“
The Colonel led all the cheers.
Cornbread!" he screamed.
CHICKEN!" the crowd responded.
Rice!"
PEAS!"
And then, all together: "WE GOT HIGHER SATs."
Hip Hip Hip Hooray!" the Colonel cried.
YOU'LL BE WORKIN' FOR US SOMEDAY!
”
”
John Green (Looking for Alaska)
“
His head turns fractionally toward me, his eyes darkest slate. I bite my lip.
“Oh, fuck the paperwork,” he growls. He lunges at me, pushing me against the wall of the elevator. Before I know it, he’s got both of my hands in one of his in a vice-like grip above my head, and he’s pinning me to the wall using his hips. Holy shit. His other hand grabs my ponytail and yanks down, bringing my face up, and his lips are on mine. It’s only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
She's got a big belt around her hips. It has a shiny buckle with PRADA on it, which is Italian for insecure.
”
”
Jennifer Donnelly (Revolution)
“
We didn't have sex. We never got naked. I never touched her bare breast, and her hands never got lower than my hips. It didn't matter. As she slept, I whispered, "I love you, Alaska Young.
”
”
John Green (Looking for Alaska)
“
Your assumptions about the lives of others are in direct relation to your naïve pomposity. Many people you believe to be rich are not rich. Many people you think have it easy worked hard for what they got. Many people who seem to be gliding right along have suffered and are suffering. Many people who appear to you to be old and stupidly saddled down with kids and cars and houses were once every bit as hip and pompous as you.
”
”
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
“
I've tried to get the angel to watch MTV so I can learn the vocabulary of your music, but even with the gift of tongues, I'm having trouble learning to speak hip-hop. Why is it that one can busta rhyme or busta move anywhere but you must busta cap in someone's ass? Is "ho" always feminine, and "muthafucka" always masculine, while "bitch" can be either? How many peeps in a posse, how much booty before baby got back, do you have to be all that to get all up in that, and do I need to be dope and phat to be da bomb or can I just be "stupid"? I'll not be singing over any dead mothers until I understand.
”
”
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
“
Doll bends over, checking a barrel; she got hips on her under that skirt, sturdy, bovine, though she’d kill him if he said as much. His cheek yearns for her lap, for her stroking hands, for her fantastically common reek of beer and ham and Parma Violets.
”
”
Lesley Glaister (Blasted Things)
“
Ego Tripping
I was born in the congo
I walked to the fertile crescent and built
the sphinx
I designed a pyramid so tough that a star
that only glows every one hundred years falls
into the center giving divine perfect light
I am bad
I sat on the throne
drinking nectar with allah
I got hot and sent an ice age to europe
to cool my thirst
My oldest daughter is nefertiti
the tears from my birth pains
created the nile
I am a beautiful woman
I gazed on the forest and burned
out the sahara desert
with a packet of goat's meat
and a change of clothes
I crossed it in two hours
I am a gazelle so swift
so swift you can't catch me
For a birthday present when he was three
I gave my son hannibal an elephant
He gave me rome for mother's day
My strength flows ever on
My son noah built new/ark and
I stood proudly at the helm
as we sailed on a soft summer day
I turned myself into myself and was
jesus
men intone my loving name
All praises All praises
I am the one who would save
I sowed diamonds in my back yard
My bowels deliver uranium
the filings from my fingernails are
semi-precious jewels
On a trip north
I caught a cold and blew
My nose giving oil to the arab world
I am so hip even my errors are correct
I sailed west to reach east and had to round off
the earth as I went
The hair from my head thinned and gold was laid
across three continents
I am so perfect so divine so ethereal so surreal
I cannot be comprehended except by my permission
I mean...I...can fly
like a bird in the sky...
”
”
Nikki Giovanni
“
But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.
”
”
Donna Tartt (The Goldfinch)
“
You know you’re wearing pyjamas wrong, right?”
He didn’t look up. “Oh?”
“Yeah, you’re supposed to just wear the bottoms, and have them hanging low on your hips, displaying your perfectly chiselled V-cut.”
“Maybe next time.”
I thought about this for a moment. “Are you saying you have a perfectly chiselled v-cut?”
“I’m not sure that’s any of your business.”
“What if someone asks? I should know for verisimilitude.”
The corners of his mouth twitched slightly. “You can say I’m a gentleman and we haven’t got that far.”
“You” – I gave a thwarted sigh – “are a terrible fake boyfriend.”
“I’m building fake anticipation.”
“You’d better be fake worth it.”
“I am.
”
”
Alexis Hall (Boyfriend Material (London Calling, #1))
“
Jules, I’ll tell you now what I would have told you at dinner if you’d been speakin’ to me. This,” he said, one hand dropping to my bottom and pulling my hips into his, one going up my back to press my torso to his chest, “is the sweetest thing I’ve had in my life and I haven’t even f**ked you yet. I never expected to get a chance at anything so sweet and now that I got it, I’m not gonna let it go.
”
”
Kristen Ashley (Rock Chick Renegade (Rock Chick, #4))
“
i got 15 trumpets where other women got hips
& a upright bass for both sides of my heart
”
”
Ntozake Shange (I Live in Music: Poem)
“
You know I can't do that. Pete's probably already spent a ton of money. He's a nice guy. I can't
just bail--"
Pete's not as nice as you think," Daniel grumbled.
I laughed. "Are you jealous? Pete's just a friend--"
Daniel grabbed me by the hips. "Of course I'm jealous, Gracie. You just told me that you love me
but you are going out with another guy. But this is more important than my jealousy. If I'm
staying here, then you have to stay in. I've got enough to keep my eye on. I can't have you out
there. Not tonight.
”
”
Bree Despain (The Dark Divine (The Dark Divine, #1))
“
"What you got to give, Faye, here," his hips pressed into mine, "clean, pure, all fuckin' mine and that's beautiful right there. But the rest, how wet you get, how tight you are, you goin' wild for me like you did just now, baby. Fuck. You gotta know, coupled with the other, that's beauty that's off the charts."
Hmm. I liked that.
A frak of a lot.
”
”
Kristen Ashley (Breathe (Colorado Mountain, #4))
“
I pushed passed him. He grabbed my hand and swung me back towards him. Then he pushed me against the wall and... he kissed me.
He ran his thumb along my jawline and down my throat, hips pinning me to the wall. He kissed me slowly and with intensity, and once I got over the mind-numbing shock and comprehended what was actually happening, it was incredible. I had never been kissed like that before. We melted together. Every movement of mine was somehow perfectly mirrored by his. My heart was pounding so hard I knew he must be able to feel it and I was sure my legs were giving way, but he held me up, pushed me harder against the wall.
I grabbed a handful of his hair, remembering all the times I'd dreamed of doing it. I let my hand drift down his back and pulled him even closer to me. It all happened so quickly. I heard him make a low kind of growl and lean into me. His hand slid down my leg behind my knee, drawing it to him. I moaned and felt him tense.
”
”
Jessica Shirvington (Embrace (The Violet Eden Chapters, #1))
“
Yeah," he grount out. "I nailed her."
"Where?" Luc always wanted the dirty details.
"Stockroom. Pay up."
Luc snorted and reached for his wallet. "I really got taken on this one , didn't I?" He handed over four hundreds and five twenties.
"Yeah, well, you can have the last laugh once the Sem brothers catch up with me. Seems she's their sister."
"Dude." Luc streched out the word and then whistled, low and long. "Nice knowing you. So, will it at least have been worth it? Being gutted by Shade, I mean. Was she good ?"
His body heated as though remembering. And wanting again.
"Of course I was."
Fuck. Con spun around to find Sin standing there, hands on hips and fury in her expression. Like a kid caught stealing candy, he whipped the money behind his back. She looked at him as if he was an idiot and grabbed his arm, briging it around.
"It's not what you think," he said lamely, because it was exactly what she thought.
"Really? So that big asshole behind you didn't bet you five hundred bucks that you couldn't fuck me ?"
"Ah..."
"That's what I thought. You dick. How stupid do you think I am ? Your name really fits you , Con." She snatched the money from him, took two hundreds and three twenties, and thrust the remaining two hundred and forty dollars back into his hand. Then, smiling broadly, she punched him in the shoulder. "Next time you make a bet like that, don't cheat me out of my half. I owe you a ten."
She winked and left him, jaw-dropped and gaping, as she sauntered away.
”
”
Larissa Ione
“
After Bill got his shot, a little color crept into his face and he would become almost coy. It was a gruesome sight. I remember once he told me how he'd been propositioned by a queer who offered him twenty dollars. Bill declined, saying "I don't think you would be very well satisfied." Bill twitched his fleshless hips. "You should see me in the nude," he said. "I'm really cute.
”
”
William S. Burroughs (Junky)
“
I assume you have a reason for manhandling my mate?” Cool words but his amusement was apparent.
“Riley likes Mercy,” she stage-whispered, trying to twist around to look at her mate. “But she told him that h—oomph.” Riley set her on her feet without warning.
She swayed, but Judd's hands on her hips kept her upright. Pushing her hair off her face, she leaned into her sexy Psy mate and smirked at Riley. “Sooo...”
“Judd.” Riley ignored her. “You're obviously not interesting enough for my sister—she's got way too much time to poke her nose into other people's business.”
