Gravel Driveway Quotes

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The History Teacher Trying to protect his students' innocence he told them the Ice Age was really just the Chilly Age, a period of a million years when everyone had to wear sweaters. And the Stone Age became the Gravel Age, named after the long driveways of the time. The Spanish Inquisition was nothing more than an outbreak of questions such as "How far is it from here to Madrid?" "What do you call the matador's hat?" The War of the Roses took place in a garden, and the Enola Gay dropped one tiny atom on Japan. The children would leave his classroom for the playground to torment the weak and the smart, mussing up their hair and breaking their glasses, while he gathered up his notes and walked home past flower beds and white picket fences, wondering if they would believe that soldiers in the Boer War told long, rambling stories designed to make the enemy nod off.
Billy Collins (Questions About Angels)
She wondered: How could people respond to these images if images didn't secretly enjoy the same status as real things? Not that images were so powerful, but that the world was so weak. It could be read, certainly, in its weakness, as on days when the sun baked fallen apples in orchards and the valley smelled like cider, and cold nights when Jordan had driven Chadds Ford for dinner and the tires of her Chevrolet had crunched on the gravel driveway; but the world was fungible only as images. Nothing got inside the head without becoming pictures.
Jonathan Franzen (The Corrections)
Temporary Insanity had come a-knocking and I had shouted "Come on in the door is open." Luckily, Reality had come unexpectedly and found Temporary Insanity roaming the corridors of my mind unchecked, going into rooms, opening cupboards, reading my letters, looking in my underwear drawer, that kind of thing. Reality had run and got Sanity. And after a tussle, they both had managed to throw out Temporary Insanity and slam the door in his face. Temporary Insanity now lay on the gravel in the driveway of my mind, panting and furious, shouting, "She invited me in, you know. She asked me in. She wanted me there.
Marian Keyes (Watermelon (Walsh Family, #1))
Imagine the great depths of time required for countless generations of corals, clams, and microorganisms to live out their lives, pass on their legacy, then die and sink to the ocean floor - just so you can have a gravel driveway. Our own lives, of course, are far less meaningful. We leave nothing, decaying into plant food and fertilizer in just a few years. These creatures built mountains. Our cities rest on their bones.
Theodore Gray (Molecules: The Elements and the Architecture of Everything, Book 2 of 3)
I don't actually remember if I was able to get a firebolt off. I have a vague memory of seeing orange light splatter harmlessly against a spiked breastplate, but that might just have been sparks from all the metal rubbing against metal. Then there was a sound rather like a bag of wet laundry being hurled across a gravel driveway, and that was the first time I died.
Yahtzee Croshaw (Mogworld)
It's her! Selene! Your Majesty!" Cinder took a step back and felt her serenity slough away, leaving behind the same tension she'd lived with for two long years. That feeling of being in the spotlight, of having responsibilities, of needing to meet expectations... "Why did you abdicate the throne?" someone yelled. And another: "How does it feel to be back on Earth?" And "Will you attend the Commonwealth ball again this year?" And "Is the upcoming Lunar-Earthen wedding a political statement? Do you want to say anything about the union? A loud gunshot blared across the gravel driveway. The journalists screamed and dispersed, some cowering behind the Rampion's landing gear, others rushing back to the safety of their own hovers. "I'll give you a statement," said Scarlet, reloading the shotgun in her arms as she marched toward them. She sent a piercing glare at the journalists who dared to peek out at her. "And the statement is, Leave my guests alone, you pitiful, news-starved vultures." With a frustrated huff, she looked up at Cinder, who had been joined by the others at the top of the ramp. Scarlet looked much the same as Cinder remembered her, only more frenzied. Her eyes had an annoyed, bewildered look to them as she gestured haplessly at the farmland behind her. "Welcome to France. Let's get you inside before they send out the android journalists -they're not as easy to scare off.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
They pulled off a twisting country road and bumped along a rutted gravel driveway. Rocky promontories barred their view until they topped a rise and found a half-are property where the cabin faced south, toward the red clay river that lazed across the horizon.
Meg Gardiner (Into the Black Nowhere (UNSUB, #2))
He looks up at the sound of the gravel crunch on the driveway, and I catch a flash of impression, a reclusive animal surprised in his lair by the arrival of the hunters.
