“
I was sentimental about many things: a woman’s shoes under the bed; one hairpin left behind on the dresser; the way they said, 'I’m going to pee.' hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking; talking; the arguments; thinking of suicide; eating together and feeling good; the jokes; the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3am; being told you snore; hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce; but always carring on, always seeing it through; reading a newspaper alone in a sandwich joint and feeling nausea because she’s now married to a dentist with an I.Q. of 95; racetracks, parks, park picnics; even jails; her dull friends; your dull friends; your drinking, her dancing; your flirting, her flirting; her pills, your fucking on the side and her doing the same; sleeping together
”
”
Charles Bukowski (Women)
“
First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth.
Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself.
It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
”
”
Carson McCullers (The Ballad of the Sad Café and Other Stories)
“
Captain Phelan,” Cam asked, choosing his words with care. “Have you come to ask for our consent to marry Beatrix?”
Christopher shook his head.
“If I decide to marry Beatrix, I’ll do it with or without your consent.”
Leo looked at Cam. “Good God,” he said in disgust. “This one’s worse than Harry.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Kier, do friends kiss each other good luck?” “Hell, yes,” he replied in mock seriousness. “I gave Con a good bit of lip loving this afternoon to cheer him on.
”
”
R.J. Prescott (The Hurricane (The Hurricane, #1))
“
You don’t annoy me.” Carefully he rebuttoned the placket of her shirt. “I thought you did, at first. But now I realize it was more like the feeling you get when your foot’s been asleep. And when you start moving, the blood coming back into it is uncomfortable . . . but also good. Do you understand what I mean?”
“Yes. I make your feet tingle.”
A smile came to his lips. “Among other things.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
”
”
John Richard Spencer
“
Well, good afternoon, sunshine. How are you feeling?"
"Like something the cat dragged in, then dragged back outside to leave in the rain, and mud, then the lightning hit it, and burned it, and the cat came back to tear it into pieces, before burying it.
”
”
Adley Maddox (Racing Outside the Line (A Love Story at 190 mph #1))
“
Beatrix,” Amelia said over her shoulder as they proceeded through the hallway. “Perhaps you should reconsider your attire. Poor Captain Phelan may find it somewhat shocking.”
“But he’s already seen me like this,” came Beatrix’s voice from behind Christopher, “and I’ve already shocked him. What is the point in changing clothes? Captain, would you feel more comfortable if I took my breeches off?”
“No,” he said hastily.
“Good, I’ll keep them on. Really, I don’t see why women shouldn’t dress like this all the time. One can walk freely and even leap. How is one to chase after a goat in skirts?
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
The boy continued to listen to his heart as they crossed the desert. He came to understand its dodges and tricks, and to accept it as it was. He lost his fear, and forgot about his need to go back to the oasis, because, one afternoon, his heart told him that it was happy. "Even though I complain sometimes," it said, "it's because I'm the heart of a person, and people's hearts are that way. People are afraid to pursue their most important dreams, because they feel that they don't deserve them, or that they'll be unable to achieve them. We, their hearts, become fearful just thinking of loved ones who go away forever, or of moments that could have been good but weren't, or of treasures that might have been found but were forever hidden in the sands. Because, when these things happen, we suffer terribly.
”
”
Paulo Coelho (The Alchemist)
“
WE SPENT THE AFTERNOON BUILDING
"FOR SERVICE," HE SAID.
NEW PIECES, NEW PLACES, NEW PARTS
TO BE PUT HERE AND THERE AND TAKEN FOR GRANTED.
BUT IT FELT GOOD, AND I TOLD HIM THAT.
HE RESTED A PLANK ON HIS SHOULDER
LIKE A BAYONET.
AND I NEARLY LAUGHED, THINKING,
IS THIS WHAT IT FEELS LIKE TO FALL IN LOVE
WITH A SOLDIER ON THE OTHER SIDE?
