Congo Book Quotes

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Up steps, three, six, nine, twelve! Slap! Their palms hit the library door. * * * They opened the door and stepped in. They stopped. The library deeps lay waiting for them. Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast marched on forever. Invisible, silent, yes, but Jim and Will had the gift of ears and noses as well as the gift of tongues. This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Peiping and Yokohama and the Celebes.
Ray Bradbury (Something Wicked This Way Comes)
I would characterize Moonlit Nights as a mix between Douglas Preston and Lincoln Child's 'The Relic' and 'Congo' by Michael Crichton. If those books had a baby and that baby was a werewolf then that would be my book!
Jacob Parr (Moonlit Nights)
It was several decades later that I encountered that footnote, and with it my own ignorance of the Congo’s early history. Then it occurred to me that, like millions of other people, I had read something about that time and place after all: Joseph Conrad’s Heart of Darkness. However, with my college lecture notes on the novel filled with scribbles about Freudian overtones, mythic echoes, and inward vision, I had mentally filed away the book under fiction, not fact.
Adam Hochschild (King Leopold's Ghost)
A great book remains eternally in one’s memory as today’s legend.
Mayi Ngwala (Congo (Spirit of Darkness, #1))
An absurdly deceptive book on Congolese rubber production (King Leopold’s Ghost) is better described as historical fiction.
Bruce Gilley
In his book The African Slave Trade, Basil Davidson contrasts law and in the Congo in the early 16th century with law in Portugal and England. In those European countries, where the idea of private property was becoming powerful, theft was punishable brutally. In England, even as late as 1740, a child could be hanged for stealing a rag of cotton. But in the Congo, communal life persisted. The idea of private property was a strange one, and thefts were punished with fines or various degrees of servitude. A Congolese leader told of the Portuguese legal codes asked a Portuguese once, teasingly, 'What is the penalty in Portugal for anyone who puts his feet on the ground?
Howard Zinn (A People’s History of the United States: 1492 - Present)
Mobutu’s kleptocracy had reversed the flow of time in the town, as buildings crumbled and the jungle reclaimed land. The novelist V. S. Naipaul portrayed the demoralizing aura of the city in his 1979 book, A Bend in the River: The big lawns and gardens had returned to bush; the streets had disappeared; vine and creepers had grown over broken, bleached walls of concrete or hollow clay brick. . . . But the civilization wasn’t dead. It was the civilization I existed in and worked towards. And that could make for an odd feeling: to be among the ruins was to have your time sense unsettled. You felt like a ghost, not from the past, but from the future. You felt that your life and ambition had already been lived out for you and you were looking at the relics of that life.
Jason K. Stearns (Dancing in the Glory of Monsters: The Collapse of the Congo and the Great War of Africa)
They opened the door and stepped in. They stopped. The library deeps waited for them. Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast, marched on forever. Invisible, silent, yes, but Jim and Will had the gift of ears and noses as well as the gift of tongues. This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Peiping and Yokohama and the Celebes.
Ray Bradbury (Something Wicked This Way Comes)
Teacher, where will I come to if I start walking that way?" ... and I pointed. He laughed. "Little man," he said, "that way is North. If you start walking that way and just keep on walking, and your legs don't give in, you will see all of Africa! Yes, Africa, little man! You will see the great rivers of the continent: The Vaal, the Zambezi, the Limpopo, the Congo, and then the mighty Nile. You will see the mountains: the Drakensburg, Kilimanjaro, Kenya, and the Ruwenzori. And you will meet all our brothers: the little Pygmies of the forests, the proud Masai, the Watusi ... tallest of the tall, and the Kikuyu standing on one leg like herons in a pond waiting for a frog. " "Has teacher seen all that?" I asked, "No," he said. "Then how does teacher know it's there?" "Because it is all in the books and I have read the books and if you work hard in school, little man, you can do the same without worrying about your legs giving in.
Athol Fugard (My Children! My Africa!)
