Good Night Folks Quotes

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Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
Toni Morrison (Love)
don't start talkin about books or quotin poems at them. these is good folks but they ain't real crazy about readin books. just do what i do and you'll be all right.
William Gay (Provinces of Night)
Stories come in all different kinds." Hester scooted closer, clearly enjoying the subject at hand. "There's tales, which are light and fluffy. Good for a smile on a sad day. Then you got yarns, which are showy-yarns reveal more about the teller than the story. After that there's myths, which are stories made up by whole groups of people. And last of all, there's legends." She raised a mysterious eyebrow. "Legends are different from the rest on account no one knows where they start. Folks don't tell legends; they repeat them. Over and over again through history.
Jonathan Auxier (The Night Gardener)
is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
George R.R. Martin
Aw, my girl misses her family. “Now that we’re dating, come with me to dinner at my folks’ house on the weekend.” She laughs. “Blake, seriously? You’re heading out on a week-long road trip, where I’ll bet you’d rather be single.” “Nope. I’m going to text you every night. You’ll see.” “We’re not dating,” she says. Except she’s cuddling me with her entire naked body and stroking my chest lovingly with one hand. “Want to eat ice cream in bed?” I ask. “Yeah,” she sighs, the arch of her foot stroking mine. Silly Jessie. We are dating. She just doesn’t know it yet.
Sarina Bowen (Good Boy (WAGs, #1))
We need allies who are going to help us achieve a victory, not allies who are going to tell us to be nonviolent. If a white man wants to be your ally, what does he think of John Brown? You know what John Brown did? He went to war. He was a white man who went to war against white people to help free slaves. He wasn’t nonviolent. White people call John Brown a nut. Go read the history, go read what all of them say about John Brown. They’re trying to make it look like he was a nut, a fanatic. They made a movie on it, I saw a movie on the screen one night. Why, I would be afraid to get near John Brown if I go by what other white folks say about him. But they depict him in this image because he was willing to shed blood to free the slaves. And any white man who is ready and willing to shed blood for your freedom—in the sight of other whites, he’s nuts. As long as he wants to come up with some nonviolent action, they go for that, if he’s liberal, a nonviolent liberal, a love-everybody liberal. But when it comes time for making the same kind of contribution for your and my freedom that was necessary for them to make for their own freedom, they back out of the situation. So, when you want to know good white folks in history where black people are concerned, go read the history of John Brown. That was what I call a white liberal. But those other kind, they are questionable. So if we need white allies in this country, we don’t need those kind who compromise. We don’t need those kind who encourage us to be polite, responsible, you know. We don’t need those kind who give us that kind of advice. We don’t need those kind who tell us how to be patient. No, if we want some white allies, we need the kind that John Brown was, or we don’t need you. And the only way to get those kind is to turn in a new direction.
Malcolm X
IT HAS TO DO WITH ALL OF US,” said Owen Meany, when I called him that night. “SHE WAS JUST LIKE OUR WHOLE COUNTRY—NOT QUITE YOUNG ANYMORE, NOT BUT OLD EITHER; A LITTLE BREATHLESS, VERY BEAUTIFUL, MAYBE A LITTLE STUPID, MAYBE A LOT SMARTER THAN SHE SEEMED. AND SHE WAS LOOKING FOR SOMETHING—I THINK SHE WANTED TO BE GOOD. LOOK AT THE MEN IN HER LIFE—JOE DIMAGGIO, ARTHUR MILLER, MAYBE THE KENNEDYS. LOOK AT HOW GOOD THEY SEEM! LOOK AT HOW DESIRABLE SHE WAS! THAT’S WHAT SHE WAS: SHE WAS DESIRABLE. SHE WAS FUNNY AND SEXY—AND SHE WAS VULNERABLE, TOO. SHE WAS NEVER QUITE HAPPY, SHE WAS ALWAYS A LITTLE OVERWEIGHT. SHE WAS JUST LIKE OUR WHOLE COUNTRY,” he repeated; he was on a roll. I could hear Hester playing her guitar in the background, as if she were trying to improvise a folk song from everything she said. “AND THOSE MEN,” he said. “THOSE FAMOUS, POWERFUL MEN—DID THEY REALLY LOVE HER? AND DID THEY TAKE CARE OF HER? IF SHE WAS EVER WITH THE KENNEDYS, THEY COULDN’T HAVE LOVED HER—THEY WERE JUST USING HER, THEY WERE JUST BEING CARELESS AND TREATING THEMSELVES TO A THRILL. THAT’S WHAT POWERFUL MEN DO TO THIS COUNTRY—IT’S A BEAUITFUL, SEXY, BREATHLESS COUNTRY, AND POWERFUL MEN USE IT TO TREAT THEMSELVES TO A THRILL! THEY SAY THEY LOVE IT BUT THEY DON’T MEAN IT. THEY SAY THINGS TO MAKE THEMSELVES APPEAR GOOD—THEY MAKE THEMSELVES APPEAR MORAL. THAT”S WHAT I THOUGHT KENNEDY WAS: A MORALIST. BUT HE WAS JUST GIVING US A SNOW JOB, HE WAS JUST BEING A GOOD SEDUCER. I THOUGHT HE WAS A SAVIOR. I THOUGHT HE WANTED TO USE HIS POWER TO DO GOOD. BUT PEOPLE WILL SAY AND DO ANYTHING JUST TO GET THE POWER; THEN THEY’LL USE THE POWER JUST TO GET A THRILL. MARILYN MONROE WAS ALWAYS LOOKING FOR THE BEST MAN—MAYBE SHE WANTED THE MAN WITH THE MOST INTEGRITY, MAYBE SHE WANTED THE MAN WITH THE MOST ABILITY TO DO GOOD. AND SHE WAS SEDUCED, OVER AND OVER AGAIN—SHE GOT FOOLED, SHE WAS TRICKED, SHE GOT USED, SHE WAS USED UP. JUST LIKE THE COUNTRY. THE COUNTRY WANTS A SAVIOR. THE COUNTRY IS A SUCKER FOR POWERFUL MEN WHO LOOK GOOD. WE THINK THEY’RE MORALISTS AND THEN THEY JUST USE US. THAT'S WHAT’S GOING TO HAPPEN TO YOU AND ME,” said Owen Meany. “WE’RE GOING TO BE USED.
John Irving (A Prayer for Owen Meany)
I'm gonna try to learn. Gonna learn why folks walk in the grass, gonna hear 'em talk, gonna hear 'em sing. Gonna listen to kids eatin' mush. Gonna hear husban' an' wife a-poundin' the mattress in the night. Gonna eat with 'em an' learn. Gonna lay in the grass, open an' honest with anybody that'll have me. Gonna cuss an' swear an' hear the poetry of folks talkin'. All that's holy, all that's what I didn't understan'. All them things is good things.
John Steinbeck (The Grapes of Wrath)
She worked like a dog to support us, doing whatever she had to do, but each night, at bedtime, she kissed me good night and told me I could be anything in America. It was the dream that had brought her here and she passed it on to me. But, it was a lie. For people like us, anyway. Folks who are from the wrong place, or have the wrong color skin, or speak the wrong language, or pray to the wrong God.
Kristin Hannah (The Four Winds)
Boy everyone in this country is running around yammering about their fucking rights. "I have a right, you have no right, we have a right." Folks I hate to spoil your fun, but... there's no such thing as rights. They're imaginary. We made 'em up. Like the boogie man. Like Three Little Pigs, Pinocio, Mother Goose, shit like that. Rights are an idea. They're just imaginary. They're a cute idea. Cute. But that's all. Cute...and fictional. But if you think you do have rights, let me ask you this, "where do they come from?" People say, "They come from God. They're God given rights." Awww fuck, here we go again...here we go again. The God excuse, the last refuge of a man with no answers and no argument, "It came from God." Anything we can't describe must have come from God. Personally folks, I believe that if your rights came from God, he would've given you the right for some food every day, and he would've given you the right to a roof over your head. GOD would've been looking out for ya. You know that. He wouldn't have been worried making sure you have a gun so you can get drunk on Sunday night and kill your girlfriend's parents. But let's say it's true. Let's say that God gave us these rights. Why would he give us a certain number of rights? The Bill of Rights of this country has 10 stipulations. OK...10 rights. And apparently God was doing sloppy work that week, because we've had to ammend the bill of rights an additional 17 times. So God forgot a couple of things, like...SLAVERY. Just fuckin' slipped his mind. But let's say...let's say God gave us the original 10. He gave the british 13. The british Bill of Rights has 13 stipulations. The Germans have 29, the Belgians have 25, the Sweedish have only 6, and some people in the world have no rights at all. What kind of a fuckin' god damn god given deal is that!?...NO RIGHTS AT ALL!? Why would God give different people in different countries a different numbers of different rights? Boredom? Amusement? Bad arithmetic? Do we find out at long last after all this time that God is weak in math skills? Doesn't sound like divine planning to me. Sounds more like human planning . Sounds more like one group trying to control another group. In other words...business as usual in America. Now, if you think you do have rights, I have one last assignment for ya. Next time you're at the computer get on the Internet, go to Wikipedia. When you get to Wikipedia, in the search field for Wikipedia, i want to type in, "Japanese-Americans 1942" and you'll find out all about your precious fucking rights. Alright. You know about it. In 1942 there were 110,000 Japanese-American citizens, in good standing, law abiding people, who were thrown into internment camps simply because their parents were born in the wrong country. That's all they did wrong. They had no right to a lawyer, no right to a fair trial, no right to a jury of their peers, no right to due process of any kind. The only right they had was...right this way! Into the internment camps. Just when these American citizens needed their rights the most...their government took them away. and rights aren't rights if someone can take em away. They're priveledges. That's all we've ever had in this country is a bill of TEMPORARY priviledges; and if you read the news, even badly, you know the list get's shorter, and shorter, and shorter. Yeup, sooner or later the people in this country are going to realize the government doesn't give a fuck about them. the government doesn't care about you, or your children, or your rights, or your welfare or your safety. it simply doesn't give a fuck about you. It's interested in it's own power. That's the only thing...keeping it, and expanding wherever possible. Personally when it comes to rights, I think one of two things is true: either we have unlimited rights, or we have no rights at all.
George Carlin (It's Bad for Ya)
I have NO LOVE for those who consider themselves “good people” but stand idly by as the world crumbles around them. It’s not enough to personally not do damage. If you’re present as someone else destroys what’s around you and you do nothing, you helped them. And there’s a bunch of do-nothing-ass white folks sitting around today stunned. Everyone lets themselves off the hook by saying “Well, it wasn’t me who did it.” BUT YOU WERE THERE. What did you do to stop it?!? You sleep better at night knowing it wasn’t you who made those racist/homophobic/Islamophobic jokes. But you were there when they happened.
Luvvie Ajayi Jones (I'm Judging You: The Do-Better Manual)
He might have hurt me a little,' Atticus conceded, 'but sn, you'll understand folks a little better when you're older. A mob's always made up of people, no matter what. Mr Cunnignham was part of a mob last night, but he ws still a man.Every mob in every little Souhern town is always made up of people you know - doesn't say much for them, does it?' 'I'll say ot, ' said Jem. 'So it took an eight-year-old child to bring 'em to their senses, didn't it?' said Atticus. 'That proves something - that a gang of wild animals can be stopped, simply because they're still human. Hmp, maybe we need a police force of children.
Harper Lee (To Kill a Mockingbird)
We don’t have a lot of folks from those religions in this part of the state. You know, the God-doesn’t-like-birthdays kind. We’re really more of the God-loves-a-good-party-and-a-good-beer kind of people.