”
”
Christina Lauren (Autoboyography)
“
And when you speak of tea or coffee or wine or any of our liquid spells, the drink must be matched perfectly with the drinker to get the best effect. If the match is a good one, the coffee will get to know you a little while you drink it, to know you and love you and cheer for your victories, lend you bravery and daring. The tea will want you to do well, will stand guard before your fear and sorrow. Afternoon tea is really a kind of séance. And at the end of it all, the grounds—or leaves!—left in the bottom of your little cup are not really prophecies but your teatime trying to talk to you, to tell you something secret and dear, just between the two of you.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
Oh, well, isn't that nice. You are a nice young girl. Be a good friend to her and set her straight. She has love bruises on her neck and didn't come home until this afternoon."
Sweet Holy Jesus, why couldn't the ground just swallow me whole? Bones stifled a laugh and nodded solemnly. "Don't fret, Grannie. We're going to a Bible retreat to scare the devil out of her.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
So what’s the verdict?” Kayla asked. “Can I act, or am I just a bimbo who got hired because I look good
in lingerie?”
“Is that a trick question?” Sean grinned. “Because I’m pretty sure you look good in lingerie.
”
”
Alison Packard (Love in the Afternoon (Feeling the Heat, #1))
“
And yet she didn't want to kill herself. She loved the world too much, and people. She loved taking long walks in the late afternoon, and observing her surroundings. She loved the green of the sea, the light of dusk, the rocks scattered on the sand. She loved the taste of a red pear in autumn, the full, heavy winter moon that shone amid the clouds. She loved the warmth of her bed, a good book to read without being interrupted. To enjoy that, she would have lived forever.
”
”
Jhumpa Lahiri (In Other Words)
“
Spend sunny afternoons writing. Take weekends in the country. Dream. Drink good wine, eat fabulous cheese and great bread. Make the kind of love that destroys the bed.
”
”
Rachel Hauck (The Writing Desk)
“
When I stand around all day, into the afternoon, I start to feel like a good bike pulled to the curb. I’m every car that’s ever idled, a motorcycle gulping its own exhaust, lurching toward open road. I’m paid to stand, and I get this feeling my body is waiting for my mind to figure out what I’m supposed to do with being alive.
”
”
Monica Drake (The Folly of Loving Life)
“
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths.
As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be.
It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting.
One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower.
And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on.
So it goes.
And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment.
Rome passed into the past, and became New York.
Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love.
("For The Rest Of Her Life")
”
”
Cornell Woolrich (Angels of Darkness)
“
A Faint Music by Robert Hass
Maybe you need to write a poem about grace.
When everything broken is broken,
and everything dead is dead,
and the hero has looked into the mirror with complete contempt,
and the heroine has studied her face and its defects
remorselessly, and the pain they thought might,
as a token of their earnestness, release them from themselves
has lost its novelty and not released them,
and they have begun to think, kindly and distantly,
watching the others go about their days—
likes and dislikes, reasons, habits, fears—
that self-love is the one weedy stalk
of every human blossoming, and understood,
therefore, why they had been, all their lives,
in such a fury to defend it, and that no one—
except some almost inconceivable saint in his pool
of poverty and silence—can escape this violent, automatic
life’s companion ever, maybe then, ordinary light,
faint music under things, a hovering like grace appears.
As in the story a friend told once about the time
he tried to kill himself. His girl had left him.
Bees in the heart, then scorpions, maggots, and then ash.
He climbed onto the jumping girder of the bridge,
the bay side, a blue, lucid afternoon.
And in the salt air he thought about the word “seafood,”
that there was something faintly ridiculous about it.
No one said “landfood.” He thought it was degrading to the rainbow perch
he’d reeled in gleaming from the cliffs, the black rockbass,
scales like polished carbon, in beds of kelp
along the coast—and he realized that the reason for the word
was crabs, or mussels, clams. Otherwise
the restaurants could just put “fish” up on their signs,
and when he woke—he’d slept for hours, curled up
on the girder like a child—the sun was going down
and he felt a little better, and afraid. He put on the jacket
he’d used for a pillow, climbed over the railing
carefully, and drove home to an empty house.
There was a pair of her lemon yellow panties
hanging on a doorknob. He studied them. Much-washed.
A faint russet in the crotch that made him sick
with rage and grief. He knew more or less
where she was. A flat somewhere on Russian Hill.
They’d have just finished making love. She’d have tears
in her eyes and touch his jawbone gratefully. “God,”
she’d say, “you are so good for me.” Winking lights,
a foggy view downhill toward the harbor and the bay.
