Tar Baby Quotes

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At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don't need someone to share it with or tell it to. When that happens — that letting go — you let go because you can.
Toni Morrison (Tar Baby)
A dead hydrangea is as intricate and lovely as one in bloom. Bleak sky is as seductive as sunshine, miniature orange trees without blossom or fruit are not defective; they are that.
Toni Morrison (Tar Baby)
It was a silly age, twenty-five; too old for teenaged dreaming, too young for settling down. Every corner was a possibility and a dead end.
Toni Morrison (Tar Baby)
Tar-heart baby, let me be, let me shine bright, stop making fun of me. Stop bringing up my past un-funs.
Coco J. Ginger
No one likes you tar-heart baby, no one likes un-fun-ness.
Coco J. Ginger
Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love
Lana Del Rey
Long ago she had given up trying to be deft or profound or anything in the company of people she was not interested in, who didn't thrill her.
Toni Morrison (Tar Baby)
All narrative begins for me as listening. When I read, I listen. When I write, I listen—for silence, inflection, rhythm, rest.
Toni Morrison (Tar Baby)
In Tar Baby, the classic concept of the individual with a solid, coherent identity is eschewed for a model of identity which sees the individual as a kaleidoscope of heterogeneous impulses and desires, constructed from multiple forms of interaction with the world as a play of difference that cannot be completely comprehended.
Toni Morrison
A daughter is a woman that cares about where she come from and takes care of them that took care of her.
Toni Morrison (Tar Baby)
Summer came whirling out of the night and stuck fast. One morning late in November everybody got up at Cloudstreet and saw the white heat washing in through the windows. The wild oats and buffalo grass were brown and crisp. The sky was the color of kerosene. The air was thin and volatile. Smoke rolled along the tracks as men began to burn off on the embankment. Birds cut singing down to a few necessary phrases, and beneath them in the streets, the tar began to bubble. The city was full of Yank soldiers; the trams were crammed to standing with them. The river sucked up the sky and went flat and glittery right down the middle of the place and people went to it in boats and britches and barebacked. Where the river met the sea, the beaches ran north and south, white and broad as highways in a dream, and men and babies stood in the surf while gulls hung in the haze above, casting shadows on the immodest backs of the oilslicked women.
Tim Winton
so am I. I have stumbled enough. I am forgiven. I am abundant. I am certainly insouciant. I’m not your tar baby. You’re the star, baby. Love the lucky well.
Maria Semple (This One Is Mine)
Let her go?' asked Son, and he smiled a crooked smile. Let go the woman you had been looking for everywhere just because she was difficult? Because she had a temper, energy, ideas of her own and fought back? Let go a woman whose eyebrows were a study, whose face was enough to engage your attention all your life? Let go a woman who was not only a woman but a sound, all the music he had ever wanted to play, a world and a way of being in it? Let that go? 'I can't,' he said. 'I can't.
Toni Morrison (Tar Baby)
Imagine something. Something that fits in the dark. Say the dark is the sky at night. Imagine something in it.” “A star?” “Yes.” “I can’t. I can’t see it.” “Okay. Don’t try to see it. Try to be it. Would you like to know what it’s like to be one? Be a star?” “A movie star?” “No, a star star. In the sky. Keep your eyes closed, think about what it feels like to be one.” He moved over to her and kissed her shoulder. “Imagine yourself in that dark, all alone in the sky at night. Nobody is around you. You are by yourself, just shining there. You know how a star is supposed to twinkle? We say twinkle because that is how it looks, but when a star feels itself, it’s not a twinkle, it’s more like a throb. Star throbs. Over and over and over. Like this. Stars just throb and throb and throb and sometimes, when they can’t throb anymore, when they can’t hold it anymore, they fall out of the sky.
Toni Morrison (Tar Baby)
I wonder if the person he wants to marry is me or a black girl? And if it isn't me he wants, but any black girl who looks like me, talks and acts like me, what will happen when he finds out that I hate ear hoops, that I don't have to straighten my hair, that Mingus puts me to sleep, that sometimes I want to get out of my skin and be only the person inside-- not American-- not black-- just me?
Toni Morrison (Tar Baby)
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
he probably thought he was a law-abiding man, they all did, and they all always did, because they had not the dignity of wild animals who did not eat where they defecated but they could defecate over a whole people and come there to live and defecate some more by tearing up the land
Toni Morrison (Tar Baby)
At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don't need someone to share it with or tell it to. When that happens - that letting go - you let go because you can. The world will always be there - while you sleep it will be there - when you wake it will be there as well. So you can sleep and there is reason to wake. A dead hydrangea is as intricate and lovely as one in bloom. Bleak sky is as seductive as sunshine, miniature orange trees without blossom or fruit are not defective; they are that.
