Good Avid Quotes

As any avid reader knew, a good read deserved a good seat.

Good morning. "Getting ahead in a difficult profession requires avid faith in yourself. That is why some people with mediocre talent, but with the inner drive, go much farther than people with vastly superior talent

This is my attempt to make sense of the period that followed, weeks and then months that cut loose any fixed idea I had ever had about death, about illness, about probability and luck, about good fortune and bad, about marriage and children and memory, about grief, about the ways in which people do and do not deal with the fact that life ends, about the shallowness of sanity, about life itself. I have been a writer my entire life. As a writer, even as a child, long before what I wrote began to be published, I developed a sense that meaning itself was resident in the rhythms of words and sentences and paragraphs, a technique for withholding whatever it was I thought or believed behind an increasingly impenetrable polish. The way I write is who I am, or have become, yet this is a case in which I wish I had instead of words and their rhythms a cutting room, equipped with an Avid, a digital editing system on which I could touch a key and collapse the sequence of time, show you simultaneously all the frames of memory that come to me now, let you pick the takes, the marginally different expressions, the variant readings of the same lines. This is a case in which I need more than words to find the meaning. This is a case in which I need whatever it is I think or believe to be penetrable, if only for myself.

A good writer is also an avid reader. A good reader is also a vivid dreamer. A good dreamer is also a good learner. And a good learner is definitely a good listener. A good listener is always looking to what the heart speaks. A spoken heart talks directly to a silent soul. And a silent soul is most of the time in pace with a peaceful thought. A peaceful thought is also a good writer...

My father wrote beautifully,” Esmé interrupted. “I’m saving a number of his letters for posterity.” I said that sounded like a very good idea. I happened to be looking at her enormous-faced, chrono-graphic-looking wristwatch again. I asked if it had belonged to her father. She looked down at her wrist solemnly. “Yes, it did,” she said. “He gave it to me just before Charles and I were evacuated.” Self-consciously, she took her hand off the table, saying, “Purely as a momento, of course.” She guided the conversation in a different direction. “I’d be extremely flattered if you’d write a story exclusively for me sometime. I’m an avid reader.” I told her I certainly would, if I could. I said that I wasn’t terribly prolific. “It doesn’t have to be terribly prolific! Just so that isn’t childish and silly.” She reflected. “I prefer stories about squalor.” “About what?” I said, leaning forward. “Squalor. I’m extremely interested in squalor.

Good writers are avid readers. They have absorbed a vast inventory of words, idioms, constructions, tropes, and rhetorical tricks,

Lately she can read a novel in two hours. She has always been an avid reader, but these days she can read much faster. The colors, the conversations, everything is much more vibrant and inclusive, as if opening a book releases genies trapped inside. The scenes and people between their covers sometimes seem more vivid than real life, with their sunny, pearl-toothed characters, the witty conversation, the handsome stranger squeezed into a subway car or knocking about on the street. Sometimes, when she finishes a book at record speed, Dana feels a slight letdown, as if a good friend has hung up the phone in the middle of a conversation.

I first met Winston Churchill in the early summer of 1906 at a dinner party to which I went as a very young girl. Our hostess was Lady Wemyss and I remember that Arthur Balfour, George Wyndman, Hilaire Belloc and Charles Whibley were among the guests… I found myself sitting next to this young man who seemed to me quite different from any other young man I had ever met. For a long time he seemed sunk in abstraction. Then he appeared to become suddenly aware of my existence. He turned on me a lowering gaze and asked me abruptly how old I was. I replied that I was nineteen. “And I,” he said despairingly, “am thirty-two already. Younger than anyone else who counts, though, “he added, as if to comfort himself. Then savagely: “Curse ruthless time! Curse our mortality. How cruelly short is this allotted span for all we must cram into it!” And he burst forth into an eloquent diatribe on the shortness of human life, the immensity of possible human accomplishment—a theme so well exploited by the poets, prophets, and philosophers of all ages that it might seem difficult to invest it with new and startling significance. Yet for me he did so, in a torrent of magnificent language which appeared to be both effortless and inexhaustible and ended up with the words I shall always remember: “We are all worms. But I do believe that I am a glow worm.” By this time I was convinced of it—and my conviction remained unshaken throughout the years that followed. Later he asked me whether I thought that words had a magic and music quite independent of their meaning. I said I certainly thought so, and I quoted as a classic though familiar instance the first lines that came into my head. Charm’d magic casements, opening on the foam Of perilous seas, in faery lands forlorn. His eyes blazed with excitement. “Say that again,” he said, “say it again—it is marvelous!” “But I objected, “You know these lines. You know the ‘Ode to a Nightengale.’ ” He had apparently never read or heard of it before (I must, however, add that next time I met him he had not learned not merely this but all of the odes to Keats by heart—and he recited them quite mercilessly from start to finish, not sparing me a syllable). Finding that he liked poetry, I quoted to him from one of my own favorite poets, Blake. He listened avidly, repeating some lines to himself with varying emphases and stresses, then added meditatively: “I never knew that old Admiral had found so much time to write such good poetry.” I was astounded that he, with his acute susceptibility to words and power of using them, should have left such tracts of English literature entirely unexplored. But however it happened he had lost nothing by it, when he approached books it was “with a hungry, empty mind and with fairly srong jaws, and what I got I *bit*.” And his ear for the beauty of language needed no tuning fork. Until the end of dinner I listened to him spellbound. I can remember thinking: This is what people mean when they talk of seeing stars. That is what I am doing now. I do not to this day know who was on my other side. Good manners, social obligation, duty—all had gone with the wind. I was transfixed, transported into a new element. I knew only that I had seen a great light. I recognized it as the light of genius… I cannot attempt to analyze, still less transmit, the light of genius. But I will try to set down, as I remember them, some of the differences which struck me between him and all the others, young and old, whom I have known. First and foremost he was incalculable. He ran true to no form. There lurked in his every thought and world the ambush of the unexpected. I felt also that the impact of life, ideas and even words upon his mind, was not only vivid and immediate, but direct. Between him and them there was no shock absorber of vicarious thought or precedent gleaned either from books or other minds. His relationship wit

Lauren's eyes widened.An entire page had been devoted to the Children's Hospital Benefit Ball.In the center was a color picture of her-with Nick. They were dancing, and he was grinning down at her. Lauren's face was in profile, tilted up to his. The caption read, "Detroit industrialist J. Nicholas Sinclair and companion." "It does look like me, doesn't it?" she hedged, glancing at the excited, avidly curious faces surrounding her desk. "Isn't that an amazing coincidence?" She didn't want her relationship with Nick to be public knowledge until the time was right, and she certainly didn't want her co-workers to treat her any differently. "You mean it isn't you?" one of the women said disappointedly. None of them noticed the sudden lull, the silence sweeping over the office as people stopped talking and typewriters went perfectly still... "Good morning, ladies," Nick's deep voice said behind Lauren. Six stunned women snapped to attention, staring in fascinated awe as Nick leaned over Lauren from behind and braced his hands on her desk. "Hi," he said, his lips so near her ear that Lauren was afraid to turn her head for fear he would kiss her in front of everyone. He glanced at the newspaper spread out on her desk. "You look beautiful, but who's that ugly guy you're dancing with?" Without waiting for an answer, he straightened, affectionately rumpled the hair on the top of her head and strolled into Jim's office, closing the door behind him. Lauren felt like sinking throught the floor in embarrassment. Susan Brook raised her brows. "What an amazing coincidence," she teased.

As an avid reader, she tended to get lost in the love between the pages of a good book.

Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes. From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant. The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time. My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen. In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.

Call me D." "D?" "You asked my name, I told ya." "Yeah, it's just that... well, most of the time in names, D is followed by some more letters. Like -onald, or -avid." D stared at him for a few seconds, then seemed to relax. "D's good enough.

