Grandfather Quotes

We've searched our database for all the quotes and captions related to Grandfather. Here they are! All 100 of them:

My grandfather always said that living is like licking honey off a thorn.
Louis Adamic
Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.
Ray Bradbury (Fahrenheit 451)
Over the river and through the wood To grandfather's house we go
Lydia Maria Child
You have to do your own growing no matter how tall your grandfather was.
Abraham Lincoln
That’s right. He is Charls. I am Charls. We are cousins,’ said Charls, gamely, ‘named after our grandfather. Charls.
C.S. Pacat (Kings Rising (Captive Prince, #3))
I don't know who my grandfather was; I am much more concerned to know what his grandson will be.
Abraham Lincoln
Yeah, but what if you went back and killed your own grandfather?" He stared at me, baffled. "Why the fuck would you do that?
Stephen King (11/22/63)
It was all because of his no-good-dirty-rotten-pig-stealing great-great-grandfather!
Louis Sachar (Holes (Holes, #1))
If I had my life to live over... Someone asked me the other day if I had my life to live over would I change anything. My answer was no, but then I thought about it and changed my mind. If I had my life to live over again I would have waxed less and listened more. Instead of wishing away nine months of pregnancy and complaining about the shadow over my feet, I'd have cherished every minute of it and realized that the wonderment growing inside me was to be my only chance in life to assist God in a miracle. I would never have insisted the car windows be rolled up on a summer day because my hair had just been teased and sprayed. I would have invited friends over to dinner even if the carpet was stained and the sofa faded. I would have eaten popcorn in the "good" living room and worried less about the dirt when you lit the fireplace. I would have taken the time to listen to my grandfather ramble about his youth. I would have burnt the pink candle that was sculptured like a rose before it melted while being stored. I would have sat cross-legged on the lawn with my children and never worried about grass stains. I would have cried and laughed less while watching television ... and more while watching real life. I would have shared more of the responsibility carried by my husband which I took for granted. I would have eaten less cottage cheese and more ice cream. I would have gone to bed when I was sick, instead of pretending the Earth would go into a holding pattern if I weren't there for a day. I would never have bought ANYTHING just because it was practical/wouldn't show soil/ guaranteed to last a lifetime. When my child kissed me impetuously, I would never have said, "Later. Now, go get washed up for dinner." There would have been more I love yous ... more I'm sorrys ... more I'm listenings ... but mostly, given another shot at life, I would seize every minute of it ... look at it and really see it ... try it on ... live it ... exhaust it ... and never give that minute back until there was nothing left of it.
Erma Bombeck (Eat Less Cottage Cheese And More Ice Cream Thoughts On Life From Erma Bombeck)
When I die, I want to die like my grandfather who died peacefully in his sleep. Not screaming like all the passengers in his car.
Will Rogers
My grandfather would have loved to have met you," he told her huskily. "He would have called you 'She Moves Trees Out of His Path.' " She looked lost, but his da laughed. He'd known the old man, too. "He called me 'He Who Must Run into Trees,'" Charles explained, and in a spirit of honesty, a need for his mate to know who he was, he continued, "or sometimes 'Running Eagle.' " " 'Running Eagle'?" Anna puzzled it over, frowning at him. "What's wrong with that?" "Too stupid to fly," murmured his father with a little smile.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
My grandfather says that's what books are for," Ashoke said, using the opportunity to open the volume in his hands. "To travel without moving an inch.
Jhumpa Lahiri (The Namesake)
My grandfather once told me that there were two kinds of people; those who do the work and those who take the credit. He told me to try to be in the first group; there was much less competition.
Indira Gandhi
Look, one day I had gone to a little village. An old grandfather of ninety was busy planting an almond tree. ‘What, grandfather!’ I exclaimed. ‘Planting an almond tree?’ And he, bent as he was, turned around and said: ‘My son, I carry on as if I should never die.’ I replied: ‘And I carry on as if I was going to die any minute.’ Which of us was right, boss?
Nikos Kazantzakis (Zorba the Greek)
Um...perhaps I will go with Grandfather," Nilima said. She set down the scissors, looked at my expression, and then changed her mind and took them with her.
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
Grandfather informs me that is not possible.
Jonathan Safran Foer
First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth. Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself. It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
Carson McCullers (The Ballad of the Sad Café and Other Stories)
Reminds me of something my grandfather would say. He'd say, "I'm goin' upstairs to fuck your grandmother." He was an honest man, and he wasn't going to bullshit a four-year-old.
George Carlin
His grandfather had often told him that he tried too hard to move trees when a wiser man would walk around them.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again.
Holly Black (Black Heart (Curse Workers, #3))
That's the thing, Mystery Girl. I don't think I'm turning anything into a riddle. I don't think I have to. You are a riddle, a puzzle, a game - my grandfather's last.
Jennifer Lynn Barnes (The Inheritance Games (The Inheritance Games, #1))
We want not so much a Father but a grandfather in heaven, a God who said of anything we happened to like doing, 'What does it matter so long as they are contented?
