Goodbye For Now Quotes

We've searched our database for all the quotes and captions related to Goodbye For Now. Here they are! All 100 of them:

Goodbye," said the fox. "And now here is my secret, a very simple secret: It is only with the heart that one can see rightly; what is essential is invisible to the eye.
Antoine de Saint-Exupéry
You can love someone and still choose to say goodbye to them,” she says now. “You can miss a person every day, and still be glad that they are no longer in your life.
Tara Westover (Educated)
I love you all. But it's time to say good-bye, for now. be careful with the world, or the next time we meet, it might get ugly. -Tally Youngblood
Scott Westerfeld (Specials (Uglies, #3))
a flower knows, when its butterfly will return, and if the moon walks out, the sky will understand; but now it hurts, to watch you leave so soon, when I don't know, if you will ever come back.
Sanober Khan
...I will exile my thoughts if they think of you again, and I will rip my lips out if they say your name once more. Now if you do exist, I will tell you my final word in life or in death, I tell you goodbye.
Knut Hamsun (Hunger)
Let's face it: I'm scared, scared and frozen. First, I guess I'm afraid for myself... the old primitive urge for survival. It's getting so I live every moment with terrible intensity. It all flowed over me with a screaming ache of pain... remember, remember, this is now, and now, and now. Live it, feel it, cling to it. I want to become acutely aware of all I've taken for granted. When you feel that this may be good-bye, the last time, it hits you harder.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Well, good-bye for now," he said, rolling his neck as if we hadn't been talking about anything important at all. He bowed at the waist, those wings vanishing entirely, and had begun to fade into the nearest shadow when he went rigid. His eyes locked on mine wide and wild, and his nostrils flared. Shock—pure shock flashed across his features at whatever he saw on my face, and he stumbled back a step. Actually stumbled. "What is—" I began. He disappeared—simply disappeared, not a shadow in sight—into the crisp air.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Maybe it was the alcohol, maybe it was the truth, maybe I didn't want things to turn abstract, but I felt I should say it, because this was the moment to say it, because it suddenly dawned on me that this was why I had come, to tell him 'You are the only person I'd like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist.
André Aciman (Call Me by Your Name)
and you invented me and I invented you and that's why we don't get along on this bed any longer. you were the world's greatest invention until you flushed me away. now it's your turn to wait for the touch of the handle. somebody will do it to you, bitch, and if they don't you will - mixed with your own green or yellow or white or blue or lavender goodbye.
Charles Bukowski (Love Is a Dog from Hell)
Heil Hitler," he said, which, he presumed, was another way of saying, "Well, goodbye for now, have a pleasant afternoon.
John Boyne (The Boy in the Striped Pajamas)
Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
Tim Tharp (The Spectacular Now)
Witches are naturally nosy,” said Miss Tick, standing up. “Well, I must go. I hope we shall meet again. I will give you some free advice, though.” “Will it cost me anything?” “What? I just said it was free!” said Miss Tick. “Yes, but my father said that free advice often turns out to be expensive,” said Tiffany. Miss Tick sniffed. “You could say this advice is priceless,” she said, “Are you listening?” “Yes,” said Tiffany. “Good. Now...if you trust in yourself...” “Yes?” “...and believe in your dreams...” “Yes?” “...and follow your star...” Miss Tick went on. “Yes?” “...you’ll still be beaten by people who spent their time working hard and learning things and weren’t so lazy. Goodbye.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
My heart is breaking," she says. "I want to be strong for you right now but the thought of you leaving is killing me inside.
Pittacus Lore (I Am Number Four (Lorien Legacies, #1))
Eight full lives,” I whispered against his jaw, my voice breaking. “Eight full lives and I never found anyone I would stay on a planet for, anyone I would follow when they left. I never found a partner. Why now? Why you? You're not of my species. How can you be my partner?” “It's a strange universe,” he murmured. “It's not fair,” I complained, echoing Sunny's words. It wasn't fair. How could I find this, find love–now, in this eleventh hour–and have to leave it? Was it fair that my soul and body couldn't reconcile? Was it fair that I had to love Melanie, too? Was it fair that Ian would suffer? He deserved happiness if anyone did. Itwasn't fair or right or even…sane. How could I do this to him? “I love you,” I whispered. “Don't say that like you're saying goodbye.” But I had to. “I, the soul called Wanderer, love you, human Ian. And that will never change, no matter what I might become.” I worded it carefully, so that there would be no lie in my voice. “If I were a Dolphin or a Bear or a Flower, it wouldn't matter. I would always love you, always remember you. You will be my only partner.
Stephenie Meyer (The Host (The Host, #1))
Now I know who you are U got nothin' on me, I see I should've known it from the start You can't tell me lies Don't even try cuz This is goodbye Goodbye
Demi Lovato
A bird who hurt her wing, now forgotten how to fly. A song she used to sing, but can't remember why. A breath she caught and kept - that left her in a sigh. It hurts her so to love you, but she won't say goodbye.
Lang Leav
As Harry and Ron rounded the clump of trees behind which Harry had first heard the dragons roar, a witch leapt out from behind them. It was Rita Skeeter. She was wearing acid-green robes today; the Quick-Quotes Quill in her hand blended perfectly against them. "Congratulations, Harry!' she said beaming at him. "I wonder if you could give me a quick word? How you felt facing that dragon? How do you feel now about the fairness of the scoring?" "Yeah, you can have a word," said Harry savagely. "Goodbye!
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
and now we get to the hard part. the endings, the farewells, and the famous last words. if you don't hear from me often, remember that you're in my thoughts.
Paul Auster (Moon Palace)
Smiling is the way the soul says hello. Obviously a frown means goodbye. Is there a word halfway between hello and goodbye? Because that’s what my soul is saying right now.

Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
We stood there, looking at each other, saying nothing. But it was the kind of nothing that meant everything. In his eyes, there was no trace of what had happened between us earlier and I could feel something inside me break. So that was that. We were finally, finally over. I looked at him, and I felt so sad, because this thought occurred to me: 'I will never look at you the same way again. I'll never be that girl again. The girl who comes running back every time you push her away, the girl who loves you anyway.' I couldn’t even be mad at him, because this was who he was. This was who he’d always been. He’d never lied about that. He gave and then he took away. I felt it in the pit of my stomach, the familiar ache, that lost, regretful feeling only he could give me. I never wanted to feel it again. Never, ever. Maybe this was why I came, so I could really know. So I could say good-bye. I looked at him, and I thought, 'If I was very brave or very honest, I would tell him.' I would say it, so he would know it and I would know it, and I could never take it back. But I wasn’t that brave or honest, so all I did was look at him. And I think he knew anyway. 'I release you. I evict you from my heart. Because if I don't do it now, I never will.' I was the one to look away first.