A.J. Scudiere (Under Dark Skies (The NightShade Forensic Files #1))
I ain't gonna baptize. I'm gonna work in the fiel's, in the green fiel's, an' I'm gonna be near to folks. I ain't gonna try to teach 'em nothin'. I'm gonna try to learn. Gonna learn why the folks walks in the grass, gonna hear 'em talk, gonna hear 'em sing. Gonna listen to kids eatin' mush. Gonna hear husban' an' wife a-poundin' the mattress in the night. Gonna eat with 'em and learn," His eyes were wet and shining. "Gonna lay in the grass, open an' honest with anybody that'll have me. Gonna cuss an' swear an' hear the poetry of folks talkin'. All that's holy, all that's what I didn't understan'. All them things is the good things.
John Steinbeck
Some times I live in the country Some times I live in town Some times I take a great notion To jump in the river and drown Irene good night Irene good night Good night Irene Good night Irene I'll see you in my dreams
American Traditional Folk Song
Come on in, I’ve got a sale on scratch and dent dreams, whole cases of imperfect ambitions stuff the idealists couldn't sell. Yeah, I know none of its got price tags, you decide how much its worth. And none of its got glossy colored packaging but it all works just fine. I’ve got rainy day swing sets good night kisses and stationary stars still flying at the speed of light. And over there out back if you dig down through those alabaster stoplights and those old 45’s you’ll find a whole crate of second hand hope. Yeah right there, that’s no chrome, you just gotta work, polish it up a little bit. Most folks give up too easy, trade it in for some injection mold and here and now.
Eric Darby (The Secret Dream-lives of Engineers (Book and CD))
In winter's tedious nights sit by the fire with good old folks, and let them tell thee tales of woeful ages long ago betid. And ere thou bid good night, to quite their griefs, tell thou the lamentable tale of me and send the hearers weeping to their beds.
William Shakespeare (Richard II)
The respectable folks-- Where dwell they? They whisper in the oaks, And they sigh in the hay; Summer and winter, night and day, Out on the meadow, there dwell they. They never die, Nor snivel nor cry, Nor ask our pity With a wet eye. A sound estate they ever mend, To every asker readily lend To the ocean wealth, To the meadow health, To Time his length, To the rocks strength, To the stars light, To the weary night, To the busy day, To the idle play; And so their good cheer never ends, For all are their debtors, and all their friends.
Henry David Thoreau (A Week on the Concord and Merrimack Rivers / Walden / The Maine Woods / Cape Cod)
Is your cheese this good? This wasn’t plain old housing projects “cheese food”; nor was it some smelly, curdled, reluctant Swiss cheese material snatched from a godforsaken bodega someplace, gathering mold in some dirty display case while mice gnawed at it nightly, to be sold, to some sucker fresh from Santo Domingo. This was fresh, rich, heavenly, succulent, soft, creamy, kiss-my-ass, cows-gotta-die-for-this, delightfully salty, moo-ass, good old white folks cheese, cheese to die for, cheese to make you happy, cheese to bet the cheese boss, cheese for the big cheese, cheese to end the world ...
James McBride (Deacon King Kong)
The two of you well fed, tanned, pretty, Beg pardon folks, just passing through, through the cesspool your bad intentions and good intentions created, the sewage in which human beings must make lives for themselves swimming in centuries of your filth. What did you imagine yourselves doing. What do you imagine you're doing with me. What gives you the right to rub the privilege of your whiteness, your immunity, in dying people's faces. Slinking through a place so down and out even niggers with nothing to lose avoid it if they can. Dog-eat-dog back-of-the-wall and at night too. Who the fuck did you think you were. What kind of daydream were you strolling around in.
John Edgar Wideman (God's Gym: Stories)
I went to sleep, and Jim didn’t call me when it was my turn. He often done that. When I waked up just at daybreak he was sitting there with his head down betwixt his knees, moaning and mourning to himself. I didn’t take notice nor let on. I knowed what it was about. He was thinking about his wife and his children, away up yonder, and he was low and homesick; because he hadn’t ever been away from home before in his life; and I do believe he cared just as much for his people as white folks does for their’n. It don’t seem natural, but I reckon it’s so. He was often moaning and mourning that way nights, when he judged I was asleep, and saying, “Po’ little ’Lizabeth! po’ little Johnny! it’s mighty hard; I spec’ I ain’t ever gwyne to see you no mo’, no mo’!” He was a mighty good nigger, Jim was.
Mark Twain (The Adventures of Huckleberry Finn)
The sun had set, and it was twilight, the sky was growing dark, bringing to view the twinkling stars; there was no breeze, but it was pleasantly and restfully cool. The good folk still sat at their doorsteps, talking as before on the same inexhaustible subjects, but a little subdued with the approach of night. The boys were still playing cricket, but they were mostly at the other end of the street, and their shouts were muffled before they reached Liza’s ears.
W. Somerset Maugham (Collected Works of W. Somerset Maugham)
Jamie and I arrived in California two days ago, but since I had a game the first night, Jamie went to his folks’ place while I stayed at the hotel with my teammates. After the team crushed San Jose, I did the usual post-game press, and then yesterday morning I drove up to San Rafael to join Jamie and his family. The big holiday meal today will be the real test of their acceptance. I’ve already met Jamie’s mom and dad and one brother. So far, so good. “These need to be chopped into smaller pieces,” Cindy tells me. She smacks my butt to move me aside, then takes my place. “Have a seat at the counter. You can watch while I chop. Take notes if you need to.” I grin at her. “So I guess Jamie didn’t tell you how much I suck at cooking, huh?” “He most certainly did not.” She fixes me with a stern look. “But you’ll have to learn, because I can’t spend all my time worrying that my baby boy isn’t being fed over there in Siberia.” “Toronto,” I correct with a snort. “And I’m sure you can guess he’s the one who’s been feeding me.
Sarina Bowen (Him (Him, #1))
THE GHOST OF THE AUTHOR'S MOTHER HAS A CONVERSATION WITH HIS FIANCÉE ABOUT HIGHWAYS ...and down south, honey. When the side of the road began to swell with dead and dying things, that's when us black children knew it was summer. Daddy didn't keep clocks in the house. Ain't no use when the sky round those parts always had some flames runnin' to horizon, lookin' like the sun was always out. back when I was a little girl, I swear, them white folk down south would do anything to stop another dark thing from touching the land, even the nighttime. We ain't have streetlights, or some grandmotherly voice riding through the fields on horseback tellin' us when to come inside. What we had was the stomach of a deer, split open on route 59. What we had was flies resting on the exposed insides of animals with their tongues touching the pavement. What we had was the smell of gunpowder and the promise of more to come, and, child, that'll get you home before the old folks would break out the moonshine and celebrate another day they didn't have to pull the body of someone they loved from the river. I say 'river' because I want you to always be able to look at the trees without crying. When we moved east, I learned how a night sky can cup a black girl in its hands and ask for forgiveness. My daddy sold the pistol he kept in the sock drawer and took me to the park. Those days, I used to ask him what he feared, and he always said "the bottom of a good glass." And then he stopped answering. And then he stopped coming home altogether. Something about the first day of a season, honey. Something always gotta sacrifice its blood. Everything that has its time must be lifted from the earth. My boys don't bother with seasons anymore. My sons went to sleep in the spring once and woke up to a motherless summer. All they know now is that it always be colder than it should be. I wish I could fix this for you. I'm sorry none of my children wear suits anymore. I wish ties didn't remind my boys of shovels, and dirt, and an empty living room. They all used to look so nice in ties. I'm sorry that you may come home one day to the smell of rotting meat, every calendar you own, torn off the walls, burning in a trashcan. And it will be the end of spring. And you will know.
Hanif Abdurraqib (The Crown Ain't Worth Much (Button Poetry))
And as soon as I had recognised the taste of the piece of madeleine soaked in her decoction of lime-blossom which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy) immediately the old grey house upon the street, where her room was, rose up like a stage set to attach itself to the little pavilion opening on to the garden which had been built out behind it for my parents (the isolated segment which until that moment had been all that I could see); and with the house the town, from morning to night and in all weathers, the streets along which I used to run errands, the country roads we took when it was fine. And in the game wherein the Japanese amuse themselves by filling a porcelain bowl with water and steeping in it little pieces of paper which until then are without character or form, but, the moment they become wet, stretch and twist and take on colour and distinctive shape, become flowers or houses or people, solid and recognisable, so in that moment all the flowers in our garden and in M. Swann's park, and the water-lilies on the Vivonne and the good folk of the village and their little dwellings and the parish church and the whole of Combray and its surroundings, taking shape and solidity, sprang into being, town and gardens alike, from my cup of tea.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
So far so good. Except I then added, “So it’s not surprising then that they get bitter, they cling to guns or religion or antipathy toward people who aren’t like them, or anti-immigrant sentiment, or anti-trade sentiment as a way to explain their frustrations.” I can provide the exact quote here, because in the audience that night was a freelance writer who was recording me. To her mind, my answer risked reinforcing negative stereotypes some Californians already had about working-class white voters and was therefore worth blogging about on Huffington Post. (It’s a decision I respect, by the way, though I wish she had talked to me about it before writing the story. This is what separates even the most liberal writers from their conservative counterparts—the willingness to flay politicians on their own side.) Even today, I want to take that sentence back and make a few simple edits. “So it’s not surprising then that they get frustrated,” I would say in my revised version, “and they look to the traditions and way of life that have been constants in their lives, whether it’s their faith, or hunting, or blue-collar work, or more traditional notions of family and community. And when Republicans tell them we Democrats despise these things—or when we give these folks reason to believe that we do—then the best policies in the world don’t matter to them.
Barack Obama (A Promised Land)
The boys are barely old enough To grow a beard. But here’s something interesting, Maybe even a little weird. One of those boys Has volunteered! You’re familiar with the type. Good shoulders. Good teeth. Believes his own hype. And now, just to add a little fun, Some folks say That he’s my son! I guess it’s possible, you know. I’ve had so many one-night stands, So many whams and bams and thank-me-ma’ams, I can’t keep track of every mademoiselle. Plus, I’m not the type to kiss and tell. Well, if I’m honest, I’m not the type to kiss. But truth is, his mother, Aethra, was in a mess — A sweet young thing, courted, prized. Next thing you know she’s spermatized By Aegeus, who is King of Athens. Of course. None other.