Judd wrapped his arms around her from behind, his chin on her hair. “I'm more interested in you and Mercy.
”
”
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
“
I've even got one for you, too, Ellie."
"Wow, thank you, Marcus."
"The second one was supposed to be mine," he admitted with a shrug. "But since I don't want to look like a jackass, I'll give it to you. See what a nice guy I am?"
I rolled my eyes at him. "God, Marcus, you're the sweetest guy ever."
He grinned stupidly. "Actually, that's not true. I got it for you to begin with, because you two are attached at the hip and I figured you'd show up together. You're so predictable.
”
”
Courtney Allison Moulton (Wings of the Wicked (Angelfire, #2))
“
My name...my name is Mary. I'm here with a friend.'
Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered.
'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.'
Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly.
He closed his eyes. 'Say something else.'
'What?' she asked, baffled.
'Talk. Talk to me. I want to hear your voice.'
She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?'
He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin.
'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better.
'Could you... could you please let go of me?'
'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.'
She started to struggle. 'You're crowding me.'
'I know. Talk.'
'Oh for God's sake, what do you want me to say?'
Even exasperated, her voice was beautiful. 'Anything.'
'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.'
He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft.
'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon.
When she pushed against him, he leaned his full weight into her. Her breath came out in a rush.
'Please,' he murmured.
Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.'
He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.'
'What?'
'Nothing. Say nothing. Over and over and over again. Do it.'
She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.'
"Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
”
”
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
“
I knew it! I knew you'd hate my body!" She slammed her hands on her hips, marched over to the bed, and glared down at him. "Well, for your information, mister, all those cute little sex kittens in your past might have had perfect bodies, but they don't know a lepton from a proton,and if you think that I'm going to stand here and let you judge me by the size of my hips and because my belly's not flat, then you're in for a rude awakening." She jabbed her finger at him. "This is the way a grown woman looks, buster! This body was designed by God to be functional, not to be stared at by some hormonally imbalanced jock who can only get aroused by women who still own Barbie dolls"
"Damn. Now I've got to gag you." With one swift motion, he pulled her down on the bed, rolled on top of her, and covered her lips with his own.
”
”
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
“
I sobbed again, and this time my father chuckled. "What's so funny?" I demanded, tilting my head when my cheek got his coat wet.
"You didn't cry when Kevin Mitchell broke your arm, or when you got stabbed in the hip the last time we were here. But boy troubles are still enough to reduce you to tears.
”
”
Rachel Vincent (Alpha (Shifters, #6))
“
Hip-hop has always been controversial, and for good reason. When you watch a children's show and they've got a muppet rapping about the alphabet, it's cool, but it's not really hip-hop. The music is meant to be provocative - which doesn't mean it's necessarily obnoxious, but it is (mostly) confrontational, and more than that, it's dense with multiple meanings. Great rap should have all kinds of unresolved layers that you don't necessarily figure out the first time you listen to it. Instead it plants dissonance in your head. You can enjoy a song that knocks in the club or has witty punch lines the first time you hear it. But great rap retains mystery. It leaves shit rattling around in your head that won't make sense till the fifth or sixth time through. It challenges you.
Which is the other reason hip-hop is controversial: People don't bother trying to get it. The problem isn't in the rap or the rapper or the culture. The problem is that so many people don't even know how to listen to the music.
”
”
Jay-Z (Decoded)
“
Lo!" cried the demon. "I am here! What dost thou seek of me? Why dost thou disturb my repose? Smite me no more with that dread rod!" He looked at Cabal. "Where's your dread rod?"
"I left it at home," replied Cabal. "Didn't think I really needed it."
"You can't summon me without a dread rod!" said Lucifuge, appalled.
"You're here, aren't you?"
"Well, yes, but under false pretences. You haven't got a goatskin or two vervain crowns or two candles of virgin wax made by a virgin girl and duly blessed. Have you got the stone called Ematille?"
"I don't even know what Ematille is."
Neither did the demon. He dropped the subject and moved on. "Four nails from the coffin of a dead child?"
"Don't be fatuous."
"Half a bottle of brandy?"
"I don't drink brandy."
"It's not for you."
"I have a hip flask," said Cabal, and threw it to him. The demon caught it and took a dram.
"Cheers," said Lucifuge, and threw it back. They regarded each other for a long moment. "This really is a shambles," the demon added finally. "What did you summon me for, anyway?
”
”
Jonathan L. Howard (Johannes Cabal the Necromancer (Johannes Cabal, #1))
“
And more than that, Bodee left me with hope. For love. For wanting someone to touch me again and to lie with me without fear as my first response. Because Bodee slept in his sneakers, because Bodee asked for a kiss instead of just taking it, and because he kept space between us. He danced with two fingers until I asked for three or four... and his hand on my hip.
I know we're both still broken. Both of us. But Bodee's got the glue to make us whole.
He is love.
”
”
Courtney C. Stevens (Faking Normal (Faking Normal, #1))
“
Aunt Joan broke her hip a few years back. Don’t get me wrong, she’s still pretty damn fierce. Lightning fast with her cane, in fact. I’ve got the scars to prove it.
”
”
Victoria E. Schwab (The Archived (The Archived, #1))
“
You can be the ugliest man in the world but once you got money, you can have all the women in the world.
”
”
Jonathan Anthony Burkett
“
Greedy for more?"Grinding his hardness against her hip,he nuzzled her neck,her ear,murmuring words in Russian.His warn breaths against her made her shiver wildly."Wh-what did you say?"
"I talked filth in your ear."Voice gone ragged,he said,"I told you that you've got the prettiest little pussy I've ever seen,and then I told you what I'm going to do with it.
”
”
Kresley Cole (Lothaire (Immortals After Dark, #11))
“
I heard him sweeping with the broom, and then he suddenly stopped.
I had obviously got his attention, and he was looking.
Take a good look, honey, I thought. Take a good look at what I’m offering.
I liked the sound of that silence. Do you know what I mean? Have you heard that silence yourself?
I love that silence you get, when a man who you fancy notices your body.
In a weird way, it’s so loud, it’s deafening.
It could be because of the way you sway your hips, your legs, or thrust your breasts.
And you just know his erection is talking to him, about what he’d like to do to your body. How he’d like to have his delightfully wicked way with you, undress you, smother your naked skin with hungry urgent kisses, and thrust his hard and moist cock deep inside the pouting red lips of your mouth…
I think you get my drift.
There’s a lovely tension in that moment; I call it the lust moment.
When a sexy man sees what you’ve deliberately put out on offer, and he stops in his steps as his lust lights up his mind, and puts him on a new track.
”
”
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
“
I opened the fire door
to four lips
none of which were mine
kissing
tightened my belt around my hips
where your hands were missing
and stepped out into the cold
collar high
under the slate grey sky
the air was smoking and the streets were dry
and I wasn't joking when I said
Good Bye
magazine quality men talking on the corner
French, no less much less of them then us
so why do I feel like something's been rearranged?
you know, taken out of context I must seem so strange
killed a cockroach so big
it left a puddle of pus on the wall
when you and I are lying in bed
you don't seem so tall
I'm singing now because my tear ducts are too tired
and my brain is disconnected but my heart is wired
I make such a good statistic
someone should study me now
somebody's got to be interested in how I feel
just 'cause I'm here
and I'm real
oh, how I miss
substituting the conclusion to confrontation with a kiss
and oh, how I miss
walking up to the edge and jumping in
like I could feel the future on your skin
I opened the fire door
to four lips
none of which were mine
kissing
I opened the fire door
”
”
Ani DiFranco
“
Sometimes I have trouble falling asleep but it's not so bad
I don't worry and I don't weep. In fact I'm glad.
Because I get up off my pillow and I flip on the light.
I get down and get hip in the still of the night I stretch and I yawn and then I breathe real deep And dance myself to sleep.
I hoof around my beddie just a-tappin' my toes
Before I know what's happened I'm a-ready to doze
Got some partners I can count the boogie-woogie sheep
I dance myself to sleep.
”
”
Jim Henson (It's Not Easy Being Green and Other Things to Consider)
“
He lunges at me, pushing me against the wall of the elevator. Before I know it, he's got both of my hands in one of his in a vise-like grip above my head, and he's pinning me to the wall using his hips. Holy shit. His other hand grabs my hair and yanks down, bringing my face up, and his lips are on mine. It's only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this. My tongue tentatively strokes his and joins his in a slow, erotic dance that's all about touch and sensation, all bump and grind. He brings his hand up to grasp my chin and holds me in place. I'm helpless, my hands pinned, my face held, and his hips restraining me. His erection is against my belly. Oh my... He wants me. Christian Grey, Greek god, wants me, and I want him, here... now, in the elevator.
”
”
E.L. James
“
He let go of her hand, and she got up to grab her phone. He watched her every move, cataloging the way she still favored her right ankle and the way her ass wiggled in her jeans.
A smile teased the corner of his mouth. He’d spent many hours rebuilding the theater, and the times she’d been there, he’d never noticed her hips having such a sexy sway. If he didn’t know better, he’d think she was toying with him.
She came back to him with her phone in hand. “Ready?”
Oh hell yeah, he was ready.
”
”
Lisa Kessler (Devoted to Destiny (Muse Chronicles, #5))
“
I once defenestrated a guy. The cops got all pissed off at me. I was drunk, but they said that was no excuse."