Toni Morrison (Tar Baby)
prestressed concrete and steel contained anger, folded it back on itself to become a craving for things rather than vengeance
Toni Morrison (Tar Baby)
I need to use everything—sound, image, performance—to get at the full meaning of the story
Toni Morrison (Tar Baby)
Yummy food, unique attention, playfulness, or loving sternness—these features are often summoned to sweeten one’s memory of a grandmother.
Toni Morrison (Tar Baby)
More awful than the fear of danger was the fear of looking foolish—of being excited when others were laid back—of being somehow manipulated,
Toni Morrison (Tar Baby)
At some point in life the world's beauty becomes enough. You don't need to photograph, paint, or even remember it. It is enough.
Toni Morrison (Tar Baby)
I ain’t. Keeps him dumb. He wouldn’t know a good woman from a snake and he won’t let nobody point out the difference.
Toni Morrison (Tar Baby)
White but European which was not as bad as white and American;
Toni Morrison (Tar Baby)
He wanted her in that room with him giving him the balance he was losing, the ballast and counterweight to the stone of sorrow New York City had given him.
Toni Morrison (Tar Baby)
If she answered, he could not hear it, and he certainly couldn't see her, so he went. First he crawled the rocks one by one, one by one, till his hands touched shore and the nursing sound of the sea was behind him. He felt around, crawled off and then stood up. Breathing heavily with his mouth open he took a few tentative steps. The pebbles made him stumble and so did the roots of trees. He threw out his hands to guide and steady his going. By and by he walked steadier, now steadier. The mist lifted and the trees stepped back a bit as if to make the way easier for a certain kind of man. Then he ran. Lickety-split. Lickety-split. Looking neither to the left nor to the right. Lickety-split. Lickety-split. Lickety-lickety-lickety-split.
Toni Morrison (Tar Baby)
The men had gnawed through the daisy trees until, wild-eyed and yelling, they broke in two and hit the ground. In the huge silence that followed their fall, orchids spiraled down to join them.
Toni Morrison (Tar Baby)
And all he could say was that he did not know. He was guilty, therefore, of innocence. Was there anything so loathsome as a willfully innocent man? Hardly. An innocent man is a sin before God. Inhuman and therefore unworthy. No man should live without absorbing the sins of his kind, the foul air of his innocence, even if it did wilt rows of angel trumpets and cause them to fall from their vines.
Toni Morrison (Tar Baby)
The sin of David stands out like a tar-baby in a field of snow, like a blackberry in a bowl of cream. It may cause us to miss the greatness of the man. Remember that sin was the exception in David’s life—not the pattern of it. The Word of God does not play down the sin of David; it does not whitewash the man. God doesn’t say it is not sin. God is going to call it sin, and David will be punished for it.
J. Vernon McGee (Thru the Bible Commentary, Volumes 1-5: Genesis through Revelation)
There had been two or three girls who had helped him enter the fifties (lovely, lovely). Nothing to worry Margaret had she known. Merely life preservers in the post-fifty ocean, helping him make it to shore.
Toni Morrison (Tar Baby)
And then, as the religions fall into disuse, or the stories cease to be seen as the literal truth, they become myths. And the myths compost down to dirt, and become a fertile ground for other stories and tales which blossom like wildflowers. Cupid and Psyche is retold and half-forgotten and remembered again and becomes Beauty and the Beast. Anansi the African Spider God becomes Br’er Rabbit, whaling away at the tar baby.
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don't need someone to share it with or tell it to.
