Got Driving License Quotes

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I don’t know about you driving. What if your beast comes out? I don’t think he’s got a driver’s permit.” In a weird voice, she said, “He don’t even have his license, Lisa.” “Who’s Lisa?” She blinked at him. “Weird Science? Never mind, crypt keeper. I’ll shoot you a YouTube sometime, through this thing we youngsters like to call ‘electronic mail.
Kresley Cole (MacRieve (Immortals After Dark, #13))
I pull over a colored guy who’s driving, probably stoned, with his kids in the car! I smell marijuana! Out of the blue, this scumbag tells me he’s got a gun and a license to carry. Why does he tell me that? Does he plan to shoot me? “Show me your hands, I tell him. He ignores me, Brenda! He reaches down into his pocket. Is he reaching for the gun? Why won’t he show me his hands? He’s not ‘the black guy’ or ‘the white guy,’ dammit! He’s the guy with the fucking gun!
Mark M. Bello (Betrayal In Black (Zachary Blake Legal Thriller, #4))
Another highlight was when I got to drive a battery-operated Barbie Jeep. This made a huge impression on me. I thought it was the coolest thing ever, and I loved it so much that it (unfortunately) influenced my taste in real cars when I finally got my driver's license more than 10 years later.
Naya Rivera (Sorry Not Sorry: Dreams, Mistakes, and Growing Up)
I got my driver's license last week Just like we always talked about 'Cause you were so excited for me To finally drive up to your house But today I drove through the suburbs Crying 'cause you weren't around And you're probably with that blonde girl Who always made me doubt She's so much older than me She's everything I'm insecure about Yeah, today I drove through the suburbs 'Cause how could I ever love someone else? And I know we weren't perfect but I've never felt this way for no one And I just can't imagine how you could be so okay now that I'm gone Guess you didn't mean what you wrote in that song about me 'Cause you said forever, now I drive alone past your street.
Hearts Can Break and Never Make a Sound
If the police catch someone using their mobile phone whilst driving they should have the right to confiscate the person’s license with immediate effect, AND confiscate their car keys so they have to walk home. I don’t care if they’re 200 or 400 miles from home, take their keys off them. And no need to waste the court’s time over this one. They don’t go to court. The police should have the power to write out a year’s driving ban on the spot and force them to surrender their license. Anyone got any arguments over this one?
Karl Wiggins (100 Common Sense Policies to make BRITAIN GREAT again)
You'll teach me to drive your car if I let you get in the water?" "Uh, no. I'll teach you how to drive Galen's car if you let me get in the water. You're not touching my car without a license. A real one, not some shiny plastic thing Rachel made between afternoon talk shows." Even if Galen doesn't have insurance, he's got enough in his wallet to buy a new one. I, on the other hand, have just enough in saving to cover my deductible. Her eyes go round. "You'll let me drive his little red one? The combustible?" Why not? I nod. "Yep. The convertible. Deal?" She grabs my hand from the couch to pull us both up. Then she shakes it. "Deal! I'll go get the keys from Rachel.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Laura Carmichael is Edith: During the war, Edith learns to drive the family car. "I haven't got a driving license, so I think production were a bit nervous! But in some ways it was an advantage that driving isn't second nature to me because I wasn't so surprised about where the things were. My heart was in my mouth - the car is one of the last of its kind and worth half a million pounds. The gears are all in a straight line and neutral is a tiny point in between, you have to do double declutching - so I just kept it in first. On the second take I thought I was thought o kill the cameraman! We were filming in Bampton so all the locals were watching, just to add to the pressure...
