Goodbye Death Quotes

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You'll stay with me?' Until the very end,' said James.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
In time, in time they tell me, I'll not feel so bad. I don't want time to heal me. There's a reason I'm like this. I want time to set me ugly and knotted with loss of you, marking me. I won't smooth you away. I can't say goodbye.
China Miéville (The Scar (New Crobuzon, #2))
Promise to give me a kiss on my brow when I am dead. --I shall feel it." She dropped her head again on Marius' knees, and her eyelids closed. He thought the poor soul had departed. Eponine remained motionless. All at once, at the very moment when Marius fancied her asleep forever, she slowly opened her eyes in which appeared the sombre profundity of death, and said to him in a tone whose sweetness seemed already to proceed from another world:-- "And by the way, Monsieur Marius, I believe that I was a little bit in love with you.
Victor Hugo (Les Misérables)
...I will exile my thoughts if they think of you again, and I will rip my lips out if they say your name once more. Now if you do exist, I will tell you my final word in life or in death, I tell you goodbye.
Knut Hamsun (Hunger (Dover Literature: Literary Fiction))
Sadly enough, the most painful goodbyes are the ones that are left unsaid and never explained.
Jonathan Harnisch (Freak)
To me, “FEARLESS” is not the absence of fear. It’s not being completely unafraid. To me, FEARLESS is having fears. FEARLESS is having doubts. Lots of them. To me, FEARLESS is living in spite of those things that scare you to death. FEARLESS is falling madly in love again, even though you’ve been hurt before. FEARLESS is walking into your freshmen year of high school at fifteen. FEARLESS is getting back up and fighting for what you want over and over again… even though every time you’ve tried before, you’ve lost. It’s FEARLESS to have faith that someday things will change. FEARLESS is having the courage to say goodbye to someone who only hurts you, even if you can’t breathe without them. I think it’s FEARLESS to fall for your best friend, even though he’s in love with someone else. And when someone apologizes to you enough times for things they’ll never stop doing, I think it’s FEARLESS to stop believing them. It’s FEARLESS to say “you’re NOT sorry”, and walk away. I think loving someone despite what people think is FEARLESS. I think allowing yourself to cry on the bathroom floor is FEARLESS. Letting go is FEARLESS. Then, moving on and being alright…That’sFEARLESS too. But no matter what love throws at you, you have to believe in it. You have to believe in love stories and prince charmings and happily ever after. That’s why I write these songs. Because I think love is FEARLESS.
Taylor Swift
Will having a newborn distract from the time we have together?" she asked. "Don't you think saying goodbye to your child will make your death more painful?" "Wouldn't it be great if it did?" I said. Lucy and I both felt that life wasn't about avoiding suffering.
Paul Kalanithi (When Breath Becomes Air)
It was a hurting tune, resigned, a cry of heartache for all in the world that fell apart. As ash rose black against the brilliant sky, Fire's fiddle cried out for the dead, and for the living who stay behind to say goodbye.
Kristin Cashore (Fire (Graceling Realm, #2))
Good-byes hurt the most when the other person’s already gone.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
This is a long goodbye, yet not time enough. I have no aptitude for this. I cannot learn this. I would hold on, and hold on, until my hands clutch at emptiness.
Juliet Marillier (Son of the Shadows (Sevenwaters, #2))
So let's say our bloody goodbyes, and then you can promise to remember me from my good old days. "I can't do that," Minho said.
James Dashner (The Death Cure (The Maze Runner, #3))
Death is not goodbye.
Tite Kubo
There's death all around us. Everywhere we look. 1.8 people kill themselves every second. We just don't pay attention. Until we do.
Cynthia Hand (The Last Time We Say Goodbye)
He came up and kissed me on my forehead, and before he stepped away, I closed my eyes and tried hard to memorize this moment. I wanted to remember him exactly as he was right then, how his arms looked brown against his white shirt, the way his hair was cut a little too short in the front. Even the bruise, there because of me. Then he was gone. Just for that moment, the thought that I might never see him again… it felt worse than death. I wanted to run after him. Tell him anything, everything. Just don’t go. Please just never go. Please just always be near me, so I can at least see you. Because it felt final. I always believed that we would find our way back to each other every time. That no matter what, we would be connected—by our history, by this house. But this time, this last time, it felt final. Like I would never see him again, or that when I did, it would be different, there would be a mountain between us. I knew it in my bones. That this time was it. I had finally made my choice, and so had he. He let me go. I was relieved, which I expected. What I didn’t expect was to feel so much grief. Bye bye, Birdie.
Jenny Han (We'll Always Have Summer (Summer #3))
When it comes to death, we know that laughter and tears are pretty much the same thing. And so, laughing and crying, we said good-bye to my grandmother. And when we said goodbye to one grandmother, we said good-bye to all of them. Each funeral was a funeral for all of us. We lived and died together. All of us laughed when they lowered my grandmother into the ground. And all of us laughed when they covered her with dirt. And all of us laughed as we walked and drove and rode our way back to our lonely, lonely houses.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
The tragedy of life, Howard, is not that the beautiful die young, but that they grow old and mean. It will not happen to me.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
But there's a difference, isn't there? Between saying goodbye and death.
Beth Revis (Shades of Earth (Across the Universe, #3))
I wonder if my first breath was as soul-stirring to my mother as her last breath was to me
Lisa Goich (14 Days: A Mother, A Daughter, A Two Week Goodbye)
Maybe you should say goodbye, Cal.' 'No.' 'It might be important.' 'It might make her die.