Toni Morrison (Tar Baby)
My Fellow Non-American Blacks: In America, You Are Black, Baby Dear Non-American Black, when you make the choice to come to America, you become black. Stop arguing. Stop saying I’m Jamaican or I’m Ghanaian. America doesn’t care. So what if you weren’t “black” in your country? You’re in America now. We all have our moments of initiation into the Society of Former Negroes. Mine was in a class in undergrad when I was asked to give the black perspective, only I had no idea what that was. So I just made something up. And admit it—you say “I’m not black” only because you know black is at the bottom of America’s race ladder. And you want none of that. Don’t deny now. What if being black had all the privileges of being white? Would you still say “Don’t call me black, I’m from Trinidad”? I didn’t think so. So you’re black, baby. And here’s the deal with becoming black: You must show that you are offended when such words as “watermelon” or “tar baby” are used in jokes, even if you don’t know what the hell is being talked about—and since you are a Non-American Black, the chances are that you won’t know. (In undergrad a white classmate asks if I like watermelon, I say yes, and another classmate says, Oh my God that is so racist, and I’m confused. “Wait, how?”) You must nod back when a black person nods at you in a heavily white area. It is called the black nod. It is a way for black people to say “You are not alone, I am here too.” In describing black women you admire, always use the word “STRONG” because that is what black women are supposed to be in America. If you are a woman, please do not speak your mind as you are used to doing in your country. Because in America, strong-minded black women are SCARY. And if you are a man, be hyper-mellow, never get too excited, or somebody will worry that you’re about to pull a gun. When you watch television and hear that a “racist slur” was used, you must immediately become offended. Even though you are thinking “But why won’t they tell me exactly what was said?” Even though you would like to be able to decide for yourself how offended to be, or whether to be offended at all, you must nevertheless be very offended. When a crime is reported, pray that it was not committed by a black person, and if it turns out to have been committed by a black person, stay well away from the crime area for weeks, or you might be stopped for fitting the profile. If a black cashier gives poor service to the non-black person in front of you, compliment that person’s shoes or something, to make up for the bad service, because you’re just as guilty for the cashier’s crimes. If you are in an Ivy League college and a Young Republican tells you that you got in only because of Affirmative Action, do not whip out your perfect grades from high school. Instead, gently point out that the biggest beneficiaries of Affirmative Action are white women. If you go to eat in a restaurant, please tip generously. Otherwise the next black person who comes in will get awful service, because waiters groan when they get a black table. You see, black people have a gene that makes them not tip, so please overpower that gene. If you’re telling a non-black person about something racist that happened to you, make sure you are not bitter. Don’t complain. Be forgiving. If possible, make it funny. Most of all, do not be angry. Black people are not supposed to be angry about racism. Otherwise you get no sympathy. This applies only for white liberals, by the way. Don’t even bother telling a white conservative about anything racist that happened to you. Because the conservative will tell you that YOU are the real racist and your mouth will hang open in confusion.
Chimamanda Ngozi Adichie (Americanah)
Then set out after repeated warning the grizzly Afghan Duryodhan in blazing sun removed sandal-wood blooded stone-attired guards spearing gloom brought out a substitute of dawn crude hell’s profuse experience Huh a night-waken drug addict beside head of feeble earth from the cruciform The Clapper could not descend due to lockdown wet-eyed babies were smiling . in a bouquet of darkness in forced dreams The Clapper wept when learnt about red-linen boat’s drowned passengers in famished yellow winter white lilies bloomed in hot coal tar when in chiseled breeze nickel glazed seed-kernel moss layered skull which had moon on its shoulder scolded whole night non-weeping male praying mantis in grass bronze muscled he-men of Barbadoz pressed their fevered forehead on her furry navel . in comb-flowing rain floated on frowning waves diesel sheet shadow whipped oceans all wings had been removed from the sky funeral procession of newspaperman’s freshly printed dawn lifelong jailed convict’s eye in the keyhole outside in autumnal rice pounding pink ankle Lalung ladies
Malay Roy Choudhury (Selected Poems)
She remembered the feel of wind on summer nights - how it billows through the house and wafts the curtains and smells of tar and roses. How a sleeping baby weighs so heavily on your shoulder, like ripe fruit. What privacy it is to walk in the rain beneath the drip and crackle of your own umbrella.
Anne Tyler (Dinner at the Homesick Restaurant)
He had been looking for her all his life, and even when he thought he had found her, in other ports and other places, he shied away. He stood in her bedroom, a towel wrapped around his waist. Clean as a whistle, having just said the nastiest thing he could think of to her. Staring at a heart-red tree desperately in love with a woman he could not risk loving because he could not afford to lose her. For if he loved and lost this woman whose sleeping face was the limit his eyes could safely behold and whose wakened face threw him into confusion, he would surely lose the world. So he made himself disgusting to her. Insulted and offended her. Gave her sufficient cause to help him keep his love in chains and hoped to God the lock would hold. It snapped like a string.