Jessica Fellowes (The World of Downton Abbey)
from her purse. “We have to follow that car!” “But not too close,” Nancy replied. “We’d make them suspicious.” The girls waited three minutes before backing out into the main highway and then turning into the adjacent road. Though the automobile ahead had disappeared, tire prints were plainly visible. The road twisted through a stretch of wood-land. When finally the tire prints turned off into a heavily wooded narrow lane, Nancy was sure they were not far from the cabin. She parked among some trees and they went forward on foot. “There it is!” whispered Nancy, recognizing the chimney. “Bess, I want you to take my car, drive to River Heights, and look up the name of the owner of the car we just saw. Here’s the license number. “After you’ve been to the Motor Vehicle Bureau, please phone Mrs. Putney’s house. If she answers, we’ll know it wasn’t she we saw in the car. Then get hold of Dad or Ned, and bring one of them here as fast as you can. We may need help. Got it straight?” “I—I—g-guess so,” Bess answered. “Hurry back! No telling what may happen while you’re away.” The two watched as Nancy’s car rounded a bend and was lost to view. Then Nancy and George walked swiftly through the woods toward the cabin. Approaching the building, Nancy and George were amazed to find that no car was parked on the road in front. “How do you figure it?” George whispered as the girls crouched behind bushes. “We certainly saw tire marks leading into this road!” “Yes, but the car that passed may have gone on without stopping. Possibly the driver saw us and changed her plans. Wait here, and watch the cabin while I check the tire marks out at the
Carolyn Keene (The Ghost of Blackwood Hall (Nancy Drew, #25))
We take the stairs down to the first level of the parking garage and I lead us toward the area reserved for doctors. She makes her way toward a black Audi, turns, and waits for me to join her. I smirk. “That’s not my car.” She nods. “Right, of course. I see it now.” She goes to a bright yellow Ferrari that belongs to one of the plastic surgeons. The vanity license plate reads: SXY DOC88. “Here we are.” “Not even close.” “Oh, okay. I get it. You aren’t flashy. Maybe that gray Range Rover over there?” I press the unlock button on my key fob and my rear lights flash. There she is, the car I’ve driven since I was in medical school. “You’re kidding. A Prius?! Satan himself drives a Prius?!” She turns around as if hoping to find someone else she can share this moment with. All she’s got is me. I shrug. “It gets good gas mileage.” She blinks exaggeratedly. “I couldn’t be more shocked if you’d hitched a horse to a buggy.” I chuckle and open the back door to toss in her backpack. “Get in. Traffic is going to be hell.” We buckle up in silence, back up and leave the parking garage in silence, pull out into traffic in silence. Finally, I ask, “Where do you live?” “On the west side. Right across from Franklin Park.” “Good. I have an errand I need to run that’s right by there. Mind if I do that before I drop you off?” “Well seeing as how you stole my backpack and forced me into your car, I don’t really think it matters what I want.” I see. She’s still pouting. That’s fine. “Good. Glad we’re on the same page.” She doesn’t think I’m funny.
R.S. Grey (Hotshot Doc)
I trudge toward the porch, entertaining the idea of running the other way. But technically, I shouldn't be in any trouble. It wasn't my car. I'm not the one who got a ticket. Samantha Forza did. And the picture on Samantha Forza's driver's license looks a lot like Rayna. She told Officer Downing that she swerved to keep from hitting a camel, which Officer Downing graciously interpreted as a deer after she described it as "a hairy animal with four legs and a horn." Since no one formed a search party to look for either a camel or a unicorn, I figured we were in the clear. But from Mom's expression, I'm miles from clear. "Hi," I say as I reach the steps. "We'll see about that," she says, grabbing my face and shining a pen light in my eyes. I slap it away. "Really? You're checking my pupils? Really?" "Hal said you looked hazy," she says, clipping the pen back on the neckline of her scrubs. "Hal? Who's Hal?" "Hal is the paramedic who took your signature when you declined medical treatment. He radioed in to the hospital after he left you." "Oh. Well, then Hal would have noticed I was just in an accident, so I might have been a little out of it. Doesn't mean I was high." So it wasn't small-town gossip, it was small-county gossip. Good ole Hal's probably transported hundreds of patients to my mom in the ER two towns over. She scowls. "Why didn't you call me? Who is Samantha?" I sigh and push past her. There's no reason to have this conversation on the porch. She follows me into the house. "She's Galen's sister. I didn't call because I didn't have a signal on my cell. We were on a dead road." "Where was Galen? Why were you driving his car?" "He was home. We were just taking it for a drive. He didn't want to come." Technically, all these statements are true, so they sound believable when I say them. Mom snorts and secures the dead bolt on the front door. "Probably because he knows his sister is life threatening behind the wheel." "Probably.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Melissa Rauch: She never got a driver’s license, so she would take the bus all the way to Warner Bros. with all her bags. But she loved it. She was like, “I’m not going to drive in this city with all the crazies!” If we finished work around the same time, I would take her home and we would have all these really great conversations.
