Good Posture Quotes

Mrs. Charlotte Phelan's Guide to Husband-Hunting, Rule Number One: a pretty, petite girl should accentuate with makeup and good posture. A tall plain one, with a trust fund.

A drink this good deserves one's best posture.

A friend came to visit James Joyce one day and found the great man sprawled across his writing desk in a posture of utter despair. James, what’s wrong?' the friend asked. 'Is it the work?' Joyce indicated assent without even raising his head to look at his friend. Of course it was the work; isn’t it always? How many words did you get today?' the friend pursued. Joyce (still in despair, still sprawled facedown on his desk): 'Seven.' Seven? But James… that’s good, at least for you.' Yes,' Joyce said, finally looking up. 'I suppose it is… but I don’t know what order they go in!

Some people look like they sound better than they actually sound, because they look confident and have good posture," once musician, a veteran of many auditions, says. "Other people look awful when they play but sound great. Other people have that belabored look when they play, but you can't hear it in the sound. There is always this dissonance between what you see and hear" (p.251).

Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.

Gone are the days when 19-inch biceps would once command respect. A Jedi doesn’t walk around with their arms flexed and with a thousand yard stare in their eyes. They walk with a good posture, their head held high and with a serious, yet friendly, look on their face.

In the zazen posture, your mind and body have, great power to accept things as they are, whether agreeable or disagreeable. In our scriptures (Samyuktagama Sutra, volume 33), it is said that there are four kinds of horses: excellent ones, good ones, poor ones, and bad ones. The best horse will run slow and fast, right and left, at the driver's will, before it sees the shadow of the whip; the second best will run as well as the first one does, just before the whip reaches its skin; the third one will run when it feels pain on its body; the fourth will run after the pain penetrates to the marrow of its bones. You can imagine how difficult it is for the fourth one to learn how to run!

Anxiety felt like a grapnel anchor had been pickaxed into your back, one prong in each lung, one through the heart, one through the spine, the weight curving your posture forward, dragging you down to the murky depths of the sea floor. The good news was that you kind of got used to it after a while. Got used to the gasping, brink-of-heart-attack feeling that followed you everywhere. All you had to do was grab one of the prongs that stuck out from the bottom of your sternum, give it a little shake, and say, “Listen, asshole. We’re not dying. We have shit to do.

Who's "Ma'am"? I'd wanted to ask at first. Ma'am sounded to me like an older woman with a proper purse, good posture, and sensible shoes who was maybe sitting somewhere nearby. But I was Ma'am. Ma'am was me.

Of course, I now see that good behaviour is the proper posture of the weak, of children.

A body that is not kept clean, that is sloppy and does not hold itself in good posture, is not conducive to sensitivity of mind and emotions.

A great attitude toward your approach to an interview—demonstrated by your good posture—is everything.

Catalina.” There it was again. Not Lina. Catalina. “I’m glad I didn’t kiss you.” Something halted in my chest. “Why?” The word was nothing more than a shaky whisper. “Because when I finally take those lips in mine, it will be the furthest thing from pretending. I will not be showing you what it would be like if you were mine. I’ll show you what it is. And I sure as hell won’t be showing how good I could make you feel if you called me yours. You’ll already know that I am.” He paused, and I swore I could see the restraint in his posture. As if he was stopping himself from pouncing and returning us to our former position, right against the hard surface of the wardrobe door. “When I finally kiss you, there won’t be any doubt in your mind that it is real.

It is well and good to opine or theorize about a subject, as humankind is wont to do, but when moral posturing is replaced by an honest assessment of the data, the result is often a new, surprising insight.

A strong confident person can rule the room with knowledge, personal style, attitude and great posture.

Proper posture sends a positive message since 90% of all communication occures through body language and how you carry yourself.

Good posture and an attitude let you get away with anything.

I want you to think of two different situations. First, remember times when you've felt your best, at the top of your game, alive and vibrant. Pay attention to your posture, the muscles in your face, your breathing. Then, I want you to think of occasions where you've felt sick or anxious. Don't just think of people. Think of activities. This will help us reveal what makes you happy. Pay attention to how your body responds to these scenarios - it will serve as your biggest indicator in the future when you're actually doing things." This woman was damn brilliant. "And remember, it's okay to feel sad, but just try to limit your bouts with it to an hour a day. Let it all out, give yourself that time to heal, nurture and comfort yourself. You won't heal unless you grieve. Grieving is good." "Good grief?" "Yes. It takes courage to grieve.

Standing in another's shoes is good for our own postures.

INSTRUCTIONS FOR ZAZEN First of all, you have to sit down, which you’re probably already doing. The traditional way is to sit on a zafu cushion on the floor with your legs crossed, but you can sit on a chair if you want to. The important thing is just to have good posture and not to slouch or lean on anything. Now you can put your hands in your lap and kind of stack them up, so that the back of your left hand is on the palm of your right hand, and your thumb tips come around and meet on top, making a little round circle. The place where your thumbs touch should line up with your bellybutton. Jiko says this way of holding your hands is called hokkai jo-in,113 and it symbolizes the whole cosmic universe, which you are holding on your lap like a great big beautiful egg.

Look at walls splashed with a number of stains, or stones of various mixed colours. If you have to invent some scene, you can see there resemblances to a number of landscapes, adorned with mountains, rivers, rocks, trees, great plains, valleys and hills, in various ways. Also you can see various battles, and lively postures of strange figures, expressions on faces, costumes and an infinite number of things, which you can reduce to good integrated form. This happens on such walls and varicoloured stones, (which act) like the sound of bells, in whose peeling you can find every name and word that you can imagine. Do not despise my opinion, when I remind you that it should not hard for you to stop sometimes and look into the stains of walls, or the ashes of a fire, or clouds, or mud or like places, in which, if you consider them well, you may find really marvelous ideas. The mind of the painter is stimulated to new discoveries, the composition of battles of animals and men, various compositions of landscapes and monstrous things, such as devils and similar things, which may bring you honor, because by indistinct things the mind is stimulated to new inventions.

Thomas Merton said it was actually dangerous to put the Scriptures in the hands of people whose inner self is not yet sufficiently awakened to encounter the Spirit, because they will try to use God for their own egocentric purposes. (This is why religion is so subject to corruption!) Now, if we are going to talk about conversion and penance, let me apply that to the two major groups that have occupied Western Christianity—Catholics and Protestants. Neither one has really let the Word of God guide their lives. Catholics need to be converted to giving the Scriptures some actual authority in their lives. Luther wasn’t wrong when he said that most Catholics did not read the Bible. Most Catholics are still not that interested in the Bible. (Historically they did not have the printing press, nor could most people read, so you can’t blame them entirely.) I have been a priest for 42 years now, and I would sadly say that most Catholics would rather hear quotes from saints, Popes, and bishops, the current news, or funny stories, if they are to pay attention. If I quote strongly from the Sermon on the Mount, they are almost throwaway lines. I can see Catholics glaze over because they have never read the New Testament, much less studied it, or been guided by it. I am very sad to have to admit this. It is the Achilles heel of much of the Catholic world, priests included. (The only good thing about it is that they never fight you like Protestants do about Scripture. They are easily duped, and the hierarchy has been able to take advantage of this.) If Catholics need to be converted, Protestants need to do penance. Their shout of “sola Scriptura” (only Scripture) has left them at the mercy of their own cultures, their own limited education, their own prejudices, and their own selective reading of some texts while avoiding others. Partly as a result, slavery, racism, sexism, classism, xenophobia, and homophobia have lasted authoritatively into our time—by people who claim to love Jesus! I think they need to do penance for what they have often done with the Bible! They largely interpreted the Bible in a very individualistic and otherworldly way. It was “an evacuation plan for the next world” to use Brian McLaren’s phrase—and just for their group. Most of Evangelical Protestantism has no cosmic message, no social message, and little sense of social justice or care for the outsider. Both Catholics and Protestants (Orthodox too!) found a way to do our own thing while posturing friendship with Jesus.