Saturday evening, on a quiet lazy afternoon, I went to watch a bullfight in Las Ventas, one of Madrid's most famous bullrings. I went there out of curiosity. I had long been haunted by the image of the matador with its custom made torero suit, embroidered with golden threads, looking spectacular in his "suit of light" or traje de luces as they call it in Spain. I was curious to see the dance of death unfold in front of me, to test my humanity in the midst of blood and gold, and to see in which state my soul will come out of the arena, whether it will be shaken and stirred, furious and angry, or a little bit aware of the life embedded in every death. Being an avid fan of Hemingway, and a proponent of his famous sentence "About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after,” I went there willingly to test myself. I had heard atrocities about bullfighting yet I had this immense desire to be part of what I partially had an inclination to call a bloody piece of cultural experience. As I sat there, in front of the empty arena, I felt a grandiose feeling of belonging to something bigger than anything I experienced during my stay in Spain. Few minutes and I'll be witnessing a painting being carefully drawn in front of me, few minutes and I will be part of an art form deeply entrenched in the Spanish cultural heritage: the art of defying death. But to sit there, and to watch the bull enter the arena… To watch one bull surrounded by a matador and his six assistants. To watch the matador confronting the bull with the capote, performing a series of passes, just before the picador on a horse stabs the bull's neck, weakening the neck muscles and leading to the animal's first loss of blood... Starting a game with only one side having decided fully to engage in while making sure all the odds will be in the favor of him being a predetermined winner. It was this moment precisely that made me feel part of something immoral. The unfair rules of the game. The indifferent bull being begged to react, being pushed to the edge of fury. The bull, tired and peaceful. The bull, being teased relentlessly. The bull being pushed to a game he isn't interested in. And the matador getting credits for an unfair game he set. As I left the arena, people looked at me with mocking eyes. Yes, I went to watch a bull fight and yes the play of colors is marvelous. The matador’s costume is breathtaking and to be sitting in an arena fills your lungs with the sands of time. But to see the amount of claps the spill of blood is getting was beyond what I can endure. To hear the amount of claps injustice brings is astonishing. You understand a lot about human nature, about the wars taking place every day, about poverty and starvation. You understand a lot about racial discrimination and abuse (verbal and physical), sex trafficking, and everything that stirs the wounds of this world wide open. You understand a lot about humans’ thirst for injustice and violence as a way to empower hidden insecurities. Replace the bull and replace the matador. And the arena will still be there. And you'll hear the claps. You've been hearing them ever since you opened your eyes.

Everyone loves a good story. As the folklorist Sybil Marshall observed, “It seems that mankind is born with an avid appetite for details of other lives beside the one his own small span of corporeal existence grants to him; it is as though he seizes from his earliest years upon this way of enlarging the bounds of his own life.

I trust . . . that the good sense of our countrymen will guard the public weal against this and every other innovation and that, altho[ugh] we may be a little wrong now and then, we shall return to the right path with more avidity.” It was an accurate forecast of American history, both its tragic lapses and its miraculous redemptions.

They always think one commits suicide for a reason. But it is quite possible to commit suicide for two reasons. No, that never occurs to them. So what is the good of dying intentionally, of sacrificing yourself to the idea you want people to have of you? Once you are dead, they will take advantage of it to attribute idiotic or vulgar motives to your action. Martyrs,cherami, must choose between being forgotten, mocked, or made use of. As for being understood--never! Besides, let us not beat about the bush; I love life--that is my real weakness. I love it so much that I am incapable of imagining what is not life. Such avidity has something plebeian about it, don't you think?

Phoebe was relieved to discover she would be accompanied by Westcliff's oldest son, Lord Foxhall, whom she had known her entire life. He was a big, boldly handsome man in his twenties, an avid sportsman like his father. As the earl's heir, he had been accorded a viscountcy, but he and Phoebe were far too familiar to stand on ceremony. "Fox," she exclaimed, a wide smile crossing her face. "Cousin Phoebe." He leaned down to kiss her cheek, his dark eyes snapping with lively humor. "It seems I'm your escort. Bad luck for you." "To me it's good luck- how could it be otherwise?" "With all the eligible men present, you should be with one who doesn't remember you as a little girl in pigtails, sliding down one of the banisters at Stony Cross Manor.

At its root, the logic is that of the Grand Inquisitor, who bitterly assailed Christ for offering people freedom and thus condemning them to misery. The Church must correct the evil work of Christ by offering the miserable mass of humanity the gift they most desire and need: absolute submission. It must “vanquish freedom” so as “to make men happy” and provide the total “community of worship” that they avidly seek. In the modern secular age, this means worship of the state religion, which in the Western democracies incorporates the doctrine of submission to the masters of the system of public subsidy, private profit, called free enterprise. The people must be kept in ignorance, reduced to jingoist incantations, for their own good. And like the Grand Inquisitor, who employs the forces of miracle, mystery, and authority “to conquer and hold captive for ever the conscience of these impotent rebels for their happiness” and to deny them the freedom of choice they so fear and despise, so the “cool observers” must create the “necessary illusions” and “emotionally potent oversimplifications” that keep the ignorant and stupid masses disciplined and content.

I think the church has done a pretty good job at reaching the "down and outers" but not a good job at reaching the "up and outers." I feel like one of my mandates is to reach corporate America with a message that relates to them. As an avid reader, I realized that the church at large was not speaking the language of corporate America or strategically to the needs of a corporate man/woman.

The offerings of Machiavelli (1469–1527), Guicciardini (1483–1540), La Rochefoucauld (1613–80) and La Bruyère (1645–96) give us an indication of the manoeuvres that workers may, aside from their regular advertised roles, have to perform in order to flourish: The need to beware of colleagues: ‘Men are so false, so insidious, so deceitful and cunning in their wiles, so avid in their own interest, and so oblivious to others’ interests, that you cannot go wrong if you believe little and trust less.’ GUICCIARDINI ‘We must live with our enemies as if they might one day become our friends, and live with our friends as if they might some time or other become our enemies’. LA BRUYÈRE The need to lie and exaggerate: ‘The world more often rewards signs of merit than merit itself.’ LA ROCHEFOUCAULD ‘If you are involved in important affairs, you must always hide failures and exaggerate successes. It is swindling but since your fate more often depends upon the opinion of others rather than on facts, it is a good idea to create the impression that things are going well.’ GUICCIARDINI ‘You are an honest man, and do not make it your business either to please or displease the favourites. You are merely attached to your master and to your duty. You are finished.’ LA BRUYÈRE The need to threaten: ‘It is much safer to be feared than loved. Love is sustained by a bond of gratitude which, because men are excessively self-interested, is broken whenever they see a chance to benefit themselves. But fear is sustained by a dread of punishment that is always effective.’ MACHIAVELLI ‘Since the majority of men are either not very good or not very wise, one must rely more on severity than on kindness.’ GUICCIARDINI

Unless the Labour leadership candidates decide to settle the issue through televised mud-wrestling (Adam Boulton, I think, for referee, and he may even take part) they will find it hard to gain massive attention for their utterances. Nor would the wannabes be wise to sign up to Lord Adonis's optimistic gloom about the coalition not lasting. Watching David Laws this week going about deficit reduction with an avidity bordering on the erotic, I realised that there are very good reasons why the centre should hold.

Good writers are avid readers. They have absorbed a vast inventory of words, idioms, constructions, tropes, and rhetorical tricks, and with them a sensitivity to how they mesh and how they clash. This is the elusive "ear" of a skilled writer-the tacit sense of style which every honest stylebook, echoing Wilde, confesses cannot be explicitly taught. Biographers of great authors always try to track down the books their subjects read when they were young, because they know these sources hold the key to their development as writers.

What the hell is all this I read in the papers?" "Narrow it down for me," Alan suggested. "I suppose it might have been a misprint," Daniel considered, frowning at the tip of his cigar before he tapped it in the ashtray he kept secreted in the bottom drawer of his desk. "I think I know my own flesh and blood well enough." "Narrow it just a bit further," Alan requested, though he'd already gotten the drift.It was simply too good to end it too soon. "When I read that my own son-my heir, as things are-is spending time fraternizing with a Campbell, I know it's a simple matter of misspelling. What's the girl's name?" Along with a surge of affection, Alan felt a tug of pure and simple mischief. "Which girl is that?" "Dammit,boy! The girl you're seeing who looks like a pixie.Fetching young thing from the picture I saw.Good bones; holds herself well." "Shelby," Alan said, then waited a beat. "Shelby Campbell." Dead silence.Leaning back in his chair, Alan wondered how long it would be before his father remembered to take a breath. It was a pity, he mused, a real pity that he couldn't see the old pirate's face. "Campbell!" The word erupted. "A thieving, murdering Campbell!" "Yes,she's fond of MacGregor's as well." "No son of mine gives the time of day to one of the clan Campbell!" Daniel bellowed. "I'll take a strap to you, Alan Duncan MacGregor!" The threat was as empty now as it had been when Alan had been eight, but delivered in the same full-pitched roar. "I'll wear the hide off you." "You'll have the chance to try this weekend when you meet Shelby." "A Campbell in my house! Hah!" "A Campbell in your house," Alan repeated mildly. "And a Campbell in your family before the end of the year if I have my way." "You-" Emotions warred in him. A Campbell versus his firmest aspiration: to see each of his children married and settled, and himself laden with grandchildren. "You're thinking of marriage to a Campbell?" "I've already asked her.She won't have me...yet," he added. "Won't have you!" Paternal pride dominated all else. "What kind of a nitwit is she? Typical Campbell," he muttered. "Mindless pagans." Daniel suspected they'd had some sorcerers sprinkled among them. "Probably bewitched the boy," he mumbled, scowling into space. "Always had good sense before this.Aye, you bring your Campbell to me," he ordered roundly. "I'll get to the bottom of it." Alan smothered a laugh, forgetting the poor mood that had plagued him only minutes earlier. "I'll ask her." "Ask? Hah! You bring the girl, that daughter of a Campbell, here." Picturing Shelby, Alan decided he wouldn't iss the meeting for two-thirds the popular vote. "I'll see you Friday, Dad.Give Mom my love." "Friday," Daniel muttered, puffing avidly on his cigar. "Aye,aye, Friday." As he hung up Alan could all but see his father rubbing his huge hands togther in anticipation. It should be an interesting weekened.