Jessica Radloff (The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series)
What about your boyfriends?” I asked. She shot me a look, but she said, “I admit I used sex to rebel against my mother, and I’ve had a few casual boyfriends since high school. I knew they were after my body, and I like sex, but that got me a reputation. I had never found anyone I could fall in love with except Paul McCartney. But that didn’t work out.” That made me laugh but I was curious about her sexual adventurousness. Making the assumption, I asked her, “When did you start taking the pill?” “I started taking it at sixteen because the doctor said that I needed to make up a hormone imbalance. My mother was not pleased, but that’s when I got my license to screw,” she said. I laughed so hard at that that I fell off the bed. “You’re a witch,” I said. “A sex witch,” Kara countered. “Come up here and I’ll prove it.
Tim Scott (Driving Toward Destiny: A Novel)
Finny got his driver’s license on his birthday. Aunt Angelina taught him to drive ages ago. She says he is a good driver, but she is still terrified of him killing himself on the road some night. It’s hard for me to understand how she jumps so quickly from driving to death. Every night, people ride around in cars without dying.
Laura Nowlin (If He Had Been with Me)
Just take me home,” Furi mumbled and moved to the passenger side of the truck. The drive home was deathly quiet. Syn wasn’t sure if Furi was going to forgive him or not, he was certainly hoping he would. Syn really did like Furi. He was the type of man he’d want to spend hours talking to because the deep sexiness of his voice did funny things to Syn’s groin, listening to him laugh was like the sweetest music to his ears. He wanted to see Furi's gorgeous face when he came home from working a shitty case, knowing he would make it better. He wanted to get into bed with him after a hot shower and bury his face in Furi’s soft hair and just lose himself in the erotic scent that lingered in those gorgeous locks. Syn fought the urge to apologize again; he’d done it at least five times now. He looked over at Furi, wishing he would turn and look at him. “Are you going to say anything?” Furi did look at him then, but what he said wasn’t exactly what Syn wanted to hear, “Your truck needs a tune-up.” Then he turned his head back toward the window. Syn pulled up to the curb opposite Furi’s apartment and shut off the engine. Furi didn’t say anything; he just opened the door, got out of the truck and walked across the street. Syn jumped out calling to him, “Furi, please wait.” Furi stopped in the middle of the street and turned to face him, looking completely exasperated. “What?” Syn was just making his way around the truck when he heard tires screeching and bright headlights headed directly at Furi. “Furious!” Syn yelled, but he saw there was no time. He ran at full speed, leaping and slamming his body into Furi's, the car’s front end just missing them. Syn rolled with Furi, a messy tangle of long limbs, hitting the curb hard. Syn kept one arm around Furi while craning his neck to try to see where the car was. All he could see was the make of the dark vehicle and two letters of the license plate. Syn pulled his S&W from behind his back just in case they circled back around. Syn jumped up and pulled Furi up with him. “Inside, now.” Furi moved quickly, Syn right behind him. As soon as they got inside the apartment, Syn turned Furi to face him. He looked him over and determined that he was okay for the most part. Furi looked like he was in shock, and rightfully so, someone had just tried to kill him. Syn put both his hands on Furi’s flushed cheeks. “Furious look at me.” Syn waited for those now haunted eyes to look at his. When Furi finally focused on his face, he had to slip into cop mode and ask his questions while the details were fresh in his mind.
A.E. Via
His phone rang just as he set his evidence kit on the ground. He glanced at the display and took the call. "Hey, Mom." "I ran into Cindy Jenners at the store today." "No." "She's such a nice young woman." "Not interested." "Your sisters abandoned me." "They didn't abandon you. They got married." "They moved to other states. I don't have a single grandchild. within driving distance. How can they be so curel?" She gave a guilt-laden pause. "Mrs. Ottmann said she saw you talking to some blonde with Massachusetts license plates by the feed store yesterday." Chase closed his eyes and brushed his thumb and forefinger over his eyelids. "I was giving her a speeding ticket...