Ben H. Winters (The Last Policeman (Last Policeman, #1))
He felt like a character in a book. He thought of Mary Lennox as she discovered her secret garden. The blackberry bushes had become too thick to ride through and Percy dismounted, leaving Prince beneath the shade of a thick-trunked oak tree. He chose a strong whip of wood and started carving his way through the knotted vines. He was no longer a boy whose legs didn't always do as he wished; he was Sir Gawain on the lookout for the Green Knight, Lord Byron on his way to fight a duel, Beowulf leading an army upon Grendel. So keen was his focus on his swordplay that he didn't realize at first that he'd emerged from the forested area and was standing now on what must have been the top of a gravel driveway. Looming above him was not so much a house as a castle. Two enormous floors, with mammoth rectangular windows along each face and an elaborate stone balustrade of Corinthian columns running around all four sides of its flat roof. He thought at once of Pemberley, and half expected to see Mr. Darcy come striding through the big double doors, riding crop tucked beneath his arm as he jogged down the stone steps that widened in an elegant sweep as they reached the turning circle where he stood.
Kate Morton (Homecoming)
I always wondered, though, what the fathers felt as they drove up the street they used to drive down every night, and whether they really saw their former houses, whether they noticed how things got frayed and flaky around the edges now that they were gone. I wondered it again as I pulled up to the house I’d grown up in. It was, I noticed, looking even more Joad-like than usual. Neither my mother nor the dread life partner, Tanya, was much into yard work, and so the lawn was littered with drifts of dead brown leaves. The gravel on the driveway was as thin as an old man’s hair combed across an age-spotted scalp, and as I parked I could make out the faint glitter of old metal from behind the little toolshed. We used to park our bikes in there. Tanya had “cleaned” it by dragging all the old bikes, from tricycles to discarded ten-speeds, out behind the shed, and leaving them there to rust. “Think of it as found art,” my mother had urged us when Josh complained that the bike pile made us look like trailer trash. I wonder if my father ever drove by, if he knew about my mother and her new situation, if he thought about us at all, or whether he was content to have his three children out there in the world, all grown up, and strangers.
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
I have been to desecrated places, and have sensed a brooding darkness without knowing why. I have, at times, had to speak aloud what I believe to be true about God’s presence in and around me in order to silence the voices of fear that clamored in my head—I have, in other words, been spooked. I have whistled in the dark. I don’t know how all this works. I only know that we’ve all probably been in houses that felt dark and disquieting, and by contrast there’s a sense of peace that seeps out of the walls of others. I want my house to be a house of peace. I want people to sense God’s presence when they roll up our gravel driveway.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
The gun locked open and he slammed another magazine in. As he did it, he either saw or imagined he saw a ripple moving through the cornfield and fired four more shots at it, then stopped, crouched, and stepped sideways across the nose of the truck, saw Robertson facedown in the driveway gravel. He was alive, pushing up with his hands, getting nowhere.
