Gray Fox Quotes

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He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
Cormac McCarthy (The Road)
It is always the same trap,” she said gently. “You longed for conversation. The bear craved jokes. The gray wolf missed music. The boar just wanted someone to tell her troubles to. The trap is loneliness, and none of us escapes it. Not even me.
Leigh Bardugo (The Too-Clever Fox (Grishaverse, #2.5))
When Maura opened the door of 300 Fox Way, she found the Gray Man standing pensively on the other side. He had brought her two things: a daisy-chain crown, which he somberly placed on her head, and a pink switchblade, which he handed to her. Both had taken some effort to procure. The first because the Gray Man had forgotten how to efficiently link daisies and the second because switchblades were illegal in Virginia, even if they were pink.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
By noon, in a gray February world, we had come down through snow flurries to land at Albany, and had taken off again. When the snow ended the sky was a luminous gray. I looked down at the winter calligraphy of upstate New York, white fields marked off by the black woodlots, an etching without color, superbly restful in contrast to the smoky, guttering, grinding stink of the airplane clattering across the sky like an old commuter bus.
John D. MacDonald (The Quick Red Fox (Travis McGee #4))
I have heard African lions roar and the hacksaw cough of leopards just outside my safari tent, but neither of these is as haunting, as unsettling, as the savage symphony of gray wolves on a cold, still, northern night.
Erwin A. Bauer (Wild Dogs: The Wolves, Coyotes, and Foxes of North America)
There are a number of good books that draw upon fox legends -- foremost among them, Kij Johnson's exquisite novel The Fox Woman. I also recommend Neil Gaiman's The Dream Hunters (with the Japanese artist Yoshitaka Amano);  Larissa Lai's unusual novel, When Fox Is a Thousand; Helen Oyeyemi's recent novel, Mr. Fox; and Ellen Steiber's gorgeous urban fantasy novel, A Rumor of Gems, as well as her heart-breaking novella "The Fox Wife" (published in Ruby Slippers, Golden Tears). For younger readers, try the "Legend of Little Fur" series by Isobelle Carmody.  You can also support a fine mythic writer by subscribing to Sylvia Linsteadt's The Gray Fox Epistles: Wild Tales By Mail.  For the fox in myth, legend, and lore, try: Fox by Martin Wallen; Reynard the Fox, edited by Kenneth Varty; Kitsune: Japan's Fox of Mystery, Romance, and Humour by Kiyoshi Nozaki;Alien Kind: Foxes and Late Imperial Chinese Narrative by Raina Huntington; The Discourse on Foxes and Ghosts: Ji Yun and Eighteenth-Century Literati Storytelling by Leo Tak-hung Chan; and The Fox and the Jewel: Shared and Private Meanings in Contemporary Japanese Inari Worship, by Karen Smythers.
Terri Windling
This kid, this little fucking kid who didn't know him at all, had just given him his first gift, nothing expected in return, no favors, no stipulations, no nothing. He'd been wrong. There was something sweeter than seeing fear in his old man's eyes. Eva Fox was far sweeter. if he ever had a kid, he wanted a kid like this one. "Thanks darlin'," He said hoarsely. "Will I ever see you again?" She cocked her head to the side, wide eyed, waiting for his response. He stared into her eyes, too big for her face. Big and smoky gray like a thunderstorm. Fucking beautiful. He smiled. "Hope so sweetheart.
Madeline Sheehan (Undeniable (Undeniable, #1))
What I have seen was no trick. Fire and ash will come. And end of worlds. Serpent will strangle wolf. Lion will battle lion. Darkness will battle light. Sister murder brother. Son murder father. Father murder daughter. This is what the fire told me. All I have seen has come true. As others are consumed, Sefi will rise from the ashes to bind the Obsidians, to become one with Red, to found a kingdom watched over by a gray fox. Watched over by you.
Pierce Brown (Dark Age (Red Rising Saga #5))
That voice. It couldn’t be. She turned. The Marine. Her brain tried to compute the man before her. The same uncompromising blue-gray eyes, but more distant. The same fit body, but more space filling. The same rugged features, but more bearded. Bearded!
