Bea Love Quotes

We've searched our database for all the quotes and captions related to Bea Love. Here they are! All 100 of them:

Bending his head over hers, Leo murmured, "When I give you away at the altar, Bea, I want you to remember something. I'm not really giving you away. I'm merely allowing him the chance to love you as much as the rest of us do.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
After a universal silence, Leo was the first to speak. “Did anyone else notice—” “Yes,” Catherine said. “What do you make of it?” “I haven’t decided yet.” Leo frowned and took a sip of port. “He’s not someone I would pair Bea with.” “Whom would you pair her with?” “Hanged if I know,” Leo said. “Someone with similar interests. The local veterinarian, perhaps?” “He’s eighty-three years old and deaf,” Catherine said. “They would never argue,” Leo pointed out.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
In fiction, I searched for my favorite authors, women I have trusted to reassure me than not all teenage guys are total ditwads, that the archetype of the noble cute hero who devotes himself to the girl he loves has not gone the way of the rotary phone. That all I had to do was be myself (smart, hardworking, funny) and be patient and kind and he and I would find each other. As Bea would say, this why they call it fiction.
Sarah Strohmeyer (Smart Girls Get What They Want)
Better to love God and die unknown than to love the world and bea hero; better to be content with poverty than to die a slave towealth; better to have taken some risks and lost than to havedone nothing and succeeded at it.
Erwin W. Lutzer
There's nothing wrong with being a little girl, love. Little girls are fearless.
Bea Fitzgerald (Girl, Goddess, Queen)
Look forward to being really in love for the first time, Bea," said Rumfoord. “Look forward to behaving aristocratically without any outward proofs of your aristocracy.Look forward to having nothing but the dignity and intelligence and tenderness that God gave you—look forward to taking those materials and nothing else, and making something exquisite with them.
Kurt Vonnegut Jr. (The Sirens of Titan)
Bending his head over hers, Leo murmured, "When I give you away at the altar, Bea, I want you to remember something. I'm not really giving you away. I'm merely allowing him the chance to love you as much as the rest of us do." Beatrix's eyes watered, and he leaned against him. "He does," she whispered. "I think so, too," her brother whispered back. "I wouldn't let you marry him otherwise.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
No matter how old you are, you always want your mother’s love and acceptance. I guess I’m hoping one day I’ll get it back.
Hilary Grossman (Plan Bea)
Bea looks at him, then, eyes swirling with frost, and even through the mist, she looks suddenly, immeasurably sad. 'You can't make people love you, Hen. If it's not a choice, it isn't real.' Henry's mouth goes dry. She's right. Of course she's right.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
What we did not truly use, need, and love had to go. This would become our motto for decluttering.
Bea Johnson
Sadness taught me to let someone hurt me and yet still talk beautifully about them.
Harlrey Biala
LOVE never runs out, Sweetheart. When it comes knocking on your door, open. And when you start to feel it, know that it’s real.
Bea Pilotin
That's what happens when people take away their love, Bea. It makes you smaller. Sometimes, it makes you disappear.
Rebecca Stead (The List of Things That Will Not Change)
Hate is often at its most powerful when it's formed on the back of love.
Bea Paige (Freestyle (Academy of Stardom, #1))
Know why they call it a love triangle?” Well, I wasn’t stupid. “Triangles have three sides and there’s three people involved.” Bea nodded. “Yeah, that, but also because they’re shaped like shark teeth and shark teeth can rip people to shreds.” How poetic.
Tiffany Nicole Smith (The Bex Carter Dramadies 4: Caution: Love Triangle Ahead)
One does not deny their dirty fingers because of their clean toes, For it is with the fingers that one indicates to show off the toes. Do not be too elevated in yourself to realize that there was,and will always be,a part of you that was once digging in the dirt.
Gillian Johns (Nuada)
I’m surprised Cole let you stay. What we do here is slightly unconventional.” Bea looked suspicious and in-the-know at the same time. “I’m in love with his brother.” Saying this out loud to Bea felt like jumping out of an airplane—thrilling and irreversible. In that instant Livia knew her love for Blake was as real as the church walls around her. Bea took in Livia’s face with wise eyes. “Why, yes. Yes you are.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
In a soft, weak voice, she mumbled words that will motivate me till the end of time. Speaking barely above a whisper, Bea looked at me and said, "I'll be looking for you." She closed her eyes and slipped back into the coma. Those were her last words to me, and to all who knew her. "I'll be looking for you." And she will be.
Jimmy Wayne (Walk to Beautiful: The Power of Love and a Homeless Kid Who Found the Way)
If faith were rational, it wouldn't be - by definition - faith. Faith is belief in what you cannot see or prove or touch. Faith is walking face-first and full-speed into the dark. If we truly knew all the answers in advance as to the meaning of life and the nature of God and the destiny of souls, our belief would not be a leap of faith and it would not be a courageous act of humanity; it would just be...a prudent insurance policy.
Elizabeth Gilbert (Eat, Pray, Love)
LOVE frees and conquers all.
Bea Pilotin (In Love and In Heartbreak: collected stories of the heart)
Me: Because you like him. Bea: I’ll like him for about ten minutes while he bangs me on boxes of nacho cheese.
Michelle Lynn (Love Surfaced (Love Surfaced, #1))
I love the smile that creeps over your face when I walk in front of you.
Bea Pilotin (In Love and In Heartbreak: collected stories of the heart)
What you saw tonight was the men who love you doing everything in their power to protect you. Nothing more. Nothing less.