Men have before hired bravos to transact their crimes, while their own person and reputation sat under shelter. I was the first that ever did so for his pleasures. I was the first that could plod in the public eye with a load of genial respectability, and in a moment, like a schoolboy, strip off these lendings and spring headlong into the sea of liberty. But for me, in my impenetrable mantle, the safety was complete. Think of it-I did not even exist! Let me but escape into my laboratory door, give me but a second or two to mix and swallow the draught that I had always standing ready; and whatever he had done, Edward Hyde would pass away like the stain of breath upon a mirror; and there in his stead, quietly at home, trimming the midnight lamp in his study, a man who could afford to laugh at suspicion, would be Henry Jekyll. The pleasures which I made haste to seek in my disguise were, as I have said, undignified; I would scarce use a harder term. But in the hands of Edward Hyde, they soon began to turn toward the monstrous. When I would come back from these excursions, I was often plunged into a kind of wonder at my vicarious depravity. This familiar that I called out of my own soul, and sent forth alone to do his good pleasure, was a being inherently malign and villainous; his every act and thought centered on self; drinking pleasure with bestial avidity from any degree of torture to another; relentless like a man of stone. Henry Jekyll stood at times aghast before the acts of Edward Hyde; but the situation was apart from ordinary laws, and insidiously relaxed the grasp of conscience. It was Hyde, after all, and Hyde alone, that was guilty. Jekyll was no worse; he woke again to his good qualities seemingly unimpaired; he would even make haste, where it was possible, to undo the evil done by Hyde. And thus his conscience slumbered.

As an avid student of mountaineering history, I knew that Everest had killed more than 130 people since the British first visited the mountain in 1921—approximately one death for every four climbers who’d reached the summit—and that many of those who died had been far stronger and possessed vastly more high-altitude experience than I. But boyhood dreams die hard, I discovered, and good sense be damned. In late February 1996, Bryant called to say that there was a place waiting for me on Rob Hall’s upcoming Everest expedition. When he asked if I was sure I wanted to go through with this, I said yes without even pausing to catch my breath.

They always think one commits suicide for a reason. But it is quite possible to commit suicide for two reasons. No, that never occurs to them. So what is the good of dying intentionally, of sacrificing yourself to the idea you want people to have of you? Once you are dead, they will take advantage of it to attribute idiotic or vulgar motives to your action. Martyrs,cherami, must choose between being forgotten, mocked, or made use of. As for being understood--never! Besides, let us not beat about the bush; I love life--that is my real weakness. I love it so much that I am incapable of imagining whatis not life. Such avidity has something plebeian about it, dont you think?

No regrets?” he murmured to Hunt as they strode down the hall, while Shaw and St. Vincent followed at a more leisurely pace. Hunt glanced at him with a questioning smile. He was a big, dark-haired man, with the same sense of uncompromising masculinity and the same avid interest in hunting and sportsmanship that Marcus possessed. “About what?” “Being led around by the nose by your wife.” That drew a wry grin from Hunt, and he shook his head. “If my wife does lead me around, Westcliff, it’s by an altogether different body part. And no, I have no regrets whatsoever.” “I suppose there’s a certain convenience in being married,” Marcus mused aloud. “Having a woman close at hand to satisfy your needs, not to mention the fact that a wife is undoubtedly more economical than a mistress. There is, moreover, the begetting of heirs to consider…” Hunt laughed at his effort to cast the issue in a practical light. “I didn’t marry Annabelle for convenience. And although I haven’t tabulated any numbers, I can assure you that she is not cheaper than a mistress. As for the begetting of heirs, that was the farthest thing from my mind when I proposed to her.” “Then why did you?” “I would tell you, but not long ago you said that you hoped I wouldn’t start—how did you put it?—‘pollinate the air with maudlin sentiment.’” “You believe yourself to be in love with her.” “No,” Hunt countered in a relaxed manner, “I am in love with her.” Marcus lifted his shoulders in a brief shrug. “If believing that makes marriage more palatable to you, so be it.” “Good God, Westcliff…” Hunt murmured, a curious smile on his face, “haven’t you ever been in love?” “Of course. Obviously I have found that some women are preferable to others in terms of disposition and physical appearance—” “No, no, no…I’m not referring to finding someone who is ‘preferable.’ I mean completely being absorbed by a woman who fills you with desperation, longing, ecstasy…” Marcus threw him a disparaging glance. “I haven’t time for that nonsense.” Hunt annoyed him by laughing.

It seems to me indisputably true that a good many people, the wide world over, of varying ages, cultures, natural endowments, respond with a special impetus, a zing, even, in some cases, to artists and poets who as well as having a reputation for producing great or fine art have something garishly Wrong with them as persons: a spectacular flaw in character or citizenship, a construably romantic affliction or addiction-extreme self-centredness, marital infidelity, stone-deafness, stone-blindness, a terrible thirst, a mortally bad cough, a soft spot for prostitutes, a partiality for grand-scale adultery or incest, a certified or uncertified weakness for opium or sodomy, and so on, God have mercy on the lonely bastards. If suicide isn't at the top of the list of compelling infirmities for creative men, the suicide poet or artist, one can't help noticing, has always been given a very considerable amount of avid attention, not seldom on sentimental grounds almost exclusively, as if he were (to put it much more horribly than I really want to) the floppy-eared runt of the litter. It's a thought, anyway, finally said, that I've lost sleep over many times, and possibly will again. Според мен много и много хора по широкия свят, хора на различна възраст, с различна култура и различни заложби гледат с особен възторг и дори понякога величаят онези художници и поети, които освен дето са си спечелили име с голямото си или добро изкуство имат нещо шантаво в себе си: нетърпими недостатъци в характера или в гражданското поведение, любовна страст или скръб, изключителен егоцентризъм, извънбрачна връзка, глухота, слепота, неутолима жажда, смъртоносна кашлица, слабост към проститутки, склонност към чудовищни прелюбодеяния или кръвосмешение, документирана или недокументирана страст към опиума или содомията и прочее — пази боже, самотните копелета. Макар самоубийството да не стои на първо място в списъка на задължителните за твореца недостатъци, не можем да не забележим, че самоубилият се поет или художник винаги се радва на много голямо, завидно внимание, нерядко само по чисто сантиментални причини, сякаш е (ще се изразя по-ужасно, отколкото ми се ще) клепоухото недорасло кутре от кучилото. Тази мисъл — това е последно — много пъти не ми е давала мира по цели нощи и сигурно пак ще върши същото.

liberalism still presupposes that all human beings have equal value and authority. From a liberal perspective, it is perfectly all right that one person is a billionaire living in a sumptuous chateau, whereas another is a poor peasant living in a straw hut. For according to liberalism, the peasant’s unique experiences are still just as valuable as the billionaire’s. That’s why liberal authors write long novels about the experiences of poor peasants – and why even billionaires read such books avidly. If you go to see Les Misérables in Broadway or Covent Garden, you will find that good seats can cost hundreds of dollars, and the audience’s combined wealth probably runs into the billions, yet they still sympathise with Jean Valjean who served nineteen years in jail for stealing a loaf of bread to feed his starving nephews.