Gardens come and go, but I find myself getting attached to certain perennials. My tulips are bridesmaids, with fat faces and good posture. Hollyhocks are long necked sisters. Daffodils are young girls running out of a white church, sun shining on their heads. Peonies are pink-haired ladies, so full and stooped you have to tie them up with string. And roses are nothing but (I hate to say it) bitches--pretty show-offs who'll draw blood if you don't handle them just right. -Vangie Galliard Nepper, From her "Garden Diary," March 1952

Sarah has read books on manners and good conduct, written in the language of the Arabs. I know she turned those pages. Watch her: perfect posture, grace in every step, perfect clothes. Not very fashionable, but clean and beautifully pressed.

Project a confident image through good body posture.

His presence seemed to require good posture.

This is the look Winners have constantly. They stand with assurance. They move with confidence. They smile softly with pride. No doubt about it! Good posture symbolizes you are a man or woman who is used to being on top.

Around her he had felt none of the constant anxiety, nor watchfulness, that he seemed condemned to feel around everyone else; the vigilance was exhausting, but it eventually became simply a part of life, a habit like good posture.

It is that flavor exuded by women who have fashioned an earthy and simplified sexual adjustment to their environment, borne their young, achieved an unthinking physical confidence. They are often placidly unkempt, even grubby, taking no interest in the niceties of posture. They have a slow relish for the physical spectrum of food, sun, deep sleep, the needs of children, the caressess of affection. There is a tiny magnificance about them, like the sultry dignity of she-lions.

Our nonverbal behavior (including posture) gives away our inner personality and reflects our inner attitude.

Feature the good culture to never be like the vulture that doesn't have a good posture in the picture, the structure you make from every adventure gives glory to the creator for his creature, and he will give you treasure from the nature to venture for the future.

Under the redwood tree my grave was laid, and I beguiled my true love to lie down. The stream of our kiss put a waterway around the world, where love like a refugee sailed in the last ship. My hair made a shroud, and kept the coyotes at bay while we wrote our cyphers with anatomy. The winds boomed triumph, our spines seemed overburdened, and our bones groaned like old trees, but a smile like a cobweb was fastened across the mouth of the cave of fate. Fear will be a terrible fox at my vitals under my tunic of behaviour. Oh, canary, sing out in the thunderstorm, prove your yellow pride. Give me a reason for courage or a way to be brave. But nothing tangible comes to rescue my besieged sanity, and I cannot decipher the code of the eucalyptus thumping on my roof. I am unnerved by the opponents of God, and God is out of earshot. I must spin good ghosts out of my hope to oppose the hordes at my window. If those who look in see me condescend to barricade the door, they will know too much and crowd in to overcome me. The parchment philosopher has no traffic with the night, and no conception of the price of love. With smoky circles of thought he tries to combat the fog, and with anagrams to defeat anatomy. I posture in vain with his weapons, even though I am balmed with his nicotine herbs. Moon, moon, rise in the sky to be a reminder of comfort and the hour when I was brave.

Good evening.” “And a good evening to you.” The duke shot them all a look of unfettered annoyance. “I believe we have thoroughly established that the evening is a good one. Let us move past the polite posturing and on to the meaningless conversation.

You are wrong,” says the man. His voice is low and resonant. The metal walls of the dome, all the knives and swords and spears, all seem to vibrate with each of his words. “Your rulers and their propaganda have sold you this watered-down conceit of war, of a warrior yoked to the whims of civilization. Yet for all their self-professed civility, your rulers will gladly spend a soldier’s life to better aid their posturing, to keep the cost of a crude good low. They will send the children of others off to die and only think upon it later to grandly and loudly memorialize them, lauding their great sacrifice. Civilization is but the adoption of this cowardly method of murder.

To leave the distracted masses to join the focused few, I’m arguing, is a transformative experience. The deep life, of course, is not for everybody. It requires hard work and drastic changes to your habits. For many, there’s a comfort in the artificial busyness of rapid e-mail messaging and social media posturing, while the deep life demands that you leave much of that behind. There’s also an uneasiness that surrounds any effort to produce the best things you’re capable of producing, as this forces you to confront the possibility that your best is not (yet) that good. It’s safer to comment on our culture than to step into the Rooseveltian ring and attempt to wrestle it into something better.

Good posture says confidence without us even saying a word.

Think of good posture as your body’s projection of a positive message to those you meet.

It is said that there are four kinds of horses: excellent ones, good ones, poor ones, and bad ones. The best horse will run slow and fast, right and left, at the driver’s will, before it sees the shadow of the whip; the second best will run as well as the first one does, just before the whip reaches its skin; the third one will run when it feels pain on its body; the fourth will run after the pain penetrates to the marrow of its bones. You can imagine how difficult it is for the fourth one to learn how to run! When we hear this story, almost all of us want to be the best horse. If it is impossible to be the best one, we want to be the second best. That is, I think, the usual understanding of this story, and of Zen. You may think that when you sit in zazen you will find out whether you are one of the best horses or one of the worst ones. Here, however, there is a misunderstanding of Zen. If you think the aim of Zen practice is to train you to become one of the best horses, you will have a big problem. This is not the right understanding. If you practice Zen in the right way it does not matter whether you are the best horse or the worst one. When you consider the mercy of Buddha, how do you think Buddha will feel about the four kinds of horses? He will have more sympathy for the worst one than for the best one. When you are determined to practice zazen with the great mind of Buddha, you will find the worst horse is the most valuable one. In your very imperfections you will find the basis for your firm, way-seeking mind. Those who can sit perfectly physically usually take more time to obtain the true way of Zen, the actual feeling of Zen, the marrow of Zen. But those who find great difficulties in practicing Zen will find more meaning in it. So I think that sometimes the best horse may be the worst horse, and the worst horse can be the best one. If you study calligraphy you will find that those who are not so clever usually become the best calligraphers. Those who are very clever with their hands often encounter great difficulty after they have reached a certain stage. This is also true in art and in Zen. It is true in life. So when we talk about Zen we cannot say, 'He is good,' or 'He is bad,' in the ordinary sense of the words. The posture taken in zazen is not the same for each of us. For some it may be impossible to take the cross-legged posture. But even though you cannot take the right posture, when you arouse your real, way-seeking mind, you can practice Zen in its true sense. Actually it is easier for those who have difficulties in sitting to arouse the true way-seeking mind that for those who can sit easily.

Because when I finally take those lips in mine, it will be the furthest thing from pretending. I will not be showing you what it would be like if you were mine. I’ll show you what it is. And I sure as hell won’t be showing how good I could make you feel if you called me yours. You’ll already know that I am.” He paused, and I swore I could see the restraint in his posture. As if he was stopping himself from pouncing and returning us to our former position, right against the hard surface of the wardrobe door.

Spinoza was I think a cool, not to say cold, man. His posture toward revealed religion—in particular, Judaism—was simple contempt for the confused ideas underlying revealed religion [which he regarded as] nonsense. His posture I believe is [more] that of the cocksure unbelieving scientist than that of any man of an inner tragedy.

The greatest thing I learned while taking classes at Second City was the very first thing they taught: 'Yes, and...'. In improv, you keep scenes alive but accepting whatever you are given and then adding to it or amplifying it. There is no space on stage for 'No,' 'I'm sorry, you're mistaken,' or 'Yes, but...'. Those transitions kill energy, set up interpersonal conflict, engage the ego in a defensive posture, and stymie the flow of conversation onstage.

There is a good deal of posturing here, of romantic frenzy, of wild Karamazovian unrestraint and sentimentality—yes, and also something else, gentlemen of the jury, something that cries out in the soul, that throbs incessantly in his mind, and poisons his heart unto death; this something is conscience, gentlemen of the jury, the judgment, the terrible pangs of conscience!

