Green Acres Quotes

It wasn’t a city, it was a process, a weight on the world that distorted the land for hundreds of miles around. People who’d never see it in their whole life nevertheless spent that life working for it. Thousands and thousands of green acres were part of it, forests were part of it. It drew in and consumed… …and gave back the dung from its pens, and the soot from its chimneys, and steel, and saucepans, and all the tools by which its food was made. And also clothes, and fashions, and ideas, and interesting vices, songs, and knowledge, and something which, if looked at in the right light, was called civilization. That was what civilization meant. It meant the city.

There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame. The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean's faery floor, one hand clasped to a bedded whale's rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love. The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love. The rich soil crumbles through the yeoman's fingers. As the pearl diver murmurs, 'I am home' as he moves dimly in strange water-lights, and as the painter mutters, 'I am me' on his lone raft of floorboards, so the slow landsman on his acre'd marl - says with dark Fuchsia on her twisting staircase, 'I am home.

A Dream of Trees There is a thing in me that dreamed of trees, A quiet house, some green and modest acres A little way from every troubling town, A little way from factories, school, laments. I would have time, I thought, and time to spare, With only streams and birds for company, To build out of my life a few wild stanzas. And then it came to me, that so was death, A little way away from everywhere.

Mind's acres are forever green: Oh, I Shall keep perpetual summer here; I shall Refuse to let one startled swallow die, Or, from the copper beeches, one leaf fall.

t wasn’t a city, it was a process, a weight on the world that distorted the land for hundreds of miles around. People who’d never see it in their whole lives nevertheless spent their life working for it. Thousands and thousands of green acres were part of it, forests were part of it. It drew in and consumed… …and gave back the dung from its pens and the soot from its chimneys, and steel, and saucepans, and all the tools by which its food was made. And also its clothes, and fashions and ideas and interesting vices, songs and knowledge and something which if looked at in the right light, was called civilization. That’s what civilization meant. It meant the city.

Old-time ranchers planted cheatgrass because it would green up fast in the spring and provide early forage for grazing cattle,” Oyster says, nodding his head at the world outside. This first patch of cheatgrass was in southern British Columbia, Canada, in 1889. But fire spreads it. Every year, it dries to gunpowder, and now land that used to burn every ten years, it burns every year. And the cheatgrass recovers fast. Cheatgrass loves fire. But the native plants, the sagebrush and desert phlox, they don’t. And every year it burns, there’s more cheatgrass and less anything else. And the deer and antelope that depended on those other plants are gone now. So are the rabbits. So are the hawks and owls that ate the rabbits. The mice starve, so the snakes that ate the mice starve. Today, cheatgrass dominates the inland deserts from Canada to Nevada, covering an area over twice the size of the state of Nebraska and spreading by thousands of acres per year. The big irony is, even cattle hate cheatgrass, Oyster says. So the cows, they eat the rare native bunch grasses. What’s left of them... “When you think about it from a native plant perspective,” Oyster says, “Johnny Appleseed was a fucking biological terrorist.” Johnny Appleseed, he says, might as well be handing out smallpox.

The Daffodil-Yellow Villa The new villa was enormous, a tall, square Venetian mansion, with faded daffodil-yellow walls, green shutters, and a fox-red roof. It stood on a hill overlooking the sea, surrounded by unkempt olive groves and silent orchards of lemon and orange trees. ... the little walled and sunken garden that ran along one side of the house, its wrought-iron gates scabby with rust, had roses, anemones and geraniums sprawling across the weed-grown paths ... ... there were fifteen acres of garden to explore, a vast new paradise sloping down to the shallow, tepid sea.

At the time, I thought if Stan Davis wanted to live on Green Valley Road, or in the Hundred-Acre Wood, that was his right as an American

Against the dark screen of night, Vimes had a vision of Ankh-Morpork. It wasn’t a city, it was a process, a weight on the world that distorted the land for hundreds of miles around. People who’d never see it in their whole life nevertheless spent that life working for it. Thousands and thousands of green acres were part of it, forests were part of it. It drew in and consumed… …and gave back the dung from its pens, and the soot from its chimneys, and steel, and saucepans, and all the tools by which its food was made. And also clothes, and fashions, and ideas, and interesting vices, songs, and knowledge, and something which, if looked at in the right light, was called civilization. That was what civilization meant. It meant the city. Was

Lexington, Kentucky looks like paradise. Acres of grass as green and tender as a golf course putting green surround hilltop mansions. New Circle Road--a beltway enveloping the city's heartland like a moat--attempts to separate the wealthy landowners from the encroaching strip centers and fast-food joins that are symbolic of the rest of the state .... Combining the traditional feelings of Southerners with the uniquely gorgeous landscape of the bluegrass, Lexingtonians consider themselves and their region the cream of the crop--not only of Kentucky, but also of the nation.

Roses climbed the shed, entwined with dark purple clematis, leaves as glossy as satin. There were no thorns. Patience's cupboard was overflowing with remedies, and the little barn was often crowded with seekers. The half acre of meadow was wild with cosmos and lupine, coreopsis, and sweet William. Basil, thyme, coriander, and broad leaf parsley grew in billowing clouds of green; the smell so fresh your mouth watered and you began to plan the next meal. Cucumbers spilled out of the raised beds, fighting for space with the peas and beans, lettuce, tomatoes, and bright yellow peppers. The cart was righted out by the road and was soon bowed under glass jars and tin pails of sunflowers, zinnias, dahlias, and salvia. Pears, apples, and out-of-season apricots sat in balsa wood baskets in the shade, and watermelons, some with pink flesh, some with yellow, all sweet and seedless, lined the willow fence.

Forbid that I should walk through Thy beautiful world with unseeing eyes; Forbid that the lure of the market-place should ever entirely steal my heart away from the love of the open acres and the green trees; Forbid that under the low roof of workshop or office or study I should ever forget Thy great overarching sky: Forbid that when all Thy creatures are greeting the morning with songs and shouts of joy, I alone should wear a dull and sullen face.

My respiration and inspiration.... the beating of my heart.... the passing of blood and air through my lungs, The sniff of green leaves and dry leaves, and of the shore and darkcolored sea-rocks, and of hay in the barn, The sound of the belched words of my voice.... words loosed to the eddies of the wind, A few light kisses.... a few embraces.... a reaching around of arms, The play of shine and shade on the trees as the supple boughs wag, The delight alone or in the rush of the streets, or along the fields and hillsides, The feeling of health.... the full-noon trill.... the song of me rising from bed and meeting the sun. Have you reckoned a thousand acres much? Have you reckoned the earth much? Have you practiced so long to learn to read? Have you felt so proud to get at the meaning of poems?