Bea Paige (Breakers (Academy of Stardom, #3))
Tonight, and all the nights for the rest of my fucking life, I’m going to love you even when it hurts. Especially when it hurts. My brothers will help me to keep doing that.
Bea Paige (Breakers (Academy of Stardom, #3))
Every love someone can have for another being, I have them all for you.
Bea Fitzgerald (Girl, Goddess, Queen)
I’m in love with his brother.” Saying this out loud to Bea felt like jumping out of an airplane—thrilling and irreversible. In that instant Livia knew her love for Blake was as real as the church walls around her.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked. “Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.” “Washed her window?” both older sisters asked at the same time. “Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree— do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?” “No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.” “Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?” Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.” “So did I,” Amelia said, blowing her nose.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Life is for the living.
Bea Weaver
God created you to be—a gift of His love to others.
Jack Frost (Experiencing the Father's Love: A Daily Encounter with Him)
Maybe, just maybe one day, wild flowers will bloom unexpectedly in the oddest cracks in my heart. Until then.
Bea Pilotin (In Love and In Heartbreak: collected stories of the heart)
LOVE never runs out, Sweetheart. It comes knocking at the door of your heart one day. When it does, know that it’s real and never let it go.
Bea Pilotin (In Love and In Heartbreak: collected stories of the heart)
You should only care about boys that smudge your lipstick, not your mascara.
Nicole Bea (Thank You for Loving Me)
Doe eye sparkling in her elfin face, and a sassy hairstyle I can only dream would make me look adorable instead of mannish. She is a traditional bea.uty that time cannot diminish
Penelope Fletcher (Die, My Love)
Know that I love you immensely, and you hurry home.
Bea Weaver
EvEry ThiNg HaS iTs OwN BeaUtY JuSt TrY tO fInd It....
jyoti karki
Thoughtfully, he considered the matter, and Bea, reminded again of the seriousness and esteem with which he regarded her, fell a little deeper in love.
Lynn Messina (A Treacherous Performance (Beatrice Hyde-Clare Mysteries, #5))
I still remember the first time you left flowers at my doorstep because it was Monday. I never told you this but being with you was the only moment I ever truly felt beautiful.
Bea Pilotin (In Love and In Heartbreak: collected stories of the heart)
All you need is love. Friend love, family love, the real deep kind of love that hurts you right in your heart when you think about it. In a good way, of course.
Nicole Bea (Somewhere Only We Know)
In the midst of chaos, I found deep within me an invincible calm.
Bea Pilotin (In Love and In Heartbreak: collected stories of the heart)
Hate is often at its most powerful when it’s formed on the back of love.
Bea Paige (Freestyle (Academy of Stardom, #1))
not loving you is a thousand times more painful than loving you could ever be,
Bea Paige (Breakers (Academy of Stardom, #3))
BEATRICE: Do you truly not know who he was? Mr. Dorian Gray, the lover of Mr. Oscar Wilde, who was sent to Reading Gaol for—well, for holding opinions that society does not approve of! For believing in beauty, and art, and love. What guilt and remorse he must feel, for causing the downfall of the greatest playwright of the age! It was Mr. Gray’s dissolute parties, the antics of his hedonistic friends, that exposed Mr. Wilde to scandal and opprobrium. No wonder he has fallen prey to the narcotic. MARY: Or he could just like opium. He didn’t seem particularly remorseful, Bea. JUSTINE: Mr. Gray is not what society deems him to be. He has been greatly misunderstood. He assures me that he had no intention of harming Mr. Wilde. MARY: He would say that. CATHERINE: Can we not discuss the Wilde scandal in the middle of my book? You’re going to get it banned in Boston, and such other puritanical places.
Theodora Goss (The Sinister Mystery of the Mesmerizing Girl (The Extraordinary Adventures of the Athena Club, #3))
And if you ever become "weary of doing good" (Galatians 6:9), think of Bea. When you are tempted to think your life is insignificant, remember the little woman who took in a homeless teenager and saved his life; ask God what He wants you to do. When circumstances drag on you, weighing you down to the point you think you can't take another step, muster your courage, stay strong; keep walking.
Jimmy Wayne (Walk to Beautiful: The Power of Love and a Homeless Kid Who Found the Way)
We abuse land because we regard it as a commodity belonging to us. When we see land as a community to which we belong, we may begin to use it with love and respect. —Aldo Leopold, in his book A Sand County Almanac
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
Perfect and bulletproof are seductive, but they don’t exist in the human experience. We must walk into the arena, whatever it may be—a new relationship, an important meeting, our creative process, or a difficult family conversation—with courage and the willingness to engage. Rather than sitting on the sidelines and hurling judgment and advice, we must dare to show up and let ourselves be seen. This is vulnerability. This is daring greatly.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
I inhale with the waves flooding the shore. They are easy. They are mine. I can feel my heartbeat slowing. Bea may be in Queens underground, but for now, she is here. We are little girls again, on this shore together. Just for a moment.
E.L. Shen (The Queens of New York)
there is no friend like a sister / In calm or stormy weather; / To cheer one on the tedious way, / To fetch one if one goes astray, / To lift one if one totters down, / To strengthen whilst one stands.’” Bea was much struck by this. “How lovely,
Lauren Willig (The Ashford Affair)
It was all very well to pretend you were not afraid of death, Bea thought, but people only said that because they had not looked death in the eye. They had not understood that it meant everything you have always taken for granted and loved without even knowing it-the world around you, the memories you carry with you, your hopes for the future- all of this being extinguished like a candle flame that is blown out. And afterwards, there would be nothing. Not even emptiness. Not even loneliness. Not even pain.
