicating existence which itself far outweighs traction effort by thinking's soon slipping drivers to effectively resist any slack-action advantage, for starting so necessitates continual cuts on the hauler - performed as if governed lifelong by the tagwork of a student-green foreman who, crushed under on rushing time always building against his excessive load of emotional contents, is forever a lost ball in the high weeds of personal developments - until, with ever changing emphasis through a whole series of grades of consciousness (leading up from root-beginnings of obscure childish inconscious soul within a world), early lack - for what child sustains logic? - reaches a point of late fossilization, resultant of repeated wrong moves in endless switching of dark significances crammed inside the cranium, where, through such hindering habits, there no longer is the flexibility for thought transfer and unloading of dead freight that a standard gauge would afford and thus, as Faustian Destiny dictates, is an inept mink, limited, being in existence firmly tracked just above the constant "T" biased ballast supporting wherever space yearnings lead the worn rails of civilized comprehension, so henceforth is restricted to mere pickups and setouts of drab distortion, while traveling wearily along its familiar Western Thinking right-of-way. But choo-choo nonsense aside, ...
”
”
Neal Cassady (The First Third)
“
Turn it beautiful.
His words came faintly at first, but they came again and again, always softly, always with the insistence of an elder commanding wisdom.
Turn it all to beauty.
She walked to the rail. When she turned and sat upon it, she heard a sailor in the crowd murmur that she might play them a tune. She hoped he was right. She needed the voices to be wrong. Fin raised the instrument to the cleft of her neck and closed her eyes. She emptied her mind and let herself be carried back to her earliest memory, the first pain she ever knew: the knowledge that her parents didn’t want her. The despair of rejection coursed through her. It fathered a knot of questions that bound her, enveloped her. Waves of uncertainty and frailty shook her to the bones. Her body quivered with anger and hopelessness. She reeled on the edge of a precipice. She wanted to scream or to throw her fists but she held it inside; she struggled to control it. She fought to subjugate her pain, but it grew. It welled up; it filled her mind. When she could hold it no more, exhausted by defiance and wearied by years of pretending not to care, Bartimaeus’s words surrounded her.
Got to turn it beautiful.
She dropped her defenses. She let weakness fill her. She accepted it. And the abyss yawned. She tottered over the edge and fell. The forces at war within her raced down her arms and set something extraordinary in motion; they became melody and harmony: rapturous, golden. Her fingers coaxed the long-silent fiddle to life. They danced across the strings without hesitation, molding beauty out of the miraculous combination of wood, vibration, and emotion. The music was so bright she felt she could see it. The poisonous voices were outsung. Notes raged out of her in a torrent. She had such music within her that her bones ached with it, the air around her trembled with it, her veins bled it. The men around fell still and silent. Some slipped to the deck and sat enraptured like children before a travelling bard.
”
”
A.S. Peterson (Fiddler's Green (Fin's Revolution, #2))
“
When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism.
The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them.
In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void.
Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.
”
”
John Crowley (Novelty: Four Stories)
“
Her. Her. Her. Future breezes implore
me to stay.
But I'm no future. I'm no past.
Only ever contemporary of this path.
I'll sacrifice everything
for all her seasons give from losing.
She, I sigh
from The Mountain top.
By her now. My only role. And for that freedom,
spread my polar chill, reaching even the warmest times,
a warning upon the back of every life
that would by harming Hailey's play, ever wayward
around this vegetative rush of orbit & twine,
awaken among these cascading cliffs of bellicose ice
me.
And my Vengeance.
At once.
The Justice of my awful loss
set free upon this crowded land. An old terror
violent for the glee of
ends.
But to those who would tend her, harrowed
by such Beauty & Fleeting Presence to do more,
my cool cries will kiss their gentle foreheads
and my tears will kiss their tender cheeks,
and then if the Love of their Kindness, which only
Kindness ever finds, spills my ear, for a while I might
slip down and play amidst her canopies of gold.
Solitude. Hailey's bare feet.
And all her patience now assumes.
Garland of Spring's Sacred Bloom.
By you, ever sixteen, this World's preserved.
By you, this World has everything left to lose.
And I, your sentry of ice, shall allways protect
what your Joy so dangerously resumes.
I'll destroy no World
so long it keeps turning with flurry & gush,
petals & stems bending and lush,
and allways our hushes returning anew.
Everyone betrays the Dream
but who cares for it? O Hailey no,
I could never walk away from you.
