Gothic Horror Quotes

There is something at work in my soul, which I do not understand.

But to die as lovers may - to die together, so that they may live together.

The only way to get rid of temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself.

It was so close to October that Halloween was knocking at his heart.

Girls are caterpillars while they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don't you see - each with their peculiar propensities, necessities and structure.

There was something awesome in the thought of the solitary mortal standing by the open window and summoning in from the gloom outside the spirits of the nether world.

Love will have its sacrifices. No sacrifice without blood.

Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –

Paranoia. The more you think of an imaginary problem, the more you feel as though it’s real –

All cats are gray in the dark. And besides, her actions have less to do with her, and everything to do with you.

It isn't fair, it isn't right," Mrs. Hutchinson screamed, and then they were upon her.

Headache is always preferable to heartache, and if you’re focusing on not throwing up, you aren’t thinking about how the friends of your youth are dying around you.

If on thoughts of death we are fed, Thus, a coffin, became my bed.

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make one almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie.

You were dropped as a child, weren't you?" Varen asked her. "Maybe once or twice," Gwen said, "but at least I wasn't raised by highly literate vampires who, every night just before bed, fed me a steady diet of dark sarcasm and gothic horror fiction." "Every morning before bed," Varen corrected. Stepping forward, he moved toward the headstone. "We slept during the day.

This girl who was soft at heart, who was both the vast, dark woods and the glorious light of a full moon, who was angry at all the thousand tiny ways she’d been hurt in her life.

The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.

I have learned one lesson in all this and I will share it knowing it will do no one any good. The lesson is this: "There are none more complicit in one's undoing than one's own heart".

you always felt they were pawns in an indifferent universe, butts of an existential joke with no punch line.

People do not ever change. The person you see later is merely the one that was hidden from you in the beginning. Shane KP O'Neill - The Gates Of Babylon.

Our very existence refuses your laws and your science, your religions and your philosophies.

They told of dripping stone walls in uninhabited castles and of ivy-clad monastery ruins by moonlight, of locked inner rooms and secret dungeons, dank charnel houses and overgrown graveyards, of footsteps creaking upon staircases and fingers tapping at casements, of howlings and shriekings, groanings and scuttlings and the clanking of chains, of hooded monks and headless horseman, swirling mists and sudden winds, insubstantial specters and sheeted creatures, vampires and bloodhounds, bats and rats and spiders, of men found at dawn and women turned white-haired and raving lunatic, and of vanished corpses and curses upon heirs.

River had never lost his cool, not since I'd know him. That was the thing about River. He was calm. Calm as a summer's day. Calm as a gentle nap in the sun. Even when girls were fainting and men were slitting their throats in front of you.

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain.

The crow cawed again overhead, and a strong sea wind came in and burst through the trees, making the green pine needles shake themselves all over the place. That sound always gave me goose bumps, the good kind. It was the sound an orphan governess hears in a book,before a mad woman sets the bed curtains on fire.

He breathed in hard. The stench of blood filled his lungs. Only now, for the first time, could he truly appreciate it.

I was generally pro-bat, except when I was trekking through the dark trying not to think about the dire fate of every horror movie character stupid enough to go into the dark with a flashlight and check the fuses.

Profanity is the expression of a lesser mind.

Halloween is a celebration of the inversion of reality and a necessary Gothic hat-tip to the darker aspects of life, death and ourselves.

Bodies lay strewn all around. Turkish and Wallachian warriors caught in the intimate indiscriminate embrace of death.

...perhaps we only notice things when the time comes for us to pay attention to them. When they need us to see them…

Walk with this tomorrow night. If nothing happens, then don’t come back. Forget about us, this place, but if you feel the Nightwalker in you awaken, then return to where you belong. Return to me, and the streets will run red with blood.

Must beauty blossom, rooted in decay, And night devour its flaming hues alway?

The beauty of a woman is that no two are the same. They are all different. It follows then that to be successful as a lover, you cannot make love to any two in the same way.

Exercise care with what it is you do when you hold my heart in your hands. For it is my love that makes you special. When it is gone, you shall soon know it and you shall be special no more. Shane KP O'Neill - The Gates Of Babylon

At its heart, Gothic Fiction is the introvert's "Hero's Journey" where heroes and heroines must navigate the uncharted territory of the mind in order to solve the mystery of their life's adventure.

He would die in this room, buried alive by the weight of his life.