Brian Keaney (The Resurrection Fields (The Promises of Dr. Sigmundus, #3))
It no longer shocks me that while I watch a highly intelligent man (like Atty. Nicanor “Nick” De Leon, CPA) speaks the truth, I couldn't help but think how he possesses an ideal trait that is strongly compelled by love. And it inspires a deep sense of awe in me.
Bea Pilotin
Love is chaotic, agonizing, complex. It's like DNA, no one really knows the depths of its power or can unravel its mysteries. Love is just there, it's something that exists and we're all just a bunch of people either looking for love, are in love, or are heartbroken without it, because of it.
Bea Paige (Lyrical (Academy of Stardom, #2))
We were married for sixty-two years before he passed,” Bea said. “I still can’t take a deep breath without smelling his scent.” Her face filled with strength, rather than tears. “We had a good life. He always made me laugh. Loving him was a wonderful way to pass my time here. And someday we’ll be together again.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
To truly love a woman with a multitude of cuts is the most difficult thing a man will ever do. It’s like walking barefoot on the shards of glass. Both will break a little inside and that’s what makes them whole. That’s the beauty of being broken- no matter how it devastatingly hurts, LOVE still stands to conquer all.
Bea Pilotin
To truly love a woman with a multitude of cuts is the most difficult thing a man will ever do. It’s like walking barefoot on the shards of glass. Both will break a little inside and that’s what makes them whole. That’s the beauty of being broken- no matter how it devastatingly hurts, it proves that LOVE conquers all.
Bea Pilotin
Trust me, my dear, I speak from experience: It cannot be love if it’s not returned. It’s something else and it’s just as painful, but it’s not love and you will get through it,” she said and reached over to grasp her hand. The solemn intensity with which Lady Abercrombie spoke convinced Bea she believed every word she was saying.
Lynn Messina (An Infamous Betrayal (Beatrice Hyde-Clare Mysteries, #3))
This is me, Bea. Stained in blood and sin with zero fucking regrets.” “The heart of a killer can still love,” I pressed, but it felt like pressure on a mortal wound, blood bubbling up too fast beneath my fingers. Futilely, I pressed harder. “Even Death has a heart.” He cocked his head, eyes blank behind his blink, hardly humouring me. “In storybooks maybe.” “In the Bible,” I protested. “Satan has human qualities. He sins because he is the most human of them all. He lusts and loves.” But religion was not the way to reach this man, so frantically, I continued. “Hades loved Persephone so much he ripped open the earth to steal her light for himself in the Underworld.
Giana Darling (Dead Man Walking (The Fallen Men, #6))
Faith is belief in what you cannot see or prove or touch. Faith is walking face-first and full-speed into the dark. If we truly knew all the answers in advance as to the meaning of life and the nature of God and the destiny of our souls, our belief would not be a leap of faith and it would not be a courageous act of humanity; it would just be…a prudent insurance policy.
Elizabeth Gilbert (Eat, Pray, Love)
The "Old-Fashioned Girl" is not intended as a perfect model, but as a possible improvement upon [Page] the Girl of the Period, who seems sorrowfully ignorant or ashamed of the good old fashions which make woman truly beautiful and honored, and, through her, render home what it should be,-a happy place, where parents and children, brothers and sisters, learn to love and know and help one another.
Louisa May Alcott (An Old-Fashioned Girl)
Being a product of Bea and Jack, he is the antithesis of Mom.  I don’t mean he doesn’t love me, rather his expression of love, acceptance, and even his presence in my life is as conditional as Mom’s love is unconditional.  He has an unwavering opinion of right and wrong, success and failure, and how a man should behave.  This belief is so rigid, I’ve always felt I wasn’t the type of person he wanted as a son. To
Brett Douglas (American Drug Addict: a memoir)
Bea wondered sometimes what it was like to live without despising yourself. To know exactly who you were and be proud of that person. It was funny; people automatically assumed that what her life was missing, what she must desperately be in need of –after all, wasn’t every woman? –was a husband. When in actual fact she wasn’t desperate to be loved by another person; all she wanted was to feel the slightest bit of affection for herself.
Jenny Blackhurst (Before I Let You In)
Molly Bea, she of the hard white breasts lightly dusted with golden freckles, would never be so humiliated by life because she could never become as deeply involved in the meaty toughness of life. She would never be victimized by her own illusions because they were not essential to her. She could always find new ones when the old ones wore out. But Cathy was stuck with hers. The illusion of love, magically changed to a memory of shame.