For the past 25 years, the idea of the Congo has been closely linked in the Western imagination to the 1998 book King Leopold’s Ghost by the American journalist Adam Hochschild. The book is widely assigned in high schools and colleges, and it regularly tops best-seller lists in colonial, African, and Western history. Hochschild has become a sort of king of the Congo, or at least of its history. The book is reflexively cited by reputable scholars in their footnotes any time they wish to assert that it is “well known” and “beyond doubt” that sinister men in Europe wrought havoc in Africa over a century ago. Any discussion of the Congo, or of European colonialism more generally, invariably begins with the question: “Have you read King Leopold’s Ghost?” I have read it. And I can declare that it is a vast hoax, full of distortions and errors both numerous and grave. Some people might view “King Hochschild’s Hoax,” as we might call it, as an empowering fable for modern Africans at the expense of the white man.
Bruce Gilley
These are quite obviously the books that nobody reads,’ said Rocky, studying their titles. ‘But it’s a comfort to know that they are here if you ever should want to read them. I’m sure I should find them more entertaining than the more up-to-date ones. Wild Beasts and their Ways; Five Years with the Congo Cannibals; With Camera and Pen in Northern Nigeria; Sunshine and Storm in Rhodesia. I wish people still wrote books with titles like that. Nowadays I believe it simply isn’t done to show a photograph of “The Author with his Pygmy Friends”—we have become too depressingly scientific.
Barbara Pym (Excellent Women)
I wish I could write their individual stories in the book of our lives with indelible ink, because we cannot compel the world to share our affliction, but we still have the duty to honour our dead. Tina said it: all it takes is for one person, just one, to burst into grief for the others to take up the song of mourning. That is our mission. That is our duty as survivors. We are all survivors in this country, to varying degrees. To survivors, the Lord, in His languid Mercy, grants unending years of contrition. This, at least, is necessary; otherwise, where would the salty water in the oceans come from?
Hemley Boum (Days Come and Go)
Now imagine a different society, for example the Congo or Haiti, where a large fraction of the population has no means of attending school, or where, if they manage to go to school, the quality of teaching is lamentable, where teachers do not show up for work, and even if they do, there may not be any books.
Daron Acemoğlu (Why Nations Fail: The Origins of Power, Prosperity, and Poverty)
The freelance EIC had at its peak just 1,500 administrative officers and about 19,000 police and soldiers for an area one third the size of the continental United States. As such, it exerted virtually no control over most areas, which were in the hands either of Arab slave-traders and African warlords, or of native soldiers nominally in the employ of Belgian concession companies without a white man for a hundred miles. Hochschild’s description of the EIC as “totalitarian” is bizarre, as is his claim that Léopold exerted a “framework of control…across his enormous realm.” If only this were true.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The rubber quotas imposed on natives in this 15 percent of the territory were enforced by native soldiers working for the companies or for the EIC itself. In many areas, the rubber came with ease and the natives prospered. The rubber station at Irengi, for instance, was known for its bulging stores and hospitable locals, whose women spent a lot of time making bracelets and where “no one ever misses a meal,” noted the EIC soldier George Bricusse in his memoirs. Elsewhere, however, absent direct supervision, and with the difficulties of meeting quotas greater, some native soldiers engaged in abusive behavior to force the collection. Bricusse noted these areas as well, especially where locals had sabotaged rubber stations and then fled to the French Congo to the north. In rare cases, native soldiers kidnapped women or killed men to exact revenge. When they fell into skirmishes, they sometimes followed long-standing Arab and African traditions by cutting off the hands or feet of the fallen as trophies, or to show that the bullets they fired had been used in battle. How many locals died in these frays is unclear, but the confirmed cases might put the figure at about 10,000, a terrible number.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
As a self-proclaimed human rights activist, Hochschild can be forgiven for his economic illiteracy. But since it is the keystone that begins his tale, it is another fib worth correcting. The EIC’s large trade surplus (more physical goods going out than coming in) was because virtually none of the revenue from the goods sold in Europe was sent back to pay for labor, which was “paid for” as a fulfillment of the EIC labor obligation. Instead, the revenue paid for European administration, infrastructure, and trade services in the Congo as well as profits that were parked in Belgium (an overall payments deficit). For Hochschild to claim that Africans were getting “little or nothing” for the goods they produced because fewer goods were being sent to Africa displays a stunning economic ignorance. It is like saying that the empty container ships returning to China from today’s port of Long Beach show that China’s workers are being paid “little or nothing.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
