Graffiti Tagging Quotes

I understood why she did it. At that moment I knew why people tagged graffiti on the walls of neat little houses and scratched the paint on new cars and beat up well-tended children. It was only natural to want to destroy something you could never have.

I laugh at the way some people think graffiti is all selfish tagging and vandalism. Thoughtful street art is like good fiction – it speaks out on behalf of everyone, for us all to see.

My students tag tables, walls, and chairs because their greatest fear is that no one will ever remember them. They do not believe they can give impassioned speeches, rally people in protest, paint masterpieces. They think they will die, small and forgotten, and it dictates their every action.

Walls tagged with graffiti (one such piece of tagging: a stencil of a familiar Sith Lord’s helmet with the phrase beneath it reading VADER LIVES).

It was graffiti tagging for rich people, except they used plaques instead of spray paint.

If Bombing was Legal it wouldn't be as Anteresting

the media is not only the graffiti on our streets but also the graffiti that tags the surface of our malleable minds

He’s a member of the provincial legislative assembly. She is a top city lawyer. They both have children. They always pick a place like this. Something industrial. Dank. Deserted. Tagged with graffiti, littered with urban detritus. Sordid yet delicious in a disreputable way. It’s their quirk—fornicating against backdrops of squalor. Juxtaposing their glamour and brains and wealth and privilege against these gritty urban canvases

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In some places, vandals had scrawled simple tags over the more elaborate drawings, which made me sad and angry for the waste of work that the artists had put into the wall. Even though it was all graffiti, there was a difference between creating something beautiful amid the ugliness, and simple destruction for the sake of it" -Athena

just a cement culvert tagged with indignant graffiti, a trickle of sour shallow water rippling through,

When Michael died, Basquiat went to Haring’s Houston Street studio. The two had known each other since meeting years earlier at the School of Visual Arts. Haring, a student there, helped Basquiat get past a troublesome security guard. Later that day, Haring saw SAMO tags all over the SVA walls and realized he’d hung out with the elusive artist. At the time, the two ran in different circles. Haring, skinny and ebullient, was drawn to graffiti, a form from which Basquiat, a more pensive personality, was starting to distance himself. All the same, there were vital commonalities. Patrick Fox, who knew both men, likened Basquiat

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