Jenny Han (It's Not Summer Without You (Summer, #2))
There's nothing here to say good-bye to. There's no dancing girl. No mischievous smile. She's gone, off with her sisters, broken free, escaped. And if she were here now, she would say, "Go.
Lauren DeStefano (Wither (The Chemical Garden, #1))
I am leaving, but I am living. I will not be gone from you entirely, Will. When you fight now, I will be still by you. When you walk in the world, I will be the light at your side, the ground steady under your feet, the force that drives the sword in your hand.
Cassandra Clare (The Infernal Devices: Clockwork Princess (The Infernal Devices: Manga, #3))
One day we'll look back we'll smile and we'll laugh,but right now we just cry. Cuz it's so hard to say good-bye.
Miley Cyrus
It wasn't goodbye forever. Only goodbye for now. And if ever the distance was too much to bear, she would just look inside her heart, for Agatha was already there.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
All those clean, fresh starts had made me forget what it was like, until now, to be messy and honest and out of control. To be real.
Sarah Dessen (What Happened to Goodbye)
You risked much, to give your love to such a one. I stared at him. Love? Did you not know, until now, when you must say goodbye?
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
I sometimes look at my bookshelf now and think about how someday I'm going to die without ever reading a lot of the books there. And one might be life-changingly good and I'll never know.
Jeff Zentner (Goodbye Days)
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
If there is an afterlife, I want my soul intact. And then maybe I'll see you there."I smiled, somehow calm now that I was facing something inevitable. I was getting the good-bye I'd always wanted. - Nikki
Brodi Ashton (Everneath (Everneath, #1))
We have tears in our eyes As we wave our goodbyes, We so loved being with you, we three. So do please now and then Come and see us again, The Giraffe and the Pelly and me. "All you do is to look At a page in this book Because that’s where we always will be. No book ever ends When it’s full of your friends The Giraffe and the Pelly and me.
Roald Dahl
Now ... if you trust in yourself ... and believe in your dreams ... and follow your star ... you'll still get beaten by people who spent their time working hard and learning things and weren't so lazy. Goodbye.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Just because something is good doesn't mean we should pursue it right now. We have to remember that the right thing at the wrong time is the wrong thing.
Joshua Harris
In death, they all looked the same. This morning they spoke, they breathed, they kissed their loved ones good-bye. And now they lay dead. Gone forever.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
What a terrible thing it is to botch a farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape. For example - I wonder - could you tell my jumbled story in exactly one hundred chapters, not one more, not one less? I'll tell you, that's one thing I have about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day. I wish so much that I'd had one last look at him in the lifeboat, that I'd provoked him a little, so that I was on his mind. I wish I had said to him then - yes, I know, to a tiger, but still - I wish I had said, "Richard Parker, it's over. We have survived. Can you believe it? I owe you more gratitude than I can express I couldn't have done it without you. I would like to say it formally: Richard Parker, thank you. Thank you for saving my life. And now go where you must. You have known the confined freedom of a zoo most of your life; now you will know the free confinement of a jungle. I wish you all the best with it. Watch out for Man. He is not your friend. But I hope you will remember me as a friend. I will never forget you , that is certain. You will always be with me, in my heart. What is that hiss? Ah, our boat has touched sand. So farewell, Richard Parker, farewell. God be with you.
Yann Martel (Life of Pi)
A Woman's Question Do you know you have asked for the costliest thing Ever made by the Hand above? A woman's heart, and a woman's life--- And a woman's wonderful love. Do you know you have asked for this priceless thing As a child might ask for a toy? Demanding what others have died to win, With a reckless dash of boy. You have written my lesson of duty out, Manlike, you have questioned me. Now stand at the bars of my woman's soul Until I shall question thee. You require your mutton shall always be hot, Your socks and your shirt be whole; I require your heart be true as God's stars And as pure as His heaven your soul. You require a cook for your mutton and beef, I require a far greater thing; A seamstress you're wanting for socks and shirts--- I look for a man and a king. A king for the beautiful realm called Home, And a man that his Maker, God, Shall look upon as He did on the first And say: "It is very good." I am fair and young, but the rose may fade From this soft young cheek one day; Will you love me then 'mid the falling leaves, As you did 'mong the blossoms of May? Is your heart an ocean so strong and true, I may launch my all on its tide? A loving woman finds heaven or hell On the day she is made a bride. I require all things that are grand and true, All things that a man should be; If you give this all, I would stake my life To be all you demand of me. If you cannot be this, a laundress and cook You can hire and little to pay; But a woman's heart and a woman's life Are not to be won that way.
Joshua Harris (I Kissed Dating Goodbye)
Adieu," he said, "this is goodbye. I'll never forget you, never." She stood silent. He looked at her and saw her eyes full of tears. He turned away. At this moment she wasn't ashamed of loving him, because her physical desire had gone and all she felt towards him now was pity and a profound, almost maternal tenderness. She forced herself to smile. "Like the Chinese mother who sent her son off to war telling him to be careful 'because war has its dangers,' I'm asking you, if you have any feelings for me, to be as careful as possible with your life." Because it is precious to you?" he asked nervously. Yes. Because it is precious to me.
Irène Némirovsky (Suite Francaise)
There is someone I must say goodbye to. Oh, not you - we are sure to see each other again - but the Lily Bart you knew. I have kept her with me all this time, but now we are going to part, and I have brought her back to you - I am going to leave her here. When I go out presently she will not go with me. I shall like to think that she has stayed with you.
Edith Wharton (The House of Mirth (Dover Thrift Editions: Classic Novels))
How rare were the tears of a dragon. We once lived in paradise and because of the corruption of an angel disgused as a dragon, all the world was cast into darkness. Now, as humans, we shed many tears-for what was lost, for what might of been, and for the end of friendships. Goodbye my true friends.
Bryan Davis (Circles of Seven (Dragons in Our Midst, #3))
Suddenly, I was just sure he was going to kiss me. He was there, I could feel his breath, the ground solid beneath us. But then something crossed his face, a thought, a hesitation, and he shifted slightly. Not now. Not yet. It was something I'd done so often - weighing what I could afford to risk, right at that moment - that I recognized it instantly. It was like looking in a mirror.
Sarah Dessen (What Happened to Goodbye)
So long as I remain in Day's life, I will hurt him. Any other alternative is impossible. Now, he is free.
