Granted Picture Quotes

Your explanation for anything slightly odd is aliens,' said Lister. 'You lose your keys, it's aliens. A picture falls off the wall, it's aliens. That time we used up a whole bog roll in a day, you thought that was aliens.

They both smiled at the picture of Albert in his chinos and button-down shirt exhorting kids from atop a bike.

I've never asked you to give the least considerations to my feelings." He could picture her holding the word with fingertips at arm's length, like a scullery maid disposing of a dead rat.

Narcissus is gorgeous. Like, imagine if someone could look exactly like bacon tastes and you have a pretty good picture of Narcissus (unless you're a vegetarian).

TO BE A TOURIST is to escape accountability. Errors and failings don't cling to you the way they do back home. You're able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You're expected to be stupid. The entire mechanism of the host country is geared to travelers acting stupidly. You walked around dazed, squinting into fold-out maps. You don't know how to talk to people, how to get anywhere, what the money means, what time it is, what to eat or how to eat it. Being stupid is the pattern, the level and the norm. You can exist on this level for weeks and months without reprimand or dire consequence. Together with thousands, you are granted immunities and broad freedoms. You are an army of fools, wearing bright polyesters, riding camels, taking pictures of each other, haggard, dysentric, thirsty. There is nothing to think about but the next shapeless event.

Destructive and irresponsible freedom has been granted boundless space. Society appears to have little defense against the abyss of human decadence, such as, for example, misuse of liberty for moral violence against young people, motion pictures full of pornography, crime and horror. It is considered to be part of freedom and theoretically counter-balanced by the young people's right not to look or not to accept. Life organized legalistically has thus shown its inability to defend itself against the corrosion of evil.

I pictured myself saying in a court of law, "Well, Your Honor, there was this evil sorcerer's apprentice and a flesh-eating, power-granting demon he summoned from a primordial dimension . . ." Even I couldn't see a way to make that script work.

The best part about being a nerd within a community of nerds is the insularity – it’s cozy, familial, come as you are. In a discussion board on the Web site Slashdot.org about Rushmore, a film with a nerdy teen protagonist, one anonymous participant pinpointed the value of taking part in detail-oriented zealotry: Geeks tend to be focused on very narrow fields of endeavor. The modern geek has been generally dismissed by society because their passions are viewed as trivial by those people who ‘see the big picture.’ Geeks understand that the big picture is pixilated and their high level of contribution in small areas grows the picture. They don’t need to see what everyone else is doing to make their part better. Being a nerd, which is to say going to far and caring too much about a subject, is the best way to make friends I know. For me, the spark that turns an acquaintance into a friend has usually been kindled by some shared enthusiasm like detective novels or Ulysses S. Grant.

We lived on 82nd Street and the Metropolitan Museum was my short cut to Central Park. I wrote: "I go into the museum and look at all the pictures on the walls. Instead of feeling my own insignificance I want to go straight home and paint." A great painting, or symphony, or play, doesn't diminish us, but enlarges us, and we, too, want to make our own cry of affirmation to the power of creation behind the universe. This surge of creativity has nothing to do with competition, or degree of talent. When I hear a superb pianist, I can't wait to get to my own piano, and I play about as well now as I did when I was ten. A great novel, rather than discouraging me, simply makes me want to write. This response on the part of any artist is the need to make incarnate the new awareness we have been granted through the genius of someone else.

No longer do I sing, dance or draw pictures; but God has granted me the gift to do them all in my stories.

Look at it, Dane. Look at the city and the world in its proud array, like a cask of jewels laid open for you. It'll offer you everything you ever wanted but it's just pictures on billboards; dream cars, dream women, dream houses. Time to wake up now and say goodbye. Remember, Dane: there's other worlds out there. It's only empty air here. Jump out of the world, jump to the place I showed you and you'll not fall. Are you ready? Are you ready to jump right off the edge of everything?

I was in Sarasota, Florida, on a spring-break trip with my friends Bruce and Karen Moore. Bruce and I were waiting on the beach for the rest of our crew when and a man and his grown kids came strolling up the sand. They looked at me for a minute, sort of hesitating, and then asked, "Would you mind taking a picture?" "Sure," I said, and quickly arranged all of us in a line, putting myself in the middle and motioning to Bruce to come snap the photo. Right about that time, the father said, "Actually, we were wondering if you could take a picture just of us." An understandable mistake on my part, but really embarrassing. Bruce has had a field day reminding me of that one ever since. Lesson learned: Never assume anything about your own importance. It's a great big world, and all of us are busy living our lives. None of us knows all the time and effort that another person puts into his or her passion.

Granted, there is still that picture of the Terminator jeering over practically every journalistic attempt to engage with the subject.

Just as I never wondered what it was like for my mother to be a full-time, at-home mother, I never wondered then what it meant to be married. I took my parents’ union for granted. It was the simple solid fact upon which all four of our lives were built. Much later, my mother would tell me that every year when spring came and the air warmed up in Chicago, she entertained thoughts about leaving my father. I don’t know if these thoughts were actually serious or not. I don’t know if she considered the idea for an hour, or for a day, or for most of the season, but for her it was an active fantasy, something that felt healthy and maybe even energizing to ponder, almost as ritual. I understand now that even a happy marriage can be a vexation, that it’s a contract best renewed and renewed again, even quietly and privately—even alone. I don’t think my mother announced whatever her doubts and discontents were to my father directly, and I don’t think she let him in on whatever alternative life she might have been dreaming about during those times. Was she picturing herself on a tropical island somewhere? With a different kind of man, or in a different kind of house, or with a corner office instead of kids? I don’t know, and I suppose I could ask my mother, who is now in her eighties, but I don’t think it matters.

This time, the anger in her voice wasn’t there, and the tears were beginning to overflow her lower lids, starting their slow tracks down her cheeks. She looked old, and tired, and like the woman I’d only ever seen in pictures taken before I was even born. She looked like someone who could have loved me.

Whoever you be, O my reader- friend, foe- I wish with you to part at present as a pal. Farewell. Whatever you in my wake sought in these careless strophes- tumultuous recollections, relief from labors, live pictures or bons mots, or faults of grammar- God grant that you, in this book, for recreation, for the daydream, for the heart, for jousts in journals, may find at least a crumb. Upon which, let us part, farewell!

We take it for granted that life moves forward. You build memories; you build momentum.You move as a rower moves: facing backwards. You can see where you've been, but not where you’re going. And your boat is steered by a younger version of you. It's hard not to wonder what life would be like facing the other way. Avenoir. You'd see your memories approaching for years, and watch as they slowly become real. You’d know which friendships will last, which days are important, and prepare for upcoming mistakes. You'd go to school, and learn to forget. One by one you'd patch things up with old friends, enjoying one last conversation before you meet and go your separate ways. And then your life would expand into epic drama. The colors would get sharper, the world would feel bigger. You'd become nothing other than yourself, reveling in your own weirdness. You'd fall out of old habits until you could picture yourself becoming almost anything. Your family would drift slowly together, finding each other again. You wouldn't have to wonder how much time you had left with people, or how their lives would turn out. You'd know from the start which week was the happiest you’ll ever be, so you could relive it again and again. You'd remember what home feels like, and decide to move there for good. You'd grow smaller as the years pass, as if trying to give away everything you had before leaving. You'd try everything one last time, until it all felt new again. And then the world would finally earn your trust, until you’d think nothing of jumping freely into things, into the arms of other people. You'd start to notice that each summer feels longer than the last. Until you reach the long coasting retirement of childhood. You'd become generous, and give everything back. Pretty soon you’d run out of things to give, things to say, things to see. By then you'll have found someone perfect; and she'll become your world. And you will have left this world just as you found it. Nothing left to remember, nothing left to regret, with your whole life laid out in front of you, and your whole life left behind.

The magic of drama is infinitely more powerful than the magic of trickery. It is as available to the conjurer as it is to the actor. The only difference is that actors take it for granted, whereas few conjurers are even aware that it exists.

The Sweat and the Furrow was Silas Weekley being earthly and spade-conscious all over seven hundred pages. The situation, to judge from the first paragraph, had not materially changed since Silas's last book: mother lying-in with her eleventh upstairs, father laid-out after his ninth downstairs, eldest son lying to the Government in the cow-shed, eldest daughter lying with her lover in the the hayloft, everyone else lying low in the barn. The rain dripped from the thatch, and the manure steamed in the midden. Silas never omitted the manure. It was not Silas's fault that its steam provided the only uprising element in the picture. If Silas could have discovered a brand of steam that steamed downwards, Silas would have introduced it.

He searched his mind for something he could do for her to match her generosity in some small measure. “Like to go to the pictures tonight?” he said. “I see there’s Cary Grant on at the Regal.” Four days later he left Poole on the flying boat for Rangoon.

In spite of this awareness of fate, or perhaps because of it, the picture of man's qualities which emerges from the myths is a noble one. The gods are heroic figures, men writ large, who led dangerous, individualistic lives, yet at the same time were part of a closely-knit small group, with a firm sense of values and certain intense loyalties. They would give up their lives rather than surrender these values, but they would fight on as long as they could, since life was well worth while. Men knew that the gods whom they served could not give them freedom from danger and calamity, and they did not demand that they should. We find in the myths no sense of bitterness at the harshness and unfairness of life, but rather a spirit of heroic resignation: humanity is born to trouble, but courage, adventure, and the wonders of life are matters of thankfulness, to be enjoyed while life is still granted to us. The great gifts of the gods were readiness to face the world as it was, the luck that sustains men in tight places, and the opportunity to win that glory which alone can outlive death.

I began to think of myself as a perennial tourist. There was something agreeable about this. To be a tourist is to escape accountability. Errors and failings don't cling to you the way they do back home. You're able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You're expected to be stupid. The entire mechanism of the host country is geared to travelers acting stupidly. You walk around dazed, squinting into fold-out maps. You don't know how to talk to people, how to get anywhere, what the money means, what time it is, what to eat or how to eat it. Being stupid is the pattern, the level and the norm. You can exist on this level for weeks and months without reprimand or dire consequence. Together with thousands, you are granted immunities and broad freedoms. You are an army of fools, wearing bright polyesters, riding camels, taking pictures of each other, haggard, dysenteric, thirsty. There is nothing to think about but the next shapeless event.

It would have been really unfair had we not been gifted the next precious months. [...] Don’t you see a bigger picture for us both here, Rune? You came back to Blossom Grove only a few weeks after I had been sent home to live out the rest of my life. To enjoy the limited few months granted by medication. [...] For you, it’s unfair. I believe the opposite. We came back together for a reason. Perhaps it’s a lesson we may struggle to learn until it’s learned.