"Ah well," Virgil said. Then, "The guy hurt bad?"
"Cracked his hip. Landed on a Prius. Really fucked up the Prius, too."
"I can tell you, just now is the only time in my life I ever heard 'defenestration' used in a sentence," Virgil said.
"It's a word you learn after you done it," Morton said. "Yup. The New Prague AmericInn, 2009."
Virgil was amazed. "Really? The defenstration of New Prague?
”
”
John Sandford (Mad River (Virgil Flowers, #6))
“
seven.
seven was when ethan had learned to ride a bicycle.
macon was visited by one of those memories that dent the skin, that strain the muscles. he felt the seat of ethan's bike pressing into his hand--the curled-under edge at the rear that you hold onto when you're trying to keep a bicycle upright. he felt the sidewalk slapping against his soles as he ran. he felt himself let go, slow to a walk, stop with his hands on his hips to call out, "you've got her now! you've got her!" and ethan rode away from him, strong and proud and straight-backed, his hair picking up the light till he passed beneath and oak tree.
”
”
Anne Tyler (The Accidental Tourist)
“
Murphy caught that arm and continued the motion, using her own body as a fulcrum in a classic hip throw - except that Binder was facing in the opposite direction than usual for that technique.
You could hear his arm come out of its socket fifty feet away.
And then he hit the gravel face-first.
Binder got extra points for brains in my book, after that: he lay still and didn't put up a struggle as Murphy dragged his wrists behind his back and cuffed him.
I traded a glance with Mouse and said, wisely, 'Hard-core.
”
”
Jim Butcher (Turn Coat (The Dresden Files, #11))
“
Cashier: Yes, can I help you?
Tee-Ay: Yeah, I need a rattle.
Cashier: Aisle eight.
Tee-Ay: I'm looking for the kind that'll give a fatherless black baby a future, you got any of those?
Cashier: Girl, if we sold those, do you think I'd be workin' here?
”
”
Alan Sitomer (Hip-Hop High School (Hoopster Trilogy))
“
People will try to make you feel good by saying everyone is beautiful, but what they really mean is written into all those empty beauty campaigns where they only ever show people who still fit the standard or are just a tiny bit deviant from it— just enough to still be acceptable. Maybe they’ve got body hair, but it’s only some peach fuzz and a bit of stubble under their arms. Maybe they’re plus-sized, but they still have the correct chest-to-waist-to-hips ratio. Maybe they’re going makeup-free, but their skin only has a few small imperfections to begin with. Then everybody pats themselves on the back because they’re so inclusive, wow, everyone is beautiful.
”
”
Jesmeen Kaur Deo (TJ Powar Has Something to Prove)
“
What's going on here?" Buck asks just as loudly, gesturing wildly with his giant, hairy knuckled hands.
"I'm sucking his dick," I say sarcastically. Sometimes I wish my mouth didn't have a faulty connection to my brain allowing everything to come out unfiltered.
Alex coughs, his fingers twitching on my hip, and Buck's face turns an unnatural shade of red. This is such an odd situation; the awkwardness causes me to continue to spew idiocy.
"Fine, you got me. I wasn't sucking his dick. We were fucking each other's mouths with our tongues. This is otherwise referred to as kissing, but mouth fucking sounds way dirtier, so I'm gonna go with that.
”
”
Helena Hunting (Pucked (Pucked, #1))
“
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter.
He leaned out the archway and glanced at the grand staircase.
Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane.
The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway.
The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone.
John's cry for help came out as a mute, sustained rush of air--
Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness.
Meanwhile, John's heart pounded from shock...then pumped fast for a different reason.
Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal.
"You like to be chased, nalla, " Z said in a voice so deep it distorted.
Bella's smile got even wider as she backed up into a corner. "Maybe."
"So run some more, why don't you." The words were dark and even John caught the erotic threat in them.
Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan.
At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk.
Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing.
He'd caught her.
......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile.
There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time.
God, John wanted that kind of connection.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
What do you mean by that?”
Her frustration got the best of her. “You’re so used to feeling superior that you’ve forgotten there are people who might know something you don’t.”
One of his big, competent hands landed on the blade of his hip. “What’s your deal anyway? Do you feel like such a failure that you need to attack anybody who’s successful?”
“No. Maybe. I don’t know. Fuck you.
”
”
Susan Elizabeth Phillips (First Star I See Tonight (Chicago Stars, #8))
“
Vishous came up onto the dais, his eyes down. He accepted the silver glove from Z and slipped it over the black leather he already wore on his hand. Then he scored himself with a quick flash of the black blade and stared at the skull as his blood dripped down into the basin, joining the others'.
"My flesh," he whispered.
He seemed to hesitate before turning to Butch. Then he pivoted and their eyes met. As candlelight flickered over V's hard face and got caught in his diamond irises, Butch felt his breath get tight: At that moment, his roommate looked as powerful as a god...and maybe even as beautiful.
Vishous stepped in close and slid his hand from Butch's shoulder to the back of his neck. "Your flesh," V breathed. Then he paused, as if asking for something.
Without thinking, Butch titled his chin up, aware that he was offering himself, aware the he...oh, fuck. He stopped his thoughts, completely weirded out by the vibe that had sprung up from God only knew where.
In slow motion Vishous's dark head dropped down and there was a silken brush as his goatee moved against Butch's throat. With delicious precision, V's fangs pressed against the vein that ran up from Butch's heart, then slowly, inexorably, punched through skin. Their chests merged.
Butch closed his eyes and absorbed the feel of it all, the warmth of their bodies so close, the way V's hair felt soft on his jaw, the slide of a powerful male arm as it slipped around his waist. On their own accord, Butch's hands left the pegs and came to rest on V's hips, squeezing that hard flesh, bringing them together from head to foot. A tremor went through one of them. Or maybe...shit, it was more likely they both shuddered.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
Let’s go be hip. Good thing I got a new one last year.
”
”
Elyssa Friedland (Last Summer at the Golden Hotel)
“
Got some red on me, yeah,” she kind-of-quotes, shrugging his inspection off, all the tiny scars up and down her thighs and hips crawling over themselves to be seen.
”
”
Stephen Graham Jones (My Heart Is a Chainsaw (The Indian Lake Trilogy, #1))
“
My inspiration for writing music is like Don McLean did when he did "American Pie" or "Vincent". Lorraine Hansberry with "A Raisin in the Sun". Like Shakespeare when he does his thing, like deep stories, raw human needs.
I'm trying to think of a good analogy. It's like, you've got the Vietnam War, and because you had reporters showing us pictures of the war at home, that's what made the war end, or that shit would have lasted longer. If no one knew what was going on we would have thought they were just dying valiantly in some beautiful way. But because we saw the horror, that's what made us stop the war.
So I thought, that's what I'm going to do as an artist, as a rapper. I'm gonna show the most graphic details of what I see in my community and hopefully they'll stop it quick.
I've seen all of that-- the crack babies, what we had to go through, losing everything, being poor, and getting beat down. All of that. Being the person I am, I said no no no no. I'm changing this.
”
”
Tupac Shakur (Tupac: Resurrection 1971-1996)
“
I wonder Pa went so easy. I wonder Grampa didn' kill nobody. Nobody never tol' Grampa where to put his feet. An' Ma ain't nobody you can push aroun' neither. I seen her beat the hell out of a tin peddler with a live chicken one time 'cause he give her a argument. She had the chicken in one han', an' the ax in the other, about to cut its head off. She aimed to go for that peddler with the ax, but she forgot which hand was which, an' she takes after him with the chicken. Couldn' even eat that chicken when she got done. They wasn't nothing but a pair of legs in her han'. Grampa throwed his hip outa joint laughin'.
”
”
John Steinbeck (The Grapes of Wrath)
“
My friend once told me
she liked this guy because of his hands
And I found it absurd that anyone
would develop feelings over one feature,
and not care about the rest
It wasn’t until you used your hands
to cup the back of my neck the first time we kissed
and I could feel your firm grasp pull me closer,
and my insides exploded
and my head buzzed with bliss.
And the first night you slept over,
you fell asleep with your hand
laid over my stomach
and your fingers felt like a fire
that I didn’t mind burning my skin.
The first time we got drunk,
was the first time you played with my hair,
and my god I was hooked,
I’d drink forever if it meant you’d never stop.
And in public you’d hold my hand,
and rub your thumb in little circles
that left me wanting you more,
no matter what you would never let me go,
I was glued to you,
and I honestly didn’t mind
When we talked about breaking up,
you saw my lips quiver with fear,
and you brushed over my lips with your fingers
before pulling me into your lap
and you kissed me like never before.
With your hands on my hips
pulling me so close to you,
leaving no space in between us.
It was then I realized I never wanted you to go
Its now that,
I finally understand why hands
were the only feature that mattered.
”
”
Carol Shlyakhova
“
It's your turn," she says.
Oh. I go still, wondering exactly what she has in mind. Inside, my body claps like a damn seal, but outside I'm suddenly too nervous to move. She leans forward and kisses under my ear. Ah, yes. That's nice. She kisses my neck and I reach for her hip, pulling her closer.
"My sweet little vixen."
She licks my earlobe, and a bolt of arousal forces me on top of her.
Anna is naked underneath me. All mine.