At an 1854 Fourth of July abolitionist rally in Framinhmgham, Massachusetts, William Lloyd Garrison burned copies of both the 1850 Fugitive Slave Act and the court's decision to send Burns back to Virginia. He also lit on fire the US Constitution, calling it "a covenant with death, and an agreement with hell.

An acre of poppies and a forest of spruce boggle no one’s mind. Even ten square miles of wheat gladdens the hearts of most . . . No, in the plant world, and especially among the flowering plants, fecundity is not an assault on human values. Plants are not our competitors; they are our prey and our nesting materials. We are no more distressed at their proliferation than an owl is at a population explosion among field mice . . . but in the animal world things are different, and human feelings are different . . . Fecundity is anathema only in the animal. "Acres and acres of rats" has a suitably chilling ring to it that is decidedly lacking if I say, instead, "acres and acres of tulips".

Hail, many-colour'd messenger, that ne'er Dost disobey the wife of Jupiter; Who with thy saffron wings upon my flowers Diffusest honey-drops, refreshing showers, And with each end of thy blue bow dost crown My bosky acres and my unshrubb'd down, Rich scarf to my proud earth; why hath thy queen Summon'd me hither, to this short-grass'd green?

All my nose is picking up on is the smell of green alfalfa hay and baling twine. I check with Keeper to see if he's sniffing up either hide or hair of Sneaky Tim Ray since my dog can can whiff dubious intentions from an acre away. People can hide their badness from one another, but the scent of wrongdoing is pungent and unmistakable to our four-legged friends.

As a king, I have specified 2 urns as my backdrop, I have drank a cold Islamic green from my goblet, I have surveyed the Moorish lanterns of Iberia, so that when I come to a stance, when I come to a wisely chosen acre of granite, I am on grounds of a new undistinguished bodily grain, a prophet increased by fore-shortened spells, by Persian miniature gladioli, roosting upon the blood of erupting lateral wheat.

The human eye loves to rest upon wide expanses of pure colour: the moors in the purple heyday of the heather, miles of green downland, and the sea when it lies calm and blue and boundless, all delight it; but to some none of these, lovely though they all are, can give the same satisfaction of spirit as acres upon acres of golden corn. There is both beauty and bread and the seeds of bread for future generations.

SEEN ACROSS TEN MILES OF sunlit water, Lorbanery was green, green as the bright moss by a fountain’s rim. Nearby, it broke up into leaves, and tree-trunks, and shadows, and roads, and houses, and the faces and clothing of people, and dust, and all that goes to make up an island inhabited by men. Yet still, over all, it was green: for every acre of it that was not built or walked upon was given up to the low, round-topped hurbah trees, on the leaves of which feed the little worms that spin the silk that is made into thread and woven by the men and women and children of Lorbanery. At dusk the air there is full of small grey bats who feed on the little worms. They eat many, but are suffered to do so and are not killed by the silk-weavers, who indeed account it a deed of very evil omen to kill the grey-winged bats. For if human beings live off the worms, they say, surely small bats have the right to do so.

The bushes puzzled him, they were so big, almost trees, some twice his height, and there seemed so many. They were planted all along the edges of the towering droop-limbed hemlocks that sheltered the place, and in the acres sheltered there were dozens of great rectangular clumps like loaves of porous green bread. The bushes were evergreen. With their zigzag branches and long oval leaves fingering in every direction they seemed to belong to a different climate, to a different land, whose gravity pulled softer than this one.

overlooking the wharf. She couldn’t read the menu, but he told her most of it, and she ordered fried chicken, mashed potatoes, gravy, white acre peas, and biscuits fluffy as fresh-picked cotton. He had fried shrimp, cheese grits, fried “okree,” and fried green tomatoes. The waitress put a whole dish of butter pats perched on ice cubes and a basket of cornbread and biscuits on their table, and all the sweet iced tea they could drink. Then they had blackberry cobbler with ice cream for dessert. So full, Kya thought she might get sick, but figured it’d be worth

Well-kept lawns demanded land and a lot of work, particularly in the days before lawnmowers and automatic water sprinklers. In exchange, they produce nothing of value. You can’t even graze animals on them, because they would eat and trample the grass. Poor peasants could not afford wasting precious land or time on lawns. The neat turf at the entrance to chateaux was accordingly a status symbol nobody could fake. It boldly proclaimed to every passerby: ‘I am so rich and powerful, and I have so many acres and serfs, that I can afford this green extravaganza.’ The bigger and neater the lawn, the more powerful the dynasty. If you came to visit a duke and saw that his lawn was in bad shape, you knew he was in trouble.

And then she set to work, washing fresh blueberries that sat on the counter, before grabbing a big colander. Sam headed into the backyard, whose lawn backed acres of woods. Blackberries and raspberries grew wild and thick in the brambles that sat at the edge of the woods. Sam carefully navigated her way through the thorny vines, her thin running shirt catching and snagging on a thorn. "Darn it," she mumbled. Blackberries are red when they're green, she could hear her grandfather telling her when they used to pick the fruit. But today, a brilliant summer day, the blackberries were deep purple, almost black, and each one resembled a mini beehive. Sam plucked and popped a fresh blackberry, already warm from the sun, into her mouth, savoring the natural sweetness, and picked until her colander was half full before easing her way through the woods to find a raspberry bush thick with fruit. She navigated her way out of the brambles and headed back to the kitchen, where she preheated the oven and began to wash the blackberries and raspberries. Sam pulled cold, unsalted butter from the fridge and began to cube it, some flour and sugar from the cupboard, a large bowl, and then she located her grandmother's old pastry blender. Sam made the crust and then rolled it into a ball, lightly flouring it and wrapping it in plastic before placing it in the refrigerator. Then she started in on the filling, mixing the berries, sugar, flour, and fresh orange juice.