C.S. Lewis (The Problem of Pain)
The field of battle is my temple. I mentally chant a saying my grandfather taught me the day he met me, when I was six. He insists it sharpens the mind the way a whetstone sharpens a blade. The swordpoint is my priest. The dance of death is my prayer. The killing blow is my release.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
Love is a myth.' 'Love is a myth,' Grandfather Trout said. 'Like summer.' 'What?' 'In winter,'Grandfather Trout said, 'summer is a myth. A report, a rumor. Not to be believed in. Get it? Love is a myth. So is summer.
John Crowley (Little, Big)
You didn't know I could do that, did you?" he asked, conversationally. "I did not, Your Majesty," Teleus gasped. "My grandfather killed a man that way once, using the edge of the wooden sword." "I hadn't realized the Thieves of Eddis were so warlike." "They aren't, mostly. But like all men, Teleus, I have two grandfathers." Teleus rolled his eyes to look up at him, and the king said, "One of mine was Eddis." "Ah," said Teleus. "Ah, indeed," said the king.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
Coffee, she'd discovered, was tied to all sorts of memories, different for each person. Sunday mornings, friendly get-togethers, a favorite grandfather long since gone, the AA meeting that saved their life. Coffee meant something to people. Most found their lives were miserable without it. Coffee was a lot like love that way. And because Rachel believed in love, she believed in coffee, too.
Sarah Addison Allen (The Peach Keeper)
It’s about the dream of second chances,” he says finally. He hasn’t raised his eyes from the paper on his desk and I feel him looking at me without looking when he uses his grandfather’s words. “The narrator doesn’t respect the beauty of life and the world around her, so it crushes her into the ground and once she’s dead, she realizes everything she took for granted and didn’t see right in front of her while she was alive. She’s begging for another chance to live again so she can appreciate it this time.” “And does she get that chance?” she asks Josh while I desperately focus on the poster of literary terms on the wall and wait for absolution. When it comes, I barely hear it. “She does.
Katja Millay (The Sea of Tranquility)
Ah, yes, the trusty time paradox. If I go back in time and kill my grandfather, then shall I cease to exist? I believe, as Gorben and Berndt did, that any repercussions are already being felt. We can only change the future, not the past or present. If I go back, then I have already been back. - Artemis Fowl
Eoin Colfer (The Time Paradox (Artemis Fowl, #6))
My grandfather stood beside me and looked across the street, too. "No, Bryce," he said softly. "She's the same as she's always been; you're the one who's changed." He clapped his hand on my shoulder and whispered, "And son, from here on out, you'll never be the same again.
Wendelin Van Draanen (Flipped)
My grandfather used to say the placement of a birthmark was the story of how a person lost the battle in their past life. I guess you got stabbed in the neck. Bet it was a quick death, though.
Colleen Hoover (Ugly Love)
Most of us lead far more meaningful lives than we know. Often finding meaning is not about doing things differently; it is about seeing familiar things in new ways.
Rachel Naomi Remen (My Grandfather's Blessings : Stories of Strength, Refuge, and Belonging)
Too young,too young,she chanted to herself. Wrong,of course. I was older than her grandfather but according to my driver's license,she was right.
Stephenie Meyer (Midnight Sun [2008 Draft])
When the shadow of the sash appeared on the curtains it was between seven and eight o' clock and then I was in time again, hearing the watch. It was Grandfather's and when Father gave it to me he said I give you the mausoleum of all hope and desire; it's rather excruciating-ly apt that you will use it to gain the reducto absurdum of all human experience which can fit your individual needs no better than it fitted his or his father's. I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.
William Faulkner (The Sound and the Fury)
You cannot simply ask whether people look like their demon grandfather!
Cassandra Clare (Nothing but Shadows (Tales from Shadowhunter Academy, #4))
But the trees seemed to know me. They whispered among themselves and beckoned me nearer. And looking around, I noticed the other small trees and wild plants and grasses had sprung up under the protection of the trees we had placed there. The trees had multiplied! They were moving. In one small corner of the world, Grandfather's dream was coming true and the trees were moving again.
Ruskin Bond (Rusty: The Boy from the Hill)
Vengeance only destroys the one who seeks it. (Theo- Geary’s Grandfather/Acheron)
Sherrilyn Kenyon (The Dream-Hunter (Dark-Hunter, #10; Dream-Hunter, #1))
And the joys I've felt have not always been joyous. I could have lived differently. When I was your age, my grandfather bought me a ruby bracelet. It as too big for me an would slide up and down my arm. It was almost a necklace. He later told me that he had asked the jeweler make that way. Its size was supposed to be a symbol of his love. More rubies, more love. But I could not wear it comfortably. I could not wear it at all. So here is the point of everything I have been trying to say. IF I were to give a bracelet to you, now, I would measure your wrist twice
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
My grandfather taught me that if a friend asks for your forgiveness, you should always give it. [...] He also taught me that if you have to give it again, then they weren't a friend to begin with.
Fonda Lee (Jade War (The Green Bone Saga, #2))
My grandfather once told me that there were two kinds of people: those who do the work and those who take the credit. He told me to try to be in the first group; there was much less competition.
Indira Gandhi
My grandfather told me once that happiness is an expression of gratitude. And it’s never wrong to be grateful.