This egregious example of “Belgians bad, natives good” is the conceptual foundation of King Hochschild’s Hoax. And it bleeds into what is, for most readers, the enduring imaginative impact of the book, to have put a nasty Belgian face onto Mistah Kurtz, the phantom who draws Marlow’s steamboat up the Congo river in Joseph Conrad’s 1902 novella Heart of Darkness. Like generations of English professors, Hochschild has misread the book as an indictment of colonialism, which is difficult to square with its openly pro-colonial declarations and the fact of the “adoring” natives surrounding the deceased Kurtz.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Some people might view “King Hochschild’s Hoax,” as we might call it, as an empowering fable for modern Africans at the expense of the white man. But its debilitating effects on Africa, and on the Congo in particular, make the opposite more nearly the case. It is a callous and negligent chicotte (hippo whip) lash on the backs of all black Africans, narcissistic guilt porn for white liberals at the expense of the African. The Congolese lawyer Marcel Yabili calls it “the greatest falsification in modern history,” a compliment of sorts, I suppose.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
How could Hochschild go so wrong? He was highly motivated from the start to “find” a genocide because, as he notes, his project began by reading the American humorist Mark Twain’s claim that eight to ten million people had died in the EIC. But no scholar has ever made such a charge. His source was a chapter by the Belgian ethnographer Jan Vansina, citing his own work on population declines in the entirety of central Africa throughout the 19th century that included only what became the northern areas of the EIC. In any case, Vansina’s own source was a Harvard study of 1928 that quoted a 1919 Belgian claim that “in some areas” population had fallen by half, but quoted it in order to assert that it was almost certainly false.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
he main point is that Conrad realistically described the terrible things done by Belgians in the Congo. Hochschild certainly wishes this was Conrad’s purpose. He repeats an old theory that Kurtz was based on the EIC officer Léon Rom whom Conrad “may have met” in 1890 and “almost certainly” read about in 1898. Visitors noted that Rom’s garden was decorated with polished skulls buried in the ground, the garden gnomes of the Congo then. But Kurtz’s compound has no skulls buried in the ground but rather freshly severed “heads on the stakes” that “seemed to sleep at the top of that pole.” As the British scholar Johan Adam Warodell notes, none of the “exclusively European prototypes” for Kurtz advanced by woke professors and historians followed this native mode of landscape gardening. By contrast, dozens of accounts of African warlords and slavers in the Congo published before 1898 described rotting heads on poles (“a wide-reaching area marked by a grass fence, tied to high poles, which at the very top were decorated with grinning, decomposing skulls,” as one 1888 account had it). Far from being “one of the most scathing indictments of [European] imperialism in all literature,” as Hochschild declares it, Heart of Darkness is one of the most scathing indictments of the absence of European imperialism in all literature. Kurtz is a symbol of the pre-colonial horrors of the Congo, horrors that the EIC, however fitfully, was bringing to an end.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The abuses were first reported by an American missionary in The Times of London in 1895 and quickly brought Léopold’s censure: “If there are these abuses in the Congo, we must stop them,” he warned EIC officials in 1896. “If they continue, it will be the end of the state.” For the next ten years, reforming the Congo’s rubber industry absorbed an inordinate amount of attention in the British and American press and legislatures, not to mention within Belgium and the EIC itself, leading to formal Belgian colonization in 1908. Hochschild thus takes a very limited, unintentional, unforeseen, and perhaps unavoidable problem of native-on-native conflict over rubber harvesting and blows it up into a “forgotten Holocaust” to quote the subtitle given to the French edition of his book. Inside this great invention are many more perfidious Russian dolls.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Hochschild repeats the urban legend that Léopold burned all the EIC documents, going “to extraordinary lengths to try to erase potentially incriminating evidence.” Quite the opposite: Léopold was proud of the EIC and went to extraordinary lengths to leave behind an extensive record. The testimony of his military aide that Hochschild cites about “burning the State archives” and turning “most of the Congo state records to ash” was a misunderstanding: what the aide saw burning were ruined and unreadable papers among the thousands of documents that came back in crates from the Congo in 1908. Léopold left behind 14 trunks filled with his personal letters and financial statements. Everything was carefully cataloged in “a vast room that looked like a post office,” the aide recalled. Some of it went missing in the turmoil of World War II before resurfacing in the basement of a house in 1983. Just last year, researchers at the Royal Museum for Central Africa who work on the EIC archives published a new book, The Congo Free State: What Could Archives Tell Us?