Marie Lu (Champion (Legend, #3))
[The Old Astronomer to His Pupil] Reach me down my Tycho Brahe, I would know him when we meet, When I share my later science, sitting humbly at his feet; He may know the law of all things, yet be ignorant of how We are working to completion, working on from then to now. Pray remember that I leave you all my theory complete, Lacking only certain data for your adding, as is meet, And remember men will scorn it, 'tis original and true, And the obloquy of newness may fall bitterly on you. But, my pupil, as my pupil you have learned the worth of scorn, You have laughed with me at pity, we have joyed to be forlorn, What for us are all distractions of men's fellowship and smiles; What for us the Goddess Pleasure with her meretricious smiles. You may tell that German College that their honor comes too late, But they must not waste repentance on the grizzly savant's fate. Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night. What, my boy, you are not weeping? You should save your eyes for sight; You will need them, mine observer, yet for many another night. I leave none but you, my pupil, unto whom my plans are known. You 'have none but me,' you murmur, and I 'leave you quite alone'? Well then, kiss me, -- since my mother left her blessing on my brow, There has been a something wanting in my nature until now; I can dimly comprehend it, -- that I might have been more kind, Might have cherished you more wisely, as the one I leave behind. I 'have never failed in kindness'? No, we lived too high for strife,-- Calmest coldness was the error which has crept into our life; But your spirit is untainted, I can dedicate you still To the service of our science: you will further it? you will! There are certain calculations I should like to make with you, To be sure that your deductions will be logical and true; And remember, 'Patience, Patience,' is the watchword of a sage, Not to-day nor yet to-morrow can complete a perfect age. I have sown, like Tycho Brahe, that a greater man may reap; But if none should do my reaping, 'twill disturb me in my sleep So be careful and be faithful, though, like me, you leave no name; See, my boy, that nothing turn you to the mere pursuit of fame. I must say Good-bye, my pupil, for I cannot longer speak; Draw the curtain back for Venus, ere my vision grows too weak: It is strange the pearly planet should look red as fiery Mars,-- God will mercifully guide me on my way amongst the stars.
Sarah Williams (Twilight Hours: A Legacy of Verse)
talk was cheap and useless. Action was what mattered. And me, I was moving. Now, again, always.
Sarah Dessen (What Happened to Goodbye)
And I leave my post of observation and find I have had enough of this outside life; I feel that there is nothing more that I can learn here, either now or at any time. And I long to say a last goodbye to everything up here, to go down into my burrow never to return again, let things take their course, and not try to retard them with my profitless vigils.
Franz Kafka (The Basic Kafka)
Goodbye, Apollo,' said the Sibyl's voice, clearer now. 'I forgive you. Not because you deserve it. Not for your sake at all. But because I will not go into oblivion carrying hate when I can carry love.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
ROSE: I love you, Jack. JACK: No...don’t say your goodbyes, Rose. Don’t you give up. Don’t do it. ROSE: I’m so cold. JACK: You’re going to get out of this...you’re going to go on and you’re going to make babies and watch them grow and you’re going to die an old lady, warm in your bed. Not here...Not this night. Do you understand me? ROSE: I can’t feel my body. JACK: Rose, listen to me. Winning that ticket was the best thing that ever happened to me. It brought me to you. And I’m thankful, Rose. I’m thankful. You must do me this honor...promise me you will survive....that you will never give up...not matter what happens...no matter how hopeless...promise me now, and never let go of that promise. ROSE: I promise. JACK: Never let go. ROSE: I promise. I will never let go, Jack. I’ll never let go.
James Cameron (" Titanic " Script Book)
I understand now that nobody could have saved Ty but Ty. There’s no one else to blame. Not you. Not me. Ty was holding all the cards.
Cynthia Hand (The Last Time We Say Goodbye)
Despite the fact that I have no regrets about how things turned out in my life, I still can't help wanting to understand my intense relationship with Leo, as well as that turbulent time between adolescence and adulthood when everything feels raw and invigorating and scary-and why those feelings are all coming back to me now.
Emily Giffin (Love the One You're With)
I did care... I did say everything I thought In the mildest words I knew. And now,... I have to say I'm relieved it is over: At the end I could feel only pity For that urge toward more life. ...Goodbye
Galway Kinnell
It’s like the grief has been covered over with some kind of blanket. It’s still there, but the sharpest edges are .. muffled, sort of. Then, ever now and then, I lift the corner of the blanket just to check, and .. whoa! Like a knife! I’m not sure that will ever change.
Anne Tyler (The Beginner's Goodbye)
THAT’S HOW MY STORY ENDS. With the loss of everyone I have ever loved. With me, in a big, beautiful Upper East Side apartment, missing everyone who ever meant anything to me. When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed. When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it’s clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn’t care if everyone forgets her name. Evelyn Hugo doesn’t care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don’t need their love anymore. Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Missing you, I missed a part of me I shared with you that’s now gone. Missing you, when really, it was the way you made me feel and the things you made us do. Missing you I shouldn’t be. But I can’t help missing who I was with you. Missing you, I missed and missed so much of the world and wasn’t even missed in return.
Kamand Kojouri
I hadn't said goodbye. It had been easier, like always, to just disappear, sparing myself the messy details of another farewell. Now, my fingers hovered over my track pad, moving the cursor down to his comment section before I stopped myself. What was the point? Anything I said now would only be an afterthought. Elizabeth who goes by her middle name
Sarah Dessen (What Happened to Goodbye)
Kiss me goodbye now. And make it impressive. I have issues with my short term memory. - Lily, Seers of Light
Jennifer DeLucy (Seers of Light (Light, #1))
I almost miss the sound of your voice but know that the rain outside my window will suffice for tonight. I’m not drunk yet, but we haven’t spoken in months now and I wanted to tell you that someone threw a bouquet of roses in the trash bin on the corner of my street, and I wanted to cry because, because — well, you know exactly why. And, I guess I’m calling because only you understand how that would break my heart. I’m running out of things to say. My gas is running on empty. I’ve stopped stealing pages out of poetry books, but last week I pocketed a thesaurus and looked for synonyms for you but could only find rain and more rain and a thunderstorm that sounded like glass, like crystal, like an orchestra. I wanted to tell you that I’m not afraid of being moved anymore; Not afraid of this heart packing up its things and flying transcontinental with only a wool coat and a pocket with a folded-up address inside. I’ve saved up enough money to disappear. I know you never thought the day would come. Do you remember when we said goodbye and promised that it was only for then? It’s been years since I last saw you, years since we last have spoken. Sometimes, it gets quiet enough that I can hear the cicadas rubbing their thighs against each other’s. I’ve forgotten almost everything about you already, except that your skin was soft, like the belly of a peach, and how you would laugh, making fun of me for the way I pronounced almonds like I was falling in love with language.
Shinji Moon
But a shift has occurred since I stepped up to take Prim’s place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I was going to walk him outside the hotel lobby and then stand and watch him go. Any moment now we were going to say goodbye. Suddenly part of my life was going to be taken away from me now and would never be given back.
