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Ghosts don't haunt us. That's not how it works. They're present among us because we won't let go of them.
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Sue Grafton (M is for Malice (Kinsey Millhone, #13))
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Ideas are easy. It's the execution of ideas that really separates the sheep from the goats.
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Sue Grafton
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We are not enemies, but friends. We must not be enemies. Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory will swell when again touched, as surely they will be, by the better angels of our nature.
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Abraham Lincoln (Great Speeches / Abraham Lincoln: with Historical Notes by John Grafton)
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Thinking is hard work, which is why you don't see many people doing it.
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Sue Grafton
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You canβt save others from themselves because those who make a perpetual muddle of their lives donβt appreciate your interfering with the drama theyβve created. They want your poor-sweet-baby sympathy, but they donβt want to change.
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Sue Grafton (T is for Trespass (Kinsey Millhone, #20))
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I love being single. It's almost like being rich.
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Sue Grafton
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I think I can live without you, but it won't be any kind of life.
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Rainbow Rowell (Landline)
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Beware the dark pool at the bottom of our hearts. In its icy, black depths dwell strange and twisted creatures it is best not to disturb.
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Sue Grafton (I is for Innocent (Kinsey Millhone, #9))
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It's disconcerting to realize how little you have to say to someone who once occupied such a prominent place in your bed.
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Sue Grafton (J is for Judgment (Kinsey Millhone, #10))
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With malice toward none, with charity for all, with firmness in the right as God gives us to see the right, let us strive on to finish the work we are in, to bind up the nation's wounds, to care for him who shall have borne the battle and for his widow and his orphan, to do all which may achieve and cherish a just and lasting peace among ourselves and with all nations.
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Abraham Lincoln (Great Speeches / Abraham Lincoln: with Historical Notes by John Grafton)
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There's a certain class of people who will do you in and then remain completely mystified by the depth of your pain.
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Sue Grafton (E is for Evidence (Kinsey Millhone Mystery))
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I know there are people who believe you should forgive and forget. For the record, I'd like to say I'm a big fan of forgiveness as long as I'm given the opportunity to get even first.
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Sue Grafton (V is for Vengeance (Kinsey Millhone, #22))
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Ghosts don't haunt us. That's not how it works. They're present among us because we won't let go of them."
"I don't believe in ghosts," I said, faintly.
"Some people can't see the color red. That doesn't mean it isn't there," she replied.
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Sue Grafton (M is for Malice (Kinsey Millhone, #13))
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The hard thing about death is that nothing ever changes. The hard thing about life is that nothing stays the same.
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Sue Grafton (J is for Judgment (Kinsey Millhone, #10))
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Everything happens for a reason, but that doesn't mean there's a point.
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Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
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Except for cases that clearly involve a homicidal maniac, the police like to believe murders are committed by those we know and love, and most of the time they're right - a chilling thought when you sit down to dinner with a family of five. All those potential killers passing their plates.
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Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
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Pretending to be 'normal' is a lot harder than you think.
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Sue Grafton (F is for Fugitive (Kinsey Millhone, #6))
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Personally, I'd rather grow old alone than in the company of anyone I've met so far. I don't experience myself as lonely, incomplete, or unfulfilled, but I don't talk about that much. It seems to piss people off--especially men. (Kinsey Millhone)
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Sue Grafton (B is for Burglar (Kinsey Millhone, #2))
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Insecure people have a special sensitivity for anything that finally confirms their own low opinion of themselves.
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Sue Grafton (B is for Burglar (Kinsey Millhone, #2))
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Lucky is the spouse who dies first, who never has to know what survivors endure.
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Sue Grafton (F is for Fugitive (Kinsey Millhone, #6))
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To many women mistake a man's hostility for wit and his silence for depth.
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Sue Grafton
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Smile. It gives your face something to do.
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Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
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You try to keep life simple but it never works, and in the end all you have left is yourself.
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Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
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It's pitiful to have a life in which junk food is awarded the same high status as sex.
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Sue Grafton
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A woman should never, never, never be financially dependent to anyone, especially a man, because the minute you were dependent, you could be abused.
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
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In my opinion, there's no condition in life that can't be ameliorated by a dose of junk food.
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Sue Grafton (Q is for Quarry (Kinsey Millhone, #17))
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You never know which people will affect your life.
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
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What could smell better than supper being cooked by someone else?
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Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
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If you're unhappy, change something.
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
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There are days when none of us can bear it, but the good comes around again. Happiness is seasonal, like anything else. Wait it out. There are people who love you. People who can help.
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
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Sometimes being fooled by love is worth the price. At least you know you're alive and capable of feeling, even if all you end up with is chest pain.
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Sue Grafton (F is for Fugitive (Kinsey Millhone, #6))
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All of us are subjected to somebody else's power at some point. So once in a while you kiss ass. So what? Either you make your peace with that early, or you end up living your life as a crank and a misfit.
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Sue Grafton
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We all need to look into the dark side of our nature -- thatβs where the energy is, the passion. People are afraid of that because it holds pieces of us weβre busy denying.
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Sue Grafton
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People get careless when they're feeling safe.
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Sue Grafton (A is for Alibi & J is for Judgment)
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The truth isn't always nice. It isn't always small enough to absorb at once. Sometimes the truth washes over you and threatens to take you right down with it.
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Sue Grafton (J is for Judgment (Kinsey Millhone, #10))
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Missing someone is a vague, unpleasant sensation, like gnawing anxiety. It isn't as concrete as grief, but it's just as pervasive and there's no escaping it.
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Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
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He might be a man without character, but she was a woman without courage. Of the two, which was worse?
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Sue Grafton (S is for Silence)
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I hate nature. I really do. Nature is composed entirely of sticks, dirt, fall-down places, biting and stinging things, and savageries too numerous to list. And I'm not the only one who feels this way. Man has been building cities since the year oughty-ought, just to get away from this stuff.
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Sue Grafton (F is for Fugitive (Kinsey Millhone, #6))
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Life is hard. Life hurts. So what? You tough it out. You get through and then you'll feel good again.
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
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We all do things we regret. It's part of growing up.
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Sue Grafton (F is for Fugitive (Kinsey Millhone, #6))
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Grief is as contagious as a yawn.