But she tsks and makes a little uh-uh-uuh sound, as if I've got it all wrong.
”
”
Wendy Higgins (Sweet Temptation (Sweet, #4))
“
Then she got up, went to Monty's mirror, and began combing her hair, while little cadenzas absentmindedly cascaded out of her throat, and cold drops cascaded over Mildred's heart. For Veda was stark naked. From the massive, singer's torso, with the Dairy quaking in front, to the slim hips, to the lovely legs, there wasn't so much as a garter to hide a path of skin.
”
”
James M. Cain (Mildred Pierce)
“
Everything is temporary,
almost like a passing fase,
some of laughter
Some of pain.
What we would do,
If we had the chance to explore
What we had taken for
Granted the very day before,
Some would say I'm selfish,
To hold a little sadness in my eyes,
But they don't feel the sorrow
When I can't do,
all that helps me feel alive.
I can express my emotions,
but I can't run wild and free,
My mind and soul would handle it
but hell upon my hip, ankle and knees,
This disorder came about,
as a friendship said its last goodbyes,
Soooo this is what I got given for all the years I stood by?
I finally stand still to question it, life it is in fact?
What the fuck is the purpose of it all if you get stabbed in the back?
And after the anger fills the air, the regret takes it places,
I never wanted to be that girl,
Horrid, sad and faded...
So I took with a grain of salt,
my new found reality,
I am not of my pain,
the disability doesnt define me.
I find away to adjust,
also with the absence of my friend,
I trust the choices I make,
allow my heart to mend.
I pick up the pieces
I retrain my leg,
I find where I left off
And I start all over again,
You see what happens...
When a warrior gets tested;
They grow from the ashes
Powerful and invested.
So I thank all this heartache,
As I put it to a rest,
I move forward with my life
And I'll build a damn good nest.
”
”
Nikki Rowe
“
How're your children, Mrs. Phelps?' he asked.
'You know I haven't any! No one in his right mind, the good Lord knows, would have children!' said Mrs. Phelps, not quite sure why she was angry with this man.
'I wouldn't say that,' said Mrs. Bowles. 'I've had TWO children by Caesarian section. No use going through all that agony for a baby. The world must reproduce, you know, the race must go on. Besides, they sometimes look just like you, and that's nice. Two Caesarians turned the trick, yes, sir. Oh, my doctor said, Caesarians aren't necessary; you've got the hips for it, everything's normal, but I INSISTED.'
'Caesarians or not, children are ruinous; you're out of your mind,' said Mrs. Phelps.
'I plunk the children in school nine days out of ten. I put up with them when they come home three days a month; it's not bad at all. You heave them into the 'parlor' and turn the switch. It's like washing clothes: stuff laundry in and slam the lid.' Mrs. Bowles tittered. 'They'd just as soon kick as kiss me. Thank God, I can kick back!
”
”
Ray Bradbury (Fahrenheit 451)
“
Amphora,” he murmured against the wide, sweet curve of her lips. His hands slid over the wide, sweet curve of her hips, cupping smoothness cool and solid, timeless and graceful as the swell of ancient pottery, promising abundance. “Like a Grecian vase. God, you’ve got the most beautiful arse!”
“Jug-butt, huh?
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
You’re all right, Blue Eyes.” She lifted her head to look into them. “You’re all right, down the line. You ever want a free bang, you got one coming.”
“It would, no doubt be a memorable bang. But my wife is fiercely jealous and territorial.” He grinned over at a very cold-eyed Eve.
“Her? You? That’s a kick in the ass.”
“Every damn day,” Eve muttered, and strode out.
She kept striding, out of the club, back into the comparatively fresh air of the city street. And fisted her hands on her hips as she spun to him. “Did you have to do the ‘my wife’ crap?”
His grin remained, and only widened. “I did, yes. I felt a desperate need for your protection. I believe that woman had designs on me.”
“I’ll put a design on you that won’t come off in the shower.”
“See, now I’m excited.” Reaching out, he toyed with the lapel of her coat."What have you got in mind ?
”
”
J.D. Robb (Strangers in Death (In Death, #26))
“
She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
"Here," she said, "in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard.
Yonder they do not love your flesh. They despise it. They don’t love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it, and the beat and beating heart, love that too. More than eyes or feet.More than lungs that have yet to draw free air. More than your life holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize." Saying no more, she stood up then and danced with her twisted hip the rest of what her heart had to say while the others opened heir mouths and gave her the music.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
Show me how much you like my friend eating your pussy.” “Yes,” I whimpered, feeling my clit hum with need. “Kai, fuck, you feel so good.” I rolled my hips, gritting my teeth together as the orgasm got closer and closer. Come on. Come on. Come on.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
My hands, head, face, legs, hips, hormones, private parts, voice, feet, fingers, feelings, were all made by Him and for Him. Apparently, this body was never mine to begin with - it was given to me from Somebody, for Somebody. Somebody who'd made it for glory and not shame. Until I got to know Him though, my identity would be made up of whatever dust that flew up from the devil's feet as he ran through the earth.
”
”
Jackie Hill Perry (Gay Girl, Good God: The Story of Who I Was and Who God Has Always Been)
“
Daddy named me Billie Jo. He wanted a boy. Instead, he got a long legged girl with a wide mouth with cheekbones like bicycle handles. He got a redheaded, freckle faced, narrow-hipped girl with a fondness for apples and hunger for playing fierce piano.
”
”
Karen Hesse
“
Joaquin shook his head. "Look, you two are my sisters, right? You're my family. I won't hurt you like that."
"Oh, for fuck's sake!" Maya suddenly screamed, and they both turned around to see her still standing next to the car, hand on hips.
"That's exactly what family is, Joaquin!" Maya shouted at him. "It means that no matter where you go, no matter how far you run, you're still a part of me and Grace and we're still a part of you, too! Look at us! It took us fifteen years to find each other, but we still did! And sometimes, family hurts each other. But after that's done you bandage each other up, and you move on. Together. So you can go and think that you're some lone wolf, but you're not! You've got us now, like it or not, and we've got you. So get in this fucking car and let's go!
”
”
Robin Benway (Far from the Tree)
“
Wait,' Della said 'Let me see if I understand... you want me to tell her this?' Sarcasm spilled out with her words.
'Yeah,' he said as if he didn't understand her issue.
'Why don't you tell her?' Della slipped a hand on her hip.
He made a face. 'Shes's your ghost.'
'My ghost? Why the hell is she my ghost?'
'Because she's closer to you.'
'Says who?'
He opened his mouth and nothing came out right away. Then words spurted out of his lips. 'Because...Because...' His eyes widened as if he figured something out. 'Because she gave you the picture of Natasha. And Natasha has some connection to your family.'
His reasoning made sense, perfect sense, but Della didn't want to see it that way. Refused to see it that way. She didn't want to be alone with some dead person. Sharing it with him wasn't the ideal situation, but she hadn't come up with this plan.
'That doesn't make her mine,' Della insisted 'She talks to both of us. We've got joint custody here, buddy. You should have thought about this before you bonded with me And don't try to skip out of your responsibility.'
'It's a ghost,' he said 'Not a baby.
”
”
C.C. Hunter (Eternal (Shadow Falls: After Dark, #2))
“
Nothing breaks my heart more than seeing that person who’s struggling to lose weight who thinks that they need to run 20 miles a week. They have no desire to do it, their knees hurt, they hate it, and they’re not losing weight. And I’d like to say, ‘Well, I’ve got great news for you. You don’t ever need to run another step a day in your life, because there’s no value in that.’ “There is value in exercise, though, and I think that the most important type of exercise, especially in terms of bang for your buck, is going to be really high-intensity, heavy strength training. Strength training aids everything from glucose disposal and metabolic health to mitochondrial density and orthopedic stability. That last one might not mean much when you’re a 30-something young buck, but when you’re in your 70s, that’s the difference between a broken hip and a walk in the park.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
Tell me something about yourself.” “I’d rather save the small talk.” “There’s no need to be rude, child, and believe me, I’m asking for a reason. Tell me something about yourself. Anything.”
“I’m twenty-eight . . .”
He rejected that one out of hand. “Something personal. Something . . . interior. Tell me something you love.”
I thought about it for a long few seconds, then said, “Ralph Lauren’s summer line this year. Not the spring collection, which was way too pastel, and the winter was really crappy, all bland browns and grays. But he’s got some good fabrics this summer, kind of a hot tangerine matched with dull red. Only he skirts, though. Hiscapri pants are for shit. Pockets? Who wants pockets on capri pants? What woman in her right mind puts extra fabric on her hips?”
There was a long and ringing silence. Patrick’s eyes were wide and rather frightened.
He finally cleared
his throat and said, “Anything else apart from fashion?”
“What do you want me to say? Puppies? Fluffy kittens? Babies?”
“Let’s try something simple. Your favorite food.”
I rolled my eyes. “Chocolate.” Duh .
”
”
Rachel Caine (Heat Stroke (Weather Warden, #2))
“
[Charlie] Moon was trying hard to get a handle on this. Maybe he's got a PhD. What with pass-fail replacing conventional grading, Internet diploma mills, and who knows what other academic innovations that has been driving the dumbing-down in American education, you couldn't tell who might have a sheepskin tucked away in his hip pocket.