John Sandford (Extreme Prey (Lucas Davenport, #26))
But Emma resists all of Galen's reasonings, based on the fact that it doesn't "feel right." Speaking of things that don't feel right... He pulls his new SUV into her driveway, the excitement sloshing in his stomach like high tide. As he steps out, he notices how much he likes sliding down instead of hoisting himself up from a little compact death trap. He's almost glad Rayna tied the red car around a tree-except that she and Emma could have gotten hurt. He shakes his head, crunching across the gravel of Emma's driveway in his suede Timberlands. Even over that, he hears the thud of his heart. Is it faster than usual? He's never noticed it before, so he can't tell. Shrugging it off as paranoia, he knocks on the door then folds his hands in front of him. I shouldn't be doing this. This is wrong. She could still belong to Grom. But when Emma answers the door, everything seems right again. Her little purple dress makes the violet in her eyes jump out at him. "Sorry," she says. "Mom threw a fit when I tried to leave the house in jeans. She's old-school I guess. You know. 'Thou must dress up for the movies,' says the woman who doesn't even own a dress." "She did me a favor," he says, then shoves his hands in his pockets. More like she did me in.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
When young I'd visit my aunt in small town Tennessee. Her place was carved into the side of a steep ridge. All red mud and gravel. The driveway was too steep for most. You just parked at the bottom and struggled up to the front door. You really had to want to visit. The closest anything was a truck stop off I-75. Near where fog caused a 99 car crash. We went there to eat biscuits and gravy. Wash it down with whole milk. Prostitutes advertised by CB. They found a dead trucker in a restroom once. No one seemed surprised. There was a rigged Coin Pusher machine. Elvira Pinball. I set the high score. Then returned to Florida. Where teachers asked me to write about my summer.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
Minutes later, we were back at the sliding glass door that led inside the house--me, leaning against the glass, Marlboro Man anchoring me there with his strong, convincing lips. I was a goner. My right leg hooked slowly around his calf. And then, the sound--the loud ringing of the rotary phone inside. Marlboro Man ignored it through three rings, but it was late, and curiosity took over. “I’d better get that,” he said, each word dripping with heat. He ran inside to answer the phone, leaving me alone in a sultry, smoky cloud. Saved by the bell, I thought. Damn. I was dizzy, unable to steady myself. Was it the wine? Wait…I hadn’t had any wine that night. I was drunk on his muscles. Wasted on his masculinity. Within seconds, Marlboro Man was running back out the door. “There’s a fire,” he said hurriedly. “A big one--I’ve got to go.” Without pausing, he ran toward the pickup. I stood there, still dazed and fizzy, still unable to feel my knees. And then, just as I was beginning to reflect on the utter irony that a prairie fire may have just saved my eternal soul from burning in hell for carnal sin, Marlboro Man’s pickup flew into reverse and screeched abruptly to a halt at the edge of The Porch--our porch. Rolling down his window, he leaned out and yelled, “You comin’?” “Oh…um…sure!” I replied, running toward the pickup and hopping inside. A prairie fire. A real, live prairie fire, I thought as Marlboro Man’s diesel pickup peeled out of his gravel driveway. Cool! This’ll be so neat! Moments later, as the pickup reached the top of the hill by his house, I could see an ominous orange glow in the distance. I shuddered as I felt a chill go through me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Marlboro Man opened the passenger door of the semi and allowed me to climb out in front of him, while Tim exited the driver-side door to see us off. That wasn’t so bad, I thought as I made my way down the steps. Aside from the manicure remark and my sweating problem, meeting Marlboro Man’s brother had gone remarkably well. I looked okay that evening, had managed a couple of witty remarks, and had worn just the right clothing to conceal my nervousness. Life was good. Then, because the Gods of Embarrassment seemed hell-bent on making me look bad, I lost my balance on the last step, hooking the heel of my stupid black boots on the grate of the step and awkwardly grabbing the handlebar to save myself from falling to my death onto the gravel driveway below. But though I stopped myself from wiping out, my purse flew off my arm and landed, facedown, on Tim’s driveway, violently spilling its contents all over the gravel. Only a woman can know the dreaded feeling of spilling her purse in the company of men. Suddenly my soul was everywhere, laid bare for Marlboro Man and his brother to see: year-old lip gloss, a leaky pen, wadded gum