Grandparents In Heaven Quotes

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The first time I died, I didn't see God. No light at the end of the tunnel. No haloed angels. No dead grandparents. To be fair, I probably wasn't a solid shoo-in for Heaven. But, honestly, I kind of assumed I'd make the cut.
Megan Miranda (Fracture (Fracture, #1))
God died before we were born. Our grandparents felt the last of him, that's why they nail crosses above their beds and drape rosaries from their necks. There's no heaven anymore and they'll take that to their grave. He'll be stuck in limbo and we'll probably meet Him there and just because we're baptised doesn't mean we're owed salvation. The angels are homesick and they can't find their wings, and I think I met an angel in hospital, but we're sick, and they're dying, and there's a difference. There is a difference. We all have blood on our hands but we're all too clean for hell.
Dakota Warren (On Sun Swallowing)
If I walked too far and wondered loud enough the fields would change. I could look down and see horse corn and I could hear it then- singing- a kind of low humming and moaning warning me back from the edge. My head would throb and the sky would darken and it would be that night again, that perpetual yesterday lived again. My soul solidifying, growing heavy. I came up to the lip of my grave this way many times but had yet to stare in. I did begin to wonder what the word heaven meant. I thought, if this were heaven, truly heaven, it would be where my grandparents lived. Where my father's father, my favorite of them all, would lift me up and dance with me. I would feel only joy and have no memory, no cornfield and no grave. You can have that,' Franny said to me. 'Plenty of people do.' How do you make the switch?' I asked. It's not as easy as you might think,' she said. 'You have to stop desiring certain answers.' I don't get it.' If you stop asking why you were killed instead of someone else, stop investigating the vaccum left by your loss, stop wondering what everyone left on Earth is feeling,' she said, 'you can be free. Simply put, you have to give up on Earth.' This seemed impossible to me. ... She used the bathroom, running the tap noisily and disturbing the towels. She knew immediately that her mother had bought these towels- cream, a ridiculous color for towels- and monogrammed- also ridiculous, my mother thought. But then, just as quickly, she laughed at herself. She was beginning to wonder how useful her scorched-earth policy had been to her all these years. Her mother was loving if she was drunk, solid if she was vain. When was it all right to let go not only of the dead but of the living- to learn to accept? I was not in the bathroom, in the tub, or in the spigot; I did not hold court in the mirror above her head or stand in miniature at the tip of every bristle on Lindsey's or Buckley's toothbrush. In some way I could not account for- had they reached a state of bliss? were my parents back together forever? had Buckley begun to tell someone his troubles? would my father's heart truly heal?- I was done yearning for them, needing them to yearn for me. Though I still would. Though they still would. Always.
Alice Sebold (The Lovely Bones)
Butterfly Kisses Aged imperfections stitched upon my face years and years of wisdom earned by His holy grace. Quiet solitude in a humble home all the family scattered now like nomads do they roam. Then a gift sent from above a memory pure and tangible wrapped in innocence and unquestioning love. A butterfly kiss lands gently upon my cheek from an unseen child a kiss most sweet. Heaven grants grace and tears follow as youth revisits this empty hollow.
Muse (Enigmatic Evolution)
But can't you even imagine what it must feel like to have a true home? I don't mean heaven. I mean a real earthly home. Not some fortress you bought and built up and have to keep everybody locked in or out. A real home. Not some place you went to and invaded and slaughtered people to get. Not some place you claimed, snatched because you got the guns. Not some place you stole from the people living there, but your own home, where if you go back past your great-great-grandparents, past theirs, and theirs, past the whole of Western history, past the beginning of organized knowledge, past pyramids and poison bows, on back to when rain was new, before plants forgot they could sing and birds thought they were fish, back when God said Good! Good!-- there, right there where you know your own people were born and lived and died. Imagine that, Pat. That place. Who was God talking to if not to my people living in my home?" "You preaching, Reverend." "No, I'm talking to you, Pat. I'm talking to you.