Jenny Downham (Before I Die)
Grief is like a drunken house guest, always coming back for one more goodbye hug.
Stephen King (Bag of Bones)
FEARLESS' is not the absense of fear. It's not being completely unafraid. FEARLESS is having fears. FEARLESS is having doubts. Lots of them. FEARLESS is living in spite of those things that scare you to death. FEARLESS is falling madly in love again, even though you've been hurt before. FEARLESS is getting back up and fighting for what you want all over again... even though every time you've tried before, you've lost. It's FEARLESS to have faith that someday things will change. FEARLESS is having the courage to say goodbye to someone who only hurts you, even if you can't breathe without them. It's FEARLESS to say "you're NOT sorry," and walk away. I think loving someone despite what people think is FEARLESS.
Taylor Swift
If there is an afterlife, I want my soul intact. And then maybe I'll see you there."I smiled, somehow calm now that I was facing something inevitable. I was getting the good-bye I'd always wanted. - Nikki
Brodi Ashton (Everneath (Everneath, #1))
There are five things we need to say to people we love before they die…: I forgive you. Please forgive me. Thank you. I love you. Goodbye.
Jodi Picoult (The Book of Two Ways)
In death, they all looked the same. This morning they spoke, they breathed, they kissed their loved ones good-bye. And now they lay dead. Gone forever.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Each time I say good-bye to a place I like, I feel like I am leaving a part of me behind. I guess whether we choose to travel as much as Marco Polo did or stay in the same spot from cradle to grave, life is a sequence of births and deaths. Moments are born and moments die. For new experiences to come to light, old ones need to wither away.
Elif Shafak (The Forty Rules of Love)
One of the grubby truths about a loss is that you don't just mourn the dead person, you mourn the person you got to be when the lost one was alive. This loss might even be what affects you most.
Meghan O'Rourke (The Long Goodbye)
I didn't want to die. I just found death soothing to think about.
Natalie Standiford (How to Say Goodbye in Robot)
Sunsets are loved because they vanish. Flowers are loved because they go. The dogs of the field and the cats of the kitchen are loved because soon they must depart. These are not the sole reasons, but at the heart of morning welcomes and afternoon laughters is the promise of farewell. In the gray muzzle of an old dog we see goodbye. In the tired face of an old friend we read long journeys beyond returns.
Ray Bradbury (From the Dust Returned)
It was always the last thing she said to him. The moment before he apparated away, as he stood in his Death Eater robes, she’d say it rather than goodbye. She’d catch his chin in her hand and stare up into his eyes. “Be careful. Don’t die.
SenLinYu (Manacled)
sometimes life isn’t worth the pain. i’m going for a swim. goodbye, my love.
Jake Vander-Ark (Lighthouse Nights)
I understand now that nobody could have saved Ty but Ty. There’s no one else to blame. Not you. Not me. Ty was holding all the cards.
Cynthia Hand (The Last Time We Say Goodbye)
Drinks like this tend to get called Traffic Lights or Rainbow's Revenge or, in places where truth is more highly valued, Hello and Good-Bye, Mr. Brain Cell.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
This body is not me; I am not caught in this body, I am life without boundaries, I have never been born and I have never died. Over there the wide ocean and the sky with many galaxies All manifests from the basis of consciousness. Since beginningless time I have always been free. Birth and death are only a door through which we go in and out. Birth and death are only a game of hide-and-seek. So smile to me and take my hand and wave good-bye. Tomorrow we shall meet again or even before. We shall always be meeting again at the true source, Always meeting again on the myriad paths of life.
Thich Nhat Hanh (No Death, No Fear: Comforting Wisdom for Life)
This is the moment of the end. This is where we give up hope on reversing time, where we abandon finding a cure to death, where we live in this Theo-less universe, where we say goodbye. But I can’t. It is goodbye for most, but not for me. Never me.
Adam Silvera (History Is All You Left Me)
I'll have that someday, thought Peter. Someone who'll kiss me good-bye at the door. Or maybe just someone to put a blindfold over my head before they shoot me. Depending on how things turn out.
Orson Scott Card (Shadow of the Hegemon (The Shadow Series, #2))
I can't wait until they don't have me here anymore.
Jasmine Warga (My Heart and Other Black Holes)
Goodbye to the sun that shines for me no longer;
Sophocles (Antigone (The Theban Plays, #3))
And like that, I said goodbye to my grandmother like we were two people who met in a coffee shop, shared a lifetime of stories and left wanting more, but knowing we’d meet there again.
Darnell Lamont Walker
Another time, another place.
Richard Bachman (The Long Walk)
Alan! How many more times do I have to tell you? We do not say “see you soon” to customers when they leave our shop. We say “goodbye”, because they won’t be coming back, ever. When will you get that into your thick head?
Jean Teulé (The Suicide Shop)
Sometimes the hardest goodbyes are the ones never said, the ones that always just hang there in the back of the mind like a dark cloud. There's so much to say but no one to say it to because the person you want most to hear it is already gone. That's how he felt. Sorrow, regret, a wound so deep it didn't even bleed. Like a puncture wound, an ache that didn't heal but just hurt. He didn't know if he wanted it to heal. That'd be too much like a final goodbye.