And in what business is there not humbug? “There’s cheating in all trades but ours,” is the prompt reply from the boot-maker with his brown paper soles, the grocer with his floury sugar and chicoried coffee, the butcher with his mysterious sausages and queer veal, the dry goods man with his “damaged goods wet at the great fire” and his “selling at a ruinous loss,” the stock-broker with his brazen assurance that your company is bankrupt and your stock not worth a cent (if he wants to buy it,) the horse jockey with his black arts and spavined brutes, the milkman with his tin aquaria, the land agent with his nice new maps and beautiful descriptions of distant scenery, the newspaper man with his “immense circulation,” the publisher with his “Great American Novel,” the city auctioneer with his “Pictures by the Old Masters”—all and every one protest each his own innocence, and warn you against the deceits of the rest. My inexperienced friend, take it for granted that they all tell the truth—about each other! and then transact your business to the best of your ability on your own judgment.

For instance, supposing that the planet earth were not a sphere but a gigantic coffee table, how much difference in everyday life would that make? Granted, this is a pretty farfetched example; you can't rearrange facts of life so freely. Still, picturing the planet earth, for convenience sake, as a gigantic coffee table does in fact help clear away the clutter—those practically pointless contingencies such as gravity and the international dateline and the equator, those nagging details that arise from the spherical view. I mean, for a guy leading a perfectly ordinary existence, how many times in the course of a lifetime would the equator be a significant factor?

So…’Commander’, huh?” I tease with a sultry lilt. “That is the title you granted me, is it not? Jarek responded dryly, not the least bit fazed. “It is … But why am I picturing some weird commander-and-servant role-playing thing between you two now?” “Because you’re a pervert,” he throws back. I mock gasp. “Is that how you talk to your queen?” “Because you’re a pervert, Your Highness.

You know something? The oddest picture came into my mind just then. I saw Dadums in the chair in the hospital waiting room, cradling my mother’s sleeping head on his lap, raising his finger to his lips so no one would disturb her. And. I heard Violet’s voice in my ears, as kind and clean as water: He loved me as much as it was possible for him to love another person. I thought, out of the blue, maybe this isn’t so hard after all. Maybe

Time and talents are the most expensive gifts God gave to us at no cost. However, they are the main things that are easily abused. To abuse something time and talents is to take them for granted and not appreciate their values.

She hadn’t been Rachel that night. She was evidence, a body of things to be picked and probed at, pictured and asked about, recorded and quoted. I want my life back. The voice was faint inside her own mind. She could hear the plaintive, almost despairing note to that voice. Like the wail of a scared child, this wasn’t just about facing her fears. This was about everything. Her injuries, the loss of the life and world she’d once taken for granted, her long recovery.

To appreciate something fully, picture losing it. Imagine losing your freedom, reputation, money, and home. Imagine losing your ability to see, hear, walk, or talk. Imagine the people you love dying tomorrow. Never take them for granted.

I learned that my new lover was hard, but always good. She did not tease. If you pursued her, she would reveal her sweetest secrets and uncover her hidden places. Yes, she would grant those who came to her by car a measured beauty. There were wonderful things to be seen from the road. Her lesser suitors would jump out of their autos, snapping pictures, trying to save memories before having them, and hurry on. But what can be seen from a road is more enticing than revealing – like a shapely woman whose fleshly mystery cannot be hidden by modest garments but is made more alluring. From the roadside her eyes would invite and challenge: “Will you pursue me?” I did. And though my pursuit cost me a lot – pain, humiliation, hunger and sleepless nights – she was good.

I've always been his favorite." "Is that so?" Lazily Shelby folded her arms behind her head. She could picture him as a boy,seeing beyond what other boys saw and storing it. "Why?" "If I weren't modest,I'd confess that I was always a well-mannered, even-tempered child who never gave my parents a moment's trouble." "Liar," she said easily. "How'd you get the broken nose?" The grin became rueful. "Rena punched me." "Your sister broke your nose?" Shelby burst out with delighted and unsympathetic laughter. "The blackjack dealer, right? Oh,I love it!" Alan caught Shelby's nose between two fingers and gave it a quick twist. "It was rather painful at the time." "I imagine." She kept right on laughing as he shifted to her side. "Did she make a habit of beating you up?" "She didn't beat me up," he corrected with some dignity. "She was trying to beat Caine up because he'd teased her about making calf's eyes at one of his friends." "Typical brotherly intimidation." "In any event," Alan put in mildly, "I went to drag her off him,she took another swing,missed him, and hit me. A full-power roundhouse,as I remember. That's when," he continued as Shelby gave another peal of laughter, "I decided against being a diplomat. It's always the neutral party that gets punched in the face." "I'm sure..." Shelby dropped her head on his shoulder. "I'm sure she was sorry." "Initially.But as I recall, after I'd stopped bleeding and threatening to kill both her and Caine, her reaction as a great deal like yours." "Insensitive." Shelby ran apologetic kisses over his face. "Poor baby. Tell you what, I'll do penance and see about fixing you breakfast.

Priests create a smoke screen around our anxiety, our despair, our terror and our demons. They paint mind-blowing pictures that make us jittery, unhappy and afraid. Priests are nothing but alarmists, pessimists and doom merchants. Calamity Jane personified. But at this stage, they’ve got us. We’ve been knocking off our neighbour’s wife or robbing post offices and we’re just about ready to turn our faces to the wall and abandon hope. We want someone with the power to grant us amnesty from our immorality, and to us the priests appear as Sir Galahad, Boadicea, Rambo or Joan of Arc. Stout fellows, all of them. “I have the fucking answer,” they cry, “Sign here, you plebs.” And we do! 2.2 billion of us! Why? I’ll tell you why. Because we’ve been sold. We feel plagued by conscience and answerable to God only. And the only way we can get to God is through Her second in command ….. the priest.

Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.

While Grant was celebrated as a victorious wartime general and the president who had peacefully settled the Alabama claims, most gratifying to him was being honored as the protector of freed people. A delegation of painters marched by, hoisting a picture that depicted the shackles of slavery being struck off beside the words “Welcome to the Liberator.

Hello." Her mood deflated as if she'd been pricked with a pin. "Alan." "Shelby." She struggled not to be moved by the quiet,serious tone that should never have moved her.She liked men with a laugh in their voice. "Alan, this has to stop." "Does it? It hasn't even started." "Alan-" She tried to remember her decision to be firm. "I mean it. You have to stop sending me things. You're only wasting your time." "I have a bit to spare," he said mildly. "How was your week?" "Busy.Listen,I-" "I missed you." The simple statement threw the rest of her lecture into oblivion. "Alan, don't -" "Everyday," he continued. "Every night. Have you been to Boston, Shelby?" "Uh...yes," she managed, busy fighting off the weakness creeping into her. Helplessly she stared up at the balloons. How could she fight something so insubstantial it floated? "I'd like to take you there in the fall, when it smells of damp leaves and smoke." Shelby told herself her heart was not fluttering. "Alan, I didn't call to talk about Boston.Now,to put it in very simple terms,I want you to stop calling me, I want you to stop dropping by, and -" Her voice began to rise in frustration as she pictured him listening with that patient, serious smile and calm eyes. "I want you to stop sending me balloons and pigs and everything! Is that clear?" "Perfectly.Spend the day with me." Did the man ever stop being patient? She couldn't abide patient men. "For God's sake, Alan!" "We'll call it an experimental outing," he suggested in the same even tone. "Not a date." "No!" she said, barely choking back a laugh. Couldn't abide it, she tried to remember.She preferred the flashy, the freewheeling. "No,no,no!" "Not bureaucratic enough." His voice was so calm,so...so senatorial, she decided, she wanted to scream. But the scream bubbled perilously close to another laugh. "All right, let me think-a standard daytime expedition for furthering amiable relations between opposing clans." "You're trying to be charming again," Shelby muttered. "Am I succeeding?

He pictured himself at the lake, on a houseboat. Dekka would be there, and Brianna and Jack. He would have friends. He wouldn’t be alone. But he couldn’t stop himself from looking for her. She no longer had Little Pete to worry about. They could be together without all of that. But of course he knew Astrid, and knew that right now, wherever she was, she was eaten up inside with guilt. “She’s not coming, is she?” Sam said to Dekka. But Dekka didn’t answer. She was somewhere else in her head. Sam saw her glance and look away as Brianna laid a light hand on Jack’s shoulder. Dahra was staying in the hospital, but a few more kids came. Groups of three or four at a time. The Siren and the kids she lived with came. John Terrafino came. Ellen. He waited. He would wait the full two hours. Not for her, he told himself, just to keep his word. Then Orc, with Howard. Sam groaned inwardly. “You gotta be kidding me,” Brianna said. “The deal was kids make a choice,” Sam said. “I think Howard just realized how dangerous life can be for a criminal living in a place where the ‘king’ can decide life or death.

...girl reached across her desk and pulled the computer keyboard over. “What’s his name?” she said. “Crowley,” Julianna said, surprised. “Christopher Wayne Crowley.” “I shouldn’t do this.” The girl looked back up at Genevieve and laughed. “But fuck it, right?” Genevieve's disappearance from the state fair had been news for about a day. Okay, maybe for a couple of weeks. She was beautiful—the Daily Oklahoman ran her picture with every story, a photo of her from the previous year’s U. S. Grant High School yearbook. Genevieve had thought the photo...

For all the power of the English, to cultivated Europe they appeared to be only a cut above the barbarians. Granted they had won victories in war, their merchants pushed their ships all over the world, they dominated commerce almost everywhere, but despite all these successes, Europeans could not bring themselves to extravagant praise or unqualified admiration. The English were after all a people without a culture. No European collected the pictures of English artists or sent his sons to England for education, and the Grand Tour did not include stopovers at English salons.2

What the hell is all this I read in the papers?" "Narrow it down for me," Alan suggested. "I suppose it might have been a misprint," Daniel considered, frowning at the tip of his cigar before he tapped it in the ashtray he kept secreted in the bottom drawer of his desk. "I think I know my own flesh and blood well enough." "Narrow it just a bit further," Alan requested, though he'd already gotten the drift.It was simply too good to end it too soon. "When I read that my own son-my heir, as things are-is spending time fraternizing with a Campbell, I know it's a simple matter of misspelling. What's the girl's name?" Along with a surge of affection, Alan felt a tug of pure and simple mischief. "Which girl is that?" "Dammit,boy! The girl you're seeing who looks like a pixie.Fetching young thing from the picture I saw.Good bones; holds herself well." "Shelby," Alan said, then waited a beat. "Shelby Campbell." Dead silence.Leaning back in his chair, Alan wondered how long it would be before his father remembered to take a breath. It was a pity, he mused, a real pity that he couldn't see the old pirate's face. "Campbell!" The word erupted. "A thieving, murdering Campbell!" "Yes,she's fond of MacGregor's as well." "No son of mine gives the time of day to one of the clan Campbell!" Daniel bellowed. "I'll take a strap to you, Alan Duncan MacGregor!" The threat was as empty now as it had been when Alan had been eight, but delivered in the same full-pitched roar. "I'll wear the hide off you." "You'll have the chance to try this weekend when you meet Shelby." "A Campbell in my house! Hah!" "A Campbell in your house," Alan repeated mildly. "And a Campbell in your family before the end of the year if I have my way." "You-" Emotions warred in him. A Campbell versus his firmest aspiration: to see each of his children married and settled, and himself laden with grandchildren. "You're thinking of marriage to a Campbell?" "I've already asked her.She won't have me...yet," he added. "Won't have you!" Paternal pride dominated all else. "What kind of a nitwit is she? Typical Campbell," he muttered. "Mindless pagans." Daniel suspected they'd had some sorcerers sprinkled among them. "Probably bewitched the boy," he mumbled, scowling into space. "Always had good sense before this.Aye, you bring your Campbell to me," he ordered roundly. "I'll get to the bottom of it." Alan smothered a laugh, forgetting the poor mood that had plagued him only minutes earlier. "I'll ask her." "Ask? Hah! You bring the girl, that daughter of a Campbell, here." Picturing Shelby, Alan decided he wouldn't iss the meeting for two-thirds the popular vote. "I'll see you Friday, Dad.Give Mom my love." "Friday," Daniel muttered, puffing avidly on his cigar. "Aye,aye, Friday." As he hung up Alan could all but see his father rubbing his huge hands togther in anticipation. It should be an interesting weekened.