Drina is not terrifyingly muscled. Her underdeveloped calves tell me she's not a runner. Her bad posture tells me she has little to no energy. She might be good with a sword, but I deem that unlikely. I fail to find a solid reason not to punch her in the face.

In most of the Western world, where Christianity still enjoys a significant amount of privilege, especially when practiced by middle-class, white Christians, Jesus is seen as the heroic figure, the ultimate example of godliness, holiness, mercy, compassion, and justice—as well he should! He is God-made-flesh, after all. However, given that, when we identify with Jesus in the act of foot washing where we take the role of Jesus, all too often we are unconsciously (though sometimes all too consciously) assuming those characteristics onto ourselves. In trying to be Jesus to others, we can assume a posture of spiritual superiority and/or paternalism. The recipients of our service, “the least of these”, are then seen as the needy recipients of our goodness. Again, while affirming the value in such acts of humble service, too often miss how such posturing fails to recognize the radical presence of Christ as “the least of these”.

As neoliberalism wages war on public goods and the very idea of a public, including citizenship beyond membership, it dramatically thins public life without killing politics. Struggles remain over power, hegemonic values, resources, and future trajectories. This persistence of politics amid the destruction of public life and especially educated public life, combined with the marketization of the political sphere, is part of what makes contemporary politics peculiarly unappealing and toxic— full of ranting and posturing, emptied of intellectual seriousness, pandering to an uneducated and manipulable electorate and a celebrity-and-scandal-hungry corporate media. Neoliberalism generates a condition of politics absent democratic institutions that would support a democratic public and all that such a public represents at its best: informed passion, respectful deliberation, aspirational sovereignty, sharp containment of powers that would overrule or undermine it.

When it comes to news reporting, the center has been dragged so far left that a neutral posture is now viewed as right wing. Liberal or anti-Trump views—those are considered good, truth-telling journalism. At least that’s what the afflicted seem to believe. But raise questions about fairness or consider alternate viewpoints—that simply proves you’re the one who’s biased. Maybe even (gasp!) conservative. (Although you’re not.)

There was no point in fighting with Celia once she got mean," Evelyn says, "If things got too tense, I tended to back off before they came to a head. I would tell her I loved her and I couldn't live without her, and then I'd take my top off, and that usually ended the conversation. For all her posturing, Celia had one thing in common with almost every straight man in America: she wanted nothing more than to get her hands on my chest." "Did it stick with you, though?" I ask, "Those words?" "Of course it did. Look, I'd be the first person to say back when I was young that all I was was a nice pair of tits. The only currency I had was my sexuality, and I used it like money. I wasn't well educated when I got to Hollywood, I wasn't book-smart, I wasn't powerful, I wasn't a trained actress. What did I have to be good at other than being beautiful? And taking pride in your beauty is a damning act. Because you allow yourself to believe that the only thing notable about yourself is something with a very short shelf life.

Big Brother has no interest in well-informed citizens capable of critical thinking. Big Brother wants you to shop at Wal-Mart, where He will control the media that influences your life. The media works with the government and with the large corporations to form mass culture, which is utilized to create public consent, and most folks aren’t even aware of this process as it goes on all around them. Big Brother is actively seeking the complacency of the wage-slaves. Big Brother doesn’t want you to know about the spoken word performances given by Henry Rollins, or Jello Biafra or Terrence McKenna- or a thousand other people- because they will crack your laminate of societal posturing. Big Brother doesn’t want you to know about Bill Hicks, because Brother Bill will provide you with the courage and impetus to spit in Big Brother’s face. The internet is but one facet of our mass-marketed popular culture, and everyone is plugged into it. If you’re reading this, you are a part of it, the internet, one large hive mind, a singular consciousness. And that can be a good thing, but too often, people let themselves slip into it, into this world, to the point where they are no longer able to differentiate between what they think, what they know, and what is thrust upon them. They have no access to their own point of view, or their own spiritual consciousness, for lack of a better way to phrase it. So, to answer your question, in a lengthy and circuitous fashion, I would say that disgust with intellectual sloth, puerile voyeurism and dissent are the primary proponents in my work.

Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps. That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.

So, attend carefully to your posture. Quit drooping and hunching around. Speak your mind. Put your desires forward, as if you had a right to them – at least the same right as others. Walk tall and gaze forthrightly ahead. Dare to be dangerous. Encourage the serotonin to flow plentifully through the neural pathways desperate for its calming influence.  People, including yourself, will start to assume that you are competent and able (or at least they will not immediately conclude the reverse). Doing so, will not genuinely increase the probability that good things will happen to you – it will also make those good things feel better they do happen.

That’s my problem with new-age stuff. In common with many irrational views it harks back to a sense of something ancient while rejecting anything provably historical. It’s like the miserable concept of Original Sin. There seems to be an obsession with the idea that there were ancient humans, uncorrupted by their capricious intellects, who lived in the ‘right way’. They didn’t eat too much dairy or any wheat. They didn’t sit down too long for their spines or walk around in posture-ruining shoes. They didn’t consume too many sugars or fats for their unblemished guts to digest, or pop painkilling and antibiotic tablets to deal with the short-term symptoms of long-term problems that should be dealt with by wholesale lifestyle change. They didn’t drink or smoke. They were perfect and we should sling out all our stuff and emulate them. Except they had an average life expectancy of about 18 and the planet could only support a few hundred thousand of them. Apart from that, good plan.

The Kraken was somewhat obsessed with posture. As for Lily, she barely gave it a second thought. In her opinion it was better to read books than balance them. That’s what they were designed for, after all. And if you wanted to wear something on your head there was a perfectly good item designed for that too: it was called a hat.

I’m glad I didn’t kiss you.” Something halted in my chest. “Why?” The word was nothing more than a shaky whisper. “Because when I finally take those lips in mine, it will be the furthest thing from pretending. I will not be showing you what it would be like if you were mine. I’ll show you what it is. And I sure as hell won’t be showing how good I could make you feel if you called me yours. You’ll already know that I am.” He paused, and I swore I could see the restraint in his posture. As if he was stopping himself from pouncing and returning us to our former position, right against the hard surface of the wardrobe door. “When I finally kiss you, there won’t be any doubt in your mind that it is real.

Bobbie ignored the macho posturing. Everyone dealt with pre-combat jitters in their own way. Bobbie preferred obsessive list making. But flexing and threats were good too.

Your posture is the key to your personal and professional foundation.

Always walk with style and finesse.

You project a confident image through good body posture.

Kisten's eyes went distant, falling from mine as he gently pulled my arms into a less aggressive posture. "Most people," he said, "are desperate to be needed. And if they don't feel good about themselves or think they're undeserving of love, some will fasten upon the worst possible way to satisfy that need to punish themselves. They're the addicts, the shadows both claimed and unclaimed, passed like the fawning sheep they make themselves into as they search for a glimmer of worth, knowing it's false even as they beg for it. Yes, it is ugly. And yes, we take advantage of those who let us. But which is worse, taking from someone who wants you to, knowing in your soul that you're a monster, or taking from an unwilling person and proving it?

Why?” The word was nothing more than a shaky whisper. “Because when I finally take those lips in mine, it will be the furthest thing from pretending. I will not be showing you what it would be like if you were mine. I’ll show you what it is. And I sure as hell won’t be showing how good I could make you feel if you called me yours. You’ll already know that I am.” He paused, and I swore I could see the restraint in his posture. As if he was stopping himself from pouncing and returning us to our former position, right against the hard surface of the wardrobe door. “When I finally kiss you, there won’t be any doubt in your mind that it is real.

I could have listed maybe fifty possible reactions without coming close to the one I got. Her eyes dulled and her narrow nostrils flared wide and her mouth fell into sickness. She lost her posture and stood in an ugly way.