”
”
James D. Doss (Three Sisters (Charlie Moon, #12))
“
I made it three days before the text messages started one afternoon while I was trying to finish warming up before our afternoon session. I had gotten to the LC later than usual and had gone straight to the training room, praising Jesus that I’d decided to change my clothes before leaving the diner once I’d seen what time it was and had remembered lunchtime traffic was a real thing. I was in the middle of stretching my hips when my phone beeped from where I’d left it on top of my bag. I took it out and snickered immediately at the message after taking my time with it.
Jojo: WHAT THE FUCK JASMINE
I didn’t need to ask what my brother was what-the-fucking over. It had only been a matter of time. It was really hard to keep a secret in my family, and the only reason why my mom and Ben—who was the only person other than her who knew—had kept their mouths closed was because they had both agreed it would be more fun to piss off my siblings by not saying anything and letting them find out the hard way I was going to be competing again.
Life was all about the little things.
So, I’d slipped my phone back into my bag and kept stretching, not bothering to respond because it would just make him more mad.
Twenty minutes later, while I was still busy stretching, I pulled my phone out and wasn’t surprised more messages appeared.
Jojo: WHY WOULD YOU NOT TELL ME
Jojo: HOW COULD YOU DO THIS TO ME
Jojo: DID THE REST OF YOU KEEP THIS FROM ME
Tali: What happened? What did she not tell you?
Tali: OH MY GOD, Jasmine, did you get knocked up?
Tali: I swear, if you got knocked up, I’m going to beat the hell out of you. We talked about contraception when you hit puberty.
Sebastian: Jasmine’s pregnant?
Rubes: She’s not pregnant.
Rubes: What happened, Jojo?
Jojo: MOM DID YOU KNOW ABOUT THIS
Tali: Would you just tell us what you’re talking about?
Jojo: JASMINE IS SKATING WITH IVAN LUKOV
Jojo: And I found out by going on Picturegram. Someone at the rink posted a picture of them in one of the training rooms. They were doing lifts.
Jojo: JASMINE I SWEAR TO GOD YOU BETTER EXPLAIN EVERYTHING RIGHT NOW
Tali: ARE YOU KIDDING ME? IS THIS TRUE?
Tali: JASMINE
Tali: JASMINE
Tali: JASMINE
Jojo: I’m going on Lukov’s website right now to confirm this
Rubes: I just called Mom but she isn’t answering the phone
Tali: She knew about this. WHO ELSE KNEW?
Sebastian: I didn’t. And quit texting Jas’s name over and over again. It’s annoying. She’s skating again. Good job, Jas. Happy for you.
Jojo: ^^ You’re such a vibe kill
Sebastian: No, I’m just not flipping my shit because she got a new partner.
Jojo: SHE DIDN’T TELL US FIRST THO. What is the point of being related if we didn’t get the scoop before everybody else?
Jojo: I FOUND OUT ON PICTUREGRAM
Sebastian: She doesn’t like you. I wouldn’t tell you either.
Tali: I can’t find anything about it online.
Jojo: JASMINE
Tali: JASMINE
Jojo: JASMINE
Tali: JASMINE
Tali: Tell us everything or I’m coming over to Mom’s today.
Sebastian: You’re annoying. Muting this until I get out of work.
Jojo: Party pooper
Tali: Party pooper
Jojo: Jinx
Tali: Jinx
Sebastian: Annoying
...
I typed out a reply, because knowing them, if I didn’t, the next time I looked at my phone, I’d have an endless column of JASMINE on there until they heard from me.
That didn’t mean my response had to be what they wanted.
Me: Who is Ivan Lukov?
”
”
Mariana Zapata (From Lukov with Love)
“
You speak Italian?” I ask.
“Some,” he says, leaning down like he’s going to kiss me, but instead he runs his nose along my jawline. “Why? You want me to talk dirty to you?”
“I, uh...” He’s got me flustered as he grabs my hip, pulling me even closer. I shiver, feeling his warm breath on my skin. It’s like he’s breathing me in. “Well, I didn’t, but I kind of do now.”
He laughs. “Let’s go upstairs, and I’ll teach you all the dirty words you want.”
I hum, tilting my head as his lips trace along my cheek. “All of them?”
His breath is against my ear as he whispers, “Every single one.
”
”
J.M. Darhower (Grievous (Scarlet Scars, #2))
“
First I need to do something.’ He pulled me closer towards him until our lips were almost touching.
‘What might that be?’ I managed to stutter, closing my eyes, anticipating the warmth of his lips against mine. But the kiss didn’t come. I opened my eyes. Alex had jumped to his feet.
‘Swim,’ he said, grinning at me. ‘Come on.’
‘Swim?’ I pouted, unable to hide my disappointment that he wanted to swim rather than make out with me.
Alex pulled his T-shirt off in one swift move. My eyes fell straightaway to his chest – which was tanned, smooth and ripped with muscle, and which, when you studied it as I had done, in detail, you discovered wasn’t a six-pack but actually a twelve-pack.
My eyes flitted to the shadowed hollows where his hips disappeared into his shorts, causing a flutter in parts of my body that up until three weeks ago had been flutter-dormant. Alex’s hands dropped to his shorts and he started undoing his belt.
I reassessed the swimming option. I could definitely do swimming.
He shrugged off his shorts, but before I could catch an eyeful of anything, he was off, jogging towards the water. I paused for a nanosecond, weighing up my embarrassment at stripping naked over my desire to follow him. With a deep breath, I tore off my dress then kicked off my underwear and started running towards the sea, praying Nate wasn’t doing a fly-by.
The water was warm and flat as a bath. I could see Alex in the distance, his skin gleaming in the now inky moonlight. When I got close to him, his hand snaked under the water, wrapped round my waist and pulled me towards him. I didn’t resist because I’d forgotten in that instant how to swim. And then he kissed me and I prayed silently and fervently that he took my shudder to be the effect of the water.
I tried sticking myself onto him like a barnacle, but eventually Alex managed to pull himself free, holding my wrists in his hand so I couldn’t reattach. His resolve was as solid as a nuclear bunker’s walls. Alex had said there were always chinks. But I couldn’t seem to find the one in his armour. He swam two long strokes away from me. I trod water and stayed where I was, feeling confused, glad that the night was dark enough to hide my expression.
‘I’m just trying to protect your honour,’ he said, guessing it anyway.
I groaned and rolled my eyes. When was he going to understand that I was happy for him to protect every other part of me, just not my honour?
”
”
Sarah Alderson (Losing Lila (Lila, #2))
“
That's not what justice is," the colonel jeered, and began pounding the table again with his big fat hand. "That's what Karl Marx is. I'll tell you what justice is. Justice is a knee in the gut from the floor on the chin at night sneaky with a knife brought up down on the magazine of a battleship sandbagged underhanded in the dark without a word of warning. Garroting. That's what justice is when we've all got to be tough enough and rough enough to fight Billy Petrolle. From the hip. Get it?
”
”
Joseph Heller (Catch-22)
“
Falling for him would be like cliff diving. It would be either the most exhilarating thing that ever happened to me or the stupidest mistake I’d ever make. It would make my life worth living or it would crush me against stony rocks and break me utterly. Perhaps the wise thing to do would be to slow things down. Being friends would be so much simpler.
Ren came back, picked up my empty dinner packet, and stowed it in the backpack. Sitting down across from me, he asked, “What are you thinking about?”
I kept staring glassily at the fire. “Nothing much.”
He tilted his head and considered me for a moment. He didn’t press me, for which I was grateful-another characteristic I could add to the pro relationship side of my mental list.
Pressing his hands together palm to palm, he rubbed them slowly, mechanically, as if cleaning them of dust. I watched them move, mesmerized.
“I’ll take the first watch, even though I really don’t think it’ll be necessary. I still have my tiger senses, you know. I’ll be able to hear or smell the Kappa if they decide to emerge from the water.
“Fine.”
“Are you alright?”
I mentally shook myself. Sheesh! I needed a cold shower! He was like a drug, and what did you do with drugs? You pushed them as far away as possible.
“I’m fine,” I said brusquely, then got up to dig through the backpack. “You let me know when your spidey-senses start to tingle.”
“What?”
I put my hand on my hip. “Can you also leap tall buildings in a single bound?”
“Well, I still have my tiger strength, if that’s what you mean.”
I grunted, “Fabulous. I’ll add superhero to your list of pros.”
He frowned. “I’m no superhero, Kells. The most important consideration right now is that you get some rest. I’ll keep an eye out for a few hours. Then, if nothing happens,” he said with a grin, “I’ll join you.”
I froze and suddenly became very nervous. Surely, he didn’t mean what that sounded like. I searched his face for a clue, but he didn’t seem to have any hidden agenda or be planning anything.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
In the first year of my grief, there were times when I felt like hiding my personal story of loss and other times when I wanted to wear a sign on my body that read "Be nice to me, I'm grieving," or "Don't tick me off; I've already got the world on my shoulders," or maybe even "BEWARE - don't upset the widow!" I needed a variety of signs that I could switch out depending on my daily mood.
”
”
Elizabeth Berrien (Creative Grieving: A Hip Chick's Path from Loss to Hope)
“
No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her.
"I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow.
"We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used.
"Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him.
"Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face.
"If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye.
She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her.
"You're not laughing at me, are you?" she asked warily, just as a precaution.
"No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard.