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Sue Grafton (V is for Vengeance (Kinsey Millhone, #22))
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There's always something else. That's what makes life so much fun.
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
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The cold hard truth will fall on stony ground, whereas your all-around trashy rumor will flourish like a weed.
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Sue Grafton (Y is for Yesterday (Kinsey Millhone, #25))
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If I'd been listening closely, I'd have caught the sound of the gods having a great big old tee-hee at my expense.
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Sue Grafton (U is for Undertow (Kinsey Millhone, #21))
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For now, we live in the mall, but I think it's closing soon.
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Grafton Tanner (Babbling Corpse: Vaporwave and the Commodification of Ghosts)
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Perhaps when we're forced to forfeit what we own, we lose any sentimental associations. Perhaps pawning our valuables frees us in the same way a house fire destroys not only our worldly goods, but our attachment to what's gone.
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Sue Grafton (V is for Vengeance (Kinsey Millhone, #22))
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Life is simple. You're the one making things complex.
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
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The critical lessons in life hold sway whether you like it or not.
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Sue Grafton (V is for Vengeance (Kinsey Millhone, #22))
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For the record, I'd like to say that I'm a big fan of forgiveness as long as I have a chance to get even first"
Kinsey Millhone, V is for Vengeance
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Sue Grafton
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I write letters to my right brain all the time. They're just little notes. And right brain, who likes to get little notes from me, will often come through within a day or two.
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Sue Grafton
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People make mistakes. People do things they never meant to do.
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
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You can't believe everything you hear. Sometimes, you can't even believe your eyes.
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Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
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Life was reduced to its four basic elements: air, food, drink, and a good friend.
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Sue Grafton (P is for Peril (Kinsey Millhone, #16))
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Memory is subject to a filtering process that we donβt always recognize and canβt always control. We remember what we can bear and we block what we cannot.
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Sue Grafton (X (Kinsey Millhone, #24))
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So much of the past in encapsulated in the odds and ends. Most of us discard more information about ourselves than we ever care to preserve. Our recollection of the past is not simply distorted by our faulty perception of events remembered but skewed by those forgotten. The memory is like twin orbiting stars, one visible, one dark, the trajectory of what's evident forever affected by the gravity of what's concealed.
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Sue Grafton (O is for Outlaw (Kinsey Millhone, #15))
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I don't know what is love about and I'm not sure I believe in it anyway.
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Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
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Pain was better than anxiety any day of the week and sweat was better than depression.
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Sue Grafton (M is for Malice (Kinsey Millhone, #13))
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I like difficulty. It's what makes my job fun.
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Sue Grafton (F is for Fugitive (Kinsey Millhone, #6))
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If love is what injures us, how can we heal?
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Sue Grafton (F is for Fugitive (Kinsey Millhone, #6))
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I didn't join the army to shoot Americans. If I wanted to shoot Americans I'd have joined the police.
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Stephen Coonts (Liberty's Last Stand (Jake Grafton #11; Tommy Carmellini #7))
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At this second appearing to take the oath of the Presidential office there is less occasion for an extended address than there was at the first. Then a statement somewhat in detail of a course to be pursued seemed fitting and proper. Now, at the expiration of four years, during which public declarations have been constantly called forth on every point and phase of the great contest which still absorbs the attention and engrosses the energies of the nation, little that is new could be presented. The progress of our arms, upon which all else chiefly depends, is as well known to the public as to myself, and it is, I trust, reasonably satisfactory and encouraging to all. With high hope for the future, no prediction in regard to it is ventured.
On the occasion corresponding to this four years ago all thoughts were anxiously directed to an impending civil war. All dreaded it, all sought to avert it. While the inaugural address was being delivered from this place, devoted altogether to saving the Union without war, insurgent agents were in the city seeking to destroy it without war--seeking to dissolve the Union and divide effects by negotiation. Both parties deprecated war, but one of them would make war rather than let the nation survive, and the other would accept war rather than let it perish, and the war came.
One-eighth of the whole population were colored slaves, not distributed generally over the Union, but localized in the southern part of it. These slaves constituted a peculiar and powerful interest. All knew that this interest was somehow the cause of the war. To strengthen, perpetuate, and extend this interest was the object for which the insurgents would rend the Union even by war, while the Government claimed no right to do more than to restrict the territorial enlargement of it. Neither party expected for the war the magnitude or the duration which it has already attained. Neither anticipated that the cause of the conflict might cease with or even before the conflict itself should cease. Each looked for an easier triumph, and a result less fundamental and astounding. Both read the same Bible and pray to the same God, and each invokes His aid against the other. It may seem strange that any men should dare to ask a just God's assistance in wringing their bread from the sweat of other men's faces, but let us judge not, that we be not judged. The prayers of both could not be answered. That of neither has been answered fully. The Almighty has His own purposes. "Woe unto the world because of offenses; for it must needs be that offenses come, but woe to that man by whom the offense cometh." If we shall suppose that American slavery is one of those offenses which, in the providence of God, must needs come, but which, having continued through His appointed time, He now wills to remove, and that He gives to both North and South this terrible war as the woe due to those by whom the offense came, shall we discern therein any departure from those divine attributes which the believers in a living God always ascribe to Him? Fondly do we hope, fervently do we pray, that this mighty scourge of war may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondsman's two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn with the lash shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said "the judgments of the Lord are true and righteous altogether."
With malice toward none, with charity for all, with firmness in the right as God gives us to see the right, let us strive on to finish the work we are in, to bind up the nation's wounds, to care for him who shall have borne the battle and for his widow and his orphan, to do all which may achieve and cherish a just and lasting peace among ourselves and with all nations.
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Abraham Lincoln (Great Speeches / Abraham Lincoln: with Historical Notes by John Grafton)
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You kill people you hate or you kill in rage or you kill to get even, but you don't kill someone you're indifferent to.
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Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
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People can hold out just so long and then they fold.
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Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
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I think you'd best make your peace with the past since you've come this far. I think you know by now that you won't go back again.
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Sue Grafton (Kinsey and Me)
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You don't have to justify yourself to me. You did what you did.
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Sue Grafton
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You canβt make someone else do anything, even if you know youβre right.
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Sue Grafton (X (Kinsey Millhone, #24))
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Built into bad news is that sense of profound disbelief. The mind struggles to absorb the bare facts, defending itself against the larger implications.