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Even taking Sanderson’s pessimistic estimate as correct, does this mean that Léopold’s rule “killed” 500,000 people? Of course not, because, in addition to the misplaced personalization of long-term population changes, the rubber regions, as mentioned, experienced both population increases and declines. Even in the latter, such as the rubber-producing Bolobo area in the lower reaches of the Congo river, population decline was a result of the brutalities of freelance native chiefs and ended with the arrival of an EIC officer. More generally, the stability and enforced peace of the EIC caused birth rates to rise near EIC centers, such as at the Catholic mission under EIC protection at Baudouinville (today’s Kirungu). Population declines were in areas outside of effective EIC control. The modest population gains caused by EIC interventions were overwhelmed by a range of wholly separate factors, which in order of importance were: the slave trade, sleeping sickness, inter-tribal warfare, other endemic diseases (smallpox, beriberi, influenza, yellow fever, pneumonia, dysentery, tuberculosis, typhoid fever, and venereal disease), cannibalism, and human sacrifice.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The missionary Fanny Emma Fitzgerald Guinness was allowed to visit one Arab slave fort in 1890, seeing “rows upon rows of dark nakedness, relieved here and there by the white dresses of the captors” in one pen holding 2,300 souls. She estimated that for every one slave eventually sold, seven died either in the raids, in the camps, or while being transported to the Indian Ocean.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Hochschild describes the EIC official Léon Fiévez as a “sadist” who “terrorized” the rubber-rich Équateur district where he was commissioner. His source is the George Bricusse mentioned above. Bricusse lasted only three years in the Congo before dying of either typhoid or malaria, a common occurrence for the EIC where the annual mortality rate for European soldiers was 20 percent. In the 1894 incident recalled, Fiévez is recounting to Bricusse his desperate attempts to feed his soldiers while battling slave lords in the area. There is no mention of rubber because this particular place had little of it. The slaving business, on the other hand, is flourishing and Bricusse notes its devastation everywhere. Fiévez had arrived a few days earlier and held parlay with local chiefs. They had agreed to supply his soldiers with food for payment. They then reneged and fled into the forest. Fiévez sent his troops in pursuit and, in the ensuing fight, 100 of the chiefs’ soldiers were killed. After that, the chiefs made good on their promise.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The first proper sample-based census was not carried out until 1949, so demographers have to reconstruct population totals from micro-level data on food supply, settlement patterns, village counts, birth records, and the like. The most sophisticated modeling by French and Belgian demographers variously suggests a population of 8 to 11 million in 1885 and 10 to 12 million by 1908. The Belgian Jean-Paul Sanderson, using a backward projection method by age cohorts, found a slight decline, from 10.5 million in 1885 to 10 million in 1910. This estimated change in total population governed by changing birth and death rates over a 25 year period represents a negligible annual net decline in population.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Belgium had no prior history in the slave trade, nor of African slaves. Léopold could fight against slavery without any hint of hypocrisy, even of the ahistorical type advanced by Hochschild. And it was slavery, not rubber operations, that contemporary observers viewed as the biggest threat to the people of the Congo.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
In 1892, a Belgian trader and his entire caravan of six Europeans and 40 porters were beheaded by a thug controlled by the notorious slaver and warlord Msiri, who asked that their heads be returned to him to decorate his compound. The trader had tried to persuade Msiri and other local tyrants to sell their ivory to his company, which could transport it by river, thus obviating the need for slaves.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The reader is lured into believing that every conflict he documents is about the drive for rubber, not the drive against slavery (or inter-tribal vendettas). One of many egregious examples will have to suffice.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The first and biggest deceit at the heart of King Leopold’s Ghost is the attempt to equate Léopold’s “État indépendant du Congo” or EIC (long mistranslated as the Congo Free State) with Western colonialism. Yet the EIC was a short-term solution to the absence of colonial government in the Congo river basin.