At 8:08 a.m. on July 23, 1885, Grant died so gently that nobody was quite certain at first that his spirit had stolen away. His death reflected words he had once written to a bereaved widow during the Mexican War, saying that her husband had “died as a soldier dies, without fear and without a murmur.”142 Grant’s corpse weighed ninety pounds and lay under an oval picture of Abraham Lincoln. It was hard to believe this wizened form represented the earthly remains of the stouthearted general. “I think his book kept him alive several months,” Twain wrote upon hearing the news. “He was a very great man and superlatively good.

These stories are real, the dreams are real, yet the dilemmas each person faces are founded on the presences that haunt from their past. We see again the twin mechanisms present in all relationships: projection and transference. Each of them, meeting any stranger, reflexively scans the data of history for clues, expectations, possibilities. This scanning mechanism is instantaneous, mostly unconscious, and then the lens of history slips over one's eyes. This refractive lens alters the reality of the other and brings to consciousness a necessarily distorted picture. Attached to that particular lens is a particular history, the dynamics, the script, the outcomes of which are part of the transferred package. Freud once humorously speculated that when a couple goes to bed there are six people jammed together because the spectral presences of the parents are unavoidable. One would have to add to this analogy the reminder that those parents also import their own relational complexes from their parents, so we quickly have fourteen underfoot, not to mention the persistence of even more ancestral influences. How could intimate relationships not be congested arenas? As shopworn as the idea seems, we cannot overemphasize the importance of primal imagoes playing a domineering role in our relational patterns. They may be unconscious, which grants them inordinate power, or we may flee them, but they are always present. Thus, for example, wherever the parent is stuck—such as Damon's mother who only equates sexuality with the perverse and the unappealing, and his father who stands de-potentiated and co-opted—so the child will feel similarly constrained or spend his or her life trying to break away (“anything but that”) and still be defined by someone else's journey. How could Damon not feel depressed, then, at his own stuckness, and how could he not approach intimacy with such debilitating ambivalence?

Before leaving the earth altogether, let us as: How does Music stand with respect to its instruments, their pitches, the scales, modes and rows, repeating themselves from octave to octave, the chords, harmonies, and tonalities, the beats, meters, and rhythms, the degrees of amplitude (pianissimo, piano, mezzo-piano, mezzo-forte, forte, fortissimo)? Though the majority go each day to the schools where these matters are taught, they read when time permits of Cape Canaveral, Ghana, and Seoul. And they’ve heard tell of the music synthesizer, magnetic tape. They take for granted the dials on radios and television sets. A tardy art, the art of Music. And why so slow? Is it because, once having learned a notation of pitches and durations, musicians will not give up their Greek? Children have been modern artists for years now. What is it about Music that sends not only the young but adults too as far into the past as they can conveniently go? The module? But our choices never reached around the globe, and in our laziness, when we changed over to the twelve-tone system, we just took the pitches of the previous music as though we were moving into a furnished apartment and had no time to even take the pictures off the walls. What excuse? That nowadays things are happening so quickly that we become thoughtless? Or were we clairvoyant and knew ahead of time that the need for furniture of any kind would disappear? (Whatever you place there in front of you sits established in the air.) The thing that was irrelevant to the structures we formerly made, and this was what kept us breathing, was what took place within them. Their emptiness we took for what it was – a place where anything could happen. That was one of the reasons we were able when circumstances became inviting (chances in consciousness, etc.) to go outside, where breathing is child’s play: no walls, not even the glass ones which, though we could see through them, killed the birds while they were flying.

But there was that essence everyone forgets when a love recedes into the past - how it was, how it felt and tasted to be together through seconds, minutes and days, before everything that was taken for granted was discarded then overwritten by the tale of how it all ended, and then by the shaming inadequacies of memory. Paradise or the inferno, no one remembers anything much. Affairs and marriages ended long ago come to resemble postcards from the past. Brief note about the weather, a quick story, funny or sad, a bright picture on the other side. First to go, Roland thought as he walked towards her house, was the elusive self, precisely how you were yourself, how you appeared to others.

Once again, Jesus turns to the crowds. ‘Oh, by the way, souls don’t exist, despite the rumours. I was merely being poetic. The fact remains that you are mainly water — 60-70% I believe — blood, guts, bones, and some of you have brains. Your soul was invented by those living loved ones to help justify the dead’s ethereal journey to the afterlife. There is no journey. Life itself is a dead-end. And, by association, the afterlife doesn’t exist. Sorry to be a bit of a party-pooper. Mother insisted that I put you all in the picture. Moral of the story? Enjoy life while you can, and never take an extra minute for granted, because Mother can grin and bare her razor teeth whenever and whenever she likes.

Movies have more power than any other medium to define the world we believe we live in.  When I was in high school, my classmates said that we didn’t have a “real” high-school experience because it wasn’t like what we saw on TV.  Ironically, reality was less “real” than fiction.  Motion pictures define our cultural consciousness.  I personally can’t imagine how I would process the world if I hadn’t watched movies.  There are certain experiences, like drugs and crime, that we know mostly from movies.  How we imagine the past and the future is largely determined by the films we’ve seen. And in some cases, the futures we’ve seen on screen influence the development of real technology and architecture, so that our fiction sets the course along which our reality will develop. The

The Arab world has done nothing to help the Palestinian refugees they created when they attacked Israel in 1948. It’s called the ‘Palestinian refugee problem.’ This is one of the best tricks that the Arabs have played on the world, and they have used it to their great advantage when fighting Israel in the forum of public opinion. This lie was pulled off masterfully, and everyone has been falling for it ever since. First you tell people to leave their homes and villages because you are going to come in and kick out the Jews the day after the UN grants Israel its nationhood. You fail in your military objective, the Jews are still alive and have more land now than before, and you have thousands of upset, displaced refugees living in your country because they believed in you. So you and the UN build refugee camps that are designed to last only five years and crowd the people in, instead of integrating them into your society and giving them citizenship. After a few years of overcrowding and deteriorating living conditions, you get the media to visit and publish a lot of pictures of these poor people living in the hopeless, wretched squalor you have left them in. In 1967 you get all your cronies together with their guns and tanks and planes and start beating the war drums. Again the same old story: you really are going to kill all the Jews this time or drive them into the sea, and everyone will be able to go back home, take over what the Jews have developed, and live in a Jew-free Middle East. Again you fail and now there are even more refugees living in your countries, and Israel is even larger, with Jerusalem as its capital. Time for more pictures of more camps and suffering children. What is to be done about these poor refugees (that not even the Arabs want)? Then start Middle Eastern student organizations on U.S. college campuses and find some young, idealistic American college kids who have no idea of what has been described here so far, and have them take up the cause. Now enter some power-hungry type like Yasser Arafat who begins to blackmail you and your Arab friends, who created the mess, for guns and bombs and money to fight the Israelis. Then Arafat creates hell for the world starting in the 1970s with his terrorism, and the “Palestinian refugee problem” becomes a worldwide issue and galvanizes all your citizens and the world against Israel. Along come the suicide bombers, so to keep the pot boiling you finance the show by paying every bomber’s family twenty-five thousand dollars. This encourages more crazies to go blow themselves up, killing civilians and children riding buses to school. Saudi Arabia held telethons to raise thousands of dollars to the families of suicide bombers. What a perfect way to turn years of military failure into a public-opinion-campaign success. The perpetuation of lies and uncritical thinking, combined with repetitious anti-Jewish and anti-American diatribes, has produced a generation of Arab youth incapable of thinking in a civilized manner. This government-nurtured rage toward the West and the infidels continues today, perpetuating their economic failure and deflecting frustration away from the dictators and regimes that oppress them. This refusal by the Arab regimes to take an honest look at themselves has created a culture of scapegoating that blames western civilization for misery and failure in every aspect of Arab life. So far it seems that Arab leaders don’t mind their people lagging behind, save for King Abdullah’s recent evidence of concern. (The depth of his sincerity remains to be seen.)

Bruce has always been the cook in the family, and when Jordan was a preschooler, the little boy showed up in the kitchen and asked to help prepare dinner. They had been partners ever since. At first, Jordan was given a butter knife, which he used to cut soft vegetables. He arranged food on plates. He tasted pasta to see if it was done, and sauces for saltiness. By the time he was ten, he was helping Bruce choose recipes. He received his own subscription to Bon Appétit for Hanukkah and pored over every copy, folding down the corner on recipes he wanted to try. Eddie became their taster, coming to the kitchen from the piano, or the book he was reading, to give the dish a thumbs-up. When Bruce pictured happiness, it was cooking in the kitchen beside Jordan while listening to Eddie play the piano in the next room. That scene repeated regularly and made Bruce thrum with joy. Every time, he thought, I will not take this for granted.