André Aciman (Call Me by Your Name)
ORESTES: Never shall I see you again. ELECTRA: Nor I see myself in your eyes. ORESTES: This, the last time I'll talk with you ever. ELECTRA: O my homeland, goodbye. Goodbye to you, women of home. ORESTES: Most loyal of sisters, do you leave now? ELECTRA: I leave with tears blurring all that I see.
Euripides (Electra)
I am made for autumn. Summer and I have a fickle relationship, but everything about autumn is perfect to me. Wooly jumpers, Wellington boot, scarves, thin first, then thick, socks. The low slanting light, the crisp mornings, the chill in my fingers, those last warm sunny days before the rain and the wind. Her moody hues and subdued palate punctuated every now and again by a brilliant orange, scarlet or copper goodbye. She is my true love.
Alys Fowler
It's lonely to say goodbye. Very lonely. Please. Cry with me. Maybe there's nothing we can do about this. But at least, for now...cry with me. Like your entire body...is screaming at the sky. Like it's raging against the world. I lost something. And I don't have a single guarantee. The fear of living in this world again after that...I have only a shred of hope to sustain me. So I want you at least...to cry. Cry. Cry with me. Like the day you were first born into this world.
Natsuki Takaya (Fruits Basket, Tome 22)
Goodbye," she said. When I didn't say it back, she rested her hand on the top of my head. The weight was strange and gentle. "I love you," she said. "And when I tell you goodbye, I don't mean forever or for long. Just that I'm going home now, and so are you.
Brenna Yovanoff (The Replacement)
The stars are brilliant at this time of night and I wander these streets like a ritual I don’t dare to break for darling, the times are quite glorious. I left him by the water’s edge, still waving long after the ship was gone and if someone would have screamed my name I wouldn’t have heard for I’ve said goodbye so many times in my short life that farewells are a muscular task and I’ve taught them well. There’s a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew. I used to go there to say goodbye. I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them, one way or the other, leaving sin on my body scrubbing tears off with salt and I built my rituals in farewells. Endings I still cling to. So I go to the ocean to say goodbye. He left that morning, the last words still echoing in my head and though he said he’d come back one day I know a broken promise from a right one for I have used them myself and there is no coming back. Minds like ours are can’t be tamed and the price for freedom is the price we pay. I turned away from the ocean as not to fall for its plea for it used to seduce and consume me and there was this one night a few years back and I was not yet accustomed to farewells and just like now I stood waving long after the ship was gone. But I was younger then and easily fooled and the ocean was deep and dark and blue and I took my shoes off to let the water freeze my bones. I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival. Then days passed by and I spent them with my work and now I’m writing letters I will never dare to send. But there is this one day every year or so when the burden gets too heavy and I collect my belongings I no longer need and make my way to the ocean to burn and drown and start anew and it is quite wonderful, setting fire to my chains and flames on written words and I stand there, starring deep into the heat until they’re all gone. Nothing left to hold me back. You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss like chains wrapped around my veins, and if you see a fire from the shore tonight it’s my chains going up in flames. The time of moon i quite glorious. We could have been so glorious.
Charlotte Eriksson (You're Doing Just Fine)
Well, good-bye for now," he said, rolling his neck as if we hadn't been talking about anything important at all. He bowed at the waist, those wings vanishing entirely, and had begun to fade into the nearest shadow when he went rigid. His eyes locked on mine, wide and wild, and his nostrils flared. Shock - pure shock flashed across his features at whatever he saw on my face, and he stumbled back a step. Actually stumbled. "What is -" I began. He disappeared - simply disappeared, not a shadow in sight - into the crisp air.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Miss Tick sniffed. 'You could say this advice is priceless,' she said. 'Are you listening?' 'Yes,' said Tiffany. 'Good. Now ... if you trust in yourself ...' 'Yes?' '... and believe in your dreams ...' 'Yes?' '... and follow your star ...' Miss Tick went on. 'Yes?' '... you'll still get beaten by people who spent THEIR time working hard and learning things and weren't so lazy. Goodbye.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
In November, some birds move away and some birds stay. The air is full of good-byes and well-wishes. The birds who are leaving look very serious. No silly spring chirping now. They have long journeys and must watch where they are going. The staying birds are serious, too, for cold times lie ahead. Hard times. All berries will be treasures.
Cynthia Rylant (In November)
Don’t mourn your luck that’s failing now, work gone wrong, your plans all proving deceptive — don’t mourn them uselessly. As one long prepared, and graced with courage, say goodbye to her, the Alexandria that is leaving. Above all, don’t fool yourself, don’t say it was a dream, your ears deceived you: don’t degrade yourself with empty hopes like these.
Constantinos P. Cavafy
You are the only person I’d like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist. Sometimes I have this awful picture of waking up in our house in B. and, looking out to the sea, hearing the news from the waves themselves, He died last night. We missed out on so much. It was a coma. Tomorrow I go back to my coma, and you to yours.
André Aciman (Call Me by Your Name)
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?” “Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it. “Well, what the hell? Mare didn’t even say goodbye.” “You knew she was going to class. Quit being a cry baby.” Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?” “Shut up.” “That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?” “She didn’t say much, except that she’s not into birthdays.” “So what are we doing?” “Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.” Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?” “How do you feel about a puppy?” Shepley laughed once. “It’s not my birthday, bro.” I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.” “Keep it here? Seriously? What are we going to do with a dog?” “I found a Cairn Terrier online. It’s perfect.” “A what?” “Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.” Shepley’s face was blank. “The Wizard of Oz.” “What? I liked the scarecrow when I was a little kid, shut the fuck up.” “It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.” “So does America … minus the crapping.” Shepley wasn’t amused. “I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.” “You can’t keep it from barking.” “Think about it. You gotta admit it’ll win her over.” Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?” My brows pulled together. “Quit it.” His smile widened. “You can get the damn dog…” I grinned with victory. “…if you admit you have feelings for Abby.” I frowned in defeat. “C’mon, man!” “Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it. I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day. “I like her,” I said through my teeth. Shepley held his hand to his ear. “What? I couldn’t quite hear you.” “You’re an asshole! Did you hear that?” Shepley crossed his arms. “Say it.” “I like her, okay?” “Not good enough.” “I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?” “For now,” he said, grabbing his backpack off the floor.
Jamie McGuire (Walking Disaster (Beautiful, #2))
What's the difference between love and obsession? Didn't both make you stay up all night, wandering the streets, a victim of your own imagination, your own heartbeat? Didn't you fall into both, headfirst into quicksand? Wasn't every man in love a fool and every woman a slave? Love was like rain: it turned to ice, or it disappeared. Now you saw it, now you couldn't find it no matter how hard you might search. Love evaporated; obsession was realer; it hurt, like a pin in your bottom, a stone in your shoe. It didn't go away in the blink of an eye. A morning phone call filled with regret. A letter that said, 'Dear you, good-bye from me'. Obsession tasted like something familiar. Something you'd known your whole life. It settled and lurked; it stayed with you.