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Most memorably for readers, Hochschild reprints staged photographs taken by the English missionary Alice Seeley Harris and supplied to the anti-Léopold campaign through the English missionary John Weeks. The missionaries knew that showing these fake photos at “lantern shows” in community halls in Britain won more attention and donations than their detailed accounts of cannibalism and sleeping sickness ravaging their areas. Hochschild does not tell the reader that the photographs are staged, nor does he explain that the photographs of people with severed hands were victims of gangrene, tribal vendettas, or cannibalism having nothing to do with rubber. In the most famous photo of them all, a man whom Seeley got to sit on the veranda of her mission station with a severed hand and foot before him, the original caption given by Morel reads: “Sala of Wala and remains of his five year old daughter; both wife and child were eaten by king’s soldiers at a cannibal feast. Until Hochschild, no one had suggested that the girl or her mother were killed for rubber, only that the EIC had failed to control the eating habits of its citizens. Hochschild, however, captions the photo thus: “Nsala, of the district of Wala, looking at the severed hand and foot of his five-year-old daughter, Boali, a victim of the Anglo-Belgian India Rubber Company (A.B.I.R.) militia.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Why did Hochschild put such store in plainly erroneous data about a loss of life caused by the EIC? Here we come to the horror at the heart of King Hochschild’s Hoax: his attempt to equate the EIC to the Nazis and to the sacred memory of the Holocaust. Throughout the book there is a nauseating, indeed enraging, use of Holocaust and Auschwitz comparisons. In part these reveal an insecurity about his main thesis and the knowledge that one way to silence criticism is to play on the fact that no one wants to be called a Holocaust denier. While we know “how many Jews the Nazis put to death,” he menaces readers, insisting on such precision in the EIC is distasteful. You have been warned!
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The further falsehoods and distortions that make up King Hochschild’s Hoax all collectively derive from the problems above. Perhaps most remarkably, the book is not really much about the history of the EIC at all. The central activity that justified, motivated, absorbed, and in the end defeated the EIC is missing: the battle against the Afro-Arab slave trade. This is akin to writing a history of the 68 years of colonial Kenya that limits itself only to the eight years of Mau Mau counter-insurgency campaign.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
By 1891, six years into the attempt to build the EIC, the whole project was on the verge of bankruptcy. It would have been easy for Léopold to raise revenues by sanctioning imports of liquor that could be taxed or by levying fees on the number of huts in each village, both of which would have caused harm to the native population. A truly “greedy” king, as Hochschild repeatedly calls him, had many fiscal options that Léopold did not exercise.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
the big headline of the book, a whopper really, is Hochschild’s claim that the population of the Congo fell by 50 percent or 10 million on Léopold’s watch. The EIC, he claims, caused “depopulation” and “mass murder” of “genocidal proportions” due to its drive for rubber profits. In fact, the most knowledgeable estimates today suggest that the general population of the Congo rose slightly during the EIC era and that any deaths attributable to the limited abuses in the rubber areas were far outweighed by the lives saved and created by the EIC’s direct interventions in other respects. Even if we can agree that any life lost to senseless violence and negligent governance is always and everywhere deserving of condemnation, Léopold’s regime was a monumental achievement in saving and promoting black lives.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Hochschild is at pains to convince the reader that anyone opposing the EIC was good, whether brutal slave trader, inveterate cannibal, fetish priest, or ethnic-cleansing warlord. His treatment of the 1895 rebellion by native soldiers at a military camp named Luluabourg in the southern savannah strains to portray the rebels as noble savages pining for freedom and a return to pastoral life. In his telling, the Belgian commander Mathieu Pelzer was a “bully” who “used his fists” and thus got his comeuppance at breakfast with a knife to the throat. Actually, Pelzer had nothing to do with it. The rebels were former soldiers for a black slave king. The EIC had brought them to the southern camp to reintegrate them as government soldiers. But their loss of royal prerogatives to whore, steal, and maim caused them to rebel. The group never exceeded 300 (Hochschild speculates that it reached 2,500) and petered out in the northern jungles in 1897, a rag-tag criminal gang gone to seed.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Conrad spent six months working for a cargo company in the EIC in 1890, three weeks of it aboard a steamship traveling up river to today’s Kisangani. There is no mention of rubber in the novel because Conrad was there five years before rubber cultivation began. Kurtz is an ivory trader. So whatever sources Conrad was using when he began work on Heart of Darkness in 1898, his personal experiences would at most have added some color and context. Hochschild will have none of it, insisting that Conrad “saw the beginnings of the frenzy of plunder and death” which he then “recorded” in Heart of Darkness. The brutalities by whites in the 1979 film Apocalypse Now were inspired by the novel, Hochschild avers, because Conrad “had seen it all, a century earlier, in the Congo.” In another example of creative chronology, Hochschild cites a quotation that he believes was the inspiration for Kurtz’s famous scrawl, “Exterminate all the brutes!” The quotation was made public for the first time during a Belgian legislative debate in 1906. Whatever its authenticity, it could not be a source for a book published in 1902.