Toni Morrison (Paradise (Beloved Trilogy, #3))
The other day as I was stepping out of Star Grocery on Claremont Avenue with some pork ribs under my arm, the Berkeley sky cloudless, a smell of jasmine in the air, a car driving by with its window rolled down, trailing a sweet ache of the Allman Brothers' "Melissa," it struck me that in order to have reached only the midpoint of my life I will need to live to be 92. That's pretty old. If you live to be ninety-two, you've done well for yourself. I'd like to be optimistic, and I try to take care of my health, but none of my grandparents even made it past 76, three killed by cancer, one by Parkinson's disease. If I live no longer than any of them did, I have at most thirty years left, which puts me around sixty percent of the way through my time. I am comfortable with the idea of mortality, or at least I always have been, up until now. I never felt the need to believe in heaven or an afterlife. It has been decades since I stopped believing-a belief that was never more than fitful and self-serving to begin with-in the possibility of reincarnation of the soul. I'm not totally certain where I stand on the whole "soul" question. Though I certainly feel as if I possess one, I'm inclined to disbelieve in its existence. I can live with that contradiction, as with the knowledge that my time is finite, and growing shorter by the day. It's just that lately, for the first time, that shortening has become perceptible. I can feel each tiny skyward lurch of the balloon as another bag of sand goes over the side of my basket.
Michael Chabon
This was fresh, rich, heavenly, succulent, soft, creamy, kiss-my-ass, cows-gotta-die-for-this, delightfully salty, moo-ass, good old white folks cheese, cheese to die for, cheese to make you happy, cheese to beat the cheese boss, cheese for the big cheese, cheese to end the world, cheese so good it inspired a line every first Saturday of the month: mothers, daughters, fathers, grandparents, disabled in wheelchairs, kids, relatives from out of town, white folks from nearby Brooklyn Heights, and even South American workers from the garbage-processing plant on Concord Avenue, all patiently standing in a line that stretched from the interior of Hot Sausage’s boiler room to Building 17’s outer doorway, up the ramp to the sidewalk, curling around the side of the building and to the plaza near the flagpole.
James McBride (Deacon King Kong)
When a loving person dies, God sends angels to escort them on their journey to heaven. Angels are the messengers of God. They could be relatives or friends, but they will be exactly the right persons who represent God’s love to the individual. The persons you long for, who have gone to heaven before you, will be waiting for you when you die. They will be ready to comfort you and escort you to heaven. They will take you from the reality of this physical universe and transport you to a new reality where you get your first introduction to the wonder and power of God. There are as many entry points into heaven as there are individuals. Each person is escorted toward heaven according to his or her life, culture, and spiritual level. One person may be in a beautiful field, another may be in a magnificent castle, another in a setting similar to their grandparents’ home. God and the angels, for the specific comfort and beginning edification of that person, individually create each setting. It is difficult for us to understand and believe how much God cares about and respects our individuality. The angel guardians begin the process of explaining to the person that they have left the world and are beginning life. Everything behind was preparation for real life. What we call death is actually being born into a new life beyond our imagination. We will grow and be transformed. We will meet the personification of God, and eventually we will come before the very presence of God.
Howard Storm (My Descent Into Death: A Second Chance at Life)
Most parents thought they were being good parents. They learned from their parents or their grandparents, many of whom were severely traumatized and emotionally disconnected coming out of the devastation of a 1918 influenza pandemic and two world wars.
Tara Bianca (The Flower of Heaven: Opening the Divine Heart Through Conscious Friendship & Love Activism)
Within the biblical worldview (which has not so much been disproved as ignored in much modern thought), heaven and earth overlap, and do so at certain specific times and places, Jesus and the Spirit being the key markers. In the same way, at certain places and moments God's future and God's past (that is, events like Jesus's death and resurrection) arrive in the present--rather as though you were to sit down to a meal and discover your great-great-grandparents, and also your great-great-grandchildren, turning up to join you. That's how God's time works.