Alice Hoffman (The Ice Queen)
Faith," said Jem. "That you were better than you thought you were. Forgiveness, that you need not always punish yourself. I always loved you, Will. Whatever you did. And now I need you to do for me what I connot do for myself. For you to be my eyes when I do not have them. For you to be my hands when I cannot use my own. For you to be my heart when mine is done with beating.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Do you know how you caught me, Will?' 'Good-bye, Dr. Lecter. You can leave messages for me at the number on the file.' Graham walked away. 'Do you know how you caught me?' Graham was out of Lecter's sight now, and he walked faster toward the far steel door. 'The reason you caught me is that we're just alike' was the last thing Graham heard as the steel door closed behind him.
Thomas Harris (Red Dragon (Hannibal Lecter, #1))
People who you are close with don't understand you. The people you usually lean on have changed. You rely on your other friends that you usually wouldn't tell your secretes, but still, they are there. You move away from the people you trust toward your new found trustees, and the people you called close are mad you because YOU'VE changed. So now you're confused, and now you think you've changed. Tell whoever told you that to kiss you on the cheek, and wave good-bye for good.
Megan Johnson
The whole idea of it makes me feel like I'm coming down with something, something worse than any stomach ache or the headaches I get from reading in bad light-- a kind of measles of the spirit, a mumps of the psyche, a disfiguring chicken pox of the soul. You tell me it is too early to be looking back, but that is because you have forgotten the perfect simplicity of being one and the beautiful complexity introduced by two. But I can lie on my bed and remember every digit. At four I was an Arabian wizard. I could make myself invisible by drinking a glass of milk a certain way. At seven I was a soldier, at nine a prince. But now I am mostly at the window watching the late afternoon light. Back then it never fell so solemnly against the side of my tree house, and my bicycle never leaned against the garage as it does today, all the dark blue speed drained out of it. This is the beginning of sadness, I say to myself, as I walk through the universe in my sneakers. It is time to say good-bye to my imaginary friends, time to turn the first big number. It seems only yesterday I used to believe there was nothing under my skin but light. If you cut me I could shine. But now when I fall upon the sidewalks of life, I skin my knees. I bleed.
Billy Collins
Repeat after me, Gray: My feelings are valid.” “Stop talking,” Grayson ordered. “My emotions are real,” Xander continued. “Go on. Say it.” “I’m hanging up on you now.” “Who’s your favorite brother?” Xander called loudly enough that Grayson could still hear him even as he removed the phone from his ear. “Nash,” he answered loudly. “Lies!” Grayson’s phone vibrated. “I’m getting another call,” he told Xander. “More lies!” Xander said happily. “Give my regards to Girl Grayson!” “Good-bye, Xander.” “You said good-b—
Jennifer Lynn Barnes (The Brothers Hawthorne (The Inheritance Games, #4))
Kevin was silent for an endless minute, then said, "You should be Court." It was barely a whisper, but it cut Neil to the bone. It was a resentful goodbye to the bright future Kevin had wanted for Neil. Kevin recruited Neil because he believed in Neil's potential. He brought him to the Foxes intending to make a star athlete out of him. Despite his condescending attitude and his dismissals of Neil's best efforts Kevin honestly expected Neil to make the national team after graduation. Now Kevin knew it was all for naught; Neil would be dead by May. "Will you still teach me?" Neil asked. Kevin was quiet again, but not for long this time. "Every night.
Nora Sakavic (The Raven King (All for the Game, #2))
Then what are you doing here, Luce?" he asked, his voice elevating. "You want time? You want space? Fine. I gave that to you. But then you keep throwing yourself back into my life whenever the hell you choose. No warning. No apology, No permanence. You show up at my front door and sneak out the back without so much as a goodbye," he continued, never taking his eyes off of me. "You couldn't take the up and down. The roller coaster was going to kill you. You know what I can't take? You in and back out of my life before I even knew you were there in the first place. You looking at me the way you are now and then able to turn your back and walk away five minutes later." His hands clenched over my cheek before he lowered it. "That is what will kill me. I can't live wondering if you're still mine to claim.
Nicole Williams (Clash (Crash, #2))
What passing bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifle's rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers, nor bells, Nor any voice of mourning save the choirs, The shrill demented choirs of wailing shells, And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys, but in their eyes, Shall shine the holy glimmers of goodbyes. The pallor of girls' brows shall be their pall, Their flowers the tenderness of patient minds, And each, slow dusk a drawing down of blinds.
Wilfred Owen (The War Poems)
You’re . . . you’re going back to the Marines?” Alston stuttered. “I thought SOCOM was defunct.” “It’s MARSOC now,” Ty mumbled. ”But that’s special operations. You don’t have a choice?” “No. I don’t.” He studied the orders. “I report in forty-eight hours. Immediate deployment.” Zane stood. His hands shook as he gripped the edge of the desk. Ty looked up, seeking Zane out. Zane could see it in Ty’s eyes. There was no choice. No way to wriggle out of it. No way for anyone to save him. “Oh God, Ty,” Zane whispered. Ty stared at him for a moment longer as the others broke into outraged babbling. Then Ty shook himself. He tossed the packet of orders onto the desk and stalked over to Zane. He grabbed his face with both hands and kissed him. The room spun to a halt. The babble ground to a stunned hush. Ty’s hands moved to the small of his back and he held him tight, bending him just enough for Zane to have to wrap his arms around him to keep from falling. He kissed him again. In front of their coworkers. In front of King and Country and anyone who would watch. It was the first purely honest kiss they’d ever shared. And it was a kiss good-bye.
Abigail Roux (Touch & Geaux (Cut & Run, #7))
There's nothing I could say to you Nothing I could ever do to make you see What you mean to me All the pain, the tears I cried Still you never said goodbye and now I know How far you'd go I know I let you down But it's not like that now This time I'll never let you go I will be, all that you want And get myself together Cause you keep me from falling apart All my life, I'll be with you forever To get you through the day And make everything okay I thought that I had everything I didn't know what life could bring But now I see, honestly You're the one thing I got right The only one I let inside Now I can breathe, cause you're here with me And if I let you down I'll turn it all around Cause I would never let you go I will be, all that you want And get myself together Cause you keep me from falling apart All my life, I'll be with you forever To get you through the day And make everything okay Cause without you I cant sleep I'm not gonna ever, ever let you leave You're all I've got, you're all I want Yeah And without you I don't know what I'd do I can never, ever live a day without you Here with me, do you see, You're all I need And I will be, all that you want And get myself together Cause you keep me from falling apart All my life (my life), I'll be with you forever To get you through the day And make everything okay.