Virginia Brown (Dark River Road)
I don't say goodbye very easily, Anna. Not gracefully or prettily.Goodbye tears your heart out and leaves it a feast for carrion birds who happen by.
Patricia Briggs (Dead Heat (Alpha & Omega, #4))
No amount of wishing will bring back the dead.
Natalie Standiford (How to Say Goodbye in Robot)
It's normal to shy away from illness and death. It's natural to gravitate toward laughter and life.
Ellyn Bache (The Art of Saying Goodbye)
This wasn't the first time that I'd come close to death, but it was the first time I'd been involved in this part of it, this strange, terrible saying goodbye to someone you've loved.
Madeleine L'Engle (A Ring of Endless Light (Austin Family Chronicles, #4))
We're not made to say goodbye. God didn't make us that way. We're eternal beings meant to live with him and those we love forever. So when we have to part with a loved one for a while because of death, it hurts.
Lynette Eason (Don't Look Back (Women of Justice, #2))
I want something good to die for. . . to make it beautiful to live.
Stacey T. Hunt (The Adventure Begins (Original Cascade Adventures, #1))
I think if what you'd do for your last day on Earth doesn't look like a pretty normal day for you, you probably need to reexamine your life.
Jeff Zentner (Goodbye Days)
For the person facing death, mourning begins in the present tense, in a series of private, preemptive goodbyes that take place long before the body’s last breath.
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
But what is it that makes a person want to stay here on this earth anyway, and go on suffering the most awful pain just for the sake of getting to stay? I used to think it was because people fear death. But now I think it is because people can't bear saying goodbye.
Cynthia Rylant (Missing May)
Things don't so much end as disappear. They don't so much begin as turn up. You think there will be a time to say goodbye, but people have often gone before you know about it. And I don't just mean the dying.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
I'll exile my thoughts if they think of you again, and I will rip my lips out if they say your name once more. Now if you do exist, I will tell you my final word in life or in death, I tell you goodbye.
Knut Hamsun (Hunger (Dover Literature: Literary Fiction))
Goodbye,” Mort said, and was surprised to find a lump in his throat. “It’s such an unpleasant word, isn’t it?” QUITE SO. Death grinned because, as has so often been remarked, he didn’t have much option. But possibly he meant it, this time. I PREFER AU REVOIR, he said.
Terry Pratchett (Mort (Discworld, #4; Death, #1))
We have already said more goodbyes than are necessary. Those were goodbyes that brought about the end of partings. We taught each other that no parting is possible.
Donna Goddard (Waldmeer)
Time makes everything mean and shabby and wrinkled. The tragedy of life, Howard, is not that the beautiful things die young, but that they grow old and mean.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Most of the time death just comes whether you’ve said good-bye or not.
Veronica Roth (The Initiate (Divergent, #0.2))
If the condition of grief is nearly universal, its transactions are exquisitely personal.
Meghan O'Rourke (The Long Goodbye)
It behooves me to remember as I advance in age that death is an inevitable part of the life cycle rather than a medical failure.
Lisa J. Shultz (A Chance to Say Goodbye: Reflections on Losing a Parent)
I know I could have saved your ashes to put into the ocean, but I wanted you to have the journey, all the way with the currents, to the open sea. And I know that when I finally get to see the waves washing on the shore, to hear them, I will feel you there.
Ava Dellaira (Love Letters to the Dead)
We would also have to say goodbye to the joy of watching this next generation soak up the massive quantities of love their grandmother would have given them, and seeing them learn that there was someone in the world who loved them as much as their parents did: a grandmother who was delighted by all their quirks and who thought they were the most amazing creatures on earth.
Will Schwalbe (The End of Your Life Book Club)
What passing bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifle's rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers, nor bells, Nor any voice of mourning save the choirs, The shrill demented choirs of wailing shells, And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys, but in their eyes, Shall shine the holy glimmers of goodbyes. The pallor of girls' brows shall be their pall, Their flowers the tenderness of patient minds, And each, slow dusk a drawing down of blinds.
Wilfred Owen (The War Poems)
You smell of death. Everything about you is an endless goodbye
Nikita Gill (Great Goddesses: Life Lessons from Myths and Monsters)
We are mortals all, human and nonhuman, bound in one fellowship of love and travail. No one escapes the fate of death. But we can, with caring, make our good-byes less tormented. If we broaden the circle of our compassion, life can be less cruel.
Gary Kowalski (The Souls of Animals)
A goodbye at the gate," said Hobie. He seemed to be talking partly to himself. "That's what he would have wanted. The parting glimpse, the death haiku - he wouldn't have liked to leave without stopping to speak to someone along the way. 'A teahouse amid the cherry blossoms on the way to death.
Donna Tartt (The Goldfinch)
You love your shamans like your own family, and a knife twists in your heart every time you watch one of them die. But you have to do it. You've got to make the choices no one else can. It's death or the Chuluu Korikh. Commanders cull.
R.F. Kuang (The Burning God (The Poppy War, #3))
But when you lose someone, you don’t lose them all at once, and their dying doesn’t stop with their death. You lose them a thousand times in a thousand ways. You say a thousand goodbyes. You hold a thousand funerals.
Sara Seager (The Smallest Lights in the Universe: A Memoir)
My mind twirls with mysteries. The eternities. Life. Death. I can't stop it. It's like staring in the mirror for too long or saying your name too many times and becoming disconnected from any sense of yourself. I begin to wonder if I'm even still alive; if I exist.