The original Gothic horror tales focused on personalities deformed through loneliness. Ghouls, vampires, werewolves: all made, not born. But the isolation? Are even such as these ever truly alone? Perhaps the psyche has always been more complex than that, desire eternally more potent than terror. Surely, none prowl entirely in solitude.

The world is a parable-the habitation of symbols-the phantoms of spiritual things immortal shown in material shape.

Romance is not the giving of flowers, or any other gift. It is a way of life, a way of being. Romance is every thought, gesture, and deed on your part to make another feel special, even if only for a moment. For a moment can last a lifetime in the heart of the recipient, be that the one you love, or a complete stranger.

You call out Gods name one more time while im between your legs, even he wont be able to save you little lamb.

I had the view of a castle of romance inhabited by a rosy spirit, such a place as would somehow, for diversion of the young idea, take all colour out of story-books and fairy-tales. Was n't it just a story-book over which I had fallen a-doze and a-dream?

What you go searching for and what you find aren't always the same.

These streets belong to us because we decided not to punch the time clock. We decided to see what and f*ck is going on out here when all those other people are going to sleep. So we walk from dusk until dawn and we rule.

The questions push me further into the space in between, the place where my madness lays waiting for me. I struggle with each question, determined to extract some sort of answer, an explanation for everything that has happened so far. But no answers come and I’m forced to acknowledge the feeling lodged between my two worlds Terror.

Is this it? Johann wondered. The longer fall I was looking for? To know that I was summoned up from the dark ether to do a monster's deeds for Hallandrette's truest son? And when our work is done, I will carry him to the bottom of the sea, where we both belong. Deep beneath the silt our bones will turn to salt.

What if it was my imagination that could open this long-sealed door? And if that key let the terror walk right into my own life, so be it.

You know how bad news grows in villages. Sneeze at noon and by sundown the gravedigger will be taking your measurements

I want to know what haunts me. The ghosts that obscure my face in the mirror, that speak in my head when I’m trying to think, that pull my hands back when I try to reach out. I know there’s something; I just don’t know what it is yet.

Our fiction is not merely in flight from the physical data of the actual world…it is, bewilderingly and embarrassingly, a gothic fiction, nonrealistic and negative, sadist and melodramatic – a literature of darkness and the grotesque in a land of light and affirmation…our classic [American] literature is a literature of horror for boys

Don’t get all gothic and emo on me now. - Tory

Is it possible for one to enter sleep and wander while never waking? And if so, for how long can one survive this way?

Strength and victory... What he would never praise himself for, but whose loss was his most obsessive fear.

Yet from thy lethal lips and thine alone, Love would I drink, as dew from poison-bloom.

Think about the people who come here," Nick says. "Writers and artists, scientists and captains of industry. Think of all they give to the world. Now think of yourself, Jules. What are you? What do you offer? Nothing.

He knew what he had found here, a precious treasure that had remained hidden away for so long. To the right man, she could give more happiness and fulfilment than any amount of gold, or gems. Just by holding her in his arms, he knew this. He had the key to her heart in his hands. All he had to do was unlock her, and he would enjoy the most wondrous chest of delights. He knew it and he knew, too, that nothing would ever compensate him should he lose her.

Gloomy days, whether meteorological or psychological, lend themselves more to the creation of Gothic horror. On those insular days, the mind gravitates towards the unseen and the subconscious. Days of blinding sunshine banish the desire to ruminate and it is replaced with a longing to participate in the outside world.

Did you feel it? Did you feel the darkness in their souls and their countless evil deeds? Their fate was to die in my grasp, beneath the sting of my bite.

There is love in me the likes of which you've never seen. There is rage in me the likes of which should never escape. If I am not satisfied int he one, I will indulge the other.

I'm not here to change the world, just your perception of it.

The stars sparkled above the mist shrouded tents and caravans of the carnival. The night crackled with an odd vibration, as if a veil of peculiarity settled over the company.

And are you prepared to encounter all the horrors that a building such as "what one reads about" may produce? Have you a stout heart? Nerves fit for sliding panels and tapestry?

I am walking on their bodies, I thought, we are having lunch in the garden and Uncle Julian is wearing his shawl.

Her eyes were a poem; their every glance was a song.