Amy Harmon (What the Wind Knows)
I am not a bad person. I am a good person who has lived in a bad time." Alex's grandfather..Everything is Illuminated
Jonathan Safran Foer
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish.
Alice Sebold (The Lovely Bones)
You know the stories of my grandfather, I am sure?” Jesse asked. Lucie raised an eyebrow. “The one who turned into a great worm because of demon pox, and was slain by my father and uncles?” “I feared your parents would not have considered it the kind of tale suitable for a young lady’s ears,” said Jesse. “I see that was an idle concern.” “They tell it every Christmas,” said Lucie smugly.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
That was the first time her grandfather had leaned down and whispered, Be brave, into her ear. And then, Or pretend to be. It’s all the same.
Kristin Hannah (The Four Winds)
My own great-grandfather, who said simply enough, "No wicked man could write such a book as this; and no good man would write it unless it were true and he were commanded of God to do so.
Jeffrey R. Holland
Is there anything more pathetic than a flower that doesn’t get enough sunlight and dies, because it couldn’t get out of bed until four in the afternoon?
Jarod Kintz (This is the story my great-grandfather told my father, who then told my grandfather, who then told me about how The Mythical Mr. Boo, Charles Manseur Fizzlebush Grissham III, better known as Mr. Fizzlebush, and Orafoura are all in fact me...)
I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn’t know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn’t care pushed a button. I thought about how my grandfather’s family had been taken from him and how because of that my dad grew up feeling like he didn’t have a dad. And how I had acute stress and nightmares and was sitting alone in a falling down house and crying hot stupid tears all over my shirt. All because of a seventy year old hurt that had somehow been passed down to me like some poisonous heirloom.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
The world is a fine place and worth the fighting for and I hate very much to leave it. And you had a lot of luck, he told himself, to have had such a good life. You've had just as good a life as grandfather's though not as long. You've had as good a life as any because of these last days. You do not want to complain when you have been so lucky. I wish there was some way to pass on what I've learned, though.
Ernest Hemingway (For Whom the Bell Tolls)
And still I urge you to struggle. Struggle for the memory of your ancestors. Struggle for wisdom. Struggle for the warmth of The Mecca. Struggle for your grandmother and grandfather, for your name. But do not struggle for the Dreamers. Hope for them. Pray for them, if you are so moved. But do not pin your struggle on their conversion. The Dreamers will have to learn to struggle themselves, to understand that the field for their Dream, the stage where they have painted themselves white, is the deathbed of us all.
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
Daily I walk around my small, picturesque town with a thought bubble over my head: Person Going Through A Divorce. When I look at other people, I automatically form thought bubbles over their heads. Happy Couple With Stroller. Innocent Teenage Girl With Her Whole Life Ahead Of Her. Content Grandmother And Grandfather Visiting Town Where Their Grandchildren Live With Intact Parents. Secure Housewife With Big Diamond. Undamaged Group Of Young Men On Skateboards. Good Man With Baby In BabyBjörn Who Loves His Wife. Dogs Who Never Have To Worry. Young Kids Kissing Publicly. Then every so often I see one like me, one of the shambling gaunt women without makeup, looking older than she is: Divorcing Woman Wondering How The Fuck This Happened.
Suzanne Finnamore (Split: A Memoir of Divorce)
I’ve never cheated on a lover. I’m faithful, always. But the war comes before anyone’s feelings. Every time.” Wow. Battle before love. Without a doubt, he was the most unromantic male she’d ever met. Even more so than her great-grandfather, who had laughingly burned her great-grandmother to death after she’d given birth to Gwen’s grandmother.
Gena Showalter (The Darkest Whisper (Lords of the Underworld, #4))
Well, let me tell you something, Caveman. You are here on account of one person. If it wasn't for that person, you wouldn't be here digging holes in the hot sun. You know who that person is?" "My no-good-dirty-rotten-pig-stealing-great-great-grandfather.
Louis Sachar (Holes (Holes, #1))
Jem made the little Scottish noise again, and Brianna looked sideways at him. "Are you doing that on purpose?" He looked up at her, surprised. "Doing what?" "Never mind. When you are fifteen, I'm locking you in the cellar." "What? Why?" he demanded indignantly. "Because that's when your father and grandfather started getting into real trouble, and evidently you're going to be just like them.
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
You surround the dead with veneration and memory, you dream of immortality, and in your myths and legends there’s always someone being resurrected, conquering death. But were your esteemed late great-grandfather really to suddenly rise from the grave and order a beer, panic would ensue.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
I need to talk to you. I had a weird dream." "Let me guess. You got tied up by lady ninjas. With big hooters." "Uh, no." I take a sip of coffee and wince. It was ridiculously strong. My grandfather shoves a strip of bacon in his mouth with a grin. "Guess it would have been kind of weird if we'd had the same dream." I roll my eyes. "Well, you'd better not tell me anything else. Don't ruin the surprise in case I have it tonight.
Holly Black (White Cat (Curse Workers, #1))
The day your education makes you roll your eyes at your father. The day your exposure makes you call your own mother uncivilized, the day your amazing foreign degrees make you cringe as your driver speaks pidgin english, may you never forget your grandfather was a farmer from Oyo state who never understood english.