Jeff Zentner (Goodbye Days)
Maybe it was the alcohol, maybe it was the truth, maybe I didn't want things to turn abstract, but I felt I should say it, because this was the moment to say it, because it suddenly dawned on me that this was why I had come, to tell him 'You are the only person I'd like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist. Sometimes I have this awful picture of waking up in our house in B. and, looking out to the sea, hearing the news from the waves themselves, He died last night. We missed out on so much. It was a coma. Tomorrow I go back to my coma, and you to yours. Pardon, I didn't mean to offend—I am sure yours is no coma.' 'No, a parallel life.
André Aciman (Call Me by Your Name)
Well-known, alas, is the case of the poor German who was very fond of three and who made each aspect of his life a thing of triads. He went home one evening and drank three cups of tea with three lumps of sugar in each cup, cut his jugular with a razor three times and scrawled with a dying hand on a picture of his wife good-bye, good-bye, good-bye.
Flann O'Brien (At Swim-Two-Birds)
Dear Camryn, I never wanted it to be this way. I wanted to tell you these things myself, but I was afraid. I was afraid that if I told you out loud that I loved you, that what we had together would die with me. The truth is that I knew in Kansas that you were the one. I’ve loved you since that day when I first looked up into your eyes as you glared down at me from over the top of that bus seat. Maybe I didn’t know it then, but I knew something had happened to me in that moment and I could never let you go. I have never lived the way I lived during my short time with you. For the first time in my life, I’ve felt whole, alive, free. You were the missing piece of my soul, the breath in my lungs, the blood in my veins. I think that if past lives are real then we have been lovers in every single one of them. I’ve known you for a short time, but I feel like I’ve known you forever. I want you to know that even in death I’ll always remember you. I’ll always love you. I wish that things could’ve turned out differently. I thought of you many nights on the road. I stared up at the ceiling in the motels and pictured what our life might be like together if I had lived. I even got all mushy and thought of you in a wedding dress and even with a mini me in your belly. You know, I always heard that sex is great when you’re pregnant. ;-) But I’m sorry that I had to leave you, Camryn. I’m so sorry…I wish the story of Orpheus and Eurydice was real because then you could come to the Underworld and sing me back into your life. I wouldn’t look back. I wouldn’t fuck it up like Orpheus did. I’m so sorry, baby… I want you to promise me that you’ll stay strong and beautiful and sweet and caring. I want you to be happy and find someone who will love you as much as I did. I want you to get married and have babies and live your life. Just remember to always be yourself and don’t be afraid to speak your mind or to dream out loud. I hope you’ll never forget me. One more thing: don’t feel bad for not telling me that you loved me. You didn’t need to say it. I knew all along that you did. Love Always, Andrew Parrish
J.A. Redmerski
Malcolm stares out the window, wishing he could glimpse Rufus on his bike turning a corner, and he finally cries, these loud, stuttering sobs, not because he’ll now have a criminal record, not because he’s scared to go to the police station, not even because Rufus is dying, but because the biggest crime of all tonight was not being able to hug his best friend goodbye.
Adam Silvera (They Both Die at the End (Death-Cast, #1))
Now he felt temper snapping at the nerves. “If you can’t be comfortable in the house while I’m not here, you can barricade yourself in this apartment. You can damn well barricade yourself in it while I am here. It’s up to you.” “Yes, it is.” She took a deep breath and turned to him. “You did this for me.” Annoyed, he inclined his head. “There doesn’t seem to be much I wouldn’t do for you.” “I think that’s starting to sink in.” No one had ever given her anything quite so perfect. No one, she realized, understood her quite so well. “That makes me a lucky woman, doesn’t it?” He opened his mouth, bit back something particularly nasty. “The hell with it,” he decided. “I have to go.” “Roarke, one thing.” She walked to him, well aware he was all but snarling with temper. “I haven’t kissed you good-bye,” she murmured and did so with a thoroughness that rocked him back on his heels. “Thank you.” Before he could speak, she kissed him again. “For always knowing what matters to me.” “You’re welcome.” Possessively, he ran a hand over her tousled hair. “Miss me.” “I already am.” “Don’t take any unnecessary chances.” His hands gripped in her hair hard, briefly. “There’s no use asking you not to take the necessary ones.” “Then don’t.” Her heart stuttered when he kissed her hand. “Safe trip,” she told him when he stepped into the elevator. She was new at it, so waited until the doors were almost shut. “I love you.” The last thing she saw was the flash of his grin.
J.D. Robb (Glory in Death (In Death, #2))
Death is sudden. It has no taste for irony or reason. It doesn't wait for another tick of the metronome. It doesn't wait for goodbyes. Death is a taker, plain, direct, no tricks up its sleeve. And it will give you nothing in return but a last endless kiss for those you leave behind.
Lancali (I Fell in Love with Hope)
I felt the warm brush of his fingers pushing the key into mine all the way to my heart. I focused on the key because if I looked up, I'd see what he was feeling. Worse, he'd see what I was feeling -- in a minute what I was feeling was going to be spilling out of me, and it didn't make any sense. It had been over long ago; we had just finally got around to saying good-bye, that was all.