John D. MacDonald (The Deep Blue Good-By)
He always liked learning. Loved it, really. If he could have spent his whole life sitting in a lecture hall, taking notes, could have drifted from department to department, haunting different studies, soaking up language and history and art, maybe he would have felt full, happy. That's how he spent the first two years. And those first two years, he was happy. He had Bea, and Robbie, and all he had to do was learn. Build a foundation. It was the house, the one that he was supposed to build on top of that smooth surface, that was the problem. It was just so... permanent. Choosing a class became choosing a discipline, and choosing a discipline became choosing a career, and choosing a career became choosing a life, and how was anyone supposed to do that, when you only had one? But teaching, teaching might be a way to have what he wanted. Teaching is an extension of learning, a way to be a perpetual student.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
Arsonist's Lullabye by Hozier – Chapter three Elastic Heart by Sia – Chapter Nine Paralyzed by NF – Chapter Seventeen Running Up That Hill by Kate Bush – Chapter Twenty You Broke Me First by Tate McRae – Chapter Twenty-three Let Me Down by Jorja Smith and Stormzy – Chapter Twenty-four I Can’t Make You Love Me by Teddie Swims – Chapter Thirty Dancing with a Stranger by Sam Smith – Chapter Thirty-one Demons by Jacob Lee – Chapter Thirty-Three Halo by Beyonce – Chapter Thirty-six Play with
Bea Paige (Lyrical (Academy of Stardom, #2))
Silence by Marshmello featuring Khalid & Hurts by Emeli Sandé– Chapter Six Take Your Shirt Off by T-Pain – Chapter Twelve You Get What You Give by The New Radicals – Chapter Sixteen Bird Set Free by Sia – Chapter Twenty When We Were Young by Adele – Chapter Twenty-Three Own It by Stormzy – Chapter Twenty-Four Rise Up by Andra Day – Chapter Twenty-Five I Just Want You (Instrumental) by Marco Lopetuso – Chapter Thirty-Two If You Want Love by NF – Chapter Thirty-Five Heal by Tom Odell – Chapter
Bea Paige (Breakers (Academy of Stardom, #3))
The Buddhists say, "Of the two witnesses, hold the principle one." Meaning: You're the only one who knows your experience. As imperfect as our analyses may be--as clouded as they are by judgments, worries, and fantasies--they're still the best we have. It's great to have loved ones who give us advice, feedback, brownies, alcohol. But we can't expect them to tell us who we are. It's not fair to them and greatly underestimates our own natural intelligence. You are the only one who knows. You are the constant.
Sara Eckel (It's Not You: 27 (Wrong) Reasons You're Single)
And then there was the hidden hope she told no one about, not even Bea—that maybe someday there would be a man who understood her, who allowed her to be untamed, who understood her love of the sea, and who might love her despite her freewheeling ways. Someday, some way . . . Torn by conflicted inner sides of herself—one that felt she could never settle down and become a man’s wife, and one that secretly dreamed of romance. But who would want a woman who wanted to work like a man, who probably could never hold her tongue, and who couldn’t pretend to be something she wasn’t?
Ann Howard Creel (The Whiskey Sea)
What were you thinking of just now?” he asked instead of answering my question. He walked over to the window, stood beside me and joined me looking out. We gazed across the Elbe River, marveling at the amazing and incredible beauty spread out before us in the glorious sunny early morning. Then he continued, “When we came and opened the door, your face was so intent on some sort of dream. Not a happy one I think,” it was a very gentle tone, the loving nuances. I saw the look of longing in his eyes and my heart skipped a crazy beat. I clasped my hand more firmly and gazed toward the view of the far line that marked the edge of the Elbe river of Hamburg Harbor. I was thinking about Hamburg,” I told him. “Thinking about the escape they seem to offer.” “Escape?” he asked. “I would have said a prison, rather.” “That, too. It’s a false escape of course. I was thinking about their dangers, too. “Go on,” he said. Then I put my fancy into words. “I suppose I used to love the feeling of shutting out the world, of drawing a line of that water in the harbor around me and letting all the achingly familiar scenes stay outside the line. I started to cry. “It’s been years, Adrian. I kept everything in my heart because that’s what all was left; everything, absolutely everything. It’s completely messed up and you have no idea, at all. I was left alone to mourn.
Bea C. Pilotin (The Whys Of Us)
Those baby-ghosts love to whisper; they love to hypnotize me every time I smell a newborn’s head or even look at Facebook posts of toddlers splashing in bathtubs and playing in pumpkin patches. But the truth is, those whispers are small echoes of a life that wasn’t supposed to be—a life I unknowingly abandoned when I stepped foot in that classroom and used my time to care for other people’s children. Those whispers taunt from some innate, ancestral, maybe even mystical place of wonder that, surely, I’ll never understand. What I do understand is the transformative value—how to use those voices to repair others and bring meaning to my life. For every student rocking in that blue chair, I have purpose.
Jennifer Rieger (Burning Sage)
Some days I still miss fumigating. I did get three beautiful children from the process. Fumigation can be wonderful.” She settled back into her wheelchair. Livia jumped around to kneel in front of her. “Oh, please don’t say anything to anyone. It’s my sister in there with him. I bet he feels so guilty about it.” Bea gave a delighted cackle. “I’m sure guilty isn’t exactly the right description of Mr. Cole right now.” Her eyes softened. “Sweet Livia, young people can only learn with time, but maybe you can get a leg up. There’s no shame in true love. And if Mr. Cole thinks he has some big secret, he’s wrong. At my age, you can spot a man in love from a mile away. My friends and I probably knew before he did.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I’m not… What’s wrong with them believing?” Bea asked, a note of pleading creeping, uninvited, into her voice. “You do not sell belief, you sell belief-in. Belief in true love, as if everyone were entitled to it. Belief in a simple solution to a complex problem. Belief in one type of person, one type of future.” “No I don’t. I offer people dreams, and hope, and, and, something to organise their lives with,” Bea said, not sure why she was trying to convince him. “I don’t make them into ‘one person’.” “Oh no? Let me recall your doctrine: Kings, Princes and their ilk must marry girls whose only asset is their beauty. Not clever girls, not worthy girls, not girls who could rule. Powerful women, older women – like one day you will become – are nought but wicked creatures, consumed with jealousy and unfit to hold position. No,” he said as Bea began to speak, “I am not finished. Let us turn our attention to the men. As long as the woman is something to be won, it follows only the worthy will prevail. It matters not if they truly love the girl, nor if the man is cruel or arrogant or unfit to tie his own doublet. As long as he has wealth and completes whatever trials are decided fit, he is suitable. For what is stupidity or arrogance when compared against a crown? The good will win, and the wicked perish, and you and your stories decide what makes a person good or wicked. Not life. Not choice. Not even common sense. You.