Pushing through some viney branches, she comes into a clearing andfinds a sight that makes her hush--and not just her voice but every part of her, like feeling silence in her deep guts... It's something she can feel in the back of her throat, her dislike of the scene--as though what she's looking upon is unholy, the conjunction of chaos and order in a forced fit where everything is stretched and bent in the wrong way like those baby legs.

...my father had been born from the minds of writers. I believed the Great Creator had flown these writers on the backs of thunderbirds to the moon and told them to write me a father. Writers like Mary Shelley, who wrote my father to have a gothic understanding of the tenderness of all monsters. It was Agatha Christie who created the mystery within my father and Edgar Allan Poe who gave darkness to him in ways that lifted him to the flight of the raven. William Shakespeare wrote my father a Romeo heart at the same time Susan Fenimore Cooper composed him to have sympathy toward nature and a longing for paradise to be regained. Emily Dickinson shared her poet self so my father would know the most sacred text of mankind is in the way we do and do not rhyme, leaving John Steinbeck to gift my father a compass in his mind so he would always appreciate he was east of Eden and a little south of heaven. Not to be left out, Sophia Alice Callahan made sure there was a part of my father that would always remain a child of the forest, while Louisa May Alcott penned the loyalty and hope within his soul. It was Theodore Dreiser who was left the task of writing my father the destiny of being an American tragedy only after Shirley Jackson prepared my father for the horrors of that very thing.

The desperate piercing scream of horror echoed far above the sharpened tops of the trees wrapped in thin obsidian-transparent mist, and I startled jerkily, tripping again, and almost collapsed onto the cold moist ground.

Admitting defeat? How un-huntress like of you.

He who writes is the martyr, seen through the eyes of the unassuming doll.

Crouching in position posing in perfect posture On the rooftop of a gothic cathedral sits a monster

We are unfashioned creatures, but half made up...

How strange the heart was, capable of making you lose your head over a monster.

There are spiritually noxious places, buildings where the milk of the cosmos has become sour and rancid. This church is such a place; I would swear to it.

Time is tick, tick, ticking away. How many souls will I capture today? Will they be a challenge or will they be given? Only time will tell as the clock keeps tick, tick, ticking. Your god has arrived with enough hatred for y’all, with enough evil for the big and small, so come one, come all. I will shred your souls and place them in my satchel, call you a settler and make you my peddler. Come one, come all, come stand behind your god. I will lead you into the darkness of Earth's end. Come one, come all, my wilted flowers, come claim your title, speak out and cheer it. Come one, come all, let’s have a ball, my wilted flowers . . . Sweet, Unconquerable Spirits.

Dark Meat, she thought. Nothing but meat, she was the equivalent of a cut of beef inspected by the butcher and wrapped up in waxed paper. An exotic little something to stir the loins and the mouth water.

And his soul plunged downward, drowning in that deep pit: he felt that could never again escape from this smothering flood of pain and ugliness, from the eclipsing horror and pity of it all. And as he walked, he twisted his own neck about, and beat the air with his arm like a wing, as if he had received a blow in his kidneys. He felt that he might be clean and free if he could only escape into a single burning passion -- hard, and hot, and glittering -- of love, hatred, terror, or disgust. But he was caught, he was strangling, in the web of futility.

Vijaya prefers to eat alone. Rob ushered her into the room and held a chair for her, then sat across from her. "Many Indians regard eating as something that should be done in private. Considering the table manners of some of our best people, one can see their point." Patricia Frances Rowell

Or do you like being frightened?” Hugh, though generally intelligent, is dense in certain ways; this is one of them. “Why, of course, I like being frightened,” I said. “I want to be made to creep and creep and creep. Fear is the most absorbing and luxurious of emotions. One forgets all else if one is afraid.

Horace, however, had arrayed himself in a Gothic assortment of crushed velvet, black satin, and patent leather that shouldn't have been allowed in my view. He might as well have I AM A VAMPIRE embroidered across the front of his watered-silk waistcoat. An outfit like that is going to get him staked one of these days; it's exactly what Boris Karloff would have worn, if he had joined the cast of Rocky Horror Motion Picture Show.

He seemed so confident that I, remembering my own confidence two nights before and with the baneful result, felt awe and vague terror. It must have been my weakness that made me hesitate to tell it to my friend, but I felt it all the more, like unshed tears.

My possessions are at your service,' I replied bitterly-'my poverty, my exile, my disgrace I make a free gift of them all.

Darkness weaved with uncertainty all around me, yet determination slowly started to seep into my veins.