David Elliott (Bull)
Please,' she says, her head bent. 'Please. You must try to break the curse. I know that you are the queen by right and that you may not want him back, but-' If anything could have increased my astonishment, it was that. 'You think that I'd-' 'I didn't know you, before,' she says, the anguish clear in her voice. There is a hitch in her breath that comes with weeping. 'I thought you were just some mortal.' I have to bite my tongue at that, but I don't interrupt her. 'When you became his seneschal, I told myself that he wanted you for your lying tongue. Or because you'd become biddable, although you never were before. I should have believed you when you told him he didn't know the least of what you could do. 'While you were in exile, I got more of the story out of him. I know you don't believe this, but Cardan and I were friends before we were lovers, before Locke. He was my first friend when I came here from the Undersea. And we were friends, even after everything. I hate that he loves you.' 'He hated it, too,' I say with a laugh that sounds more brittle than I'd like. Nicasia fixes me with a long look. 'No, he didn't.' To that, I can only be silent. 'He frightens the Folk, but he's not what you think he is,' Nicasia says. 'Do you remember the servants that Balekin had? The human servants?' I nod mutely. Of course I remember. I will never forget Sophie and her pockets full of stones. 'They'd go missing sometimes, and there were rumours that Cardan hurt them, but it wasn't true. He'd return them to the mortal world.' I admit, I'm surprised. 'Why?' She throws up a hand. 'I don't know! Perhaps to annoy his brother. But you're human, so I thought you'd like that he did it. And he sent you a gown. For the coronation.' I remember it- the ball gown in the colours of the night, with the stark outlines of trees stitched on it and the crystals for stars. A thousand times more beautiful than the dress I commissioned. I had thought perhaps it came from Prince Dain, since it was his coronation and I'd sworn to be his creature when I'd joined the Court of Shadows. 'He never told you, did he?' Nicasia says. 'So see? Those are two nice things about him you didn't know. And I saw the way you used to look at him when you didn't think anyone was watching you.' I bite the inside of my cheek, embarrassed despite the fact that we were lovers, and wed, and it should hardly be a secret that we like each other. 'So promise me,' she says. 'Promise me you'll help him.' I think of the golden bridle, about the future the stars predicted. 'I don't know how to break the curse,' I say, all the tears I haven't shed welling up in my eyes. 'If I could, do you think i would be at this stupid banquet? Tell me what I must slay, what I must steal, tell me the riddle I must solve or the hag I must trick. Only tell me the way, and I will do it, no matter the danger, no matter the hardship, no matter the cost.' My voice breaks. She gives me a steady look. Whatever else I might think of her, she really does care for Cardan. And as tears roll down my cheeks, to her astonishment, I think she realises I do, too. Much good it does him.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Think you can last eight seconds?” Joss was one hundred percent, absolutely, positively certain that she would not. She was even more certain that she’d break something. Unfortunately, nerves made her mouthy. “Eight seconds, huh? I heard you rodeo guys had a short fuse. We have pills for that now you know?” He laughed and his lips were suddenly close to her ear again. “I can go longer than eight seconds as you well know. But even if that were true, I promise you, doc, it’d be the best eight seconds of your life.” Great. Now all she was going to think about while a piece of machinery spun and bucked beneath her was riding Troy in exactly the same way. Was it possible to have a mechanical-bull-induced orgasm? That would be seriously embarrassing. Certainly more than the good folk of Plainview would have expected from an innocent night out at the Bull Bar. There were children watching for the love of Mike.
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
Our Ideal Citizen—I picture him first and foremost as being busier than a bird-dog, not wasting a lot of good time in day-dreaming or going to sassiety teas or kicking about things that are none of his business, but putting the zip into some store or profession or art. At night he lights up a good cigar, and climbs into the little old 'bus, and maybe cusses the carburetor, and shoots out home. He mows the lawn, or sneaks in some practice putting, and then he's ready for dinner. After dinner he tells the kiddies a story, or takes the family to the movies, or plays a few fists of bridge, or reads the evening paper, and a chapter or two of some good lively Western novel if he has a taste for literature, and maybe the folks next-door drop in and they sit and visit about their friends and the topics of the day. Then he goes happily to bed, his conscience clear, having contributed his mite to the prosperity of the city and to his own bank-account.
Sinclair Lewis (Babbitt)
For my mother,” he said. “She came here at sixteen because she was starving and had been disowned by her family because of me. I still don’t know who my father is. She worked like a dog to support us, doing whatever she had to do, but each night, at bedtime, she kissed me good night and told me I could be anything in America. It was the dream that had brought her here and she passed it on to me. But, it was a lie. For people like us, anyway. Folks who are from the wrong place, or have the wrong color skin, or speak the wrong language, or pray to the wrong God. She died in a factory fire. All of the doors were locked to keep the workers from taking cigarette breaks. This country used her up and spit her out and all she ever wanted was for me to have opportunities. A better life than she’d had.” He leaned toward her. “You understand. I know you do. Your people are starving, dying. Thousands are homeless. They can’t make enough money picking to survive. Help me convince them to strike for better wages. They’ll listen to you.
Kristin Hannah (The Four Winds)
Dream House as Fantasy Fantasy is, I think, the defining cliché of female queerness. No wonder we joke about U-Hauls on the second date. To find desire, love, everyday joy without men’s accompanying bullshit is a pretty decent working definition of paradise. The literature of queer domestic abuse is lousy with references to this(27) punctured(28) dream(29), which proves to be as much a violation as a black eye, a sprained wrist. Even the enduring symbol of queerness—the rainbow—is a promise not to repeat an act of supreme violence by a capricious and rageful god: I won’t flood the whole world again. It was a one-time thing, I swear. Do you trust me? (And, later, a threat: the next time, motherfuckers, it’ll be fire.) Acknowledging the insufficiency of this idealism is nearly as painful as acknowledging that we’re the same as straight folks in this regard: we’re in the muck like everyone else. All of this fantasy is an act of supreme optimism, or, if you’re feeling less charitable, arrogance. Maybe this will change someday. Maybe, when queerness is so normal and accepted that finding it will feel less like entering paradise and more like the claiming of your own body: imperfect, but yours. --- 27. “I go to sleep at night in the arms of my lover dreaming of lesbian paradise. What a nightmare, then, to open my eyes to the reality of lesbian battering. It feels like a nightmare trying to talk about it, like a fog that tightens the chest and closes the throat…. We are so good at celebrating our love. It is so hard for us to hear that some lesbians live, not in paradise, but in a hell of fear and violence” (Lisa Shapiro, commentary in Off Our Backs, 1991). 28. “What will it do to our utopian dyke dreams to admit the existence of this violence?” (Amy Edgington, from an account of the first Lesbian Battering Conference held in Little Rock, AR, in 1988). 29. From a review of Behind the Curtains, a 1987 play about lesbian abuse: “By writing the play [and] by portraying both joy and pain in our lives, [Margaret Nash rejects the] almost reflex assumption that lesbians have surpassed the society from which we were born and, having come out, now exist in some mystical utopia” (Tracey MacDonald, Off Our Backs, 1987).
Carmen Maria Machado (In the Dream House)
Tim Finnegan’s Wake by Dr. Thom Dedalus When God reeled in good auld Tim Finnegan, And looked into his green Irish peepers, Said He, “Now, what was I thinkin’? Poor lad, he ain’t one of the keepers.” To hell Tim descended without any fear, To the devil, whom not much is lost on, Said he, “I’m sure you’ll be comfortable here, Among all your old friends from South Boston.” Tim’s jokes night and day caused Satan to swear, As migraines crept behind blood red eyelids, “An eternity with you is just too much to bear. You’re going home to your wife and your nine kids.” So up pops Tim at his wake from his casket. “It can’t be,” went a howl from his wife. When he belched the sea from his own breadbasket, Said she, “Someone, hand me a knife.” Now Tim’s fishing off George’s Banks Catching codfish, haddock and hake. The happiest folk in town to give thanks, Is John Hancock for Finnegan’s wake. Finn’s now a legend among life underwriters, In Beantown and all over the States. In him beats the heart of a fighter. Sad to hear how they increased his rates. Finn’s tale is best told with a dram of Jameson. You’re entitled to whatever sense you can make. Just cause you’re dead, it don’t mean you’re gone. You may take comfort in Finnegan’s wake.
David B. Lentz (Bloomsday: The Bostoniad)
Below us was a frozen lake. It was perfectly round, a great gleaming eye in which the moon and stars were mirrored. Lanterns glowing the same cold white as the aurora dangled from the lake's edge to a scattering of benches and merchant-stands, draped in bright awnings of opal and blue. Delicious smells floated on the wind---smoked fish; fire-roasted nuts and candies; spiced cakes. A winter fair.* * Outside of Russia, almost all known species of courtly fae, and many common fae also, are fond of fairs and markets; indeed, such gatherings appear in stories as the interstitial spaces between their worlds and ours, and thus it is not particularly surprising that they feature in so many encounters with the Folk. The character of such markets, however, varies widely, from sinister to benign. The following features are universal: 1) Dancing, which the mortal visitor may be invited to partake in; 2) A variety of vendors selling foods and goods which the visitor is unable to recall afterwards. More often than not, the markets take place at night. Numerous scholars have attempted to document these gatherings; the most widely referenced accounts are by Baltasar Lenz, who successfully visited two fairs in Bavaria before his disappearance in 1899.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
Morvidus; and in the richness of his reign, commerce prospered, the town around the castle growing great, and newe fangled habits did arise among the young and old. But after a time the people did say, that the old customs were gone out from the land; and that, with the coming of the new, the old had been washed away. Greatly did folk rue the passing of their customs, saying, that a kingdom ruled by thankless men, would, in short measure, become a kingdom unremembered; and men did complain, when they gathered, at how few remained who yet could call to mind the noble names of the gods. Those gods, they said, had once sustained this land; but they might forget as well as be forgotten, as would be seen. And then did the rains begin: those long rains, of which it was sayd, their like had never fallen; and the streams did overflow their banks, and flood the fields. And the ditches filled with mud, overflowing onto the roads, that none might pass in safety. And vermin did breed in the still water by night; and many infants were delivered still-born, for that the rains had so drenched the roadways, that mid-wives might by no means traverse them in their ladies’ time of need. Which seemed a very omen; and some did wonder, how best to please the gods who had served them so. In this time was delivered of her nine-months’ burden, good Queen Argoel, who in time would bear King Morvidus five children. As the rains battered the castle wall, the child began to kick within her womb, saying,—Mother, my time is come; yet, with the storm still upon the land, she lay abed unattended in her toil.
John Darnielle (Devil House)
what could Marilyn Monroe’s death ever have to do with me? “IT HAS TO DO WITH ALL OF US,” said Owen Meany, when I called him that night. “SHE WAS JUST LIKE OUR WHOLE COUNTRY—NOT QUITE YOUNG ANYMORE, BUT NOT OLD EITHER; A LITTLE BREATHLESS, VERY BEAUTIFUL, MAYBE A LITTLE STUPID, MAYBE A LOT SMARTER THAN SHE SEEMED. AND SHE WAS LOOKING FOR SOMETHING—I THINK SHE WANTED TO BE GOOD. LOOK AT THE MEN IN HER LIFE—JOE DIMAGGIO, ARTHUR MILLER, MAYBE THE KENNEDYS. LOOK AT HOW GOOD THEY SEEM! LOOK AT HOW DESIRABLE SHE WAS! THAT’S WHAT SHE WAS: SHE WAS DESIRABLE. SHE WAS FUNNY AND SEXY—AND SHE WAS VULNERABLE, TOO. SHE WAS NEVER QUITE HAPPY, SHE WAS ALWAYS A LITTLE OVERWEIGHT. SHE WAS JUST LIKE OUR WHOLE COUNTRY,” he repeated; he was on a roll. I could hear Hester playing her guitar in the background, as if she were trying to improvise a folk song from everything he said. “AND THOSE MEN,” he said. “THOSE FAMOUS, POWERFUL MEN—DID THEY REALLY LOVE HER? DID THEY TAKE CARE OF HER? IF SHE WAS EVER WITH THE KENNEDYS, THEY COULDN’T HAVE LOVED HER—THEY WERE JUST USING HER, THEY WERE JUST BEING CARELESS AND TREATING THEMSELVES TO A THRILL. THAT’S WHAT POWERFUL MEN DO TO THIS COUNTRY—IT’S A BEAUTIFUL, SEXY, BREATHLESS COUNTRY, AND POWERFUL MEN USE IT TO TREAT THEMSELVES TO A THRILL! THEY SAY THEY LOVE IT BUT THEY DON’T MEAN IT. THEY SAY THINGS TO MAKE THEMSELVES APPEAR GOOD—THEY MAKE THEMSELVES APPEAR MORAL. THAT’S WHAT I THOUGHT KENNEDY WAS: A MORALIST. BUT HE WAS JUST GIVING US A SNOW JOB, HE WAS JUST BEING A GOOD SEDUCER. I THOUGHT HE WAS A SAVIOR. I THOUGHT HE WANTED TO USE HIS POWER TO DO GOOD. BUT PEOPLE WILL SAY AND DO ANYTHING JUST TO GET THE POWER; THEN THEY’LL USE THE POWER JUST TO GET A THRILL. MARILYN MONROE WAS ALWAYS LOOKING FOR THE BEST MAN—MAYBE SHE WANTED THE MAN WITH THE MOST INTEGRITY, MAYBE SHE WANTED THE MAN WITH THE MOST ABILITY TO DO GOOD. AND SHE WAS SEDUCED, OVER AND OVER AGAIN—SHE GOT FOOLED, SHE WAS TRICKED, SHE GOT USED, SHE WAS USED UP. JUST LIKE THE COUNTRY. THE COUNTRY WANTS A SAVIOR. THE COUNTRY IS A SUCKER FOR POWERFUL MEN WHO LOOK GOOD. WE THINK THEY’RE MORALISTS AND THEN THEY JUST USE US. THAT’S WHAT’S GOING TO HAPPEN TO YOU AND ME,” said Owen Meany. “WE’RE GOING TO BE USED.