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Sue Grafton (V is for Vengeance (Kinsey Millhone, #22))
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Death is insulting, and I resented its sudden appearance, like an unannounced visit from a boorish relative.
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Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
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Too much virtue has a corrupting effect.
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Sue Grafton
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These are the days that require discipline, when exercise is pure duty and the good feeling only comes later, consisting solely of self-congratulations for having done the job at all.
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Sue Grafton (V is for Vengeance (Kinsey Millhone, #22))
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Verbal clashes seldom come to a satisfying end. They peter out in weak retorts that leave you wishing youβd been as clever in the moment as you are in reviewing the conversation later.
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Sue Grafton (W is for Wasted (Kinsey Millhone #23))
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Whatever the surface appearances, most human beings come equipped with convoluted emotional machinery. With intimacy, the wreckage starts to show, damage rendered in the course of passions colliding like freight trains on the same track.
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
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About every six to eight months, I run into a man who astounds me sexually, but between escapades, I'm celibate, which I don't think is any big deal. After two unsuccessful marriages, I find myself keeping my guard up, along with my underpants.
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Sue Grafton
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While I'm not a big fan of nature, its intractability amuses me to no end. (Kinsey Millhone)
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Sue Grafton (G is for Gumshoe (Kinsey Millhone, #7))
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...He has all the uncanny intuitions of a psychopath. Have you ever dealt with one? It's almost like a form of mind-reading...
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Sue Grafton (G is for Gumshoe (Kinsey Millhone, #7))
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I've never been a big fan of exercise. I just can't think of any other way to feel good." Kinsey Milhone
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Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
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I did an about-face and veered into the sandwich shop. What I ordered is none of your business, but it was really good.
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Sue Grafton (T is for Trespass (Kinsey Millhone, #20))
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To distract myself, I thought about all the cusswords I knew and arranged them in alphabetical order.
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Sue Grafton (X (Kinsey Millhone, #24))
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I figure guys are like Whitman's Samplers. I like to take a little bite out of each and then move on before the whole box gets stale.
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Sue Grafton
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I did discover that if you're interested in low wages, a bookstore ranks below retail clothing sales, except the hours are worse.
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Sue Grafton
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The Latin term pro bono, as most attorneys will attest, roughly translated means for boneheads and applies to work done without charge.
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Sue Grafton (O is for Outlaw (Kinsey Millhone, #15))
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I love being single. It's almost like being rich.
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
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Emotion doesn't travel in a straight line. Like water, our feelings trickle down through cracks and crevices, seeking out the little pockets of neediness and neglect, the hairline fractures in our character usually hidden from public view. Beware the dark pool at the bottom of our hearts. In its icy, black depths dwell strange and twisted creatures it is best not to disturb.
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Sue Grafton (I is for Innocent (Kinsey Millhone, #9))
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Well, I won't. Ludovic Speed and Theodora Dix live in Middle Grafton and Mrs. Rachel says he has been courting her for a hundred years. Won't they soon be too old to get married, Anne? I hope Gilbert won't court YOU that long. When are you going to be married, Anne? Mrs. Lynde says it's a sure thing." "Mrs. Lynde is aβ" began Anne hotly; then stopped. "Awful old gossip," completed Davy calmly. "That's what every one calls her. But is it a sure thing, Anne? I want to know." "You're
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L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
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I thought I'd go home and reread Sue Grafton. It's been a while since I last read the one about the topless dancer who gets poison injected into one of her implants."
"'D' Is For Cup."
"Right. Bern, you know what I wish? I wish she didn't have to stop at twenty-six. When the alphabet's used up, what happens to Kinsey?"
"Are you kidding? She goes straight into doublΓ© letters. 'AA' Is For drunks, 'BB' Is For Gun, 'CC' Is For Rider. There was a whole list in Publishers Weekly a few months back. 'PP' Is For Golden Showers, 'ZZ' Is For Topp- I can't remember them all, but it looks as though she can go on forever."
"Bern, that's wonderful news."
"You'll be reading about Kinsey fifty years from now," I told her. "'AAA' Is for Motorists, 'MMM' Is for Scotch Tape. You'll never have to stop.
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Lawrence Block (The Burglar Who Traded Ted Williams (Bernie Rhodenbarr, #6))
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He looked like an actor who'd star in some movie about a doomed love affair between an heiress and a park ranger. I thought it was probably inappropriate to fling myself against him and bury my nose in his chest.
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Sue Grafton (I is for Innocent (Kinsey Millhone, #9))
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Some people die accidentally. It's a fact.
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
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maybe it was time to at least pretend to be a nicer person than i knew i was
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Sue Grafton (W is for Wasted (Kinsey Millhone, #23))
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Iβm not cute at all. Iβm a very cranky person.
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Sue Grafton (I is for Innocent (Kinsey Millhone, #9))
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I have friends who adore high heels, but I can't see the point. I figure if high heels were so wonderful, men would be wearing them.
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Sue Grafton (I is for Innocent (Kinsey Millhone, #9))
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The world is full of talented people.
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Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
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Sometimes the noes are just as important as the yeses because they represent cul-de-sacs, allowing you to narrow your field of inquiry until you stumble into the heart of the maze.
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Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
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You can believe anything you like.
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Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
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Being rule governed, I operate in a world filled with imaginary restraints.
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Sue Grafton (W is for Wasted (Kinsey Millhone #23))
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She was the type who went to bars intent on conversation, while he was the type who went in hopes of being left alone.
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Sue Grafton (S is for Silence (Kinsey Millhone, #19))
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People always love it when you say their dogs are nice. Just shows you how out of touch they are.
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Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
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I showered and shampooed. I even shaved the requisite legs and armpits just in case I fell in a swoon and one or the other was exposed to view. (Kinsey Millhone)
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Sue Grafton (U is for Undertow (Kinsey Millhone, #21))
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It's like people think just because you go to church you're not all that bright. I mean just because I'm a born-again doesn't mean I lost IQ points.
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Sue Grafton (M is for Malice (Kinsey Millhone, #13))
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Growing up had made her crabby, which happens to the best of us.
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Sue Grafton (I is for Innocent (Kinsey Millhone, #9))
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The downside of fitness, which takes years to achieve, is how quickly it vanishesβalmost instantly.