It was the ultimate sacrilege that Jesus Christ, the very Son of God, was rejected and even put to death. And it continues. In many parts of the world today we see a growing rejection of the Son of God. His divinity is questioned. His gospel is deemed irrelevant. In day-to-day life, His teachings are ignored. Those who legitimately speak in His name find little respect in secular society. If we ignore the Lord and His servants, we may just as well be atheists—the end result is practically the same. It is what Mormon described as typical after extended periods of peace and prosperity: “Then is the time that they do harden their hearts, and do forget the Lord their God, and do trample under their feet the Holy One” (Helaman 12:2). And so we should ask ourselves, do we reverence the Holy One and those He has sent? Some years before he was called as an Apostle himself, Elder Robert D. Hales recounted an experience that demonstrated his father’s sense of that holy calling. Elder Hales said: "Some years ago Father, then over eighty years of age, was expecting a visit from a member of the Quorum of the Twelve Apostles on a snowy winter day. Father, an artist, had painted a picture of the home of the Apostle. Rather than have the painting delivered to him, this sweet Apostle wanted to go personally to pick the painting up and thank my father for it. Knowing that Father would be concerned that everything was in readiness for the forthcoming visit, I dropped by his home. Because of the depth of the snow, snowplows had caused a snowbank in front of the walkway to the front door. Father had shoveled the walks and then labored to remove the snowbank. He returned to the house exhausted and in pain. When I arrived, he was experiencing heart pain from overexertion and stressful anxiety. My first concern was to warn him of his unwise physical efforts. Didn’t he know what the result of his labor would be? "'Robert,' he said through interrupted short breaths, 'do you realize an Apostle of the Lord Jesus Christ is coming to my home? The walks must be clean. He should not have to come through a snowdrift.' He raised his hand, saying, 'Oh, Robert, don’t ever forget or take for granted the privilege it is to know and to serve with Apostles of the Lord.'" [In CR, April 1992, 89; or “Gratitude for the Goodness of God,” Ensign, May 1992, 64] I think it is more than coincidence that such a father would be blessed to have a son serve as an Apostle. You might ask yourself, “Do I see the calling of the prophets and apostles as sacred? Do I treat their counsel seriously, or is it a light thing with me?” President Gordon B. Hinckley, for instance, has counseled us to pursue education and vocational training; to avoid pornography as a plague; to respect women; to eliminate consumer debt; to be grateful, smart, clean, true, humble, and prayerful; and to do our best, our very best. Do your actions show that you want to know and do what he teaches? Do you actively study his words and the statements of the Brethren? Is this something you hunger and thirst for? If so, you have a sense of the sacredness of the calling of prophets as the witnesses and messengers of the Son of God.

The introduction of cinematography enabled us to corral time past and thus retain it not merely in the memory - at best, a falsifying receptacle - but in the objective preservative of a roll of film. But, if past, present and future are the dimensions of time, they are notoriously fluid. There is no tension in the tenses and yet they are always tremulously about to coagulate. The present is a liquid jelly which settles into a quivering, passive mass, the past, as soon as - if not sooner than - we are aware of it as present. Yet this mass was intangible and existed only conceptually until arrival of the preservative, cinema. The motion picture is usually regarded as only a kind of shadow play and few bother to probe the ontological paradoxes it presents. For it offers us nothing less than the present tense experience of time irrefutably past. So that the coil of film has, as it were, lassoed inert phenomena from which the present had departed, and when projected upon a screen, they are granted a temporary revivification. [...] The images of cinematography, however, altogether lack autonomy. Locking in programmed patterns, they merely transpose time past into time present and cannot, by their nature, respond to the magnetic impulses of time future for the unachievable future which does not exist in any dimension, but nevertheless organizes phenomena towards its potential conclusions. The cinematographic model is one of cyclic recurrences alone, even if these recurrences are instigated voluntarily, by the hand of man viz. the projectionist, rather than the hand of fate. Though, in another sense, the action of time is actually visible in the tears, scratches and thumbprints on the substance of the film itself, these are caused only by the sly, corrosive touch of mortality and, since the print may be renewed at will, the flaws of aging, if retained, increase the presence of the past only by a kind of forgery, as when a man punches artificial worm-holes into raw or smokes shadows of fresh pain with a candle to produce an apparently aged artefact. Mendoza, however, claimed that if a thing were sufficiently artificial, it became absolutely equivalent to the genuine.

But right now he wanted nothing more than a hot shower, a shave and a decent cup of tea. Though he'd have traded all of that for one more taste of Keeley. Knowing it irritated him had him scowling in the direction of her paddock. The minute he was cleaned up, he promised himself, the two of them would have a little conversation.Very little, he decided, before he got his hands on her again. And when he did, he was going to- The erotic image he conjured in his head burst like a bubble when he rounded the house and saw Keeley's mother kneeling at the flower bed. It was not the most comfortable thing to come across the mother when you'd been picturing the daughter naked. Then Adelia looked over at him, and he saw the tears on her cheeks. And his mind went blank. "Ah...Mrs. Grant." "Brian." Sniffling, she wiped her cheeks with the back of her hand. "I was doing some weeding. Just tidying up the beds here." She tugged at the cap on her head, then she lowered her hands, dropped back on her heels. "I'm sorry." "Ah..." Said that already, he thought, panicked. Say something else. He was never so helpless as he was with female tears.

I wonder how many people in the Washington metropolitan area know just how terrific Senator MacGregor looks in his underwear." "A select few." "You must have thought about image projection, Senator." She ran a fingertip down the top of his foot. "You should consider doing some of those ads,you know,like the ball players...I never meet with foreign dignitaries without my B.V.D.'s." "One can only be grateful you're not the Media Adviser." "Stuffy,that's the whole problem." She dropped, full-length, on top of him. "Just think of the possibilities." Alan slipped a hand under her robe. "I am." "Discreetly placed ads in national magazines, thirty-minute spots in prime time." Shelby propped her elbows on his shoulders. "I'd definitely get my set fixed." "Think of the trent it might start. Federal officials everywhere stripped down to their respective shorts." Shelby's brows drew together as she pictured it. "Good God, it could precipitate a national calamity." "Worldwide," Alan corrected. "Once the ball got rolling, there'd be no stopping it." "All right, you've convinced me." She gave him a smacking kiss. "It's your patriotic duty to keep your clothes on. Except in here," she added with a gleam in her eye as she toyed with his waistband.

While the picture houses were struggling to maintain their audiences, things were not going terribly well on the production side of the business either. The previous November unions representing the craft trades—painters, carpenters, electricians, and the like—had secured something called the Studio Basic Agreement, which granted them important and costly concessions. The studios were now terrified of being squeezed similarly by actors and writers. With this in mind, thirty-six people from the creative side of the industry met for dinner at the Ambassador Hotel in Los Angeles in January 1927 and formed a kind of executive club to promote—but even more to protect—the studios. It was a reflection of their own sense of self-importance that they called it the International Academy of Motion Picture Arts and Sciences, elevating the movies from popular entertainment to something more grandly artistic, scientific, and literally academic. In the second week of May, while the world fretted over the missing airmen Nungesser and Coli, the academy was formally inaugurated at a banquet at the Biltmore Hotel in Los Angeles. (The idea of having an awards ceremony was something of an afterthought, and wasn’t introduced until the academy’s second anniversary dinner in 1929.)

Anderson has spent enough time poring over ancient pictures that they seldom affect him. He can usually ignore the foolish confidence of the past—the waste, the arrogance, the absurd wealth—but this one irritates him: the fat flesh hanging off the farang, the astonishing abundance of calories that are so obviously secondary to the color and attractiveness of a market that has thirty varieties of fruit: mangosteens, pineapples, coconuts, certainly. . . but there are no oranges, now. None of these. . . these. . . dragon fruits, none of these pomelos, none of these yellow things. . . lemons. None of them. So many of these things are simply gone. But the people in the photo don't know it. These dead men and women have no idea that they stand in front of the treasure of the ages, that they inhabit the Eden of the Grahamite Bible where pure souls go to live at the right hand of God. Where all the flavors of the world reside under the careful attentions of Noah and Saint Francis, and where no one starves. Anderson scans the caption. The fat, self-contented fools have no idea of the genetic gold mine they stand beside. The book doesn't even bother to identify the ngaw. It's just another example of nature's fecundity, taken entirely for granted because they enjoyed so damn much of it.

what about your new way of looking at things? We seem to have wandered rather a long way from that.’ ‘Well, as a matter of fact,’ said Philip, ‘we haven’t. All these camisoles en flanelle and pickled onions and bishops of cannibal islands are really quite to the point. Because the essence of the new way of looking is multiplicity. Multiplicity of eyes and multiplicity of aspects seen. For instance, one person interprets events in terms of bishops; another in terms of the price of flannel camisoles; another, like that young lady from Gulmerg,’ he nodded after the retreating group, ‘thinks of it in terms of good times. And then there’s the biologist, the chemist, the physicist, the historian. Each sees, professionally, a different aspect of the event, a different layer of reality. What I want to do is to look with all those eyes at once. With religious eyes, scientific eyes, economic eyes, homme moyen sensuel eyes . . .’ ‘Loving eyes too.’ He smiled at her and stroked her hand. ‘The result . . .’ he hesitated. ‘Yes, what would the result be?’ she asked. ‘Queer,’ he answered. ‘A very queer picture indeed.’ ‘Rather too queer, I should have thought.’ ‘But it can’t be too queer,’ said Philip. ‘However queer the picture is, it can never be half so odd as the original reality. We take it all for granted; but the moment you start thinking, it becomes queer. And the more you think, the queerer it grows. That’s what I want to get in this book—the astonishingness of the most obvious things. Really any plot or situation would do. Because everything’s implicit in anything. The whole book could be written about a walk from Piccadilly Circus to Charing Cross. Or you and I sitting here on an enormous ship in the Red Sea. Really, nothing could be queerer than that. When you reflect on the evolutionary processes, the human patience and genius, the social organisation, that have made it possible for us to be here, with stokers having heat apoplexy for our benefit and steam turbines doing five thousand revolutions a minute, and the sea being blue, and the rays of light not flowing round obstacles, so that there’s a shadow, and the sun all the time providing us with energy to live and think—when you think of all this and a million other things, you must see that nothing could well be queerer and that no picture can be queer enough to do justice to the facts.’ ‘All the same,’ said Elinor, after a long silence, ‘I wish one day you’d write a simple straightforward story about a young man and a young woman who fall in love and get married and have difficulties, but get over them, and finally settle down.’ ‘Or

house with a great view. You’ll see that at the party tonight. Wish Char would be here for that, too, but we’ll all be together soon.” At least, Kate thought, Jack Lockwood, alias former father, would not be here tonight, so she could enjoy herself. Not only was she curious to see Grant Mason, but she also couldn’t wait to examine the Adena burial site she’d found on an old map in the university archives when she was back in the States at Christmas. The so-called Mason Mound was about twenty yards behind Grant’s house, and she was much more eager to see it than him. * * * The caterers Grant had hired from the upscale Lake Azure area had taken over the kitchen, and he didn’t want to disturb the setup for the buffet or the bar at the far end of the living room. So he sat in his favorite chair looking out over the back forest view through his massive picture window. The guests for the party he was throwing for his best friend, Gabe, and his fiancée, Tess, would be here soon—eighteen people, a nice number for mixing and chatting. He’d laid in champagne for toasts to the happy couple. Gabe and Grant had been best friends since elementary school, when a teacher had seated them in alphabetical order by first names. Grant had been the first to marry. Lacey had been his high-school sweetheart, head of the cheerleaders, prom queen to his king. How unoriginal—and what a disaster.