John Irving (A Prayer for Owen Meany)
As we pulled up at the big school gates, I saw tears rolling down my dad’s face. I felt confused as to what part of nature or love thought this was a good idea. My instinct certainly didn’t; but what did I know? I was only eight. So I embarked on this mission called boarding school. And how do you prepare for that one? In truth, I found it really hard; there were some great moments like building dens in the snow in winter, or getting chosen for the tennis team, or earning a naval button, but on the whole it was a survival exercise in learning to cope. Coping with fear was the big one. The fear of being left and the fear of being bullied--both of which were very real. What I learned was that I couldn’t manage either of those things very well on my own. It wasn’t anything to do with the school itself, in fact the headmaster and teachers were almost invariably kind, well-meaning and good people, but that sadly didn’t make surviving it much easier. I was learning very young that if I were to survive this place then I had to find some coping mechanisms. My way was to behave badly, and learn to scrap, as a way to avoid bullies wanting to target me. It was also a way to avoid thinking about home. But not thinking about home is hard when all you want is to be at home. I missed my mum and dad terribly, and on the occasional night where I felt this worst, I remember trying to muffle my tears in my pillow while the rest of the dormitory slept. In fact I was not alone in doing this. Almost everyone cried, but we all learned to hide it, and those who didn’t were the ones who got bullied. As a kid, you can only cry so much before you run out of tears and learn to get tough. I meet lots of folks nowadays who say how great boarding school is as a way of toughening kids up. That feels a bit back-to-front to me. I was much tougher before school. I had learned to love the outdoors and to understand the wild, and how to push myself. When I hit school, suddenly all I felt was fear. Fear forces you to look tough on the outside but makes you weak on the inside. This was the opposite of all I had ever known as a kid growing up. I had been shown by my dad that it was good to be fun, cozy, homely--but then as tough as boots when needed. At prep school I was unlearning this lesson and adopting new ways to survive. And age eight, I didn’t always pick them so well.
Bear Grylls (Mud, Sweat and Tears)
My plan is this,” I says. “We can easy find out if it’s Jim in there. Then get up my canoe to-morrow night, and fetch my raft over from the island. Then the first dark night that comes, steal the key out of the old man’s britches, after he goes to bed, and shove off down the river on the raft, with Jim, hiding daytimes and running nights, the way me and Jim used to do before. Wouldn’t that plan work?” “Work? Why cert‘nly, it would work, like rats a fighting. But it’s too blame’ simple; there ain’t nothing to it. What’s the good of a plan that ain’t no more trouble than that? It’s as mild as goose-milk. Why, Huck, it wouldn’t make no more talk than breaking into a soap factory.” I never said nothing, because I warn’t expecting nothing different; but I knowed mighty well that whenever he got his plan ready it wouldn’t have none of them objections to it. And it didn’t. He told me what it was, and I see in a minute it was worth fifteen of mine, for style, and would make Jim just as free a man as mine would, and maybe get us all killed besides. So I was satisfied, and said we would waltz in on it. I needn’t tell what it was, here, because I knowed it wouldn’t stay the way it was. I knowed he would be changing it around, every which way, as we went along, and heaving in new bullinesses wherever he got a chance. And that is what he done. Well, one thing was dead sure; and that was, that Tom Sawyer was in earnest and was actuly going to help steal that nigger out of slavery. That was the thing that was too many for me. Here was a boy that was respectable, and well brung up; and had a character to lose; and folks at home that had characters; and he was bright and not leather-headed; and knowing and not ignorant; and not mean, but kind; and yet here he was, without any more pride, or rightness, or feeling, than to stoop to this business, and make himself a shame, and his family a shame, before everybody. I couldn’t understand it, no way at all. It was outrageous, and I knowed I ought to just up and tell him so; and so be his true friend, and let him quit the thing right where he was, and save himself. And I did start to tell him; but he shut me up, and says: “Don’t you reckon I know what I’m about? Don’t I generly know what I’m about?” “Yes.” “Didn’t I say I was going to help steal the nigger?” “Yes.” “Well then.” That’s all he said, and that’s all I said. It warn’t no use to say any more; because when he said he’d do a thing, he always done it.
Mark Twain (The Adventures of Huckleberry Finn)
managed to snag the last available table and all three ordered the special with sweet tea to drink. “It’s like Thanksgiving,” Shiloh said. “Not for me. Thanksgiving was working an extra shift so the folks with kids could be home for the day. Christmas was the same,” Bonnie said. Abby shrugged. “The army served turkey and dressing on the holidays. It wasn’t what Mama made, but it tasted pretty damn good.” Since it was a special and only had to be dipped up and served, they weren’t long getting their meal. Abby shut her eyes on the first bite and made appreciative noises. “This is so good. I may eat here every Sunday.” “And break Cooper’s heart?” Bonnie asked. “Hey, now! One night of drinking together does not make us all bosom buddies or BFFs or whatever the hell it’s called these days.” Abby waved at the waitress, who came right over. “I want this plate all over again,” she said. “Did you remember that we do have pie for dessert?” the waitress asked. “Yes, I’ll have two pieces, whipped cream on both. What about you, Shiloh?” She blushed. “I shouldn’t, but . . . yes, and go away before I change my mind.” “Bonnie?” Abby asked. Bonnie shook her head. “Just an extra piece of pie will do me.” “So that’s two more specials and five pieces of pie, right?” the waitress asked. “You got it,” Abby said. “I’m having ice cream when we finish with hair and nails. You two are going to be moaning and groaning about still being too full,” Bonnie said. “Not me. By the middle of the afternoon I’ll be ready for ice cream,” Abby said. “My God, how do you stay so small?” Shiloh asked. “Damn fine genes. Mama wasn’t a big person.” “Well, my granny was as wide as she was tall and every bite of food I eat goes straight to my thighs and butt,” Shiloh said. “But after that wicked, evil stuff last night, I’m starving.” “It burned all the calories right out of your body,” Abby said. “Anything you eat today doesn’t even count.” “You are full of crap,” Shiloh leaned forward and whispered. The waitress returned with more plates of food and slices of pumpkin pie with whipped cream, taking the dirty dishes back away with her. Bonnie picked up the clean fork on the pie plate and cut a bite-size piece off. “Oh. My. God! This is delicious. Y’all can eat Cooper’s cookin’. I’m not the one kissin’ on him, so I don’t give a shit if I hurt his little feelin’s or not. I’m comin’ here for pumpkin pie next Sunday if I have to walk.” “If Cooper doesn’t want to cook, maybe we can all come back here with him and Rusty next Sunday,” Abby said. “And if he does?” Shiloh asked. “Then I’m eating a steak and you can borrow my truck, Bonnie. I’d hate to see you walk that far. You’d be too tired to take care of the milkin’ the next day,” Abby said. “And you don’t know how to milk a cow, do you?” Bonnie’s blue eyes danced when she joked. Abby took a deep breath and told the truth. “No, I don’t, and I don’t like chickens.” “Well, I hate hogs,” Shiloh admitted. “And I can’t milk a cow, either.” “Looks like it might take all three of us to run that ranch after all.” Bonnie grinned. The waitress refilled their tea glasses. “Y’all must be the Malloy sisters. I heard you’d come to the canyon. Ezra used to come in here pretty often for our Sunday special and he always took an extra order home with him. Y’all sound like him when you talk. You all from Texas?” “Galveston,” Abby said. “Arkansas, but I lived in Texas until I graduated high school,” Shiloh said. The waitress looked at Bonnie. “Kentucky after leavin’ Texas.” “I knew I heard the good old Texas drawl in your voices,” the waitress said as she walked away. “Wonder how much she won on that pot?” Abby whispered. Shiloh had been studying her ragged nails but she looked up.
Carolyn Brown (Daisies in the Canyon (The Canyon #2))
That reminds me of a song,” said Emilia. The women laughed; the men groaned. But the fire was blazing and the night was long, and folk will want entertainment after the tedium of a day’s work. Emilia’s song detailed the amorous adventures of a water horse who fell in love—if love was the right word—with a series of young women who passed beside the lake in which the creature dwelled and from which he emerged in the form of a good-looking young man of exactly the right sort to catch a young woman’s fancy. She had a clear voice and a pleasing timbre, and every local knew the chorus, whose euphemisms about mounting and galloping embarrassed me. We did not sing these sorts of songs in the Barahal house. Rory caught right on and sang the chorus as if born to it. In the laughter and pounding of tables that followed, I said, to no one in particular, “I thought kelpies drowned and then devoured their victims!” The words, innocently spoken, only caused the gathered folk to laugh even
Kate Elliott (Cold Magic (Spiritwalker, #1))
Some folk need a few good homeless, hungry, sleepless nights to make the voice of God real clear. Other folk need a soft bed and a warm meal before they can hear Him. He knows, and He has to let me know, too.
Michelle Stimpson (I Met Him in the Ladies' Room)
That was how for years, all through that quarter of the continent, they had fought, fled, beckoned, resumed. . . . If you took a map and tried to follow them over it, zigzagging town to town, back and forth, it might not have been that easy to account for, even if you recalled how wild, how much better than "wild" it'd been not all that many years ago, out here, even with the workdays that had you longing for the comforts of territorial prison, yes hard as that, when whatever was going to become yours—your land, your stock, your family, your name, no matter, however much or little you had, you earned it, with never no second thoughts as to just killing somebody, if it even looked like they might want to take it. Maybe a dog catching their scent coming down the wind, or the way some trailhand might be wearing his waterproof, that could be enough—didn't matter, with everything brand new and the soldiering so hard, waking up each day never knowing how you'd end it, cashing 'em in being usually never too distant from your thoughts, when any ailment, or animal wild or broke, or a bullet from any direction might be enough to propel you into the beyond . . . why clearly every lick of work you could get in would have that same mortal fear invested into it—Karl Marx and them, well and good, but that's what folk had for Capital, back in early times out here—not tools on credit, nor seed money courtesy of some banker, just their own common fund of fear that came with no more than a look across the day arising. It put a shade onto things that parlor life would just never touch, so whenever she or Reef pulled up and got out, when it wasn't, mind, simple getting away in a hurry, it was that one of them had heard about a place, some place, one more next-to-last place, that hadn't been taken in yet, where you could go live for a time on the edge of that old day-to-day question, at least till the Saturday nights got quiet enough to hear the bell of the town clock ring you the hours before some Sunday it'd be too dreary to want to sober up for. . . . So in time you had this population of kind of roving ambassadors from places like that that were still free, who wherever they came to rest would be a little sovereign piece of that faraway territory, and they'd have sanctuary about the size of their shadow.