-
Haloes! Haleskarth!
Contraband!
I can walk away
from anything.
Everyone loves
the Dream but I kill it.
Bald Eagles soar
over me: —Reveille Rebel!
I jump free this weel.
On fire. Blaze a breeze.
I'll devastate the World.
\\
Samsara! Samarra!
Grand!
I can walk away
from anything.
Everyone loves
the Dream but I kill it.
Atlas Mountain Cedars gush
over me: —Up Boogaloo!
I leap free this spring.
On fire. How my hair curls.
I'll destroy the World.
-
Him. Him. Him. Future winds imploring
me to stay.
But I'm no tomorrow. I'm no yesterday.
Only ever contemporary of this way.
I will sacrifice everything
for all his seasons miss of soaring.
He, I sigh
from The Mountain top.
By him now. My only role. And for that freedom,
spread my polar chill, reaching even the warmest climes,
a warning upon the back of every life
that would by harming Sam's play, ever wayward
around this animal streak of orbit & wind,
awaken among these cataracts of belligerent ice
me.
And my Justice.
At once.
The Vengeance of my awful loss set
free upon this crowded land. An old terror
violent for the delirium of
ends.
But to those who would protect him, frightened
by such Beauty & Savage Presence to do more,
my cool cries will kiss their tender foreheads
and my tears will kiss their gentle cheeks,
and then if the Kindness of their Love, which only
Loving ever binds, spills my ear, for a while I might
slip down and play among his foals so green.
My barrenness. Sam's solitude.
And all his patience now presumes.
Luster of Spring's Sacred Brood.
By you, ever sixteen, this World's reserved.
By you, this World has everything left to lose.
And I, your sentry of ice, shall allways protect
what your Joy so terrifyingly elects.
I'll destroy no World
so long it keeps turning with scurry & blush,
fledgling & charms beading with dews,
and allways our rush returning renewed.
Everyone betrays the Dream
but who cares for it? O Sam no,
I could never walk away from you.
”
”
Mark Z. Danielewski (Only Revolutions)
“
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain.
Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence.
A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop.
Then the screen door squeaked open and she took flight.
Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive.
He knew her path by now. He was ready for the hunt.
The clanging unbuckled belt boomed in her ears as he gained on her.
The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go.
Young trees teased her in this direction, so she moved east towards the evergreens.
Hunger and hurt left her no choice, she had to stop running soon.
She grabbed the first tree with a branch low enough to reach, and up she went.
The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree.
His footsteps pounded close by.
She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his.
She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up.
Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down.
She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension.
Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest.
He called her name once, twice. The third time’s tone not quite as friendly.
The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her.
His feet crunched in circles around the tree, eventually heading back home.
Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense.
“Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
”
”
Kim Bongiorno (Part of My World: Short Stories)
“
But it still hurt anyway. You know a guy a long time, and I mean really know him, you don’t get used to the idea that he’s dead just overnight. Johnny was something more than a buddy to all of us. I guess he had listened to more beefs and more problems from more people than any of us. A guy that’ll really listen to you, listen and care about what you’re saying, is something rare. And I couldn’t forget him telling me that he hadn’t done enough, hadn’t been out of our neighborhood all his life—and then it was too late. I took a deep breath and opened the book. A slip of paper fell out on the floor and I picked it up. Ponyboy, I asked the nurse to give you this book so you could finish it. It was Johnny’s handwriting. I went on reading, almost hearing Johnny’s quiet voice. The doctor came in a while ago but I knew anyway. I keep getting tireder and tireder. Listen, I don’t mind dying now. It’s worth it. It’s worth saving those kids. Their lives are worth more than mine, they have more to live for. Some of their parents came by to thank me and I know it was worth it. Tell Dally it’s worth it. I’m just going to miss you guys. I’ve been thinking about it, and that poem, that guy that wrote it, he meant you’re gold when you’re a kid, like green. When you’re a kid everything’s new, dawn. It’s just when you get used to everything that it’s day. Like the way you dig sunsets, Pony. That’s gold. Keep that way, it’s a good way to be. I want you to tell Dally to look at one. He’ll probably think you’re crazy, but ask for me. I don’t think he’s ever really seen a sunset. And don’t be so bugged over being a greaser. You still have a lot of time to make yourself be what you want. There’s still lots of good in the world. Tell Dally. I don’t think he knows. Your buddy, Johnny.