Avril Lavigne
Man has always been a venal animal. The growth of populations, the huge costs of war, the incessant pressure of confiscatory taxation – all these things make him more and more venal. The average man is tired and scared, and a tired, scared man can’t afford ideals. He has to buy food for his family. In our time we have seen a shocking decline in both public and private morals. You can’t expect quality from people whose lives are a subjection to a lack of quality. You can’t have quality with mass production. You don’t want it because it lasts too long. So you substitute styling, which is a commercial swindle intended to produce artificial obsolescence. Mass production couldn’t sell its goods next year unless it made what is sold this year look unfashionable a year from now. We have the whitest kitchens and the most shining bathrooms in the world. But in the lovely white kitchen the average [person] can’t produce a meal fit to eat, and the lovely shining bathroom is mostly a receptacle for deodorants, laxatives, sleeping pills, and the products of that confidence racket called the cosmetic industry. We make the finest packages in the world, Mr Marlowe. The stuff inside is mostly junk.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Maybe it was the alcohol, maybe it was the truth, maybe I didn't want things to turn abstract, but I felt I should say it, because this was the moment to say it, because it suddenly dawned on me that this was why I had come, to tell him 'You are the only person I'd like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist. Sometimes I have this awful picture of waking up in our house in B. and, looking out to the sea, hearing the news from the waves themselves, He died last night. We missed out on so much. It was a coma. Tomorrow I go back to my coma, and you to yours. Pardon, I didn't mean to offend—I am sure yours is no coma.' 'No, a parallel life.
André Aciman (Call Me by Your Name)
Dear Josh, Thank you for giving me the most amazing memories. My life growing up was so full because you were in it. Having your love and loving you was always just right. It made sense. You were my home. When I was with you I knew everything would be okay. You dried my tears for me when I was sad. You held my hand when we buried my mother. You made me laugh when the world seemed like it was falling apart. You were every special memory a girl could have. That first kiss will forever be embedded in my brain. It was as funny as it was sweet. Our life together molded me into the woman I’ve become. I understand what it feels like to be loved and cherished because I had that with you. I never doubted my worth because you taught me I was worthy. When you said that one day I would heal I didn’t believe that was possible. Life couldn’t go one without my best friend. There was no room for another guy in my heart. It turns out you were right. You always were. I found him. He is incredible. He is nothing at all like I would have planned. He doesn’t fit into a perfect package. He managed to wiggle into my heart and take over before I knew what was happening. I found that happiness you told me would come along. I’m going to go live that life. I’m sure it will be a wilder ride than I ever imagined and I can’t wait to live it. He’s my home now. I’ll always love you. I’ll never forget you. But this is my goodbye. I wasn’t ready before to let you go. Now, I can move on. Your memory will live on in my heart always. Love, Your Eva Blue
Abbi Glines (While It Lasts (Sea Breeze, #3))
He spins around. Before I can say anything else, he steps forward and takes my face in his hands. Then he’s kissing me one last time, overwhelming me with his warmth, breathing life and love and aching sorrow into me. I throw my arms around his neck as he wraps his around my waist. My lips part for him and his mouth moves desperately against mine, devouring me, taking every breath that I have. Don’t go, I plead wordlessly. But I can taste the good-bye on his lips, and now I can no longer hold back my tears. He’s trembling. His face is wet. I hang on to him like he’ll disappear if I let go, like I’ll be left alone in this dark room, standing in the empty air. Day, the boy from the streets with nothing except the clothes on his back and the earnestness in his eyes, owns my heart.
Marie Lu (Prodigy (Legend, #2))
-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you
Leonard Cohen (Flowers for Hitler)
maybe you’re sleeping and I suppose I could just say this in the morning, but now I can’t sleep and I’m just lying here so I might as well get it over with, and well . . .I’m sorry about this afternoon, J.D. The first spill honestly was an accident, but the second . . . okay, that was completely uncalled for. I’m, um, happy to pay for the dry cleaning. And, well . . . I guess that’s it. Although you really might want to rethink leaving your jacket on your chair. I’m just saying. Okay, then. That’s what they make hangers for. Good. Fine. Good-bye.” J.D. heard the beep, signaling the end of the message, and he hung up the phone. He thought about what Payton had said—not so much her apology, which was question-ably mediocre at best—but something else. She thought about him while lying in bed. Interesting. Later that night, having been asleep for a few hours, J.D. shot up in bed He suddenly remembered—her shoe. Oops.
Julie James (Practice Makes Perfect)
My eyelids are heavy as stone. But when I sleep, I'll have that dream again. I haven't wanted to tell you about it, until now. I'll be in the Separates, and I'll be digging with my bare hands. When I've made a hole deep enough to plant a tree, I'll place my fingers inside. I'll slip off the ring you gave me. It will catch the light and glint a rainbow of colors over my skin, but I will take my hands away, leaving it there. I'll sprinkle the earth back over it, and I will bury it. Back where it belongs. I'll rest against a tree's rough trunk. The sun will be setting, it's dazzling color threading through the sky, making my cheeks warm. Then I will wake up. Good-bye, Ty, Gemma
Lucy Christopher (Stolen (Stolen, #1))
on the 11th of every month my friend elizabeth would say, "well we made it through another month. so do we get her back now?" we always giggled, but we really did expect to get her back. its not human to let go of love, even when it's dead. we expected one of these monthly anniversaries to be the Final Goodbye. we figured that we'd said all our goodbyes, and given up all the tears we had to give. we'd passed the test and would get back what we'd lost. but instead, every anniversary hurt more, and every anniversary felt like she was further away from coming back. the idea that there wouldn't be a final goodbye- that was a hard goodbye in itself and, at that point, still an impossible goodbye. no private eye has to tell you it's a long goodbye. ...the loss just doesn't go away- it gets bigger the longer you look at it.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
Now he felt temper snapping at the nerves. “If you can’t be comfortable in the house while I’m not here, you can barricade yourself in this apartment. You can damn well barricade yourself in it while I am here. It’s up to you.” “Yes, it is.” She took a deep breath and turned to him. “You did this for me.” Annoyed, he inclined his head. “There doesn’t seem to be much I wouldn’t do for you.” “I think that’s starting to sink in.” No one had ever given her anything quite so perfect. No one, she realized, understood her quite so well. “That makes me a lucky woman, doesn’t it?” He opened his mouth, bit back something particularly nasty. “The hell with it,” he decided. “I have to go.” “Roarke, one thing.” She walked to him, well aware he was all but snarling with temper. “I haven’t kissed you good-bye,” she murmured and did so with a thoroughness that rocked him back on his heels. “Thank you.” Before he could speak, she kissed him again. “For always knowing what matters to me.” “You’re welcome.” Possessively, he ran a hand over her tousled hair. “Miss me.” “I already am.” “Don’t take any unnecessary chances.” His hands gripped in her hair hard, briefly. “There’s no use asking you not to take the necessary ones.” “Then don’t.” Her heart stuttered when he kissed her hand. “Safe trip,” she told him when he stepped into the elevator. She was new at it, so waited until the doors were almost shut. “I love you.” The last thing she saw was the flash of his grin.