He looked at me, eyebrows high and the sun glinting on his disguise-black hair. “You do the damnedest things in order to rile yourself up. Most people settle for doing it in an elevator, but not you. No, you have to make sure it’s a vampire you’re playing kissy-face with.” Heat washed through me, pulled by anger and embarrassment. Ivy had said the same thing. “I do not!” “Rache,” he cajoled, sitting up to match my posture. “Look at yourself. You’re an adrenaline junkie. You not only need danger to make good in the bedroom, you need it to get through your normal day.” “Shut up!” I shouted, giving him a backhanded thwack on his shoulder. “I like adventure, that’s all.

Elegance is usually confused with superficiality, fashion, lack of depth. This is a serious mistake: human beings need to have elegance in their actions and in their posture because this word is synonymous with good taste, amiability, equilibrium and harmony.

The worst part was that anxiety didn’t just affect the way you thought, or the way you talked, or the way you were around others it affected the way your heart beat. The way you breathed. What you ate. How you slept. Anxiety felt like a grapnel anchor had been pickaxed into your back, one prong in each lung, one through the heart, one through the spine, the weight curving your posture forward, dragging you down to the murky depths of the sea floor. The good news was that you kind of got used to it after a while. Got used to the gasping, brink-of-heart-attack feeling that followed you everywhere. All you had to do was grab one of the prongs that stuck out from the bottom of your sternum, give it a little shake, and say, “Listen, asshole. We’re not dying. We have shit to do.

I’ve managed to stay in a perpetual state of learning only by maintaining what I think of as a posture of ignorant humility. This humility is as mandatory as arrogance… There is only one way to deal with this humiliation: bow you head, let go of the idea that you know anything, and ask politely of this new machine “How do you wish to be operated?” If you accept your ignorance, once you really admit to yourself that everything you know is now useles, the new machine will be good to you and tell you: here is how to operate me.

For I prophecy that men will learn the use of their knees. For every thing that can be done in that posture (upon the knees) is better so done than otherwise. For I prophecy that they will understand the blessing and virtue of the rain. For rain is exceedingly good for the human body.

We drove a couple of miles to a pasture near his parents’ house and met up with the other early risers. I rode along with one of the older cowboys in the feed truck while the rest of the crew followed the herd on horseback, all the while enjoying the perfect view of Marlboro Man out the passenger-side window. I watched as he darted and weaved in the herd, shifting his body weight and posture to nonverbally communicate to his loyal horse, Blue, how far to move from the left or to the right. I breathed in slowly, feeling a sudden burst of inexplicable pride. There was something about watching my husband--the man I was crazy in love with--riding his horse across the tallgrass prairie. It was more than the physical appeal, more than the sexiness of his chaps-cloaked body in the saddle. It was seeing him do something he loved, something he was so good at doing. I took a hundred photos in my mind. I never wanted to forget it as long as I lived.

Well, there is a piece of famous advice, grand advice even if it is German, to forget what you can't bear. The strong can forget, can shut out history. Very good. Even if it is self-flattery to speak of strength--these aesthetic philosophers, they take a posture, but power sweeps postures away. Still, it's true you can't go on transposing one nightmare into another, Nietzsche was certainly right about that. The tender-minded must harden themselves. Is this world nothing but a barren lump of coke? No, no, but what sometimes seems a system of prevention, a denial of what every human being knows. I love my children, but I am the world to them, and bring them nightmares. I had this child by my enemy. And I love her. The sight of her, the odor of her hair, this minute, makes me tremble with love. Isn't it mysterious how I love the child of my enemy? But a man doesn't need happiness for himself. No, he can put up with any amount of torment--with recollections, with his own familiar evils, despair. And this is the unwritten history of man, his unseen, negative accomplishment, his power to do without gratification for himself provided there is something great, something into which his being, and all beings can go. He does not need meaning as long as such intensity has scope. Because then it is self-evident; it is meaning.

The redirection of orientation and attention can be as simple as asking clients to become aware of a "good" or "safe" feeling in the body instead of focusing on their physical pain or elevated heart rate. Or the therapist can ask clients to experiment with focusing attention away from the traumatic activation in their body and toward thoughts or images related to their positive experiences and competencies, such as success in their job. This shift is often difficult for clients who have habituated to feeling pulled back repetitively into the most negative somatic reminders of their traumatic experiences. However, if the therapist guides them to practice deeply immersing themselves in a positive somatic experience (i.e., noting the changes in posture, breath, and muscular tone that emerge as they remember their competence), clients will gain the ability to reorient toward their competencies. They experience their ability to choose to what they pay attention and discover that it really is possible to resist the somatic claims of the past.

I had at least thought there would be nobility in war. I know it exists. There are so many stories, and some of them have to be true. But I see mostly normal men, trying to do good, beaten down by horror, by their inability to quell their own rages, by their masculine posturing and their so-called hardness, their desire to be tougher, and therefore crueler, than their circumstance. And yet, I have this sense that this place is holier than back home. Gluttonous, fat, oversexed, overconsuming, materialist home, where we’re too lazy to see our own faults. At least here, Rodriguez has the decency to worry about hell. The moon is unspeakably beautiful tonight. Ramadi is not. Strange that people live in such a place. • • •

.. they look like they've escaped from a nursing home. Everywhere I turn I see puffy skin & radiant expressions, crinkles & pearls, broad smiles & high hair... Collectively they all lean forward, like bamboo in the wind. Their postures may be cruelled by age but their excitement is adolescent. Cackling & wheezing with laughter the elderly hordes squeeze into the waiting vans & shuffle about...

The good painter has to paint two principal things, man and the intention of his mind,” he wrote. “The first is easy and the second is difficult, because the latter has to be represented through gestures and movements of the limbs.”44 He expanded on this concept in a long passage in his notes for his planned treatise on painting: “The movement which is depicted must be appropriate to the mental state of the figure. The motions and postures of figures should display the true mental state of the originator of these motions, in such a way they can mean nothing else. Movements should announce the motions of the mind.”45 Leonardo’s dedication to portraying the outward manifestations of inner emotions would end up driving not only his art but some of his anatomical studies. He needed to know which nerves emanated from the brain and which from the spinal cord, which muscles they activated, and which facial movements were connected to others. He would even try, when dissecting the brain, to figure out the precise location where the connections were made between sensory perceptions, emotions, and motions. By the end of his career, his pursuit of how the brain and nerves turned emotions into motions became almost obsessive. It was enough to make the Mona Lisa smile.

Humanistic propaganda screams at us everywhere we go. “You deserve better.” “There’s no one like you.” “Stand up for yourself.” And after a while we start believing the mantra. The most influential culture-shaping document in American history is the Declaration of Independence. And built into the ethos of American society are three inalienable rights: life, liberty, and the pursuit of happiness. I think the wording is ironic: the pursuit of happiness. It’s almost like the architects of modern democracy said, “We guarantee you life, and we promise you liberty. But happiness? Good luck.” America is a social experiment founded on the pursuit of happiness. Hundreds of millions of Americans are chasing down happiness. Money, materialism, sex, romance, religion, family, and fame are all pursuits of the same human craving—joy. But apart from Jesus, we never get there. People spend decades searching high and low for happiness and never land at joy. In an odd twist of fate, America, for all her life and liberty, is one of the most depressed nations in the world. And many of us are mad at God. Somehow we think God owes us. We deserve happiness. We deserve a good, comfortable life, free from pain and suffering. We have rights! Right? The scriptures present a totally different worldview that stands against the humanism of Western Europe. It is written, “By grace you have been saved.”[17] The word grace is (charis) in the Greek, which can be translated as “gift.” All of life is grace. All of life is a gift. Humans have no rights. Everything is a gift. Food, shelter, the clothes on our backs, the oxygen in our lungs—it’s all grace. The entire planet, the sky above us and the ground beneath our feet, is all on loan from the Creator God. We live under his roof, eat his food, and drink his water. We are guests. And we are blessed. A reporter once asked Bob Dylan if he was happy. Dylan’s response was, “These are yuppie words, happiness and unhappiness. It’s not happiness or unhappiness. It’s either blessed or unblessed.”[18] I like that. We are blessed. When you reorient yourself to a biblical worldview, the only posture left to take is gratitude. If all of life is a gift, how could we help but thank God?