Dana Marton (Broslin Bride: Gone and Done it (Broslin Creek, #5))
Not Exactly Speeding A cop was watching the traffic on Highway 22 when he saw a car puttering along at way below the speed limit. “Well,” he said, “they’re not exactly speeding, but driving that slow is just as dangerous.” So he turned on the flashing lights and pulled the car over. Inside were five little old ladies, two in front and three in the back. All of them looked scared and shaken up. After getting the license and registration of the driver, the police officer explained that while they certainly weren’t speeding, it was also dangerous for them to drive a lot slower than the speed limit and he had to write them a ticket for that. “Slower than the speed limit?” the driver asked. “Officer, I don’t understand. We were going exactly the speed limit – twenty-two miles an hour.” The officer suppressed a laugh at their expense and explained politely that twenty-two was the route number, not the speed limit, and the speed limit was actually sixty-five. The driver seemed to understand and promised to do better in the future, and the police officer decided to let them off with a warning. As they were about to drive away, he asked, “Ma’am, are all of you ladies all right?” because they seemed so frightened and shaken. “Oh, we’ll be fine in a few minutes, officer, don’t worry,” the driver said. “We just got off of Highway 118.
Ronald T. Boggs (The Funniest Joke Book! Best Collection Of Jokes In The Kindle Library!)
Sometimes people can't identify their feelings because they were talked out of them as a children. The child says, "I'm angry," and the parent says, "Really? Over such a tiny thing? You're so sensitive!" Or the kid says, "I'm sad," and the parent says, "Don't be sad. Hey, look, a balloon!" Or the child says, "I'm scared," and the parent says, "There's nothing to be worried about. Don't be such a baby." But nobody can keep profound feelings sealed up forever. (...) With two chaotic parents who argued with abandon and liberal strings of expletives, sometimes so loudly that the neighbors complained - she had been forced to act as a grownup prematurely, like an underage driver navigating her life without a license. She rarely got to see her parents acting like adults, like her friends' parents. She'd had to parent herself, and her younger brother too. Children, however, don't like having to be hyper-competent. So it's not surprising that she wants me to be the mother for her now. I can be the normal parent who safely and lovingly drives the car, and she can have the experience of being taken care of in a way she never has before. But in order to cast me in the competent role, she believes she has to cast herself as the helpless one, letting me see only her problems. Patients often do this as a way to ensure that hte therapist won't forget about their pain if they mention something positive. Good things happen in her life too, but I only rarely hear about them; if I do, it's either in passing or months after they occurred.
Lori Gottlieb (Maybe You Should Talk to Someone)
The bad news: just outside the city limits, I got pulled over by the police. Oh, the miserable luck! The officer stopped us for no good reason that I could see. At first I feared he might be a blemmyae, but he was not nearly polite enough. He frowned at my license. “This is a junior driver’s license from New York, kid. What are you doing driving a car like this? Where are your parents, and where’re you taking this little girl?” I was tempted to explain that I was a four-thousand-year-old deity with plenty of experience driving the sun, my parents were in the celestial realm, and the little girl was my demigod master. “She is my—” “Little sister,” Meg chimed in. “He’s taking me to piano lessons.” “Uh, yes,” I agreed. “And we’re late!” Meg waggled her fingers in a way that did not at all resemble playing the piano. “Because my brother is stooo-pid.” The officer frowned. “Wait here.” He walked to his patrol car, perhaps to run my license through his computer or to call for SWAT backup. “Your brother?” I asked Meg. “Piano lessons?” “The stupid part was true.