"But for some reason, you and I will never happen," she said, feeling calm.
"Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes."
Lucas ran his lips around her throat and let her put her arms around him, but that was all.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
Noah didn’t walk, he stalked and I loved the mischievous glint in his eye when he stalked me. He placed his hands on my hips and nuzzled my hair. “I love the way you smell.”
I swallowed and tried to reign in the mutant pterodactyls having a roller derby in my stomach as I dared to think about a future for the two of us. The moment Aires’ car rumbled beneath me, I’d known that I needed Noah in my life. Aires’ death had left a gaping hole in my heart. I thought all I needed was that car to run. Wrong. A car would never fill the emptiness, but love could. “I hope your future includes me. I mean, someone has to continue to kick your butt in pool.”
Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.”
“Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again.
“Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.”
“Me, too.” And I touched his cheek again, this time letting my fingers take their time. Noah wanted me, for good. “But can we hash it all out some other time? I’m sort of talked out and I’ve still gotta go see my dad. Do you think we can just take it on faith right now that I want you, you want me, and we’ll figure out the happy ending part later?”
His lips curved into a sexy smile and I became lost in him. “I love you, Echo Emerson.”
I whispered the words as he brought his lips to mine. “Forever.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Her friend - and her partner on the stage. You will not believe me, but making love to Kitty - a thing done in passion, but always, too, in shadow and silence, and with an ear half-cocked for the sound of footsteps on the stairs - making love to Kitty and posing at her side in a shaft of limelight, before a thousand pairs of eyes, to a script I knew by heart, in an attitude I had laboured for hours to perfect - these things were not so very different. A double act is always twice the act that the audience thinks it; beyond our songs, our steps, our bits of business with coins and canes and flowers, there was a private language, in which we held an endless, delicate exchange of which the crowd knew nothing. This was a language not of the tongue but of the body, its vocabulary the pressure of a finger or a palm, the nudging of a hip, the holding or breaking of a gaze, that said, You are too slow - you got too fast - not there but here - that's good - that's better! It was as if we walked before the crimson curtain, lay down upon the boards and kissed and fondled - and were clapped, and cheered, and paid for it!
”
”
Sarah Waters (Tipping the Velvet)
“
I’ve had enough
I’m sick of seeing and touching
Both sides of things
Sick of being the damn bridge for everybody
Nobody
Can talk to anybody
Without me
Right?
I explain my mother to my father
my father to my little sister
My little sister to my brother
my brother to the white feminists
The white feminists to the Black church folks
the Black church folks to the ex-hippies
the ex-hippies to the Black separatists
the Black separatists to the artists
the artists to my friends’ parents…
Then
I’ve got to explain myself
To everybody
I do more translating
Than the Gawdamn U.N.
Forget it
I’m sick of it.
I’m sick of filling in your gaps
Sick of being your insurance against
the isolation of your self-imposed limitations
Sick of being the crazy at your holiday dinners
Sick of being the odd one at your Sunday Brunches
Sick of being the sole Black friend to 34 individual white people
Find another connection to the rest of the world
Find something else to make you legitimate
Find some other way to be political and hip
I will not be the bridge to your womanhood
Your manhood
Your humanness
I’m sick of reminding you not to
Close off too tight for too long
I’m sick of mediating with your worst self
On behalf of your better selves
I am sick
Of having to remind you
To breathe
Before you suffocate
Your own fool self
Forget it
Stretch or drown
Evolve or die
The bridge I must be
Is the bridge to my own power
I must translate
My own fears
Mediate
My own weaknesses
I must be the bridge to nowhere
But my true self
And then
I will be useful
”
”
Kate Rushin (The Black Back-Ups: Poetry)
“
Placing my hands on either side of her hips, I got in her face and asked again, “We could what, Olive? What do you want from me?” She lifted her eyes and met my gaze. “I want you.” “You got me.” “Did I?” she asked, tilting her head. I nipped her lips and she squealed. “Does my wife want her husband to fuck her? Is that what you are trying to ask?” Her gaze softened and she placed a hand over my cheek. “Can he?” “Oh, baby,” I murmured, breathing in her unique scent. “You want to be properly fucked, don’t you?
”
”
Ella Maise (To Love Jason Thorn)
“
At the teasing penetration, my hips jerk upward. Wes chuckles and eases his finger deeper, until the pad of it is stroking my prostate. My entire body trembles. Tingles. Burns. He spends a maddeningly long time torturing me with his mouth and finger—no, fingers. He’s got two inside me now, rubbing that sensitive place and bringing white dots to my eyes. “Wes,” I murmur. He raises his head. His gray eyes are smoky with desire. “Hmmm?” he says lazily. “Stop fucking teasing me and start fucking fucking me,” I rasp. “Fucking fucking you? Did you really need two fuckings?” “One’s an adverb and one’s a verb.” My voice is as tight as every muscle in my body. I’m about to go up in flames if he doesn’t make me come. His laughter warms my thigh. “I love the English language, dude. It’s so creative.” “Are we really having this conversation right now?” I growl when his teeth sink into my inner thigh. His fingers are still lodged inside me, but no longer moving.
”
”
Sarina Bowen (Us (Him, #2))
“
It’s not illegal, all right? Now move, or I swear to God, I will strip
naked right here and dance the bourrée!”
I thrust my hands on my hips and looked at him expectantly.
He didn’t even glance at the people around us. He didn’t get flustered.
And Reid always got flustered.
Instead, he kept his eyes trained on mine, a slow smirk spreading across
his face.
“Do it.”
I narrowed my eyes and straightened my shoulders, drawing myself up to
my full—if not inconsiderable—height. “I will. Don’t think I won’t. I’ll do it
right now.”
He raised his brows, still smirking. “I’m waiting.
”
”
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
“
Your assumptions about the lives of others are in direct relation to your naïve pomposity. Many people you believe to be rich are not rich. Many people you think have it easy worked hard for what they got. Many people who seem to be gliding right along have suffered and are suffering. Many people who appear to you to be old and stupidly saddled down with kids and cars and houses were once every bit as hip and pompous as you.
When you meet a man in the doorway of a Mexican restaurant who later kisses you while explaining that this kiss doesn’t ‘mean anything’ because, much as he likes you, he is not interested in having a relationship with you or anyone right now, just laugh and kiss him back. Your daughter will have his sense of humor. Your son will have his eyes.
The useless days will add up to something. The shitty waitressing jobs. The hours writing in your journal. The long meandering walks. The hours reading poetry and story collections and novels and dead people’s diaries and wondering about sex and God and whether you should shave under your arms or not. These things are your becoming.
One Christmas at the very beginning of your twenties when your mother gives you a warm coat that she saved for months to buy, don’t look at her skeptically after she tells you she thought the coat was perfect for you. Don’t hold it up and say it’s longer than you like your coats to be and too puffy and possibly even too warm. Your mother will be dead by spring. That coat will be the last gift she gave you. You will regret the small thing you didn’t say for the rest of your life.
Say thank you.
”
”
Cheryl Strayed
“
You said you loved me. No one has ever said that to me before and it meant something. So if you think I’m going to let you get on a goddamn plane and fly out of my life, you’ve got another think coming.” One strong hand grasped her knee and curled it around his waist. When he ground his erection into her damp center, her head fell back onto the mattress with a whimper. “I will follow you, do you understand me? You don’t get to swoop in, make me fall in love with you, and bail. That’s not how this is going to work.” Daniel rotated his hips once, twice. “Can you live without this? Because I can’t. I won’t.
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
Do you know what made me fall in love with you?" George asked suddenly. Anne shook her head, puzzles that he should ask her this now. "I heard you laugh down the hall, just before I got to Spanish class that first day. I couldn't see you, I just heard this fabulous laugh, like a whole octave, top to bottom, and I had to hear it again." She put her fork down gently and came around the table to stand by his chair. His hands went around her hips and she pulled his head to her belly, cradling it against her body. "Let's live forever, old man," she said, smoothing the silver hair away from his face and bending to kiss him. He grinned up at her. "Okay," he said amiably, "but only because it'll really piss off that insurance guy you bought the annuities from." And she laughed, a full octave, descending from high C like chimes.
”
”
Mary Doria Russell (The Sparrow (The Sparrow, #1))
“
I stared down at the white bikini in horror. My cleavage was out in full form, while the bikini bottoms hugged my hips, tinier than anything I’d ever dare buy for myself. What the hell was Gavin Fletcher thinking putting me in something like this? And he wanted me to go outside in it, much less get my picture taken?
Yeah, right! That was absolutely not happening.
“We haven’t got all day, Lani,” Martin barked from on deck.
I put my head in my hands, sighing deeply before brushing my hair back from my eyes. What the hell had I gotten myself into?
There was a gentle rapping on the bedroom door, and I opened it, wishing I had a towel to cover up with. Gavin’s gold-flecked eyes met mine, and I stepped back to let him in. He sucked in a breath, looking me over in that brash way of his, his lips curling into a grin.
“Now that’s what I’ve been hoping for,” he said.
I laughed nervously and crossed my arms in front of my body. “I don’t know if I can do this. You heard Martin out there.”
Gavin reached forward and put a hand on my arm, smoothing his large palm over my skin. I shivered beneath his touch, feeling the heat from a connection I wondered if he felt, too. Judging by the heat in his gaze, he did, but how was that even possible? I couldn’t be reading him right.
