Air Bender Quotes

We've searched our database for all the quotes and captions related to Air Bender. Here they are! All 11 of them:

I loved my brother, but relying on him was like closing a hand around air.
Aimee Bender (The Particular Sadness of Lemon Cake)
Being there was like having a good cry, the clearing of the air after weight has been held.
Aimee Bender (The Particular Sadness of Lemon Cake)
That at the same time of this very intimate act of concentrating so carefully on the details of our mother's palm and fingertips, he was also removing all traces of any tiny leftover parts, and suddenly a ritual which I'd always found incestuous and gross seemed to me more like a desperate act on Joseph's part to get out, to leave, to extract every little last remnant and bring it into open air.
Aimee Bender (The Particular Sadness of Lemon Cake)
...part of trying to attract those poet-men was to look a little like I had wandered onto campus by accident after having spent ten years with the wolves behind some farmhouse, living off scraps and reveling in the pure air like a half–girl Mowgli, half–woman Thoreau.
Aimee Bender (The Color Master: Stories)
The people were all busy in their cars, listening to the radio, so there was no one to smile at, so I just sent my love to the traffic lights. No one ever appreciates them, all day long, working so hard to turn red and yellow and green, right in time with us to make sure we don't crash into each other. If there was any tiny chance, even the tiniest chance, that they happened to be alive, I bet I was the first person ever to tell them they were special. You are special, I said out loud in my car, but in case they couldn't hear, I cracked my window open. "You are special," I said, to the night air. And just like that, a green light.
Aimee Bender (The Color Master: Stories)
Because when, previously, they had wrenched a book out of his hands, he had stared into space so disconcertingly it made the rest of us feel like putting a bag over his head. Sometimes, if he didn't have a book, to occupy Joseph's eyes I would plant a cereal-box side panel in front of him, and his eyes would slide over and attach to the words, as if they could not do anything but roam and float in the air until words and numbers anchored them back into our world.
Aimee Bender (The Particular Sadness of Lemon Cake)
Louie dug out the Bible that had been issued to him by the air corps and mailed home to his mother when he was believed dead. He walked to Barnsdall Park, where he and Cynthia had gone in better days, and where Cynthia had gone, alone, when he’d been on his benders. He found a spot under a tree, sat down, and began reading. Resting in the shade and the stillness, Louie felt profound peace. When he thought of his history, what resonated with him now was not all that he had suffered but the divine love that he believed had intervened to save him. He was not the worthless, broken, forsaken man that the Bird had striven to make of him. In a single, silent moment, his rage, his fear, his humiliation and helplessness, had fallen away. That morning, he believed, he was a new creation. Softly, he wept.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
CAST: Barry Fitzgerald as Judge Bernard Fitz of the Vincent County District Court. Bill Green as Sheriff McGrath, “Vincent County’s own little Hitler,” a frequent antagonist of the kind-hearted judge. Barbara Fuller as Susan, the judge’s lovely young niece. Leo Cleary as the bailiff. Dawn Bender as little Mary Margaret McAllister. WRITER-PRODUCER-DIRECTOR: Carlton E. Morse. ANNOUNCER: Frank Martin. ORCHESTRA: Opie Cates. This show bore many of the trademarks that writer Carlton E. Morse had established on One Man’s Family: stories containing-the breath of life, realistic conflicts, and a character who, as Time put it, was “surefire for cornfed philosophizing.” Before his election to the bench, Judge Fitz had been the barber of a small (pop. 3,543) community in the county. At times, when his legal career tried his patience, he longed again for that simpler life. He was staunchly Irish (what else, with Barry Fitzgerald in the lead?) and could be painfully sentimental. One reviewer noted that “he criticizes the law as much as he enforces it, and slyly finds a loophole when he thinks a culprit needs a helping of simple kindness.” The sheriff, on the other hand, had a “lock ’em up and throw away the key” mentality.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
I started in our neighborhood, buying a pastrami burrito at Oki Dog and a deluxe gardenburger at Astro Burger and matzoh-ball soup at Greenblatt's and some greasy egg rolls at the Formosa. In part funny, and rigid, and sleepy, and angry. People. Then I made concentric circles outward, reaching first to Canter's and Pink's, then rippling farther, tofu at Yabu and mole at Alegria and sugok at Marouch; the sweet-corn salad at Casbah in Silver Lake and Rae's charbroiled burgers on Pico and the garlicky hummus at Carousel in Glendale. I ate an enormous range of food, and mood. Many favorites showed up- families who had traveled far and whose dishes were steeped with the trials of passageways. An Iranian cafe near Ohio and Westwood had such a rich grief in the lamb shank that I could eat it all without doing any of my tricks- side of the mouth, ingredient tracking, fast-chew and swallow. Being there was like having a good cry, the clearing of the air after weight has been held. I asked the waiter if I could thank the chef, and he led me to the back, where a very ordinary-looking woman with gray hair in a practical layered cut tossed translucent onions in a fry pan and shook my hand. Her face was steady, faintly sweaty from the warmth of the kitchen. Glad you liked it, she said, as she added a pinch of saffron to the pan. Old family recipe, she said. No trembling in her voice, no tears streaking down her face.