“You’re sad,” he’d say. “Yes.” “Thinking about Nick?”
“Yes,” she’d say and cry. “I tried so hard,” sobbing now,
“I really tried so hard.” And then he’d hold her for a while—
Guatemalan weavings from his fieldwork on the wall—
and then they’d fuck again, and she would cry some more,
and go to sleep.
And he, he would play that scene
once only, once and a half, and tell himself
that he was going to carry it for a very long time
and that there was nothing he could do
but carry it. He went out onto the porch, and listened
to the forest in the summer dark, madrone bark
cracking and curling as the cold came up.
It’s not the story though, not the friend
leaning toward you, saying “And then I realized—,”
which is the part of stories one never quite believes.
I had the idea that the world’s so full of pain
it must sometimes make a kind of singing.
And that the sequence helps, as much as order helps—
First an ego, and then pain, and then the singing
”
”
Robert Hass (Sun under Wood)
“
In Paris, strolling arm in arm with a casual sweetheart through a late autumn, it seemed impossible to imagine a purer happiness than those golden afternoons, with the woody odor of chestnuts on the braziers, the languid accordions, the insatiable lovers kidding on the open terraces, and still he had told himself with his hand on his heart that he was not prepared to exchange all that for a single instant of his Caribbean in April. He was still too young to know that heart's memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past.
”
”
Gabriel García Márquez (Love in the Time of Cholera)
“
You are, of course, allowed to love food and music and champagne and rare sunny afternoons in October. You can love the sight of waterfalls and the smell of old books.
”
”
Matt Haig (How to Stop Time)
“
Good. You are, of course, allowed to love food and music and champagne and rare sunny afternoons in October. You can love the sight of waterfalls and the smell of old books, but the love of people is off limits. Do you hear me? Don’t attach yourself to people, and try to feel as little as you possibly can for those you do meet. Because otherwise you will slowly lose your mind . . .
”
”
Matt Haig (How to Stop Time)
“
What I'm trying to say is, as I get older, all the things I've done to make money have become less important in my life. I'm proud of the company. I've built it up from nothing and I'm sure as hell not going to stand by and watch it get eaten up. But when I'm sitting out on the patio on a Sunday afternoon and I start counting my blessings, it's the people I love that come to my mind, not the company.
”
”
Susan Elizabeth Phillips (Lady Be Good (Wynette, Texas, #2))
“
But here: I just want you to know that I'm not going to try to trick you into thinking there's no evil in the world. Because there is. This world sometimes seems like it's full of incomprehensible, unintelligible, unembraceable, inexorable evil. Violence and injustice and greed and blind rage.
But it's also full of all that other stuff. The small things. Kindness between strangers. Love at first sight. Loyalty and friendship. Someone's hand in yours on a Sunday afternoon. Two brothers reconciled. Heroes who stand up when no one else dares. A fiftysomething man in a Saab who slows down when he sees your turn signal and lets you into his lane during rush hour. Summer nights. Children's laughter. Cheesecake.
And all you can do is decide which side you want to be on. Which pile you want to contribute to.
”
”
Fredrik Backman (Things My Son Needs to Know About the World)
“
Lee’s hand shook as he filled the delicate cups. He drank his down in one gulp. “Don’t you see?” he cried. “The American Standard translation orders men to triumph over sin, and you can call sin ignorance. The King James translation makes a promise in ‘Thou shalt,’ meaning that men will surely triumph over sin. But the Hebrew word, the word timshel—‘Thou mayest’—that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if ‘Thou mayest’—it is also true that ‘Thou mayest not.’ Don’t you see?”
“Yes, I see. I do see. But you do not believe this is divine law. Why do you feel its importance?”
“Ah!” said Lee. “I’ve wanted to tell you this for a long time. I even anticipated your questions and I am well prepared. Any writing which has influenced the thinking and the lives of innumerable people is important. Now, there are many millions in their sects and churches who feel the order, ‘Do thou,’ and throw their weight into obedience. And there are millions more who feel predestination in ‘Thou shalt.’ Nothing they may do can interfere with what will be. But “Thou mayest’! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.” Lee’s voice was a chant of triumph.
Adam said, “Do you believe that, Lee?”