Gina flopped back on her cot, arm up over her eyes. “Oh, my God, Molly, what am I going to do? The fact that he came here tonight at all is . . . He’s clearly interested, but that’s probably just because he thinks I’m a total perv.” “Whoa,” Molly said. “Wait. You lost me there.” Gina sat up, a mix of earnestness, horror, and amusement on her pretty face. “I didn’t tell you this, but after I first spoke to Lucy’s sister—we were in the shower tent so no one would see us—I let her leave first and then I waited, like, a minute, thinking we shouldn’t be seen leaving the tent together. And before I go, he came in.” He. “Leslie Pollard?” Molly clarified. Gina nodded. “I freaked out when I saw him coming, and it’s stupid, I know, but I hid. And I should have just waited until I heard the shower go on, but God, maybe he wouldn’t have pulled the curtain, because he obviously thought he was in there alone . . .” Molly started to laugh. “Oh my.” “Yeah,” Gina said. “Oh my. So I decide to run for it, only he’s not in one of the changing booths, he’s over by the bench, you know?” Molly nodded. The bench in the main part of the room. “In only his underwear,” Gina finished, with a roll of her eyes. “Oh, my God.” “Really? Molly asked. Apparently Jones was taking his change of identity very seriously. He hated wearing underwear of any kind, but obviously he thought it wouldn’t be in character for Leslie Pollard to go commando. “Boxers or briefs?” Gina gave her a look, but she was starting to laugh now, too, thank goodness. “Briefs. Very brief briefs.” She covered her mouth with her hands. “Oh, my God, Molly, he was . . . I think he showers at noon because he knows no one else will be in there, so he can, you know, have an intimate visit with Mr. Hand.” Oh, dear. “And now I know, and he knows I know, and he also probably thinks I lurk in the men’s shower,” Gina continued. “And the fact that he actually came to tea tonight, instead of hiding from me, in his tent, forever, means . . . something awful, don’t you think? Did I mention he has, like, an incredible body?” Molly shook her head. Oh dear. “No.” “Yes,” Gina said just a little too grimly, considering the topic. “Who would’ve guessed that underneath those awful shirts he’s a total god? And maybe that’s what’s freaking out the most.” “You mean because . . . you’re attracted to him?” Molly asked. “No!” Gina said. “God! Because I’m not. I felt nothing. I’m standing there and he’s . . . You know how I said he reminds me of Hugh Grant?” Molly nodded, too relieved to speak. “Well, I got the wrong Hugh. This guy is built like Hugh Jackman. And beneath the hats and sunblock and glasses, he’s actually got cheekbones and a jaw line, too. I’m talking total hottie. And, yes, I can definitely appreciate that on one level, but . . .” She glanced over at the desk, at her digital camera. She’d gotten it out of her trunk earlier today. Which, Molly had learned, meant that she’d spent more time this afternoon looking at her saved pictures. Which included at least a few of Max. Molly’s relief over not having to deal with the complications of Gina having a crush on Leslie felt a whole lot less good. She wished someone would just go ahead and steal Gina’s camera already. Maybe that would help her move on.

Christ was an Aryan, and St. Paul used his doctrine to mobilise the criminal underworld and thus organise a proto-Bolshevism. This intrusion upon the world marks the end of a long reign, that of the clear Graeco-Latin genius. What is this God who takes pleasure only in seeing men grovel before Him? Try to picture to yourselves the meaning of the following, quite simple story. God creates the conditions for sin. Later on He succeeds, with the help of the Devil, in causing man to sin. Then He employs a virgin to bring into the world a son who, by His death, will redeem humanity! I can imagine people being enthusiastic about the paradise of Mahomet, but as for the insipid paradise of the Christians ! In your lifetime, you used to hear the music of Richard Wagner. After your death, it will be nothing but hallelujahs, the waving of palms, children of an age for the feeding-bottle, and hoary old men. The man of the isles pays homage to the forces of nature. But Christianity is an invention of sick brains : one could imagine nothing more senseless, nor any more indecent way of turning the idea of the Godhead into a mockery. A negro with his tabus is crushingly superior to the human being who seriously believes in Transubstantiation. I begin to lose all respect for humanity when I think that some people on our side, Ministers or generals, are capable of believing that we cannot triumph without the blessing of the Church. Such a notion is excusable in little children who have learnt nothing else. For thirty years the Germans tore each other to pieces simply in order to know whether or not they should take Communion in both kinds. There's nothing lower than religious notions like that. From that point of view, one can envy the Japanese. They have a religion which is very simple and brings them into contact with nature. They've succeeded even in taking Christianity and turning it into a religion that's less shocking to the intellect. By what would you have me replace the Christians' picture of the Beyond? What comes naturally to mankind is the sense of eternity and that sense is at the bottom of every man. The soul and the mind migrate, just as the body returns to nature. Thus life is eternally reborn from life. As for the "why?" of all that, I feel no need to rack my brains on the subject. The soul is unplumbable. If there is a God, at the same time as He gives man life He gives him intelligence. By regulating my life according to the understanding that is granted me, I may be mistaken, but I act in good faith. The concrete image of the Beyond that religion forces on me does not stand up to examination. Think of those who look down from on high upon what happens on earth: what a martyrdom for them, to see human beings indefatigably repeating the same gestures, and inevitably the same errors ! In my view, H. S. Chamberlain was mistaken in regarding Christianity as a reality upon the spiritual level. Man judges everything in relation to himself. What is bigger than himself is big, what is smaller is small. Only one thing is certain, that one is part of the spectacle. Everyone finds his own rôle. Joy exists for everybody. I dream of a state of affairs in which every man would know that he lives and dies for the preservation of the species. It's our duty to encourage that idea : let the man who distinguishes himself in the service of the species be thought worthy of the highest honours.

1. ‘ I hate people who collect things and classify things and give them names and then forget all about them. That’s what people are always doing in art.They call a painter an impressionist or a cubist or something and then they put him in a drawer and don’t see him as a living individual painter any more. But I can see they’re beautiful arranged.’ 2. ’ Do you know that every great thing in the history of art and every beautiful thing in life is actually what you call nasty or has been caused by feelings that you would call nasty? By passion, by love, by hatred, by truth. Do you know that?... Why do you keep on using these stupid words-nasty, nice, proper, right? Why are you so worried about what’s proper?...why do you take all the life out of life? Why do you kill all the beauty?’ 3. ‘ Because I can’t marry a man to whom I don’t feel I belong in all ways. My mind must be his, my heart must be his, my body must be his. Just as I must feel he belongs to me. ‘ 4.’ The only thing that really matters is feeling and living what you believe-so long as it’s something more than belief in your own comfort.’ 5. 'It’s weird. Uncanny. But there is a sort of relationship between us. I make fun of him, I attack him all the time, but he senses when I’m ‘soft’. When he can dig back and not make me angry. So we slip into teasing states that are almost friendly. It’s partly because I’m so lonely, it’s partly deliberate (I want make him relax, both for his own good and so that one dat he may make a mistake), so it’s part weakness, and part cunning, and part charity. But there’s a mysterious fourth part I can’t define. It can’t be friendship, I loathe him. Perhaps it’s just knowledge. Just knowing a lot about him. And knowing someone automatically makes you feel close to him. Even when you wish he was on another planet.’ 6.’ You must MAKE, always. You must act, if you believe something. Talking about acting is like boasting about pictures you’re going to paint. The most terrible form. If you feel something deeply, you’re not ashamed to show your feeling.’ 7. ‘ The women I’ve loved have always told me I’m selfish. It’s what makes them love me. And then be disgusted with me...But what they can’t stand is that I hate them when they don’t behave in their own way. ‘ 8. ‘ I love honesty and freedom and giving. I love making , I love doing, I love being to the full, I love everything which is not sitting and watching and copying and dead at heart. ‘ 9. ‘ I don’t know what love is...love is something that comes in different clothes, with a different way and different face, and perhaps it takes a long time for you to accept it, to be able to call it love.’ 10. ‘ All this business, it’s bound up with my bossy attitude to life. I’ve always known where I’m going, how I want things to happen. And they have happened as I have wanted, and I have taken it for granted that they have because I know where I’m going. But I have been lucky in all sorts of things. I’ve always tried to happen to life; but it’s time I let life happen to me. ‘ 11. ‘I said, what you love is your own love. It’s not love, it’s selfishness. It’s not me you think of, but what you feel about me.’ 12. ‘ The power of women! I’ve never felt so full of mysterious power. Men are a joke. We’re so weak physically, so helpless with things. Still, even today. But we’re stronger then they are. We can stand their cruelty. They can’t stand ours.

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.

Dear God, We have failed you, we have failed you miserably. From eating animals to becoming animals, from cutting trees to cutting our conscience we have failed you. Your Kindness saved us time and again and You out of your most benevolent mercy tried to show us that Humanity means Humility, that we Your dear creation is capable of so much of Love and Grace after all You made us with your Light, that this world can always come back to Love, that Fear can always be overcome by Kindness, that Strength is always embedded within, that Courage lies in Forgiveness, yet did we listen in with our hearts? Perhaps, perhaps not. You sent us a pandemic to teach us the value of lives and how You United this world and healed this Earth through suffering yet did we learn the value of lives? No, we failed. There is a war going on in a beautiful country, and an economic meltdown in another, and so many other nations are fighting their own unknown battles just like every human being, and yet we fail to tickle our conscience, we fail to see how we have literally ruined this world and made demons out of your beautiful creation of humankind succombing to greed, lust and anger, oh how we have failed! We have failed in absolute disgrace where we don't see the tears of children, the lost smiles of our fellow neighbours and the numb dreams of almost everyone because we have locked the doors of our heart in false pictures of camouflaged pleasures, we indeed have failed you, we have failed us. Yet Your kindness knows no bound, your Love is infinite and your Grace is eternal, forgive us, dear Father and grant us, this Humankind the knowledge and understanding to act as Humans again. Fill those angry hearts with healing, those hurt souls with the grace of forgiveness and above all let your world know your true Nature by giving the strength of Courage in those hearts who walk in your Light, to stand by what is right without the shackles of Fear. Oh, the Kindest of All, may You strengthen the Truth and lead the Light bearers of Love ahead through Your Mercy to win over a world that is slowly crawling into a deep cavern of Hate, a world that was once created to nourish and nurture the different faces of Love, a world that is failing and falling frail in every passing moment, You alone are our only Hope. We know we have failed you miserably and as we keep failing you, I know more than ever that Your Grace will find us through and once again You will save us, because we may fail as children but You won't fail your children as the most Loving Father. - a soul traveling through this beautiful Universe of your making.