F.D. Lee (The Fairy's Tale (The Pathways Tree, #1))
There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.” Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?” Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.” “I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Has anyone had a look at Merripen's shoulder?" Amelia asked, glancing at Win. "It's probably time for the dressing to be changed." "I'll do it," Win said at once. "And I'll take up a supper tray." "Beatrix will accompany you," Amelia advised. "I can manage the tray," Win protested. "It's not that... I meant it's not proper for you to be alone with Merripen in his room." Win looked surprised, and made a face. "I don't need Beatrix to come. It's only Merripen, after all." After Win left the dining hall, Poppy looked at Amelia. "Do you think that Win really doesn't know how he-" "I have no idea. And I've never dared to broach the subject, because I don't want to put ideas into her head." "I hope she doesn't know," Beatrix ventured. "It would be dreadfully sad if she did." Amelia and Poppy both glanced at their younger sister quizzically. "Do you know what we're talking about, Bea?" Amelia asked. "Yes, of course. Merripen's in love with her. I knew it a long time ago, from the way he washed her window." "Washed her window?" both older sisters asked at the same time. "Yes, when we lived in the cottage at Primrose Place. Win's room had a casement window that looked out onto the big maple tree- do you remember? After the scarlet fever, when Win couldn't get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds' nest on one of the other tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look so grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?" "No," Amelia said with difficulty, her eyes stinging. "I didn't know he did that." "Merripen said the sky should always be blue for her," Beatrix said. "And that was when I knew he... are you crying, Poppy?" Poppy used a napkin to dab at the corners of her eyes. "No, I just inh-haled some pepper." "So did I," Amelia said, blowing her nose.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Where have you been?” I softly answered followed by a question. I wanted to laugh hysterically at the controlled calmness of it all, as if nothing at all had happened, as if he hadn’t resurrected himself after an eternity of absence. “New York,” I have a good friend there. I found a job, a place. I had to- away from here; away from Bella; from you.” Swallowing, I clasped my hands together to stop from trembling and I said in a low, audible voice, “From me?” He sighed heavily. “I can’t love you, Helena. I still love Bella. And I suppose I could love another woman in another way at the same time, but not you.” “…but why?” I tried hard to keep my voice and gaze even. I glanced at the plain wedding ring on the third finger on his left hand, his wedding band. It was gleaming brightly in the firelight. I felt my heart plummet, like a disappointed child. Seeking the right words, he replied with a very soft voice, “It’s because I would always see you as an extension of her. I want to fall in love with you in separate way, the one that involves only us, uninfluenced by the past and our hurt. I can’t do that now and I can’t tell when I’ll be able to.
Bea C. Pilotin (The Whys Of Us)
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Poppy," she murmured, "no matter how Miss Marks tries to civilize me- and I do try to listen to her- I still have my own way of looking at the world. To me, people are scarcely different from animals. We're all God's creatures, aren't we? When I meet someone, I know immediately what animal they would be. When we first met Cam, for example, I knew he was a fox." "I suppose Cam is somewhat fox-like," Poppy said, amused. "What is Merripen? A bear?" "No, unquestionably a horse. And Amelia is a hen." "I would say an owl." "Yes, but don't you remember when one of our hens in Hampshire chased after a cow that had strayed too close to the nest? That's Amelia." Poppy grinned. "You're right." "And Win is a swan." "Am I also a bird? A lark? A robin?" "No, you're a rabbit." "A rabbit?" Poppy made a face. "I don't like that. Why am I a rabbit?" "Oh, rabbits are beautiful soft animals who love to be cuddled. They're very sociable, but they're happiest in pairs." "But their timid," Poppy protested. "Not always. They're brave enough to be companions to many other creatures. Even cats and dogs." "Well," Poppy said in resignation, "it's better than being a hedgehog, I suppose." "Miss Marks is a hedgehog," Beatrix said in a matter-of-fact tone that made Poppy grin. "And you're a ferret, aren't you, Bea?" "Yes. But I was leading to a point." "Sorry, go on." "I was going to say that Mr. Rutledge is a cat. A solitary hunter. With an apparent taste for rabbit.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Do you think that Win really doesn’t know how he—” “I have no idea. And I’ve never dared to broach the subject, because I don’t want to put ideas into her head.” “I hope she doesn’t know,” Beatrix ventured. “It would be dreadfully sad if she did.” Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked. “Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.” “Washed her window?” both older sisters asked at the same time. “Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree—do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?” “No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.” “Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?” Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.” “So did I,” Amelia said, blowing her nose.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
"You’re the first girl I’ve met around here who’s real, and who cares about things and likes to do things. But half the time, you decide the conversation’s over in mid-sentence and take off. Or you ignore me when we’re at school and other people are around, and you tell your cousin that there’s nothing going on between us and that you’re not interested me at all." "Me? What about you?" "What about me?" "You’re the master of saying one word and disappearing. And you have all these things that you care about, like Bea and Oliver and surfing and acting, but most people would never know that. Your father thinks you can’t wait to be a banker and all your friends think you don’t care about anything. And meanwhile you’ve gone from a person who acted like he cared about me to a professional bodyguard doing a favor for my aunt. I mean, what is the whole Secret Service act about?” His jaw was clenched. “I don’t want anything to you.” “Nothing’s happened to me.” “Oh, like when you got hit by a car?” “It didn’t hit me.” “But I should have been there. I got caught up, talking to Mr. Dudley, and I was late, and I let you stand out there all alone.” “Quinn, that makes no sense.” “I just don’t want it to happen again.” “What don’t you want to happen?” “I don’t want anyone I care about to get hurt on my watch.” That shut us both up. We were silent for a while, each looking out our respective windows as we sped along the highway. And then I figured it out. “This is about your mom, isn’t it?” He just sort of shrugged. And then he said, “Probably.” I moved closer and leaned into him. After a moment he put his arm around my shoulder. And we just stayed like that, not talking, the rest of the way to the airport.