You ask for something specific and that thing—that thing alone—is delivered to you as quickly as possible. You are only shown what you ask for. The Avid is faster at it than the Moviola, but the process is the same. That’s a drawback for me because your choices can then only be as good as your requests, and sometimes that is not enough. There is a higher level that comes through recognition: You may not be able to articulate what you want, but you can recognize it when you see it. What do I mean by that? Well, if you learn to speak a foreign language, you will find that there is a gap between how well you can speak it and how well you can understand it when it is spoken to you. A human being’s ability to understand a foreign language is always greater than his ability to speak it. And when you make a film, you are trying to learn a foreign language—it just happens to be a unique language that is only spoken by this one film. If you have to articulate everything, as you do with a ran-dom-access system like video/computer or Moviola/ assistant, you are limited by what and how much you can articulate and how good your original notes were. Whereas the advantage of the KEM’s linear system is that I do not always have to be speaking to it—there are times when it speaks to me. The system is constantly presenting things for consideration, and a sort of dialogue takes place. I might say, “I want to see that close-up of Teresa, number 317, in roll 45.” But I’ll put that roll on the machine, and as I spool down to number 317 (which may be hundreds of feet from the start), the machine shows me everything at high speed down to that point, saying in effect: “How about this instead? Or this?” And I find, more often than not, long before I get down to shot 317, that I’ve had three other ideas triggered by the material that I have seen flashing by me.

The middle boy always reminded Thomas Hudson of an otter. He had the same color hair as an otter’s fur and it had almost the same texture as that of an underwater animal and he browned all over in a strange dark gold tan. He always reminded his father of the sort of animal that has a sound and humorous life by itself. Otters and bears are the animals that joke most and bears, of course, are very close to men. This boy would never be wide enough and strong enough to be a bear and he would never be an athlete, nor did he want to be; but he had a lovely small-animal quality and he had a good mind and a life of his own. He was affectionate and he had a sense of justice and was good company. He was also a Cartesian doubter and an avid arguer and he teased well and without meanness although sometimes he teased toughly. He had other qualities no one knew about and the other two boys respected him immensely although they tried to tease him and tear him down on any point where he was vulnerable. Naturally they had rows among themselves and they teased each other with considerable malice, but they were well mannered and respectful with grown-ups.

Rapunzel woke up to the dazzling, sparkling, gently chiming display with more cheer than anyone really should who had spent the last six thousand and approximately nine hundred days in a lonely tower. "This birthday is going to be great. I just know it!" She only really knew about birthdays because she had read about them in one of the thirty-seven books she owned: Book #3: Stories from Rome and Other Great Empires. Marc Antony apparently had splendid birthdays, and Cleopatra gave him the most cunning gifts. Anyway, they seemed like a marvelous idea, and she had adopted this time of year as her own. Had there been anyone around, they would have been amazed at the hermit's beauty. For one thing, her cheeks were surprisingly rosy for a girl who had been indoors her whole life. (This was because on sunny Wednesday and Saturday afternoons she carefully followed the window-shaped spot of sun around her room, lying down and soaking in the warm rays.) Her eyes were large and green because of parents she had never known. Her lips were usually set in an expectant smile because she was Rapunzel; good-natured, lighthearted, with a quick mind that constantly refused to be crushed by her circumstances.

To Harry James Potter,’” he read, and Harry’s insides contracted with a sudden excitement, “‘I leave the Snitch he caught in his first Quidditch match at Hogwarts, as a reminder of the rewards of perseverance and skill.’” As Scrimgeour pulled out the tiny, walnut-sized golden ball, its silver wings fluttered rather feebly, and Harry could not help feeling a definite sense of anticlimax. “Why did Dumbledore leave you this Snitch?” asked Scrimgeour. “No idea,” said Harry. “For the reasons you just read out, I supposed . . . to remind me what you can get if you . . . persevere and whatever it was.” “You think this a mere symbolic keepsake, then?” “I suppose so,” said Harry. “What else could it be?” “I’m asking the questions,” said Scrimgeour, shifting his chair a little closer to the sofa. Dusk was really falling outside now; the marquee beyond the windows towered ghostly white over the hedge. “I notice that your birthday cake is in the shape of a Snitch,” Scrimgeour said to Harry. “Why is that?” Hermione laughed derisively. “Oh, it can’t be a reference to the fact Harry’s a great Seeker, that’s way too obvious,” she said. “There must be a secret message from Dumbledore hidden in the icing!” “I don’t think there’s anything hidden in the icing,” said Scrimgeour, “but a Snitch would be a very good hiding place for a small object. You know why, I’m sure?” Harry shrugged. Hermione, however, answered: Harry thought that answering questions correctly was such a deeply ingrained habit she could not suppress the urge. “Because Snitches have flesh memories,” she said. “What?” said Harry and Ron together; both considered Hermione’s Quidditch knowledge negligible. “Correct,” said Scrimgeour. “A Snitch is not touched by bare skin before it is released, not even by the maker, who wears gloves. It carries an enchantment by which it can identify the first human to lay hands upon it, in case of a disputed capture. This Snitch”—he held up the tiny golden ball—“will remember your touch, Potter. It occurs to me that Dumbledore, who had prodigious magical skill, whatever his other faults, might have enchanted this Snitch so that it will open only for you.” Harry’s heart was beating rather fast. He was sure that Scrimgeour was right. How could he avoid taking the Snitch with his bare hand in front of the Minister? “You don’t say anything,” said Scrimgeour. “Perhaps you already know what the Snitch contains?” “No,” said Harry, still wondering how he could appear to touch the Snitch without really doing so. If only he knew Legilimency, really knew it, and could read Hermione’s mind; he could practically hear her brain whirring beside him. “Take it,” said Scrimgeour quietly. Harry met the Minister’s yellow eyes and knew he had no option but to obey. He held out his hand, and Scrimgeour leaned forward again and placed the Snitch, slowly and deliberately, into Harry’s palm. Nothing happened. As Harry’s fingers closed around the Snitch, its tired wings fluttered and were still. Scrimgeour, Ron, and Hermione continued to gaze avidly at the now partially concealed ball, as if still hoping it might transform in some way. “That was dramatic,” said Harry coolly. Both Ron and Hermione laughed. “That’s all, then, is it?” asked Hermione, making to prise herself off the sofa. “Not quite,” said Scrimgeour, who looked bad-tempered now. “Dumbledore left you a second bequest, Potter.” “What is it?” asked Harry, excitement rekindling. Scrimgeour did not bother to read from the will this time. “The sword of Godric Gryffindor,” he said. Hermione and Ron both stiffened. Harry looked around for a sign of the ruby-encrusted hilt, but Scrimgeour did not pull the sword from the leather pouch, which in any case looked much too small to contain it.

were good friends. They’d maintained their friendship after Ted was out of the game. Both of them were avid fishermen, but they both had different ideas about it. They would hassle on technique, and neither would give in to the other.” Wallace Lawrimore vividly remembered the April 6, 1939, game in Florence between the Red Sox and the Reds. “Daddy carried two carloads of family to the game. We all went up to the dugout to tell Cronin we wanted some passes to get in. I got a program from that day, with all the players’ autographs.” The one ball field Florence had was deemed unsuitable for a major-league game because the fences were too short, so it was decided to build a field from scratch at the local fairgrounds. They laid down a coating of dirt for the infield and put up some circus-style bleachers for the 2,285 spectators who showed up, but when it came time for the game, gale-force winds blowing out toward left field drove the dirt everywhere, and conditions made the game virtually unplayable. It was called in the ninth inning, with the score tied 18–18, because they ran out of baseballs. Ted went 1–2 before leaving the game in the third inning after complaining of chills and a fever. Several days later, Gerry Moore of the Globe summed up spring training

Roan studied the photo in his hand. Shiloh Gallagher had to be twenty-nine years old according to what Maud had told him. Damned if she didn’t look twenty-five or so, her features unlined. She wasn’t model pretty, but she had an arresting face, with huge intelligent-looking green eyes. His gaze dropped to her mouth and he felt himself stir. Her mouth would make any man go crazy. Her upper lip was full, but thinner than her lower one. The shape of her mouth made him feel heat in his lower body. “Is she married?” “No,” Maud said. She’s single. Never did marry. I don’t know why. Shiloh’s a beautiful girl.” She was hardly a girl, but Roan said nothing because he was fully reacting to her as a woman. He wondered if she was curvy or rail thin. He was disgruntled over his avid curiosity. “I have no problem with it. You know I get up early and come in late. She’s going to have to fend for herself. I’m not cooking for her.” “Right,” Maud agreed. “She’s pretty shaken up, Roan. You might find that stressful until, hopefully, Shiloh will start to relax.” Shrugging, he slid the photo onto the desk. “Maud, I just hope I don’t stress her out with my award-winning personality,” he said, and he cracked a small, sour grin. Maud cackled. “I think you’ll like her, Roan. She’s a very kind person. An introvert like you. Just remember, she’s trying to write. Because of the stalking, she’s suffering from writer’s block and she’s got a book due to her editor in six months. So, she’s under a lot of other stress.” “I’ll handle it, Maud. No problem.” “Good,” Maud said, relieved. She sat up in the chair. “I’ll call Shiloh back, let her know she can come, and I’ll find out what time she’s arriving tomorrow. I’d like you to pick her up at the Jackson Hole Airport. So take that photo with you.” He stood, settling the cowboy hat on his head. “Don’t need the photo.” Because her face was already stamped across his heart. Whatever that meant. “I’ll find her after she deplanes, don’t worry. Just get back to me on the time.