Opal stalked over to Hennessy, who held quite still. She knelt beside her, her posture decidedly unlike Hennessy's, since her goat legs bent the opposite direction. She smelled quite wild and animally. She babbled in a language Hennnessy didn't understand. Ronan said, "You could say hello to her." Opal asked Hennessy. "Do you eat meat?" Ronan looked impatient. "Se's not going to eat you. Don't be a coward." "I'm not afraid," Opal said, but in a surly way that meant she had been. Hennessy, who'd also been afraid, snapped her teeth at Opal. Opal leapt back, catching herself on her hands, and then righted herself as Hennessy grinned at her. "It's good." Opal decided inexplicably. With a sly look, she drew in close again and tried to pluck one of Hennessy's tattoos off. She was waiting to get in trouble. "Slap her," Ronan advised. Hennessy didn't, but Opal skittered away as if she felt she might.

The Captain wouldn’t know donkeys from trained baboons. How can a sailor know of good breeding?” She narrowed her eyes and studied them again as if discovering something new this time. “But, then again, their posture is exceptional. They stare at me as if I were beneath them. But they’re filthy and smell like pigs. They need cleaning up, that’s for certain. A hot bath and scrubbed several times. Fresh clothes and clean hair… perhaps they might shape up into something presentable. You there.” She pointed at Rikar. “You look greatly displeased. Where are you from? Tell me your story.” Rikar raised his haughty eyes to the woman. “Who rules this place? We’re no slaves.“ The soldier cuffed Rikar. “Answer the lady!”  “None of that violence is needed. Get out of here, I can handle them. Go on, now.” She shooed the soldier away and turned back to Rikar as if measuring his worth. “A young prince? The lot of you from royalty… I can see it in your eyes. The arrogance and the irritation. No slave would ever dare hold such feelings. What are you doing here in

The dirty little secret about growing up as a boy is if you’re not any good at it, they will torture you daily until you have the good graces to kill yourself. The posturing and the dominance games are almost inescapable. It’s hard to walk from one end of school to the other without getting shoulder-checked in the halls. Locker rooms are a forgotten circle of Hell. God forbid anyone ever catch you sketching flowers in class, or reading a book that’s “for girls.” Maybe for people who really are boys, that stuff works. Maybe it fits for them.

In our new world there are many emergent states and many longer established nations without the natural self-discipline to resist men similar in nature to the Nazi leaders should they emerge and either stride or slip to power. Such men are not always easy to recognize for what they are until it is too late. This certainly was the case with Himmler. Hitler at first appeared an absurd fanatic, Goebbels a posturing mob-orator, Göring a good-natured ass, Himmler a nonentity. Yet none of them proved to be what they had seemed, or they would never have won by their wits alone the supreme power in a great nation.

According to the story, a friend came to visit him one day and found the great man sprawled across his writing desk in a posture of utter despair. “James, what’s wrong?” the friend asked. “Is it the work?” Joyce indicated assent without even raising his head to look at the friend. Of course it was the work; isn’t it always? “How many words did you get today?” the friend pursued. Joyce (still in despair, still sprawled facedown on his desk): “Seven.” “Seven? But James . . . . that’s good, at least for you!” “Yes,” Joyce said, finally looking up. “I suppose it is  . . . . but I don’t know what order they go in!

is well known, the article began, in nature, usually the males with the most prominent secondary sexual characteristics, such as the biggest antlers, deepest voices, broadest chests, and superior knowledge secure the best territories because they have fended off weaker males. The females choose to mate with these imposing alphas and are thereby inseminated with the best DNA around, which is passed on to the female’s offspring—one of the most powerful phenomena in the adaptation and continuance of life. Plus, the females get the best territory for their young. However, some stunted males, not strong, adorned, or smart enough to hold good territories, possess bags of tricks to fool the females. They parade their smaller forms around in pumped-up postures or shout frequently—even if in shrill voices. By relying on pretense and false signals, they manage to grab a copulation here or there. Pint-sized male bullfrogs, the author wrote, hunker down in the grass and hide near an alpha male who is croaking with great gusto to call in mates. When several females are attracted to his strong vocals at the same time, and the alpha is busy copulating with one, the weaker male leaps in and mates one of the others. The imposter males were referred to as “sneaky fuckers.

He knew that the Soviets were not likely to “take this great plunge.” He had not given up hope that in the distant future international controls could be achieved. In the meantime, he had reluctantly decided that the United States had to arm itself. This had led him to conclude—with considerable melancholy—that the principal job of the Atomic Energy Commission would be to “provide atomic weapons and good atomic weapons and many atomic weapons.” Having preached the necessity of international control and openness in 1946, Oppenheimer by 1947 was beginning to accept the idea of a defense posture supported by a multitude of nuclear weapons.

Suddenly Junior Allen swung aboard, leaped, landed lightly. He was immaculate in white sport shirt, white slacks, pale blue yachting cap. I guessed he was nearing forty. I had not been prepared for him to look so powerful and so fit. He was broad, with shoulders so packed and corded with muscle they gave him a slightly simian posture, the impression enhanced by the extra-long weight and heft of brown tattooed arms, and the short legs, slightly bowed. He had a brown, seamed, knotty face, broad, smiling broadly, the smile squinching the small blue eyes. It was a friendly grin. It was a likable grin. It did not change in any way as he looked at me.

I water my plants when the soil looks dry, and I haven’t forgotten my nephew’s birthday once ever. In fact, I started to think about my nephew and all the time he uses that phone, always checking for likes on that Instacart. It’s good to be bored in the car, I always tell him. Spend some time with just yourself and your thoughts and nothing to do. How else will you learn who you are? I’m worried about your posture, dear. I’m concerned that it comes from all the looking down. What with your phone and the Xbox and the taxi TV and that music player you wear on your arm and the headphones that look like donuts on your ears, doesn’t it make life so much smaller? If absolutely everything important is only happening on such a small screen, isn’t that a shame? Especially when the world is so overwhelmingly large and surprising? Are you missing too much? You can’t imagine it now, but you’ll look like me one day, even though you’ll feel just the same as you do now. You’ll catch a glimpse of yourself in the mirror and think how quickly it’s all gone, and I wonder if all the time you used watching those families whose lives are filmed for the television, and making those cartoons of yourselves with panting dog tongues, and chasing after that terrible Pokémon fellow…well, will it feel like time well spent?

And yet, truth be told, we identify. Especially when we’re afraid or feeling threatened, we start to divide the world between “us” and “them,” between those who matter and those who don’t, between those who are competent and those who struggle, between those who are enlightened and those who aren’t, between the good people and the bad people. We are essentially competitive by nature. This explains our posture. This explains why it feels so natural for us to take sides in destructive ways on all sorts of subjects—politics, the use of money, parenting, sexuality, philosophy, theology, and even our favorite (and least favorite) “brands” of Christianity.

One way you can practice excellent posture is to use “power poses.” Raising your hands overhead with clenched fists such as a marathon runner might do after winning a race is a great one to try - spread your feet out to shoulder-length distance apart from one another, lift your chin, put a smile on your face, and raise your hands overhead. Now hold this for two full minutes. According to research, this gives you a measurable testosterone boost while decreasing levels of stress hormones in your blood stream.   Once you’re done holding the pose, you will naturally maintain a more confident attitude and better posture for a good twenty or thirty minutes afterwards.