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The deal was simple: Léopold was to open the area to trade and eliminate endemic Arab slave empires and African tribal wars. In return, he hoped to bring glory to the Belgian people for having done what no other European ruler dared (one in three Europeans who traveled to the Congo died, usually of illness). The EIC had nothing to do with the Belgian government. To the extent that limited abuses and misrule occurred in some parts of his domain, this was a direct result of its not being controlled by a European state. As no less than Morel insisted (not quoted by Hochschild), “Let us refrain from referring to the Congo as a Belgian colony, let us avoid writing of ‘Belgian misrule.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
In a pattern of misrepresentation that is repeated on other issues, Hochschild at first mentions this inconvenient fact and then proceeds to say the opposite for the entirety of the book. The fiefdom “was shared in no way with the Belgian government,” which “had no legal authority over [Léopold] as ruler of the Congo,” he alerts readers. Yet not only the subtitle of the book but laced throughout are constant smears against European colonialism.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Congo reformers like Morel, much to the annoyance of Hochschild, advocated either German or British colonization of the area (Congo). Morel’s view, according to Hochschild, speaking ex cathedra from the hallowed seat of modern California, “seems surprising to us today” and was among his “faults” and “political limitations.” Quite the opposite. The moment the Belgians colonized the Congo in 1908, a miraculous improvement was noted on all fronts. Seeking to debunk colonialism, Hochschild’s book demonstrates the opposite. This is the first and biggest lie at the heart of King Leopold’s Ghost.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The second, but more visible, untruth is the claim that for 23 years, EIC officials throughout the territory sponsored violent actions such as chopping off hands to force natives to collect rubber, leaving millions dead in a horror that should be directly compared to the Holocaust. There are about a dozen little cheats here, one embedded in the other like Russian nesting dolls.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
White American, Adam Hochschild, with no solid Africa knowledge, purveyed the horror book King Leopold's ghost, 1998, from Stanley's English-language travelogue, and Ben Affleck further presses the lie, based on Hochschild's fabrications, in a film soon to be released.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
Leopold II has always been a bit of an obsession for me. In 1955 I was appointed to the order named after him, I didn't quite know what to do with it, I defiantly walked around with the ribbon in the hope that some colonel would say: "Vlerk, what are you doing with that?" It never happened unfortunately. I've read 42 books about him, documented thoroughly about the interest rate in 1882, and you can't help but feel admiration for that man. He has been the last great king, a kind of dinosaur. When he said or wrote 'we', you don't know whether he's talking about himself, his family, his country or his dynasty.
Hugo Claus
As for the claims by the Congolese historian Isidore Ndaywel è Nziem (“13 million killed” in 1998, then “5 to 10 million killed” in 2008), they are hard to keep track of. Initially, the starting year for his assertions was 1880 (five years before the EIC was founded and ten years before any rubber harvesting) while the latter estimate extended the end year to 1930 (22 years after the EIC). A second edition of the latter estimate, without explanation, moved up the starting date to 1885. Ndaywel cites no data or methods. All three editions of his book merely cite Moulin. It is notable that in a lengthy essay on the EIC published in L’Histoire in 2020, Ndaywel no longer makes any specific population claims, asserting only that the effects of the EIC were “worse than grim” (“plus que macabres”). In the end, Ndaywel is not credible. His works are published by the Royal Museum for Central Africa in Belgium because he is black. This helps them to “decolonize Eurocentric narratives,” which means using blacks as shadow puppets to shield their radical accounts from criticism.
Bruce Gilley (The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind)
Comparing the EIC to the Nazis is grotesque. Hochschild has nothing to say about this odious rhetorical maneuver, an insult not just to Jews but to the Congolese who fought and remained loyal to the memory of the EIC. Referring to my essay as “polemical” in defense of a book that makes regular references to Auschwitz is rich indeed.