THE THING THAT ENTRANCED ME about Chicago in the Gilded Age was the city’s willingness to take on the impossible in the name of civic honor, a concept so removed from the modern psyche that two wise readers of early drafts of this book wondered why Chicago was so avid to win the world’s fair in the first place. The juxtaposition of pride and unfathomed evil struck me as offering powerful insights into the nature of men and their ambitions. The more I read about the fair, the more entranced I became. That George Ferris would attempt to build something so big and novel—and that he would succeed on his first try—seems, in this day of liability lawsuits, almost beyond comprehension. A rich seam of information exists about the fair and about Daniel Burnham in the beautifully run archives of the Chicago Historical Society and the Ryerson and Burnham libraries of the Art Institute of Chicago. I acquired a nice base of information from the University of Washington’s Suzallo Library, one of the finest and most efficient libraries I have encountered. I also visited the Library of Congress in Washington, where I spent a good many happy hours immersed in the papers of Frederick Law Olmsted, though my happiness was at times strained by trying to decipher Olmsted’s execrable handwriting. I read—and mined—dozens of books about Burnham, Chicago, the exposition, and the late Victorian era. Several proved consistently valuable: Thomas Hines’s Burnham of Chicago (1974); Laura Wood Roper’s FLO: A Biography of Frederick Law Olmsted (1973); and Witold Rybczynski’s A Clearing in the Distance (1999). One book in particular, City of the Century by Donald L. Miller (1996), became an invaluable companion in my journey through old Chicago. I found four guidebooks to be especially useful: Alice Sinkevitch’s AIA Guide to Chicago (1993); Matt Hucke and Ursula Bielski’s Graveyards of Chicago (1999); John Flinn’s Official Guide to the World’s Columbian Exposition (1893); and Rand, McNally & Co.’ s Handbook to the World’s Columbian Exposition (1893). Hucke and Bielski’s guide led me to pay a visit to Graceland Cemetery, an utterly charming haven where, paradoxically, history comes alive.

The last time I saw Collin was in 1917, at the foot of Mort-Homme. Before the great slaughter, Collin’d been an avid angler. On that day, he was standing at the hole, watching maggots swarm among blow flies on two boys that we couldn’t retrieve for burial without putting our own lives at risk. And there, at the loop hole, he thought of his bamboo rods, his flies and the new reel he hadn’t even tried out yet. Collin was imaging himself on the riverbank, wine cooling in the current his stash of worms in a little metal box and a maggot on his hook, writhing like… Holy shit. Were the corpses getting to him? Collin. The poor guy didn’t even have time to sort out his thoughts. In that split second, he was turned into a slab of bloody meat. A white hot hook drilled right through him and churned through his guts, which spilled out of a hole in his belly. He was cleared out of the first aid station. The major did triage. Stomach wounds weren’t worth the trouble. There were all going to die anyway, and besides, he wasn’t equipped to deal with them. Behind the aid station, next to a pile of wood crosses, there was a heap of body parts and shapeless, oozing human debris laid out on stretchers, stirred only be passing rats and clusters of large white maggots. But on their last run, the stretcher bearers carried him out after all… Old Collin was still alive. From the aid station to the ambulance and from the ambulance to the hospital, all he could remember was his fall into that pit, with maggots swarming over the open wound he had become from head to toe… Come to think of it, where was his head? And what about his feet? In the ambulance, the bumps were so awful and the pain so intense that it would have been a relief to pass out. But he didn’t. He was still alive, writhing on his hook. They carved up old Collin good. They fixed him as best they could, but his hands and legs were gone. So much for fishing. Later, they pinned a medal on him, right there in that putrid recovery room. And later still, they explained to him about gangrene and bandages packed with larvae that feed on death tissue. He owed them his life. From one amputation and operation to the next – thirty-eight in all – the docs finally got him “back on his feet”. But by then, the war was long over.

Dinner? Oooh. I do so love a man who likes to eat.” She winked. He fought a blush. Him. A blush. What the hell? “Shouldn’t you return to your friends?” Before he did something crazy like invite her back to his place for dessert. “They can wait while I have dinner with my Pookie. I mean, I wouldn’t want to be rude on our first date.” “This is not a date.” “And yet, there’s you, me, and food!” She clapped as she exclaimed the last word, probably because the server arrived bearing a massive platter laden with a ridiculously large steak and all the fixings. Before he’d finished saying thank you to Claude for being so prompt with his meal, she’d sawed off a piece of his porterhouse and popped it in her mouth. As she chewed, eyes closed, she made happy noises. Noises that should not be allowed in public. Noise she should make only while he touched her. Noises that made him snap, “Do you mind? This is my supper.” “Sorry, Pookie. That was so rude of me. Here, have a bite.” The next piece of steak she cut she offered on the tines of her fork, a fork that had touched her lips. Refuse. We don’t share. We— He devoured it, the bite an absolute delight. Juicy, a slight hint of salt and garlic, butter-soft to chew. His turn to sigh. “Damn, that’s good.” “Make that noise again,” she growled. He glanced at her and noticed she stared at his mouth, avidly. Hungrily… It was both flattering and disturbing. He needed to stop this. Right now. “If you don’t mind, I would prefer to eat alone.” “Alone?” “Yes, alone. While I am complimented by your interest in me, I’m afraid you’re mistaken about everything else. We are not on a date. We are not mates. We are nothing. Zilch. Nada.” No point in sugarcoating it. Best to lay it all out now before she got any further with this crazy idea they belonged together. But we do belong to her. Leo ignored his inner feline as he waited for her outburst. Women never took rejection well. Either they resorted to tears and wailing, or they resorted to screaming and ranting. But honesty was best. However, Meena didn’t react as expected. Her lips stretched into a full grin, her eyes sparkled, and she leaned forward— pressing her breasts together, causing her neckline to droop and give him a peek at the shadowy valley they created. “Resistance is futile. But cute. Think of me later when you’re masturbating, I know I’ll be thinking of you.” With a last stolen bite of his dinner, she popped up from her seat and sashayed to the bar. Don’t look. Don’t look. Pfft. He was a cat. Of course he looked, and admired the hypnotic swish of her ass.

Creative people generally are self-motivated, independent, delighted by novelty, risk takers, tolerant of ambiguity, deeply involved in their work, avid readers, and world travelers.

David Hume would put it even more vividly: all the other passions, including self-interest itself, have relatively minor effect on our lives, compared with the desire for property. “This avidity alone of acquiring goods and possessions for ourselves and our nearest friends is insatiable, perpetual, universal, and directly destructive of society .

I’ve had my fill of reading essays about the Salem Witch Trails. Who knew the Puritans were such avid hikers?

I sought good judgment mostly by collecting instances of bad judgment, then pondering ways to avoid such outcomes. Second, I became so avid a collector of instances of bad judgment that I paid no attention to boundaries between professional territories. After all, why should I search for some tiny, unimportant, hard-to-find new stupidity in my own field when some large, important, easy-to find stupidity was just over the fence in the other fellow's professional territory?

Like most derivatives salesmen, I was an avid gambler and more attracted to FID than IBD. Fortunately, I wouldn’t have to make a choice. The firm had placed the derivatives group at the intersection of these two core business—and for good reasons. Derivatives were making the firm a lot of money, and the derivatives salesmen needed and deserved as much access and support as they could get. DPG had the benefit of direct ties to both the old-boy network of the investment bankers and the risk-taking expertise of the salesmen and traders. For convenience, DPG was centrally located just off the fourth-floor elevators on prime real estate, near the center of Morgan Stanley’s massive bond trading floor.