I'd love for readers to read what books are about so that if they are expecting happy endings in dark horror novels, they won't reach for the Vallium or something worse!

What have you done to my dairy?” he said. “What happened to the Black Hole of Calcutta I was saving for the setting of the Gothic horror play I was going to write one of these days? Where are all my beautiful spiders? Where are my gloomy corners, where ghoulies might lurk? What have you done with the six inches of dirt on the floor? That was good dirt. I was saving it.

Brian came in heavy at that moment on his guitar, the rapid, high-pitched squeal ranging back and forth as his fingers flew along the frets. As the intro's tempo grew more rapid, Bekka heard Derek's subtle bass line as it worked its way in. After another few seconds Will came in, slow at first, but racing along to match the others' pace. When their combined efforts seemed unable to get any heavier, David jumped into the mix. As the sound got nice and heavy, Bekka began to rock back-and-forth onstage. In front of her, hundreds of metal-lovers began to jump and gyrate to their music. She matched their movements for a moment, enjoying the connection that was being made, before stepping over to the keyboard that had been set up behind her. Sliding her microphone into an attached cradle, she assumed her position and got ready. Right on cue, all the others stopped playing, throwing the auditorium into an abrupt silence. Before the crowd could react, however, Bekka's fingers began to work the keys, issuing a rhythm that was much softer and slower than what had been built up. The audience's violent thrash-dance calmed at that moment and they began to sway in response. Bekka smiled to herself. This is what she lived for.

Darkness had no effect upon my fancy, and a churchyard was to me merely the receptacle of bodies deprived of life, which, from being the seat of beauty and strength, had become food for the worm.

In the attempt to find the just measure of horror and terror, I came upon the writing of Carole Gill whose work revealed a whole new dimension to me. The figure of the gothic child was there. Stoker's horror was there. Along with the romance! At the heart of her writing one stumbles upon a genuine search for that darkness we lost with the loss of Stoker." ~Dr. Margarita Georgieva ~ Gothic Readings in The Dark

The fly that should be dead and the dog that should be dead in the house that should be dead, and the bride, who would be dead soon. It watched approvingly, appreciating the complexities—and fragilities—of life.

Joshua had always been able to get away with things—things for which he should never have been forgiven. He was a lot like James in that respect, for while my husband had bought his grace with his brilliance, Joshua did so with his looks. I considered that a moment, before turning away, suddenly finding I could not bear to look at him for fear of what I might forgive next.

Good and evil exist in all of us. a moment’s temptation takes us on a wrong path. On that path may lurk foul fiends, inhuman, yet feeding, needing all our weaknesses: vanity, indolence and envy, Easy fruits for evil appetites, our flesh, a tasty afterthought, our bones flung asunder.

Horror is a woman’s genre, and it has been all the way back to the oldest horror novel still widely read today: Frankenstein by Mary Shelley, daughter of pioneering feminist author Mary Wollstonecraft. Ann Radcliffe’s gothic novels (The Mysteries of Udolpho, The Italian) made her the highest-paid writer of the late eighteenth century. In the nineteenth century, Mary Elizabeth Braddon and Charlotte Riddell were book-writing machines, turning out sensation novels and ghost stories by the pound. Edith Wharton wrote ghost stories before becoming a novelist of manners, and Vernon Lee (real name Violet Paget) wrote elegant tales of the uncanny that rival anything by Henry James. Three of Daphne du Maurier’s stories became Hitchcock films (Jamaica Inn, Rebecca, The Birds), and Shirley Jackson’s singular horror novel The Haunting of Hill House made her one of the highest-regarded American writers of the twentieth century.

Then, idly scratching his nose, he walks to the bookcase in the living room and stoops before a set of drab brown Victorian volumes gathering dust on the second shelf from the bottom. How amusing, he thinks, as he withdraws one of them-amusing that a key to dark and ancient rites should survive in such innocuous-looking form. A young fool like Freirs would probably refuse to believe it. Like the rest of his doomed kind, he'd probably expect such lore to be found only in ancient leather-bound tomes with gothic lettering and portentously sinister titles. He'd search for it in mysterious old trunks and private vaults, in the "restricted" sections of libraries, in intricately carved wood chests with secret compartments. But there are no real secrets, the Old One knows. Secrets are ultimately too hard to conceal. The keys to the rites that will transform the world are neither hidden nor rare nor expensive. They are available to anyone. You can find them on the paperback racks or in any second-hand bookshop.