... we decided to create a Nothing Place in the living room, it seemed necessary, because there are times when one needs to disappear while in the living room, and sometimes one simply wants to disappear, we made this zone slightly larger so that one of us could lie down in it, it was a rule that you never would look at that rectangle of space, it didn't exist, and when you were in it, neither did you, for a while that was enough, but only for a while, we required more rules, on our second anniversary we marked off the entire guest room as a Nothing Place, it seemed like a good idea at the time, sometimes a small patch at the foot of the bed or a rectangle in the living room isn't enough privacy, the side of the door that faced the guest room was Nothing, the side that faced the hallway was Something, the knob that connected them was neither Something nor Nothing. The walls of the hallway were Nothing, even pictures need to disappear, especially pictures, but the hallway itself was Something, the bathtub was Nothing, the bathwater was Something, the hair on our bodies was Nothing, of course, but once it collected around the drain it was Something, we were trying to make our lives easier, trying, with all of our rules, to make life effortless. But a friction began to arise between Nothing and Something, in the morning the Nothing vase cast a Something shadow, like the memory of someone you've lost, what can you say about that, at night the Nothing light from the guest room spilled under the Nothing door and stained the Something hallway, there's nothing to say. It became difficult to navigate from Something to Something without accidentally walking through Nothing, and when Something—a key, a pen, a pocketwatch—was accidentally left in a Nothing Place, it never could be retrieved, that was an unspoken rule, like nearly all of our rules have been. There came a point, a year or two ago, when our apartment was more Nothing than Something, that in itself didn't have to be a problem, it could have been a good thing, it could have saved us. We got worse. I was sitting on the sofa in the second bedroom one afternoon, thinking and thinking and thinking, when I realized I was on a Something island. "How did I get here," I wondered, surrounded by Nothing, "and how can I get back?" The longer your mother and I lived together, the more we took each other's assumptions for granted, the less was said, the more misunderstood, I'd often remember having designated a space as Nothing when she was sure we had agreed that it was Something, our unspoken agreements led to disagreements, to suffering, I started to undress right in front of her, this was just a few months ago, and she said, "Thomas! What are you doing!" and I gestured, "I thought this was Nothing," covering myself with one of my daybooks, and she said, "It's Something!" We took the blueprint of our apartment from the hallway closet and taped it to the inside of the front door, with an orange and a green marker we separated Something from Nothing. "This is Something," we decided. "This is Nothing." "Something." "Something." "Nothing." "Something." "Nothing." "Nothing." "Nothing." Everything was forever fixed, there would be only peace and happiness, it wasn't until last night, our last night together, that the inevitable question finally arose, I told her, "Something," by covering her face with my hands and then lifting them like a marriage veil. "We must be." But I knew, in the most protected part of my heart, the truth.

The Internet is shaping your life, spying on you, and making judgments about your posts and pictures. Eventually, it will have the connected drone power to act upon any and all inferences it may make about you and your loved ones. Those who now build the soft and hard architecture that feeds this rising image of the Beast probably have no concept of the terrifying potential they are programming into it. It will not fully rise until the Antilamb is granted the power to give it life, but the Internet is stirring with disturbingly powerful panoptics.

2. Abstract concepts. It is extremely difficult to explain how any set of purely physical actions and interactions could possibly invest consciousness with the immaterial—which is to say, purely abstract—concepts by which all experience is necessarily interpreted and known. It is almost impossible to say how a purely material system of stimulus and response could generate universal categories of understanding, especially if (and one hopes that most materialists would grant this much) those categories are not mere idiosyncratic personal inflections of experience, but real forms of knowledge about reality. In fact, they are the very substance of our knowledge of reality. As Hegel argued perhaps more persuasively than any other philosopher, simple sense-knowledge of particular things, in itself, would be utterly vacuous. My understanding of anything, even something as humbly particular as that insistently red rose in my garden, is composed not just of a collection of physical data but of the conceptual abstractions that my mind imposes upon them: I know the rose as a discrete object, as a flower, as a particular kind of flower, as a kind of vegetation, as a horticultural achievement, as a biological system, as a feature of an ecology, as an object of artistic interest, as a venerable and multi-faceted symbol, and so on; some of the concepts by which I know it are eidetic, some taxonomic, some aesthetic, some personal, and so on. All of these abstractions belong to various kinds of category and allow me, according to my interests and intentions, to situate the rose in a vast number of different sets: I can associate it eidetically not only with other flowers, but also with pictures of flowers; I can associate it biologically not only with other flowers, but also with non-floriferous sorts of vegetation; and so on. It is excruciatingly hard to see how any mechanical material system could create these categories, or how any purely physical system of interactions, however precisely coordinated, could produce an abstract concept. Surely no sequence of gradual or particulate steps, physiological or evolutionary, could by itself overcome the qualitative abyss between sense experience and mental abstractions.

Around eighteen, Dinah suddenly became interested in acting. I worked with her on This Property Is Condemned, a Tennessee Williams one-act, for her audition for the Actors Studio. Then came Marty Maraschino in Grease, then a running part in Soap, a hot TV series. Then the lead in Neil Simon’s play I Ought to Be in Pictures. She was accepted by the Studio and quickly hired by Robert Redford as the girl in Ordinary People who commits suicide.

(Alfred’s sister, Olive Deering, was famous in those years for her sentiments during her filming of the endless DeMille epic The Ten Commandments: “Who do I have to fuck to get off this picture?”)

It is hard to see how the denarius question could have been thought by those who put it to be a serious trap, unless Jesus' repudiation of the Roman occupation were taken for granted, so that he could be expected to give an answer which would enable them to denounce him. Once again, the "spiritualizer's" picture of a Jesus whose only concern about politics was to clarify that he was not concerned for politics is refuted by the very fact that this question could arise. In the context of his answer "the things that are God's" most normally would not mean "spiritual things"; the attribution "to Caesar Caesar's things and to God God's things" points rather to demands or prerogatives which somehow overlap or compete, needing to be disentangled. What is Caesar's and what is God's are not on different levels, so as never to clash; they are in the same arena.

But surprisingly, people were significantly more likely to benefit from weak ties. Almost 28 percent heard about the job from a weak tie. Strong ties provide bonds, but weak ties serve as bridges: they provide more efficient access to new information. Our strong ties tend to travel in the same social circles and know about the same opportunities as we do. Weak ties are more likely to open up access to a different network, facilitating the discovery of original leads. Here’s the wrinkle: it’s tough to ask weak ties for help. Although they’re the faster route to new leads, we don’t always feel comfortable reaching out to them. The lack of mutual trust between acquaintances creates a psychological barrier. But givers like Adam Rifkin have discovered a loophole. It’s possible to get the best of both worlds: the trust of strong ties coupled with the novel information of weak ties. The key is reconnecting, and it’s a major reason why givers succeed in the long run. After Rifkin created the punk rock links on the Green Day site for Spencer in 1994, Excite took off, and Rifkin went back to graduate school. They lost touch for five years. When Rifkin was moving to Silicon Valley, he dug up the old e-mail chain and drafted a note to Spencer. “You may not remember me from five years ago; I’m the guy who made the change to the Green Day website,” Rifkin wrote. “I’m starting a company and moving to Silicon Valley, and I don’t know a lot of people. Would you be willing to meet with me and offer advice?” Rifkin wasn’t being a matcher. When he originally helped Spencer, he did it with no strings attached, never intending to call in a favor. But five years later, when he needed help, he reached out with a genuine request. Spencer was glad to help, and they met up for coffee. “I still pictured him as this huge guy with a Mohawk,” Rifkin says. “When I met him in person, he hardly said any words at all. He was even more introverted than I am.” By the second meeting, Spencer was introducing Rifkin to a venture capitalist. “A completely random set of events that happened in 1994 led to reengaging with him over e-mail in 1999, which led to my company getting founded in 2000,” Rifkin recalls. “Givers get lucky.

In The Talent Code, Daniel Coyle writes that “From a scientific perspective, it was as if the researchers had traced the lineage of the world’s most beautiful swans back to a scruffy flock of barnyard chickens.” Over time, even without an expert teacher at the outset, the pianists managed to become the best musicians in the world. The pianists gained their advantage by practicing many more hours than their peers. As Malcolm Gladwell showed us in Outliers, research led by psychologist Anders Ericsson reveals that attaining expertise in a domain typically requires ten thousand hours of deliberate practice. But what motivates people to practice at such length in the first place? This is where givers often enter the picture.

The Bible, however, does present a single picture, complex though it is, of at least one human life: the “image of God” that is granted in the creation of Adam and then presented as the created divine power itself, the Son of God, Jesus the Christ.

And if by grace, then it cannot be based on works; if it were, grace would no longer be grace. —Romans 11:6 (NIV) I couldn’t help noticing something on the dashboard of the cab I was riding in this morning: a snapshot of a college grad with mortarboard and gown, holding a diploma, smiling proudly; maybe the driver’s son. “Congratulations,” I said. “Your son?” “No,” he answered, “that’s me.” Momentarily mortified, I found myself thinking, Tough luck, driving a cab with a college degree. I got a better look at the driver. Middle Eastern, middle-aged. Probably has a PhD in astrophysics back in his home country. “Well,” I said awkwardly, “congratulations all the same. That’s great.” “An education is the best thing this country has given me. I just got an accounting degree and pretty soon I will find a job in my field, God willing. But meanwhile I have a family to support. Want to see them?” “Sure.” He flipped open the glove box where there were pictures of two boys and a girl, all in caps and gowns, all recent grads of high school and college. “I try to set a good example for them,” he said with a laugh. “God willing, they will find good jobs too. Education is the key to everything.” As we pulled to the curb, I thought of my own family coming to this country and struggling to reach the American dream, just like this man and his family. I thought of all the opportunities I’d been blessed with and how I can take it all too much for granted at times. “It was an honor to ride in your cab,” I said, handing the driver his fare. “Have a good day, sir,” he replied. “I shall,” I said, “God willing.” Jesus, they called You “Rabbi,” which means teacher. This month please bless all those who have worked so hard and so long for that great key to the future, a diploma. —Edward Grinnan

Tesla applied for a patent on an electrical coil that is the most likely candidate for a non mechanical successor of his energy extractor. This is his “Coil for Electro magnets,” patent #512,340. It is a curious design, unlike an ordinary coil made by turning wire on a tube form, this one uses two wires laid next to each other on a form but with the end of the first one connected to the beginning of the second one. In the patent Tesla explains that this double coil will store many times the energy of a conventional coil.   The patent, however, gives no hint of what might have been its more unusual capability. In an article for Century Magazine, Tesla compares extracting energy from the environment to the work of other scientists who were, at that time, learning to condense atmospheric gases into liquids. In particular, he cited the work of a Dr. Karl Linde who had discovered what Tesla described as a self-cooling method for liquefying air. As Tesla said, “This was the only experimental proof which I was still wanting that energy was obtainable from the medium in the manner contemplated by me.” What ties the Linde work with Tesla's electromagnet coil is that both of them used a double path for the material they were working with. Linde had a compressor to pump the air to a high pressure, let the pressure fall as it traveled through a tube, and then used that cooled air to reduce the temperature of the incoming air by having it travel back up the first tube through a second tube enclosing the first. The already cooled air added to the cooling process of the machine and quickly condensed the gases to a liquid. Tesla's intent was to condense the energy trapped between the earth and its upper atmosphere and to turn it into an electric current. He pictured the sun as an immense ball of electricity, positively charged with a potential of some 200 billion volts. The Earth, on the other hand, is charged with negative electricity. The tremendous electrical force between these two bodies constituted, at least in part, what he called cosmic-energy. It varied from night to day and from season to season but it is always present. Tesla's patents for electrical generators and motors were granted in the late 1880's. During the 1890's the large electric power industry, in the form of Westinghouse and General Electric, came into being. With tens of millions of dollars invested in plants and equipment, the industry was not about to abandon a very profitable ten-year-old technology for yet another new one. Tesla saw that profits could be made from the self-acting generator, but somewhere along the line, it was pointed out to him, the negative impact the device would have on the newly emerging technological revolution of the late 19th and early 20th centuries. At the end of his article in Century he wrote: “I worked for a long time fully convinced that the practical realization of the method of obtaining energy from the sun would be of incalculable industrial value, but the continued study of the subject revealed the fact that while it will be commercially profitable if my expectations are well founded, it will not be so to an extraordinary degree.