Josh Lanyon (Death of a Pirate King (The Adrien English Mysteries, #4))
And I realized that sure Indians were drunk and sad and displaced and crazy and mean but dang we knew how to laugh. When it comes to death, we know that laughter and tears are pretty much the same thing. And so, laughing and crying, we said good-bye to my grandmother. And when we said good-bye to one grandmother, we said good-bye to all of them. Each funeral was a funeral for all of us. We lived and died together. All of us laughed when they lowered my grandmother into the ground. And all of us laughed when they covered her with dirt. And all of us laughed as we walked and drove and rode our way back to our lonely, lonely houses.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
I drag the body out into the snowdrifts, as far away from our shack as I can muster. I put her in a thicket of trees, where the green seems to still have a voice in the branches, and try not to think about the beasts that’ll soon be gathering. There’s no way of burying her; the ground is a solid rock of ice beneath us. I kneel beside her and want desperately to weep. My throat tightens and my head aches. Everything hurts inside. But I have no way of releasing it. I’m locked up and hard as stone. “I’m sorry, Mamma,” I whisper to the shell in front of me. I take her hand. It could belong to a glass doll. There’s no life there anymore. So I gather rocks, one by one, and set them over her, trying my best to protect her from the birds, the beasts, keep her safe as much as I can now. I pile the dark stones gently on her stomach, her arms, and over her face, until she becomes one with the mountain. I stand and study my work, feeling like the rocks are on me instead, then I leave the body for the forest and ice.
Rachel A. Marks (Winter Rose)
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
A sea of red lights, and I slow down. My job now is to gather everyone together and tell them we have to let her go. I won't tell anyone over the phone, because I didn't like hearing the news from the doctor that way. I have maybe a week to handle the arrangements, as the doctor said, but the arrangements are overwhelming. How do I learn how to run a family? How do I say goodbye to someone I love so much that I've forgotten just how much I love her?
Kaui Hart Hemmings (The Descendants)
People who don't like math always accuse mathematicians of trying to make math complicated. (...) But anyone who does love math knows it's really the opposite: math rewards simplicity, and mathematicians value it above all else. So it's no surprise that Walter's favourite axiom was also the most simple in the realm of mathematics: the axiom of the empty set. The axiom of the empty set is the axiom of zero. it states that there must be a concept of nothingness, that there must be the concept of zero: zero value, zero items. Math assumes there's a concept of nothingness, but is it proven? No. But it must exist. And if we're being philosophical—which we today are—we can say that life itself is the axiom of the empty set. It begins in zero and ends in zero. We know that both states exist, but we will not be conscious of either experience: they are states that are necessary parts of life, even as they cannot be experienced as life. We assume the concept of nothingness, but we cannot prove it. But it must exist. So I prefer to think that Walter has not died but has instead proven for himself the axiom of the empty set, that he has proven the concept of zero. I know nothing else would have made him happier. An elegant mind wants elegant endings, and Walter had the most elegant mind. So I wish him goodbye; I wish him the answer to the axiom he so loved.
Hanya Yanagihara (A Little Life)
Night descends as a falling blanket. The city is a constellation of lights, each one representing a hand that turned the lightbulb. A hand attached to a mind containing a universe of memories and myths; a natural history of loves and wounds. Life everywhere. Pulsing, humming. A great wheel turning. A light blinks out here, one replaces it there. Always dying. Always living. We survive until we don’t. All of this ending and beginning is the only thing that is infinite.
Jeff Zentner (Goodbye Days)
Dr. Urbino caught the parrot around the neck with a triumphant sigh: ça y est. But he released him immediately because the ladder slipped from under his feet and for an instant he was suspended in the air and then he realized that he had died without Communion, without time to repent of anything or to say goodbye to anyone, at seven minutes after four on Pentecost Sunday. Fermina Daza was in the kitchen tasting the soup for supper when she heard Digna Pardo's horrified shriek and the shouting of the servants and then of the entire neighborhood. She dropped the tasting spoon and tried to run despite the invincible weight of her age, screaming like a madwoman without knowing yet what had happened under the mango leaves, and her heart jumped inside her ribs when she saw her man lying on his back in the mud, dead to this life but still resisting death's final blow for one last minute so that she would have time to come to him. He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked for her for the last and final time with eyes more luminous, more grief-stricken, more grateful that she had ever seen them in the half century of a shared life, and he managed to say to her with his last breath: "Only God knows how much I loved you.
Gabriel García Márquez (Love in the Time of Cholera)
Come, my child," I said, trying to lead her away. "Wish good-bye to the poor hare, and come and look for blackberries." "Good-bye, poor hare!" Sylvie obediently repeated, looking over her shoulder at it as we turned away. And then, all in a moment, her self-command gave way. Pulling her hand out of mine, she ran back to where the dead hare was lying, and flung herself down at its side in such an agony of grief as I could hardly have believed possible in so young a child. "Oh, my darling, my darling!" she moaned, over and over again. "And God meant your life to be so beautiful!
Lewis Carroll (Sylvie and Bruno)
Uncle Bruno and I celebrated the miracle of life with every chick that hatched from its egg and every tomato that came from the garden to the table; he taught me to observe and listen attentively, to get my bearings in the woods, to swim in freezing lakes and rivers, to start a fire without a match, to enjoy the pleasure of sinking my face into a juicy watermelon, and to accept the inevitable pain of saying goodbye to people and animals, because there is no life without death, as he always said.
