Grandfather Rest In Peace Quotes

I don’t ask you to rest in peace, dear Grandfather, because you’re incapable of resting. I simply say to you: have fun and see you later.

Not long after, and while it was still twilight, the grandfather also went to bed, for he was up every morning at sunrise, and the sun came climbing up over the mountains at a very early hour during these summer months. The wind grew so tempestuous during the night, and blew in such gusts against the walls, that the hut trembled and the old beams groaned and creaked. It came howling and wailing down the chimney like voices of those in pain, and it raged with such fury among the old fir trees that here and there a branch was snapped and fell. In the middle of the night the old man got up. "The child will be frightened," he murmured half aloud. He mounted the ladder and went and stood by the child's bed. Outside the moon was struggling with the dark, fast-driving clouds, which at one moment left it clear and shining, and the next swept over it, and all again was dark. Just now the moonlight was falling through the round window straight on to Heidi's bed. She lay under the heavy coverlid, her cheeks rosy with sleep, her head peacefully resting on her little round arm, and with a happy expression on her baby face as if dreaming of something pleasant. The old man stood looking down on the sleeping child until the moon again disappeared behind the clouds and he could see no more, then he went back to bed.

He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.

That girl didn’t have a moment’s peace from the day Adriano Dardano set foot in Galway and started chasing her.” Sister Brannigan said, as she led them around the convent garden. “Nice of Francesca to stay still for him to catch her then wasn’t it?” Alessandro remarked dryly. “Mmph,” the nun responded. “My grandfather loved Francesca,” Alessandro insisted. “Far be it from me to speak ill of the dead. But let’s call a spade a spade, hmm? Your grandfather was a charmer. Now perhaps he didn’t realize just how naïve our Francesca was and how besotted with him she was.” “Mmm, very generous of you,” Alessandro grumbled. “I will say that on the times he brought some food he had made with Francesca up to the convent, it was clear he had a wonderful talent in the kitchen. Now mind ye, the Italian food was a bit rich for my taste but still, rather good.” “I’m sure my grandfather’s resting easier in his grave now that the holy sister has complimented his cooking,” Alessandro whispered in Bree’s ear making, her laugh out loud and Sister Brannigan turn to her in question.

Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf. He had escaped, in his life, from ropes, chains, boxes, bags and crates, from countries and regimes, from the arms of a woman who loved him, from crashed airplanes and an opiate addiction and from an entire frozen continent intent on causing his death. The escape from reality was, he felt—especially right after the war—a worthy challenge. He would remember for the rest of his life a peaceful half hour spent reading a copy of 'Betty and Veronica' that he had found in a service-station rest room: lying down with it under a fir tree, in a sun-slanting forest outside of Medford, Oregon, wholly absorbed into that primary-colored world of bad gags, heavy ink lines, Shakespearean farce, and the deep, almost Oriental mistery of the two big-toothed wasp-waisted goddess-girls, light and dark, entangled forever in the enmity of their friendship. The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.

Dear Earth, I hear you whispering in my ear. The crisp breeze is telling me a story, and I am so intrigued. The breeze and the gentle wind are telling me that you all are lucky. I agree with them because you have a mother who cares deeply about you so much! You have four seasons, and Mother Nature takes her time to prepare you for the changes to come in such a gentle and comfortable way. I imagine her smiling as she gently pushes the leaves as they dance in the wind. She caresses the leaves while they slowly turn different colors as they change, falling calmly. Fall harvest prepares you for the winter days ahead as you peacefully sleep. Spring awakens you from your well-needed rest. You joyfully bloom with so much grace while the bees playfully enjoy the flowers and the birds sing as the sun rises. By the time summer comes, you are wide awake, enjoying the extended daylight. As fall peacefully tiptoes in, you prepare yourself for a new and prosperous year to come. Unlike you, all four seasons in my life are always heavier, year after year. Every day of my life is filled with uncertainties. I am free-falling, not knowing where I am going to end up. Although everything is closing in on me, I keep going. Most times, it is hard, but I try to keep a little hope and press on. However, when things do not work out accordingly, I replace hope with a higher perspective of fear and uncertainty. As I admire the soul of the earth and the Grandfather Tree, I am confident that I can try to believe again. We shall see. Longing to be the soul of the earth.

Janner plopped to the ground beside Tink, and the weariness of the day fell on him like a blanket. He leaned his head back on the stone and looked at the sky. White clouds slid across the deep blue dome, peaceful as a sigh. His eyes drooped shut, and wind tickled his face and the hairs on his forearms. The rockroach den, then the trolls, Peet’s capture, the foggy despair of the flat beside the river, the dizzy sight of the Dark Sea, the troll breathing at Janner’s back—and Nugget. He opened his eyes and looked at the sky again. Where was Peet now? Janner was afraid for him but felt sure Peet was still alive. He had survived terrible things for years, and something about the way Zouzab watched him from the troll’s shoulder made Janner believe Gnag wanted the Sock Man alive for some reason. For a long time they sat among the ruins. Podo and Leeli finally came back to where the others rested, and though her face still bore the weight of her sorrow, Janner could see that his sister was present. Her eyes didn’t stare into nothing. They saw the situation, grieved for it, and faced it. As Janner drifted to sleep, he was aware of Nugget’s absence; no giggles from Leeli; no big, whiny yawns; no sense of safety knowing that, whatever lay in wait for them in the shadows, at least this huge, happy monster was on their side. Janner woke with a start. Dusk approached, and the clearing lay in cool shadow. Leeli slept on Nia’s lap. Oskar lay on his back, hissing with pain while Podo worked to remove the old fellow’s bandages. Tink assisted Podo with a sick look on his face. Janner wondered for a moment where Nugget and Peet were, until he remembered with a shiver that the day hadn’t been some awful dream. “Hold on now,” Podo said. “I’m almost finished. Tink, hand me the knife, eh?” Tink passed a small knife to his grandfather, who used it to cut away the clotted bandage.