Aimee Bender (The Particular Sadness of Lemon Cake)
or trepidation, like they wanted to run away as fast as they could once the photo was taken. But Manfred Lange appeared happy to be photographed. His occupation was listed as art historian, and his date of birth as 29 June 1871. All consistent with what Anna knew about him. She flipped the little cardboard folder of his work permit over. Underneath was a membership card to the NSDAP, the Nazi Party. Again, his unapologetic face stared out at her. Member number 149578. So he had been a party member. Anna twinged a little. Had he told her he had been a party member? People with important jobs usually had to be, and it didn’t necessarily mean they were true believers, or even sympathizers. Still, it bothered her. She scanned the room trying not to appear furtive but failing. She quickly flipped pages to see if she could find his Fragebogen, the questionnaire the Americans would have made him complete. But it wasn’t there, of course, because these were the Germans’ files, not the Americans’. Deeply uncomfortable, she flipped back to the party membership card. The date of issue was 20 April 1933. Hitler’s birthday. Manfred Lange had been what the Germans called a March Violet—a late bloomer. March Violets were those who joined the party right after Hitler had seized full authority in March of 1933. Many with elite jobs and who considered themselves to have standing in society, rushed to join the party in order to be on the right side of the power grab. Probably that’s what Manfred Lange had done, too, like millions of others. She closed the folder indicating she was ready to go. She wanted to be out of the building and far away. “Find anything we should know about?” Bender asked, as he held the door for her. “No,” she lied. “Okay. I’ll take your word for it,” he said, climbing into the driver’s seat. The air had turned colder and the sky was socked in with dense clouds. “Looks like we’re in the clear for now. At least with the folks working for us.” He shot her a look. “Should you have let me see Herr Lange’s information?” Anna retaliated to deflect any further line of questioning. He smiled as he started the engine. “Probably not,” he said, “but I can’t help it. I’m so nosy.” Six “Where were you? I couldn’t find you at all yesterday.” Cooper was flustered and irritated but a smile appeared when Anna looked up at him from her desk. Things had piled up while she was out with Bender, so she had come in early to catch up. Anna honestly couldn’t remember if Manfred Lange had mentioned being a party member; she could only recall that he was very against the Nazis’ attitude toward art and free speech to the point where the memories had upset him. She hated that these misgivings lived on and probably would forever. One day, Amalia would ask her what she had done in the war. “I went with Bender to Darmstadt. I thought you knew about that,” she said. “He told me he had checked with you.” “That’s right. Of course. Was it a successful trip?” He sat down in the chair next to her table, intent on something. “I think so. He asked me to help him translate some paperwork. He was checking on some personnel? I didn’t find anything.” “Sounds like good news. For us, anyway. We already had to fire some people when their past caught up with them.” “Because they were party members?” “Or worse. Makes sense, but we had to let some very qualified people go. And with all these government types breathing down our necks, we can’t afford a single screw up. Washington is just waiting for something to go wrong so they can scrap this whole operation.” His face sank back into the shadows it had carried for the past weeks. He leaned forward and dropped his face into his hands. Anna felt sorry for him. “That won’t happen,” she said. “You will make sure of it.” She placed a hand on his shoulder. Without looking at her, Cooper took her hand in his and held it in place, his
C.F. Yetmen (What is Forgiven (The Anna Klein Trilogy #2))
Sometimes we’d go into the local saloons and challenge the house. When that didn’t work, we’d challenge each other. Those saloons were friendly places, as long as we stayed away from guys who were on a bender and those involved in poker games. The men, while drinking, sang, and Johnny and I joined in whenever we could. I still remember the words from a song we were all fond of singing—in our flat, off-key voices. Judging from the words, I’d say it was composed before its time. “If I was a millionaire and had a lot of coin, I would plant a row of coke plantations, and grow Heroyn, I would have Camel cigarettes growin’ on my trees, I’d build a castle of morphine and live there at my ease. I would have forty thousand hop layouts, each one inlaid with pearls. I’d invite each old time fighter to bring along his girl. And everyone who had a habit, I’d have them leaping like a rabbit, Down at the fighters’ jubilee! Down at the fighters’ jubilee! Down on the Isle of H. M. and C. H. stands for heroyn, M. stands for morph, C. for cokoloro—to blow your head off. Autos and airships and big sirloin steaks, Each old time fighter would own his own lake. We’ll build castles in the air, And all feel like millionaires, Down at the fighters’ jubilee!” We had laughs singing that song in unison. In later years, however, just thinking about it filled me with a tremendous sadness, since the tragedy of hard drugs eventually destroyed my younger brother Johnny.
Jack Dempsey (Dempsey: By the Man Himself)