“You look stunning, Aolani,” he said, that dangerous, bad-boy smile of his making my toes curl. “You’re exactly what I’ve been waiting for. Exactly what this campaign needs. Please say you’ll try? For me?
”
”
Delilah Fawkes (Lush Curves (Lush Curves , #1))
“
But this story ends when you open the door. It doesn’t matter if you managed to guess which room is mine, which door I closed behind me. You put your hand on the door handle, you knock, it’s all over. End of story. By choosing one, you chose the other, too. Do you understand why? Those two consequences are joined at the hip, they’re Siamese twins. Even if you picked the door with the lady behind it—all questions answered, all explanations given, your life solved for you—it’s still true that you gave the tiger permission to jump. You gave your assent to catastrophe, you invited tragedy and horror to walk right in. You got lucky, that’s all. Mallon
”
”
Peter Straub (A Dark Matter)
“
When his hips slam into me one last time, his bond coming with a roar, I shatter into a million pieces right there with him, a breathless gasp falling from my lips as my pussy gushes and drips with his cum. He makes a growling noise as he recovers and pulls out, something definitely not human, and then I feel his fingers on my legs, scooping up his seed and then pushing it back into my body. My bond preens at the action. Me? I’m mildly horrified and also very glad we finally got my birth control situation sorted out, because this is a very telling action. North might be all about keeping me happy and child-free, but his bond has other plans. Note to self: keep North’s bond away from my prescription.
”
”
J. Bree (Forced Bonds (The Bonds That Tie, #4))
“
On the back of the government scratching Wall Street’s back with its corrupt bailout, it was corporate America’s turn to return the favor. They did it by directly assuming the responsibilities of democratic government—especially the agendas of liberal politicians who might otherwise have harmfully regulated or penalized big business. Messy debates about racial inequality? Don’t worry: we’ve got it covered. New policies to fight climate change? We’ll take care of that too. Big business volunteered to take on the role of liberal government itself—crucially, on terms that were favorable to its own interests. That’s what woke capitalism is all about. It’s the hip new avatar of old-school crony capitalism.
”
”
Vivek Ramaswamy (Woke, Inc.: Inside Corporate America's Social Justice Scam)
“
What happened then was that, for an instant, almost nothing happened. He wasn't even there. Failure didn't even cross his mind. It felt like a sort of floating. He could have been in the meadow. His body loosened and took on the shape of the wind. The play of the shoulder could instruct the ankle. His throat could soothe his heel and moisten the ligaments at his ankle. A touch of the tongue against the teeth could relax the thigh. His elbow could brother his knee. If he tightened his neck he could feel it correcting in his hip. At his center he never moved. He thought of his stomach as a bowl of water. If he got it wrong, the bowl would right itself. He felt for the curve of the cable with the arch and then sole of his foot. A second step and a third. He went out beyond the first guy lines, all of him in synch.
Within seconds he was pureness moving, and he could do anything he liked. He was inside and outside his body at the same time, indulging in what it meant to belong to the air, no future, no past, and this gave him the offhand vaunt to his walk. He was carrying his life from one side to the other. On the lookout for the moment when he wasn't even aware of his breath.
The core reason for it all was beauty. Walking was a divine delight. Everything was rewritten when he was up in the air. New things were possible with the human form. It went beyond equilibrium.
He felt for a moment uncreated. Another kind of awake.
”
”
Colum McCann (Let the Great World Spin)
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Interesting outfit.”
Clearly unabashed, she merely glanced down at herself, slicked long-fingered, bloodred-tipped hands over her hips and thighs. Then laughed low in her throat. “I know. It’s a little over the top, isn’t it? But I’ve got a hot date tonight and zero time to go home to change.”
Shock reverberated in his gut and zinged down the nerve rich column of his spinal cord. Taking a hot step forward, he demanded before he could stop himself, “With who?”
She gave him a cool look, clearly wondering what the hell business he thought it was of his. Still, she answered him, which he hadn’t actually expected.
“Eduardo,” she said, drawing the syllables out, her lips caressing them as if they were made of Godiva chocolates. “He’s an—” Cutting herself off, she shook her head. “Well. You don’t give a rat’s rear end who he is.”
“Sure I do,” he forced himself to say in a bored tone, dismayed to discover that part of him was seriously tempted to grab those spandex- wrapped arms and shake the information out of her.
”
”
Susan Andersen (Playing Dirty (Sisterhood Diaries, #3))
“
From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster.
All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.)
Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.
”
”
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
“
We are told that small-scale farming is inefficient— this is true—and that because our factory farms feed the masses, and do so cheaply, we should be satisfied. And that's a deal that makes sense to nearly all of us: just keep the stuff showing up in produce bins and under cellophane in the supermarket cooler, and keep it relatively cheap, and we'll ask no questions. But in striking that devil's bargain, we sign away our responsibility for what's in that food, how it got there, and what was done to human communities to close the deal. To participate in a system and a way of thinking in which the act of eating is merely a commercial transaction is to sell out our spiritual and cultural patrimony. I understand the free-market reasons why Americans do this. But I don't understand why it is called conservative.
”
”
Rod Dreher (Crunchy Cons: How Birkenstocked Burkeans, gun-loving organic gardeners, evangelical free-range farmers, hip homeschooling mamas, right-wing nature ... America (or at least the Republican Party))
“
Old Tom giggled, "Fooled ya, huh, Ma? We aimed to fool ya, and we done it. Jus' stood there like a hammered sheep. Wisht Grampa'd been here to see. Looked like somebody'd beat ya between the eyes with a sledge. Grampa would a whacked 'imself so hard he'd a throwed his hip out–like he done when he seen Al take a shot at that grea' big airship the army got. Tommy, it come over one day, half a mile big, an' Al gets the thirty-thirty and blazes away at her. Grampa yells, 'Don't shoot no fledglin's, Al; wait till a growed-up one goes over,' an' then he whacked 'imself an' throwed his hip out.
”
”
John Steinbeck (The Grapes of Wrath)
“
I don’t want you involved in any of that.”
“Because you care about me?”
“Of course.” I narrowed my eyes. “I don’t want to worry about you getting hurt.”
He stepped in and his other hand settled just above my hip. “Because you want to be with me?”
“Yes.” That word was easy to speak.
Rider smiled then and the right dimple appeared. “You want to be my girlfriend.”
I opened my mouth and then I laughed. It sounded strange after the seriousness of our conversation, but the statement was sweet and silly.
His cheeks pinked. “Not sure how I feel about that laugh,” he teased. “But I do love the sound of it.”
My breath caught at the word. Love. Oh, gosh, was that what was happening here?
“So do you? Want to be my girlfriend?” he asked, and then chuckled. “Probably should’ve brought this up before I kissed you, but I want...I want to see where this goes, Mallory. I feel like we got a second chance, you know? I’ve been thinking that since I sat down in speech and saw you sitting there. We have a second chance. And who gets second chances?”
I searched his gaze, feeling a rightness deep in my chest. I had thought the same thing before, about second chances.
“I don’t want to pass that up.
”
”
Jennifer L. Armentrout (The Problem with Forever)
“
Cam paused, staring down at her with dilated eyes, the irises bright gold rims around circles of fathomless midnight. “Amelia, love…” His kiss tasted of salt and intimacy. “Can you take a little more of me?”
She fought to think above the confusion of pleasure, and shook her head jerkily.
The corners of his lips deepened with a smile. He whispered, “I think you can.”
His hands played over her, solicitous fingertips sliding to the place they were joined. He pressed inside her, a low rhythmic movement, and his fingers were astonishingly gentle, almost delicate, as they stroked in time to the patient thrusts. Gasping, she arched to take him deeper, and deeper still.
Every time he pushed, his body rubbed hers in exactly the right way. She began to lift eagerly, anticipating each invasion, panting for it, sensation building on sensation until it culminated in a blinding swell of delight … and another … another … she felt him begin to withdraw and she moaned and twined her legs around his hips.
“Amelia,” he gasped, “no, let me … I’ve got to…” Shuddering, he spent helplessly inside her, while her body gripped and stroked the hard length of him.
Still locked together, Cam rolled Amelia to her side. He muttered something in Romany. Although she didn’t understand a word, it sounded highly complimentary. Limp with pleasure and exhaustion, Amelia rested her head on the solid curve of his biceps, her breath catching as she felt the occasional twitch and pulse of him in the depths of her body.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
But she drew in a breath and asked with saccharine sweetness, “Trace, are you ready?”
No, he wasn’t ready. Somehow he had to regain control of this situation. Right now she had the upper hand, and that was untenable.
With the perfect plan in mind, Trace shook his head, but said with what he hoped sounded like indifference, “Quit stalling.”
And then he pulled out his cell phone.
This time, she was all but naked. What little material covered her proved mere decoration, like icing on a very sweet cake—a cake he wouldn’t mine eating, slowly, top to toes and everywhere in between.
Priss stood with her hands on her generous hips, her feet apart, shoulders back.
How such a small woman packed so many perfect curves, he didn’t know. But she managed it with flair. Boy, did she ever.
“Good enough.”
When she smiled at him, he lifted the cell phone and used it to take a picture.
Squawking, Priss leaped behind the curtain and her face went up in flames. “What do you think you’re doing?”