The Arians, as S. Augustine tells us,901 corrupted this sentence of S. John i. 1: In principio erat verbum, et verbum erat apud Deum, et Deus erat verbum. Hoc erat in principio apud Deum, by simply changing a point. For they read it thus: Et verbum erat apud Deum et Deus erat. Verbum hoc, &c., instead of Deus erat verbum. Hoc erat in principio apud Deum. They placed the full stop after the erat, instead of after the verbum. They so acted for fear of having to grant that the Word was God; so little is required to change the sense of God’s Word. When one is handling glass beads, if two or three are lost, it is a small matter, but if they were oriental pearls the loss would be great. The better the wine the more it suffers from the mixture of a foreign flavor and the exquisite symmetry of a great picture will not bear the admixture of new colors. Such is the conscientiousness with which we ought to regard and handle the sacred deposit of the Scriptures.

When you measure a single spiked wave, such as that in Figure 8.9, the device registers the spike's location. If it's spiked at Strawberry Fields, that's what the device reads; if you look at the result, your brain registers that location and you become aware of it. If it's spiked at Grant's Tomb, that's what the device registers; if you look, your brain registers that location and you become aware of it. When you measure the double spiked wave in Figure 8.10, Schrodinger's math tells you to combine the two results you just found. But, says Everett, be careful and precise when you combine them. The combined result, he argued, does not yield a meter and a mind each simultaneously registering two locations. That's sloppy thinking. Instead, proceeding slowly and literally, we find that the combined result is a device and a mind registering Strawberry Fields, and a device and a mind registering Grant's Tomb. And what does that mean? I'll use broad strokes in painting the general picture, which I'll refine shortly. To accommodate Everett's suggested outcome, the device and you and everything else must split upon measurement, yielding two devices, two yous, and two everything elses-the only difference between the two being that one device and one you registers Strawberry Fields, while the other device and the other you registers Grant's Tomb. As in Figure 8.12, this implies that we now have two parallel realities, two parallel worlds. To the you occupying each, the measurement and your mental impression of the result are sharp and unique and thus fell like life as usual. The peculiarity, of course, is that there are two of you who feel this way.

Young took it for granted that it was very wrong to break loose from reason's chain and that indulgence in pleasure invites the "pall" of death. Blake believed just the opposite. In his picture "sense" is naked and lovely, arms joyously raised and long tresses tossing freely. A small fetter on her right ankle -- hardly more than an ankle bracelet -- is the sole trace of Young's chain, and she is walking easily toward the viewer over gently rolling sunlit hills, not running "savage." What she doesn't know is that a gigantic figure, hands clenched with effort, is about to drop his enormous black cloak over her, smothering her in darkness. Most viewers would have assumed that this looming threat was a personification of death, but more likely Blake thought of it as reason, from whom sense has all too briefly escaped.

The actor Cary Grant, on the advice of his shrink, took some one hundred LSD trips during their weekly meetings in the late fifties, experiencing a “rebirth” and picturing himself “as a giant penis launching off from Earth like a spaceship.

Your mind is like an internal movie screen on which you can produce information. This is how we think and learn effectively. Your brain creates miracles every day by converting lifeless information into pictures and ideas. When you become aware of this, every word becomes a picture drawn with letters, because words are symbols of three-dimensional images. Arthur Gordon said, “Isn’t it amazing how we take them for granted? Those little black marks on paper. Twenty-six different shapes known as letters, arranged in endless combinations, known as words, lifeless, until someone’s eye falls on them.

PEOPLE LIVING IN THE WEST, in societies that we describe as Western, or as the free world, may be educated in many different ways, but they will all emerge with an idea about themselves that goes something like this: I am a citizen of a free society, and that means I am an individual, making individual choices. My mind is my own, my opinions are chosen by me, I am free to do as I will, and at the worst the pressures on me are economic, that is to say I may be too poor to do as I want. This set of ideas may sound something like a caricature, but it is not so far off how we see ourselves. It is a portrait that may not have been acquired consciously, but is part of a general atmosphere or set of assumptions that influence our ideas about ourselves. People in the West therefore may go through their entire lives never thinking to analyze this very flattering picture, and as a result are helpless against all kinds of pressures on them to conform in many kinds of ways. The fact is that we all live our lives in groups—the family, work groups, social, religious and political groups. Very few people indeed are happy as solitaries, and they tend to be seen by their neighbours as peculiar or selfish or worse. Most people cannot stand being alone for long. They are always seeking groups to belong to, and if one group dissolves, they look for another. We are group animals still, and there is nothing wrong with that. But what is dangerous is not the belonging to a group, or groups, but not understanding the social laws that govern groups and govern us. When we’re in a group, we tend to think as that group does: we may even have joined the group to find “like-minded” people. But we also find our thinking changing because we belong to a group. It is the hardest thing in the world to maintain an individual dissident opinion, as a member of a group. It seems to me that this is something we have all experienced—something we take for granted, may never have thought about. But a great deal of experiment has gone on among psychologists and sociologists on this very theme. If I describe an experiment or two, then anyone listening who may be a sociologist or psychologist will groan, oh God not again—for they will have heard of these classic experiments far too often. My guess is that the rest of the people will never have heard of these experiments, never have had these ideas presented to them. If my guess is true, then it aptly illustrates my general thesis, and the general idea behind these essays, that we (the human race) are now in possession of a great deal of hard information about ourselves, but we do not use it to improve our institutions and therefore our lives.

The sound stunned Evans. The ache, the longing, dying but sweetly pleading, like a happy memory drowning in truth. It was what he had been searching for, not just for Chinatown, his love story in need of love, but for those long Woodland nights he waited out alone in bed, flipping through old photograph albums, the pictures of Ali, whom he had let go, pictures of Ali and his son Josh, the family he had traded, one night at a time, for The Godfather. He knew he had fucked up. Goldsmith’s music was scant consolation, only magic, but where love and real life failed his foolish cravings, the music ennobled them in brass and piano and harp. Their glissandos were running water, growing in him the feeling, easy to forget, of why he was right, despite all the shit, to love Hollywood in the first place. The feeling was that word he lost so much trying to find and hold on to—now he had it—a word, in the time of Nixon, almost embarrassing to speak—“romance.” For Evans it was more than moonlight and ocean winds and Gatsby’s green flare across the bay; it was not fantasy but palpable evidence of a dream becoming true, the rare and shivery threshold of immeasurable pleasure, the promise imagination grants the mundane, and the mountain stream through which beauty and goodness, against all probability and reason, flow down into the world as art. It was, out of the darkness, a faith. Like Polanski’s crane, a lift, redemption, grace. True or false, it didn’t matter; as long as it was felt once, it could be felt again. Hearing that music for the first time, thinking of his father, he cried.

It’s because of this functionality that Google Now has passed what Page refers to as the “toothbrush test.”32 If it is something you’d use once or twice a day and it makes your life better—like a toothbrush—it wins approval. Google Now is revolutionary in many ways, but it alone won’t change how we live on this planet. How does it factor in to the bigger picture? Think about all of the invisible infrastructure you take for granted today. You wake up in the morning and flip a switch to turn on your lights. A knob in your bathroom brings you clean, hot water within seconds. After you finish using the toilet, a lever creates enough force and pressure to flush your excretions through a massive underground sewer system. All of this infrastructure passes the toothbrush test, and you don’t even notice.

The ability to live a God-pleasing life, indeed, to inherit eternal life, does not stem from our dedication to God or vows of our will; rather, it flows to us from the power of the divine life granted to us through our supernatural union with Christ. The very life of God through Christ via the Holy Spirit has taken up residence inside us. We are irrevocably wed to the divine nature, and human marriage is a powerful picture, or symbol, of this union.

May this journey into the hearts of the Bible’s worst villains ultimately give you a clearer picture of the God in whose image both you and they are made. May we all be quicker to listen and slower to speak. Let us rush to show mercy and be slow to anger. Let us learn to see the full humanity of the other. And as we see, may the Spirit grant understanding, that we may find forgiveness just a breath away.

Picture the bold minister again, glancing up at the congregation with glasses that look suspiciously like Mrs. Who's. He prays stridently from the 1892 baptismal rite: "Grant that this Child may have power and strength to have victory" - and everyone, even the people who slipped in the back late, strain to glimpse the baby's round face - "and to triumph, against the devil, the world, and the flesh." Wide-eyed, the parents and the people respond, "Amen." Dare we pray such prayers for today's children? Dare we name aloud the enemy they're up against? Dare we claim that God will not fail with any part of his creation? that in Christ, light and goodness eclipse darkness and evil, now and forever? Dare we say with the congregation - with Madeleine herself - Amen?

In fact, there were no movie stars in view, though Finian himself was a talent star, one of the last of the Golden Age, Fred Astaire. He hadn’t filmed a musical since Silk Stockings, in 1957, but it was a frustrating return, for Astaire felt Coppola had no feeling for the form. And Coppola didn’t—not the form of musical Astaire was used to making. For instance, some of the show’s many dance sequences became choreography by other means—a festive picnic with a tug-of-war and other contests for “If This Isn’t Love.” Then, too, Astaire was working with his old RKO assistant, Hermes Pan, who was suddenly fired from the picture, offending Astaire’s deep-rooted sense of loyalty—to his profession, to the great songwriters who had made songs on him, and to his colleagues. Still, the movie flows along nicely with a likable confidence, not easy to bring off when the plot takes in a pot of gold that grants wishes.

When you think about conflict, you’re probably picturing what Etty calls relationship conflict—personal, emotional clashes that are filled not just with friction but also with animosity.