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Sue Grafton (J is for Judgment (Kinsey Millhone #10))
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a book has no unwanted calories and you donβt have to worry about sizes as long as the subject matter appeals to the recipient.
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Sue Grafton (Y is for Yesterday (Kinsey Millhone, #25))
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She was right about one thing: the harm in the world is done by those who feel disenfranchised and abused. Contented people (as a rule) donβt kite checks, rob banks, or kill their fellow citizens.
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Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
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I'm a born liar myself and I know how it's done. You stick as close to the truth as you can. You pretend to volunteer a few bits of information, but the facts are all carefully selected for effect.
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Sue Grafton (B is for Burglar (Kinsey Millhone, #2))
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I wish life could be edited as deftly as prose. It would be nice to go back and write a better story, correcting weaknesses and follies in the light of what I now know. What I've noticed though is that any attempt to trim out the dark matter takes away some of the good that was also buried in the muck. The past is a package deal and I don't believe there's a way to tell some of the truth without telling most.Wisdom comes at a price, and I have paid dearly for mine.
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Sue Grafton (Kinsey and Me)
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She held out her hand and we sat there together like grade-school kids on a field trip. βLine up in twos and no talking.β Life itself is a peculiar outing. Sometimes I still feel like I need a note from my mother.
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Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
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It is a confounding and eerie sensation to feel social while alone, thronged with invisible entities whose presence is felt yet who appear wholly absent. These entities are our twenty-first-century ghosts, shorn from their corporeal shells and set loose to glide through cyberspace at lightning speed and with startling precision. We call to one another in the darkness of the Internet, reuniting with hosts of friends and followers, but the act is all theater. There is nothing there in the dark except the dead gaze of a copy.
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Grafton Tanner (Babbling Corpse: Vaporwave And The Commodification Of Ghosts)
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Personally I donβt endorse the notion of mortality. Itβs fine for other folk, but I disapprove of the concept for me and my loved ones. Seems unfair that weβre not allowed to vote on the matter and not one of us is excused. Who made up that rule?" - Kinsey Millhone
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Sue Grafton (V is for Vengeance (Kinsey Millhone, #22))
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The practice of baring all, analyzing every nuance embedded in a quarrel, is a surefire way to keep an argument alive. Better to establish a temporary peace and revisit the conflict later. Often, by then, both parties have decided the issue isnβt worth the relationship.
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Sue Grafton (X (Kinsey Millhone, #24))
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Nothing, he argued, could kill a joke like pity.
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Anthony Grafton (Laughter at the Foot of the Cross)
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I like my life as it is.
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Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
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Violent death is like a monster. The closer you get to it, the more damage you sustain if you survive at all.
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Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
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When I'm with you, I don't feel self-conscious or like I'm crippled or ugly. I don't know how you do that, but it's nice.
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Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
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You can always push people around, but it's not a good idea. Better to let them volunteer information for reasons of their own. You get more that way.
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Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
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It's fun to horse around with danger.
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Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
β
What was done was done.
β
β
Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
β
Things can fool you sometimes.
β
β
Sue Grafton (F is for Fugitive (Kinsey Millhone, #6))
β
He stared at me. His breathing made that wheezing sound that fat people sometimes make.
β
β
Sue Grafton (B is for Burglar (Kinsey Millhone, #2))
β
I know it's true because I made it up myself.
β
β
Sue Grafton
β
Nothing wrong with being single when you can do as you please without objection or complaint. The presence of the fur ball was icing on the cake.
β
β
Sue Grafton (X (Kinsey Millhone, #24))
β
When it comes to work, it isnβt so much what we do or how much weβre paid; itβs the satisfaction we take in doing it.
β
β
Sue Grafton (X (Kinsey Millhone, #24))
β
It's a dangerous assumption and I know I shouldn't jump to conclusions, but it's always easier to pin suspicion on someone you dislike.
β
β
Sue Grafton (M is for Malice (Kinsey Millhone, #13))
β
Amazing how quickly someone else's problems become yours. Trouble creates a vacuum into which the rest of us get sucked.
β
β
Sue Grafton (M is for Malice (Kinsey Millhone, #13))
β
Thinking is hard work, which is why you donβt see a lot of people doing it.
β
β
Sue Grafton (I is for Innocent (Kinsey Millhone, #9))
β
It's hard to keep passing myself off as a grown-up when a piece of me is still six years old and utterly at the mercy of authority.
β
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Sue Grafton (B is for Burglar (Kinsey Millhone, #2))
β
There's nothinng like an outsider's idle glance to make you conscious of your own environment.
β
β
Sue Grafton (B is for Burglar (Kinsey Millhone, #2))
β
Infidelity reduces and diminishes, leaving nothing where you once had a sense of self-worth.
β
β
Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
β
We learn that the lowly footnote is not really a lowly paratext in Anthony Graftonβs The Footnote; A Curious History and Chuck Zerbyβs The Devilβs Details: A History of Footnotes.
β
β
Pradeep Sebastian (The Groaning Shelf)
β
You see, Mr. Grafton,β Miss Perkins gave his engineer a teasing smile. βI laughed at His Graceβs miniature engine the other day, and now he needs to impress upon me the grandeur of his foundry.β βCompensating for something, is he?β βIβve no idea,β she laughed. Edgar saw red. Grafton was going to pay for that one later. He stalked into place beside them. βDonβt encourage her.
β
β
Lenora Bell (What a Difference a Duke Makes (School for Dukes, #1))
β
Grafton, Massachusetts, in early 1842, while working solo, Douglass was met by mob hostility in addition to an unwelcoming clergy. So he went to a hotel and borrowed a βdinner-bell, with which in hand I passed through the principal streets,β he recalled, βringing the bell and crying out, βNotice! Frederick Douglass, recently a slave, will lecture on American Slavery, on Grafton Common, this evening at 7 oβclock.β13
β
β
David W. Blight (Frederick Douglass: Prophet of Freedom)
β
I can't stand a man who fawns, you know what I mean? I can't stand a man sucking up to me, but he was the kind who took you right on the floor and he didn't even look at you afterwards when he zipped up his pants.