When she first saw him, she took him for a ghost. His jet-black hair fluttered in the breeze as he walked, letting her see his eyes. They seemed haunted, lost in some way. He was tall and gaunt, starkly pale in his black clothes. He was the very picture of Anton, even sharing his world-weary eyes of deepest blue. She could hardly look away from this apparition, an echo of all the memories and dreams that had haunted her these many years.

Here, at the edges, Whispering to you, And we’re not alone; not alone Here, in the dark. We are behind the door, in the corners, In the room where you’ve just extinguished the light. We flicker in the shadow you cast on the wall. We are the prickle on the back of your neck. Curled, in words unspoken, We are the shiver on your uneasy flesh, The creep of the unknown on your skin. Can you feel us? Here, at the edges. From the Foreword of Cautionary Tales - by Emmanuelle de Maupassant

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie.

It seemed for a moment as if something was there, loitering between the knurled and towering cherry trees, a flash of a presence as stark as the sight of the snow against their bare branches and cracked, piceous bark. Unblinking, I watched the edge of the lake, waiting for it to reappear, but whatever it had been was gone, vanished under cover of a willow tree, lofty and dense, rearing over the lake, its branches dripping all the way to the ground. The tree’s lament had been transformed into a thing of such beauty I was tempted to go and hide within it.

He was wearing a purple cloak over his shoulders in a strange, foreign fashion, his arms folded inside it. His face was deathly pale, but as his great black eyes stared at me, a dagger seemed to pierce my heart. A feeling of horror ran through me, and quickly turning my face away, I summoned all my strength and continued speaking. But as though compelled by some magic force, I could not help looking over towards him again and again. He still stood there, impassive and motionless, his ghostly eyes fixed upon me. Something resembling bitter scorn and hatred lay on his high, furrowed brow and his drawn lips. The whole figure had a horrible, frightening air about it. It was... it was the mysterious painter from the Holy Linden. Cruel, icy fingers clutched at my heart. A fearful sweat on my forehead; my phrases stuck in my throat, and my speech became more and more incoherent. But the terrible stranger still leant silently against the pillar, his glassy eyes set unwaveringly on me.

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make one almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of revery. Gradually white fingers creep through the curtains, and they appear to tremble. Black fantastic shadows crawl into the corners of the room, and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills, and wandering round the silent house, as though it feared to wake the sleepers. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colors of things are restored to them, and we watch the dawn remaking the world in its antique pattern.

Touch the stone,' said Beliah, 'and you will touch "reality", or what the ignorant of all ages think "reality" is. That kind of truth will kill you, man. You won't see morning! I have kept you all your life from such things as remorse, terror, pity. Touch the stone, and those same angels will change you into an old poor pathetic deluded dying creature. Hubert, a nurse has to shave you, your hand shakes so much. You know that don't you? You dribble at every orifice, Hubert. You've begun to smell this past year or two...' He suddenly howled as if I had actually touched the stone,'YOU WILL BE RAVAGED IN FIRES OF GRACE!' I heard Nurse McGregor in the next ward. 'Good evening,' came her cheerful voice to the looney who had strangled his sweetheart and then buried her in his garden. 'Is it cocoa tonight, or tea, or milk?" Beliah was weeping. Outside the eaves dripped. The whole earth was drenched with the grief of Beliah. He wept inside me. I felt his marvellous tears on my face.

Inevitably, his vision verged toward the fantastic; he published a scattering of stories - most included in this volume - which appeared to conform to that genre at least to the degree that the fuller part of his vision could be seen as "mysteries." For Woolrich it all was fantastic; the clock in the tower, hand in the glove, out of control vehicle, errant gunshot which destroyed; whether destructive coincidence was masked in the "naturalistic" or the "incredible" was all pretty much the same to him. RENDEZVOUS IN BLACK, THE BRIDE WORE BLACK, NIGHTMARE are all great swollen dreams, turgid constructions of the night, obsession and grotesque outcome; to turn from these to the "fantastic" was not to turn at all. The work, as is usually the case with a major writer was perfectly formed, perfectly consistent, the vision leached into every area and pulled the book together. "Jane Brown's Body" is a suspense story. THE BRIDE WORE BLACK is science fiction. PHANTOM LADY is a gothic. RENDEZVOUS IN BLACK was a bildungsroman. It does not matter.