”
”
S.E. Hinton (The Outsiders)
“
Goggles but no bathing suit?" she asked.
Daniel blushed. "I guess that was stupid. But I was in a hurry, only thinking about what you would need to get the halo." He drove the paddle back into the water, propelling them more quickly than a speedboat. "You can swim in your underwear, right?"
Now Luce blushed. Under normal circumstances, the question might have seemed thrilling, something they both would have giggled at. Not these nine days. She nodded. Eight days now. Daniel was deadly serious. Luce just swallowed hard and said, "Of course."
The pair of green-gray spires grew larger, more detailed, and then they were upon them. They were tall and conical, made of rusted slats of copper. They had once been capped by small teardrop-shaped copper flags sculpted to look like they were rippling in the wind, but one weathered flag was pocked with holes, and the other had broken off completely. In the open water, the spires' protrusion was bizarre, suggesting a cavernous cathedral of the deep. Luce wondered how long ago the church had sunk, how deep it sat below.
The thought of diving down there in ridiculous goggles and mom-bought underwear made her shudder.
"This church must be huge," she said. She meant I don't think I can do this. I can't breathe underwater. How are we going to find one small halo sunk in the middle of the sea?
"I can take you down as far as the chapel itself, but only that far. So long as you hold on to my hand." Daniel extended a warm hand to help Luce stand up in the gondola. "Breathing will not be a problem. But the church will still be sanctified, which means I'll need you to find the halo and bring it out to me."
Daniel yanked his T-shirt off over his head, dropping it to the bench of the gondola. He stepped out of his pants quickly, perfectly balanced on the boat, then kicked off his tennis shoes. Luce watched, feeling something stir inside her, until she realized she was supposed to be stripping down, too. She kicked off her boots, tugged off her socks, stepped out of her jeans as modestly as she could. Daniel held her hand to help her balance; he was watching her but not the way she would have expected. He was worried about her, the goose bumps rising on her skin. He rubbed her arms when she slipped off he sweater and stood freezing in her sensible underwear n the gondola in the middle of the Venetian lagoon.
Again she shivered, cold and fear an indecipherable mass inside her. But her voice sounded brave when she tugged the goggles, which pinched, down over her eyes and said, "Okay, let's swim."
They held hands, just like they had the last time they'd swum together at Sword & Cross. As their feet lifted off the varnished floor of the gondola, Daniel's hand tugged her upward, higher than she ever could have jumped herself-and then they dove.
Her body broke the surface of the sea, which wasn't as cold as she'd expected. In fact, the closer she swam beside Daniel, the warmer the wake around them grew.
He was glowing.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward.
She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of.
Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away.
“You think I can let you go now?” A low voice chuckled in her ear.
Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling.
“Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.”
Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all.
She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it.
He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street.
She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.”
Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat.
She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy.
When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through.
Security, Violet thought. Whatever it is they do here, they need security.
Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end.
But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
The Relics"
I slipped them into my friend’s palm —
the tiny crucifix, and dove,
from off my mother’s pendant watch —
and I asked her to walk them up through the brush
toward timberline, and find a place
to hurl them, for safekeeping. Now,
she writes, “I walked up the canyon at dusk,
warm, with a touch of fall blowing down the canyon,
came to an outcrop, above a steep
drop — far below, a seasonal
creek, green willows. I stood on a boulder
and held out my hand. I wished your mother all the
love in the world, and I sent the talismans
flying off the cliff. They were so small,
and the wind was blowing, so I never saw or
heard them land.” My mother is where
I cannot find her, she is gone beyond
recall, she lies in her sterling shapes
light as the most weightless bone in the body, her
stirrup bone, which was ground up
and sown into the sea. I do not know
what a soul is, I think of it
as the smallest, the core, civil right. And she
is wild now with it, she touches and is
touched by no one knows — down, or
droppings of a common nighthawk,
root of bird’s foot fern, antenna of
Hairstreak or Echo Azure, or stepped on by the
huge translucent Jerusalem cricket. There was
something deeply right about
the physical elements — atoms, and cells,
and marrow — of my mother’s body,
when I was young, and now her delicate
insignias receive the direct
touch of the sun, and scatter it,
unseen, all over her home.
”
”
Sharon Olds
“
The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in.
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anesthetist and my body to surgeons.
They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.
My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage——
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.
I have let things slip, a thirty-year-old cargo boat
stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.
I didn’t want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free——
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.