Isabel Allende (Violeta)
For a number of years he had lived, eaten, laughed, loved, hoped, like everyone else. And for him it was over, over for good. A life! A few days, and then nothing! You're born, you grow up, you're happy, you wait, then you die. Goodbye! Man or woman, you'll never return to this earth! And yet each of us bears within him the fierce, unrealizable longing for eternity, each of us is a kind of universe within the universe, and each of us soon vanishes completely into the dunghill of new organisms. Plants, animals, men, stars, worlds, everything quickens, then dies, in order to transform itself. And nothing ever returns, whether insect, man, or planet!
Guy de Maupassant (Bel-Ami)
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins. Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went. Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
Tim Tharp (The Spectacular Now)
Addio, Dann. Addio, piccolo signor Rail, che mi hai insegnato la vita. Avevi ragione tu: non siamo morti. Non è possibile morire vicino a te. Perfino Mormy ha aspettato che tu fossi lontano per farlo. Adesso sono io che vado lontano. E non sarà vicino a te che morirò. Addio, mio piccolo signore, che sognavi i treni e sapevi dov'era l'infinito. Tutto quel che c'era io l'ho visto, guardando te. E sono stata ovunque, stando con te. È una cosa che non riuscirò a spiegare mai a nessuno. Ma è così. Me la porterò dietro, e sarà il mio segreto più bello. Addio, Dann. Non pensarmi mai, se non ridendo. Addio.
Alessandro Baricco (Castelli di rabbia)
If it had been a heart attack, the newspaper might have used the word massive, as if a mountain range had opened inside her, but instead it used the word suddenly, a light coming on in an empty room. The telephone fell from my shoulder, a black parrot repeating something happened, something awful a sunday, dusky. If it had been terminal, we could have cradled her as she grew smaller, wiped her mouth, said good-bye. But it was sudden, how overnight we could be orphaned & the world became a bell we'd crawl inside & the ringing all we'd eat.
Nick Flynn
This body is not me, I am not caught in this body. I am life without boundaries. I have never been born, and I shall never die. Look at the ocean and the sky filled with stars, manifestations of my wondrous true mind. Since before time, I have been free. Birth and death are only doors through which we pass, sacred thresholds on our journey. Birth and death are just a game of hide and seek. So laugh with me, hold my hand, let us say goodbye, say goodbye, to meet again soon. We meet today. We will meet again tomorrow. We will meet at the source at every moment. We meet each other in all forms of life. The
Thich Nhat Hanh (You Are Here: Discovering the Magic of the Present Moment)
No pain, no gain." You can hear the phrase in the world of physical exercise and conditioning. Muscles that feel no pain are probably getting neither stronger, nor more flexible. It presents an analogy for the exercise of the heart. Those who run the risk of genuine love alone must worry about emotional pain. The more friends; the more good-byes - and the more wakes to attend, the more graves to visit, the more deaths to share. Those who truly live life to the fullest will bear the full cup of suffering. Only those who are willing to pay the price in pain and anguish find life full to the brim. Happy people also suffer; they are no more lucky than the rest. They create their own happiness. That's the rule of thumb. Some thumbs, however, don't seem to rule very well. Slogans and catch-words, for all their conventional wisdom, fail to carry the whole weight of truth; they leave too much room for false inferences. "No pain, no gain" may leave one with nothing but pain - an intolerable amount of it. There is simply no guarantee that pain will bring gain, that hardship will yield happiness, that suffering will make one a better person. It may; but it's not inevitable.
Robert Dykstra (She Never Said Good-Bye)
Emily: Oh, Mama, look at me one minute as though you really saw me. Mama, fourteen years have gone by. I'm dead. You're a grandmother, Mama! Wally's dead, too. His appendix burst on a camping trip to North Conway. We felt just terrible about it - don't you remember? But, just for a moment now we're all together. Mama, just for a moment we're happy. Let's really look at one another!...I can't. I can't go on.It goes so fast. We don't have time to look at one another. I didn't realize. So all that was going on and we never noticed. Take me back -- up the hill -- to my grave. But first: Wait! One more look. Good-bye , Good-bye world. Good-bye, Grover's Corners....Mama and Papa. Good-bye to clocks ticking....and Mama's sunflowers. And food and coffee. And new ironed dresses and hot baths....and sleeping and waking up. Oh, earth,you are too wonderful for anybody to realize you. Do any human beings ever realize life while they live it--every,every minute? Stage Manager: No. (pause) The saints and poets, maybe they do some. Emily: I'm ready to go back.
Thornton Wilder (Our Town)
grief. The first is anticipatory. This is hospice grief. Prognostic grief. This is the grief that comes when you drive your dog to the vet for the very last time. This is the death row inmate’s family’s grief. See that pain in the distance? It’s on its way. This is the grief that it is somewhat possible to prepare for. You finish all business. You come to terms. Goodbyes are said and said again. Anguish stalks the chambers of your heart and you steel yourself for the impending presence of an everlasting absence. This grief is an instrument of torture. It squeezes and pulls and presses down. Grief that follows an immediate loss comes on like a stab wound. This is the second kind of grief. It is a cutting pain and it is always a surprise. You never see it coming. It is a grief that can’t be
Jill Alexander Essbaum (Hausfrau)
Sitting on the divan, she touched a finger to the bullet wound in his chest. It seemed so small, so incapable of creating the exodus of blood which had drenched his clothes and skin as he lay in the hospital, waiting for her to claim him. Death has been instantaneous, they said, as if there were a relief in that. She did not want death to have been instantaneous; she wanted to have at least held his hand as he lay dying and said goodbye to him in terms other than the, ‘Why are you doing again? You’ll find nothing. Stay. Oh all right, go,’ that had been her farewell to him that morning. Stay. Stay. Stay. She should have repeated it like a madwoman, banged her head against the wall in a frenzy, hit him and wept. She should have said it just one more time, just a little more forcefully. She should have taken his dear, sweet head in her hands and kissed his eyes and forehead. Stay.