Psychoanalysis: An Elegy" What are you thinking about? I am thinking of an early summer. I am thinking of wet hills in the rain Pouring water. Shedding it Down empty acres of oak and manzanita Down to the old green brush tangled in the sun, Greasewood, sage, and spring mustard. Or the hot wind coming down from Santa Ana Driving the hills crazy, A fast wind with a bit of dust in it Bruising everything and making the seed sweet. Or down in the city where the peach trees Are awkward as young horses, And there are kites caught on the wires Up above the street lamps, And the storm drains are all choked with dead branches. What are you thinking? I think that I would like to write a poem that is slow as a summer As slow getting started As 4th of July somewhere around the middle of the second stanza After a lot of unusual rain California seems long in the summer. I would like to write a poem as long as California And as slow as a summer. Do you get me, Doctor? It would have to be as slow As the very tip of summer. As slow as the summer seems On a hot day drinking beer outside Riverside Or standing in the middle of a white-hot road Between Bakersfield and Hell Waiting for Santa Claus. What are you thinking now? I’m thinking that she is very much like California. When she is still her dress is like a roadmap. Highways Traveling up and down her skin Long empty highways With the moon chasing jackrabbits across them On hot summer nights. I am thinking that her body could be California And I a rich Eastern tourist Lost somewhere between Hell and Texas Looking at a map of a long, wet, dancing California That I have never seen. Send me some penny picture-postcards, lady, Send them. One of each breast photographed looking Like curious national monuments, One of your body sweeping like a three-lane highway Twenty-seven miles from a night’s lodging In the world’s oldest hotel. What are you thinking? I am thinking of how many times this poem Will be repeated. How many summers Will torture California Until the damned maps burn Until the mad cartographer Falls to the ground and possesses The sweet thick earth from which he has been hiding. What are you thinking now? I am thinking that a poem could go on forever.

The U.S. Olympic eight-oared crew was as cool as could be, though. Every afternoon they boarded a boat and made their way out to the New York Athletic Club’s private retreat, Huckleberry Island, a mile off Travers Island, out in the cool waters of Long Island Sound. The island was twelve acres of paradise, and the boys fell in love with it the moment they stepped out of their launch and onto a beach in one of its many small granite coves, wearing the Indian headbands with turkey feathers that club members donned whenever they visited the island. They leapt off stone ledges, plunged into the cool green water of the sound, swam, horsed around, then stretched out on warm flat slabs of granite, toasting themselves brown before plunging back into the water again.

You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo? You are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. You are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air. You are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?

The mutualistic relationships between bees, the flowers that they pollinate, and the bacteria that live within the roots of those plants are at the heart of the functioning of a natural, species-rich meadow. The problem is that these relationships can be ruined by application of a sack of fertiliser, which allows the grasses to swamp the legumes and other wild flowers, swiftly resulting in a bright green, flowerless sward, with no legumes, no Rhizombium, and no bees. In the farming world this is known as "improved" grassland. In the 1940's Britain had in the region 15 million acres of flower rich grasslands. It is hard to get precise figures, but about 250,000 acres remain; a staggering loss of over 98 percent. Fertilisers were cheap, and successive governments were keen to persuade farmers to boost productivity, so ecosystems that had taken hundreds of years to develop were subject to swift and wholesale destruction.

A tree can lift and transpire vast amounts of water. A single tree in the Amazon rain forest lifts hundreds of liters of water every day. The rain forest behaves like a green ocean, transpiring water that rains upward, as though gravity were reversed. These transpired mists then flow across the continent in great rivers of vapor. The water condenses, falls as rain, and is pulled back up again through the trees. It rises and falls on its westward migration an average of six times before finally hitting the physical barrier of the Andes mountains and flowing back across the continent as the mightiest river on Earth. Similarly, Indonesia, with 114 million hectares (280 million acres) of tropical forest (it is the second most forested country in the world after Brazil) is a vital part of the Asian hydrologic cycle. Around the world, forests constantly replenish Earth’s supply of fresh water and play a key role in weather and climate.

The way you see the change in a person you've been away from for a long time, where somebody who sees him every day, day in, day out, wouldn't notice because the change is gradual. All up the coast I could see the signs of what the Combine had accomplished since I was last through this country, things like, for example a train stopping at a station and laying a string of full-grown men in mirrored suits and machined hats, laying them like a hatch of identical insects, half-life things coming pht-pht-pht out of the last car, then hooting its electric whistle and moving on down the spoiled land to deposit another hatch. Or things like five thousand houses punched out identical by a machine and strung across the hills outside of town, so fresh from the factory theyre still linked together like sausages, a sign saying NEST IN THE WEST HOMES NO DWN. PAYMENT FOR VETS, a playground down the hill from the houses, behind a checker-wire fence and another sign that read ST. LUKE'S SCHOOL FOR BOYS there were five thousand kids in green corduroy pants and white shirts under green pullover sweaters playing crack-the-whip across an acre of crushed gravel. The line popped and twisted and jerked like a snake, and every crack popped a little kid off the end, sent him rolling up against the fence like a tumbleweed. Every crack. And it was always the same little kid, over and over. All that five thousand kids lived in those five thousand houses, owned by those guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed. They ate and went to bed. The only one they noticed was the little kid at the end of the whip. He'd always be so scuffed and bruised that he'd show up out of place wherever he went. He wasn't able to open up and laugh either. It's a hard thing to laugh if you can feel the pressure of those beams coming from every new car that passes, or every new house you pass.

Ah reckon we can git us some rest'rant vittles," Pa said, and led her along the pier toward the Barkley Cove Diner. Kya had never eaten restaurant food; had never set food inside. Her heart thumped as she brushed dried mud from her way-too-short overalls and patted down her tangled hair. As Pa opened the door, every customer paused mid-bite. A few men nodded faintly at Pa; the women frowned and turned their heads. One snorted, "Well, they prob'ly can't read the shirt and shoes required." Pa motioned for her to sit at a small table overlooking the wharf. She couldn’t read the menu, but he told her most of it, and she ordered fried chicken, mashed potatoes, gravy, white acre peas, and biscuits fluffy as fresh-picked cotton. He had fried shrimp, cheese grits, fried “okree,” and fried green tomatoes. The waitress put a whole dish of butter pats perched on ice cubes and a basket of cornbread and biscuits on their table, and all the sweet iced tea they could drink. Then they had blackberry cobbler with ice cream for dessert.