The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle : they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their color,
A dozen red lead sinkers round my neck.
Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I have no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.
Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.
The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.
--"Tulips", written 18 March 1961
”
”
Sylvia Plath (Ariel)
“
Blake Hartt, if you touch me, your skin must be bare. Do you understand?” Livia looked into his green eyes. They seemed confused, but he nodded.
Livia wished she’d worn something more romantic, but no matter. This wasn’t about clothes; it was about skin. She kicked off her sneakers and stepped away from him.
Come get me, Livia said with her eyes.
She pulled off her sweatpants and felt the cool air snap at her skin. She walked further and stopped in the center of the clearing next to the miraculous saplings. She now stood right where they’d been before when they’d failed.
She took her jacket off and let it fall. She created a trail of clothes like little stepping stones to hope. Livia had always been shy about her body. But she could do this here, now. She was asking so much of him.
She pulled her sweatshirt off and stood in her bra and panties. She shook a little from the cold and the risk. She willed him to take the chance as well.
He hadn’t moved, just stood squeezing the handle of the cheerful umbrella and watching Livia like she was walking a tightrope without a net. Livia reached behind her and unlatched her bra. She added it to her trail of clothes. Blake flexed and closed a gloved hand. Livia slipped off her white panties.
Now she was here—nude for him—if he could bring himself to walk across the meadow. She shivered and fought the need to cover her chilly skin. Blake kept his eyes on hers, not yet indulging in the sight before him.
“You’re cold,” he said softly.
Livia nodded. “I’m cold and alone out here.”
I will stay put. I will not cry. Come to me. Come to me.
And he did. He made slow, steady progress until he stood in front of her.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
He whirled,almost violently,and stared at her accusingly. "Damn it, Gennie, I've had my head lopped off."
It was her turn to stare.Her fingers went numb against the stoneware. Her pulse seemed to stop long enough to make her head swim before it began to race. The color drained from her face until it was like porcelain against the glowing green of her eyes.On another oath, Grant dragged a hand through his hair.
"You're spilling the coffee," he muttered, then stuck his hands in his pockets.
"Oh." Gennie looked down foolishly at the tiny twin puddles that were forming on the floor,then set down the mugs. "I'll-I'll wipe it up."
"Leave it." Grant grabbed her arm before she could reach for a towel. "Listen,I feel like someone's just given me a solid right straight to the gut-the kind that doubles you over and makes your head ring at the same time.I feel that way too often when I look at you." When she said nothing, he took her other arm and shook. "In the first place I never asked to have you walk into my life and mess up my head. The last thing I wanted was for you to get in my way,but you did.So now I'm in love with you, and I can tell you,I'm not crazy about the idea."
Gennie found her voice, though she wasn't quite certain what to do with it. "Well," she managed after a moment, "that certainly puts me in my place."
"Oh,she wants to make jokes." Disgusted, Grant released her to storm over to the coffee. Lifting a mug, he drained half the contents, perversely pleased that it scalded his throat. "Well, laugh this off," he suggested as he slammed the mug down again and glared. "You're not going anywhere until I figure out what the hell I'm going to do about you."
Struggling against conflicting emotions of amusement,annoyance,and simple wonder, she put her hands on her hips. The movement shifted the too-big robe so that it threatened to slip off one shoulder. "Oh,really? So you're going to figure out what to do about me, like I was an inconvenient head cold."
"Damned inconvenient," he muttered.
"You may not have noticed, but I'm a grown woman with a mind of my own, accustomed to making my own decisions. You're not going to do anything about me," she told him as her temper began to overtake everything else. She jabbed a finger at him,and the gap in the robe widened. "If you're in love with me, that's your problem. I have one of my own because I'm in love with you."
"Terrific!" he shouted at her. "That's just terrific.We'd both have been better off if you'd waited out that storm in a ditch instead of coming here."
"You're not telling me anything I don't already know," Gennie retorted, then spun around to leave the room.
"Just a minute." Grant had her arm again and backed her into the wall. "You're not going anywhere until this is settled."
"It's settled!" Tossing her hair out of her face, she glared at him. "We're in love with each other and I wish you'd go jump off that cliff.If you had any finesse-"
"I don't."