Apparently, I’m known as a “reader.” I read two or three books a week, which normally comes in at around one hundred and twenty-five books a year. And I feel pretty good about that. At least I did. Until I read Charles Chu’s calculations. The average American reads two hundred to four hundred words per minute. At that speed we could all read two hundred books a year, nearly twice my quota, in just 417 hours. Sounds like a lot, right? 417? That’s over an hour a day. But can you guess how much time the average American spends on social media each year? The number is 705 hours. TV…2,737.5 hours. Meaning, for just a fraction of the time we give to social media and television, we could all become avid readers to the nth degree. Chu lamented: Here’s the simple truth behind reading a lot of books. It’s not that hard. We have all the time we need. The scary part—the part we all ignore—is that we are too addicted, too weak, and too distracted to do what we all know is important.

We establish government precisely to put a check on other people’s avidity for our personal goods. Where property is, laws and government follow, not out of keen desire for them, but out of necessity.

We took a grassroots approach, focusing on our avid supporters and encouraging them to create a club mentality and a sense of community long before there was even a team.

A good father provides shelter—physically, emotionally, psychologically, and spiritually. If you’re a wise father who loves your children, you will shelter them. You will protect them. You will shield them. You will filter the world for them. You will do your best to know what and who is influencing them, even if it means inconvenience to you or feeling like you’re the only parent on the block who might care.

Apparently he did, for he scrutinized the dates on the dwarf-pedestals with the deepest attention and finally remarked, 'I see you have written a date on each of these. What does that signify?' "'The dates are those on which I acquired the respective specimens,' I answered. "'Oh, indeed.' He reflected, with a profoundly speculative eye on Number Five. I judged that he was trying to recall a date furnished by Number Five's cousin and that he would have liked to consult his note-book. "'The particulars,' I said, 'are too lengthy to put on the labels, but they are set out in detail in the catalogue.' "'Can I see the catalogue?' he asked eagerly. "'Certainly.' I produced a small manuscript volume—not the catalogue which is attached to the 'Archives,' but a dummy that I had prepared for such a contingency as had arisen—and handed it to him. He opened it with avidity, and, turning at once to Number Five, began, with manifest disappointment, to read the description aloud. "'5. Male skeleton of Teutonic type exhibiting well-marked characters of degeneration. The skull is asymmetrical, subdolichocephalic.' (He pronounced this word subdolichocolophalic' and paused abruptly, turning rather red. It is an awkward word.) 'Yes,' he said, closing the catalogue, 'very interesting, very remarkable. Exceedingly so. I should very much like to possess a skeleton like that.' "'You are much better off with the one you have got,' I remarked. "'Oh, I don't mean that,' he rejoined hastily. 'I mean that I should like to acquire a specimen like this Number Five for my proposed collection. Now how could I get one?' "'Well,' I said reflectively, 'there are several ways.' I paused and he gazed at me expectantly. 'You could, for instance,' I continued slowly, 'provide yourself with a lasso and take a walk down Whitechapel High Street.' "'Good gracious!

I was an avid believer that actions speak louder than words. I’d always told myself so long as my actions remained true to who I was, a grizzly exterior wasn’t an issue. But I’d kept the good actions a secret, like getting her building superintendent to do his job and adding extra money to her paycheck and keeping overzealous customers at bay. She couldn’t use them as part of her measure if she never knew that side of me.

You can build good habits. Not drinking alcohol will keep your mood more stable. Not eating sugar will keep your mood more stable. Not going on Facebook, Snapchat, or Twitter will keep your mood more stable. Playing video games will make you happier in the short run—and I used to be an avid gamer—but in the long run, it could ruin your happiness. You’re being fed dopamine and having dopamine withdrawn from you in these little uncontrollable ways. Caffeine is another one where you trade long term for the short term.

Do evil or foolish thoughts, or just plain dumb thoughts, pop into my head? Oh, heck yes, they do. But I can catch on. I can recognize what they are. I can replace those thoughts with better ones. I can get busy doing something else. I don’t have to beat myself up for stuff that pops into my head. When that does happen, I can move on. I have to move on, or I will never be the man I need to be, and could have been, for others. I can’t mess this one up. Everyone around me is depending on it. It’s the same with you. What you pay attention to will affect the people around you, for good or ill. If the keeper’s heart is lost, the garden is lost too.

Centuries after Joseph, another came who was rejected by his own (John 1:11) and was sold for silver coins (Matt 26:14–16). He was denied and betrayed by his brethren, and was unjustly put into chains and sentenced to death. He too prayed fervently, asking the Father if the cup of suffering and death he was about to experience could pass from him. But when we look at Jesus’ prayer, we see that he, like Joseph, says that this is “the Father’s cup” (John 18:11). The suffering is part of God’s good plan. As he says to Pilate, “You would have no power over me if it were not given to you from above” (John 19:11). Jesus finally says to the Father, “Thy will be done” (Matt 27:42). He dies for his enemies, forgiving them as he does, because he knows that the Father’s redemptive loving purposes are behind it all. His enemies meant it for evil, but God overruled it and used it for the saving of many lives. Now raised to the right hand of God, he rules history for our sake, watching over us and protecting us. Imagine you have been an avid follower of Jesus. You’ve seen his power to heal and do miracles. You’ve heard the unsurpassed wisdom of his speech and the quality of his character. You are thrilled by the prospect of his leadership. More and more people are flocking to hear him. There’s no one like him. You imagine that he will bring about a golden age for Israel if everyone listens to him and follows his lead. But then, there you are at the cross with the few of his disciples who have the stomach to watch. And you hear people say, “I’ve had it with this God. How could he abandon the best man we have ever seen? I don’t see how God could bring any good out of this.” What would you say? You would likely agree. And yet you are standing there looking at the greatest, most brilliant thing God could ever do for the human race. On the cross, both justice and love are being satisfied—evil, sin, and death are being defeated. You are looking at an absolute beauty, but because you cannot fit it into your own limited understanding, you are in danger of walking away from God. Don’t do it. Do what Jesus did—trust God. Do what Joseph did—trust God even in the dungeon. It takes the entire Bible to help us understand all the reasons that Jesus’ death on the cross was not just a failure and a tragedy but was consummate wisdom. It takes a major part of Genesis to help us understand God’s purposes in Joseph’s tribulations. Sometimes we may wish that God would send us our book—a full explanation! But even though we cannot know all the particular reasons for our crosses, we can look at the cross and know God is working things out.

As he recalled the fervor years later, “by means of systematized effort, large numbers of people of all ages, but especially the young, were converted” to born-again Christianity. “So great was the alarm awakened in the minds of some of these converts, that they became victims of religious frenzy….Many thousands of our citizens were influenced by the religious enthusiasm which was sweeping like a tornado through our land.” That young man was Phineas Barnum, known as P.T., who by his early twenties was earning a living in Connecticut selling lottery tickets. Coming of age during this period of avid belief in the unbelievable, Barnum had had his career-making, world-changing epiphany: he realized “the perfect good-nature with which the American public submits to a clever humbug.

I loved college... I knew exactly why I was there and what I wanted to get out of it. I wished I could take every course in the curriculum and read every book in the library. Sometimes after I finished a particularly good book, I had the urge to get the library card, find our who else had read the book, and track them down to talk about it.

My Great-Grandma G, an avid reader, always said "a good book can take you anywhere you want to go". No need for passports, spending money, or travel insurance. Where are you off to next?

In particular, raising blood sugar will increase the production of what are known technically as reactive oxygen species and advanced glycation end-products, both of which are potentially toxic. The former are generated primarily by the burning of glucose (blood sugar) for fuel in the cells, in a process that attaches electrons to oxygen atoms, transforming the oxygen from a relatively inert molecule into one that is avid to react chemically with other molecules. This is not an ideal situation biologically. One form of reactive oxygen species is those known commonly as free radicals, and all of them together are known as oxidants, because what they do is oxidize other molecules (the same chemical reaction that causes iron to rust, and equally deleterious). The object of oxidation slowly deteriorates. Biologists refer to this deterioration as oxidative stress. Antioxidants neutralize reactive oxygen species, which is why antioxidants have become a popular buzzword in nutrition discussions. The

McNamara, Bundy (who had been too powerful for Pusey at Harvard), Rostow, Arthur Schlesinger, Sargent Shriver. Did they need a Texan? Everyone who met Bill Moyers came away impressed—a Kennedy-style Texan, with perhaps too much of the Bible in him, but that would change. A general? They had Maxwell Taylor, a good general, soldier-statesman, an intellectual who read books avidly and had even written one. They said he had resigned in the Eisenhower years in protest against the archaic defense policies, but they were wrong—he had not resigned, he had retired after serving the full four years, and then he had written his book. But the book was so critical that it seemed as if he had resigned—a small but very important difference which went unnoticed at the time. Still, he was their general; if Harvard produced generals it would have produced Max Taylor

It shouldn’t be a surprise—and it pleases me no end—that Beckett was an avid cyclist. “The bicycle is a great good,” he once wrote. “But it can turn nasty, if ill employed.