Kamila Shamsie (Burnt Shadows)
The Dream by Mark Baker A man lay on his bed at the end of his life waiting to die. His dream came to pay his last respects and bid farewell to the man who had never used it. As it entered the room the man looked down in shame. "Why did you not realize me?" the dream asked. "Because I was afraid," the man said. "Afraid of what," said the dream. "I was afraid I would fail." "But haven't you failed by not attempting to use me?". "Yes I did, but I always thought there would be tomorrow." "You Fool!" said the dream" Did it never occur to you that there was only ever today? the moment that you are in right now? Do you think that now that death is here that you can put it off until tomorrow?". "No", said the man, a tear gently rolling down his cheek. The dream was softer now, because it knew that there were two types of pain, the pain of discipline and the pain of regret, and while discipline weighs ounces, regret weighs pounds. Then the dream leant forward to gently wipe away the tear and said, " You need only have taken the first step and I would have taken one to meet you, for the only thing that ever separated us was the belief in your mind that you couldn't have me". Then they said goodbye and they both died.
Mark Baker
Dear Jim." The writing grew suddenly blurred and misty. And she had lost him again--had lost him again! At the sight of the familiar childish nickname all the hopelessness of her bereavement came over her afresh, and she put out her hands in blind desperation, as though the weight of the earth-clods that lay above him were pressing on her heart. Presently she took up the paper again and went on reading: "I am to be shot at sunrise to-morrow. So if I am to keep at all my promise to tell you everything, I must keep it now. But, after all, there is not much need of explanations between you and me. We always understood each other without many words, even when we were little things. "And so, you see, my dear, you had no need to break your heart over that old story of the blow. It was a hard hit, of course; but I have had plenty of others as hard, and yet I have managed to get over them,--even to pay back a few of them,--and here I am still, like the mackerel in our nursery-book (I forget its name), 'Alive and kicking, oh!' This is my last kick, though; and then, tomorrow morning, and--'Finita la Commedia!' You and I will translate that: 'The variety show is over'; and will give thanks to the gods that they have had, at least, so much mercy on us. It is not much, but it is something; and for this and all other blessings may we be truly thankful! "About that same tomorrow morning, I want both you and Martini to understand clearly that I am quite happy and satisfied, and could ask no better thing of Fate. Tell that to Martini as a message from me; he is a good fellow and a good comrade, and he will understand. You see, dear, I know that the stick-in-the-mud people are doing us a good turn and themselves a bad one by going back to secret trials and executions so soon, and I know that if you who are left stand together steadily and hit hard, you will see great things. As for me, I shall go out into the courtyard with as light a heart as any child starting home for the holidays. I have done my share of the work, and this death-sentence is the proof that I have done it thoroughly. They kill me because they are afraid of me; and what more can any man's heart desire? "It desires just one thing more, though. A man who is going to die has a right to a personal fancy, and mine is that you should see why I have always been such a sulky brute to you, and so slow to forget old scores. Of course, though, you understand why, and I tell you only for the pleasure of writing the words. I loved you, Gemma, when you were an ugly little girl in a gingham frock, with a scratchy tucker and your hair in a pig-tail down your back; and I love you still. Do you remember that day when I kissed your hand, and when you so piteously begged me 'never to do that again'? It was a scoundrelly trick to play, I know; but you must forgive that; and now I kiss the paper where I have written your name. So I have kissed you twice, and both times without your consent. "That is all. Good-bye, my dear" Then am I A happy fly, If I live Or if I die
Ethel Lilian Voynich
Now we will live!” This is what the hungry little boy liked to say, as he toddled along the quiet roadside, or through the empty fields. But the food that he saw was only in his imagination. The wheat had all been taken away, in a heartless campaign of requisitions that began Europe’s era of mass killing. It was 1933, and Joseph Stalin was deliberately starving Soviet Ukraine. The little boy died, as did more than three million other people. “I will meet her,” said a young Soviet man of his wife, “under the ground.” He was right; he was shot after she was, and they were buried among the seven hundred thousand victims of Stalin’s Great Terror of 1937 and 1938. “They asked for my wedding ring, which I….” The Polish officer broke off his diary just before he was executed by the Soviet secret police in 1940. He was one of about two hundred thousand Polish citizens shot by the Soviets or the Germans at the beginning of the Second World War, while Nazi Germany and the Soviet Union jointly occupied his country. Late in 1941, an eleven-year-old Russian girl in Leningrad finished her own humble diary: “Only Tania is left.” Adolf Hitler had betrayed Stalin, her city was under siege by the Germans, and her family were among the four million Soviet citizens the Germans starved to death. The following summer, a twelve-year-old Jewish girl in Belarus wrote a last letter to her father: “I am saying good-bye to you before I die. I am so afraid of this death because they throw small children into the mass graves alive.” She was among the more than five million Jews gassed or shot by the Germans.