J.D. Robb (Glory in Death (In Death, #2))
The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion, the entire novel which suddenly becomes one you have never read, never even heard of, as if, one by one, the memories you used to harbor decided to retire to the southern hemisphere of the brain, to a little fishing village where there are no phones. Long ago you kissed the names of the nine Muses goodbye and watched the quadratic equation pack its bag, and even now as you memorize the order of the planets, something else is slipping away, a state flower perhaps, the address of an uncle, the capital of Paraguay. Whatever it is you are struggling to remember, it is not poised on the tip of your tongue, not even lurking in some obscure corner of your spleen. It has floated away down a dark mythological river whose name begins with an L as far as you can recall, well on your own way to oblivion where you will join those who have even forgotten how to swim and how to ride a bicycle. No wonder you rise in the middle of the night to look up the date of a famous battle in a book on war. No wonder the moon in the window seems to have drifted out of a love poem that you used to know by heart.
Billy Collins
I was Mrs. Taylor yesterday.” I grin at Taylor, who flushes. “That has a nice ring to it, Miss Steele,” Taylor says matter-of-factly. “I thought so, too.” Christian tightens his hold on my hand, scowling. “If you two have quite finished, I’d like a debrief.” He glares at Taylor, who now looks uncomfortable, and I cringe inwardly. I have overstepped the mark. “Sorry,” I mouth at Taylor, who shrugs and smiles kindly before I turn to follow Christian. “I’ll be with you shortly. I just want a word with Miss Steele,” Christian says to Taylor, and I know I’m in trouble. Christian leads me into his bedroom and closes the door. “Don’t flirt with the staff, Anastasia,” he scolds. I open my mouth to defend myself—then close it again, then open it. “I wasn’t flirting. I was being friendly—there is a difference.” “Don’t be friendly with the staff or flirt with them. I don’t like it.” Oh. Good-bye, carefree Christian. “I’m sorry,” I mutter and stare down at my fingers. He hasn’t made me feel like a child all day. Reaching down he cups my chin, pulling my head up to meet his eyes. “You know how jealous I am,” he whispers. “You have no reason to be jealous, Christian. You own me body and soul.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I know how it feels, dear one. As if your heart were torn in two. I feel your pain.” I took a deep breath. Another. “Finbar?” “I know how it feels. As if you will never be whole again.” I reached inside my dress, where I wore two cords about my neck. One held my wedding ring; the other the amulet that had once been my mother’s. I left the one, and took off the other. “This is yours. Take it back. Take it back, it was to you she gave it.” I slipped the cord over his head, and the little carven stone with its ash tree sign lay on his breast. He had grown painfully thin. “Show me the other. The other talisman you wear.” Slowly I took out the carven ring, and lifted it on my palm for my brother to see. “He made this for you? Him with the golden hair, and the eyes that devour”? “Not him. Another.” Images were strong in my mind; Red with his arm around me like a shield; Red cutting up and apple; Red kicking a sword from a man’s hand, and catching it in his own; Red barefoot on the sand with the sea around his ankles. “You risked much, to give your love to such a one.” I stared at him. “Love?” “Did you not know, until now, when you must say goodbye?
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.
Jeffrey McDaniel
I remember the first time I saw you,” Allie said. “I thought you smelled me first.” “Right,” said Allie. “The chocolate. But then I saw you as I sat up in the dead forest, thinking I knew you. At the time, I thought I must have seen you through the windshield when our cars crashed…. But that wasn’t it. I think, way back then, I was seeing you as you are now. Isn’t that funny?” “Not as funny as the way I always complained, and the way you always bossed me around!” They embraced and held each other for a long time. “Don’t forget me,” Nick said. “No matter where your life goes, no matter how old you get. And if you ever get the feeling that someone is looking over your shoulder, but there’s nobody there, maybe it’ll be me.” “I’ll write to you,” said Allie, and Nick laughed. “No really. I’ll write the letter then burn it, and if I care just enough it will cross into Everlost.” “And,” added Nick, “it will show up as a dead letter at that the post office Milos made cross into San Antonio!” Allie could have stood there saying good-bye forever, because it was more than Nick she was saying good-bye to. She was leaving behind four years of half-life in a world that was both stunningly beautiful, and hauntingly dark. And she was saying good-bye to Mikey. I’ll be waiting for you, he had said…. Well, if he was, maybe she wasn’t saying good-bye at all. Nick hefted the backpack on his shoulder. “Shouldn’t you be heading off to Memphis?” he said. “You’d better hit the road…. Jack.” Then he chuckled by his own joke, and walked off.
Neal Shusterman (Everfound (The Skinjacker Trilogy, #3))
And when the hour of his departure drew near-- "Ah," said the fox, "I shall cry." "It is your own fault," said the little prince. "I never wished you any sort of harm; but you wanted me to tame you . . ." "Yes, that is so," said the fox. "But now you are going to cry!" said the little prince. "Yes, that is so," said the fox. "Then it has done you no good at all!" "It has done me good," said the fox, "because of the color of the wheat fields." And then he added: "Go and look again at the roses. You will understand now that yours is unique in all the world. Then come back to say goodbye to me, and I will make you a present of a secret." The little prince went away, to look again at the roses. .... And he went back to meet the fox. "Goodbye," he said. "Goodbye," said the fox. "And now here is my secret, a very simple secret: It is only with the heart that one can see rightly; what is essential is invisible to the eye." "What is essential is invisible to the eye," the little prince repeated, so that he would be sure to remember. "It is the time you have wasted for your rose that makes your rose so important." "It is the time I have wasted for my rose--" said the little prince, so that he would be sure to remember. "Men have forgotten this truth," said the fox. "But you must not forget it. You become responsible, forever, for what you have tamed. You are responsible for your rose . . ." "I am responsible for my rose," the little prince repeated, so that he would be sure to remember.