Naomi Wolf dares to explode the myth of 'victim feminism' and pleads for allowing women to be as full of good and bad desires as men, as avid for sexual fulfilment and power as men, but held back by the twin myths of good-girlism and sentimental sisterhood. Though she is perhaps too sanguine about women quickly overcoming their fear of power, Wolf fills me with hope because I see her analysis as having shattered the false categories that imprisoned my generation. Women do not have to agree about everything to join in alliance with each other to promote female power. Women do not have to cast out their inner bad girl to assert their right to power. Women do not have to cast out their sexuality to be 'good sisters'.

From a liberal perspective, it is perfectly all right that one person is a billionaire living in a sumptuous chateau, whereas another is a poor peasant living in a straw hut. For according to liberalism, the peasant’s unique experiences are still just as valuable as the billionaire’s. That’s why liberal authors write long novels about the experiences of poor peasants – and why even billionaires read such books avidly. If you go to see Les Misérables in Broadway or Covent Garden, you will find that good seats can cost hundreds of dollars, and the audience’s combined wealth probably runs into the billions, yet they still sympathise with Jean Valjean who served nineteen years in jail for stealing a loaf of bread to feed his starving nephews. Homo Deus: A Brief History of Tomorrow

as the architect and designer William McDonough has put it, the avid pursuit of resource efficiency is simply not enough. ‘Being less bad is not being good,’ he says. ‘It is being bad, just less so.’19 And once you think about it, pursuing mission zero is an odd vision for an industrial revolution, as if intentionally stopping on the threshold of something far more transformative. After all, if your factory can produce as much energy and clean water as it uses, why not see if it could produce more? If you can eliminate all toxic materials from your production process, why not introduce health-enhancing ones in their place? Instead of aiming merely to ‘do less bad’, industrial design can aim to ‘do more good’ by continually replenishing, rather than more slowly depleting, the living world. Why simply take nothing when you could also give something?

his lifetime NRA membership in a blistering letter. It’s worth reading the whole text to get a sense of the totality of Bush’s fury: I was outraged when, even in the wake of the Oklahoma City tragedy, Mr. Wayne LaPierre, executive vice president of N.R.A., defended his attack on federal agents as “jack-booted thugs.” To attack Secret Service agents or A.T.F. people or any government law enforcement people as “wearing Nazi bucket helmets and black storm trooper uniforms” wanting to “attack law abiding citizens” is a vicious slander on good people. Al Whicher, who served on my [U.S. Secret Service] detail when I was Vice President and President, was killed in Oklahoma City. He was no Nazi. He was a kind man, a loving parent, a man dedicated to serving his country—and serve it well he did. In 1993, I attended the wake for A.T.F. agent Steve Willis, another dedicated officer who did his duty. I can assure you that this honorable man, killed by weird cultists, was no Nazi. John Magaw, who used to head the U.S.S.S. and now heads A.T.F., is one of the most principled, decent men I have ever known. He would be the last to condone the kind of illegal behavior your ugly letter charges. The same is true for the F.B.I.’s able Director Louis Freeh. I appointed Mr. Freeh to the Federal Bench. His integrity and honor are beyond question. Both John Magaw and Judge Freeh were in office when I was President. They both now serve in the current administration. They both have badges. Neither of them would ever give the government’s “go ahead to harass, intimidate, even murder law abiding citizens.” (Your words) I am a gun owner and an avid hunter. Over the years I have agreed with most of N.R.A.’s objectives, particularly your educational and training efforts, and your fundamental stance in favor of owning guns. However, your broadside against Federal agents deeply offends my own sense of decency and honor; and it offends my concept of service to country. It indirectly slanders a wide array of government law enforcement officials, who are out there, day and night, laying their lives on the line for all of us. You have not repudiated Mr. LaPierre’s unwarranted attack. Therefore, I resign as a Life Member of N.R.A., said resignation to be effective upon your receipt of this letter. Please remove my name from your membership list. Sincerely, [signed] George Bush

He had a good healthy sense of meum, and as little of tuum as he could help. Brought up much in the open air in one of the best situated and healthiest villages in England, his little limbs had fair play, and in those days children’s brains were not overtasked as they now are; perhaps it was for this very reason that the boy showed an avidity to learn. At seven or eight years old he could read, write and sum better than any other boy of his age in the village. My

Tonight, with the umite candle burning low, she turned to her favorite entry in the journal and read Patton’s familiar handwriting: Having returned scant hours ago from a singular adventure, I now find myself unable to suppress the urge to impart my thoughts. I have seldom considered whom I intend to read the covert information compiled in this record. Upon the occasions when I have paid heed to the matter, I have vaguely concluded that I was jotting these notations for myself. But I am now aware that these words will reach an audience, and that her name is Kendra Sorenson. Kendra, I find this realization both thrilling and foreboding. You face challenging times. Some of the knowledge I possess could aid you. Regrettably, much of that same knowledge could usher you into unspeakable danger. I keep staging vigorous internal debates in the attempt to discern what information will grant you an advantage over your enemies and what information might further imperil your situation. Much of what I know has the potential to cause more harm than good. Your enemies among the Society of the Evening Star will balk at nothing to obtain the five artifacts that together can open Zzyzx, the great demon prison. At the time I left you, to our knowledge, they had acquired only one artifact, while your able grandfather retained another. I have information about two of the artifacts that you lack, and could probably acquire more knowledge with some effort. And yet I hesitate to share. If you or others try to pursue or guard the artifacts, you might inadvertently lead our enemies to them. Or you could be harmed in the attempt to retrieve them. Conversely, if the Sphinx is in avid pursuit of the artifacts, I am inclined to believe that he will eventually succeed. Under certain circumstances, it would benefit our cause for you to have my knowledge in order to keep the artifacts out of his grasp. Therefore, Kendra, I have elected to rely on your judgment. I will not include the specifics in this journal, for who could resist such temptingly convenient access, regardless of that person’s integrity? But in the hidden chamber beyond the Hall of Dread I will disguise further details regarding the hiding places of two of the artifacts. Unearth that information only if you find it becomes absolutely necessary. Otherwise, do not even mention that such knowledge exists. Use discretion and patience and courage. My hope is that the information will lie dormant for your whole lifetime. If not, information about the location of the hidden chamber awaits elsewhere in this journal. Go to the chamber and use a mirror to find the message on the ceiling. Kendra, I wish I could be there to help you. Your loved ones are strong and capable. Put your trust where it belongs and make smart decisions. Keep that brother of yours in line. I am grateful to have such an exemplary niece. Drumming

No matter the age, desertions of duty, large and small, happen for the avid gamer: skipping class, dodging chores, neglecting family or even neglecting other pleasures (good food, outdoors, reading books)–all for the sake of “more.” Honest gamers know this nearly invisible line that separates “escape” and “desertion.” And they also know that on the far side of escape, the pleasures of play are often greatly diminished. “More play” does not always render “more pleasure.

Power was about bending other people’s free will, making them comply and obey. Good people didn’t think in those terms, which made the avid pursuit of power a vocation for evil people.

Sonnet Macabre" I love you for the grief that lurks within Your languid spirit, and because you wear Corruption with a vague and childish air, And with your beauty know the depths of sin; Because shame cuts and holds you like a gin, And virtue dies in you slain by despair, Since evil has you tangled in its snare And triumphs on the soul good cannot win. I love you since you know remorse and tears, And in your troubled loveliness appears The spot of ancient crimes that writhe and hiss: I love you for your hands that calm and bless, The perfume of your sad and slow caress, The avid poison of your subtle kiss.