Bruce Gilley (The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind)
Hochschild’s sweet reason in his letter on the complex question of European colonialism appears to have abandoned him while writing the book (or is newfound). “Communism, Fascism, and European colonialism each asserted the right to totally control its subjects’ lives,” he wrote grandly in the book. How is it possible that he now writes about the “subtle and complex business” of assessing colonialism?
Bruce Gilley (The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind)
I am glad that Hochschild admits that the photographs in his book are fake. Still, to his point, I do not doubt that the traditional African hippo whip was used by EIC officials. Nor do I doubt that chains were used to confine prisoners in the EIC when prisons were not available. Nor do I doubt that the Arab tradition of chopping off the hands of fallen enemies persisted well into the EIC era, even among natives employed by the government or concession companies. So what? If Hochschild’s argument is that the area should have been colonized from the start (as his hero Edmund Morel argued), I would agree. If his argument is that the EIC should have been financed by liquor imports or village hut taxes rather than the 40 hours per month labor requirement for those who could not pay individual taxes, I will side with the King.
Bruce Gilley (The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind)
As I wrote, despite the malicious craft practiced by Hochschild and others, I am glad that an extensive documentary record of the EIC and of European colonies more generally survives, not that I expect any honest use of them in our current moral panic. Hochschild was merely an early entry into a genre that has since blossomed into an industry of scholars who “interrogate” the archives to cough up evidence of the evils of the West. There is of course no such documentary record of the horrific conditions the Europeans replaced, and in any case most Western readers would not buy a book on endemic venereal disease in Africa or stool disputes among the Kuba. A salacious tale on the Belgian king and his mistresses torturing black people to pay for their follies? Now you’re talking!
Bruce Gilley (The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind)
I also do not begrudge Hochschild his millions, although, unlike him, I have untold praise for the capitalist system that produced them (he recently compared Amazon warehouses to slave plantations and in a 2016 book he lamented the failure of a socialist revolution in Spain). But to write history requires an immersion in the context, constraints, and worldviews of those involved.
Bruce Gilley (The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind)
Hochschild just can’t seem to get over the fact that life was very, very different long ago. I, for one, am less ready to leap to condemnation for the petty abuses of the EIC, especially against people who are no longer alive to defend themselves. If he wants to join the Congo Reform Movement, so be it. It has been going on for over 100 years and is not likely to stop. When I call this white guilt porn, I do not intend it as polemic, but merely description.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Much is at stake. In giving Hochschild its Theodore Roosevelt-Woodrow Wilson Award in 2008, the American Historical Association claimed that King Leopold’s Ghost “broke through one of the most impenetrable silences of history” by revealing the “mass death” and “rampant atrocities” in the EIC. Be reminded that the AHA is the representative of professional historians in the United States, not the editorial board of Dissent magazine. The AHA went on to call the book “a key text in the historiography of colonial Africa for college and graduate students.” The AHA and Hochschild are also agreed on the really excellent quality of the 1619 Project, which Hochschild calls (micro-aggression notwithstanding) “masterful.” He has described the writing of history as uncovering “shame.” The AHA, warming to the idea, praised Hochschild’s “humanist agenda” with its mission “to combat inhumanity.” History should have no agenda other than uncovering the truth. It should combat only ignorance about the past. If this is the state of public history in the West, we are in a very bad place indeed.
Bruce Gilley (The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind)
Pendant les 25 dernières années, l’idée du Congo a été étroitement liée dans l’imaginaire occidental au livre de 1998 intitulé “Le fantôme du roi Léopold” de l’écrivain américain Adam Hochschild. Ce livre est largement étudié dans les lycées et les universités, et il figure régulièrement en tête des listes des meilleures ventes en matière d’histoire coloniale, africaine et occidentale. Hochschild est devenu une sorte de roi du Congo, ou du moins de son histoire. Le livre est systématiquement cité par les universitaires réputés dans leurs notes de bas de page chaque fois qu’ils veulent affirmer qu’il est “bien connu” et “indiscutable” que des hommes sinistres en Europe ont semé le chaos en Afrique il y a plus d’un siècle. Toute discussion sur le Congo, ou sur le colonialisme européen en général, commence invariablement par la question : “Avez-vous lu Le fantôme du roi Léopold ?