“Suddenly shy?” Content with her appalled tone and burning-red face, Trace looked down at the phone. Oh, yeah, that’d do. He pushed a few buttons, then put the cell phone away. “Don’t worry, honey. I emailed it to myself.” His smile felt like a leer. “No one else will see it.”
Unappeased by that promise, she glared at him. “You—!”
“Now, Priss. Modesty at this late date is more than suspicious. You wanted my approval.” He shrugged—and struggled to keep his attention on her face and off the curves that showed even beneath the curtain she clutched to her chin. “You’ve got it, with my admiration, too.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
In the meantime, she and Jay sat shoulder to shoulder throughout the movie, and the warmth of his pressed up against her made it difficult for Violet to concentrate. She tried to remember when exactly he’d started to smell so good to her, or when his touch had become like a mood-altering narcotic.
She glanced sideways to see if she could tell what he was thinking, if their casual contact was affecting him the way it was her, but his face was blank, completely unreadable, as he watched the action on the oversized screen.
She leaned toward him and whispered, “I have to go to the bathroom.”
She stood up to go. And so did he.
She gave him a questioning look. “I’ll be right back,” she said quietly.
He followed right behind her.
“What are you doing?” She was starting to get irritated.
“I’m going with you.”
“Yeah, I got that,” she said, her voice getting louder now. “Why?”
He pushed her along from behind until they were out of the darkened theater and standing in the dimly lit hallway.
“I can go to the bathroom by myself,” she insisted, putting her hands on her hips and cocking her head to the side.
“No, Violet. You can’t. I told your parents I wouldn’t let you out of my sight, and I meant it. Besides, until you decide to stop hunting for this guy, I’m not letting you do anything by yourself.” That stubborn set to his jaw was back. “Now, hurry up,” he said as he leaned casually against the wall outside the ladies’ room.
Violet didn’t want to water her time arguing, so she just shook her head as she opened the door. “You’re crazy! You know that, don’t you?” She didn’t wait for him to answer as she disappeared into the empty bathroom, but she swore she heard the sound of his laughter following her inside.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
She wraps her legs around my waist, and I walk us slowly down the hall.
"Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..."
She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues.
I push open the glass door and turn on the shower. Water cascades from the waterfall showered.
"Oh," she says as she grins and bites her bottom lip.
By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing.
"Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first."
I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?"
A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her.
I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs.
She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me.
I lean down to kiss her. "Tell me what you want."
"You. Just you. Please."
With her breathy request, I'm ready to burst. Not yet, though.
She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her.
When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it.
I love her.
She explodes against my palm, the weight of her body shuddering against me. I've got her, though.
I've always, always got you.
When she starts to ease back down, she lets out a breathy laugh.
"Oh my god."
I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that."
Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push.
When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
”
”
Sarah Echavarre Smith (The Boy With the Bookstore)
“
Connor dipped his head and kissed from her neck to her collarbone, and down her arm as he slipped the sark off her shoulder revealing the satiny skin beneath. When he got to her fingers, he nipped her ring finger and Mackenzie gasped as he drew it into his mouth and sucked. He raised his eyes back to hers and trapped her gaze in his own. Connor slid her sark down her body and Mackenzie was helpless to do anything but stare into the dark blue pools of molten desire his eyes had become. It was a heady feeling to know that she was the reason his eyes were so dark; she had never before felt so powerful. He wanted her and this time she knew what to do.
Mackenzie unwrapped his plaid from the chieftain brooch and pushed it off his shoulder. Connor held perfectly still and let it fall to the floor with Mackenzie’s pile of clothes. Next Mackenzie dragged his shirt over his head; it too joined the growing pile of clothing. Mackenzie couldn’t help but marvel at his hard body with all its scars hinting at the power and danger this man carried. She let her fingers trail down from his chest to the patch of hair on his stomach, and lower still. She could feel his muscles clench and his breath stop as she wrapped her fingers around his erection. She quickly found his rhythm and knelt down to press her lips to his lower abs. Trailing her mouth down to where her hand was, she gently licked the tip. She felt a thrill of satisfaction as his hands gripped her shoulders and as her mouth took him in, his fingers tightened. She used both her hand and her mouth to pleasure Connor. He molded a hand to the nape of her neck, holding her in place. She was becoming bolder with her free hand, exploring what made his muscles quiver and his breath hitch, when Connor pulled her roughly up and to him, crushing her lips with his.
He pressed her back against the cold wall and lifted one of her long legs, hitching it around his hip. She was tall enough that he didn’t have to lift her. He slipped inside her and Mackenzie reveled in the groan wrenched from him. This was how she liked Connor; out of control. He pushed into her again and again until they were both panting, and Mackenzie was moaning with every breath. She couldn’t wait any longer.
“Oh God Connor, I’m so close.”
“Just let go, love.”
With her back pressed against the cold wall and the heat from Connor’s body warming her, Mackenzie shuddered with the force of her orgasm and she melted into Connor’s arms as he spent himself in her.
”
”
Laura Hunsaker (Highland Destiny (Magic of the Highlands, #1))
“
He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!” “Well, that’s all we’ve got for you!” Anger said. “Now give me the eye, quick. We’re almost at camp!” Panic overcame my shock. If Anger couldn’t stop at our destination, we’d accelerate past the point of no return and vaporize in a colorful streak of plasma across Long Island. And yet that still sounded better than touching the eyeball in my lap. “Meg! Kleenex?” She snorted. “Wimp.” She scooped up the eye with her bare hand and tossed it to Anger. Anger shoved the eye in her socket. She blinked at the road, yelled “YIKES!” and slammed on the brakes so hard my chin hit my sternum.
”
”
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
“
Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
”
”
Donna Tartt (The Goldfinch)
“
Scared?”
Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.”
He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango.
“Curran! Let . . . “
I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow.
“Impressed yet?” he asked with a big smile.
Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right.
He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.”
I gasped, trying to draw air into my lungs.
“I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.”
As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty.
He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare.
I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me.
All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.”
His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened.
I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant.
He squared his shoulders. “Shall we continue?”
“It would be my pleasure.”
He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him.
Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human.
“Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.”
Mouse?
“I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.”
“I’m not filled with catnip.”
“Let’s find out.”
He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him.
“I can stop you with one word,” I said.
He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said.
“Wedding.”
All humor fled his eyes. He let go and just like that, the game was over.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.
”
”
Raymond Chandler (The Little Sister (Philip Marlowe #5))
“
Raquel? You coming?”
“I honestly never thought I would see the light of day again.”
“Aww, come on. With me on your side? Of course things worked out.”
She tried to smile, but her eyes filled with tears. Thank you, Evie.”
I threw my arms around her in a hug. “You don’t have to thank me.”
“I really do. You wonderful girl. I’ve missed you so much.”
“Well, now that we’re both unemployed fugitives, think of how much time we’ll have to hang out!”
She laughed drily, and we walked with our arms around each other to the house. I opened the door and yelled, “Evie alert! Coming into the family room!”
“You made it!” Lend shouted back. “Just a sex, I’ll go to the kitchen. Raquel’s with you?”
“Yup!”
“Good job! Jack and Arianna got back a couple of minutes ago.”
I walked into the family room to find Arianna and Jack sitting on the couch, arguing. “But here would have been no point to you being there if it hadn’t been for my computer prowess.”
“But your computer prowess wouldn’t have mattered if you couldn’t have gotten into the Center in the first place.”
“Being a glorified taxi does not make you the bigger hero.”
“Being a nerd who can tap on a keyboard or being able to navigate the dark eternities of the Faerie Paths . . . hmmm . . . which is a rarer and more valuable skill . . .”
I put my hands on my hips. “Okay, kids, take it elsewhere. Raquel and I have work to do.”
“Evie,” Raquel said. She was staring at Jack in horror.
“Oh, that.” I waved a hand dismissively. “It’s all good. Jack’s been helping us.”
“Don’t you remember how he tried to kill you?”
Jack rolled his eyes. “Boring. We’ve all moved on.”
“Really?”
“Not really,” I said. “But he’s behaving. And everyone needs a glorified taxi now and then.”
“Admit it: you all adore me.” Jack bowed dramatically as he left the room. Arianna smiled tightly at Raquel and left after him.
Raquel collapsed onto the couch and closed her eyes. “You’re working with Reth and Jack? Have you lost your mind?”
“Oh, that happened ages ago. But I’ve had to do a lot of rescuing lately, and those two come in handy.”
“Do you trust them?”
“No, we don’t,” Lend called from the kitchen.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?”
“What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!”
“You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry.
“I’m not important. Everyone will do just fine without me,” I say.
“Who cares about everyone? What about me?”
He lowers his head into his hand, covering his eyes. His fingers are trembling.
Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to.
I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things.
“You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.”
He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again.
This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do.
But I want to. Oh, I want to.
I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not.
He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye.
He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips.
I can’t stop.
I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder.
I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers.
Stop, I tell myself.
Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much.
He pulls back just enough to look into my eyes, his eyelids lowered.
“Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.”
Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body.
Do this one thing for me. Tobias’s dark eyes plead with me.
But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do.
I feel a stab of pain in my chest as I lie to him. “Okay.”
“Promise,” he says, frowning.
The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
”
”
Veronica Roth (Insurgent (Divergent, #2))