Deep underground, microbes turn half a century's worth of city waste into methane. The gases and leachate are extracted through an extensive network of subterranean pipes and then used to power 22,000 nearby homes. While 150 million tons of garbage gradually decomposes unseen below the surface, above ground, the former dump reverts to meadows, woodland and saltwater marshes, providing a haven for wildlife and a massive park for the people of New York. This is Fresh Kills in the 2020s. In 2001, the infamous landfill received its last, and saddest, consignments - the charred debris of the World Trade Center. Since then, it has been transformed into a 2,315-acre public park. Three times bigger than Central Park, it is the largest new green public space created within New York City for over a century, a mixture of wildlife habitats, bike trails, sports fields, art exhibits and playgrounds. This is poisoned land: fifty years' worth of landfill has killed for ever one of the city's most productive wetland ecosystems. Restoration is impossible. Instead, a brand new ecosystem is emerging on top of the toxic garbage

This was the very heart of Wales' rainforest zone, where the oceanic climate conspires to make conditions perfect for the rich profusion of plant life that we'd spent the past week exploring. Yet here, humanity had found a rainforest and turned it into a desert. It had started long ago, no doubt: Wales' Green Desert is the product of agricultural malpractice dating back to the twelfth-century monks of Strata Florida. But what began as a profitable enterprise in medieval times today supports a mere twenty-eight farms over an area covering 46,000 acres. The farming unions claim that rewilding will lead to rural depopulation, but centuries of overgrazing have already drained the land of both people and wildlife. And in doing so, Wales is losing part of its heritage, its culture. Because the Wales of this great country's myths and legends was a rainforest nation, whose peoples lived and coexisted with the Atlantic oakwoods that once carpeted their land, celebrating them in song. They knew these rainforests and knew them deeply, weaving them into their stories, vesting their greatest heroes with a magic derived from that profound knowledge of place and ecology. There is a way back from this, but it is unlikely to come through a culture war between sheep farmers and rewilders. The truth is that there is more than enough space in Wales, as there is in the rest of Britain, both for farming to continue and for more rainforest to flourish.

When Dennis McKenna drank ayahuasca , he had a vision in which he became “a sentient water molecule, percolating randomly through the soil, lost amid the tangle of the enormous root fibers of the Banisteriopsis World Tree.” I could feel the coolness, the dank dampness of the soil surrounding me. I felt suspended in an enormous underground cistern, a single drop among billions of drops … as if squeezed by the implacable force of irresistible osmotic pressures, I was rapidly translocated into the roots of the Banisteriopsis tree …” He was “carried through the articulating veins toward some unknown destination”. McKenna found himself within the extraordinary cellular mechanisms that turn light into “the molecular stuff of life”. Pulled on a kind of conveyor belt to the place where photosynthesis occurs. His consciousness exploded as he was “smited by the bolt of energy emitted by the phytic acid transducers and my poor water-molecule soul was split asunder”. As this vision ended, he found himself “embedded in the matrix” of the plant’s biochemical makeup. Suddenly he was suspended above the Amazon rainforest, looking over its vast expanse: “The vista stretching to the curved horizon was blue and green and bluish green, the vegetation below, threaded with shining rivers, looked like green mold covering an overgrown petri plate.” McKenna felt: “anger and rage toward my own rapacious, destructive species, scarcely aware of its own devastating power, a species that cares little about the swath of destruction it leaves in its wake as it thoughtlessly decimates ecosystems and burns thousands of acres of rainforest.” He wept. Suddenly a voice spoke to him: “You monkeys only think you’re running things. You don’t think we would really allow this to happen, do you?

That night, Marjan dreamt of Mehregan. The original day of thanksgiving, the holiday is celebrated during the autumn equinox in Iran. A fabulous excuse for a dinner party, something that Persians the world over have a penchant for, Mehregan is also a challenge to the forces of darkness, which if left unheeded will encroach even on the brightest of flames. Bonfires and sparklers glitter in the evening skies on this night, and in homes across the country, everyone is reminded of their blessings by the smell of roasting 'ajil', a mixture of dried fruit, salty pumpkin seeds, and roasted nuts. Handfuls are showered on the poor and needy on Mehregan, with a prayer that the coming year will find them fed and showered with the love of friends and family. In Iran, it was Marjan's favorite holiday. She even preferred it to the bigger and brasher New Year's celebrations in March, anticipating the festivities months in advance. The preparations would begin as early as July, when she and the family gardener, Baba Pirooz, gathered fruit from the plum, apricot, and pear trees behind their house. Along with the green pomegranate bush, the fruit trees ran the length of the half-acre garden. Four trees deep and rustling with green and burgundy canopies, the fattened orchard always reminded Marjan of the bejeweled bushes in the story of Aladdin, the boy with the magic lamp. It was sometimes hard to believe that their home was in the middle of a teeming city and not closer to the Alborz mountains, which looked down on Tehran from loftier heights. After the fruit had been plucked and washed, it would be laid out to dry in the sun. Over the years, Marjan had paid close attention to her mother's drying technique, noting how the fruit was sliced in perfect halves and dipped in a light sugar water to help speed up the wrinkling. Once dried, it would be stored in terra-cotta canisters so vast that they could easily have hidden both both young Marjan and Bahar. And indeed, when empty the canisters had served this purpose during their hide-and-seek games.

Supertech Supernova Spira is a splendid, spectacular project located in Sector 94, Noida. This is the biggest in North India; having mixed use development spread over 5 million square feet (75 acres approx.) offering tallest buildings of 300 meters with 70% open area with each plot. The staggering 5 million sq ft of fabulous city redefines extravagance and has lavish living spaces which satisfy your desire to have an opulent home, high-tech offices that create awesome workplaces. It houses contemporary amenities and green living and stands out in the NCR. This iconic 80 storey tower has a Helipad, Observation Desk, Luxury Hotel, Serviced Suites, High End Luxury Apartments, Exclusive Club House, Sky Lounge and Bar, along with a panoramic never ending view and view of the bird sanctuary.

Along came Aldo Leopold. He was a U.S. Forest Service ranger who initially supported Pinchot’s use-oriented management of forests. A seasoned hunter, he had long believed that good game management required killing predators that preyed on deer. Then one afternoon, hunting with a friend on a mountain in New Mexico, he spied a mother wolf and her cubs, took aim, and shot them. “We reached the old wolf in time to watch a fierce green fire dying in her eyes,” Leopold wrote. “There was something new to me in those eyes—something known only to her and the mountain. I was young then, and full of trigger-itch. I thought that because fewer wolves meant more deer, no wolves would mean a hunter’s paradise. But after seeing the fierce green fire die, I sensed that neither the wolf nor the mountain agreed with such a view.” The wolf’s fierce green fire inspired Leopold to extend ethics beyond the boundaries of the human family to include the larger community of animals, plants, and even soil and water. He enshrined this natural code of conduct in his famous land ethic: “A thing is right when it tends to preserve the integrity, stability, and beauty of the biotic community. It is wrong when it tends otherwise.” Carol inscribed Leopold’s land ethic in her journal when she was a teenager and has steadfastly followed it throughout her life. She believes that it changes our role from conqueror of the earth to plain member and citizen of it. Leopold led the effort to create the first federally protected wilderness area: a half million acres of the Gila National Forest in New Mexico was designated as wilderness in 1924. Leopold had laid the groundwork for a national wilderness system, interconnected oases of biodiversity permanently protected from human development.