"Any sensitivty," she continued, "you wouldn't announce that you were in love with someone in the same tone you'd use to frighten small children.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Tobias takes me to the atrium near the hotel dormitory, and we spend some time there, talking and kissing and pointing out the strangest plants. It feels like something that normal people do--go on dates, talk about small things, laugh. We have had so few of those moments. Most of our time together has been spent running from one threat or another, or running toward one threat or another. But I can see a time on the horizon when that won’t need to happen anymore. We will reset the people in the compound, and work to rebuild this place together. Maybe then we can find out if we do as well with the quiet moments as we have with the loud ones.
I am looking forward to it.
Finally the time comes for Tobias to leave. I stand on the higher step in the atrium and he stands on the lower one, so we’re on the same plane.
“I don’t like that I can’t be with you tonight,” he says. “It doesn’t feel right to leave you alone with something this huge.”
“What, you don’t think I can handle it?” I say, a little defensive.
“Obviously that is not what I think.” He touches his hands to my face and leans his forehead against mine. “I just don’t want you to have to bear it alone.”
“I don’t want you to have to bear Uriah’s family alone,” I say softly. “But I think these are things we have to do separately. I’m glad I’ll get to be with Caleb before…you know. It’ll be nice not having to worry about you at the same time.”
“Yeah.” He closes his eyes. “I can’t wait until tomorrow, when I’m back and you’ve done what you set out to do and we can decide what comes next.”
“I can tell you it will involve a lot of this,” I say, and I press my lips to his.
His hands shift from my cheeks to my shoulders and then slide painstakingly down my back. His fingers find the hem of my shirt, then slip under it, warm and insistent.
I feel aware of everything at once, of the pressure of his mouth and the taste of our kiss and the texture of his skin and the orange light glowing against my closed eyelids and the smell of green things, growing things, in the air. When I pull away, and he opens his eyes, I see everything about them, the dart of light blue in his left eye, the dark blue that makes me feel like I am safe inside it, like I am dreaming.
“I love you,” I say.
“I love you, too,” he says. “I’ll see you soon.”
He kisses me again, softly, and then leaves the atrium. I stand in that shaft of sunlight until the sun disappears.
It’s time to be with my brother now.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
He got in beside her and impatiently reached for her seat belt, snapping it in place. “You always forget,” he murmured, meeting her eyes.
Her breath came uneasily through her lips as she met that level stare and responded helplessly to it. He was handsome and sexy and she loved him more than her own life. She had for years. But it was a hopeless, unreturned adoration that left her unfulfilled. He’d never touched her, not even in the most innocent way. He only looked.
“I should close my door to you,” she said huskily. “Refuse to speak to you, refuse to see you, and get on with my life. You’re a constant torment.”
Unexpectedly he reached out and touched her soft cheek with just his fingertips. They smoothed down to her full, soft mouth and teased the lower lip away from the upper one. “I’m Lakota,” he said quietly. “You’re white.”
“There is,” she said unsteadily, “such a thing as birth control.”
His face was very solemn and his eyes were narrow and intent on hers. “And sex is all you want from me, Cecily?” he asked mockingly. “No kids, ever?”
It was the most serious conversation they’d ever had. She couldn’t look away from his dark eyes. She wanted him. But she wanted children, too, eventually. Her expression told him so.
“No, Cecily,” he continued gently. “Sex isn’t what you want at all. And what you really want, I can’t give you. We have no future together. If I marry one day, it’s important to me that I marry a woman with the same background as my own. And I don’t want to live with a young, and all too innocent, white woman.”
“I wouldn’t be innocent if you’d cooperate for an hour,” she muttered outrageously.
His dark eyes twinkled. “Under different circumstances, I would,” he said, and there was suddenly something hot and dangerous in the way he looked at her as the smile faded from his chiseled lips, something that made her heart race even faster. “I’d love to strip you and throw you onto a bed and bend you like a willow twig under y body.”
“Stop!” she whispered theatrically. “I’ll swoon!” And it wasn’t all acting.
His hand slid behind her nape and contracted, dragging her rapt face just under his, so close that she could smell the coffee that clung to his clean breath, so close that her breasts almost touched his jacket.
“You’ll tempt me once too often,” he bit off. “This teasing is more dangerous than you realize.”
She didn’t reply. She couldn’t. She was throbbing, aroused, sick with desire. In all her life, there had been only this man who made her feel alive, who made her feel passion. Despite the traumatic experience of her teens, she had a fierce physical attraction to Tate that she was incapable of feeling with any other man.
She touched his lean cheek with cold fingertips, slid them back, around his neck into the thick mane of long hair that he kept tightly bound-like his own passions.