Toni Morrison (Tar Baby)
All narrative begins for me as listening. When I read, I listen. When I write, I listen—for silence, inflection, rhythm, rest. Then comes the image, the picture of the thing that I have to invent: the headless bride in her wedding dress; the forest clearing. There is performance, too: “zzz went the saw,” accompanied by gesture. And cadence: “Old man Simon Gillicutty, caaatch me.” I need to use everything—sound, image, performance—to get at the full meaning of the story
Toni Morrison (Tar Baby)
A tar-baby is one of those people who drive you crazy through your life by never responding to anything you do no matter what kind of display you cook up for their delight. And the more you try to embrace your tar-baby, the more you get stuck in the tar and the worse everything is. Jim Morrison was one of my tar-babies, and I see now (that it's too late) that he could have been a dear sweet friend, even a lover, if I hadn't created from the very beginning the seeds of tar-babydom.
Eve Babitz (Slow Days, Fast Company: The World, the Flesh, and L.A.)
At her words, words of forgiveness from Rose, an honest and just woman, something broke inside of Wince. His tears began to flow. Age seemed to drift from his face like misty ghosts from a morning field. Katie lifted his chin and, holding back her own tears, looked into his eyes. "Thank you, Wince." Eve placed her free hand on his shoulder. "May we hold her now?" Wince nodded and gently released the baby into the waiting arms of her sisters. "You did the right thing, Wince." Rose gave Wince a hug. "And you can help us bury her after Wilson and the Tar Ponds City Police see if they can find anybody to lay charges against after all this time.
Beatrice Rose Roberts (Twin Loyalties: From The Chronicles Of Tar Ponds City)
Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
Gerald Durrell
The fictional exploits of buccaneering men had lost their magic for him. Besides, there were other pirates on view in Tilbury that spring. One, unredeemed by any amnesty, hung from the gibbet at Tilbury Point, tugged at by a brisk breeze off the river. His body had been bound in chains, daubed with tar and encased in a cage, denied Christian burial as a warning to the living of the hideousness of death. It did not have quite that effect on Nathan. "It's Easter," he said to Hardcastle. "A week since," said Hardcastle. "When they went to the tomb to rewrap Christ's body . . ." Harcastle threw Toby in the air and caught him repeatedly, making the child laugh and laugh. ". . . except that it had gone . . ." said Nathan. "Raised to glory," agreed Harcastle, rubbing noses with the baby. ". . . out into the garden." Suddenly it seemed to him that the tarry skull of the pirate on the gibbet might not be shouting a warning after all -- that his decaying corpse might no longer be suffering the torments of the gibbet as his executioners like to suggest with cage and chain and padlock. There were amnesties other than the King's. The man might simply be singing: singing and dancing in the bright, brittle Easter sunshine, held up in midair not by chains but by invisible hands or on invisible shoulders.
Geraldine McCaughrean (The Pirate's Son (Point Signature))
if a snake fucked a tarantula and their baby died in a tar pit and was later reanimated by a necromancer who graduated at the absolute bottom of his class.
Alix E. Harrow (A Mirror Mended (Fractured Fables, #2))
At some point in life the world’s beauty becomes enough. You don’t need to photograph, paint or even remember it. It is enough. —Toni Morrison, Tar Baby
Gretchen Rubin (Life in Five Senses: How Exploring the Senses Got Me Out of My Head and Into the World)
Tar Baby’s Jadine Childs, whose determination to flout gendered and racial expectations gets her cast out from her world,
Rebecca Traister (All the Single Ladies: Unmarried Women and the Rise of an Independent Nation)
Margaret was not dreaming nor was she quite asleep, although the moon looking at her face believed she was. She was experiencing the thing insomniacs dread-- not being awake but the ticky-tacky thoughts that fill in the space where sleep ought to be. Rags and swatches; draincloths and crumpled paper napkins. Old griefs and embarrassments; jealousies and offense. Just common ignoble scraps not deep enough for dreaming and not light enough to dismiss.
Toni Morrison (Tar Baby)
All around her it was like that: a fast crack on the head if you let the hunger show so she decided then and there at the age of twelve in Baltimore never to be broken in the hands of any man. Whatever it took-- knife blades or screaming teeth-- Never. And yes, she would tap dance, and yes, she would skate, but she would do it with a frown, pugnacious lips and scary eyes, because Never. And anybody who wanted nice from this little colored girl would have to get it with pliers and chloroform, because Never. When her mother died and she went to Philadelphia and then away to school, she was so quick to learn, but no touchee, teacher, and no, I do not smile, because Never. It smoothed out a little as she grew older. The pugnacious lips became a seductive pout-- eyes more heated than scary. But beneath the easy manners was a claw always ready to rein in the dogs, because Never.