Ijeoma Umebinyuo (Questions for Ada)
The best baby-sitters, of course, are the baby’s grandparents. You feel completely comfortable entrusting your baby to them for long periods, which is why most grandparents flee to Florida.
Dave Barry
Every little thing is sent for something, and in that thing there should be happiness and the power to make happy. Like the grasses showing tender faces to each other, thus we should do, for this was the wish of the Grandfathers of the World.
Black Elk (Black Elk Speaks: Being the Life Story of a Holy Man of the Oglala Sioux)
Blaire, This was my grandmother’s. My father’s mother. She came to visit me before she passed away. I have fond memories of her visits and when she passed on she left this ring to me. In her will I was told to give it to the woman who completes me. She said it was given to her by my grandfather who passed away when my dad was just a baby but that she’d never loved another the way she’d loved him. He was her heart. You are mine. This is your something old. I love you, Rush
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
Never before had she seen such creatures, though they looked much live very large, very shaggy white goats. Thin black horns punctuated the top of their long faces. You look like a collection of grandfathers, she thought, amused.
Tamora Pierce (Daja's Book (Circle of Magic, #3))
In mind's special processes, a ten-mile run takes far longer than the 60 minutes reported by a grandfather clock. Such time, in fact, hardly exists at all in the real world; it is all out on the trail somewhere, and you only go back to it when you are out there.
John L. Parker Jr. (Once a Runner)
Ethan extended his hand. "Mr. Merit. Thank you for your help." My grandfather shook his hand, but he also shook his head. "Thank your Sentinel. She's a fine representative of your House." Ethan looked at me, pride-and love?-in his eyes. "We're in agreement there.
Chloe Neill (Hard Bitten (Chicagoland Vampires, #4))
Your father is proud of us for having a baby.” Gabriel nodded, as he continued brushing. “That means he’s proud of us for having sex and you for impregnating me. Do you think they make T-shirts for grandfathers that express those sentiments?
Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
I was drawn to horses as if they were magnets. It was in my blood. I must have inherited from my grandfather a genetic proclivity toward the equine species. Perhaps there's a quirk in the DNA that makes horse people different from everyone else, that instantly divides humanity into those who love horses and the others, who simply don't know.
Allan J. Hamilton (Zen Mind, Zen Horse: The Science and Spirituality of Working with Horses)
Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and cock and hand and asshole holy! Everything is holy! everybody's holy! everywhere is holy! everyday is in eternity! Everyman's an angel! The bum's as holy as the seraphim! the madman is holy as you my soul are holy! The typewriter is holy the poem is holy the voice is holy the hearers are holy the ecstasy is holy! Holy Peter holy Allen holy Solomon holy Lucien holy Kerouac holy Huncke holy Burroughs holy Cas- sady holy the unknown buggered and suffering beggars holy the hideous human angels! Holy my mother in the insane asylum! Holy the cocks of the grandfathers of Kansas! Holy the groaning saxophone! Holy the bop apocalypse! Holy the jazzbands marijuana hipsters peace & junk & drums! Holy the solitudes of skyscrapers and pavements! Holy the cafeterias filled with the millions! Holy the mysterious rivers of tears under the streets! Holy the lone juggernaut! Holy the vast lamb of the middle class! Holy the crazy shepherds of rebell- ion! Who digs Los Angeles IS Los Angeles! Holy New York Holy San Francisco Holy Peoria & Seattle Holy Paris Holy Tangiers Holy Moscow Holy Istanbul! Holy time in eternity holy eternity in time holy the clocks in space holy the fourth dimension holy the fifth International holy the Angel in Moloch! Holy the sea holy the desert holy the railroad holy the locomotive holy the visions holy the hallucina- tions holy the miracles holy the eyeball holy the abyss! Holy forgiveness! mercy! charity! faith! Holy! Ours! bodies! suffering! magnanimity! Holy the supernatural extra brilliant intelligent kindness of the soul!
Allen Ginsberg (Howl and Other Poems)
My grandfather used to say: Life is astoundingly short. To me, looking back over it, life seems so foreshortened that I scarcely understand, for instance, how a young man can decide to ride over to the next village without being afraid that -not to mention accidents- even the span of a normal happy life may fall far short of the time needed for such a journey.
Franz Kafka (The Complete Stories)
Only a few months into our marriage," writes the grandfather, "we started marking off areas in the apartment as 'Nothing Places,' in which one could be assured of complete privacy, we agreed that we never would look at the marked-off zones, that they would be nonexistent territories in the apartment in which one could temporarily cease to exist.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Even at the time—twenty years old—I said to myself: better to go hungry, to go to prison, to be a tramp, than to sit at an office desk ten hours a day. There is no particular daring in this vow, but I have not broken it and shall not do so. The wisdom of my grandfathers sat in my head: we are born for the pleasure of work, fighting, love, we are born for that and nothing else. (Guy de Maupassant)
Isaac Babel (Red Cavalry and Other Stories)
Where did you go?' His voice drops just slightly and loses even the suggestion of a smile. He's watching me like he's not sure he's allowed to ask question, and he's not even sure he wants the answer. I can almost see grandfather's word and josh's doubt about them swimming in his head. On every side of me are the lights and the tools and the wood and the boots and the boy I want to see forever. And if the my Sea of Tranquility were real, it would be this place, here, with him. I don't say anything right away, because I just want one minute to look at his face before I gave him my last secret. And then I tell him. 'Your garage.