Thomas Pynchon
Why would you want to make them happy?” Amberdrake turned back to his little friend, and sat with a sad smile on his face. “Because they are bitter, unhappy people, and very little else makes them happy. They say what they do out of envy, for any number of reasons. It may be because I lead a more luxurious life than they, or at least they believe I do. It may be because there are many people who do call me friend, and those are all folk of great personal worth; a few of them are people that occupy high position and deservedly so. Perhaps it is because they cannot do what I can, and for some reason, this galls them. But they have so little else that gives them pleasure, I see no reason to deprive them of the few drops of enjoyment they can extract from heaping scorn and derision on me.” Gesten shook his head. “Drake, you’re crazy. But I already knew that. I’m getting some sleep; this is all too much for me. Good night.” “Good night, Gesten,” Amberdrake said
Mercedes Lackey (The Black Gryphon (Valdemar: Mage Wars, #1))
THE VARIOUS GAINS OF FLIGHT DELAY DAMAGES Travelling byair is one of the handiest means to get from one point to another. It's quick, safe, and hassle-free. Obviously, hassle-free is a subjective term as some folks find all the safety precautions cumbersome. Since there are much fewer plane accidents when compared with automobile accidents however, it's a good deal better mathematically talking. Naturally, travel issues are not merely limited to injuries and crashes; occasionally, the ones that are most problematic are the small things that eventually become larger. Having the flight postponed for 5 - 10 minutes does not seem much to most folks. However, for people who will be catching a connecting flight after, this really is an extremely large difficulty. They need to run across the next airport simply to make it in time or they will need to get it rescheduled and watch for the next available flight. Either way, it's a very big hassle and it all came from a 5 minute delay. What You Can Get That is why you should be aware of the many benefits that you can get. Flight delay compensation isn't a simple thing that airlines give just to keep customers satisfied; the law requires to give damages for faulty service as mandated them. Different areas have different laws regarding this but it usually means that if your flight got delayed, the airline must help you during that time. If, for example, you may end up late to your connecting flight, then you can certainly ask aid from the airline to assist you look for an accessible connecting flight, have it reserved, and even request financial compensation as you need to wait for the brand new boarding time if it's a few hours more. Typically, you can demand help for the amount of money you are going to be spending simply because your flight was delayed. This can happen whether the flight was delayed for a very long time due to technical issues. That those can get somewhere to sleep in, some airports will open up the VIP lounge. Also, they are going to be given free food and drinks especially if they must stay for more than one night. Inclusions and Exceptions Flight delay settlement is all about getting compensated for hassle and all the trouble that an undue delay has brought on. Delays caused by neglect or some other reason which was a result of the airline can be deemed as such. This implies that if they couldn't have prevented the issue no matter what, you won't be able to seek damages. For example, if the weather suddenly took a turn for the worse and the whole airport was locked down and no airplanes are permitted to fly, then this is a problem that they couldn't avert. It would not be safe to fly with such conditions and no one can do anything about it. Naturally, you can still seek assistance but remember that they have no obligation to do so and you've got no right to demand money as reimbursement for the delay. In the end, the biggest difference between force of nature accidents and those due to negligence is that you can ask for aid but they're just required to do so during the latter. They have to give money for the hassle to you as well if it was their fault.
Flight Delay Compensation
It was Mrs. Wiggins who found Sidney later in the day. He was in the cowbarn, hanging upside down against the wall. She told him what the animals wanted. “Sure, sure!” he said. “I’ll keep an eye on your old bank.” “And you’ll patrol it nights?” “I said I would, didn’t I?” said Sidney angrily. “What you want me to do—send you a letter about it?” “I’m sorry to keep you awake when you want to go to sleep,” said the cow, “but I have to be sure of your answer, and good land, I can’t tell whether you mean it or not when you’re looking at me upside down.” “ ’Tisn’t upside down to me,” said the bat. “Maybe not. But when you’re talking to people, their expression is just as important as what they say, and you talk to anybody upside down and their expressions don’t mean anything. Your mouth is at the top of your head and if you smile the corners turn down instead of up, and your eyes look funny too. You—” “Look,” Sidney interrupted her. “I said I’d do it. Now just never mind criticizing my features and go on let me sleep, will you.” So Mrs. Wiggins went away. “There’s one thing that bat taught me,” she said to Freddy later. “I’ve never been a good liar. Folks can always tell by my face when I’m lying. Well, next time I want to tell a lie and get away with it, I’m going to stand on my head. Nobody can tell anything by my face then.
Walter Rollin Brooks (Freddy the Cowboy (Freddy the Pig))
Well, if he wants to be king, he’ll just plain have to get used to questions and toadies and all the rest of it,” I said. Remembering the conversation at dinner and wondering if I’d made an idiot of myself, I added crossly, “I don’t have any sympathy at all. In fact, I wish he hadn’t come up here. If he needed rest from the fatigue of taking over a kingdom, why couldn’t he go to that fabulous palace in Renselaeus? Or to Shevraeth, which I’ll just bet has an equally fabulous palace?” Nee sighed. “Is that a rhetorical or a real question?” “Real. And I don’t want to ask Bran because he’s so likely to hop out with my question when we’re all together and fry me with embarrassment,” I finished bitterly. She gave a sympathetic grin. “Well, I suspect it’s to present a united front, politically speaking. You haven’t been to Court, so you don’t quite comprehend how much you and your brother have become heroes--symbols--to the kingdom. Especially you, which is why there were some murmurs and speculations when you never came to the capital.” I shook my head. “Symbol for failure, maybe. We didn’t win--Shevraeth did.” She gave me an odd look midway between surprise and curiosity. “But to return to your question, Vidanric’s tendency to keep his own counsel ought to be reassuring as far as people hopping out with embarrassing words are concerned. If I were you--and I know it’s so much easier to give advice than to follow it--I’d sit down with him, when no one else is at hand, and talk it out.” Just the thought of seeking him out for a private talk made me shudder. “I’d rather walk down the mountain in shoes full of snails.” It was Nee’s turn to shudder. “Life! I’d rather do almost anything than that--” A “Ho!” outside the door interrupted her. Bran carelessly flung the tapestry aside and sauntered in. “There y’are, Nee. Come out on the balcony with me? It’s actually nice out, and we’ve got both moons up.” He extended his hand. Nee looked over at me as she slid her hand into his. “Want to come?” I looked at those clasped hands, then away. “No, thanks,” I said airily. “I think I’ll practice my fan, then read myself to sleep. Good night.” They went out, Bran’s hand sliding round her waist. The tapestry dropped into place on Nee’s soft laugh. I got up and moved to my window, staring out at the stars. It seemed an utter mystery to me how Bran and Nimiar enjoyed looking at each other. Touching each other. Even the practical Oria, I realized--the friend who told me once that things were more interesting than people--had freely admitted to liking flirting. How does that happen? I shook my head, thinking that it would never happen to me. Did I want it to? Suddenly I was restless and the castle was too confining. Within the space of a few breaths I had gotten rid of my civilized clothing and soft shoes and had pulled my worn, patched tunic, trousers, and tough old mocs from the trunk in the corner. I slipped out of my room and down the stair without anyone seeing me, and before the moons had traveled the space of a hand across the sky, I was riding along the silver-lit trails with the wind in my hair and the distant harps of the Hill Folk singing forlornly on the mountaintops.
Sherwood Smith (Court Duel (Crown & Court, #2))
Mrs Dursley had had a nice, normal day. She told him over dinner all about Mrs Next Door’s problems with her daughter and how Dudley had learnt a new word (‘Shan’t!’). Mr Dursley tried to act normally. When Dudley had been put to bed, he went into the living-room in time to catch the last report on the evening news: ‘And finally, bird-watchers everywhere have reported that the nation’s owls have been behaving very unusually today. Although owls normally hunt at night and are hardly ever seen in daylight, there have been hundreds of sightings of these birds flying in every direction since sunrise. Experts are unable to explain why the owls have suddenly changed their sleeping pattern.’ The news reader allowed himself a grin. ‘Most mysterious. And now, over to Jim McGuffin with the weather. Going to be any more showers of owls tonight, Jim?’ ‘Well, Ted,’ said the weatherman, ‘I don’t know about that, but it’s not only the owls that have been acting oddly today. Viewers as far apart as Kent, Yorkshire and Dundee have been phoning in to tell me that instead of the rain I promised yesterday, they’ve had a downpour of shooting stars! Perhaps people have been celebrating Bonfire Night early – it’s not until next week, folks! But I can promise a wet night tonight.’ Mr Dursley sat frozen in his armchair. Shooting stars all over Britain? Owls flying by daylight? Mysterious people in cloaks all over the place? And a whisper, a whisper about the Potters … Mrs Dursley came into the living-room carrying two cups of tea. It was no good. He’d have to say something to her. He cleared his throat nervously. ‘Er – Petunia, dear – you haven’t heard from your sister lately, have you?’ As he had expected, Mrs Dursley looked shocked and angry. After all, they normally pretended she didn’t have a sister. ‘No,’ she said sharply. ‘Why?’ ‘Funny stuff on the news,’ Mr Dursley mumbled. ‘Owls … shooting stars … and there were a lot of funny-looking people in town today …’ ‘So?’ snapped Mrs Dursley.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
Jackson James is taco night.
Penny Reid (Totally Folked (Good Folk: Modern Folktales, #1))
But maybe his father was right. Maybe what had happened in 1918 could never happen again. "U.S. Reveals Detailed Flu Disaster Plans." Cole decided to make this the topic for his research report. Plans for manufacturing and distributing vaccines and other medications. Plans to quarantine the sick and to call up extra doctors and nurses and to replace absent workers with retired workers so that businesses wouldn't have to shut down. Plans to keep public transportation and electricity and telecommunications and other vital services operating and food and water and other necessities from running out. Plans to mobilize troops (for Cole this was the only exciting part) in the event of mass panic or violence. One day he would ask Pastor Wyatt why, despite all these plans, everything had gone so wrong. "Son, that is just the thing. That is what people did not--and still do not--get. There is no way you can count on the government, even if it's a very good government. The government isn't going to save you, it isn't going to save anyone. There's no way you can count on other people in a situation like we had. People afraid of losing their lives--or, Lord knows, even just their toys--they'll panic. Even fine, decent Christian folk--you can never know for sure what they'll do next. So I say, love your neighbor, help your fellow man all you can, but don't ever count on any other human being. Count on God." What Cole didn't know was that most of the plans he read about that night would have been sufficient only for an emergency lasting a few weeks.
Sigrid Nunez (Salvation City)
The devil is who torments good folks in the night. He whispers doubt in your ear. He stirs up anger. He picks at any little mistake you’ve made, or thinks you’ve made, and blows it up big. That’s Satan, stirring and stirring trouble, like a pot he’s trying to boil over, hoping he can spill sin through your soul and slop it all over the people around you.
