Gravel Bike Quotes

We've searched our database for all the quotes and captions related to Gravel Bike. Here they are! All 5 of them:

ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
Olivia Gatwood (New American Best Friend)
The bike crunches along the gravel path, weaving around the potholes that could present danger to someone who didn’t know the road like the back of their hand.
Jane Green (The Beach House)
I always wondered, though, what the fathers felt as they drove up the street they used to drive down every night, and whether they really saw their former houses, whether they noticed how things got frayed and flaky around the edges now that they were gone. I wondered it again as I pulled up to the house I’d grown up in. It was, I noticed, looking even more Joad-like than usual. Neither my mother nor the dread life partner, Tanya, was much into yard work, and so the lawn was littered with drifts of dead brown leaves. The gravel on the driveway was as thin as an old man’s hair combed across an age-spotted scalp, and as I parked I could make out the faint glitter of old metal from behind the little toolshed. We used to park our bikes in there. Tanya had “cleaned” it by dragging all the old bikes, from tricycles to discarded ten-speeds, out behind the shed, and leaving them there to rust. “Think of it as found art,” my mother had urged us when Josh complained that the bike pile made us look like trailer trash. I wonder if my father ever drove by, if he knew about my mother and her new situation, if he thought about us at all, or whether he was content to have his three children out there in the world, all grown up, and strangers.
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
At last, she makes her choice. She turns around, drops her head, and walks toward a horizon she cannot see. After that, she does not look back anymore. She knows that if she does, she will weaken. She will lose what resolve she has because she will see an old bicycle speeding down a hill, bouncing on rocks and gravel, the metal pounding both their rears, clouds of dust kicked up with each sudden skid. She sits on the frame, and Masooma is the one on the saddle, she is the one who takes the hairpin turns at full speed, dropping the bike into a deep lean. But Parwana is not afraid. She knows that her sister will not send her flying over the handlebars, that she will not hurt her. The world melts into a whirligig blur of excitement, and the wind whooshes in their ears, and Parwana looks over her shoulder at her sister and her sister looks back, and they laugh together as stray dogs give chase.
Khaled Hosseini (And the Mountains Echoed)
when she turned to Orlando to speak to him, I saw she had what Pa Salt would have termed a Roman nose, which sat prominently in her striking face. She was certainly not classically beautiful and, from the look of her jeans and old sweater, did not care to make herself more so. Yet, there was something very attractive about her and I realized I wanted her to like me—an unusual feeling. “Are you coping back there?” she asked me. “Not far now.” “Yes, thank you.” I leaned my head against the windowpane as the thick hedges, their height exaggerated by the low car, flew by me, the country lanes becoming narrower. It felt so good to be out of London, with only the odd red-brick chimney stack peeping out from behind the wall of green. We turned right, through a pair of old gates that led to a drive so potholed that Marguerite’s and Orlando’s heads bumped against the roof. “I really must ask Mouse to bring the tractor and fill in these holes with gravel before the winter comes,” she commented to Orlando. “Here we are, Star,” she added as she pulled the car to a halt in front of a large, graceful house, its walls formed from mellow red brick, with ivy and wisteria fringing the uneven windows in greenery. Tall, thin chimney stacks, which emphasized the Tudor architecture, reached up into the crisp September sky. As I squeezed myself out of the back of the Fiat, I imagined the house’s interior to be rambling as opposed to impressive—it was certainly no stately home; rather, it looked as if it had gently aged and sunk slowly into the countryside surrounding it. It spoke of a bygone era, one that I loved reading about in books, and I experienced a twinge of longing. I followed Marguerite and Orlando toward the magnificent oak front door, and saw a young boy wobbling toward us on a shiny red bike. He let out a strange muffled shout, tried to wave, and promptly fell off the bike. “Rory!” Marguerite ran to him, but he had already picked himself up. He spoke again, and I wondered if he was foreign, as I couldn’t make out what he was saying. She dusted him down, then the boy picked up the bike and the two of them walked back to us. “Look who’s here,” Marguerite said, turning directly to the boy to speak to him. “It’s Orlando and his friend Star. Try saying ‘Star.’ ” She particularly enunciated the “st” in my name. “Ss-t-aahh,” the boy said as he approached me, a smile on his face, before holding up his hand and opening his fingers out like a shining star. I saw that Rory was the owner of a pair of inquisitive green eyes, framed by dark lashes. His wavy copper-colored hair glowed in the sun, and his rosy cheeks dimpled with happiness. I recognized that he was the kind of child that one would never want to say no to. “He prefers to go by the name ‘Superman,’ don’t you, Rory?” Orlando chuckled, holding up his hand in a fist like Superman taking off into the air. Rory nodded, then shook my hand with all the dignity of a superhero, and turned to Orlando for a hug. After giving him a tight squeeze and a tickle, Orlando set him down, then squatted in front of him and used his hands to sign, also speaking the words clearly. “Happy birthday! I have your present in Marguerite’s car. Would you like to come and get it with me?” “Yes please,” Rory spoke and signed, and I knew then that he was deaf. I rifled through my rusty mental catalog of what I had learned
Lucinda Riley (The Shadow Sister (The Seven Sisters #3))