N.T. Wright (Simply Christian)
the old people told; and thus, for perhaps half an hour every night, this room would become a happy place, and the whole family would forget that it was hungry and poor. One evening, when Charlie went in to see his grandparents, he said to them, “Is it really true that Wonka’s Chocolate Factory is the biggest in the world?” “True?” cried all four of them at once. “Of course it’s true! Good heavens, didn’t you know that? It’s about fifty times as big as any other!” “And is Mr. Willy Wonka really the cleverest chocolate maker in the world?” “My dear boy,” said Grandpa Joe, raising himself up a little higher on his pillow, “Mr. Willy Wonka is the most
Roald Dahl (The Twits)
Do you know where we are?” he whispered. “Surely that is Baker Street,” I answered, staring through the dim window. “Exactly. We are in Camden House, which stands opposite to our own old quarters.” “But why are we here?” “Because it commands so excellent a view of that picturesque pile. Might I trouble you, my dear Watson, to draw a little nearer to the window, taking every precaution not to show yourself, and then to look up at our old rooms--the starting-point of so many of your little fairy-tales? We will see if my three years of absence have entirely taken away my power to surprise you.” I crept forward and looked across at the familiar window. As my eyes fell upon it, I gave a gasp and a cry of amazement. The blind was down, and a strong light was burning in the room. The shadow of a man who was seated in a chair within was thrown in hard, black outline upon the luminous screen of the window. There was no mistaking the poise of the head, the squareness of the shoulders, the sharpness of the features. The face was turned half-round, and the effect was that of one of those black silhouettes which our grandparents loved to frame. It was a perfect reproduction of Holmes. So amazed was I that I threw out my hand to make sure that the man himself was standing beside me. He was quivering with silent laughter. “Well?” said he. “Good heavens!” I cried. “It is marvellous.” “I trust that age doth not wither nor custom stale my infinite variety,” said he, and I recognized in his voice the joy and pride which the artist takes in his own creation. “It really is rather like me, is it not?” “I should be prepared to swear that it was you.” “The credit of the execution is due to Monsieur Oscar Meunier, of Grenoble, who spent some days in doing the moulding. It is a bust in wax. The rest I arranged myself during my visit to Baker Street this afternoon.
Arthur Conan Doyle (The Complete Sherlock Holmes)
Do you know what a humanist is? My parents and grandparents were humanists, what used to be called Free Thinkers. So as a humanist I am honoring my ancestors, which the Bible says is a good thing to do. We humanists try to behave as decently, fairly, and as honorably as we can without any expectation of rewards or punishments in an afterlife. My brother and sister didn't think there was one, my parents and grandparents didn't think there was one. It was enough that they were alive. We humanists serve as best we can the only abstraction with which we have any real familiarity, which is our community. I am, incidentally, Honorary President of the American Humanist Association, having succeeded the late, great science fiction writer Isaac Asimov in that totally functionless capacity. We had a memorial service for Isaac a few years back, and I spoke and said at one point, "Isaac is up in heaven now." It was the funniest thing I could have said to an audience of humanists. I rolled them in the aisles. It was several minutes before order could be restored. And if I should ever die, God forbid, I hope you will say, "Kurt is up in heaven now." That's my favorite joke. How do humanists feel about Jesus? I say of Jesus, as all humanists do, "If what he said is good, and so much of it is absolutely beautiful, what does it matter if he was God or not?" But if Christ hadn't delivered the Sermon on the Mount, with its message of mercy and pity, I wouldn't want to be a human being. I'd just as soon be a rattlesnake.