Katja Millay (The Sea of Tranquility)
JEWS HAVE SIX SENSES Touch, taste, sight, smell, hearing … memory. While Gentiles experience and process the world through the traditional senses, and use memory only as a second-order means of interpreting events, for Jews memory is no less primary than the prick of a pin, or its silver glimmer, or the taste of the blood it pulls from the finger. The Jew is pricked by a pin and remembers other pins. It is only by tracing the pinprick back to other pinpricks – when his mother tried to fix his sleeve while his arm was still in it, when his grandfather’s fingers fell asleep from stroking his great-grandfather’s damp forehead, when Abraham tested the knife point to be sure Isaac would feel no pain – that the Jew is able to know why it hurts. When a Jew encounters a pin, he asks: What does it remember like?
Jonathan Safran Foer (Everything is Illuminated)
I'm serious, Harry, don't go." But Harry only had one thought in his head, which was to get back in front of the mirror, and Ron wasn't going to stop him. That third night he found his way more quickly than before. He was walking so fast he knew he was making more noise than was wise, but he didn't meet anyone. And there were his mother and father smiling at him again, and one of his grandfathers nodding happily. Harry sank down to sit on the floor in front of the mirror. There was nothing to stop him from staying here all night with his family. Nothing at all.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
I miss my father. I miss my grandfather. I miss my home. And I miss my mother. But the thing is, for almost three years, I managed not to miss any of them. And then I spent that one day with that one girl. One day ... It was like she gave me her whole self, and somehow as a result, I gave her more of myself than I even realized there was to give. But then she was gone. And only after I'd been filled up by her, by that day, did I understand how empty I really was.
Gayle Forman (Just One Year (Just One Day, #2))
There is an internal landscape, a geography of the soul; we search for its outlines all our lives. Those who are lucky enough to find it ease like water over a stone, onto its fluid contours, and are home. Some find it in the place of their birth; others may leave a seaside town, parched, and find themselves refreshed in the desert. There are those born in rolling countryside who are really only at ease in the intense and busy loneliness of the city. For some, the search is for the imprint of another; a child or a mother, a grandfather or a brother, a lover, a husband, a wife, or a foe. We may go through our lives happy or unhappy, successful or unfulfilled, loved or unloved, without ever standing cold with the shock of recognition, without ever feeling the agony as the twisted iron in our soul unlocks itself and we slip at last into place.
Josephine Hart
One of the elders told him that when he was a boy his grandfather came to him one day and said he had two wolves fighting inside him. One was gray, the other black. The gray one wanted his grandfather to be courageous, and patient, and kind. The other, the black one, wanted his grandfather to be fearful and cruel. This upset the boy, and he thought about it for a few days then returned to his grandfather. He asked, 'Grandfather, which of the wolves will win?' The abbot smiled slightly and examined the Chief Inspector. 'Do you know what his grandfather said?' Gamache shook his head. . . . 'The one I feed,' said Dom Philippe.
Louise Penny (The Beautiful Mystery (Chief Inspector Armand Gamache, #8))
Welcome to Barrayar, son. Here you go: have a world of wealth and poverty, wrenching change and rooted history. Have a birth; have two. Have a name. Miles means "soldier," but don't let the power of suggestion overwhelm you. Have a twisted form in a society that loathes and fears the mutations that have been its deepest agony. Have a title, wealth, power, and all the hatred and envy they will draw. Have your body ripped apart and re-arranged. Inherit an array of friends and enemies you never made. Have a grandfather from hell. Endure pain, find joy, and make your own meaning, because the universe certainly isn't going to supply it. Always be a moving target. Live. Live. Live.
Lois McMaster Bujold (Barrayar (Vorkosigan Saga, #7))
Our purpose in life is to grow in wisdom and in love.
Rachel Naomi Remen (My Grandfather's Blessings - Stories of Strength, Refuge and Belonging)
[Responding to the Bishop of Oxford, Samuel Wilberforce's question whether he traced his descent from an ape on his mother's or his father's side] A man has no reason to be ashamed of having an ape for his grandfather. If there were an ancestor whom I should feel shame in recalling it would rather be a man—a man of restless and versatile intellect—who … plunges into scientific questions with which he has no real acquaintance, only to obscure them by an aimless rhetoric, and distract the attention of his hearers from the real point at issue by eloquent digressions and skilled appeals to religious prejudice.
Thomas Henry Huxley
And I don’t think you need to be scared of forgetting me,” the boy says “No?” “No. Because if you forget me then you’ll just get the chance to get to know me again. And you’ll like that, because I’m actually a pretty cool person to get to know.
Fredrik Backman (And Every Morning the Way Home Gets Longer and Longer)
i was raped, too sexually assaulted in seventh grade, tenth grade. the summer after graduation, at a party i was 16 i was 14 i was 5 and he did it for three years i loved him i didn't even know him he was my best friend's brother, my grandfather, father, mommy's boyfriend, my date, my cousin, my coach i met him for the first time that night and- 4 guys took turns, and- i'm a boy and this happened to me, and- ...i got pregnant i gave up my daughter for adoption... did it happen to you, too?