β
β
Sue Grafton
β
I thought about the current contamination of beaches, raw sewage spilling into oceans and streams, the hole in the ozone, forests being stripped, the toxic-waste dumps, the merry plunder of mankind added to the drought and the famine that nature dishes up annually as a matter of course. It's hard to know what's actually going to get us first. Sometimes I think we should just blow the whole planet and get it over with. It's the suspense that's killing me.
β
β
Sue Grafton (J is for Judgment (Kinsey Millhone, #10))
β
Weβre always consuming a past that isnβt completely our own, that isnβt a perfect representation of what really happened and that may never fully satisfy us. The question is: which pasts are we consuming? And who benefits from the consumption?
β
β
Grafton Tanner (The Hours Have Lost Their Clock: The Politics of Nostalgia)
β
So he wanted a night of sex with the voluptuous Lady Grafton, it looked as though the old mainstay of suave flattery was on the agenda. Perhaps even a hitherto unpracticed sincerity might be of use.
Which called into questions what exactly he was sincere about?
Other than sex.
β
β
Susan Johnson (When You Love Someone (Darley, #1))
β
I'm an organism of the earth, a Taurus. I was never born of air, of water, or of fire. I'm a creature of gravity and I could feel the ground whisper. The same thing happens to me in old hotels when I'm staying on the twenty-second floor. I open a window and want to fling myself out.
β
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
β
My "do" now consisted of some really nifty spikes on top. I looked like a punker, but it was kind of fun, if you want to know the truth. Next thing I knew I'd be getting my ears pierced and chewing gum in public, social sins my auntie had always warned me about, along with red nail polish and dingy bra straps.
β
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Sue Grafton (H is for Homicide (Kinsey Millhone, #8))
β
The problem with real life is thereβs no musical score. In movies, you know youβre in danger because thereβs an ominous chord underlining the scene, a dissonant melodic line that warns of sharks in the water and boogeymen behind the door. Real life is dead quiet, so youβre never quite sure if thereβs trouble coming up.
β
β
Sue Grafton (H is for Homicide (Kinsey Millhone, #8))
β
Sometimes these kids are ADHD and sometimes notβbut theyβre always unemotional. They might have tantrums, but what looks like fury is pure manipulation. They have no empathy and they have no desire to please. They donβt care about punishment. They donβt care about other peopleβs pain and suffering. It just doesnβt interest them.β βYou
β
β
Sue Grafton (X (Kinsey Millhone, #24))
β
Death will come for the quick and the bold, the slow and the careful, the wise and the foolish, each and every one.
β
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Stephen Coonts (Under Siege (Jake Grafton, #4))
β
In America a manβs right to hate his neighbor is protected as it is nowhere else on earth.
β
β
Stephen Coonts (Under Siege (Jake Grafton, #4))
β
If you canβt dazzle them with logic or baffle them with bullshit, then scare the bejesus out of them.
β
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Stephen Coonts (The Minotaur (Jake Grafton, #3))
β
When the rain comes, it does not matter whether you welcome it or hate itβthe rain falls upon your head regardless.
β
β
Stephen Coonts (Hong Kong (Jake Grafton, #8))
β
A fellow never gets very far marching in the dark, anyhow,β Jake said aloud. βToo much stuff out there to trip over.
β
β
Stephen Coonts (The Minotaur (Jake Grafton, #3))
β
Everyone has to die sooner or later and he wasnβt afraid of it. Dying is the easy part, like going to sleep. Getting to that moment can be a real bitch, though.
β
β
Stephen Coonts (The Red Horseman (Jake Grafton, #5))
β
When we perish from human memories we are no more. We are well and truly gone, as if we had never been.
β
β
Stephen Coonts (Cuba (Jake Grafton, #7))
β
with the Communists in power, nothing in China is worth real money. Thatβs the lesson the Americans and British and Japanese are going to learn the hard way.
β
β
Stephen Coonts (Hong Kong (Jake Grafton, #8))
β
Thatβs all life is: luckβsome good, some bad, most indifferent. Some of it you make yourself, most of it you just have to take as it comes.
β
β
Stephen Coonts (The Red Horseman (Jake Grafton, #5))
β
The easiest lie ever told is that old nugget you tell yourself, Iβm doing what has to be done.
β
β
Stephen Coonts (The Red Horseman (Jake Grafton, #5))
β
Your country wasnβt under attack by the Vietnamese. You canβt wrap the holy flag around yourself now, Mister, or use it to cover up what you people did over there.
β
β
Stephen Coonts (The Intruders (Jake Grafton #2))
β
Theyβve invited us to a party at Changi this evening. A party! And they swore that some Aussie women would be there! Quantas stews. Can you beat that?
β
β
Stephen Coonts (The Intruders (Jake Grafton #2))
β
Hey, mate. How about a beer?β The Australian who asked held out a couple of cold bottles of Fosters.
β
β
Stephen Coonts (The Intruders (Jake Grafton #2))
β
You can't go back to something once it's dead.
β
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
β
A lot of people were mistaken about a lot of things.
β
β
Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
β
My own mystery, unplumed, undetected, was sorted into files that were neatly labeled but really didn't say much.
β
β
Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
β
There were pieces missing yet but they would fall into place and then maybe the whole of it would make sense.
β
β
Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
β
Ordinarily, an alibi is an account of suspect's whereabouts at the time a crime was committed and it's offered up as proof of innocence, but here it didn't matter where anyone was.
β
β
Sue Grafton
β
I wondered if I'd ever be nice enough to volunteer for anything. I was hoping not.
β
β
Sue Grafton (W is for Wasted (Kinsey Millhone, #23))
β
I didn't take the death-and-dismemberment talk very seriously. Where could you rent a chainsaw at this time of night?
β
β
Sue Grafton (F is for Fugitive (Kinsey Millhone, #6))
β
The basic characteristics of any good investigator are a plodding nature and infinite patience. Society has inadvertently been grooming women to this end for years.
β
β
Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
β
If it floats, flies or fucks, rentβdonβt buy!
β
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Stephen Coonts (The Red Horseman (Jake Grafton, #5))
β
Everything happens for a reason but that doesn't mean there is a point.
β
β
Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
β
I'm not saying justice is for sale, but if you have enough money, you can sometimes enjoy the benefits of a short-term lease.
β
β
Sue Grafton (Y is for Yesterday (Kinsey Millhone, #25))
β
I may have people lying to me, but since I don't really know the truth, I can't be sure.