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
Do you have a driver's license?" "Of course," she said, not knowing if it was true or not. She was already sitting behind the steering wheel. He tossed her the keys and she turned the ignition as he climbed into the car. She pressed hard on the gas pedal and the car shrieked away from the curb. The back end fishtailed. She needed to get to school quickly and find some answers. She had a feeling that Catty wasn't going to last long in that place. The light turned yellow ahead of her. "Slow down!" Derek shouted as the car in front of them stopped for the light. She didn't let up. "You're going to rear-end it!" Derek cried, and his foot pressed the floor as if he were trying to work an invisible brake. She jerked the steering wheel, swerved smoothly around the car, and blasted through the intersection, ignoring the flurry of horns and screeching tires. Derek snapped his seat belt in place. "Why are you in such a hurry to get to school?" "Geometry test," she answered, and buzzed around two more cars. At the next junction she needed to make a left-hand turn, but the line of traffic waiting for the green arrow would delay her too long. She continued in her lane, and when she reached the intersection, she turned in front of the car with the right-of-way. Angry honks followed her as she blasted onto the next street. "We've got time, Tianna!" Derek yelled. "School doesn't start for another fifteen minutes." Would fifteen minutes give her enough time to get the answers she needed? She didn't think so. She pressed her foot harder on the accelerator. The school was at least a mile away, but if she ignored the next light and the next, then maybe she could get there with enough time to question Corrine. She didn't think her powers were strong enough to change the lights and she didn't want to chance endangering other drivers, but she was sure she could at least slow down the cross traffic. She concentrated on the cars zooming east and west on Beverly Boulevard in front of her without slowing her speed. "Tianna!" Derek yelled. "You've got a red light!" She squinted and stalled a Jaguar in the crosswalk. Cars honked impatiently behind the car, and when a Toyota tried to speed around it, she stopped it, too. She could feel the pressure building inside her as she made a Range Rover and a pick-up slide to a halt. She shot through the busy intersection against the light. Derek turned back. "You've got to be the luckiest person in the world.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
You’re a terrible person, Sasha Stone,” she says, eyes closing down into tiny slits. “There’s an ugliness inside of you that can’t be dug out, not with the knife you used, not with talk therapy, not with anything I know of. You’re so far gone you won’t even acknowledge it, claiming it all comes from someone else, somewhere else, never inside of you. “You take the people who care about you most and manipulate them. You get your friends to lie for you, cut yourself up, and blame it on a boy who will probably never recover from seeing that, send your mother down an unstable path and your father trying to stop her so that he won’t get in your way. You got me fired and my license is up for review—do you understand what that means? I worked my whole life to help others and now I’m not going to be able to, because of you.” She’s close to me now, the hot breath of another drive-through meal wafting in my face. I sit up, all my cords coming with me, and lean toward her so that we’re almost nose to nose. “And how does that make you feel?” I ask.
Mindy McGinnis (This Darkness Mine)
From the earliest I remember, I was car obsessed. I ate, slept, and drank cars. Naturally, I was desperate to learn and passed my driving test at seventeen. Two weeks after, I passed my race license. I loved it; in the first twelve months of driving, I covered 25,000 miles for no reason other than I enjoyed it. After passing my race test, I got my instructor’s card and became a self-employed racing driver at the age of eighteen. I worked for two local companies that did driving experiences with customers. I was paid to drive Ferraris and Lamborghinis on a racetrack. Yes, I was paid to drive exotic cars most people dream of sitting in, let alone owning. And I was paid well for it. In the first three years of being licensed, I owned fourteen different cars, sometimes three cars at the same time. All of my earnings went to my cars, and I loved life. I could work at whatever racetrack I wanted. Sounding more like a success story, right? I worked in that industry for four years, and by the time it was over, I HATED driving. The one thing that defined me—my love of cars—was absolutely killed by that job. Everyone who got in a car with me said I had the best job in the world, and for a while, I agreed with them. But after 30,000 laps on the same track, I can tell you I want nothing more to do with them. I did that job because I loved driving cars. I didn’t do it because I loved hospitality or the thrill customers received. I did it because I drove cars I couldn’t afford. I was in it for the wrong reasons. Don’t “do what you love,” because even if you are lucky to make a living doing it, you won’t love it for very long. You should love the value you create. The process is hard, but it’s justified by your love of the value that is created through it.
M.J. DeMarco (UNSCRIPTED: Life, Liberty, and the Pursuit of Entrepreneurship)