Kate Meader (Sparking the Fire (Hot in Chicago, #3))
A double rainbow had changed the course of my relationship with the fox. I had been jogging when I realised that he would live only a few years in this harsh country. At the time I believed that making an emotional investment in a short-lived creature was a fool's game. Before the jog ended, a rainbow appeared in front of me. One end of the rainbow slipped through an island of tall dead poplars drowning in gray sky, their crowns splitting and spraying into each other. I stopped. A second rainbow arched over the poplars. How many rainbows had I seen in this one valley? A hundred easy, and I always paused to watch. I realised that a fox, like a rainbow and every other gift from Nature, had an intrinsic value that was quite independent of its longevity. After that, whenever I questioned devoting so much time to an animal whose lifespan barely exceeded the blink of an eye, I remembered rainbows.
Catherine Raven (Fox and I: An Uncommon Friendship)
He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
Cormac McCarthy (The Road)
the reeds opened up and Moth Flight saw a clearing ahead. Fish scent washed her muzzle as two kits bounded across the sandy soil and bundled into Dawn Mist. “Dawn Mist!” The gray-and-white she-kit bounced around the orange queen. “Pine Needle ate more of the trout than me! It’s not fair.” The black tom-kit dug his paws into the earth. “I did not! She’s just being greedy!” “Poor Drizzle.” Dawn Mist licked the gray she-kit’s head. “I’ll catch another fish soon,” she promised. “Can we have one each?” Pine Needle asked. Drizzle blinked eagerly. “I want the biggest one!” “You two are greedier than foxes,” Dawn Mist purred. She nosed the kits away. “Go and play. I’m helping Night show our guests to Dappled Pelt’s den.” Drizzle’s eyes opened wide as she spotted Moth Flight and Micah. “What are they doing here?” “Invasion!” Pine Needle fluffed out his fur. “Should I warn River Ripple?
Erin Hunter (Moth Flight's Vision (Warriors Super Edition #8))
This is why the license plates say Beautiful British Columbia, and I realized just how much I would miss it. But all this natural beauty exists only in response to rain, I reminded myself, and the occasional day of technicolor spectacle was bought and paid for with weeks and weeks of dull, damp gray. I wasn't going to miss the gray. If
Michael J. Fox (Lucky Man: A Memoir)
They were black, white, and gray, with black around their eyes and white around their muzzles,” Leafstar replied. “They walk on four legs like we do, but they can stand on their hind paws like a Twoleg. And they can grip things like a Twoleg, with their front and back paws. Their ears are like ours, but they have short, pointed muzzles like a fox.
Erin Hunter (Hawkwing's Journey (Warriors Super Edition #9))
Wilderness by Carl Sandburg There is a wolf in me . . . fangs pointed for tearing gashes . . . a red tongue for raw meat . . . and the hot lapping of blood—I keep this wolf because the wilderness gave it to me and the wilderness will not let it go. There is a fox in me . . . a silver-gray fox . . . I sniff and guess . . . I pick things out of the wind and air . . . I nose in the dark night and take sleepers and eat them and hide the feathers . . . I circle and loop and double-cross. There is a hog in me . . . a snout and a belly . . . a machinery for eating and grunting . . . a machinery for sleeping satisfied in the sun—I got this too from the wilderness and the wilderness will not let it go. There is a fish in me . . . I know I came from salt-blue water-gates . . . I scurried with shoals of herring . . . I blew waterspouts with porpoises . . . before land was . . . before the water went down . . . before Noah . . . before the first chapter of Genesis. There is a baboon in me . . . clambering-clawed . . . dog-faced . . . yawping a galoot’s hunger . . . hairy under the armpits . . . here are the hawk-eyed hankering men . . . here are the blonde and blue-eyed women . . . here they hide curled asleep waiting . . . ready to snarl and kill . . . ready to sing and give milk . . . waiting—I keep the baboon because the wilderness says so. There is an eagle in me and a mockingbird . . . and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want . . . and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes—And I got the eagle and the mockingbird from the wilderness. O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart—and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where—For I am the keeper of the zoo: I say yes and no: I sing and kill and work: I am a pal of the world: I came from the wilderness.