β
β
Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
β
Another one of life's little jokes. I thought it was a tumor 'til it started to kick.
β
β
Sue Grafton
β
Some death is as silent as the flight of a bird, some prey as unprotesting as a knot of rags. The
β
β
Sue Grafton (K is for Killer (Kinsey Millhone, #11))
β
He blinked at me lazily and I blinked back at half speed, an exchange I later learned was called a cat kiss.
β
β
Sue Grafton (W is for Wasted (Kinsey Millhone #23))
β
Itβs not that gray waterβs boring, but the subject does have its limits.
β
β
Sue Grafton (X (Kinsey Millhone, #24))
β
As it is, we could not call mine a beautiful puss, but it does the job well enough, distinguishing the front of my head from the back.
β
β
Sue Grafton (F is for Fugitive (Kinsey Millhone, #6))
β
I was determined to run, but my body thought otherwise. (Kinsey Millhone)
β
β
Sue Grafton (J is for Judgment (Kinsey Millhone, #10))
β
panic inspires gross errors in judgement (Kinsey Millhone)
β
β
Sue Grafton (J is for Judgment (Kinsey Millhone, #10))
β
The tricky part of any lie is trying to figure out how you'd behave if you were innocent.
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Sue Grafton (H is for Homicide (Kinsey Millhone, #8))
β
I find it so liberating when other people are rude. It makes me feel mild and lazy and mean.
β
β
Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
β
So far, I felt like I had a lapful of confetti and the notion of piecing it all together to make a picture seemed very remote indeed.
β
β
Sue Grafton (A is for Alibi (Kinsey Millhone, #1))
β
All that night, after I shut the door and left Number 16 empty, I went looking for the parts of my city that have lasted. I walked down streets that got their names in the Middle Ages: Copper Alley, Fishamble Street, Blackpitts where the plague dead were buried. I looked for cobblestones worn smooth and iron railings gone thin with rust. I ran my hand over the cool stone of Trinityβs walls and I crossed the spot where nine hundred years ago the town got its water from Patrickβs Well; the street sign still tells you so, hidden in the Irish that no one ever reads. I paid no attention to the shoddy new apartment blocks and the neon signs, the sick illusions ready to fall into brown mush like rotten fruit. Theyβre nothing; theyβre not real. In a hundred years theyβll be gone, replaced and forgotten. This is the truth of bombed-out ruins: hit a city hard enough and the cheap arrogant veneer will crumble faster than you can snap your fingers; itβs the old stuff, the stuff thatβs endured, that might just keep enduring. I tilted my head up to see the delicate, ornate columns and balustrades above Grafton Streetβs chain stores and fast-food joints. I leaned my arms on the Haβpenny Bridge where people used to pay half a penny to cross the Liffey, I looked out at the Custom House and the shifting streams of lights and the steady dark roll of the river under the falling snow, and I hoped to God that somehow or other, before it was too late, we would all find our way back home.
β
β
Tana French (Faithful Place (Dublin Murder Squad #3))
β
I truly hate being a guest in someone's home...Worst of all, you have to 'make nice' at all hours. I don't want someone across the table from me while I'm eating my breakfast. I don't want to share the newspaper and I don't want to talk to anyone at the end of the day. If I were interested in that shit, I'd be married again by now and put a permanent end to all the peace and quiet.
β
β
Sue Grafton (N is for Noose (Kinsey Millhone, #14))
β
I would think of him most vividly in that single flashing instant when he whirled to shoot Fletcher on the balcony at Graftonβs saloon. I would see again the power and grace of coordinate force beautiful beyond comprehension. I would see the man and the weapon wedded in one indivisible deadliness. I would see the man and the tool, a good man and a good tool, doing what had to be done
β
β
Jack Schaefer (Shane)
β
She was right about one thing: the harm in the world is done by those who feel disenfranchised and abused. Contented people (as a rule) don't kite checks, rob banks, or kill their fellow citizens.
β
β
Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
β
...and that touched off something else...old sorrows, good friends gone down into the earth. Sometimes I picture death as a wide stone stair-case, filled with a silent procession of those being led away.
β
β
Sue Grafton
β
The Copse at Hurstbourne is one of those fancy-sounding titles for a brand-new tract of condominiums on the outskirts of town. 'Copse' as in 'a thicket of small trees.' 'Hurst' as in 'hillock, knoll, or mound.' And 'bourne' as in 'brook or stream.' All of these geological and botanical wonders did seem to conjoin within the twenty parcels of the development, but it was hard to understand why it couldn't have just been called Shady Acres, which is what it was. Apparently people aren't willing to pay a hundred and fifty thousand dollars for a home that doesn't sound like it's part of an Anglo-Saxon land grant. These often quite utilitarian dwellings are never named after Jews or Mexicans. Try marketing Rancho Feinstein if you want to lose money in a hurry. Or Paco Sanchez Park. Middle-class Americans aspire to tone, which is equated, absurdly, with the British gentry.
β
β
Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
β
The dead are mute, but the living still have voice with which to protest their innocence. Often their objections are noisy and pious, impossible to refute since the person who could condemn them has been silenced forever.
β
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Sue Grafton (I is for Innocent (Kinsey Millhone, #9))
β
In America these days, freedom for those who are functionally disabled, incapable of keeping body and soul together, means the freedom to commit suicide with a bottle on a public sidewalk while the world walks around them.
β
β
Stephen Coonts (The Minotaur (Jake Grafton, #3))
β
An Americanβs enthusiasm for law and order is directly proportional to the degree to which he believes his personal safety or his livelihood is threatened. When the perceived threat recedes, so does his willingness to be policed.
β
β
Stephen Coonts (Under Siege (Jake Grafton, #4))
β
I was more pissed off in retrospect than Iβd been at the time. I know there are people who believe you should forgive and forget. For the record, Iβd like to say Iβm a big fan of forgiveness as long as Iβm given the opportunity to get even first.
β
β
Sue Grafton (V is for Vengeance (Kinsey Millhone, #22))
β
I made a stop, ducking into the supermarket to pick up milk, Diet Pepsi, bread, eggs, and toilet paper. I was into my siege mentality, looking forward to pulling up the drawbridge and waiting out the rain. With luck, I wouldn't have to go out for days.