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Certaines personnes pourraient considérer “Le canular du roi Hochschild”, comme nous pourrions l’appeler, comme une fable valorisante pour les Africains modernes aux dépens de l’homme blanc. Mais ses effets débilitants sur l’Afrique, et sur le Congo en particulier, en font le contraire. C’est un coup de chicotte (fouet en forme de lanière de cuir) insensible et négligent sur le dos de tous les Africains noirs, un porno narcissique de la culpabilité pour les libéraux blancs au détriment de l’Africain. L’avocat congolais Marcel Yabili l’appelle “la plus grande falsification de l’histoire moderne”, un compliment en quelque sorte, je suppose.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Adam Hochschild caused a stir with 10 million people killed in the Leopold Holocaust. He clearly says in the introduction of his book that he had learned on a plane, the estimated population of Congo in 1880 and that he had subsequently discovered, in a library, that the figure had diminished after the red rubber episode. But he then invented and maintained the intangible toll of 10 million disappeared people by a simple calculation of subtraction between two uncertain and changing censuses.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
It was put in the books that Thomas Kanza was the first university graduate, but he was a secular and a Congolese from Belgium (1956). The very first graduate was Paul Panda Farnana, an agronomist trained in Belgium (1907). But considering post-secondary education, it is father Stefano Kaoze (1917) who is the first graduate trained in Congo.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
The Congolese were only really incited against the Belgians by the books of 'whites' such as Vangroenweghe, Marchal, Hochschild and De Witte.
Amandine Lauro
• The historian of religion Mircea Eliade argues that many of the episodes in the myth of Theseus are garbled descriptions of ancient initiatory rituals. He describes the Ganda tradition of Central Africa, once practiced in the Kuba Kingdom between the tributaries of the Congo River: a man would disappear into a dark cave, while a group of novices gathered around the entrance. Deep inside the tunnel, the man would shout and rattle sticks, and the novices were told he was battling violent spirits. The man then daubed his body with goat’s blood, staggered out of the cave and collapsed. The king then ordered the terrified novices to enter the cave one by one. They thought they were facing a monster; in truth they met nothing more than the limits of their own fear.
Henry Eliot (Follow This Thread: A Maze Book to Get Lost In)
The improbable is just a setup for a miracle. Just think of what's happened the last few weeks since the Congo mission. The success of God's workers is unlikely wherever there is darkness.
D.I. Telbat (TEARS in the WIND: Where Christians Dare (The Leeward Set Book 2))
She would go to and fro amid all this in a sort of permanent joy and richness, as if Indian poppies, congo canes, hummingbirds, and orange trees were enough to fill a woman's heart with complete satisfaction.
Simone Schwarz-Bart (The Bridge of Beyond (New York Review Books Classics))
My disapproval extended to the personnel of the various native tribes he had encountered in the course of his explorations. On his own showing, he had for years been horning in uninvited on the aborigines of Brazil, the Congo and elsewhere, and not one of them apparently had had the enterprise to get after him with a spear or to say it with poisoned darts from the family blowpipe. And these were fellows who called themselves savages. Savages, forsooth! The savages in the books I used to read in my childhood would have had him in the Obituary column before he could say 'What ho', but with the ones you get nowadays it's all slackness and laissez-faire. Can't be bothered. Leave it to somebody else. Let George do it. One sometimes wonders what the world's coming to.
P.G. Wodehouse (Stiff Upper Lip, Jeeves (Jeeves, #13))
achievement given that gravity was playing a far greater role than he’d anticipated. He shifted his hands in ever faster movements until he surrendered to the process and glided downward, catching himself only when his feet
Jason Kasper (Congo Nightfall (Shadow Strike #8))
gatherings formatted around two drums, a violin, and communal singing in New Orleans’ Congo Square81 reshaped the blues into “jass” or “dirty” brass bands that transmits the magical technology of “Jes Grew” 82—an audio virus that novelist and playwright Ishmael Reed describes as “going around in circles until the 1920s when it impregnated America's ‘hysteria.’” 83 Canadian media theorist Marshall McLuhan was preeminently aware of this phenomenon of Black people taking and forging new outcomes from technology produced during the nineteenth and twentieth century, as evidenced in his 1968 book with graphic designer Quentin Fiore, War and Peace in the Global Village:
DeForrest Brown Jr (Assembling a Black Counter Culture)