Laurie Halse Anderson (Speak)
Grandfather's been dead all these years, but if you lifted my skull, by God, in the convolutions of my brain you'd find the big ridges of his thumbprint. He touched me. As I said earlier, he was a sculptor. 'I hate a Roman named Status Quo!' he said to me. 'Stuff your eyes with wonder,' he said, 'live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories.
Ray Bradbury (Fahrenheit 451)
My grandfather had died, and my mother was trying to explain it to me. . . .Grandpa isn't coming back? No, she said. Not ever again. . . . And I remember saying, hold everything right fucking there. You went to all the trouble of conceiving me, and giving birth to me, and raising me and clothing me and all . . . and you make me cry and things hurt so much and disappointments crush my heart every day and I can't do half the things I want to and sometimes I just want to scream -- and what I've got to look forward to is my body breaking and something flipping off the switch in my head -- I go through all this, and then there's death? What is the motherfucking deal here? I wasn't having this. This was not fair.
Warren Ellis (Transmetropolitan, Vol. 5: Lonely City)
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
I was reading an old text on the exploits of Belgarath the Sorcerer, and I –“ Senji stopped, going very pale, turned, and gaped at Garion’s grandfather. “It’s a terrible letdown, isn’t it?” Beldin said. “We always told him he ought to try to look more impressive.” “You’re in no position to talk,” the old man said. “You’re the one with the earthshaking reputation.” Beldin shrugged. “I’m just a flunky. I’m along for comic relief.” “You’re really enjoying this, aren’t you, Beldin?” “I haven’t had so much fun in years. Wait until I tell Pol.” “You keep your mouth shut, you hear me?” “Yes, O mighty Belgarath,” Beldin said mockingly.
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
Grandfather’s Hands             Your grandfather’s hands were brown. Your grandmother kissed each knuckle,   circled an island into his palm and told him which parts they would share, which part they would leave alone.   She wet a finger to draw where the ocean would be on his wrist, kissed him there, named the ocean after herself.   Your grandfather’s hands were slow but urgent. Your grandmother dreamt them,   a clockwork of fingers finding places to own– under the tongue, collarbone, bottom lip, arch of foot.   Your grandmother names his fingers after seasons– index finger, a wave of heat, middle finger, rainfall.   Some nights his thumb is the moon nestled just under her rib. “Your grandparents often found themselves in dark rooms, mapping out each other’s bodies,   claiming whole countries with their mouths.
Warsan Shire (Teaching My Mother How to Give Birth)
When I was a boy my grandfather died, and he was a sculptor. He was also a very kind man who had a lot of love to give the world, and he helped clean up the slum in our town; and he made toys for us and he did a million things in his lifetime; he was always busy with his hands. And when he died, I suddenly realized I wasn't crying for him at all, but for all the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them just the way he did. He was individual. He was an important man. I've never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands. He shaped the world. He DID things to the world. The world was bankrupted of ten million fine actions the night he passed on.
Ray Bradbury
I've never been afraid of ghosts. I live with them daily, after all. When I look in a mirror, my mother's eyes look back at me; my mouth curls with the smile that lured my great-grandfather to the fate that was me. No, how should I fear the touch of those vanished hands, laid on me in love unknowing? How could I be afraid of those that molded my flesh, leaving their remnants to live long past the grave?...All the time the ghosts flit past and through us, hiding in the future. We look in the mirror and see shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway. By blood and by choice, we make our own ghosts; we haunt ourselves.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
A boy and a girl were insanely in love with each other,” my mother’s voice was saying. “They decided to become engaged. And that’s when presents are always exchanged. The boy was poor–his only worthwhile possession was a watch he’d inherited from his grandfather. Thinking about his sweetheart’s lovely hair, he decided to sell the watch in order to buy her a silver barrette. The girl had no money herself to buy him a present. She went to the shop of the most successful merchant in the town and sold him her hair. With the money, she bought a gold watchband for her lover. When they met on the day of the engagement party, she gave him the wristband for a watch he had sold, and he gave her the barrette for the hair she no longer had
Paulo Coelho (By the River Piedra I Sat Down and Wept)
They're all gone, my tribe is gone. Those blankets they gave us, infected with smallpox, have killed us. I'm the last, the very last, and I'm sick, too. So very sick. Hot. My fever burning so hot. I have to take off my clothes, feel the cold air, splash water across my bare skin. And dance. I'll dance a Ghost Dance. I'll bring them back. Can you hear the drums? I can hear them, and it's my grandfather and grandmother singing. Can you hear them? I dance one step and my sister rises from the ash. I dance another and a buffalo crashes down from the sky onto a log cabin in Nebraska. With every step, an Indian rises. With every other step, a buffalo falls. I'm growing, too. My blisters heal, my muscles stretch, expand. My tribe dances behind me. At first they are no bigger than children. Then they begin to grow, larger than me, larger than the trees around us. The buffalo come to join us and their hooves shake the earth, knock all the white people from their beds, send their plates crashing to the floor. We dance in circles growing larger and larger until we are standing on the shore, watching all the ships returning to Europe. All the white hands are waving good-bye and we continue to dance, dance until the ships fall off the horizon, dance until we are so tall and strong that the sun is nearly jealous. We dance that way.