Carl Sandburg (The Complete Poems)
Subect: Sigh. Okay. Since we're on the subject... Q. What is the Tsar of Russia's favorite fish? A. Tsardines, of course. Q. What does the son of a Ukranian newscaster and a U.S. congressman eat for Thanksgiving dinner on an island off the coast of Massachusetts? A.? -Ella Subect: TG A. Republicans. Nah.I'm sure we'll have all the traditional stuff: turkey, stuffing, mashed potatoes. I'm hoping for apple pie. Our hosts have a cook who takes requests, but the island is kinda limited as far as shopping goes. The seven of us will probably spend the morning on a boat, then have a civilized chow-down. I predict Pictionary. I will win. You? -Alex Subect: Re. TG Alex, I will be having my turkey (there ill be one, but it will be somewhat lost among the pumpkin fettuccine, sausage-stuffed artichokes, garlic with green beans, and at least four lasagnas, not to mention the sweet potato cannoli and chocolate ricotta pie) with at least forty members of my close family, most of whom will spend the entire meal screaming at each other. Some will actually be fighting, probably over football. I am hoping to be seated with the adults. It's not a sure thing. What's Martha's Vineyard like? I hear it's gorgeous. I hear it's favored by presidential types, past and present. -Ella Subject: Can I Have TG with You? Please??? There's a 6a.m. flight off the island. I can be back in Philadelphia by noon. I've never had Thanksgiving with more than four or five other people. Only child of two only children. My grandmother usually hosts dinner at the Hunt Club. She doesn't like turkey. Last year we had Scottish salmon. I like salmon,but... The Vineyard is pretty great. The house we're staying in is in Chilmark, which, if you weren't so woefully ignorant of defunct television, is the birthplace of Fox Mulder. I can see the Menemsha fishing fleet out my window. Ever heard of Menemsha Blues? I should bring you a T-shirt. Everyone has Black Dogs; I prefer a good fish on the chest. (Q. What do you call a fish with no eyes? A. Fish.) We went out on a boat this afternoon and actually saw a humpback whale. See pics below. That fuzzy gray lump in the bumpy gray water is a fin. A photographer I am not. Apparently, they're usually gone by now, heading for the Caribbean. It's way too cold to swim, but amazing in the summer. I swear I got bumped by a sea turtle here last July 4, but no one believes me. Any chance of saving me a cannoli? -A
Melissa Jensen (The Fine Art of Truth or Dare)
EVER SINCE BORIS HAD shown up with the bruised eye, I had built Boris’s father up in my mind to be some thick-necked Soviet with pig eyes and a buzz haircut. In fact—as I was surprised to see, when I did finally meet him—he was as thin and pale as a starved poet. Chlorotic, with a sunken chest, he smoked incessantly, wore cheap shirts that had grayed in the wash, drank endless cups of sugary tea. But when you looked him in the eye you realized that his frailty was deceptive. He was wiry, intense, bad temper shimmering off him—small-boned and sharp-faced, like Boris, but with an evil red-rimmed gaze and tiny, brownish sawteeth. He made me think of a rabid fox.
Donna Tartt (The Goldfinch)
I miss the thoughts of you now... For in my head they over ran. But now, on unpretentious grounds... There's a grave with unearthed sand. You brought the color to my world, When I was content living in gray. But, now those colors are too bright, They tarnish all that they portray. I miss the thought of you, more than you... Because my thoughts left you unblemished. And I held on to them; with tenacious grip... But, like your honor, they diminished. For while my heart was sentient... You drug my name through the mire... And now when thoughts of you arise... They're just cinder in the fire. I miss the thoughts of you now... For in my head, you were amended... But, now in your place, Is a nameless face... Of a man who has descended.
Joy Fox
(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.