And then, on the day when his grandfather had turned him out of doors, he had been only a child, now he was a man. He felt it. Misery, we repeat, had been good for him. Poverty in youth, when it succeeds, has this magnificent property about it, that it turns the whole will towards effort, and the whole soul towards aspiration. Poverty instantly lays material life bare and renders it hideous; hence inexpressible bounds towards the ideal life. The wealthy young man has a hundred coarse and brilliant distractions, horse races, hunting, dogs, tobacco, gaming, good repasts, and all the rest of it; occupations for the baser side of the soul, at the expense of the loftier and more delicate sides. The poor young man wins his bread with difficulty; he eats; when he has eaten, he has nothing more but meditation. He goes to the spectacles which God furnishes gratis; he gazes at the sky, space, the stars, flowers, children, the humanity among which he is suffering, the creation amid which he beams. He gazes so much on humanity that he perceives its soul, he gazes upon creation to such an extent that he beholds God. He dreams, he feels himself great; he dreams on, and feels himself tender. From the egotism of the man who suffers he passes to the compassion of the man who meditates. An admirable sentiment breaks forth in him, forgetfulness of self and pity for all. As he thinks of the innumerable enjoyments which nature offers, gives, and lavishes to souls which stand open, and refuses to souls that are closed, he comes to pity, he the millionnaire of the mind, the millionnaire of money. All hatred departs from his heart, in proportion as light Free eBooks at Planet eBook.com 1167 penetrates his spirit. And is he unhappy? No. The misery of a young man is never miserable. The first young lad who comes to hand, however poor he may be, with his strength, his health, his rapid walk, his brilliant eyes, his warmly circulating blood, his black hair, his red lips, his white teeth, his pure breath, will always arouse the envy of an aged emperor. And then, every morning, he sets himself afresh to the task of earning his bread; and while his hands earn his bread, his dorsal column gains pride, his brain gathers ideas. His task finished, he returns to ineffable ecstasies, to contemplation, to joys; he beholds his feet set in afflictions, in obstacles, on the pavement, in the nettles, sometimes in the mire; his head in the light. He is firm serene, gentle, peaceful, attentive, serious, content with little, kindly; and he thanks God for having bestowed on him those two forms of riches which many a rich man lacks: work, which makes him free; and thought, which makes him dignified. This is what had happened with Marius. To tell the truth, he inclined a little too much to the side of contemplation. From the day when he had succeeded in earning his living with some approach to certainty, he had stopped, thinking it good to be poor, and retrenching time from his work to give to thought; that is to say, he sometimes passed entire days in meditation, absorbed, engulfed, like a visionary, in the mute voluptuousness of ecstasy and inward radiance. He had thus propounded the problem of his life: to toil as little as possible at material labor, in order to toil as much as possible at the labor which is impalpable; in other words, to bestow a few hours on real life, and to cast the rest to the 1168 Les Miserables infinite. As he believed that he lacked nothing, he did not perceive that contemplation, thus understood, ends by becoming one of the forms of idleness; that he was contenting himself with conquering the first necessities of life, and that he was resting from his labors too soon. It was evident that, for this energetic and enthusiastic nature, this could only be a transitory state, and that, at the first shock against the inevitable complications of destiny, Marius would awaken.

So shut it. Go on. Try it. Silence. Ah.’ She reached into the air as if trying to touch the quiet she had created. ‘Isn’t that something? Did you know this is how other families are? They’re quiet. Ask one of these people sitting here. They’ll tell you. They’ve got families. This is how some families are all the time. And some people like to call these families repressed, or emotionally stunted or whatever, but do you know what I say?’ The Iqbals and the Joneses, astonished into silence along with the rest of the bus (even the loud-mouthed Ragga girls on their way to a Brixton dance hall New Year ting), had no answer. ‘I say, lucky fuckers. Lucky, lucky fuckers.’ ‘Irie Jones!’ cried Clara. ‘Watch your mouth!’ But Irie couldn’t be stopped. ‘What a peaceful existence. What a joy their lives must be. They open a door and all they’ve got behind it is a bathroom or a lounge. Just neutral spaces. And not this endless maze of present rooms and past rooms and the things said in them years ago and everybody’s old historical shit all over the place. They’re not constantly making the same old mistakes. They’re not always hearing the same old shit. They don’t do public performances of angst on public transport. Really, these people exist. I’m telling you. The biggest traumas of their lives are things like recarpeting. Bill-paying. Gate-fixing. They don’t mind what their kids do in life as long as they’re reasonably, you know, healthy. Happy. And every single fucking day is not this huge battle between who they are and who they should be, what they were and what they will be. Go on, ask them. And they’ll tell you. No mosque. Maybe a little church. Hardly any sin. Plenty of forgiveness. No attics. No shit in attics. No skeletons in cupboards. No great-grandfathers. I will put twenty quid down now that Samad is the only person in here who knows the inside bloody leg measurement of his great-grandfather. And you know why they don’t know? Because it doesn’t fucking matter. As far as they’re concerned, it’s the past. This is what it’s like in other families. They’re not self-indulgent. They don’t run around, relishing, relishing the fact that they are utterly dysfunctional. They don’t spend their time trying to find ways to make their lives more complex. They just get on with it. Lucky bastards. Lucky motherfuckers.