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )
P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
Reading a book is a lot like climbing a mountain.” “What do you mean?” His curiosity piqued, Rintaro had finally looked up from his book. His grandfather wafted his teacup slowly under his nose as if savoring the aroma of the tea. “Reading isn’t only for pleasure or entertainment. Sometimes you need to examine the same lines deeply, read the same sentences over again. Sometimes you sit there, head in hands, only progressing at a painstakingly slow pace. And the result of all this hard work and careful study is that suddenly you’re there and your field of vision expands. It’s like finding a great view at the end of a long climbing trail.
Sōsuke Natsukawa (The Cat Who Saved Books (The Cat Who..., #1))
He slumped down into the pen, and the puppies immediately leapt on him. "Perhaps I'll see you later tonight." "If you're lucky," Celaena purred, and walked away. She smiled to herself as they strode through the castle. Eventully Nehemia turned to her. "Do you like him?" Celaena made a face. "Of course not. Why would I?" You converse easily. It seems as if you have...a connection." "A connection?" Celaena choked on the word. "I just enjoy teasing him." "It's not a crime if you consider him handsome. I'll admit I judged him wrong; I thought him to be a pompous, selfish idiot, but he's not so bad." "He's a Havilliard." "My mother was the daughter of a chief who sought to overthrow my grandfather." "We're both silly. It's nothing." "He seems to take great interest in you." Celaena's head whipped around, her eyes full of long-forgotten fury that made her belly ache and twist. "I would sooner cut out my own heart than love a Havilliard," she snarled. They completed their walk in silence, and when they parted ways, Celaena quickly wished Nehemia a pleasant evening before striding to her part of the castle.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
What did you see when you died?" He has that tenative half smile, like he's almost embarrassed by what he's saying. "Because I'm guessing it wasn't the Sea of Tranquility." And when I look at him, I'm not so sure it wasn't. “Where did you go?" His voice drops just slightly and loses even the suggestion of a smile. He's watching me like he's not sure he's allowed to ask the question, and he's not even sure he wants the answer. I can almost see his grandfather's words and Josh's doubts about them swimming in his head. On every side of me are the lights and the tools and the wood and the boots and the boy I want to see forever. And if the my Sea of Tranquility were real, it would be this place, here, with him. I don't say anything right away, because I just want one minute to look at his face before I give him my last secret. And then I tell him. "Your garage.
Katja Millay (The Sea of Tranquility)
Girls say to me, very reasonably, 'why isn't it a bunch of girls? Why did you write this about a bunch of boys?' Well, my reply is I was once a little boy - I have been a brother, a father, I am going to be a grandfather. I have never been a sister, or a mother, or a grandmother. That's one answer. Another answer is of course to say that if you - as it were - scaled down human beings, scaled down society, if you land with a group of little boys, they are more ike a scaled-down version of society than a group of little girls would be. Don't ask me why, and this is a terrible thing to say because I'm going to be chased from hell to breakfast by all the women who talk about equality - this is nothing to do with equality at all. I think women are foolish to pretend they are equal to men, they are far superior and always have been. But one thing you can't do with them is take a bunch of them and boil them down, so to speak, into a set of little girls who would then become a kind of image of civilisation, of society. The other thing is - why aren't they little boys AND little girls? Well, if they'd been little boys and little girls, we being who we are, sex would have raised its lovely head, and I didn't want this to be about sex. Sex is too trivial a thing to get in with a story like this, which was about the problem of evil and the problem of how people are to live together in a society, not just as lovers or man and wife.
William Golding
I thought I was going to die. I wanted to die. And I thought if I was going to die I would die with you. Someone like you, young as I am, I saw so many dying near me in the last year. I didn’t feel scared. I certainly wasn’t brave just now. I thought to myself, We have this villa this grass, we should have lain down together, you in my arms, before we died. I wanted to touch that bone at your neck, collarbone, it’s like a small hard wing under your skin. I wanted to place my fingers against it. I’ve always liked flesh the colour of rivers and rocks or like the brown eye of a Susan, do you know what that flower is? Have you seen them? I am so tired, Kip, I want to sleep. I want to sleep under this tree, put my eye against your collarbone I just want to close my eyes without thinking of others, want to find the crook of a tree and climb into it and sleep. What a careful mind! To know which wire to cut. How did you know? You kept saying I don’t know I don’t know, but you did. Right? Don’t shake, you have to be a still bed for me, let me curl up as if you were a good grandfather I could hug, I love the word ‘curl,’ such a slow word, you can’t rush it...