GRANBY’S GREEN ACRES, situation comedy. BROADCAST HISTORY: July 3–Aug. 21, 1950, CBS. 30m, Mondays at 9:30. CAST: Gale Gordon and Bea Benaderet as John and Martha Granby, ex-bank teller and wife who moved to the country to become farmers. Louise Erickson as Janice, their daughter. Parley Baer as Eb, the hired hand. ANNOUNCER: Bob LeMond MUSIC: Opie Cates. WRITER-PRODUCER-DIRECTOR: Jay Sommers. Granby’s Green Acres grew out of characters played by Gale Gordon and Bea Benaderet on the Lucille Ball series My Favorite Husband. The names were changed, but the basic characters remained the same.

Home is twenty-three acres on the west side of the Big Sandy River. Home is dogwoods blooming like pink-tipped pearls in the deep woods and the sharp smell of spring onions underfoot, the overgrown patch where the old barn burned and the mountainside so green and wet and alive it makes her eyes ache. Home is the place that beats like a second heart behind Juniper’s ribs.

The adjective “intact” is earned by encompassing at least 500 square kilometers—which is roughly 125,000 acres—free of roads, power lines, mines, cities, and industrial farms. That’s the size of about 60,000 soccer fields, 146 Central Parks, or a single square of land 14 miles on a side. “Landscapes” is added to the term because natural forests have vital treeless places, such as rivers, lakes, wetlands, and mountaintops mixed in. In 2008, the group helped map all such forests globally. Worldwide, there are currently around 2,000 intact forest landscapes, or IFLs, comprising nearly a quarter of all the planet’s wooded lands. They are heavily concentrated in the five megaforests.

With the majority of us living in a fast-paced life, it is easy to get carried away by the chaos of daily life. In this situation, one tends to forget the importance of spending time with their loved ones.

only sport known to have inspired an indignant left-wing poem. It was written by one Sarah Norcliffe Cleghorn in 1915. The golf links lie so near the mill That almost every day The laboring children can look out And see the men at play. Just show me an indignant left-wing poem about softball or bungee jumping. And our local mill has been converted to a shopping mall, so the kids are still there. Golf is also the only sport God is known to play. God and Saint Peter are out on Sunday morning. On the first hole God drives into a water hazard. The waters part and God chips onto the green. On the second hole God takes a tremendous whack and the ball lands ten feet from the pin. There’s an earthquake, one side of the green rises up, and the ball rolls into the cup. On the third hole God lands in a sand trap. He creates life. Single-cell organisms develop into fish and then amphibians. Amphibians crawl out of the ocean and evolve into reptiles, birds, and furry little mammals. One of those furry little mammals runs into the sand trap, grabs God’s ball in its mouth, scurries over, and drops it in the hole. Saint Peter looks at God and says, “You wanna play golf or you wanna fuck around?” And golf courses are beautiful. Many people think mature men have no appreciation for beauty except in immature women. This isn’t true, and, anyway, we’d rather be playing golf. A golf course is a perfect example of Republican male aesthetics—no fussy little flowers, no stupid ornamental shrubs, no exorbitant demands for alimony, just acre upon acre of lush green grass that somebody else has to mow. Truth, beauty, and even poetry are to be found in golf. Every man, when he steps up to the tee, feels, as Keats has it … Like stout Cortez when with eagle eyes He star’d at the Pacific—and all his men Look’d at each other with a wild surmise— Silent, upon a peak in Darien. That is, the men were silent. Cortez was saying, “I can get on in two, easy. A three-wood drive, a five-iron from the fairway, then a two-putt max. But if I hook it, shit, I’m in the drink.” EAT THE RICH

Pa motioned for her to sit at a small table overlooking the wharf. She couldn't read the menu, but he told her most of it, and she ordered fried chicken, mashed potatoes, gravy, white acre peas, and biscuits fluffy as fresh picked cotton. He had fried shrimp, cheese grits, fried "okree," and fried green tomatoes. The waitress put a whole dish of butter pats perched on ice cubes and a basket of cornbread and biscuits on their table, and all the sweet iced tea they could drink. Then they had blackberry cobbler with ice cream for dessert. So full, Kya thought she might get sick, but figured it'd be worth it.

with a 40-second “microbreak” in between. Students who looked at the picture of flowers and grass between the first and second trials made fewer errors than those who looked at the concrete roof. The researchers speculated that the most likely explanation for the difference was that the natural scene stimulated both “sub-cortical arousal” (desire dopamine) and “cortical attention control” (control dopamine). A reporter from the Washington Post who commented on the study noted that “urban rooftops covered with grasses, plants and other types of greenery are becoming increasingly popular around the world . . . [Facebook] recently installed a massive 9-acre green roof at its office in Menlo Park, California.” That approach to architecture, using H&N stimulation to activate dopamine, is not only good for the soul—it may also be good for the bottom line.

all about him stretched the lush green countryside in which there were to every acre a thousand hiding-places, deep and wide and quiet enough to hold so small and worthless a thing as a single unit of mortal clay. "I

Landscape architect Frederick Law Olmsted’s magnificent Central Park alone gives citizens a breath of fresh air and SVU writers acres of ideal locations. Their imaginations also swim in the Hudson and East rivers. In all five boroughs, neighborhoods can either glitter enticingly or represent urban decay. Everything needed is within reach, often a few subway stops away.

Buy up the land it’s on and the twenty acres around it in every direction. Post a permanent guard.” “Satellite scans show a small village within that radius.” “Shame,” the Smile said. “The drug cartels are just getting bolder and bolder these days, aren’t they, Ms. Green? I hear they’ve been known to massacre entire villages as reprisal for some imagined slight.” Green nodded sharply. “Understood,

Green-Wood Cemetery was an expanse of nearly five-hundred acres, and Jesse wandered under portentous clouds for nearly an hour before heading to the office for proper directions. Trudging through Lot 106 with a visitors’ map in his trembling hands, Jesse wondered whether things might have been easier had graveyards been organized in a similar way to comic book collections. He imagined that if the dead could be slid into coffins of polypropylene storage bags with acid free backing boards, and then filed alphabetically first and numerically second into corrugated cardboard or plastic boxes, finding the appropriate marker would be a much easier task.