wrappers, and a hairbrush loaded up with hundreds, if not thousands, of my stringy auburn hairs. And men don’t understand wads of long hair--for all they knew, I had some kind of follicular disorder and was going bald. There were no feminine products, but there was a package of dental floss, with a messy, eight-inch piece dangling from the opening and blowing in the wind. And there were Tic Tacs. Lots and lots of Tic Tacs. Orange ones. Then there was the money. Loose ones and fives and tens and twenties that had been neatly folded together and tucked into a pocket inside my purse were now blowing wildly around Tim’s driveway, swept away by the strengthening wind from an approaching storm. Nothing in my life could have prepared me for the horror of watching Marlboro Man, my new love, and his brother, Tim, whom I’d just met, chivalrously dart around Tim’s driveway, trying valiantly to save my wayward dollars, all because I couldn’t keep my balance on the steps of their shiny new semi. I left my car at Tim’s for the evening, and when we pulled away in Marlboro Man’s pickup, I stared out the window, shaking my head and apologizing for being such a colossal dork. When we got to the highway, Marlboro Man glanced at me as he made a right-hand turn. “Yeah,” he said, consoling me. “But you’re my dork.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Through the trees there was a motion, a person walking on the road. Isabelle watched as the girl - it was Amy - moving slowly and with her head down, came up the gravel driveway. The sight of her pained Isabelle. It pained her terribly to see her, but why? Because she looked unhappy, her shoulders slumped like that, her neck thrust forward, walking slowly, just about dragging her feet. This was Isabelle's daughter; this was Isabelle's fault. She hadn't done it right, being a mother, and this youthful desolation walking up the driveway was exactly proof of that. But then Amy straightened up, glancing toward the house with a wary squint, and she seemed transformed to Isabelle, suddenly a presence to be reckoned with. Her limbs were long and even, her breasts beneath her T-shirt seemed round and right, neither large or small, only part of some pleasing symmetry; her face looked intelligent and shrewd. Isabelle, sitting motionless in her chair, felt intimidated. And angry. The anger arrived in one quick thrust. It was the sight of her daughter's body that angered her. It was not the girl's unpleasantness, or even the fact that she had been lying to Isabelle for so many months, nor did Isabelle hate Amy for taken up all the space in her life. She hated Amy because the girl had been enjoying the sexual pleasures of a man, while she herself had not.
Elizabeth Strout (Amy and Isabelle)
Before they had even gotten down the entirety of the driveway Hank knew her superstitious side was getting the best of her. The house certainly did look the part of a demon house from some half baked, nineteen eighties, low budget horror movie. He chuckled a little to himself as they got to the end of the driveway. She smacked his arm with her purse and shot him a dirty
Aleister Davidson (Gravel Switch (The Black Goat Chronicles #1))
As Tommy talked, Alice could picture it—a white house behind a hedge, a gravel driveway.
Emma Straub (This Time Tomorrow)
The Batter estate proved to be a dark old Victorian mansion, set among wide grounds fringed with oak and beech trees. A number of people were wandering about the lawn, but most of the crowd was clustered near a large stable-garage where the auctioneer had set up his platform. As Frank and Joe found a parking place at one side of the gravel driveway, they could see him holding up an elaborate lamp. “Eight dollars, ladies and gentlemen! Do I hear a bid for nine? ... Nine, anyone?” “We should have brought Aunt Gertrude,” Frank said. “Bet she would have loved this!
Franklin W. Dixon (The Short-Wave Mystery (Hardy Boys, #24))
Been raising cattle my entire life. I know the meaning. I know there’s nature. And that there’s nurture.” I roll my lips together and stare down at the gravel driveway beneath me for a beat before glancing back up at him as he continues. “Don’t much care if I had a role in making you. I know in my heart I had a role in making you who you are today. And I’m damn proud of you, Jasper. Not sure I’ve told you that enough over the years.
Elsie Silver (Powerless (Chestnut Springs, #3))
The kids stepped out of the taxi in Bear Walk, Vermont. They were standing next to a gravel driveway in front of an old lodge built of timber. A banner over the wide porch said WELCOME TO DETECTIVE CAMP. Behind the lodge stood a red barn with its doors open wide. Dink noticed a few picnic tables on the lawn between the lodge and the barn. Across
Ron Roy (Detective Camp (A to Z Mysteries: Super Edition, #1))
I pull a chilly breath into my lungs when we step out, my sneaker scuffing against the gravel driveway.
