Great Woodworking Quotes

Great way to impress your future brother-in-law, by the way," Kieran continued. "You look like you took a blood bath. The only thing missing is the axe. Would Dallas really let his little sister date a crazed murderer who hacks bodies in the basement? You need to change that shirt pronto. And oh, you're welcome. I just saved you from making a complete and utter fool of yourself, but don't mention it." I curled my lips into a fake smile. "Thanks. It's so nice to know you've got my back." Kieran regarded me coolly. "A hobby might help ease all that hunger. Have you ever considered fixing cars, or woodworking, or maybe a DIY project around the house?" "You're getting a big laugh out of this, aren't you?" Kieran shrugged. "There's nothing on TV.

He is a woodworker; I’m a carpenter. We both work wood, but the way we approach it, and the tools we use, differ greatly.

Worse were the disaster tourists: those whom I didn’t know well but who came out of the woodwork, showing up unannounced at my hospital room door with an overzealous desire to help or to bear witness to the medical carnival that my life had become. They would gape at my bald head, all misty-eyed, and I’d find myself having to console them. Or they’d bombard me with unsolicited medical advice, telling me about a great doctor they knew or a friend of a friend who’d cured their own cancer with things like essential oils, apricot kernels, coffee enemas, or a juice cleanse. I knew that most meant well and were doing the best they knew how, so I smiled and nodded, but I was silently fuming. As I got sicker, fewer and fewer came—and when they did, I began pretending to be asleep.

Doors banged somewhere; the elevated trains roared intermittently; a cat yowled miserably upon a back fence. And he breathed the breath of the house—a dank savor rather than a smell—a cold, musty effluvium as from underground vaults mingled with the reeking exhalations of linoleum and mildewed and rotten woodwork.

THE SK8 MAKER VS. GLOBAL INDUSTRIALIZATION This new era of global industrialization is where my personal analogy with the history of the skateboard maker diverges. It’s no longer cost-effective to run a small skateboard company in the U.S., and the handful of startups that pull it off are few and far between. The mega manufacturers who can churn out millions of decks at low cost and record speed each year in Chinese factories employ proprietary equipment and techniques that you and I can barely imagine. Drills that can cut all eight truck holes in a stack of skateboard decks in a single pull. CNC machinery to create CAD-perfect molds used by giant two-sided hydraulic presses that can press dozens of boards in a few hours. Computer-operated cutting bits that can stamp out a deck to within 1⁄64 in. of its specified shape. And industrial grade machines that apply multicolored heat-transfer graphics in minutes. In a way, this factory automation has propelled skateboarding to become a multinational, multi-billion dollar industry. The best skateboarders require this level of precision in each deck. Otherwise, they could end up on their tails after a failed trick. Or much worse. As the commercial deck relies more and more on a process that is out of reach for mere mortals, there is great value in the handmade and one of a kind. Making things from scratch is a dying art on the brink of extinction. It was pushed to the edge when public schools dismissed woodworking classes and turned the school woodshop into a computer lab. And when you separate society from how things are made—even a skateboard—you lose touch with the labor and the materials and processes that contributed to its existence in the first place. It’s not long before you take for granted the value of an object. The result is a world where cheap labor produces cheap goods consumed by careless customers who don’t even value the things they own.

A newspaper, the first that had appeared, “The Rocky Mountain News,” was started whilst I was in Denver. The first number was full of scathing articles against the gamblers and blacklegs generally: in fact, the paper was run in the interest of the Vigilance Committee and law and order. The composing offices were in a log shanty, and the printers had to set the type with their six-shooters and double-barrelled guns lying on the benches beside them. I saw three of these men killed whilst they were peacefully carrying on their work. The editor’s name was Byers, and I knew him well. He never showed outside his door whilst these articles were appearing. The rowdies were always on the lookout for him, and directly he made any movement to leave his house half a dozen bullets would bury themselves in the woodwork. He stood this state of siege until the Vigilance Committee succeeded in clearing out the gang, when he became a great man in the town, very wealthy, and a State senator.

Often I'll have visited a state because one of their universities will have invited me to perform for their students who like to hear about woodworking, and this has been a great way to discern where it is that "my people" reside. Even in places with more openly "conservative" politics (which is a polite term for discriminatory culture, as in "We would prefer you take your rainbow ass elsewhere as we are conserving a Christian white enthno-state hereabouts"), the open-minded thinkers and the nonconformists and the lovers of decency come out for a laugh and a think at content like my song about Brett Kavanaugh entitled "I Like Beer.