Know Your Vegetable Groups! Brassicas cabbage, kale, broccoli, collards, cauliflower, kohlrabi, Brussels sprouts Leafy Greens spinach, chard, lettuce Legumes peas, beans, limas Nightshades peppers, tomatoes, potatoes, eggplants Root Vegetables beets, carrots, turnips, salsify, parsnips, radishes, rutabagas, onions, garlic, leeks Vine Crops cucumbers, melons, squash

While the list of easiest crops varies from region to region, there are a few super-simple standouts. Radishes and green beans top most gardeners’ “no-fail” lists. Other easy crops include cucumbers, summer squash, zucchini, garlic, leaf lettuce, snap peas, Swiss chard, and kale. Tomatoes are a bit more difficult but not by much. The newer compact hybrid tomatoes developed for patio culture are especially easy. Start small

If India alone had rejected the high-yielding varieties of the Green Revolution, another 100 million acres of farmland—an area the size of California—would have had to be plowed to produce the same amount of grain. That unfarmed land now protects the last of the tigers.

Not just the industrial farming but the sprawl, the sprawl, the sprawl. Low-density development is the worst. And SUVs everywhere, snowmobiles everywhere, Jet Skis everywhere, ATVs everywhere, two-acre lawns everywhere. The goddamned green monospecific chemical-drenched lawns.

Many Detroiters, for example, are beginning to see urban agriculture as a real part of the solution; to grow things right where people live, where they work, and definitely need healthier food on the table. Green city gardens are scattered throughout Detroit now, from the schoolyard at Catherine Ferguson Academy for pregnant teens and teen moms, to reclaimed land owned by a local order of Catholic friars (Earthworks), to a seven-acre organic farm in Rouge Park. Together, city gardeners, nonprofit organizations, and the Greening of Detroit resource agency are writing a new local-food story of urban Michigan.

In Manhattan, appreciation of history is exemplified in Collect Pond Park, a one-acre green space in Manhattan’s Civic Center whose name commemorates a pond where many pivotal events took place in the first two centuries of the city’s history. In 2012, the city began a reconstruction project that included a reflecting pool to evoke the park’s namesake pond. To

Seemed like a hell of a coincidence. That brought it back to a hoax and a scenario that went something like this: Chad Coldren disappears before the tournament to screw around with his dad’s mind. When that doesn’t work—when, to the contrary, Dad starts winning—he ups the ante and fakes his own kidnapping. Taking it a step further, one could assume that it had been Chad Coldren who had been climbing out of his own window. Who better? Chad Coldren knew the area. Chad Coldren probably knew how to go through those woods. Or maybe he was hiding out at a friend’s house who lived on Green Acres Road. Whatever. It

up the pathway to the front door.  She’d called and left him a message, letting him know that she was coming, and that she’d leave the documents with the housekeeper if he wasn’t there.  Ringing the doorbell, she couldn’t stop the blush that stole up her cheeks as she remembered the last time she’d been here.  Had it really been only two days ago?  It seemed like a lot longer.  Did he still have those stockings?  Surely he’d tossed them out by now.  And no, she hadn’t dared to purchase another pair.  Not after the last debacle.  When the door opened, she was bracing herself to face Hunter once again.  Her plan was to congratulate him, just as she would any other client, hand him the champagne and the closing documents, and then leave as quickly as possible.  Just as she would all of her other clients.  They were all trying to unpack, overwhelmed with the process but excited about their new purchase.  She very seriously doubted if anything overwhelmed Hunter, but she was going to go through her routine anyway.  All of her clients deserved the same treatment, and she shouldn’t slack off with Hunter simply because…well, because he could make her feel things that… “Goodness, come in out of the heat, my dear!” the housekeeper urged, waving Kara into the cool interior.  “Mr. West is out back in the pool, but he said he was expecting you and that you’d know the way.  If he needs anything at all,” she said, as she hefted a purse onto her shoulder that Kara suspected could substitute for a suitcase, “just tell him to give me a ring.” Kara opened her mouth to stop the woman as the two of them exchanged places, the housekeeper moving to the outside even as Kara was nudged inside.  Kara went so far as to lift her hand, trying to indicate that she wanted to say something, but the efficient woman bustled out of the house, closing the front door in the process.  Kara stared at the closed door for several long moments, wondering how that had just happened.  Her plan had been simple.  Just hand over the bottle and documents, convey her congratulations and head back.  What had just happened?  Kara turned around.  It felt strange to be standing here, alone, in Hunter’s house.  She’d been here two days ago, but the house hadn’t been his.  The man now owned the house, all the furniture, and the acres of land and waterfront.  It felt much more intimate now for some reason.  Looking around, she wished that she could just leave the documents on the kitchen counter or the rough, wooden coffee table that looked perfect next to the white sofas.  Everything felt and looked clean and comfortable, exactly as she would have decorated this area.  The pops of green were vibrant and exhilarating, a perfect accompaniment to the fresh, white furniture.  With a sigh, she turned away from the alluring great room décor and searched out the man of the moment.  As she stepped past the sofas, she saw him.  In the pool.  Without any clothes on! Oh goodness, she thought with a strangled breath.  It took her several moments to realize that she needed to inhale, her breath caught in her throat as she watched the man’s bare skin, and all the muscles, and…well, all of him!  Okay, so he wasn’t naked, he was wearing a bathing suit but his broad, muscular back and those arms…they were even more ridged with muscles than she’d thought.  He was spectacular!  Never in her wildest imaginings had she pictured him that buff, but there

I’ve been a passionate adventurer in the solar industry and the sustainability movement my whole life. I try hard to walk my talk. My wife, Nantzy, and I live in an off-the-grid home (see page 70) built of recycled and green materials, powered by solar (passive and active) and hydroelectric energy, with gorgeous biodynamic gardens and fruit orchards that provide most of our food, a 15-acre biodynamic olive orchard, an 8-acre biodynamic vineyard, and a dozen beehives. I’m fortunate to benefit from the fruits of all our collective labors. As the solar industry continues to grow and mature, and as our cultural consciousness evolves, I remain hopeful that, once and for all, we will get things right in

In the summer, they become an assault of chemical green, expanding like cultish odes to geometry for acres and acres. A patina of health desperately concealing and sealing a future of dust. Of drought. Of lifeless dirt that no machine, chemical, company, or person can defibrillate. This future is already materializing, and so now, when the land can sprout nothing else, it sprouts suburbia.