β
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Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
β
Iβm always aware that under the spritely twitter of birds, bones are being crunched and ribbons of flesh are being stripped away, all of it the work of bright-eyed creatures without feeling or conscience. I donβt look to nature for comfort or serenity.
β
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Sue Grafton (D Is For Deadbeat (Kinsey Millhone, #4))
β
Results for "I looked as respectable as the bum they were booking. I fancied I smelled better, but perhaps not. I've noticed that most of us don't have a clue what we smell like to other people. It's almost as though our noses blank us out in self-defense.
β
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Sue Grafton (H is for Homicide (Kinsey Millhone, #8))
β
Humans are unique animals, he reflected. What other species has manβs ability to see the world as he wants it to be, rather than as it actually is? He couldnβt think of any. The worst of it is that this human trait deprives you of the ability to recognize reality when you see it.
β
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Stephen Coonts (The Minotaur (Jake Grafton, #3))
β
I've given this a great deal of thought and what I've realized is that revenge doesn't have to be an eye for an eye. Retaliation can take any number of forms. It doesn't need to be crude or obvious. The point is, the pain should be equivalent; not tit for tat but something comparable.
β
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Sue Grafton (Y is for Yesterday (Kinsey Millhone, #25))
β
What I could see of the apartment looked much like the office: gold high-low carpeting, Early American furniture, probably from Montgomery Ward. A painting of Jesus hung on the wall at the foot of the bed. He had his palms open, eyes lifted towards heaven- pained no doubt, by Ori's home decorating taste.
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Sue Grafton (F is for Fugitive (Kinsey Millhone, #6))
β
The incongruity of the situation appalled him, filled him with a sadness devoid of hope that seemed to drain the energy from him. Insanity, Callie had said. Yes, that was the word. A nation with enough nuclear weapons to kill half the life on earth and doom the rest couldnβt feed its old people, its children.
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Stephen Coonts (The Red Horseman (Jake Grafton, #5))
β
Itβs almost impossible for people who have known only peace to lift themselves to that level of mental readiness necessary to immediately and effectively counter a determined attack. The mind may say get ready, but the subconscious refuses to pump the adrenaline, refuses to let go of the comfortable present. We refuse to believe.
β
β
Stephen Coonts (Under Siege (Jake Grafton, #4))
β
Live long enough and you begin to see the big picture, see yourself as God must see you, as a flawed mortal speck of protoplasm whose fate is of little concern to anyone but you. You work, eat, sleep, defecate, reproduce, and die, precisely like all the others, no different really, and the planet turns and the star burns on, both quite indifferent to your fate.
β
β
Stephen Coonts (Cuba (Jake Grafton, #7))
β
You know what they say about living well as the best revenge. I did well because it was the one defense I had. Escape has been the motivating force in my life. Getting away from him, getting away from her, putting that household behind me. The funny this is, I haven't moved an inch, and the harder I run, the faster I keep slipping back to them...There are laws for everything except the harm families do.
β
β
Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
β
I used to have a crow named Albert. Bertie, when I got to know him better. I got him when he was just a little guy and had him for years. A young crow doesn't navigate well and they'll sometimes crash-land. They're called branchers at that age-that's about all they can do, lumber awkwardly from branch to branch. Sometimes they get stuck and they wail like babies until you get 'em down. Bertie must have bitten off a bit more than he could chew and he'd tumbled to the ground. I had a cat named Little John who brought him in, squawking hellishly. LJ and I had a tussle to see who was going to take possession. Fortunately for Bertie, I won the contest. He and the cat became friends later, but it was touch-and-go for a while there. LJ was pissed off because he thought this was Thanksgiving dinner and I was getting in his way (Dietz)
β
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Sue Grafton (G is for Gumshoe (Kinsey Millhone, #7))
β
There's something inherent in human nature that has us constructing narratives to explain a world that is otherwise chaotic and opaque. Life is little more than a series of overlapping stories about who we are, where we came from, and how we struggle to survive. What we call news isn't news at all: wars, murders, famines, plaguesβdeath in all its forms. It's folly to assign meaning to every chance event, yet we do it all the time.
β
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Sue Grafton (W is for Wasted (Kinsey Millhone, #23))
β
Brunelleschiβs successor as a theorist of linear perspective was another of the towering Renaissance polymaths, Leon Battista Alberti (1404ββ1472), who refined many of Brunelleschiβs experiments and extended his discoveries about perspective. An artist, architect, engineer, and writer, Alberti was like Leonardo in many ways: both were illegitimate sons of prosperous fathers, athletic and good-looking, never-married, and fascinated by everything from math to art. One difference is that Albertiβs illegitimacy did not prevent him from being given a classical education. His father helped him get a dispensation from the Church laws barring illegitimate children from taking holy orders or holding ecclesiastical offices, and he studied law at Bologna, was ordained as a priest, and became a writer for the pope. During his early thirties, Alberti wrote his masterpiece analyzing painting and perspective, On Painting, the Italian edition of which was dedicated to Brunelleschi. Alberti had an engineerβs instinct for collaboration and, like Leonardo, was βa lover of friendshipβ and βopen-hearted,β according to the scholar Anthony Grafton. He also honed the skills of courtiership. Interested in every art and technology, he would grill people from all walks of life, from cobblers to university scholars, to learn their secrets. In other words, he was much like Leonardo, except in one respect: Leonardo was not strongly motivated by the goal of furthering human knowledge by openly disseminating and publishing his findings; Alberti, on the other hand, was dedicated to sharing his work, gathering a community of intellectual colleagues who could build on each otherβs discoveries, and promoting open discussion and publication as a way to advance the accumulation of learning. A maestro of collaborative practices, he believed, according to Grafton, in βdiscourse in the public sphere.β When Leonardo was a teenager in Florence, Alberti was in his sixties and spending much of his time in Rome, so it is unlikely they spent time together. Alberti was a major influence nonetheless.