“You could kiss me,” she whispered unsteadily, “just to see how it feels.”
He tensed. His mouth poised just above her parted lips. The silence in the car was pregnant, tense, alive with possibilities and anticipation. He looked into her wide, pale, eager green eyes and saw the heat she couldn’t disguise. His own body felt the pressure and warmth of hers and began to swell, against his will.
“Tate,” she breathed, pushing upward, toward his mouth, his chiseled, beautiful mouth that promised heaven, promised satisfaction, promised paradise.
His dark fingers corded in her hair. They hurt, and she didn’t care. Her whole body ached.
“Cecily, you little fool,” he ground out.
Her lips parted even more. He was weak. This once, he was weak. She could tempt him. It could happen. She could feel his mouth, taste it, breathe it. She felt him waver. She felt the sharp explosion of his breath against her lips as he let his control slip. His mouth parted and his head bent. She wanted it. Oh, God, she wanted it, wanted it, wanted it…
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
What else do you want to know?’ he asked. Possessed by morbid curiosity, her eyes darted to the scar that cut just over his ear. She’d found it shortly after they met, while he lay unconscious in the grass. He didn’t need to ask what had caught her attention. ‘I got that in a fight against imperial soldiers. Ask me why.’ She shook her head, unable to bring herself to do it. The cocoon of warmth that had enveloped the entire afternoon unwound itself in an instant. ‘Are you having second thoughts about being here with me?’ He planted a hand into the grass, edging closer. ‘No. I trust you.’ He was giving her all the time in the world to shove him away, to rise, to flee. Her heartbeat quickened as she watched him. Moving ever so slowly, he braced an arm on either side of her, his fingers sinking into the moss. ‘I asked you to come with me.’ Despite her words, she dug her heels into the ground and inched backwards. ‘I feel safe with you.’ ‘I can see that.’ He affected a lazy smile as she retreated until her back pressed against the knotted roots that crawled along the ground. His boldness was so unexpected, so exciting. She held her breath and waited. Her pulse jumped when he reached for her. She’d been imagining this moment ever since their first duel and wondering whether it would take another swordfight for him to come near her again. His fingers curled gently against the back of her neck, giving her one last chance to escape. Then he lowered his mouth and kissed her.
It was as natural as breathing to wrap his arms around her and lower her to the ground. He settled his weight against her hips. The perfume of her skin mixed with the damp scent of the moss beneath them. At some point, her sense of propriety would win over. Until then he let his body flood with raw desire. It felt good to kiss her the way he wanted to. It felt damn good. He slipped his tongue past her lips to where she was warm and smooth and inviting. Her hands clutched at his shirt as she returned his kiss. A muted sound escaped from her throat. He swallowed her cry, using his hands to circle her wrists: rough enough to make her breath catch, gentle enough to have her opening her knees, cradling his hips with her long legs. He stroked himself against her, already hard beyond belief. He groaned when she responded, instinctively pressing closer. ‘I need to see you,’ he said. The sash around her waist fell aside in two urgent tugs while his other hand stole beneath her tunic. She gasped when his fingers brushed the swath of cloth at her breasts. The faint, helpless sound nearly lifted him out of the haze of desire. He didn’t want to think too hard about this. Not yet. He felt for the edge of the binding. ‘In back.’ She spoke in barely a whisper, a sigh on his soul. She peered up at him, her face in shadow as he parted her tunic. She watched him in much the same way she had when they had first met: curious, fearless, her eyes a swirl of green and gold. He pulled at the tight cloth until Ailey’s warm, feminine flesh swelled into his hands. He soothed his palms over the cruel welts left by the bindings. She bit down against her lip as blood rushed back into the tortured flesh. With great care, he stroked her nipples, teasing them until they grew tight beneath his roughened fingertips. God’s breath. Perfect. He wanted his mouth on her and still it wouldn’t be enough. Her heart beat out a chaotic rhythm. His own echoed the same restless pulse. ‘I knew it would be like this.’ His words came out hoarse with passion. At that moment he’d have given his soul to have her. But somewhere in his thick skull, he knew he had a beautiful, vulnerable girl who trusted him pressed against the bare earth. He sensed the hitch in her breathing and how her fingers dug nervously into his shoulders, even as her hips arched into him. He ran his thumb gently over the reddened mark that ran just below her collarbone and felt her shiver beneath him.
”
”
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))