In 2018 I went back to the mountains to become a wildland firefighter again. I hadn’t been in the field for three years, and since then I’d gotten used to training in nice gyms and living in comfort. Some might call it luxury. I was in a plush hotel room in Vegas when the 416 fire sparked and I got the call. What started as a 2,000-acre grass fire in the San Juan Range of Colorado’s Rocky Mountains was growing into a record breaking, 55,000-acre monster. I hung up and caught a prop plane to Grand Junction, loaded up in a U.S. Forest Service truck, and drove three hours to the outskirts of Durango, Colorado, where I suited up in my green Nomex pants and yellow, long-sleeved button down, my hard hat, field glasses, and gloves, and grabbed my super Pulaski—a wildland fire fighter’s most trusted weapon. I can dig for hours with that thing, and that’s what we do. We don’t spray water. We specialize in containment, and that means digging lines and clearing brush so there’s no fuel in the path of an inferno. We dig and run, run and dig, until every muscle is spent. Then we do it all over again.

Under pine trees the forest floor is nothing but old, brown pine needles, thousands and thousands of them. However, if you go to an area where our native deciduous trees are growing—the oaks, ashes, birches, hazels, hawthorns, beeches—then you see that all sorts of things thrive under their branches. There are the magical greens of the mosses and ferns, the bright white of the wood anemones, the acres of shining bluebells in May, the foxgloves in early summer. And every autumn the trees create their own rich carpet of dazzling colors.

The constant clack of train wheels over the steel track was enough to lull anyone to sleep. When I looked up from rereading Papa’s journal, passengers slept with their heads bent back against neighboring bench seats. In such momentary quiet, looking out train windows, I unwound the landscape. Along the plains, taupe fields planted deep with wheat seamed the green forest beyond. Across Kentucky, acres of bluegrass and waxy leaves of green corn touched an azure horizon. In Virginia, the Appalachian valleys blurred gray, as if they still hid widows and orphans wearing mourning cloaks after enduring five years of civil war.

Today you can tour The Hay, now the Bellamy-Ferriday House & Garden, all ninety-six acres bequeathed to Connecticut Landmarks by Caroline. The building where Merrill Brothers Store stood is now a restaurant on the village green and the boulder Eliza allowed moved from their property still stands on the green, an honor roll stone memorial to Civil War and World War I veterans.

Hornblower looked out over the lush green of the park; beyond it rose the massive curves of the Down, and to one side the tower of Smallbridge church rose above the trees. On that side, too, an orchard was in full bloom, exquisitely lovely. Park and orchard and church were all his; he was the squire, a landed gentleman, owner of many acres, being welcomed by his tenantry. Behind him was his house, full of his servants; on his breast the ribbon and star of an order of chivalry; and in London Coutts & Company had in their vaults a store of golden guineas which were his as well. This was the climax of a man's ambition. Fame, wealth, security, love, a child- he had all that the heart could desire. Hornblower, standing at the head of the steps while the parson droned on, was puzzled to find that he was still not happy. He was irritated with himself in consequence. He out to be running over with pride and joy and happiness, and yet here he was contemplating the future with faint dismay p11

Sometimes the elite green gospel has proved catastrophic—especially for the middle classes. In August and September 2020, high winds, lightning strikes, and scorching temperatures caused hundreds of forest fires throughout California. Past “more natural” policies had discouraged controlled burning, removal of brush from forest floors, cattle grazing on hillsides of dead undergrowth, and the logging of tens of millions of dead trees lost during recent droughts. Even the emasculated timber industry might have managed if it had been permitted to hire thousands to harvest the dead trees of the last six years, thus providing jobs, timber, and forest safety. Instead, the summer perfect storm created a sort of green napalm—a combustible fuel of unharvested timber that would turn a traditional wildfire into an uncontrollable inferno, burn over four million acres, and send one hundred million metric tons of carbon emissions into the air. Due to the tremendous temperatures created by the infernos, eerie pyrocumulus clouds for weeks dotted the Sierra Nevada skyline, in apocalyptical fashion emulating the mushroom clouds that billow up after nuclear blasts. The ensuing smoke clouds soon covered much of the state and overwhelmed the efficacy of public and private solar farms, which in turn led to rolling scheduled power outages. And the power crisis had been made worse by the voluntary state shutdown of clean-burning natural gas and nuclear power plants—all exacerbated by near-record temperatures in some areas of the state reaching 110 degrees.

There’s more!! In addition to your $400,000/year salary, you also get: • A no-questions-asked $50,000 expense account—in other words, you’re not required to provide receipts to get reimbursed. But if you don’t spend it all, you have to give what’s left back to the Treasury Department every year. • To live rent-free in a nice big house that includes a bowling alley, putting green, jogging track, billiard room, tennis courts, swimming pool, and movie theater (with various contacts in Hollywood providing all first-run movies for free). • Five full-time chefs who are standing by to prepare the food you paid for (see above). A nice, secluded, 180-acre vacation home in Maryland called Camp David that includes numerous cabins for the president and guests, a heated pool, tennis, horseshoes, bowling, a three-hole golf course, an archery range, and a trout stream. • The presidential version of “public” transportation: limos, helicopters, and your own personal jets. • Up to one million dollars you can spend every year for “unanticipated needs,” in case you ever go over budget somewhere else.

As Donald was later alleged to do with Trump Tower and his casinos in Atlantic City, Fred was said to have worked discreetly with the Mob in order to keep the peace. When he got the green light for another development—Beach Haven, a forty-acre, twenty-three-building complex in Coney Island that would net him $16 million in FHA funding—it was clear that his strategy of building on the taxpayer’s dime was a winner.

...how dawn started in the pine tops in the surrounding woods, light the color of butter freshly churned eventually rolling down to brighten the East Texas thicket, the rising sun making diamonds of the dewdrops on the lush green lawn of the back eight acres, where on any day of the week you might see a fawn poke its white-capped head out from the trees, eyes a glassy green, its black button nose sniffing at the same honey-sweet scent of wet grass and pine as you......