β
β
Walter Isaacson (Leonardo da Vinci)
β
The president is declaring martial law tomorrow. He wants you standing behind him tomorrow at ten oβclock in the press room when he announces it.β Jake Grafton didnβt look surprised. I was flabbergasted, but since I was sitting on the couch against the wall Sal Molina couldnβt see the stunned look on my face unless he turned his head, and he didnβt. βWhy?β said Grafton. βThese terrorist conspiracies need to be rooted out. We must make sure the American people are safe, and feel safe.β βHorseshit,β Grafton roared, and smacked the desk with both fists. βPure fucking horseshit! Oh, a million or two jihadists would love to murder Americans, including Soetoro, if they could get here, but if they were a credible threat weβd have heard about it. This is just an excuse for Soetoro to suspend the Constitution and declare himself dictator.β βThe American people must be protected, Admiral. The president is taking no chances. No one wants to be the next victim of Islamic terrorists.β βSo he is going to rule by decree.β βWe face a national emergency.β βAnd he is going to postpone or cancel the election in November. Isnβt that the real reason for martial law?
β
β
Stephen Coonts (Liberty's Last Stand (Tommy Carmellini #7))
β
The modern holiday of Mother's Day was first celebrated in 1908, when Anna Jarvis held a memorial for her mother at St Andrew's Methodist Church in Grafton, West Virginia.[9] St Andrew's Methodist Church now holds the International Mother's Day Shrine.[10] Her campaign to make Mother's Day a recognized holiday in the United States began in 1905, the year her mother, Ann Reeves Jarvis, died. Ann Jarvis had been a peace activist who cared for wounded soldiers on both sides of the American Civil War, and created Mother's Day Work Clubs to address public health issues. She and another peace activist and suffragette Julia Ward Howe had been urging for the creation of a Motherβs Day dedicated to peace. 40 years before it became an official holiday, Ward Howe had made her Motherβs Day Proclamation in 1870, which called upon mothers of all nationalities to band together to promote the βamicable settlement of international questions, the great and general interests of peace.β[11] Anna Jarvis wanted to honor this and to set aside a day to honor all mothers because she believed a mother is "the person who has done more for you than anyone in the world"
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In 1908, the U.S. Congress rejected a proposal to make Mother's Day an official holiday, joking that they would also have to proclaim a "Mother-in-law's Day". However, owing to the efforts of Anna Jarvis, by 1911 all U.S. states observed the holiday, with some of them officially recognizing Mother's Day as a local holiday (the first being West Virginia, Jarvis' home state, in 1910). In 1914, Woodrow Wilson signed a proclamation designating Mother's Day, held on the second Sunday in May, as a national holiday to honor mothers.
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To the delight of visiting American sailors, the British still had a military base there, Changi, and shared it with those stout lads from Down Under, the Australians, who naturally came supplied with Down Under lassies. Australian women were the glory of Singapore. These tall, lithe creatures with tanned, muscular legs and striking white teeth that were forever being displayed in dazzling smiles somehow completed the picture, made it whole. You ran into them at Raffles, the old hotel downtown with ceiling fans and rattan chairs and doddery old gentlemen in white suits sipping gin. You ran into them in the lobbies and restaurants of the new western hotels and in the bazaars and emporiums. You saw them strolling the boulevards and haggling with small Chinese women in baggy trousers for sapphires and opals. You saw them everywhere, young, tan, enjoying life, the center of attention wherever they were. It helped that their colorful tropical frocks contrasted so vividly with the drab trousers and white shirts that seemed to be the Singaporean national costume. They were like songbirds surrounded by sparrows. βIf Qantas didnβt bring them here, the United Nations should supply them as a gesture of good will to all human kind.β Flap Le Beau stated this conclusion positively to Jake Grafton and the Real McCoy as they stood outside Raffles Hotel surveying the human parade on the sidewalk. βI think Iβm in love,β the Real McCoy told his companions. βI want one of those for my very own.
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Stephen Coonts (The Intruders (Jake Grafton #2))
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We are here this afternoon to mourn the passing of two good friends, Terrence Dace and Felix Beider. They were homeless. Their ways were not those we most desire for ourselves, but that didnβt make them wrong. We seem determined to save the homeless, to fix them, to change them into something other than what they are. We want them to be like us, but they are not. The homeless do not want our pity, nor do they deserve our scorn. Our judgments about them, for good or for ill, negate their right to live as they please. Both the urge to rescue and the need to condemn fail to take into account the concept of their personal liberty, which they may exercise as they see fit as long as their actions fall within the law. The homeless are not lesser mortals. For Terrence and Felix, their battles were within and their victories hard-won. I think of these two men as soldiers of the poor, part of an army of the disaffiliated. The homeless have established a nation within a nation, but we are not at war. Why should we not coexist in peace when we may be in greater need of salvation than they? This is what the homeless long for: respect, freedom from hunger, shelter from the elements, safety, the companionship of the like-minded. They want to live without fear. They want to enjoy the probity of the open air without the risk of bodily harm. They want to be warm. They want the comfort of a clean bed when they are ill, relief from pain, a hand offered in friendship. Ordinary conversation. Simple needs. Why are their choices so hard for us to accept? What you see before you is their home. This is their dwelling place. This grass, this sunlight, these palms, this mighty ocean, the moon, the stars, the clouds overhead though they sometimes harbor rain. Under this canopy they have staked out a life for themselves. For Terrence and for Felix, this is also the wide bridge over which they passed from life into death. Their graves will be unmarked but that does not mean they are forgotten. The Earth remembers them, even as it gathers them tenderly into its
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Sue Grafton (W is for Wasted (Kinsey Millhone #23))
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β¦I was startled out of my concentration by the sound of malicious hissing. Waddling toward me with remarkable speed were two huge white geese, their heads thrust forward, mouths open like snakes with their tongues protruding, emitting a terrifying sound. I gave a low involuntary cry and began to backtrack toward my car, afraid to take my eyes off them. They covered the ground between us at a pace that forced me into a run. I barely reached my car before they caught up with me. I wrenched the door open and slammed it again with a panic I hadn't felt in years. I locked both doors, half expecting the viperous birds to batter at my windows until they gave way. For a moment they balanced, half lifted, wings flapping, black eyes bright with ill-will, their hissing faces even with mine. And then they lost interest and waddled off, honking and hissing, pecking savagely at the grass. Until that moment, it had never even occurred to me to include crazed geese among my fears, but they had suddenly shot straight to the top of the list along with worms and water bugs.
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Sue Grafton (A Is for Alibi (Kinsey Millhone #1))