Jennifer Sturman
My mum once told me that the bravest sailors weren’t the ones who sailed through the storm, but the ones who remained in port whilst it raged out at sea. I never really understood what she meant by that, until now. For seventeen years I succeeded in standing back and watching that storm wreak havoc, never once venturing into the expanse of the ocean like a large proportion of kids on my estate had done. Unlike me, they were drawn into the glamour and the notoriety of joining a gang. Some did it for the promise of a family unit that they didn’t have at home. Some did it because they were too weak or too vulnerable to say no, while others did it because they were bored. And some, like Eastern, joined out of sheer desperation. I chose to stay away. It’s true, I might’ve been the delinquent kid that everyone saw when they looked at me. I might’ve gotten into trouble with the law, but I refused to set sail into a storm that wasn’t of my own making. I refused to join a gang. The way I saw it, whatever trouble I got into was on my terms and not for some self-proclaimed gang leader with a skewed view of the world and their own set of rules. I never wanted to be beholden to anyone but myself, and above all else, I always wanted more out of life than the hand I’ve been dealt. Maybe it was my mother’s fault for filling my head with far-fetched stories, but I wanted what was on the other side of the storm. I wanted what lay far, far beyond the horizon. Deep down I’d craved the life my mum used to tell me about in her stories. It gave me something to focus on, to dream about, even if it wasn’t real. Ironic then, that I’m now a part of the life I worked so hard to avoid, trying to protect the people I love from falling victim to it. And all because my love for a makeshift family meant I couldn’t stand back and watch the storm anymore. I must set sail right into the heart of it because I love Eastern, Tracy and Braydon enough to do something about their situation. They might not be my blood, but they are my family and I won’t abandon them in a time of need. Pity the same couldn’t be said for my own parents.
Bea Paige (Reject (Academy of Misfits, #2))
Alas, when she opened her mouth to thank him, her composure deserted her completely and all she could manage was a low, distraught plea. “You must stop doing this!” she said desperately. It was not the response Kesgrave anticipated. Oh, no. Having been impressed by Bea’s pluck and daring from the very first, even while her refusal to abide by his authority drove him mad with frustration, he’d never imagined that the presentation of a simple band could have such a disastrous effect on her self-possession. Kesgrave’s confusion, so readily apparent in the way he drew his eyebrows together and pursed his lips, helped relieve some of Bea’s distress. After two decades of falling short of her aunt’s unreasonable expectations, it was still revelatory to exceed his. Taken aback by her discomfort, Kesgrave immediately complied with her request, promising never to repeat the event. “I could not even if I desired to,” he assured her, “for the bracelet is the only item of your mother’s in need of reclaiming.” It was perfect, Bea thought, the characteristic pedantry of his reply, and under ordinary circumstances, it would have elicited from her a fond mocking rejoinder. But everything about the moment felt remarkable, even the sunlight filtering through the window, bathing them in a golden glow, and she answered instead with terrifying honesty. “You must stop making me love you more, Damien. The feeling is already so overwhelming, I can scarcely breathe.” His features remained steady but his eyes—oh, yes, his eyes—blazed with emotion and he raised his hand as if to touch her. Mindful of their situation, however, he let it drop before he made contact, and his lips curved slightly as he shook his head to deny her request. “I fear I cannot, Bea, no. Your brief spells of breathlessness are the only advantage I have in this relationship, and I am not prepared to relinquish it.” The duke spoke softly, emphatically, and Bea waited for amusement to enter his eyes, for she knew he was teasing, but his expression remained fervent. Warmed by his gaze, she longed to move closer, to draw his lips to hers, and it was only the presence of her family that kept her firmly rooted to the spot.