Mary Connealy (Gingham Mountain (Lassoed in Texas, #3))
The crossbow is where I left it, in the drawer of Dain's desk. I draw it out, cock it back, and point it at Cardan. He draws a ragged breath. 'You're going to shoot me?' He blinks. 'Right now?' My finger caresses the trigger. I feel calm, gloriously calm. This is weakness, to put fear above ambition, above family, above love, but it feels good. It feels like being powerful. 'I can see why you'd want to,' he says, as though reading my face, and coming to some decision. 'But I'd really prefer if you didn't.' 'Then you shouldn't have smirked at me constantly- you think I am going to stand being mocked, here, now? You still so sure you're better than me?' My voice shakes a little, and I hate him even more for it. I have trained every day to be dangerous, and he is entirely in my power, yet I'm the one who is afraid. Fearing him is a habit, a habit I could break with a bolt to his heart. He holds up his hands in protest, long bare fingers splayed. I am the one with the royal ring. 'I'm nervous,' he says. 'I smile a lot when I'm nervous. I can't help it.' That is not at all what I expected him to say. I lower the crossbow momentarily. He keeps talking, as though he doesn't want to leave me too much time to think. 'You are terrifying. Nearly my whole family is dead, and while they never had much love for me, I don't want to join them. I've spent all night worrying what you're going to do, and I know exactly what I deserve. I have a reason to be nervous.' He's talking to me as though we're friends instead of enemies. It works, too; I relax a little. When I realise that, I am nearly freaked out enough to shoot him outright.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
relieved. “That’s good,’’ she said. “That’s what I needed. Somebody close enough—to pray.’’ He shook his head as though to awaken himself. “I don’ understan’ this here,’’ he said. And she replied, “Yes—you know, don’t you?’’ “I know,’’ he said, “I know, but I don’t understan’. Maybe you’ll res’ a few days an’ then come on.’’ She shook her head slowly from side to side. “I’m jus’ pain covered with skin. I know what it is, but I won’t tell him. He’d be too sad. He wouldn’ know what to do anyways. Maybe in the night, when he’s a-sleepin’—when he waked up, it won’t be so bad.’’ “You want I should stay with you an’ not go on?’’ “No,’’ she said. “No. When I was a little girl I use’ ta sing. Folks roun’ about use’ ta say I sung as nice as Jenny Lind.2 Folks use’ ta come an’ listen when I sung. An’—when they stood—an’ me a-singin’, why, me an’ them was together more’n you could ever know. I was thankful. There ain’t so many folks can feel so full up, so close, an’ them folks standin’ there an’ me a-singin’. Thought maybe I’d sing in theaters, but I never done it. An’ I’m glad. They wasn’t nothin’ got in between me an’ them. An’—that’s why I wanted you to pray. I wanted to feel that clost-ness, oncet more. It’s the same thing, singin’ an’ prayin’, jus’ the same thing. I wisht you could a-heerd me sing.’’ He looked down at her, into her eyes. “Good-by,’’ he said. She shook her head slowly back and forth and closed her lips tight. And the preacher went out of the dusky tent into the blinding light.
John Steinbeck (The Grapes of Wrath)
We are simple folk, us Sacramantans. We need hope as well as despair for a good night out.
Storm Constantine (Burying the Shadow)
I believe in always going to the funeral. My father taught me to do that....'Always go to the funeral' means that I have to do the right thing when I really, really don't feel like it. I have to remind myself of it when I could make some small gesture, but I don't really have to and I definitely don't want to. I'm talking about those things that represent only inconvenience to me, but the world to the other guy. You know, the painfully underattended birthday party. The hospital visit during happy hour. The shiva call for one of my ex's uncles. In my humdrum life, the daily battle hasn't been good versus evil. It's hardly so epic. Most days, my real battle is doing good versus doing nothing. In going to funerals, I've come to believe that while I wait to make a grand heroic gesture, I should just stick to the small inconveniences that let me share in life's inevitable, occasional calamity. On a cold April night three years ago, my father died...His funeral was on a Wednesday, the middle of the workweek. I had been numb for days when, for some reason, during the funeral, I turned and looked back at the folks in the church. The memory of it still takes my breath away. The most human, powerful, and humbling thing I've ever seen was a church at 3:00 on a Wednesday full of inconvenienced people who believe in going to the funeral.
Deidre Sullivan
They’re just gonna let us starve. You heard the governor, Ren. All he cares about is his rusting reputation.” “We’re supposed to have the good life. Harmony made this land for us all. But do we get to enjoy it? No. Its riches only mean that the fine folk get more outfits and big houses.” “Something needs to change in this city. I ain’t out of work like those fellows at the steel mill, but Harmony…” “Sixteen-hour shifts. I leave before my little girl gets up, and she’s in bed before I get back. See her once a week, I do.” “We work and die so we can give it all up to the same people. They own the building we live in. Ain’t that the scam? Work for them all day, then give it all back at night for the privilege of bein’ able to survive another day to keep workin’.” Weighty prayers, those were.
Brandon Sanderson (Shadows of Self (Mistborn, #5))
buy-back', when he gives out free drinks every second or third round to an appreciative customer. If you're drinking single malt all night long, and only paying for half of them, that's a significant saving. An extra ten-or twenty-dollar tip to the generous barkeep is still a bargain. This kind of freewheeling with the house liquor is also personally good for the bartender; it inspires that most valued phenomenon in a regular bar crowd: a 'following', folks who will actually follow you wherever you work.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
**Verse 1:** In the shadow of the mountain, under the big blue sky, Times are tough, the road is rough, and the well's run dry. The fields are barren, the cattle are thin, Hard times have come knocking, wearing a wicked grin. **Chorus:** But I'll keep on fighting through the storm and the strife, Hard times may bend me, but they won't take my life. With grit and with grace, I'll stand my ground, 'Cause hard times can't keep a good heart down. **Verse 2:** The factory's closed, the jobs are gone, Folks are feeling forgotten, but we've got to carry on. The bank's calling, the bills are due, But I've got faith, and I'll see it through. **Chorus:** But I'll keep on fighting through the storm and the strife, Hard times may bend me, but they won't take my life. With grit and with grace, I'll stand my ground, 'Cause hard times can't keep a good heart down. **Bridge:** When the night feels endless, and hope seems lost, I look to the stars, no matter the cost. The dawn is coming, it's just out of sight, I'll hold on till morning, through the darkest night. **Chorus:** But I'll keep on fighting through the storm and the strife, Hard times may bend me, but they won't take my life. With grit and with grace, I'll stand my ground, 'Cause hard times can't keep a good heart down. **Outro:** So here's to the fighters, the dreamers, the brave, To those who find strength, even when they're afraid. We'll weather these hard times, we won't back down, Together we'll rise, 'cause we're homeward bound.
James Hilton-Cowboy
To be queer and Somali and neurodivergent is concentrated alchemy, and yet we constantly raid the cupboards of our souls like we are a people of lack. When you operate from a position of lack, you don’t realise you’re robbing yourself of everything worth preserving, and forgetting to toss away all the empty pursuits that lost their synthetic spell several generations ago. And suddenly, you’re wide awake in a new country, in a new decade, and you’re startled because you can’t remember how you got here or why you’re still feeling hunted by your own reflection. You can’t remember how or when or where or why you misplaced all your breezy dynamism—all that wildness of perception you used to project with such ferocity. Where did it all go? We have conveniently forgotten that we have always been fundamentally idiosyncratic and fantastic and fucking alive. Instead we feed ourselves and our children and our children’s children prosaic fuckery for what? Respectability politics? So that if we twist and try our damnedest to conform to standards that have never been coded into our collective DNA, that we’ll what? Somehow be less strange? Less weird and wonderful? That we’ll transcend the soul-snuffing snare that is the myth of the good immigrant? That if we mute all of our magic—everything that makes us some of the most innately interesting, individualistic and fun, funny beings in this boring, beige-as-fuck world—that we’ll win over whom? Folks who don’t season their food right or whose understanding of freedom is a shitty Friday night sloshfest at a shitty pub playing shitty music, chatting nonsense that no-one with a single iota of sense gives a fuck about? Is that who you are so deeply invested in trying to impress? If so, then go for it, but don’t fool yourself for a fucking second into thinking that trying desperately to shave off your elemental peculiarities through self-diminishment is salvation, because it simply isn’t, honey, and it never will be.
Diriye Osman
I’m not,” Ben said. “I’m careful. There’s a difference.” “Of course,” my father said. “I’d never—” “Save it for the paying customers, Arl,” Ben cut him off, irritation plain in his voice. “You’re too good an actor to show it, but I know perfectly well when someone thinks I’m daft.” “I just didn’t expect it, Ben,” my father said apologetically. “You’re educated, and I’m so tired of people touching iron and tipping their beer as soon as I mention the Chandrian. I’m just reconstructing a story, not meddling with dark arts.” “Well, hear me out. I like both of you too well to let you think of me as an old fool,” Ben said. “Besides, I have something to talk with you about later, and I’ll need you to take me seriously for that.” The wind continued to pick up, and I used the noise to cover my last few steps. I edged around the corner of my parents’ wagon and peered through a veil of leaves. The three of them were sitting around the campfire. Ben was sitting on a stump, huddled in his frayed brown cloak. My parents were opposite him, my mother leaning against my father, a blanket draped loosely around them. Ben poured from a clay jug into a leather mug and handed it to my mother. His breath fogged as he spoke. “How do they feel about demons off in Atur?” he asked. “Scared.” My father tapped his temple. “All that religion makes their brains soft.” “How about off in Vintas?” Ben asked. “Fair number of them are Tehlins. Do they feel the same way?” My mother shook her head. “They think it’s a little silly. They like their demons metaphorical.” “What are they afraid of at night in Vintas then?” “The Fae,” my mother said. My father spoke at the same time. “Draugar.” “You’re both right, depending on which part of the country you’re in,” Ben said. “And here in the Commonwealth people laugh up their sleeves at both ideas.” He gestured at the surrounding trees. “But here they’re careful come autumn-time for fear of drawing the attention of shamble-men.” “That’s the way of things,” my father said. “Half of being a good trouper is knowing which way your audience leans.” “You still think I’ve gone cracked in the head,” Ben said, amused. “Listen, if tomorrow we pulled into Biren and someone told you there were shamble-men in the woods, would you believe them?” My father shook his head. “What if two people told you?” Another shake. Ben leaned forward on his stump. “What if a dozen people told you, with perfect earnestness, that shamble-men were out in the fields, eating—” “Of course I wouldn’t believe them,” my father said, irritated. “It’s ridiculous.” “Of course it is,” Ben agreed, raising a finger. “But the real question is this: Would you go into the woods?” My father sat very still and thoughtful for a moment. Ben nodded. “You’d be a fool to ignore half the town’s warning, even though you don’t believe the same thing they do. If not shamble-men, what are you afraid of?” “Bears.” “Bandits.” “Good sensible fears for a trouper to have,” Ben said. “Fears that townsfolk don’t appreciate. Every place has its little superstitions, and everyone laughs at what the folk across the river think.” He gave them a serious look. “But have either of you ever heard a humorous song or story about the Chandrian? I’ll bet a penny you haven’t.” My mother shook her head after a moment’s thought. My father took a long drink before joining her. “Now I’m not saying that the Chandrian are out there, striking like lightning from the clear blue sky. But folk everywhere are afraid of them. There’s usually a reason for that.” Ben grinned and tipped his clay cup, pouring the last drizzle of beer out onto the earth. “And names are strange things. Dangerous things.” He gave them a pointed look. “That I know for true because I am an educated man. If I’m a mite superstitious too…” He shrugged. “Well, that’s my choice. I’m old. You have to humor me.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Lone Tree was a cow-town without the cow. No one I ever talked to had an answer as to how it had sprung up here in the middle of nowhere, nor did they know who the genius was who had thought it a good idea. Picture an old western ghost town, add a filling-station, an abandoned drive-in, a couple of folks milling about just so you knew someone lived there, and you'd be pretty close to Lone Tree.
