Good Morning Viewers Quotes

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I think a good film is one that has a lasting power, and you start to reconstruct it right after you leave the theater. There are a lot of films that seem to be boring, but they are decent films. On the other hand, there are films that nail you to your seat and overwhelm you to the point that you forget everything, but you feel cheated later. These are the films that take you hostage. I absolutely don’t like the films in which the filmmakers take their viewers hostage and provoke them. I prefer the films that put their audience to sleep in the theater. I think those films are kind enough to allow you a nice nap and not leave you disturbed when you leave the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake me up thinking about them in the morning, and keep on thinking about them for weeks. Those are the kinds of films I like.
Abbas Kiarostami
But you're stuck filming crap now." Hal snorted. "Chased by monsters? Better be damn good at running." "And exactly how do you get hurt filming a landscaping show?" Taggart retorted. "If it can't kill us, we don't film it," Jane said, to stop the fighting before it could start. "There's a lot of dangerous flora and fauna in Pittsburgh and it doesn't stay beyond the Rim. It comes into people's backyards and sets up shop. We teach our viewers how to deal with it, but it means we have to actually get close enough to get hurt." "Deal with, as in kill?" Nigel seemed flabbergasted. "This isn't Earth. These aren't endangered species. This morning we were dealing with a very large strangler vine in a neighborhood with lots of children. There's no way to 'move' it to someplace where it isn’t a danger, especially while it's actively trying to kill anything that stumbles into its path. Pets. Children. Automated lawnmowers." "That one is always amusing to watch but it always ends badly for the lawnmower," Hal said.
Wen Spencer (Pittsburgh Backyard and Garden (Elfhome, #1.5))
The Master is not trapped in opposites. His this is also a that. He sees that life becomes death and death becomes life, that right has a kernel of wrong within it and wrong a kernel of right, that the true turns into the false and the false into the true. He understands that nothing is absolute, that since every point of view depends on the viewer, affirmation and denial are equally beside the point.   The place where the this and the that are not opposed to each other is called “the pivot of the Tao.” When we find this pivot, we find ourselves at the center of the circle, and here we sit, serene, while Yes and No keep chasing each other around the circumference, endlessly. Mind can only create the qualities of good and bad by comparing. Remove the comparison, and there go the qualities. What remains is the pure unknown: ungraspable object, ungraspable subject, and the clear light of awareness streaming through. The pivot of the Tao is the mind free of its thoughts. It doesn’t believe that this is a this or that that is a that. Let Yes and No sprint around the circumference toward a finish line that doesn’t exist. How can they stop trying to win the argument of life until you stop? When you do, you realize that you were the only one running. Yes was you, No was you, the whole circumference, with its colored banners, its pom-pom girls and frenzied crowds—that was you as well. At the center, the eyes open and again it’s the sweet morning of the world. There’s nothing here to limit you, no one here to draw a circumference. In fact, there’s no one here—not even you. 7 Nothing in the world is bigger than the tip of an autumn hair, and Mount Everest is tiny.
Stephen Mitchell (The Second Book of the Tao)