Timothy Snyder (Bloodlands: Europe Between Hitler and Stalin)
Come, Paul!" she reiterated, her eye grazing me with its hard ray like a steel stylet. She pushed against her kinsman. I thought he receded; I thought he would go. Pierced deeper than I could endure, made now to feel what defied suppression, I cried - "My heart will break!" What I felt seemed literal heart-break; but the seal of another fountain yielded under the strain: one breath from M. Paul, the whisper, "Trust me!" lifted a load, opened an outlet. With many a deep sob, with thrilling, with icy shiver, with strong trembling, and yet with relief - I wept. "Leave her to me; it is a crisis: I will give her a cordial, and it will pass," said the calm Madame Beck. To be left to her and her cordial seemed to me something like being left to the poisoner and her bowl. When M. Paul answered deeply, harshly, and briefly - "Laissez-moi!" in the grim sound I felt a music strange, strong, but life-giving. "Laissez-moi!" he repeated, his nostrils opening, and his facial muscles all quivering as he spoke. "But this will never do," said Madame, with sternness. More sternly rejoined her kinsman - "Sortez d'ici!" "I will send for Père Silas: on the spot I will send for him," she threatened pertinaciously. "Femme!" cried the Professor, not now in his deep tones, but in his highest and most excited key, "Femme! sortez à l'instant!" He was roused, and I loved him in his wrath with a passion beyond what I had yet felt. "What you do is wrong," pursued Madame; "it is an act characteristic of men of your unreliable, imaginative temperament; a step impulsive, injudicious, inconsistent - a proceeding vexatious, and not estimable in the view of persons of steadier and more resolute character." "You know not what I have of steady and resolute in me," said he, "but you shall see; the event shall teach you. Modeste," he continued less fiercely, "be gentle, be pitying, be a woman; look at this poor face, and relent. You know I am your friend, and the friend of your friends; in spite of your taunts, you well and deeply know I may be trusted. Of sacrificing myself I made no difficulty but my heart is pained by what I see; it must have and give solace. Leave me!" This time, in the "leave me" there was an intonation so bitter and so imperative, I wondered that even Madame Beck herself could for one moment delay obedience; but she stood firm; she gazed upon him dauntless; she met his eye, forbidding and fixed as stone. She was opening her lips to retort; I saw over all M. Paul's face a quick rising light and fire; I can hardly tell how he managed the movement; it did not seem violent; it kept the form of courtesy; he gave his hand; it scarce touched her I thought; she ran, she whirled from the room; she was gone, and the door shut, in one second. The flash of passion was all over very soon. He smiled as he told me to wipe my eyes; he waited quietly till I was calm, dropping from time to time a stilling, solacing word. Ere long I sat beside him once more myself - re-assured, not desperate, nor yet desolate; not friendless, not hopeless, not sick of life, and seeking death. "It made you very sad then to lose your friend?" said he. "It kills me to be forgotten, Monsieur," I said.
Charlotte Brontë (Villette)
But the main reason was that waking her would’ve meant telling her good-bye, and telling someone good-bye when you’re planning on walking into hell would’ve felt kind of…final. It was the same reason I hadn’t gone into the hut to find Mom, and why I’d skirted around Archer’s tent. I’d been nearly to the shore when I’d heard him softly call, “Mercer.” Kneeling in the doorway of his tent, his hair a mess, his Hex Hall uniform ridiculously wrinkled, he’d nearly broken my heart. And when I ran to him as soundlessly as I could and practically dove on top of him, I’d told myself that our kiss was just your normal boyfriend/girlfriend saying good morning thing. Even when he pulled me inside, the tent warm and cozy and smelling like him, I hadn’t let myself think that might be the last time I’d see him. And when he’d pulled me closer and murmured, “Mercer, I love-“ I had covered his mouth with my hand. “Don’t say that. Not now. Say it sometime when there is absolutely no chance of death on the horizon, okay?” He mumbled something beneath my palm, and I rolled my eyes as I pulled it away from his mouth. He dropped a kiss on the tip of my nose. “All I was going to say was that I love this tent you made for me. But I guess I can tell you again later. When you get back.” Curling my hand around the back of his neck, I’d pulled him down to me. “You better.” A blush creeping up my neck from the memory, I swung my gaze away from his tent and back toward the lake. I was coming back. I was going to be fine, and getting down into the Underworld to collect demonglass wouldn’t be hard at all. Maybe I’d make it back before lunch. Of course, I couldn’t make it back if I never left.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that. Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place. You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them. Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers. Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah. Your conscience is the measure of the honesty of your selfishness. Listen to it carefully. The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in awhile, and watch your answers change. Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years. The bond that links your true family is not one of blood, but of respect and joy in each other's life. Rarely do members of one family grow up under the same roof. There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts. Imagine the universe beautiful and just and perfect. Then be sure of one thing: The Is has imagined it quite a bit better than you have. The original sin is to limit the Is. Don't. A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now. But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons. You are never given a wish without being given the power to make it true. You may have to work for it, however. Argue for your limitations, and sure enough, they're yours. If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats. The world is your exercise-book, the pages on which you do your sums. It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages. Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you. In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice. The best way to avoid responsibility is to say, "I've got responsibilities." The truth you speak has no past and no future. It is, and that's all it needs to be. Here is a test to find whether your mission on earth is finished: If you're alive, it isn't. Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends. The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly. You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind. Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy. Everything above may be wrong!
Richard Bach