Bobby Underwood (Night Run)
This is Storm, and there’s nothing mysterious at all about me riding him at night, even if the good folk of Tarrytown have taken to making up tales about me and my nightly rides.” He patted Storm again. “Storm, if you must know, hasn’t tolerated sunlight well for the past couple of years. His eyes have turned sensitive to the light, but I didn’t want him to grow old before his time, which is why we ride when it’s dark.” A rather warm and mushy feeling began traveling through Lucetta, a feeling that had her knees going a tad weak, until she remembered she was talking to a man who’d yet to explain why he’d been wearing an eye patch when she’d first met him, or why questionable jewelry and a bloody sword had been stashed in his fireplace. Add in the fact that there was now a suit of armor meandering around, scaring unsuspecting guests in the middle of the night, and she had no business allowing her knees to go all wobbly. “. . . and since you have managed to track me down, would you care to join us as we continue on with our nightly adventure?” “Adventure . . . ? What kind of adventure?” she asked slowly. Bram leaned down and placed his mouth directly next to her ear, his closeness sending a chill, and one she didn’t think was from the cold air, down her spine. “We’ll just have to make that up as we go.” A thread of disappointment stole over her as he straightened, moved to Storm’s side, and then swung up into the saddle. “What type of adventure sounds fun to you?” he asked. “I’m not certain what you’re asking.” He gave a sad shake of his head. “Oh dear, you’ve forgotten how to have fun, haven’t you.” Annoyance was swift. “Of course I haven’t.” “Prove it.” Not one to back down from a challenge, Lucetta smiled. “Very well, off the top of my head, I believe it would be great fun to visit Sleepy Hollow Cemetery, and . . . walk amongst the gravestones.” Smiling, Bram sent her an approving sort of nod. “Very good, Miss Plum, you’re obviously a lady after my own heart, although I will admit I didn’t take you for the type who’d enjoy places that embrace a rather gothic nature.” “Or morbid, one might say,” she added. Nodding
Jen Turano (Playing the Part (A Class of Their Own, #3))
What is it?” he asked quietly, his eyes full of concern. “What have you been doing that’s so terrible?” A great shudder of anguish moved through Velvet. Once he learned the truth Hank would never forgive her, but there had been enough running away, and she couldn’t bring herself to lie. Not to this man. She accepted the handkerchief he offered and dried her face. “Things was hard after Pa and Eldon died,” she managed to say, mopping at her eyes again. Hank nodded, his gaze tender, silently urging her to go on. Velvet drew in a deep breath and gripped a picket of the gate in one hand. For the first time in her life she thought she might faint. “I did cleanin’ work mostly till I came to Fort Deveraux. I’d heard I could make a lot of money here, washin’ clothes for the soldiers.” She paused and looked away for a moment, drawing strength from the orange and crimson blaze of the setting sun. “I found out soon enough that there were a lot of other women here lookin’ to wash clothes—there just wasn’t enough work to go around. I—I ended up takin’ money from men.” For a moment Hank just stood there, the color draining out of his skin. “For what?” he asked, his voice a low rasp. Velvet felt as though she was being torn apart piece by piece, organ by organ. She lowered her eyes for a moment, then met Hank’s gaze squarely. He knew—she could see that—but he was going to make her tell him. “For sleepin’ with me,” she said. With a muttered exclamation Hank turned away, his broad shoulders stiff beneath the rough, plain fabric of his shirt. Velvet reached out her hand, then let it fall helplessly to her side. She’d lost him a second time, and the experience was a cruel one. She doubted she’d ever recover from it. “I’m sorry,” she whispered. He whirled so suddenly that Velvet was startled and leapt backward. His face was taut with anger and pain. “You were my woman,” he whispered with hoarse fury. “How could you have let another man touch you?” The resilience that had allowed Velvet to survive the many hardships life had dealt her surged to the fore. She advanced on Hank, raging. “I wasn’t your woman. I wasn’t anybody’s woman. I was all alone in this world, and I did what I had to do!” Hesitantly Hank lifted his hand to her face. His thumb brushed away a tear. “There wasn’t a day or a night that I didn’t think about you, Velvet.” She hugged herself, afraid to hope or trust. “I didn’t love none of those men,” she said miserably. “I could only stand lettin’ them touch me because I pretended they was you.” Hank’s smile was soft and infinitely sad. “I’m not going to lose you again because of pride,” he said. “I don’t like that you took money from those men, but I figure I love you enough to get by that in time. All that really matters to me is now, Velvet. Now and next week and next year, and all the years after that, when you and I are going to be together.” Velvet hardly dared to believe her ears. She’d had very little good fortune in her life; she didn’t know how to deal with much besides trouble. “Folks around here won’t ever forget—there’ll be talk—” He laid two fingers to her lips, silencing her. “I don’t care,” he said. “I’ve found you. That’s all that’s important.” With a sob, Velvet let her head drop against Hank’s sturdy chest. Tenderly he enfolded her in his arms. “Hush, now,” he said. “Things are going to be different after this. Very different.” An
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
THE CHARM OF THE STONES CONSECRATED TO DIANA To find a stone with a hole in it is a special sign of the favour of Diana, He who does so shall take it in his hand and repeat the following, having observed the ceremony as enjoined: — Scongiurazione della pietra bucata. Una pietra bucata U ho trovato; Ne ringrazio il destin, E k) spirito che su questa via Mi ha portata, Che passa essere il mio bene, E la mia buona fortuna! Mi alzo la mattina al alba, E a passegio me ne vo Nelle valli, monti e campi, La fortuna cercarvo Della ruta e la verbena, Quello so porta fortuna Me lo tengo in senno chiuso £ saperlo nessuno no le deve, £ cosi cio che commendo, " La verbena far ben per me ! Benedica quella strege! Quella fata che mi segna!" Diana fu quella Che mi venne la notte in sogno E mi disse : " Se tu voir tener Le cattive persone da te lontano, Devi tenere sempre ruta con te, Sempre ruta con te e verbena!" Diana, tu che siei la regina Del cielo e della terra e dell* inferno, E siei la prottetrice degli infelici, Dei ladri, degli assassini, e anche Di donne di mali afifari se hai conosciuto, Che non sia stato V indole cattivo Delle persone, tu Diana, Diana li hai fatti tutti felici! Una altra volta ti scongiuro Che tu non abbia ne pace ne bene, Tu possa essere sempre in mezzo alle pene^ Fino che la grazia che io ti chiedo Non mi farai! THE CHARM OF THE STONES Invocation to the Holy-Stone} I have found A holy-stone upon the ground. O Fate! I thank thee for the happy find, Also the spirit who upon this road Hath given it to me; And may it prove to be for my true good And my good fortune I I rise in the morning by the earliest dawn, And I go forth to walk through (pleasant) vales. All in the mountains or the meadows fair, Seeking for luck while onward still I roam, Seeking for rue and vervain scented sweet, Because they bring good fortune unto all. I keep them safely guarded in my bosom, That none may know it—'tis a secret thing. And sacred too, and thus I speak the spell: " O vervain ! ever be a benefit, And may thy blessing be upon the witch Or on the fairy who did give thee to me ! " It was Diana who did come to me, All in the night in a dream, and said to me: " If thou would'st keep all evil folk afar, Then ever keep the vervain and the rue Safely beside thee I" I hole ii . But such a slone is IS really a claim to the ARADIA Great Diana I thou Who art the queen of heaven and of earth, And of the inferna! lands—yea, thou who art Protectress of all men unfortunate, Of thieves and murderers, and c Who lead an evil life, and yet hast known That their nature was not evil, thou, Diana, Hast still conferred on them some joy in life.' Or I may truly at another time So conjure thee that thou shalt have no peace Or happiness, for thou shalt ever be In suffering until thou grantest that Which 1 require in strictest faith from thee! [Here
Charles Godfrey Leland (Aradia, Gospel of the Witches)
She had no idea where Fergus had suddenly gotten to and was surprised he hadn’t tried to orchestrate something, anything, between Kerry and Cooper. Hopefully with her little demonstration just now, he’d never have the chance. No sooner had the thought passed through her mind than Fergus was there at her elbow. “I’ve got this,” he said, uncharacteristically low key as he edged her out of the way. “Gus--” He nudged her again with a bit more force than was necessary, then wedged his cane in between them to emphasize the point. “I’ll pour and pass. You go talk to your young man.” “He’s not my--” Fergus turned his bright blue eyes on her. “I know who he is.” His voice might brook no argument, but there was a world more feeling in his gaze than in his quietly spoken words. “So get on out while the getting’s good. We’re not too far from closing. I’ll get Sandy to help shut the place down. You’re officially off duty until tomorrow.” “But--” Now his gaze did turn steely, reminding her where she got the look from. “I believe I still own and run this place. So when I say you’re off until tomorrow, you’re off until tomorrow.” Kerry swallowed hard and was as shocked as anyone to feel the tiniest prickles behind her eyes. No matter what her latest exploit, he’d never, not once, looked at her with even a hint of disappointment. Until now. “Yes, sir.” His gaze softened, even if the set of his face did not. He leaned in and bussed her on the cheek, then whispered in her ear, “And I’m taking this round out of your pay, Sprite. Giving away my ale,” he added in a grumble. The grumble made her smile, and she gave him a quick, one-armed squeeze around his shoulders and a kiss on the side of his forehead, taking care not to put him off balance on his bad side. “I had to do something to throw them off the scent.” “I believe the something that is still on your scent is waiting for you by the door,” he said, then turned back to help Sandy, who manned the griddle in the kitchen on busy nights, fill and slide mugs down the bar. Kerry glanced up and over the heads of the folks crowding the bar to the tall man who, indeed, was standing by the door, his old Akubra in hand. Her gaze shifted from the ever-present drover’s hat he always wore for work to the penetrating and unwavering look in his beautiful eyes.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Speakin' of the Jones an' Plummer trail, I once hears a dance-hall girl who volunteers some songs over in a Tucson hurdygurdy, an' that maiden sort o' dims my sights some. First, she gives us The Dying Ranger, the same bein' enough of itse'f to start a sob or two; speshul when folks is, as Colonel Sterett says, 'a leetle drinkin'.' Then when the public clamours for more she sings something which begins: "'Thar's many a boy who once follows the herds,     On the Jones an' Plummer trail;   Some dies of drink an' some of lead,   An' some over kyards, an' none in bed;   But they're dead game sports, so with naught but good words,     We gives 'em "Farewell an' hail."' "Son, this sonnet brings down mem'ries; and they so stirs me I has to vamos that hurdygurdy to keep my emotions from stampedin' into tears. Shore, thar's soft spots in me the same as in oilier gents; an' that melody a-makin' of references to the old Jones an' Plummer days comes mighty clost to meltin' everything about me but my guns an' spurs.
Alfred Henry Lewis (Wolfville Nights)
When she was a girl, Eleanor had completely believed the tale. That Zephyr brought her back from Africa with him, a pearl that he'd swallowed, that had remained hidden deep within his jaw when he was shot, skinned, sold, and shipped, during the decades his pelt was put on proud display at the big house and through his subsequent repair to reduced circumstances at the Lake House. It was there, one day, when the tiger's head was tilted just so, that the pearl rolled out of his lifeless mouth and became lost in the long weave of the library carpet. It was trodden on, bypassed, and all but forgotten, until one dark night, while the household slept, it was found by fairies on a mission of theft. They took the pearl deep into the woods, where it was laid on a bed of leaves, studied and pondered and tentatively stroked, before being stolen by a bird, who mistook it for an egg. High in the treetops, the pearl began to grow and grow and grow, until the bird became frightened that her own eggs would be crushed and she rolled the argent orb back down the side of the tree, where it landed with a soft thud on a bed of leaf fall. There, in the light of the full moon, surrounded by curious fairy folk, the egg began to hatch and a baby emerged. The fairies gathered nectar to feed her and took turns rocking the babe to sleep, but soon no amount of nectar was enough, and even fairy magic could not keep the child content. A meeting was held and it was decided the woods were no place for a human child and she must be returned to the house, laid on the doorstep in a wrap of woven leaves. As far as Eleanor was concerned, it explained everything: why she felt such an affinity with the woods, why she'd always been able to glimpse the fairies in the meadows where other people saw only grass, why birds had gathered on the ledge outside the nursery window when she was an infant. It also explained the fierce tiger rage that welled up inside her at times, that made her spit and scream and stomp, so that Nanny Bruen hissed and told her she'd come to no good if she didn't learn to control herself. Mr. Llewellyn, on the other hand, said there were worse things in life than a temper, that it only proved one had an opinion. And a pulse, he added, the alternative to which was dire! He said a girl like Eleanor would do well to keep the coals of her impudence warm, for society would seek to cool them soon enough.
Kate Morton (The Lake House)
Again, folks, you've been witness to one of the most seldom seen events in history... I'm Chicken Larson saying good night, sleep tight and don't let the boogie man or a suicide blonde getchya.