Lynn Messina (A Sinister Establishment (Beatrice Hyde-Clare Mysteries, #6))
Christopher Phelan was talking with Prudence Mercer. The scheme of formal black and white was becoming to any man. On someone like Christopher, it was literally breathtaking. He wore the clothes with natural ease, his posture relaxed but straight, his shoulders broad. The crisp white of his starched cravat provided a striking contrast to his tawny skin, while the light of chandeliers glittered over his golden-bronze hair. Following her gaze, Amelia lifted her brows. “What an attractive man,” she said. Her attention returned to Beatrix. “You like him, don’t you?” Before Beatrix could help herself, she sent her sister a pained glance. Letting her gaze drop to the floor, she said, “There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.” Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?” Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.” “I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.” Amelia paused. “He is attracted to you,” she said. “We all noticed the other night. Why don’t you encourage him, dear?” Beatrix felt her throat tighten. “I can’t.” “Why not?” “I can’t explain,” Beatrix said miserably, “except to say that I’ve deceived him.” Amelia glanced at her in surprise. “That doesn’t sound like you. You’re the least deceptive person I’ve ever known.” “I didn’t mean to do it. And he doesn’t know that it was me. But I think he suspects.” “Oh.” Amelia frowned as she absorbed the perplexing statement. “Well. This does seem to be a muddle. Perhaps you should confide in him. His reaction may surprise you. What is it that Mother used to say whenever we pushed her to the limits of her patience?...’Love forgives all things.’ Do you remember?” “Of course,” Beatrix said. She had written that exact phrase to Christopher in one of her letters. Her throat went very tight. “Amelia, I can’t discuss this now. Or I’ll start weeping and throw myself to the floor.” “Heavens, don’t do that. Someone might trip over you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Perhaps it's better after all that you stop writing to him. You seem rather fixed on him. I hope you have no thought that Christopher would ever..." She paused delicately. "Never mind." "I know what you were going to say," Beatrix had said in a matter-of-fact manner. "Of course I have no illusions about that. I haven't forgotten that he once compared me to a horse." "He did not compare you to a horse," Prudence said. "He merely said you belonged in the stables. However, he is a sophisticated man, and he would never be happy with a girl who spends most of her time with animals." "I much prefer the company of animals to that of any person I know," Beatrix shot back. Instantly she regretted the tactless statement, especially as she saw that Prudence had taken it as a personal affront. "I'm sorry. I didn't mean-" "Perhaps you had better leave, then, and go to your pets," Prudence had said in a frosty tone. "You'll be happier conversing with someone who can't talk back to you." Chastened and vexed, Beatrix had left Mercer House. But not before Prudence had said, "For all our sakes, Bea, you must promise me never to tell Captain Phelan that you wrote the letters. There would be no point in it. Even if you told him, he wouldn't want you. It would only be an embarrassment, and a source of resentment. A man like that would never forgive such a deception.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Downsizing answered our questions. It gave us a chance to shift our lives from spending our free time maintaining our investments to doing things that we truly enjoy, such as spending time with our loved ones, indulging in a few hobbies, creating, and learning.
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
I thought you liked Prudence." "I do. Or at least... I'm trying to. Because of you." Audrey smiled wryly at Beatrix's expression. "I've resolved to be more like you, Bea." "Like me? Oh, I wouldn't do that. Haven't you noticed how odd I am?" Audrey's smile broadened into a grin, and for a moment she looked like the carefree young woman she had been before John's illness. "You accept people for what they are. I think you regard them as you do your creatures- you're patient, and you observe their habits and wants, and you don't judge them.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
When we took steps to simplify our lifestyle, we not only evaluated belongings and screen times, we also evaluated friendships. We identified and focused on those that brought positivity, happiness, and strength to our life and allowed the others to fade away. This streamlining exercise made us appreciate the quality of the true friends we had. What was the point of spending precious time tending digital acquaintances to the detriment of our real-world ones? I realized that life was too short to fret about unsatisfying, meaningless online relationships. Reinforcing the bonds that we cherish and living in the moment with the people we love have since become family priorities. I no longer feel pressured to belong to social networks; those that I really care about know how to get in touch with me.
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
As he drove on, the sense that they were not on the same page –that they needed different things at this crucial time –entered the car like a discomfiting presence. He’d thought –he’d felt –that yesterday morning had been their proper leavetaking, and that this trip to the airport was just . . . a postscript, almost. Yesterday morning had been so right. They’d finally worked their way to the bottom of their ‘To Do’list. His bag was already packed. Bea had the day off work, they’d slept like logs, they’d woken up to brilliant sunshine warming the yellow duvet of their bed. Joshua the cat had been lying in a comical pose at their feet; they’d nudged him off and made love, without speaking, slowly and with great tenderness.
Michel Faber (The Book of Strange New Things)
you’re a rabbit.” “A rabbit?” Poppy made a face. “I don’t like that. Why am I a rabbit?” “Oh, rabbits are beautiful soft animals who love to be cuddled. They’re very sociable, but they’re happiest in pairs.” “But they’re timid,” Poppy protested. “Not always. They’re brave enough to be companions to many other creatures. Even cats and dogs.” “Well,” Poppy said in resignation, “it’s better than being a hedgehog, I suppose.” “Miss Marks is a hedgehog,” Beatrix said in a matter-of-fact tone that made Poppy grin. “And you’re a ferret, aren’t you, Bea?” “Yes. But I was leading to a point.” “Sorry, go on.” “I was going to say that Mr. Rutledge is a cat. A solitary hunter. With an apparent taste for rabbit.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Where have you been?” I softly answered followed by a question. I wanted to laugh hysterically at the controlled calmness of it all, as if nothing at all had happened, as if he hadn’t resurrected himself after an eternity of absence. “New York. I have a good friend there. I found a job, a place. I had to- away from here; away from Bella; from you.” Swallowing, I clasped my hands together to stop from trembling and I said in a low, audible voice, “From me?” He sighed heavily. “I can’t love you, Helena. I still love Bella. And I suppose I could love another woman in another way at the same time, but not you.” “…but why?” I tried hard to keep my voice and gaze even. I glanced at the plain wedding ring on the third finger on his left hand, his wedding band. It was gleaming brightly in the firelight. I felt my heart plummet, like a disappointed child. Seeking the right words, he replied with a very soft voice, “It’s because I would always see you as an extension of her. I want to fall in love with you in separate way, the one that involves only us, uninfluenced by the past and our hurt. I can’t do that now and I can’t tell when I’ll be able to.