Walter Scott
The fox barked at her, one sharp, short sound. Without expecting to, Irène laughed. "What?" she said aloud. The fox's mouth opened, showing its white teeth, and its tongue lolled, laughing with her. A sense of recognition tingled in Irène's bones and throbbed in her forehead. Her laughter died. She came to her feet, facing the creature. It scrambled down from the tree trunk, its lithe body weaving through the branches as easily as a stream of water might. It stood on the opposite bank. Its tail arced above its back, a plume of red and black. Its unblinking gaze fixed itself on her. Irène whispered, "Are you here for me?" Again the fox's mouth opened in its grin, and its tail waved once, twice, before it leaped the little brook as easily as if it could fly. Irène stood very still as the fox stepped toward her on narrow black feet as dainty as a dancer's. It---he, she could see now---pressed his cold black nose against the back of her hand, and, when she turned it, nosed her palm. She thrilled at the touch, though the touch of so many other beasts disgusted her. He was different, this fox. It was not just that he was beautiful, and graceful. It was more, much more. Her soul knew him. Her power flared in his presence. He took a step back, his eyes never leaving hers, then whirled and leaped back over the brook to disappear into the forest on the other side. The last thing she saw was that lush red-and-black tail, switching back and forth as he faded into the dimness of the woods. Irène brought her palm to her nose and sniffed the toasty smell of him. She knew what he was, and she knew what it meant. Her mother had Aramis. Her grandmother, Ursule had told her, had had an ugly gray cat. And she---now, surely, a witch in full possession of her power---had a glorious vulpine creature like no other. She had her fox. She would see him again.
Louisa Morgan (A Secret History of Witches)
In 1995, the gray wolf was reintroduced to Yellowstone National Park after a seventy-year hiatus. Scientists expected an ecological ripple effect, but the size and scope of the trophic cascade took them by surprise.7 Wolves are predators that kill certain species of animals, but they indirectly give life to others. When the wolves reentered the ecological equation, it radically changed the behavioral patterns of other wildlife. As the wolves began killing coyotes, the rabbit and mouse populations increased, thereby attracting more hawks, weasels, foxes, and badgers. In the absence of predators, deer had overpopulated the park and overgrazed parts of Yellowstone. Their new traffic patterns, however, allowed the flora and fauna to regenerate. The berries on those regenerated shrubs caused a spike in the bear population. In six years’ time, the trees in overgrazed parts of the park had quintupled in height. Bare valleys were reforested with aspen, willow, and cottonwood trees. And as soon as that happened, songbirds started nesting in the trees. Then beavers started chewing them down. Beavers are ecosystem engineers, building dams that create natural habitats for otters, muskrats, and ducks, as well as fish, reptiles, and amphibians. One last ripple effect. The wolves even changed the behavior of rivers—they meandered less because of less soil erosion. The channels narrowed and pools formed as the regenerated forests stabilized the riverbanks. My point? We need wolves! When you take the wolf out of the equation, there are unintended consequences. In the absence of danger, a sheep remains a sheep. And the same is true of men. The way we play the man is by overcoming overwhelming obstacles, by meeting daunting challenges. We may fear the wolf, but we also crave it. It’s what we want. It’s what we need. Picture a cage fight between a sheep and a wolf. The sheep doesn’t stand a chance, right? Unless there is a Shepherd. And I wonder if that’s why we play it safe instead of playing the man—we don’t trust the Shepherd. Playing the man starts there! Ecologists recently coined a wonderful new word. Invented in 2011, rewilding has a multiplicity of meanings. It’s resisting the urge to control nature. It’s the restoration of wilderness. It’s the reintroduction of animals back into their natural habitat. It’s an ecological term, but rewilding has spiritual implications. As I look at the Gospels, rewilding seems to be a subplot. The Pharisees were so civilized—too civilized. Their religion was nothing more than a stage play. They were wolves in sheep’s clothing.8 But Jesus taught a very different brand of spirituality. “Foxes have dens and birds have nests,” said Jesus, “but the Son of Man has no place to lay his head.”9 So Jesus spent the better part of three years camping, fishing, and hiking with His disciples. It seems to me Jesus was rewilding them. Jesus didn’t just teach them how to be fishers of men. Jesus taught them how to play the man! That was my goal with the Year of Discipleship,
Mark Batterson (Play the Man: Becoming the Man God Created You to Be)
My most important advice to writers is "butt in chair"!