“Yes, I do. Yes, I do. It is easy out of laziness, out of weakness, to throw oneself into the lap of deity, saying, ‘I couldn’t help it; the way was set.’ But think of the glory of the choice! That makes a man a man. A cat has no choice, a bee must make honey. There’s no godliness there. And do you know, those old gentlemen who were sliding gently down to death are too interested to die now?”
Adam said, “Do you mean these Chinese men believe the Old Testament?”
Lee said, “These old men believe a true story, and they know a true story when they hear it. They are critics of truth. They know that these sixteen verses are a history of humankind in any age or culture or race. They do not believe a man writes fifteen and three-quarter verses of truth and tells a lie with one verb. Confucius tells men how they should live to have good and successful lives. But this—this is a ladder to climb to the stars.” Lee’s eyes shone. “You can never lose that. It cuts the feet from under weakness and cowardliness and laziness.”
Adam said, “I don’t see how you could cook and raise the boys and take care of me and still do all this.”
“Neither do I,” said Lee. “But I take my two pipes in the afternoon, no more and no less, like the elders. And I feel that I am a man. And I feel that a man is a very important thing—maybe more important than a star. This is not theology. I have no bent toward gods. But I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed—because ‘Thou mayest.
”
”
John Steinbeck (East of Eden)
“
I’m used to wild creatures who don’t like to be approached from behind.”
He shot her a baleful glance. “How fortunate that your experience with animals has turned out to be such good preparation for marriage to me.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
I made it three days before the text messages started one afternoon while I was trying to finish warming up before our afternoon session. I had gotten to the LC later than usual and had gone straight to the training room, praising Jesus that I’d decided to change my clothes before leaving the diner once I’d seen what time it was and had remembered lunchtime traffic was a real thing. I was in the middle of stretching my hips when my phone beeped from where I’d left it on top of my bag. I took it out and snickered immediately at the message after taking my time with it.
Jojo: WHAT THE FUCK JASMINE
I didn’t need to ask what my brother was what-the-fucking over. It had only been a matter of time. It was really hard to keep a secret in my family, and the only reason why my mom and Ben—who was the only person other than her who knew—had kept their mouths closed was because they had both agreed it would be more fun to piss off my siblings by not saying anything and letting them find out the hard way I was going to be competing again.
Life was all about the little things.
So, I’d slipped my phone back into my bag and kept stretching, not bothering to respond because it would just make him more mad.
Twenty minutes later, while I was still busy stretching, I pulled my phone out and wasn’t surprised more messages appeared.
Jojo: WHY WOULD YOU NOT TELL ME
Jojo: HOW COULD YOU DO THIS TO ME
Jojo: DID THE REST OF YOU KEEP THIS FROM ME
Tali: What happened? What did she not tell you?
Tali: OH MY GOD, Jasmine, did you get knocked up?
Tali: I swear, if you got knocked up, I’m going to beat the hell out of you. We talked about contraception when you hit puberty.
Sebastian: Jasmine’s pregnant?
Rubes: She’s not pregnant.
Rubes: What happened, Jojo?
Jojo: MOM DID YOU KNOW ABOUT THIS
Tali: Would you just tell us what you’re talking about?
Jojo: JASMINE IS SKATING WITH IVAN LUKOV
Jojo: And I found out by going on Picturegram. Someone at the rink posted a picture of them in one of the training rooms. They were doing lifts.
Jojo: JASMINE I SWEAR TO GOD YOU BETTER EXPLAIN EVERYTHING RIGHT NOW
Tali: ARE YOU KIDDING ME? IS THIS TRUE?
Tali: JASMINE
Tali: JASMINE
Tali: JASMINE
Jojo: I’m going on Lukov’s website right now to confirm this
Rubes: I just called Mom but she isn’t answering the phone
Tali: She knew about this. WHO ELSE KNEW?
Sebastian: I didn’t. And quit texting Jas’s name over and over again. It’s annoying. She’s skating again. Good job, Jas. Happy for you.
Jojo: ^^ You’re such a vibe kill
Sebastian: No, I’m just not flipping my shit because she got a new partner.
Jojo: SHE DIDN’T TELL US FIRST THO. What is the point of being related if we didn’t get the scoop before everybody else?