One article on reproductive strategies was titled "Sneaky Fuckers." Kya laughed. As is well known, the article began, in nature, usually the males with the most prominent secondary sexual characteristics, such as the biggest antlers, deepest voices, broadest chests, and superior knowledge secure the best territories because they have fended off weaker males. The females choose to mate with these imposing alphas and are thereby inseminated with the best DNA around, which is passed on to the female's offspring- one of the most powerful phenomena in the adaptation and continuance of life. Plus, the females get the best territory for their young. However, some stunted males, not strong, adorned, or smart enough to hold good territories, possess bags of tricks to fool the females. They parade their smaller forms around in pumped-up postures or shout frequently- even if in shrill voices. By relying on pretense and false signals, they manage to grab a copulation here or there. Pint-sized male bullfrogs, the author wrote, hunker down in the grass and hide near an alpha male who is croaking with great gusto to call in mates. When several females are attracted to his strong vocals at the same time, and the alpha is busy copulating with one, the weaker male leaps in and mates one of the others. The imposter males were referred to as "sneaky fuckers." Kya remembered, those many years ago, Ma warning her older sisters about young men who overrevved their rusted-out pickups or drove jalopies around with radios blaring. "Unworthy boys make a lot of noise," Ma had said. She read a consolation for females. Nature is audacious enough to ensure that the males who send out dishonest signals or go from one female to the next almost always end up alone. Another article delved into the wild rivalries between sperm. Across most life-forms, males compete to inseminate females. Male lions occasionally fight to the death; rival bull elephants lock tusks and demolish the ground beneath their feet as they tear at each other's flesh. Though very ritualized, the conflicts can still end in mutilations. To avoid such injuries, inseminators of some species compete in less violent, more creative methods. Insects, the most imaginative. The penis of the male damselfly is equipped with a small scoop, which removes sperm ejected by a previous opponent before he supplies his own. Kya dropped the journal on her lap, her mind drifting with the clouds. Some female insects eat their mates, overstressed mammal mothers abandon their young, many males design risky or shifty ways to outsperm their competitors. Nothing seemed too indecorous as long as the tick and the tock of life carried on. She knew this was not a dark side to Nature, just inventive ways to endure against all odds. Surely for humans there was more.

The word for religion that James uses here is threskeia, and like our English word religion, it can be used positively or negatively. Threskeia primarily refers to the external behaviors of a religion, including the ceremonies and rituals. So James is saying that the religious rituals of Christ-followers are no longer things like memorizing religious liturgies, attending religious services, going on religious pilgrimages, celebrating religious holidays, or saying specific prayers at specific times while facing a specific direction in a specific posture. Rather, our rituals are acts of mercy and kindness and compassion, and courage not to take our cues from the world around us. In other words, our religion is love. Jesus

Sunlight penetrated the darkness behind my eyelids.  I no longer sprawled sideways on the bed on top the comforter but underneath it, snugly tucked in.  Clay sat up in the space next to me, pillows stacked behind him as he read a book.  His posture didn’t fool me.  He really sat there to watch over me while I slept.  I knew with an unexplainable certainty that he would never leave me again. “Good morning,” I said, pulling the covers up to my chin.  Thanks to Rachel-the-heat-miser, the room felt cool, but I enjoyed lower rent. Clay closed his book as soon as I woke and turned to examine me. “I want to talk to you but keep falling asleep.  If I do it again, wake me up.”  I smiled at him when he pulled me close to snuggle against him.  It was much warmer that way. “During

Soph?” Valentine’s voice called softly from the corridor. A moment later, a knock sounded on the door, and a moment after that, Val pushed the door open. Slowly—slowly enough she might have hastened to an innocent posture if she’d been, say, kissing the breath out of her guest. “Is the prodigy asleep yet?” “You were a prodigy,” she said, rising from the hearth. “Though now you’re just prodigiously bothersome. Lord Sindal was coming by to collect Kit for a night among you fellows.” “We fellows?” Val’s brows crashed down. “We fellows took turns the livelong freezing day, carrying that malodorous, noisy, drooling little bundle of joy inside our very coats. You should be missing him so badly you can’t let him out of your sight for at least a week of nights.” “Ignore your brother, my lady.” Vim rose off the hearth, and to Sophie’s eyes, looked very tall as he glared at Valentine. “We will be pleased to enjoy My Lord Baby’s company for the night, won’t we, Lord Valentine?” Valentine was not a stupid man, though he could be as pigheaded as any Windham male. Marriage was apparently having a salubrious effect on his manners, though. “If Sophie says I’ll be pleased to spend the night with that dratted baby, then pleased I shall be. Coming, Sindal?” And then, then, Vim kissed her. On the forehead, his eyes open and staring at Valentine the entire lingering moment of the kiss. “Sleep well, Sophie. We’ll take good care of Kit.” He lifted the cradle and departed. Sophie pushed the nappies at Valentine, ignored her brother’s puzzled, concerned, and curious looks, and pointed at the door without saying one more word. ***

A man who is awake in the open field at night or who wanders over silent paths experiences the world differently than by day. Nighness vanishes, and with it distance; everything is equally far and near, close by us and yet mysteriously remote. Space loses its measures. There are whispers and sounds, and we do not know where or what they are. Our feelings too are peculiarly ambiguous. There is a strangeness about what is intimate and dear, and a seductive charm about the frightening. There is no longer a distinction between the lifeless and the living, everything is animate and soulless, vigilant and asleep at once. What the day brings on and makes recognizable gradually, emerges out of the dark with no intermediary stages. The encounter suddenly confronts us, as if by a miracle: What is the thing we suddenly see - an enchanted bride, a monster, or merely a log? Everything teases the traveller, puts on a familiar face and the next moment is utterly strange, suddenly terrifies with awful gestures and immediately resumes a familiar and harmless posture. Danger lurks everywhere. Out of the dark jaws of the night which gape beside the traveller, any moment a robber may emerge without warning, or some eerie terror, or the uneasy ghost of a dead man - who knows what may once have happened at that very spot? Perhaps mischievous apparitions of the fog seek to entice him from the right path into the desert where horror dwells, where wanton witches dance their rounds which no man ever leaves alive. Who can protect him, guide him aright, give him good counsel? The spirit of Night itself, the genius of its kindliness, its enchantment, its resourcefulness, and its profound wisdom. She is indeed the mother of all mystery. The weary she wraps in slumber, delivers from care, and she causes dreams to play about their souls. Her protection is enjoyed by the un-happy and persecuted as well as by the cunning, whom her ambivalent shadows offer a thousand devices and contrivances. With her veil she also shields lovers, and her darkness keeps ward over all caresses, all charms hidden and revealed. Music is the true language of her mystery - the enchanting voice which sounds for eyes that are closed and in which heaven and earth, the near and the far, man and nature, present and past, appear to make themselves understood. But the darkness of night which so sweetly invites to slumber also bestows new vigilance and illumination upon the spirit. It makes it more perceptive, more acute, more enterprising. Knowledge flares up, or descends like a shooting star - rare, precious, even magical knowledge. And so night, which can terrify the solitary man and lead him astray, can also be his friend, his helper, his counsellor.

I know you’re in there, Mercedes,” Faye says. “I can see your dirty Converse shoes. You really should get a new pair.” “Did you see it?” I croak. “If you saw it, you probably saw a lot more of me. You probably shouldn’t be seen talking to me. And I should probably switch schools.” “That’s the thing,” Faye says, stopping right outside the stall door and rapping on the metal with her fist. “What’s the thing?” I say, pushing my shoe against the toilet paper dispenser, making no move to let her in. “I never was any good at doing what people tell me.” And like that, her head appears under the stall door, followed by her body. She pulls herself in and wipes her hands on her jeans. I raise my eyebrows. “You know how disgusting that floor is?” I say. “Janitorial service at this school leaves a lot to be desired.” She cocks her head and puts her hands on her hips. She looks like what I imagine a stern parent would look like, not that I know from experience. I wonder if she got that posture from Lydia. “First of all, you didn’t let me in, so I had no choice.