Michael Ondaatje (The English Patient)
And the child, Francie Nolan, was of all the Rommelys and all the Nolans. She had the violent weaknesses and passion for beauty of the shanty Nolans. She was a mosaic of her grandmother Rommely's mysticism, her tale-telling, her great belief in everything and her compassion for the weak ones. She had a lot of her grandfather Rommely's cruel will. She had some of her Aunt Evy's talent for mimicking, some of Ruthie Nolan's possessiveness. She had Aunt Sissy's love for life and her love for children. She had Johnny's sentimentality without his good looks. She had all of Katie's soft ways and only half of the invisible steel of Katie. She was made up of all these good and these bad things. She was made up of more, too. She was the books she read in the library. She was the flower in the brown bowl. Part of her life was made from the tree growing rankly in the yard. She was the bitter quarrels she had with her brother whom she loved dearly. She was Kitie's secret, desparing weeping. She was the shame of her father staggering home drunk. She was all of these things and of something more that did not come from the Rommelys nor the Nolans, the reading, the observing, the living from day to day. It was something that had been born into her and her only- the something different from anyone else in the two families. It was what God or whatever is His equivalent puts into each soul that is given life- the one different thing such as that which makes no two fingerprints on the face of the earth alike.
Betty Smith (A Tree Grows in Brooklyn)
Men learn to regard rape as a moment in time; a discreet episode with a beginning, middle, and end. But for women, rape is thousands of moments that we fold into ourselves over a lifetime. Its' the day that you realize you can't walk to a friend's house anymore or the time when your aunt tells you to be nice because the boy was just 'stealing a kiss.' It's the evening you stop going to the corner store because, the night before, a stranger followed you home. It's the late hour that a father or stepfather or brother or uncle climbs into your bed. It's the time it takes you to write an email explaining that you're changing your major, even though you don't really want to, in order to avoid a particular professor. It's when you're racing to catch a bus, hear a person demand a blow job, and turn to see that it's a police officer. It's the second your teacher tells you to cover your shoulders because you'll 'distract the boys, and what will your male teachers do?' It's the minute you decide not to travel to a place you've always dreamed about visiting and are accused of being 'unadventurous.' It's the sting of knowing that exactly as the world starts expanding for most boys, it begins to shrink for you. All of this goes on all day, every day, without anyone really uttering the word rape in a way that grandfathers, fathers, brothers, uncles, teachers, and friends will hear it, let alone seriously reflect on what it means.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf… The escape from reality was, he felt—especially right after the war—a worthy challenge… The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was the magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
Old Spice           Every Sunday afternoon he dresses in his old army uniform, tells you the name of every man he killed. His knuckles are unmarked graves.   Visit him on a Tuesday and he will describe the body of every woman he could not save. He’ll say she looked like your mother and you will feel a storm in your stomach.   Your grandfather is from another generation– Russian degrees and a school yard Cuban national anthem, communism and religion. Only music makes him cry now.   He married his first love, her with the long curls down to the small of her back. Sometimes he would pull her to him, those curls wrapped around his hand like rope.   He lives alone now. Frail, a living memory reclining in a seat, the room orbiting around him. You visit him but never have anything to say. When he was your age he was a man. You retreat into yourself whenever he says your name.   Your mother’s father, “the almost martyr, can load a gun under water in under four seconds.   Even his wedding night was a battlefield. A Swiss knife, his young bride, his sobs as he held Italian linen between her legs.   His face is a photograph left out in the sun, the henna of his beard, the silver of his eyebrows the wilted handkerchief, the kufi and the cane.   Your grandfather is dying. He begs you Take me home yaqay, I just want to see it one last time; you don’t know how to tell him that it won’t be anything like the way he left it.
Warsan Shire (Teaching My Mother How to Give Birth)
See that little stream — we could walk to it in two minutes. It took the British a month to walk to it — a whole empire walking very slowly, dying in front and pushing forward behind. And another empire walked very slowly backward a few inches a day, leaving the dead like a million bloody rugs. No Europeans will ever do that again in this generation.” “Why, they’ve only just quit over in Turkey,” said Abe. “And in Morocco —” “That’s different. This western-front business couldn’t be done again, not for a long time. The young men think they could do it but they couldn’t. They could fight the first Marne again but not this. This took religion and years of plenty and tremendous sureties and the exact relation that existed between the classes. The Russians and Italians weren’t any good on this front. You had to have a whole-souled sentimental equipment going back further than you could remember. You had to remember Christmas, and postcards of the Crown Prince and his fiancée, and little cafés in Valence and beer gardens in Unter den Linden and weddings at the mairie, and going to the Derby, and your grandfather’s whiskers.” “General Grant invented this kind of battle at Petersburg in sixty- five.” “No, he didn’t — he just invented mass butchery. This kind of battle was invented by Lewis Carroll and Jules Verne and whoever wrote Undine, and country deacons bowling and marraines in Marseilles and girls seduced in the back lanes of Wurtemburg and Westphalia. Why, this was a love battle — there was a century of middle-class love spent here. This was the last love battle.
F. Scott Fitzgerald (Tender is the Night)
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him. We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility. ... 'Please don't let Daddy die, Susie,' he whispered. 'I need him.' When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced. I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately? 'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me. 'Remember?' he said. I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry. 'Do you remember?' he asked. 'Barber!' 'Adagio for Strings,' he said. But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why. 'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard. We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco. When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back. 'I'm going,' he said. 'Where?' I asked. 'Don't worry, sweetheart. You're so close.' He turned and walked away, disappearing rapidly into spots and dust. Infinity.
Alice Sebold