Minka Kent (Unmissing)
Jack and Caleb stood in the driveway, the cars’ engines revving, and talked about their new toys. The lights from the porch spilled down to them. Jenna stood, leaning against the post, watching, enjoying seeing their bond and appreciation of the cars. “Boys with toys.” She smiled from the top step. “You guys look happy.” “What’s not to be happy about? These are the coolest cars ever,” Caleb said with the exuberance of a teen with his very own custom hot rod. “You owe me a ride, Jack.” “Honey, I aim to give you the ride of your life as soon as this one goes home to his wife.” Jack gave her a wicked grin and closed the hood of his car. Jenna laughed and smiled. “You have a one-track mind.” When was the last time she felt this light? “Honey, my mind hasn’t been off you since I saw you in the diner.” “I got the hint. I’m going.” Caleb closed the hood of his car, still purring like a really big kitten. He walked over to Jenna as she came down the porch steps to the gravel drive. He wrapped his arms around her, careful of her healing back, and she wrapped hers around him. So easy to do now that she’d opened herself to him, the whole family. He bent and whispered into her ear, “Thank you. Thank you for what you gave to my wife, my children, and me. I’ll never be able to repay you. If you ever need me, I’ll be there for you, no matter what. You can count on me. You’re an angel, an absolute angel.” “Get your hands off my woman. You have one of your own at home.” Jack watched his brother-in-law with Jenna. They’d created a close bond, the same as with his sister. She didn’t shy away from him when he embraced her; instead she held him and drew on his strength. Caleb would be like a big brother to her. He would protect her. Caleb drew Jenna away just enough to look into her eyes. He put his hand to her cheek, his other arm still wrapped around her. “Thank you.” “You’re welcome, Caleb. You’re a good man.” “You make me want to be a better one.” “I just want you and your family to have a happy life.” “We will, thanks in part to you and Jack. You’re part of that family now, too. Don’t ever forget that.” “Thank you.” “Don’t thank me. You’re a wonderful person. The best I’ve ever met.” He kissed her cheek and released her, turning back toward Jack. “I already punched you for kissing my sister. I guess I have to punch you for kissing her now, too,” Jack teased. Caleb didn’t rise to the bait. “You hurt her, and I’ll be the one throwing the punches.” He smiled back at Jack, then walked over and gave him a big bear hug. “Thanks for what you did for me, Summer, and the kids. It means everything to us. I’ll see you tomorrow.” He smacked Jack on the back before getting into his car. Caleb revved the engine, beamed them an excited smile, and took off like a rocket toward home. “You going to hurt me, Jack?” “Not if I can help it. I’ll spend the rest of my life and yours trying to make you happy. How’s that sound?” “Like heaven. Take me for a ride.” -Jenna, Caleb, & Jack
Jennifer Ryan (Saved by the Rancher (The Hunted, #1))
an unmistakable sound froze him in place. Tires crunched over the gravel of the long driveway,
Joshua Guess (Dead Will Rise)
My Suburban was parked on the graveled driveway, the dull sheen of the black paint making it look a little worse for the wear. Not to mention the huge dent over the back left wheel where a deer had decided it wanted to commit suicide.
Liliana Hart (Dirty Little Secrets (J.J. Graves Mystery #1))
crescent, then switches off the app. All the houses are detached, elegant, huge. She motors slowly, head low, checking the lush, wide driveways – the turning circles, the topiary, the expensive stone flags – until, a little ahead, in a gravel driveway, she sees his van parked outside what she can only call in her mind a modern architect-type house. She pulls up on the far side of the road, switches off the engine and takes off her helmet. Doesn’t want to get too close in case he spots her from the window. She plucks at the fingers of her leather gloves and slides them off, uses them to wipe at her eyes, which have filled again with tears. Why is he here? Why is he not at Simon’s or his parents’ over in Sunbury? Her skin prickles; her tight heart knocks against her ribs. There is a silver orb in the front garden, a line of round lollipop bay trees, an angular hedge in front of an elegant black iron railing. She’s seen this style of garden in one of the lifestyle
S.E. Lynes (The Baby Shower)
this earth, as a parent, as a lover, as a migrant, as a bird. And if we are to suspend our secular beliefs, even for half a paragraph, we can imagine the migrated souls of all the human ancestors presently at table, looking over their bloodline progeny gathered together over the familiarity of cabbage and fried rice and the unfamiliarity of a meat disk between two circular pieces of bread, happy as parents in a playground when all of the children assembled play together quietly and at peace, and no one’s young feelings are hurt, and everyone will go home still innocent. Of course, by the logic of fiction, we are at a high point now. This respite, this happy family, these four new lovers, this child slowly losing her shyness, all of this must be slated for destruction, no? Because if we were to simply leave them feasting and ecstatic, even as the less fortunate of the world fell deeper into despair, even as hundreds of thousands perished for lack of luck, lack of sympathy, lack of rupees, would we be just in our distribution of happiness? And so we sigh, cross ourselves, mumble the Kaddish, perform our pujas and wudu, all in preparation for the inevitable, which, in this case, comes with the crunch of gravel down the driveway.