Gray Basnight (Flight of the Fox)
She closed her eyes for a minute, then put her feet back down and peeled some purple varnish off her thumbnail. “I don’t know, Louisa. Perhaps I’ll just follow your amazing example and do all the exciting things you do.” I took three deep breaths, just to prevent myself from stopping the car on the motorway. Nerves, I told myself. It was just her nerves. And then, just to annoy her, I turned on Radio 2 really loudly and kept it there the rest of the way. • • • We found Four Acres Lane with help from a local dog walker, and pulled up outside Fox’s Cottage, a modest white building with a thatched roof. Outside, scarlet roses tumbled around an iron arch at the start of the garden path, and delicately colored blooms fought for space in neatly tended beds. A small hatchback car sat in the drive. “She’s gone down in the world,” said Lily, peering out. “It’s pretty.” “It’s a shoebox.” I sat, listening to the engine tick down. “Listen, Lily. Before we go in. Just don’t expect too much,” I said. “Mrs. Traynor’s sort of formal. She takes refuge in manners. She’ll probably speak to you like she’s a teacher. I mean, I don’t think she’ll hug you, like Mr. Traynor did.” “My grandfather is a hypocrite.” Lily sniffed. “He makes out like you’re the greatest thing ever, but really he’s just pussy-whipped.” “And please don’t use the term ‘pussy-whipped.’” “There’s no point pretending to be someone I’m not,” Lily said sulkily. We sat there for a while. I realized that neither of us wanted to be the one to walk up to the door. “Shall I try to call her one more time?” I said, holding up my phone. I’d tried twice that morning but it had gone straight to voice mail. “Don’t tell her straight away,” she said suddenly. “Who I am, I mean. I just . . . I just want to see who she is. Before we tell her.” “Sure,” I said, softening. And before I could say anything else, Lily was out of the car and striding up toward the front gate, her hands bunched into fists like a boxer about to enter a ring. • • • Mrs. Traynor had gone quite, quite gray. Her hair, which had been tinted dark brown, was now white and short, making her look much older than she actually was, or like someone recently recovered from a serious illness. She was probably a stone lighter than when
Jojo Moyes (After You (Me Before You, #2))
She looked at Julien before returning her gaze to Gabriel, who watched her unabashedly. Did her son not recognize the man, their savior? Did none of the boys remember their servant? He looked so much as he had all those years ago, though Rowena realized that he must be now, what six and thirty? He still had the long straight nose of his Gallic ancestors and the thick black hair, though he had acquired a few patches of gray at his temples. His eyes were pale greenish blue and framed by thick brows and lashes. He had high patrician cheekbones and a strong noble jaw, though he certainly was no nobleman. “Allow me to introduce the most celebrated man in all of England,” the countess said, finally indicating Gabriel. “This is a fellow Frenchman, Monsieur Lemarque. But he is better known as the French Fox.” Bastien gasped. “Good God, man, is that you?” He cut his gaze to his mother. Most of the family was aware of her fascination with the French Fox. She’d followed the reports of his feats of bravery religiously. The way he’d snatched innocent aristos—mothers and children, old men—from the blade of the guillotine was nothing short of heroic. He escaped even the most intricate traps the enemy laid for him, seemed to laugh in the face of danger, risked everything for men and women to whom he owed nothing. She was half in love with the mysterious spy already. And Gabriel was the French Fox. It all made sense now. Gabriel, the man who had once held her hand when they’d been hiding from revolutionaries—“Do not fear, duchesse. I will die before I allow these devils to so much as look at you.” Now Gabriel smiled thinly and glanced at Lady Winterson. “That was supposed to be our secret, my lady.” Rowena took a slow, shaky breath as heat flooded through her. His voice. That accent. Lady
Anna Campbell (A Grosvenor Square Christmas)
I glanced at Marcus’s grave, and my gaze wandered to the blood-red rose. It wasn’t blood-red, or beautiful anymore. Mud and murk had spoiled its fragile beauty and mutilated it into a miserable gray object, disfigured beyond recognition, tarnished, and misshapen, soon to be devoured by the murky ground that surrounded it. It was no longer a symbol of hope and innocence. It was an omen; a harbinger of death and destruction. And I was truly terrified of it.