Antoine de Saint-Exupéry (The Little Prince)
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
We stared at each other for a long moment. His hand smoldered against my skin. In my face, I knew there was nothing but wistful sadness―I didn't want to have to say goodbye now, no matter for how short a time. At first his face reflected mine, but then, as neither of us looked away, his expression changed. He released me, lifting his other hand to brush his fingertips along my cheek, trailing them down to my jaw. I could feel his fingers tremble―not with anger this time. He pressed his palm against my cheek, so that my face was trapped between his burning hands. "Bella," he whispered. I was frozen. No! I hadn't made this decision yet. I didn't know if I could do this, and now I was out of time to think. But I would have been a fool if I thought rejecting him now would have no consequences. I stared back at him. He was not my Jacob, but he could be. His face was familiar and beloved. in so many real ways, I did love him. He was my comfort, my safe harbor. Right now, I could choose to have him belong to me. Alice was back for the moment, but that changed nothing. True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells? Maybe it would be easy―like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't feel like betrayal. Besides, who was I betraying, anyway? Just myself. Keeping his eyes on mine, Jacob began to bend his face toward me. And I was still absolutely undecided.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
The voice boomed from the Throne. "One more goodbye." Together, Luce and Daniel turned to acknowledge the Throne, but the second their eyes fell upon it, the stately figure of the woman blazed into white-hot glory, and they had to shield their eyes. The Throne was indiscernible again, a gathering of light too brilliant to be gazed upon by angels. "Hey, guys." Arriane sniffed. "I think she meant for you two to say goodbye to each other." "Oh," Luce said, turning to Daniel, suddenly panicked. "Right now? We have to-" He took her hand. His wings brushed hers. He kissed the centers of her cheeks. "I'm afraid," she whispered. "What did I tell you?" She sifted through the million exchanges she and Daniel had ever shared-the good, the sad, the ugly. One rose above the clouds of her mind. She was shaking. "That you will always find me." "Yes. Always. No matter what." "Daniel-" "I can't wait to make you the love of my mortal life." "But you won't know me. You won't remember. Everything will be different." He wiped away her tear with his thumb. "And you think that will stop me?" She closed her eyes. "I love you too much to say goodbye." "It isn't goodbye." He gave her one last angelic kiss and embraced her so tightly she could hear his steady heartbeat, overlapping her own. "It's until we meet again.
Lauren Kate (Rapture (Fallen, #4))
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins. Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went. Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
Tim Tharp (The Spectacular Now)
Why are you being so cruel?' 'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.' 'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.' 'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now. With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-' He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before. 'Jacks, please, don't use the stones tonight. Come with me instead.' He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged. Evangeline took a step closer. He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.' 'What if you're wrong?' Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer. 'Evangeline, you need to go.' A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet. 'Get out of here.' Jacks said. She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.' 'I don't want another ending,' Jacks said flatly. 'I just want you to leave.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
In my restless dreams, I see that town. Silent Hill. You promised me you'd take me there again someday. But because of me, you were never able to. Well, I'm alone there now… In our ”“special place.” Waiting for you… Waiting for you to come to see me. But you never do. And so I wait, wrapped in my cocoon of pain and loneliness. I know I've done a terrible thing to you. Something you'll never forgive me for. I wish I could change that, but I can't. I feel so pathetic and ugly lying here, waiting for you... Every day I stare up at the cracks in the ceiling, and all I can think about is how unfair it all is... The doctor came today. He told me I could go home for a short stay. It's not that I'm getting better. It's just that this may be my last chance... I think you know what I mean... Even so, I'm glad to be coming home. I've missed you terribly. But I'm afraid James. I'm    afraid you don't really want me to come home. Whenever you come see me, I can tell how hard it is on you... I don't know if you hate me or pity me... Or maybe I just disgust you.... I'm sorry about that. When I first learned that I was going to die, I just didn't want to accept it. I was so angry all the time, and I struck out at everyone I loved most. Especially you, James. That's why I understand if you do hate me. But I want you to know this, James. I'll always love you. Even though our life together had to end like this, I still wouldn't trade it for the world. We had some wonderful years together. Well, this letter has gone on too long, so I'll say goodbye. I told the nurse to give this to you after I'm gone. That means that when you read this, I'll already be dead. I can't tell you to remember me, but I can't bear for you to forget me. These last few years since I became ill...I'm so sorry for what I did to you, did to us... You've given me so much and I haven't been able to return a single thing. That's why I want you to live for yourself now. Do what's best for you, James. James... You made me happy. “I love you, Mary.”  As the car began to slowly sink to the bottom of the lake, James pulled his wife close and gently held her. Their wish had finally come true. They would be together. And now they had an eternity to enjoy their happiness.
Sadamu Yamashita (Silent Hill 2: The Novel)
Dear Jim." The writing grew suddenly blurred and misty. And she had lost him again--had lost him again! At the sight of the familiar childish nickname all the hopelessness of her bereavement came over her afresh, and she put out her hands in blind desperation, as though the weight of the earth-clods that lay above him were pressing on her heart. Presently she took up the paper again and went on reading: "I am to be shot at sunrise to-morrow. So if I am to keep at all my promise to tell you everything, I must keep it now. But, after all, there is not much need of explanations between you and me. We always understood each other without many words, even when we were little things. "And so, you see, my dear, you had no need to break your heart over that old story of the blow. It was a hard hit, of course; but I have had plenty of others as hard, and yet I have managed to get over them,--even to pay back a few of them,--and here I am still, like the mackerel in our nursery-book (I forget its name), 'Alive and kicking, oh!' This is my last kick, though; and then, tomorrow morning, and--'Finita la Commedia!' You and I will translate that: 'The variety show is over'; and will give thanks to the gods that they have had, at least, so much mercy on us. It is not much, but it is something; and for this and all other blessings may we be truly thankful! "About that same tomorrow morning, I want both you and Martini to understand clearly that I am quite happy and satisfied, and could ask no better thing of Fate. Tell that to Martini as a message from me; he is a good fellow and a good comrade, and he will understand. You see, dear, I know that the stick-in-the-mud people are doing us a good turn and themselves a bad one by going back to secret trials and executions so soon, and I know that if you who are left stand together steadily and hit hard, you will see great things. As for me, I shall go out into the courtyard with as light a heart as any child starting home for the holidays. I have done my share of the work, and this death-sentence is the proof that I have done it thoroughly. They kill me because they are afraid of me; and what more can any man's heart desire? "It desires just one thing more, though. A man who is going to die has a right to a personal fancy, and mine is that you should see why I have always been such a sulky brute to you, and so slow to forget old scores. Of course, though, you understand why, and I tell you only for the pleasure of writing the words. I loved you, Gemma, when you were an ugly little girl in a gingham frock, with a scratchy tucker and your hair in a pig-tail down your back; and I love you still. Do you remember that day when I kissed your hand, and when you so piteously begged me 'never to do that again'? It was a scoundrelly trick to play, I know; but you must forgive that; and now I kiss the paper where I have written your name. So I have kissed you twice, and both times without your consent. "That is all. Good-bye, my dear" Then am I A happy fly, If I live Or if I die
Ethel Lilian Voynich