What in Hades were you doing, lady? I almost hit you." Remington rose to confront him, but before he could say a word, Madeline came up like an infuriated wasp. "What was I doing? What were you doing? You almost hit this dog." Her cheeks and the tip of her nose glowed scarlet with fury. Her eyes sparked with brilliant blue. She had a smudge on one cheek and her hat was askew, but that didn't matter, for all the passion she had revealed in the morning's kiss she put into the defense of a mutt she had never before seen. Surly with guilt, the youth said, "It was just a flea-ridden stray." Then her loveliness registered. He jerked to attention, back straight, shoulders back. He stared with avid fascination into her face. "I believe we may have met, although I can't quite remember-" She rampaged on, "Is that the way you were taught? To run over defenseless animals?" Stepping back, Remington folded his arms. This youth didn't stand a chance. Her eyes narrowed. "Wait a minute. I recognize you. You're Lord Mauger!" "Yes, I... I am. Viscount Mauger, humbly at your service." Whipping his hat from his head, the youth bowed, eager to make a belated good impression on the beauty before him. "And you are...?" She wasn't impressed or interested. "I know your mother, and she would box your ears for this." Dull red rose in Mauger's cheeks. "You won't tell her." "Not if you promise to be more careful in the future. I won't be around to rescue the next dog, and I remember what a fine lad you were. You love animals, and you'd feel guilty if you killed one." "You're... you're right." Mauger's pleading eyes looked much like the dog's. "I just bought the chestnut, and came into town, and I wanted to show him off, but that's no excuse..." As Mauger dug his toe into the dirt, Remington realized he was observing a master at work. She had taken the young man from fury, to infatuation, to guilt in one smooth journey, and Mauger adored her for it.

My husband and I have lived in Oregon for 55 years in Eugene, Portland, Neskowin and Hood River. We have explored much of Oregon and are avid readers of travel and history. We are familiar with Oregon’s bigoted history and Oregon’s positive and negative politics. From Bettie Denny’s fiction book I could picture places, people and events. The book begins and ends in the Lone Fir Cemetery founded in 1866 in southeast Portland. Murphy Gardener, a new Oregonian reporter, is assigned to cover the Halloween cemetery tales at the cemetery, meeting a black cat, and a new friend, Anji. Murphy and Anji soon meet for breakfast at the Zell Café and embark on a historical quest. Untangling a chain of events and people through maps, letters, photos and directories they sort though the detritus of lives. A photo and a dubious translation, ending at the Lone Fir Cemetery, give some probable answers to their quest. I love mysteries and Denny does an exquisite job of linking the present to the past. She visits The Oregon State Hospital Museum, Oregon Historical Society, Chinatown, Phil Knight Library, Columbia Gorge Discovery Center and Edgefield. She reads about suffrage, about the “incorrigible’” Abigail Scott Dunaway and her infamous brother Harvey Scott, publisher of the Oregonian. She uncovers past issues of sex slaves and current issues sex trafficking. She also showplaces current establishments such as the Bipartisan Café in Montavilla, The Sunshine Mills in The Dalles where she gathers with those who are aiding her in her historical quest. For those of you Oregonians who want a good mystery taking place in your own backyard, I recommend this book highly.

identify your employee adjectives, (2) recruit through proper advertising, (3) identify winning personalities, and (4) select your winners. Step One: Identify Your Employee Adjectives When you think of your favorite employees in the past, what comes to mind? A procedural element such as an organized workstation, neat paperwork, or promptness? No. What makes an employee memorable is her attitude and smile, the way she takes the time to make sure a customer is happy, the extra mile she goes to ensure orders are fulfilled and problems are solved. Her intrinsic qualities—her energy, sense of humor, eagerness, and contributions to the team—are the qualities you remember. Rather than relying on job descriptions that simply quantify various positions’ duties and correlating them with matching experience as a tool for identifying and hiring great employees, I use a more holistic approach. The first step in the process is selecting eight adjectives that best define the personality ideal for each job or role in your business. This is a critical step: it gives you new visions and goals for your own management objectives, new ways to measure employee success, and new ways to assess the performance of your own business. Create a “Job Candidate Profile” for every job position in your business. Each Job Candidate Profile should contain eight single- and multiple-word phrases of defining adjectives that clearly describe the perfect employee for each job position. Consider employee-to-customer personality traits, colleague-to-colleague traits, and employee-to-manager traits when making up the list. For example, an accounting manager might be described with adjectives such as “accurate,” “patient,” “detailed,” and “consistent.” A cocktail server for a nightclub or casual restaurant would likely be described with adjectives like “energetic,” “fun,” “music-loving,” “sports-loving,” “good-humored,” “sociable conversationalist,” “adventurous,” and so on. Obviously, the adjectives for front-of-house staff and back-of-house staff (normally unseen by guests) will be quite different. Below is one generic example of a Job Candidate Profile. Your lists should be tailored for your particular bar concept, audience, location, and style of business (high-end, casual, neighborhood, tourist, and so on). BARTENDER Energetic Extroverted/Conversational Very Likable (first impression) Hospitable, demonstrates a Great Service Attitude Sports Loving Cooperative, Team Player Quality Orientated Attentive, Good Listening Skills SAMPLE ADJECTIVES Amazing Ambitious Appealing Ardent Astounding Avid Awesome Buoyant Committed Courageous Creative Dazzling Dedicated Delightful Distinctive Diverse Dynamic Eager Energetic Engaging Entertaining Enthusiastic Entrepreneurial Exceptional Exciting Fervent Flexible Friendly Genuine High-Energy Imaginative Impressive Independent Ingenious Keen Lively Magnificent Motivating Outstanding Passionate Positive Proactive Remarkable Resourceful Responsive Spirited Supportive Upbeat Vibrant Warm Zealous Step Two: Recruit through Proper Advertising The next step is to develop print or online advertising copy that will attract the personalities you’ve just defined.

Power was about bending other people’s free will, making them comply and obey. Good people didn’t think in those terms, which made the avid pursuit of power a vocation for evil people. Worse still was the certainty that evil people would never stop trying to lord their will over others. And the natural result of that truth was that evil people would always gravitate toward government while most good people would avoid it at nearly all costs. Government wasn’t a necessary evil, it was necessarily evil. It couldn’t be otherwise given the nature of those who yearned to be a part of it.

Denys Overholser reported back to me on May 5, 1975, on his attempts to design the stealthiest shape for the competition. He was wearing a confident smile as he sat down on the couch in my office with a preliminary designer named Dick Scherrer, who had helped him sketch out the ultimate stealth shape that would result in the lowest radar observability from every angle. What emerged was a diamond beveled in four directions, creating in essence four triangles. Viewed from above the design closely resembled an Indian arrowhead. Denys was a hearty outdoorsman, a cross-country ski addict and avid mountain biker, a terrific fellow generally, but inexplicably fascinated by radomes and radar. That was his specialty, designing radomes—the jet’s nose cone made out of noninterfering composites, housing its radar tracking system. It was an obscure, arcane specialty, and Denys was the best there was. He loved solving radar problems the way that some people love crossword puzzles. “Boss,” he said, handing me the diamond-shaped sketch, “Meet the Hopeless Diamond.” “How good are your radar-cross-section numbers on this one?” I asked. “Pretty good.” Denys grinned impishly. “Ask me, ‘How good?’ ” I asked him and he told me. “This shape is one thousand times less visible than the least visible shape previously produced at the Skunk Works.” “Whoa!” I exclaimed. “Are you telling me that this shape is a thousand times less visible than the D-21 drone?” “You’ve got it!” Denys exclaimed. “If we made this shape into a full-size tactical fighter, what would be its equivalent radar signature… as big as what—a Piper Cub, a T-38 trainer… what?” Denys shook his head vigorously. “Ben, understand, we are talking about a major, major, big-time revolution here. We are talking infinitesimal.” “Well,” I persisted, “what does that mean? On a radar screen it would appear as a… what? As big as a condor, an eagle, an owl, a what?” “Ben,” he replied with a loud guffaw, “try as big as an eagle’s eyeball.

You can build good habits. Not drinking alcohol will keep your mood more stable. Not eating sugar will keep your mood more stable. Not going on Facebook, Snapchat, or Twitter will keep your mood more stable. Playing video games will make you happier in the short run—and I used to be an avid gamer—but in the long run, it could ruin your happiness. You’re being fed dopamine and having dopamine withdrawn from you in these little uncontrollable ways. Caffeine is another one where you trade long term for the short term. Essentially, you have to go through your life replacing your thoughtless bad habits with good ones, making a commitment to be a happier person. At the end of the day, you are a combination of your habits and the people who you spend the most time with.