Kurt Vonnegut Jr. (A Man Without a Country)
Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt
Adam Begley (Updike)
Introduction This book is devoted to the blessed Father, Son, Holy Spirit. Daily working together as unified Godhead for our best interest. Would be incomplete without Jesus direct love bestowed upon me, through a perpetual act of faith in God. Fully trusting Jesus to lead me into a carefully laid-out plan. Dedicating this book to my children: Faith is 6, Christian 11, Christina 12 years old. Izzabella, my niece, is also featured in the story, Sally Saved Three Times. These Children are the inspiration for the characters in the stories. Added some personal experiences acquired during my childhood. Appreciate the support of my Mom, Dad, brother, Jacob, for being here for me the last five years. They helped me through hard circumstances when I needed them the most. Thank You! My second family is at the Erie Wesleyan Methodist Church on the corner of 29th and Liberty. They covered my life with prayer; great friends from the Lord; Supporting me on my journey towards my heavenly home. I am also thankful for Mike Lawrence who encouraged me to keep writing. Thanks, brother! This spectacular close friend of mine wrote the Forward of this book. He is God-given for moral support and prayer. Friends forever from Erie, Pennsylvania! There are scripture references, along with Bible lessons featured in each story. These short stories are ideal for devotions or bedtime stories. Suitable for parents and grandparents to read to children, grandchildren. Forward It is rare today to find Christians who are in love with doing the Lord's service. Many would sit to the side and let others bush-wack the path, but Bryan has always been the one who delights in making the way clear for others. His determination, commitment to producing these writings was encouraging to watch come to fruition. Take time now see for yourself how God is directing these works to provide something sincere, pure, innocent for families to enjoy. A pleasant respite from a sin-sick world. So, please, feel free to find a quiet place today and enjoy them alone or with your family. This body of work calls upon us to take time to be holy. I believe with all my heart that this is the authors intent, the Lord's plan, my hearts prayer that they bless you as much as they have blessed me. May God bless the time and energies sacrificed by the author in its production. Sincerely in Christ, Michael Lawrence. When writing with Shirley Dye on messenger about editing the book, she commented that this book would be a blessing to many people. That is my solemn humble prayer. Short Story Content 1. Mr. B.G. (My Testimony) 2. Trevor Wins Three Times 3. Winning The Man ON Rock-Hill 4. Sally Saved Three Times 5. Jonathan and Family Find God 6. Upright and Prideful Key Text, (Matthew 18:3), “And (Jesus) said, Verily I say unto you, Except ye be converted, and become as little children, ye shall not enter into the kingdom of heaven.
Bryan Guras (Kids Following Jesus: One Step At A Time)
I looked at a photo of the Dome of the Rock, its intricate blue tiles and beaming golden dome. Qubbat As-Sakhrah: Seventh-century Islamic edifice enshrining the rock from which Muhammad is said to have ascended to heaven, read the caption. I thought about my grandparents, and I wondered how they felt about this beautiful old mosque. Did they love it like they loved the rest of Israel? Probably not.
Melissa Broder (Milk Fed)
It smelled like heaven, like love, like home and family and Sunday mornings at her grandparents' house. It smelled like...Bacon.
Tiffany Reisz (The Night Mark)
After Zeidy’s heavy footfalls fade down the stairs, and I watch from my second-floor bedroom window as my grandparents get into the taxi, I slide the book out from under the mattress and place it reverently on my desk. The pages are made of waxy, translucent paper, and they are each packed with text: the original words of the Talmud as well as the English translation, and the rabbinical discourse that fills up the bottom half of each page. I like the discussions best, records of the conversations the ancient rabbis held about each holy phrase in the Talmud. On the sixty-fifth page the rabbis are arguing about King David and his ill-gotten wife Bathsheba, a mysterious biblical tale about which I’ve always been curious. From the fragments mentioned, it appears that Bathsheba was already married when David laid his eyes upon her, but he was so attracted to her that he deliberately sent her husband, Uriah, to the front lines so that he would be killed in war, leaving Bathsheba free to remarry. Afterward, when David had finally taken poor Bathsheba as his lawful wife, he looked into her eyes and saw in the mirror of her pupils the face of his own sin and was repulsed. After that, David refused to see Bathsheba again, and she lived the rest of her life in the king’s harem, ignored and forgotten. I now see why I’m not allowed to read the Talmud. My teachers have always told me, “David had no sins. David was a saint. It is forbidden to cast aspersions on God’s beloved son and anointed leader.” Is this the same illustrious ancestor the Talmud is referring to? Not only did David cavort with his many wives, but he had unmarried female companions as well, I discover. They are called concubines. I whisper aloud this new word, con-cu-bine, and