Ellie Fox (And then the Devil Cried: Episode One)
For the first time Gersen saw indigenous fauna of Moudervelt: a band of lizard-foxes, with gray-green pangolin scales and a single optic orb. They reared high to watch Gersen pass by; when he slowed the car they advanced with dancing sidelong steps, for purposes Gersen could not guess. He drove on, leaving the troop staring after him.
Jack Vance (The Book of Dreams (Demon Princes, #5))
And quit saying sucks,” Logan called after his retreating back. “If that’s the worst he says at the age of ten, he’s doing better than we were,” I reminded him. He rubbed his temples. “I listen to cursing athletes all day at work, and sometimes, I think the worst language I’ve heard came from the four of you as you were growing up.” “That’s why you love us.” “And that love is why I am going prematurely gray.” He sighed. Paige patted his stomach. “My sexy silver fox,” she purred, leaning up for a kiss. I could handle PDA from about two percent of the population, but when he grabbed her ass, I shuddered.
Karla Sorensen (Forbidden (Ward Sisters, #4))
He pinched her side through the thick material of her sweater. “Where’s your freshman 15? You’re still a skinny little thing. I know your parents didn’t skip out on the meal plan.” Ryleigh kissed his stubble-spackled cheek. “I’ve gained five pounds. I’m a third of the way there, thank you.” Peter slipped a hand into the back pocket of her jeans, giving her butt a light squeeze. “I think it all went right here.” “Put me down.” She laughed, smacking his shoulder. Ryleigh trailed the pad of her thumb along his rough facial hair, noticing a foreign smattering of gray. “You’ll be a silver fox before 40 at this rate.” “Well, it’s definitely your fault. You stress me out. You’re making my hair turn white.
Leighann Hart (Having Rosenfeld (Rosenfeld Duet, #2))
The baby,” I say quietly. “Did I lose the baby?” His gray eyes soften. I hold my breath and wait.
Nicole Fox (Satin Princess (Stepanov Bratva, #2))
A fox may grow gray, but never good.
Colleen Oakley (The Mostly True Story of Tanner and Louise)
Give it five more years, and those patches of gray are going to spread and he’ll be an outright silver fox.
Maisy Morgan (Key Lime Killer (Sweets Shop Cozy Mysteries Book 2))
Before they came in Lee had a couple of adventures. He first clashed with a sergeant of a Mississippi regiment who wandered over the wet field. Lee called out sharply: "What are you doing here, sir, away from your command?" "That's none of your business," the ragged soldier said. "You are a straggler, sire, and deserve the severest punishment." The sergeant shouted in rage, "It is a lie, sir. I only left my regiment a few minutes ago to hunt me a pair of shoes. I went through all the fight yesterday, and that's more than you can say; for where were you yesterday when General Stuart wanted your cavalry to charge the Yankees after we put 'em to running? You were lying back in the pine thickets and couldn't be found; but today, when there's no danger, you come out and charge other men with straggling." Lee laughed and rode off. Behind him an officer baited the sergeant, who thought he had been talking with a "cowardly Virginia cavalryman". "No, sir, that was General Lee." "Ho-o-what? General Lee, you say?" "Yes." "Scissors to grind, I'm a goner." The sergeant tore out of sight along the muddy road.
Burke Davis (Gray Fox: Robert E. Lee and the Civil War (Classics of War))
The Sunday morning choir raised their voices to fever pitch with another gospel tune. Slurring voices filled with thick drawls of the local accent. The choir a mix of young girls her own age, alongside elderly women, with a few men thrown in for good measure. The old ladies wore tight gray buns and librarian glasses. Could they have ever been young? Could their husbands have?
Jaime Allison Parker (Justice of the Fox)