Bea C. Pilotin (The Whys Of Us)
Where have you been?” I asked, almost a whisper. I wanted to laugh hysterically at the controlled calmness of it all, as if nothing at all had happened, as if he hadn’t resurrected himself after an eternity of absence. “New York. I have a good friend there. I found a job, a place. I had to- away from here; away from Bella; from you.” Swallowing, I clasped my hands together to stop from trembling and I said in a low, audible voice, “From me?” He sighed heavily. “I can’t love you, Helena. I still love Bella. And I suppose I could love another woman in another way at the same time, but not you.” “…but why?” I tried hard to keep my voice and gaze even. I glanced at the plain wedding ring on the third finger on his left hand, his wedding band. It was gleaming brightly in the firelight. I felt my heart plummet, like a disappointed child. Seeking the right words, he replied with a very soft voice, “It’s because I would always see you as an extension of her. I want to fall in love with you in separate way, the one that involves only us, uninfluenced by the past and our hurt. I can’t do that now and I can’t tell when I’ll be able to.
Bea C. Pilotin (The Whys Of Us)
Love was him. Love was the perfect set of sleepy-hooded eyes and a messy hair I used to wake up to every morning. Love was his quiet voice at the end of the day that whispered sweet nothings into my ears. Love was the most adorable hug he gave me when I’ve had a bad day. He was the laughter I wasn’t tired of hearing. He was my favorite lullaby to sleep. And I loved him like the way kids love hotdogs and nuggets.
Bea Pilotin
Love used to be enough. Love used to be exciting and everything, until it was not anymore, until the days of our golden dreams had perished. And until the warmth that helped me through the coldest nights have turned into a burning fire that burned my soul and heart into ashes. He became distant and invisible when he found his new world. It’s not that I failed to hold on tight. It’s not that I did loosen my grip. Maybe I wasn’t meant to experience what forever truly felt like. Maybe true love was not in the cards for me. And maybe I wasn’t meant to live in a perfect castle though I had a hope to live happily-ever-after.
Bea Pilotin
New York,” I have a good friend there. I found a job, a place. I had to- away from here; away from Bella; from you.” Swallowing, I clasped my hands together to stop from trembling and I said in a low, audible voice, “From me?” He sighed heavily. “I can’t love you, Helena. I still love Bella. And I suppose I could love another woman in another way at the same time, but not you.” “…but why?” I tried hard to keep my voice and gaze even. I glanced at the plain wedding ring on the third finger on his left hand, his wedding band. It was gleaming brightly in the firelight. I felt my heart plummet, like a disappointed child. Seeking the right words, he replied with a very soft voice, “It’s because I would always see you as an extension of her. I want to fall in love with you in separate way, the one that involves only us, uninfluenced by the past and our hurt. I can’t do that now and I can’t tell when I’ll be able to.
Bea C. Pilotin (The Whys Of Us)
I’ve learned to live with the pain- the same way I’ve learned to live without the three of them. They all left me broken. Do you think I can just switch the pain off just like that because he can’t love me back? It is because it doesn’t work for both of us; that he doesn’t belong to me?
Bea Pilotin
What were you thinking of just now?” He asked instead of answering my question. He walked over to the window, stood beside me and joined me looking out. We gazed across the Elbe River, marveling at the amazing and incredible beauty spread out before us in the glorious sunny early morning. Then he continued, “When we came and opened the door, your face was so intent on some sort of a dream. Not a happy one I think,” it was a very gentle tone, the loving nuances. I saw the look of longing in his eyes and my heart skipped a crazy beat. I clasped my hand more firmly and gazed toward the view of the far line that marked the edge of the Elbe river of Hamburg Harbor. I was thinking about you- us, thinking everything about us,” Then I put my fancy into words. “I suppose I used to love the feeling of shutting out the world, of drawing a line of that water in the harbor around me and letting all the achingly familiar scenes stay outside the line. I started to cry. “It’s been years, Adrian. I kept everything in my heart because that’s what all was left; everything, absolutely everything. It’s completely messed up and you have no idea, at all. I was left alone to mourn.
Bea C. Pilotin
I love you: the scary beautiful words I haven’t heard before. —Bea C. Pilotin
Bea C. Pilotin
I love you: the scary beautiful words I haven’t heard before. —Bea C. Pilotin
Bea C. Pilotin
I love you: the scary beautiful words I haven’t heard before.
Bea C. Pilotin
Delight is a social phenomenon. It is imitative. We delight in what we see others delighting in—especially those we admire. ... All other projects of group enthusiasm are pale imitations of what the church is meant to be—a body of believers incandescent with Christ’s love.
Jason Byassee (Surprised by Jesus Again: Reading the Bible in Communion with the Saints)
As Mr. Atterbury’s wife, Iris, I cast Bea Benaderet, the wonderful comedy actress who would later become the voice of Betty Rubble on The Flintstones and star in the television series Petticoat Junction.
Jess Oppenheimer (I Love Lucy: The Untold Story)
The return journey was nothing like the arrival. Bea couldn’t wait to get out of the car. She remembered feeling like this before, with Brandon, on several occasions. It was an excruciating need to escape the confinement of being in too close a proximity to passive-aggressive behaviour. She hated conflict, after a row, it would take her hours, perhaps days to become fully relaxed and herself again. She became anxious, not entirely brought on by his coldness, but by old memories, and the way her body would instinctively react to them. It wasn’t a feeling that she wanted to experience with someone new, of whom she’d told his sister only a short time ago that she was falling in love with.
Tracey-anne McCartney (A Carpet of Purple Flowers)
If the heart has a memory somewhere in time, in a vast lingering landscape of the mind, these words will forever be etched in my mind, I will always love you.
Bea Pilotin
Life always gets better. Overtime, it's scuffle will morph into beauty.
Bea Pilotin (In Love and In Heartbreak: collected stories of the heart)