it doesn’t sound illicit, the way it should, it only makes me think of a tall, stately tree. The concubine tree. I picture beautiful women dangling from its branches. Con-cu-bine. Bathsheba wasn’t a concubine because David honored her by taking her as his wife, but the Talmud says she was the only woman David chose who wasn’t a virgin. I think of the beautiful woman on the olive oil bottle, the extra-virgin. The rabbis say that God only intended virgins for David and that his holiness would have been defiled had he stayed with Bathsheba, who had already been married. King David is the yardstick, they say, against whom we are all measured in heaven. Really, how bad can my small stash of English books be, next to concubines? I am not aware at this moment that I have lost my innocence. I will realize it many years later. One day I will look back and understand that just as there was a moment in my life when I realized where my power lay, there was also a specific moment when I stopped believing in authority just for its own sake and started coming to my own conclusions about the world I lived in.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
When a child is born, he is the closest he will ever be to the image of God.”26 Jesus also said, “Let the little children come to me, and do not hinder them, for the kingdom of heaven belongs to such as these” (Matt. 19:14). As a grandparent, you have the privilege of furthering God’s kingdom through the legacy you leave with your grandchildren. An incredible calling indeed! As I mentioned previously, I’ve done several focus groups and spoken to thousands of parents about doing life with adult children. Sometimes the atmosphere is tense
Jim Burns (Doing Life with Your Adult Children: Keep Your Mouth Shut and the Welcome Mat Out)
Now tell me, what do you think heaven is, Ray?’ ‘I don’t know. The closest I can think of is a feeling. Or an energy. It’s probably love. You just join love. They say you see your grandparents again or whatever, but it won’t be like that. You don’t see, but you feel them. You join their love and everyone else’s love who ever lived.
A.D. Aliwat (In Limbo)
Now tell me, what do you think heaven is, Ray?’ ‘I don’t know. The closest I can think of is a feeling. Or an energy. It’s probably love. You just join love. They say you see your grandparents again or whatever, but it won’t be like that. You don’t see, but you feel them. You join their love and everyone else’s love who ever lived.
A.D. Aliwat (In Limbo)
‘Now tell me, what do you think heaven is, Ray?’ ‘I don’t know. The closest I can think of is a feeling. Or an energy. It’s probably love. You just join love. They say you see your grandparents again or whatever, but it won’t be like that. You don’t see, but you feel them. You join their love and everyone else’s love who ever lived.’
A.D. Aliwat (In Limbo)
‘Now tell me, what do you think heaven is, Ray?’ ‘I don’t know. The closest I can think of is a feeling. Or an energy. It’s probably love. You just join love. They say you see your grandparents again or whatever, but it won’t be like that. You don’t see, but you feel them. You join their love and everyone else’s love who ever lived.’
A.D. Aliwat (In Limbo)
But no benchmarks of excellence existed in motherhood, and she received no recognition for surpassing or even meeting these invisible standards. God did not reach down from heaven and mark the worthy. Instead, judgment rained down from grandparents, education experts, parenting columnists, in-laws, dentists, and strangers on airplanes. But the harshest judgment came from the endless whisper of self-reproach from within. It came on long days when she fell short of the invisible mark in some small or large way, failing the people she loved with a love so pure and primal that it took her breath away.
Christine Gunderson (Friends with Secrets)
To cease as though one had never been, to exit life with no hope of living on in the memory of another, to be expunged from history’s record—that is a fate literally far worse than death.”23 Really? Literally far worse than death? That’s quite a statement. I turned to Jones. “What are some of the most common forms of symbolic immortality that people pursue?” “Having or adopting children is a big one—trying to live on through your kids,” he answered. “Nathan Heflick was explicit in Psychology Today: ‘So why do people have children? One reason is to transcend the great specter of death.’24 The great actor Sir Peter Ustinov said, ‘Children are the only form of immortality that we can be sure of.’”25 “Why doesn’t that work?” I asked. “Just do the math. Our genetics quickly get watered down. In twenty generations, your future offspring will only have 0.000004 percent of your genes. You couldn’t feed a mosquito with that. Actually, given the way genes are transferred in blocks, with some dominant and others recessive, it’s unlikely any of your genes will survive that long.” “What about memories that are carried on through families?” Jones smiled. “Do you know the first names of your great-great-grandparents?” I felt sheepish. “Uh, no, I guess I don’t.” He reassured me with a pat on my shoulder. “Don’t feel bad,” he said. “I’ll often ask classrooms full of students if they know the first names of their great-great-grandparents—
Lee Strobel (The Case for Heaven: A Journalist Investigates Evidence for Life After Death)