Sam Temple kept a lower profile. He stuck to jeans and understated T-shirts, nothing that drew attention to himself. He had spent most of his life in Perdido Beach, attending this school, and everybody knew who he was, but few people were quite sure what he was. He was a surfer who didn’t hang out with surfers. He was bright, but not a brain. He was good-looking, but not so that girls thought of him as a hottie. The one thing most kids knew about Sam Temple was that he was School Bus Sam. He’d earned the nickname when he was in seventh grade. The class had been on the way to a field trip when the bus driver had suffered a heart attack. They’d been driving down Highway 1. Sam had pulled the man out of his seat, steered the bus onto the shoulder of the road, brought it safely to a stop, and calmly dialed 911 on the driver’s cell phone. If he had hesitated for even a second, the bus would have plunged off a cliff and into the ocean. His picture had been in the paper.

Mother Mary wants to draft two more kids,” Astrid told Sam. “Okay. Approved.” “Dahra says we’re running low on kids’ Tylenol and kids’ Advil, she wants to make sure it’s okay to start giving them split adult pills.” Sam spread his hands in a helpless gesture. “What?” “We’re running low on kid pills, Dahra wants to split adult pills.” Sam rocked back in the leather chair designed for a grown man. “Okay. Whatever. Approved.” He took a sip of water from a bottle. The wrapper on the bottle said “Dasani” but it was tap water. The dishes from dinner—horrible homemade split-pea soup that smelled burned, and a quarter cabbage each—had been pushed aside onto the sideboard where in the old days the mayor of Perdido Beach had kept framed pictures of his family. It was one of the better meals Sam had had lately. The fresh cabbage tasted surprisingly good. There was little more than smears on the plates: the era of kids not eating everything was over. Astrid puffed out her cheeks and sighed. “Kids are asking why Lana isn’t around when they need her.” “I can only ask Lana to heal big things. I can’t demand she be around 24/7 to handle every boo-boo.” Astrid looked at the list she had compiled on her laptop. “Actually, I think this involved a stubbed toe that ‘hurted.’” “How much more is on the list?” Sam asked. “Three hundred and five items,” Astrid said. When Sam’s face went pale, she relented. “Okay, it’s actually just thirty-two. Now, don’t you feel relieved it’s not really three hundred?” “This is crazy,” Sam said. “Next up: the Judsons and the McHanrahans are fighting because they share a dog, so both families are feeding her—they still have a big bag of dry dog food—but the Judsons are calling her Sweetie and the McHanrahans are calling her BooBoo.” “You’re kidding.” “I’m not kidding,” Astrid said. “What is that noise?” Sam demanded. Astrid shrugged. “I guess someone has their stereo cranked up.” “This is not going to work, Astrid.” “The music?” “This. This thing where every day I have a hundred stupid questions I have to decide. Like I’m everyone’s parent now. I’m sitting here listening to how little kids are complaining because their older sisters make them take a bath, and stepping into fights over who owns which Build-A-Bear outfit, and now over dog names. Dog names?” “They’re all still just little kids,” Astrid said. “Some of these kids are developing powers that scare me,” Sam grumbled. “But they can’t decide who gets to have which special towel? Or whether to watch The Little Mermaid or Shrek Three?” “No,” Astrid said. “They can’t. They need a parent. That’s you.

Try to imagine that you have just turned eighteen and have been put out of your foster home. You may have amassed some savings from a part-time job and received a one-time “emancipation” grant, but you don’t have a job. You have no idea where you’ll sleep tonight, let alone next week or next month. Your belongings are packed into two plastic bags. Your family is unable to help, and may even have disappeared. Further clouding your prospects are your educational deficits and a history of trouble with the law. You read at a seventh grade level. You were held back a grade, and you have a police record.1 What kind of future would you predict for yourself? Can you cope with: • Sudden homelessness, at least temporarily, while you wander through the referral maze? • Difficulty finding a job, since you don’t have a permanent address or even the basic documents you need—like a birth certificate and a Social Security card—to fill out a job application or a W-4? • An interruption in your education, not just because of the cost, but also because of complex eligibility requirements and your inability to document your school record? • The pressure to engage in unhealthy or even illegal behaviors as a means of survival?   Whatever you are imagining as your fate, the reality is much worse for many youth who age out of foster care. Data from several studies paint a troubling picture. Within a few years of leaving foster care: • Only slightly more than half of these young people have graduated from high school, compared with 85 percent of all youth eighteen to twenty-four years old. • One-fourth have endured some period of homelessness. • Almost two-thirds have not maintained employment for a year. • Four out of ten have become parents. • Not even one in five is completely self-supporting. • One in four males and one in ten females have spent time in jail.2

The Obama Administration has been trying to indoctrinate the public with its climate ideology in many ways and through a variety of agencies. This includes material on agency websites, advocacy of climate “education,”470 exhibits in National Parks,471 and grants by the National Science Foundation. One example is the $700,000 NSF grant to The Civilians, a New York theatre company, to finance the production of a show entitled “The Great Immensity,”472 “a play and media project about our environmental challenges.”473 A second example is a $5.7 million grant to Columbia University to record “voicemails from the future” that paint a picture of an Earth destroyed due to climate change.474 A third example is a $4.9 million grant to the University of Wisconsin-Madison to create scenarios based on America’s climate actions on climate change including a utopian future where everyone rides bicycles and courts forcibly take property from the wealthy.475 The general approach pursued by the Administration for arts and education-related climate propaganda appears to be very similar to the similar propaganda campaigns by Soviet and Eastern European governments to promote their political ends.

In light of this evidence, Bryan suggests that we should embrace nouns more thoughtfully. “Don’t Drink and Drive” could be rephrased as: “Don’t Be a Drunk Driver.” The same thinking can be applied to originality. When a child draws a picture, instead of calling the artwork creative, we can say “You are creative.” After a teenager resists the temptation to follow the crowd, we can commend her for being a non-conformist. When we shift our emphasis from behavior to character, people evaluate choices differently. Instead of asking whether this behavior will achieve the results they want, they take action because it is the right thing to do. In the poignant words of one Holocaust rescuer, “It’s like saving somebody who is drowning. You don’t ask them what God they pray to. You just go and save them.

She lives here now, Mom. With me. And it won’t be long before you can meet her, but there’s one more thing. During that short time we knew each other in Grants Pass, we had a little…ah, a little…blessing, that’s what it was. We had a blessing. Well, actually a couple of blessings. On the way. Soon.” Dead silence answered him. “It came as a shock to poor Abby at first, and I admit—I was pretty surprised, but we’re very happy about it. Happy and excited.” Silence. It stretched out. “Mom? Twins. We know one is a boy, but the other one is hiding.” Again, a vacuum. Then he heard his mother shriek, “Edward! Come here! Cameron got some girl pregnant!” “Mom! Just have a little sip of that wine!” “I think it’s going to take something a little stronger! Twins? You got some girl pregnant with twins?” He couldn’t help it—he laughed. “Mom,” he said. “She’s not some girl—she’s not a girl. Her name is Abby and she’s thirty-one.” “Cameron, how in the world—” “Now, Mother, I’m not going to explain. You’ll just have to trust me, I’ve never been careless and neither has Abby. So—here’s the deal. She’s probably going to go early, though the babies are due the second of July. Anytime, Mom. Abby wants to have her mother come as soon as they’re delivered, so I hope you can be a little patient. Twins is a pretty big—” “Cameron! Are you married?” “Not yet, Mom. Even though we’re in this together, completely, we just haven’t had time to get married. That will come—we’ll take care of the details. No point in rushing it now. Besides, we’re not going to be fooling anybody, including the great-grandmothers and great-aunt Jean, by rushing into it right now. They’re nearly here.” “Dear God in heaven,” his mother said. And in the background he could hear his father, Ed, saying, “What? What? What?” “I’ll call you the moment they’re born. Tomorrow, when I’m at the clinic, I’ll get Mel to take a picture of me and Abby and e-mail it to you. By then you will have calmed down.” “But, Cameron,” she said, “you haven’t given me time to knit anything!” He laughed again. “Well, get started. Abby’s really ready to unload. She just has to make it a couple more weeks to be completely safe.” “Oh, dear God in heaven,” she muttered.

This puts the choice in the hands of the poor,” says Michael Faye, founder of GiveDirectly, the organization behind Bernard’s windfall. “And the truth is, I don’t think I have a very good sense of what the poor need.”7 Faye doesn’t give people fish, or even teach them to fish. He gives them cash, in the conviction that the real experts on what poor people need are the poor people themselves. When I asked him why there are so few peppy videos or pictures on GiveDirectly’s website, Faye explained that he doesn’t want to play on emotions too much. “Our data are hard enough.” He’s right: According to a study by the Massachusetts Institute of Technology, GiveDirectly’s cash grants spur a lasting rise in incomes (up 38% from before the infusion) and also boost homeownership and possession of livestock (up 58%), while reducing the number of days that children go hungry by 42%. Furthermore,

what motivates people to practice at such length in the first place? This is where givers often enter the picture.

When people focus on others, as givers do naturally, they’re less likely to worry about egos and miniscule details; they look at the big picture and prioritize what matters most to others.

he could not remember ever having seen a woman as beautiful. It was as though he had scattered a pile of dead, brittle leaves and uncovered a blue lotus in full bloom, radiant and hypnotic against the decay. But he felt no urge to move any closer to her. His fingers did not itch to touch her; his mouth, gone dry at the sight of her, did not seek the moisture of her lips. This woman, dressed in a tight, black skirt, a black, mesh-sleeved blouse, and studded choker around her throat, with teased, brown hair framing her light brown face, was like a vision granted to him by one of the gods he had read of in his books. A vision he saw in his soul—if, indeed, he had one—and not with his eyes. It was not lust that held him. No, something deep within him, something that he fought to put words to and could not, knew her. Some fragment of a dream . . . maybe some vague resemblance to a picture I’ve seen online, or in a magazine.

Taking party drugs these days is playing Russian roulette and, unfortunately, your friend was unlucky and took a bullet." Thanks, Like picturing her with all the tubes sticking out isn't bad enough.

HammerThorn wore the same jovial, welcoming smile Montego had come to expect when returning to camp. But as they approached, his expression changed—to worry—to anger. All the many years of living among the human clan had granted him the ability to read their faces like a children’s picture book. He awaited the bad news. One hand covered his mouth; the other gripped the knot of the blue sash tied around his waist.

The light-hearted London to which Emmeline had looked forward was no longer there, and herself, a comparatively young married woman of leisure, seemed out of the picture. Everything seemed to be a problem—food, service, even laundry, all those things which had been taken for granted so gaily in the old world, were now major problems, crises occurring afresh week after week.

If you are at all skeptical about the idea that in forming these mental pictures we use default characteristics to flesh out and go far beyond the basic information we’ve been given, then think about it this way: The default attributes that we add are so taken for granted and so automatic that, without thinking about why we do this, we are usually careful to specify a different set of attributes when the default ones don’t apply.

I loved the idea.* For a book about rethinking, it seemed delightfully meta. Like the Seinfeld coffee table book about coffee tables—or the time when Ryan Gosling wore a shirt with a photo of Macaulay Culkin, and Macaulay Culkin one-upped him by wearing a shirt with a picture of Ryan Gosling wearing that shirt.