Graffiti Letters Quotes

From: mavenger@gmail.com To: jworthington90@yahoo.com Subject: You, Me, Becca Arrington's House, Your Penis, Etc. Dear Mr. Worthington, 1.$200 in cash should be provided to each of the 12 people whose bikes your collegues destroyed via Chevy Tahoe. This shouldn't be a problem, given your magnificent wealth. 2.This graffiti situation in the girls' bathroom has to stop. 3.Water guns? With pee? Really? Grow up. 4.You should treat your fellow students with respect, particularly those less socially fortunate than you. 5.You should probably instruct members of your clan to behave in similarly considerate ways. "I realize that it will be very difficult to accomplish some of these task. But then again, It will also be very difficult not to share the attached photograph with the world.

Poetic Terrorism WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ... Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc. Go naked for a sign. Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty. Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement... The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails. PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now. An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE. Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you. Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.

He hurried back. Walls seemed to shift and advance. Right here, it must be. Wasn’t this passage too short? No, it wasn’t a wall that blocked his way, only fog. The fog retreated before him—then at once yielded up a wall. Staggering crimson letters caught in the web of graffiti spelled KILLER.

Though Kurt would later claim that his graffiti messages were political, in fact, most of what he wrote was nonsensical. He enraged a neighbor with a boat by painting “Boat Ack” in red letters on the ship’s hull; on the other side he lettered, “Boat people go home.

I loved the abandoned subway stations, rushing past the darkened platforms, the sprawl of graffiti like old letters. Letters left by ghosts.

On this spot, on the night of 31 October 1981, Lily and James Potter lost their lives. Their son, Harry, remains the only wizard ever to have survived the Killing Curse. This house, invisible to Muggles, has been left in its ruined state as a monument to the Potters and as a reminder of the violence that tore apart their family. And all around these neatly lettered words, scribbles had been added by other witches and wizards who had come to see the place where the Boy Who Lived had escaped. Some had merely signed their names in Everlasting Ink; others had carved their initials into the wood, still others had left messages. The most recent of these, shining brightly over sixteen years’ worth of magical graffiti, all said similar things. Good luck, Harry, wherever you are. If you read this, Harry, we’re all behind you! Long live Harry Potter. “They shouldn’t have written on the sign!” said Hermione, indignant. But Harry beamed at her. “It’s brilliant. I’m glad they did.

Ludwig’s enormous, awe-inspiring genius, his productivity, his prescient modernism were all contained in music. Beside that, the letters to the Immortal Beloved looked no more impressive to her than bathroom stall graffiti: L.V.B. luvs his I.B. Wishes she wuz here.

What treasures lay inside! Yes, here were the colors that she had asked for: red, pink, yellow, blue, green, black- all in powder form, of course, not like the one or two bottles of liquid food color that were available at the Lebanese supermarket in town; those were not at all modern- some big blocks of marzipan, and, as always, June had included some new things for Angel to try. This time there were three tubes that looked rather like thick pens. She picked one upend examined it: written along its length were the words 'Gateau Graffito,' and underneath, written in uppercase letters, was the word 'red.' Reaching for the other two pens- one marked 'green' and the other 'black'- she saw a small printed sheet lying at the bottom of the bubblewrap nest. It explained that these pens were filled with food color, and offered a picture showing how they could be used to write fine lines or thick lines, depending on how you held them. It also guaranteed that the contents were kosher. Eh, now her cakes were going to be more beautiful than ever!

On this spot, on the night of 31 October 1981, Lily and James Potter lost their lives. Their son, Harry, remains the only wizard ever to have survived the Killing Curse. This house, invisible to Muggles, has been left in its ruined state as a monument to the Potters and as a reminder of the violence that tore apart their family. And all around these neatly lettered words, scribbles had been added by other witches and wizards who had come to see the place where the Boy Who Lived had escaped. Some had merely signed their names in Everlasting Ink; others had carved their initials into the wood, still others had left messages. The most recent of these, shining brightly over sixteen years’ worth of magical graffiti, all said similar things. Good luck, Harry, wherever you are. If you read this, Harry, we’re all behind you! Long live Harry Potter.

When the attendant at Britz Rentals of Australia whipped around in our prepaid-in-full honeymoon car, my eyes grew wide and I knew we were in trouble. It was an SUV, yes, and a Toyota Land Cruiser at that--just as Marlboro Man had ordered. It was white and clean and very shiny. And painted in huge bright orange and royal blue lettering across the hood, the roof, all four doors, and the tailgate of the vehicle, were scrawled the enormous words: BRITZ RENTALS OF AUSTRALIA. I could see Marlboro Man’s jaw muscles flex as he beheld his worst nightmare playing out in front of his eyes. He could hardly even bear to gaze upon such an attention-grabbing abomination, let alone conceive of driving it all over an entire continent. Unfortunately, our last-minute attempts to trade to another vehicle proved to be futile; even if Britz hadn’t been completely booked that week, it wouldn’t have mattered anyway. Every single car in their fleet was smeared with the exact same orange and blue promotional graffiti. Having no other transportational alternative, we set off on our drive, a black cloud of conspicuousness and, in Marlboro Man’s case, dread following us everywhere we went. Being an attention-seeking middle child, I didn’t really mind it much. But for Marlboro Man, this was more than his makeup was programmed to handle. As far as he was concerned, we were the Griswolds, and the Land Cruiser was our Family Truckster. It was a pox on what might have been the perfect honeymoon. Except for my inner ear disturbance. And the vomiting. And the slightly marsupial undertone to the hamburgers.

And all round these neatly lettered words scribbles had been added by other witches and wizards who had come to see the place where the Boy Who Lived had escaped. Some had merely signed their names in Everlasting Ink; others had carved their initials into the wood, still others had left messages. The most recent of these, shining brightly over sixteen years’ worth of magical graffiti, all said similar things.

I admired Bolden’s abilities. I’ve long thought that a good prosecutor is a well-trained union carpenter building a sturdy house with shiny tools and freshly hewn wood. She follows blueprints to the letter, makes sure the framing is in plumb, lines up the two-by-fours, and hammers the nails straight. The best courtroom carpenters are Renaissance men and women. They double as bricklayers, installers, tapers, finishers, electricians, and even plumbers. They can build the whole damn house, and it’s a thing of beauty that will pass the toughest inspection by city inspectors . . . or juries. Until the defense lawyers come along. We’re the stealthy vandals wielding crowbars and spray paint. We tear down door frames, break windows, and spray graffiti on the walls. Our job is to destroy what the carpenters have built and feed it into the woodchipper.

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