Jenn Cooksey (The Other Fish in the Sea (Grab Your Pole, #2))
According to one narrative, an elderly couple spent the first night in their new home lying awake in terror, as they waited for the approach of domavoi. Not only might he have bad news for them, but it was well-known that he had a nasty habit of trying to strangle the people that he visited. The old woman screamed in terror as she felt something heavy and furry land on her chest, only to discover that it was the family cat! But on further reflection, the couple decided that the cat was the domavoi on this occasion, and that as its fur was soft and warm, good fortune would follow.
Cherry Gilchrist (Russian Magic: Living Folk Traditions of an Enchanted Landscape)
I returned home the evening before Adelaide Modine’s body was found and I attended the autopsy. Call it gruesome curiosity. Now, I’m sorry, Mr. Parker, but I have nothing more to say and a great deal of work to do.” He led me to the door and pushed open the screen to let me out. “You don’t seem particularly anxious to help me find Catherine Demeter, Mr. Hyams.” He breathed in heavily. “Who suggested that you talk to me, Mr. Parker?” “Alvin Martin mentioned your name.” “Mr. Martin is a good, conscientious deputy and an asset to this town, but he is still a comparatively recent arrival,” said Hyams. “The reason why I am reluctant to talk is a matter of client confidentiality. Mr. Parker, I am the only lawyer in this town. At some point, nearly everyone who lives here, regardless of color, income, religious or political belief, has passed through the door of my office. That includes the parents of the children who died. I know a great deal about what happened here, Mr. Parker, more than I might wish to know and certainly much more than I plan to share with you. I’m sorry, but that’s the end of the matter.” “I see. One more thing, Mr. Hyams.” “Yes?” he asked, wearily. “Sheriff Granger lives on this road too, doesn’t he?” “Sheriff Granger lives next door, the house on the right here. This house has never been burgled, Mr. Parker, a fact that is surely not unconnected. Good night.” He stood at the screen door as I drove away. I cast a glance at the sheriff’s house as I passed but there were no lights within and there was no car in the yard. As I drove back to Haven, raindrops began to strike the windshield and by the time I reached the outskirts of the town it had turned into a harsh, ceaseless downpour. The lights of the motel appeared through the rain. I could see Rudy Fry standing at the door, staring out into the woods and the gathering darkness beyond. By the time I had parked, Fry had resumed his position behind the reception desk. “What do folks do around here for fun, apart from trying to run other folks out of town?” I asked. Fry grimaced as he tried to separate the sarcasm from the substance of the question. “There ain’t much to do around here outside of drinking at the Inn,” he replied,
John Connolly (Every Dead Thing (Charlie Parker, #1))
I supposed Raquel was an idea. A memory I’d made too much out of, remembered too often, relived until the edges had grown worn and soft and frayed. Who’s to say that night ever really happened? Maybe it didn’t. Maybe it had been a figment of my imagination.
Penny Reid (Totally Folked (Good Folk: Modern Folktales, #1))
You do?” Marlboro Man responded. “You want to elope?” “Well yeah…kinda,” I responded. “What do you think?” “Well,” he began. “What brought this on?” He didn’t say it, but I knew he didn’t want to elope. He wanted to have a wedding. He wanted to celebrate. “Oh, I don’t know.” I hesitated, not really knowing how I felt or what to say. “I was just thinking about it when you called.” He paused for a moment. “You okay?” he asked. He’d detected the change in my voice, that a dark cloud had descended. “Oh, I’m fine!” I reassured him. “I’m totally fine. I just…oh, I just thought it might be fun to run off together.” But that wasn’t at all what I meant. What I meant was that I didn’t want to have anything whatsoever to do with family celebrations, tensions, stress, or marital problems. I didn’t want to have to worry from one day to the next whether my folks were going to hold it together through the next several months of wedding preparations. I just didn’t want to deal with it anymore. I wanted to bail. I wanted it to go away. But I didn’t say that; it was too much for that late-night phone call, too much for me to explain. “Well, I’m open,” Marlboro Man responded, yawning through his words. “We can just figure it out tomorrow.” “Yeah,” I said, yawning in return. “Good night…” I fell asleep on my comfortable chair, hugging Fox Johnson, a worn-out Steiff animal my parents had given me back when we were a happy, perfect family.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Miss Dunlap, you see, put on quite a dramatic display after she went back to the ballroom, far more dramatic than anything that dreary production she was trying to direct could have achieved. You won’t like hearing this, but the woman actually took to the stage and told everyone the rehearsal, as well as the final production, had been canceled. Then she told everyone in the ballroom about you and Miss Plum—and that Miss Plum had been the very unattractive Miss Fremont—and that Miss Plum had obviously gone to great lengths to pull the wool over everyone’s eyes, embarrassing the good folk of Tarrytown in the process by mocking their theatrical efforts.” “Oh . . . no,” Bram said. “Indeed,” Tilda agreed. “And unfortunately, it gets worse.” “Maybe you shouldn’t tell me everything all in one sitting, Tilda,” Bram said a little weakly. “Don’t be a coward, Mr. Haverstein. It’s always best to hear all the bad instead of parceling it out bit by painful bit.” Retaking his seat, he buried his face in his hands. “Very well, carry on.” “Well, you see, Miss Dunlap was clearly distraught, as well as disappointed, that you’d been discovered kissing Miss Plum. Because of that, she said some very disparaging things about Miss Plum, and before long Mr. Skukman joined her on stage.” “Oh . . . no.” “Exactly. Well, Miss Dunlap didn’t take kindly to him arguing with her, and she . . . attacked him.” Bram lifted his head. “She . . . attacked him?” Tilda nodded. “She did, but to give Mr. Skukman credit, he didn’t bat an eye as she went about the unpleasant business of pummeling him. It wasn’t harming him at all, of course, but when she started throwing things—and not just at him but at members of your staff as well—Mr. Skukman saved quite a few people from suffering injuries by picking up Miss Dunlap, tossing her over his shoulder, and carting her offstage.” “Should I ask what happened next?” “He was run out of Tarrytown by a horde of angry townswomen, and . . . to add further chaos to the evening, someone let Geoffrey out of the barn again and he chased Miss Dunlap and Miss Cooper all the way down the drive, until they were rescued by Ernie. Although . . . he was apparently in the process of creating some new gravestones for the back graveyard in case you needed some disturbing inspiration some night, and . . . there is now a rumor swirling about town that we’re up to some concerning shenanigans here at Ravenwood.” “The
Jen Turano (Playing the Part (A Class of Their Own, #3))
Stories come in all different kinds.” Hester scooted closer, clearly enjoying the subject at hand. “There’s tales, which are light and fluffy. Good for a smile on a sad day. Then you got yarns, which are showy—yarns reveal more about the teller than the story. After that there’s myths, which are stories made up by whole groups of people. And last of all, there’s legends.” She raised a mysterious eyebrow. “Legends are different from the rest on account no one knows where they start. Folks don’t tell legends; they repeat them. Over and again through history. And the story I have for you”—she sat back on her stool—“why, that one’s a legend.
Jonathan Auxier (The Night Gardener)
Game of Thrones - Feast for Crows. “Ser? My lady?" said Podrick. "Is a broken man an outlaw?" "More or less," Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world . . . "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them . . . but he should pity them as well.
G R R Martin
Mrs. Dursley had had a nice, normal day. She told him over dinner all about Mrs. Next Door’s problems with her daughter and how Dudley had learned a new word (“Won’t!”). Mr. Dursley tried to act normally. When Dudley had been put to bed, he went into the living room in time to catch the last report on the evening news: “And finally, bird-watchers everywhere have reported that the nation’s owls have been behaving very unusually today. Although owls normally hunt at night and are hardly ever seen in daylight, there have been hundreds of sightings of these birds flying in every direction since sunrise. Experts are unable to explain why the owls have suddenly changed their sleeping pattern.” The newscaster allowed himself a grin. “Most mysterious. And now, over to Jim McGuffin with the weather. Going to be any more showers of owls tonight, Jim?” “Well, Ted,” said the weatherman, “I don’t know about that, but it’s not only the owls that have been acting oddly today. Viewers as far apart as Kent, Yorkshire, and Dundee have been phoning in to tell me that instead of the rain I promised yesterday, they’ve had a downpour of shooting stars! Perhaps people have been celebrating Bonfire Night early — it’s not until next week, folks! But I can promise a wet night tonight.” Mr. Dursley sat frozen in his armchair. Shooting stars all over Britain? Owls flying by daylight? Mysterious people in cloaks all over the place? And a whisper, a whisper about the Potters . . . Mrs. Dursley came into the living room carrying two cups of tea. It was no good. He’d have to say something to her. He cleared his throat nervously. “Er — Petunia, dear — you haven’t heard from your sister lately, have you?” As
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
We didn’t believe when we first heard because you know how church folk can gossip. Like the time we all thought First John, our head usher, was messing around on his wife because Betty, the pastor’s secretary, caught him cozying up at brunch with another woman. A young, fashionable woman at that, one who switched her hips when she walked even though she had no business switching anything in front of a man married forty years. You could forgive a man for stepping out on his wife once, but to romance that young woman over buttered croissants at a sidewalk café? Now, that was a whole other thing. But before we could correct First John, he showed up at Upper Room Chapel that Sunday with his wife and the young, hip-switching woman—a great-niece visiting from Fort Worth—and that was that. When we first heard, we thought it might be that type of secret, although, we have to admit, it had felt different. Tasted different too. All good secrets have a taste before you tell them, and if we’d taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season. But we didn’t. We shared this sour secret, a secret that began the spring Nadia Turner got knocked up by the pastor’s son and went to the abortion clinic downtown to take care of it. She was seventeen then. She lived with her father, a Marine, and without her mother, who had killed herself six months earlier. Since then, the girl had earned a wild reputation—she was young and scared and trying to hide her scared in her prettiness. And she was pretty, beautiful even, with amber skin, silky long hair, and eyes swirled brown and gray and gold. Like most girls, she’d already learned that pretty exposes you and pretty hides you and like most girls, she hadn’t yet learned how to navigate the difference. So we heard all about her sojourns across the border to dance clubs in Tijuana, the water bottle she carried around Oceanside High filled with vodka, the Saturdays she spent on base playing pool with Marines, nights that ended with her heels pressed against some man’s foggy window. Just tales, maybe, except for one we now know is true: she spent her senior year of high school rolling around in bed with Luke Sheppard and come springtime, his baby was growing inside her. — LUKE SHEPPARD WAITED TABLES at Fat Charlie’s Seafood Shack, a restaurant off the pier known for its fresh food, live music, and family-friendly atmosphere. At least that’s what the ad in the San Diego Union-Tribune said, if you were fool enough to believe it. If you’d been around Oceanside long enough, you’d know that the promised fresh food was day-old fish and chips stewing under heat lamps, and the live music, when delivered, usually consisted of ragtag teenagers in ripped jeans with safety pins poking through their lips.
Brit Bennett (The Mothers)
It’s all very clever, all very droll, it may even be true, it may even be deserved, but it’s still criticism. Do you think those folk down there really want to know that the Seven Servants are nothing but a pack of computer-run, money-grabbing, capitalist leftovers from an unhappier age; that the Polytheon is nothing but a jumble of corporate-personality simulation programs that got out of hand; that their beloved Elector is just a crazy athleto who got pulled out of a gym one night and stuck on the Salamander Throne; that the Ministry of Pain is run by professional incompetents who got promoted beyond their natural ability because the Compassionate Society wants everyone to do the job which makes them happiest, irrespective of whether they are any good at it? You think that would make them any happier, no matter how funny you make the faces or the walks or the words?
Ian McDonald (Out on Blue Six)