No matter how remarkable his behavior was, you always felt that he was detached from it. More than anything else, it was this quality that sometimes scared me away from him. I would get so close to Fanshawe, would admire him so intensely, would want so desperately to measure up to him—and then, suddenly, a moment would come when I realized that he was alien to me, that the way he lived inside himself could never correspond to the way I needed to live. I wanted too much of things, I had too many desires, I lived too fully in the grip of the immediate ever to attain such indifference. It mattered to me that I do well, that I impress people with the empty signs of my ambition: good grades, varsity letters, awards for whatever it was they were judging us on that week. Fanshawe remained aloof from all that, quietly standing in his corner, paying no attention. If he did well, it was always in spite of himself, with no struggle, no effort, no stake in the thing he had done. This posture could be unnerving, and it took me a long time to learn that what was good for Fanshawe was not necessarily good for me.

PHYSIOLOGY 1. Sex 2. Age 3. Height and weight 4. Color of hair, eyes, skin 5. Posture 6. Appearance: good-looking, over- or underweight, clean, neat, pleasant, untidy. Shape of head, face, limbs. 7. Defects: deformities, abnormalities, birthmarks. Diseases. 8. Heredity SOCIOLOGY 1. Class: lower, middle, upper. 2. Occupation: type of work, hours of work, income, condition of work, union or nonunion, attitude toward organization, suitability for work. 3. Education: amount, kind of schools, marks, favorite subjects, poorest subjects, aptitudes. 4. Home life: parents living, earning power, orphan, parents separated or divorced, parents’ habits, parents’ mental development, parents’ vices, neglect. Character’s marital status. 5. Religion 6. Race, nationality 7. Place in community: leader among friends, clubs, sports. 8. Political affiliations 9. Amusements, hobbies: books, newspapers, magazines he reads. PSYCHOLOGY 1. Sex life, moral standards 2. Personal premise, ambition 3. Frustrations, chief disappointments 4. Temperament: choleric, easygoing, pessimistic, optimistic. 5. Attitude toward life: resigned, militant, defeatist. 6. Complexes: obsessions, inhibitions, superstitions, phobias. 7. Extrovert, introvert, ambivert 8. Abilities: languages, talents. 9. Qualities: imagination, judgment, taste, poise. 10. I.Q.

Similarly, when the dreadful depths of sickness and death open up inside us and we have nothing left to defy the havoc into which the world and our own bodies hurl us, then to sustain even the weight of our muscles, even the shudder that strikes us to the very marrow, and even to keep still, in what we would normally regard as no more than a strained posture, all this demands, if we want our head to remain erect and our expression to keep its composure, a good deal of vital energy, and so turns into an exhausting struggle. And if Legrandin had looked at us with astonishment on his face, it was because to him, as to others who passed us at the time, in the cab in which my grandmother was apparently sitting back, she had seemed to be sinking down, slithering into the abyss, desperately clinging to the cushions which could scarcely hold back the impetus of her falling body, her hair dishevelled, a distraught look in her eyes, which were no longer capable of focusing on the onrush of images their pupils could bear no more. She had seemed, even with me sitting beside her, to be plunged into that unknown world in which she had already received the blows whose marks I had noticed earlier in the Champs-Élysées when I saw her hat, her face, her coat thrown into disarray by the hand of the invisible angel with whom she had wrestled.

I’m sure I’ve never heard of this one. You?” Eve shook her head. “I’m not much of a follower of the bard.” Shrugging, Rose settled back in her seat and waited. This was either going to be very good or very bad. It ended up being the latter. The play seemed disjointed, although the blame for that couldn’t be put totally on Lord Battenfield. His acting abilities were next to nonexistent, but he made up for it in sheer drama. Rose recognized some of his lordships “company” as various children of titled families. They seemed to be having a good time. But the play! In this case the play was not the thing. Neither it nor the people acting it out could seem to decide if it was a tragedy or a comedy and so the audience never knew whether or not they should laugh. Rose was amongst them. Timon began the play as a posturing, wealthy character like many modern aristos, caring about nothing but money. Lord Battenfield played this with a naïve bravado that made it highly amusing. But then Timon lost his fortune and none of his former friends would help him. This should have been a serious moment in the production, but it wasn’t. Finally, when Timon realizes the servant Flavius is his only friend and then seems to commit suicide in the wilderness, what could have been a poignant commentary on society became a joke when Lord Battenfield’s death scene revealed that he was completely naked beneath the toga. It was just a glimpse, but Rose was certain she would be scarred for life. She and Eve were trying to control their giggles when the curtains fell.

Question: What is it, to walk with God? Answer: Walking with God imports five things: 1. Walking as under God's eye. Noah reverenced God. A godly man sets himself as in God's presence, knowing that his judge is looking on: "I have set the Lord always before me" (Psalm 16:8). David's eyes were here. 2. The familiarity and intimacy which the soul has with God. Friends walk together and console themselves with one another. The godly make known their requests to God and he makes known his love to them. There is a sweet fellowship between God and his people: "Our fellowship (koinonia) is with the Father, and with his Son Jesus Christ" (1 John 1:3). 3. Walking above the earth. A godly man is elevated above all sublunary objects. The person who walks with God must ascend very high. A dwarf cannot walk among the stars, nor can a dwarfish, earthly soul walk with God. 4. Visible piety. Walking is a visible posture. Grace must be conspicuous to the onlookers. He who reveals something of God in his behavior, walks with God. He shines forth in biblical conduct. 5. Continued progress in grace. It is not only a step but a walk. There is a going on towards maturity. A godly man does not sit down in the middle of the way but goes on until he comes to the "end of his faith" (1 Pet. 1:9). Though a good man may be out of the path, he is not out of the way. He may through infirmity step aside (as Peter did)—but he recovers by repentance and goes on in progressive holiness: "The righteous will hold to their ways, and those with clean hands will grow stronger" (Job 17:9).

By habitus, I mean dispositions that inhere and mold the deepest, subtlest, intricate structures of personhood, are constituted and emergent in the most elusive folds and lineaments of consciousness, and are articulated in lastingly resilient, enduring textual tapestries of experience, orientations, desires. The range of habitus is deep and broad: habitus forms the long arc of evolutionary developments and arrangements of the body in action and at rest, posture, gait, stance, and gesture; it is the silent teacher of the phonemic alphabet, determining subtle distinctions of timbre and tone, accents and intonations in voice articulations; it is the subcutaneous, ingrained dynamic inhering in daily competencies, executed flawlessly and yet seemingly unconsciously, such as balancing huge loads the size of a person’s body weight on the head as Kikuyu women often do, or walking fearlessly on narrow glacial paths through plunging cliffs as the Sherpas do, or weaving in and out of traffic while engaged in deep conversations on a cell phone as Californians do. Habitus describes the imbrication of structure and culture in desire. It is what defines subtle distinctions of taste, those almost ineffable differences of sweetness, succulence, spiciness, and bitterness in food and drink; the raging fetishes and unbidden cravings that shadow sexuality; the fickle difference between scents that intoxicate or trigger upheavals of wretching. Habitus, then, is “human nature” understood as the deep penetration of sociality with biology in such a manner that it is the motor of self, of choice, of vocation.

As they walked toward the dance floor, Pamela barely felt the bruises on her feet from Henry. The thrill of waltzing with Mr. Carter practically banished the ache. On the floor, he took her into his arms. She liked the feel of his hand on her waist, the press of their gloved palms together. For the first time, the intimate posture, which had always made her feel uncomfortable and stiff, seemed right, and she wished he would pull her closer. Throughout the beginning of the waltz, they remained silent. She had the sense that Mr. Carter was concentrating on his steps, and she didn't want to distract him. He frowned. "I'm sorry I'm not a very good dancer." "Not at all." Pamela thought of Henry and had to restrain a laugh. She didn't want Mr. Carter to think she was making fun of him. "You couldn't possibly be worse than my previous partner, who led me in the wrong direction and trod on my toes!" His troubled expression cleared. "Well, then, I'm grateful you decided to risk your toes again with me. I promise, I'll try to keep my boots on the floor where they belong." He wiggled his eyebrows. Pamela laughed at his playful act. "I watched you with Elizabeth, and you were fine. So accepting your invitation to dance was not such a risk as you're making it out to be." As they bantered, Pamela found herself relaxing. Conversing with this stranger she'd only met twenty minutes ago was far easier than talking with some men she'd known all her life. Mr. Carter also seemed to become comfortable. His lead became more expert, and he picked up their speed. As they became in tune with each other, they flowed in perfect step to the music. Exhilaration welled up in Pamela. She'd never known dancing could feel like this. She glanced up at him, feeling a smile as wide as the moon stretch across her face. "We're flying!