Toni Morrison (Tar Baby)
So, this Vicky bitch is a tar baby. A black bit-” Before she could finish her degrading insult, I grabbed the 35-lb dumbbell and swung it at her head. “Don't you ever call Vicky that word!” I screamed as I raised the dumbbell over my head, bringing it down to mother’s face again and again and again. I
Octavia Grant (Dear Vicky)
He saw the polar bear and then he saw her. The bear was standing on its hind feet, its front ones raised in benediction. A rosy-cheeked girl was holding on to one of the bear's forefeet like a bride. The plastic igloo behind them threw into dazzling relief her red velvet coat and the ermine muff she waved to the crowd. The moment he saw her something inside him knelt down.
Toni Morrison (Tar Baby)
So, this Vicky bitch is a tar baby. A black bit-” Before she could finish her degrading insult, I grabbed the 35-lb dumbbell and swung it at her head. “Don't you ever call Vicky that word!” I screamed as I raised the dumbbell over my head, bringing it down to mother’s face again and again and again. I was angry. I had tolerated her disrespectful mouth in the past. But I would never let her talk about the woman I loved in such a horrible manner. Vicky was ten times the woman that my mother was, and she was jealous of that. By the time I stopped swinging, I was out of breath and my mother's face and head had been completely obliterated. My mother’s face looked like a pile of ambrosia salad. I felt no remorse.
Octavia Grant (Dear Vicky)
Cousin Murphy was responsible for Blanche’s becoming Night Girl, when Cousin Murphy found eight-year-old Blanche crying because some kids had teased her about being so black. “Course they tease you!” Cousin Murphy had told Blanche. She’d leaned over the crouching child as she spoke. Blanche could still smell her Midnight Blue perfume and see her breasts hanging long and lean from her tall, thin frame. “Them kids is just as jealous of you as they can be! That’s why they tease you,” Cousin Murphy had told her. “They jealous ’cause you got the night in you. Some people got night in ’em, some got morning, others, like me and your mama, got dusk. But it’s only them that’s got night can become invisible. People what got night in ’em can step into the dark and poof—disappear! Go any old where they want. Do anything. Ride them stars up there, like as not. Shoot, girl, no wonder them kids teasing you. I’m a grown woman and I’m jealous, too!” Cousin Murphy’s explanation hadn’t stopped kids from calling her Ink Spot and Tar Baby. But Cousin Murphy and Night Girl gave Blanche a sense of herself as special, as wondrous, and as powerful, all because of the part of her so many people despised, a part of her that she’d always known was directly connected to the heart of who she was.
Barbara Neely (Blanche on the Lam (Blanche White, #1))
If you know how to tread, bottomlessness need not concern you.
Toni Morrison (Tar Baby)
A real messenger, a worthy one, is corrupted by the message he brings.
Toni Morrison (Tar Baby)
Every night. Well, she burnin up down there now, her and her nasty daughter…
Toni Morrison (Tar Baby)
She’s special, Old Man.” “So am I, Son. So am I.
Toni Morrison (Tar Baby)
Nobody ever sees a cook eat anything.
Toni Morrison (Tar Baby)
No man should live without absorbing the sins of his kind, the foul air of his innocence, even if it did wilt rows of angel trumpets and cause them to fall from their vines
Toni Morrison (Tar Baby)
Son’s mouth went dry and he watched Valerian chewing a piece of ham, his head-of-a-coin profile content, approving even of the flavor in his mouth although he had been able to dismiss with a flutter of the fingers the people whose sugar and cocoa had allowed him to grow old in regal comfort; although he had taken the sugar and cocoa and paid for it as thought it had no value, as though the cutting of cane and picking of beans was child’s play and had no value; but he turned it into candy, the invention of which really was child’s play, and sold it to other children and made a fortune in order to move near, but not in the midst of, the jungle where the sugar came from and build a palace with more of their labor and then hire them to do more of the work he was not capable of and pay them again according to some scale of value that would outrage Satan himself and when those people wanted a little of what he wanted, some apples for their Christmas, and took some, he dismissed them with a flutter of the fingers because they were thieves, and nobody knew thieves and thievery better than he did and he probably thought he was a law-abiding man, they all did, and they all always did, because they had not the dignity of wild animals who did not eat where they defecated but they could defecate over a whole people and come there to live and defecate some more by tearing up the land and that is why they loved property so, because they had killed it soiled it defecated on it and they loved more than anything the places where they shit
Toni Morrison (Tar Baby)
The handsome raucous men wanted to marry, live with, support, fund, and promote her. Smart and beautiful women wanted to be her friend, confidante, lover, neighbor, guest, playmate, host, servant, student or simply near.
Toni Morrison (Tar Baby)