Why Samuel left the stone house and the green acres of his ancestors I do not know. He was never a political man, so it is not likely a charge of rebellion drove him out, and he was scrupulously honest, which eliminates the police as prime movers. There was a whisper—not even a rumor but rather an unsaid feeling—in my family that it was love drove him out, and not love of the wife he married. But whether it was too successful love or whether he left in pique at unsuccessful love, I do not know.

Auden’s bass voice resonates with Oxonian certainty even though the rumble of the Autobahn a half-mile away means anything can yet happen. For now, however, he is secure in the two-story, shingled, two-tone green farmhouse which, along with three acres of land he bought for $10,000 “soon after the Russians had left, when everything was cheap and very run down and hardly anybody here had cash. I had dollars, so I was able to beat out a theater director who was after the same property.” It is a quiet life that Auden lives here once he puts the anarchy of the city and the publishing world behind him.

The Inferno was the newest and most fabulous of all the fabulous luxury hotels and casinos in what the home folks themselves refer to as Fabulous Las Vegas. The word when applied to the Inferno was no Hollywood superlative; it was an apt description. It was between the Desert Inn and the Flamingo on the desert end of the Strip. The building was huge, surrounded by twenty acres of landscaped grounds and parking space, and fronted with ten thousand square feet of velvety green lawn.

Corinne turned her head and looked out at the acres sitting between the guesthouse and the main one. Land filled with row after row of Vos grapes. Lush green vines wrapped around wooden posts, pops of deep-purple fruit warmed and nurtured by the Napa sunlight. More than half of those support posts had been there since his great-grandfather founded the vineyard and the distribution side of Vos Vineyard in the late fifties. The other half of those pillars had been replaced after the wildfire four years prior.

This point was driven home for me for the first time when I was traveling in Asia in 1978 on a trip to a forest monastery in northeastern Thailand, Wat Ba Pong, on the Thai-Lao border. I was taken there by my meditation teacher, Jack Kornfield, who was escorting a group of us to meet the monk under whom he had studied at that forest hermitage. This man, Achaan Chaa, described himself as a “simple forest monk,” and he ran a hundred-acre forest monastery that was simple and old-fashioned, with one notable exception. Unlike most contemporary Buddhist monasteries in Thailand, where the practice of meditation as the Buddha had taught had all but died out, Achaan Chaa’s demanded intensive meditation practice and a slow, deliberate, mindful attention to the mundane details of everyday life. He had developed a reputation as a meditation master of the first order. My own first impressions of this serene environment were redolent of the newly extinguished Vietnam War, scenes of which were imprinted in my memory from years of media attention. The whole place looked extraordinarily fragile to me. On my first day, I was awakened before dawn to accompany the monks on their early morning alms rounds through the countryside. Clad in saffron robes, clutching black begging bowls, they wove single file through the green and brown rice paddies, mist rising, birds singing, as women and children knelt with heads bowed along the paths and held out offerings of sticky rice or fruits. The houses along the way were wooden structures, often perched on stilts, with thatched roofs. Despite the children running back and forth laughing at the odd collection of Westerners trailing the monks, the whole early morning seemed caught in a hush. After breakfasting on the collected food, we were ushered into an audience with Achaan Chaa. A severe-looking man with a kindly twinkle in his eyes, he sat patiently waiting for us to articulate the question that had brought us to him from such a distance. Finally, we made an attempt: “What are you really talking about? What do you mean by ‘eradicating craving’?” Achaan Chaa looked down and smiled faintly. He picked up the glass of drinking water to his left. Holding it up to us, he spoke in the chirpy Lao dialect that was his native tongue: “You see this goblet? For me, this glass is already broken. I enjoy it; I drink out of it. It holds my water admirably, sometimes even reflecting the sun in beautiful patterns. If I should tap it, it has a lovely ring to it. But when I put this glass on a shelf and the wind knocks it over or my elbow brushes it off the table and it falls to the ground and shatters, I say, ‘Of course.’ But when I understand that this glass is already broken, every moment with it is precious.”5 Achaan Chaa was not just talking about the glass, of course, nor was he speaking merely of the phenomenal world, the forest monastery, the body, or the inevitability of death. He was also speaking to each of us about the self. This self that you take to be so real, he was saying, is already broken.

My building is relegated to five acres that back up to wetlands and a power station. We’re an island to ourselves like Alcatraz, nobody eager to be our neighbor. Despite my best intentions our business is antisocial, especially when the crematorium oven is running, and that was on the schedule for this morning. Bodies donated to our anatomical division are returned after medical schools are finished with them. I told Fabian to hold off on the cremations. We don’t need smoke billowing up from our rooftop, my headquarters unwelcoming enough. There’s little in the budget for landscaping or anything else that might make the place less off-putting. We have no trash cans or public restrooms, not even a drinking fountain. “… OBSTRUCTION…!” Elvin Reddy removed the meditation garden and eternal flame before I took this job. All that’s left to show even a modicum of hospitality are two concrete benches painted dark green and often covered with bird deposits. We’re down to a skeleton crew of three security guards, only Wyatt trustworthy. “… OBSTRUCTION…!” The lobby isn’t open to the public, the front doors secured with a heavy chain and padlock. I have no receptionist to answer questions and we no longer allow viewings of loved ones. Cremains and personal effects aren’t picked up in person. We send them UPS, and that’s a difficult package to find on your doorstep. “… OBSTRUCTION…!” I don’t have the budget to fix what’s been done or I would have by now. Were it up to me I’d ensure that people are as comfortable and respected as possible in their darkest hour. But that’s not the world we live in anymore.

Come back again!’ she cried; and all the others echoed her; and the hills about Origny repeated the words, ‘Come back.’ But the river had us round an angle in a twinkling, and we were alone with the green trees and running water. Come back? There is no coming back, young ladies, on the impetuous stream of life. ‘The merchant bows unto the seaman’s star, The ploughman from the sun his season takes.’ And we must all set our pocket-watches by the clock of fate. There is a headlong, forthright tide, that bears away man with his fancies like a straw, and runs fast in time and space. It is full of curves like this, your winding river of the Oise; and lingers and returns in pleasant pastorals; and yet, rightly thought upon, never returns at all. For though it should revisit the same acre of meadow in the same hour, it will have made an ample sweep between-whiles; many little streams will have fallen in; many exhalations risen towards the sun; and even although it were the same acre, it will no more be the same river of Oise. And thus, O graces of Origny, although the wandering fortune of my life should carry me back again to where you await death’s whistle by the river, that will not be the old I who walks the street; and those wives and mothers, say, will those be you?