Gary Shteyngart (Our Country Friends)
A short time later Frank swung up the graveled driveway leading to the Mortons’ farmhouse. Chet’s pretty, dark-haired sister Iola was seated on the front porch with her blond, brown-eyed friend Callie Shaw. Iola bounced up from the porch swing as the boys stepped from the car. “Hi!” she exclaimed. “Wait’ll you see the surprise Callie and I have to show you!” The girls’ eyes sparkled with excitement. Joe grinned at Iola, whom he considered very attractive. “Sounds pretty important.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
Chapter Six Abigail’s secret “Open up,” Abigail mouthed from outside the window, gesturing toward the latch. Behind her, the fog rolled in the darkness. Hal opened the window and leaned out as an icy breeze pushed past him into his room. “What are you doing here?” he whispered. “It’s late. And freezing.” Abigail frowned and rubbed her arms. She wore only a light red dress despite the thick cold fog. “I told you I was coming tonight to tell you something. Did you forget?” “Oh,” Hal mumbled. “Yeah. I’ve had a lot on my mind.” Abigail rolled her eyes. “Come out. Bring a lamp and meet me in your garage.” “But—” Without another word, Abigail tiptoed off across the gravel driveway toward the squat brick building that stood alone at the front of the lawn, next to the road. She had no lantern so faded into the darkness almost immediately, lost against the black silhouette of the garage. Hal
Keith Robinson (Island of Fog Box Set 1-3: A Magical Fantasy Adventure)
The cabin is dark as we pull into the empty gravel driveway. I can feel the tension radiating off Tommy. He grips his knees, fingers sinking in. “You okay?” I ask, shutting the engine off. Chirping cicadas sing their song from all around us. He shifts in his seat. “Yeah. I’m good.
Alexander C. Eberhart (Ghosting You)
The hollow knock of boot heels against the wooden porch catches up with me. Low and behold, I have company. “Stella.” “I can’t do this.” Without a pause, I cross the gravel driveway on my way to the barn. “I feel gross lying to your father. I’m mortified of what he’ll think of me if he ever finds out. I should go back to New York.” “You’re calling an audible now?!” My feet skid to a stop, kicking up dust. Pivoting, I direct my confusion at the man who spoke. “In English would be good. Spanish works too.” “You can’t leave me. Band of brothers!” “What? What are you talking about?” “We’re a team. No man left behind!” “You’re getting weirder by the second. First, we’re not on the gridiron. And second, if you’re saying what I think you’re saying, it’s no child left behind. And you are no child––most of the time.” I mutter the last part, though judging by the v between his brows he heard me all the same. “Birds of a feather stick together?
P. Dangelico (Baby Maker (It Takes Two, #1))
He and Beasly went up the gravel driveway in the dark to put the tools away in the garage and there was something funny going on, for there was no garage. There was no garage and there was no front on the house and the driveway was cut off abruptly and there was nothing but the curving wall of what apparently had been the end of the garage. They came up to the curving wall and stopped, squinting unbelieving in the summer dark. There was no garage, no porch, no front of the house at all. It was as if someone had taken the opposite corners of the front of the house and bent them together until they touched, folding the entire front of the building inside the curvature of the bent-together corners.
Clifford D. Simak (The Big Front Yard and Other Stories (The Complete Short Fiction of Clifford D. Simak #2))
He now had a curved-front house. Although it was, actually, not as simple as all that, for the curvature was not in proportion to what actually would have happened in case of such a feat. The curve was long and graceful and somehow not quite apparent. It was as if the front of the house had been eliminated and an illusion of the rest of the house had been summoned to mask the disappearance. Taine dropped the shovel and the pick and they clattered on the driveway gravel. He put his hand up to his face and wiped it across his eyes, as if to clear his eyes of something that could not possibly be there. And when he took the hand away it had not changed a bit. There was no front to the house.
Clifford D. Simak (The Big Front Yard and Other Stories (The Complete Short Fiction of Clifford D. Simak #2))