And whatever you do, do not break the mirror.” Without looking away from Mari, Bowe asked, “Why no’?” This seemed an ideal solution to him. Jillian murmured, “The shock could . . . it could kill her.” No’ ideal. “I want to be alone with her,” Bowe said. She nodded. “We’re going to the binding ceremony. Good luck, Bowen.” After they closed the door, Bowe could still hear Mari’s father say, “Jill, why are you so confident in MacRieve?” “Because he won’t ever rest until he has her back with him,” she replied before they descended the stairs. Alone with Mari, Bowe said, “Lass, we’re about to take a break from the mirror for a bit. How am I to marry you in front of all those witches in an eerie, embarrassing ceremony if you will no’ look away?” No reaction. He put his arms around her waist and leaned down to kiss her neck, closing his eyes with pleasure just to be close to her once more. “Doona wish to turn from your glass? Verra well. Then ask it some questions while you’re here. Ask it how much your Lykae’s missed you.” Had she blinked? At her other ear, he murmured, “Ask it who Bowe loves.” Her lips parted. Her body seemed to begin thrumming, as if she was struggling with everything she had in her to be free. “Aye, that’s right. Ask it who’s the only one Bowe’s ever been in love with.” He brushed the back of his fingers down her cheek, willing her to meet his gaze in the mirror. “And the last question we’re goin’ tae have before you come away with me . . . ask it how damned good our lives are goin’ tae be together, just as soon as you turn tae kiss me.” Her brows drew together, and her stiff posture tightened, then relaxed. Her eyelids slid closed. “There now, that’s it, beautiful girl,” he asked, easing her face toward him. Behind her, he pressed the mirror until it flipped over, revealing the back of the frame. “Now, kiss me, witch.

Good-bye," he muttered harshly. "Good-bye! Good-bye, mamma!" A wild, strange cry, like that of a beast in pain, was torn from his throat. His eyes were blind with tears; he tried to speak, to get into a word, a phrase, all the pain, the beauty, and the wonder of their lives—every step of that terrible voyage which his incredible memory and intuition took back to the dwelling of her womb. But no word came, no word could come; he kept crying hoarsely again and again, "Good-bye, good-bye." She understood, she knew all he felt and wanted to say, her small weak eyes were wet as his with tears, her face was twisted in the painful grimace of sorrow, and she kept saying: "Poor child! Poor child! Poor child!" Then she whispered huskily, faintly: "We must try to love one another." The terrible and beautiful sentence, the last, the final wisdom that the earth can give, is remembered at the end, is spoken too late, wearily. It stands there, awful and untraduced, above the dusty racket of our lives. No forgetting, no forgiving, no denying, no explaining, no hating. O mortal and perishing love, born with this flesh and dying with this brain, your memory will haunt the earth forever. And now the voyage out. Where? XL The Square lay under blazing moonlight. The fountain pulsed with a steady breezeless jet: the water fell upon the pool with a punctual slap. No one came into the Square. The chimes of the bank's clock struck the quarter after three as Eugene entered from the northern edge, by Academy Street. He came slowly over past the fire department and the City Hall. On Gant's corner, the Square dipped sharply down toward Niggertown, as if it had been bent at the edge. Eugene saw his father's name, faded, on the old brick in moonlight. On the stone porch of the shop, the angels held their marble posture. They seemed to have frozen, in the moonlight.

I'll bet My. Pinter knows his way around a rifle. She scowled. He probably thought he was a grand shot, anyway. For a man whose lineage was reputedly unsavory, Mr. Pinter was so high in the instep that she privately called him Proud Pinter or Proper Pinter. He'd told Gabe last week that most lords were good for only two things-redistributing funds from their estates into the gaming hells and brothels in London, and ignoring their duty to God and country. She knew he was working for Oliver only because he wanted the money and prestige. Secretly, he held them all in contempt. Which was probably why he was being so snide about her marrying. "Be that as it may," she said, "I'm interested in marriage now." She strode over to the fireplace to warm her hands. "That's why I want you to investigate my potential suitors." "Why me?" She shot him a sideways glance. "Have you forgotten that Oliver hired you initially for that very purpose?" His stiffening posture told her that he had. With a frown, he drew out the notebook and pencil he always seemed to keep in his pocket. "Very well. Exactly what do you want me to find out?" Breathing easier, she left the fire. "The same thing you found out for my siblings-the truth about my potential suitors' finances, their eligibility for marriage, and...well..." He paused in scratching his notes to arch an eyebrow at her. "Yes?" She fiddled nervously with the gold bracelet she wore. This part, he might balk at. "And their secrets. Things I can use in my...er...campaign. Their likes, their weaknesses, whatever isn't obvious to the world." His expression chilled her even with the fire at her back. "I'm not sure I understand." "Suppose you learn that one of them prefers women in red. That could be useful to me. I would wear red as much as possible." Amusement flashed in his eyes. "And what will you do if they all prefer different colors?" "It's just an example," she said irritably.

I’ve only an hour,” Colin said as he attached the safety tip to his foil. “I have an appointment this afternoon.” “No matter,” Benedict replied, lunging forward a few times to loosen up the muscles in his leg. He hadn’t fenced in some time; the sword felt good in his hand. He drew back and touched the tip to the floor, letting the blade bend slightly. “It won’t take more than an hour to best you.” Colin rolled his eyes before he drew down his mask. Benedict walked to the center of the room. “Are you ready?” “Not quite,” Colin replied, following him. Benedict lunged again. “I said I wasn’t ready!” Colin hollered as he jumped out of the way. “You’re too slow,” Benedict snapped. Colin cursed under his breath, then added a louder, “Bloody hell,” for good measure. “What’s gotten into you?” “Nothing,” Benedict nearly snarled. “Why would you say so?” Colin took a step backward until they were a suitable distance apart to start the match. “Oh, I don’t know,” he intoned, sarcasm evident. “I suppose it could be because you nearly took my head off.” “I’ve a tip on my blade.” “And you were slashing like you were using a sabre,” Colin shot back. Benedict gave a hard smile. “It’s more fun that way.” “Not for my neck.” Colin passed his sword from hand to hand as he flexed and stretched his fingers. He paused and frowned. “You sure you have a foil there?” Benedict scowled. “For the love of God, Colin, I would never use a real weapon.” “Just making sure,” Colin muttered, touching his neck lightly. “Are you ready?” Benedict nodded and bent his knees. “Regular rules,” Colin said, assuming a fencer’s crouch. “No slashing.” Benedict gave him a curt nod. “En garde!” Both men raised their right arms, twisting their wrists until their palms were up, foils gripped in their fingers. “Is that new?” Colin suddenly asked, eyeing the handle of Benedict’s foil with interest. Benedict cursed at the loss of his concentration. “Yes, it’s new,” he bit off. “I prefer an Italian grip.” Colin stepped back, completely losing his fencing posture as he looked at his own foil, with a less elaborate French grip. “Might I borrow it some time? I wouldn’t mind seeing if—” “Yes!” Benedict snapped, barely resisting the urge to advance and lunge that very second. “Will you get back en garde?” Colin gave him a lopsided smile, and Benedict just knew that he had asked about his grip simply to annoy him. “As you wish,” Colin murmured, assuming position again.