Jojo: I FOUND OUT ON PICTUREGRAM
Sebastian: She doesn’t like you. I wouldn’t tell you either.
Tali: I can’t find anything about it online.
Jojo: JASMINE
Tali: JASMINE
Jojo: JASMINE
Tali: JASMINE
Tali: Tell us everything or I’m coming over to Mom’s today.
Sebastian: You’re annoying. Muting this until I get out of work.
Jojo: Party pooper
Tali: Party pooper
Jojo: Jinx
Tali: Jinx
Sebastian: Annoying
...
I typed out a reply, because knowing them, if I didn’t, the next time I looked at my phone, I’d have an endless column of JASMINE on there until they heard from me.
That didn’t mean my response had to be what they wanted.
Me: Who is Ivan Lukov?
”
”
Mariana Zapata (From Lukov with Love)
“
They couldn't talk. They were not good talkers, either of them. And once, long ago now, she had bought a notebook for a course. It lay empty and forgotten on the kitchen table until one afternoon, when she had gone out to the shops and he was worried that she would be killed by a bus or by lightning, he opened the notebook and he wrote lines about how he loved her, the way he loved her, about his fucking heart and crap like that, about his body brimful and his scrambled head. All that. She came back from the shops. He left the notebook where it was, and he didn't mention it. And it wasn't until about a week later that he noticed it again, and he flicked it open, and he saw his lines followed by lines from her. She'd written words that she had never said. He sat down. He read them over and over for a long time. Then he wrote a paragraph for her to find.
”
”
Keith Ridgway (Hawthorn & Child)
“
Peace, he knows, can be shattered in a million variations: great visions of the end, a rain of ash, a disease on the wind, a blast in the distance, the sun dying like a kerosene lamp clicked off. And in smaller ways: an overheard remark, his daughter’s sour mood, his own body faltering. There’s no use in anticipating the mode. He will wait for the hushed spaces in life, for Ellis’s snore in the dark, for Grete’s stealth kiss, for the warm light inside the gallery, his images on the wall broken beyond beauty into blisters and fragments, returning in the eye to beauty again. The voices of women at night on the street, laughing; he has always loved the voices of women. Pay attention, he thinks. Not to the grand gesture, but to the passing breath.
He sits. He lets the afternoon sink in. The sweetness of the soil rises to him. A squirrel scolds from high in a tree. The city is still far away, full of good people going home. In this moment that blooms and fades as it passes, he is enough, and all is well in the world.
”
”
Lauren Groff (Arcadia)
“
One day, one of my teachers at the Abbey asked me what I did on my [5]free afternoons when I was alone. I told her I went behind my bed in an empty space which was there, and that it was easy to close myself in with my bed curtain and that “I thought.” “But what do you think about?” she asked. “I think about God, about life, about ETERNITY ... I think!” The good religious laughed heartily at me, and later on she loved reminding me of the [10]time when I thought, asking me if I was still thinking. I understand now that I was making mental prayer without knowing it and that God was already instructing me in secret.
”
”
Thérèse of Lisieux (Story of a Soul: The Autobiography of St. Therese of Lisieux (the Little Flower) [The Authorized English Translation of Therese's Original Unaltered Manuscripts])
“
Michael turned his head enough to pres a kiss against Wes's chest. "You are good for me."
Wes swallowed a different kind of lump, a full, radiant blockage rather than a hollow one. I love you. I love you like a fool. I would give up all the orchids in the world just to lie for an afternoon like this with you.
”
”
Heidi Cullinan (A Private Gentleman)
“
She took a puff, put the cigarette in the ashtray and stared at it. Without looking up, she said, But do you believe in love, Mr Evans? She rolled the cigarette end around in the ash tray. Do you? Outside, he thought, beyond this mountain and its snow, there was a world of countless millions of people. He could see them in their cities, in the heat and the light. And he could see this house, so remote and isolated, so far away, and he had a feeling that it once must have seemed to her and Jack, if only for a short time, like the universe with the two of them at its centre. And for a moment he was at the King of Cornwall with Amy in the room they thought of as theirs—with the sea and the sun and the shadows, with the white paint flaking off the French doors and with their rusty lock, with the breezes late of an afternoon and of a night the sound of the waves breaking—and he remembered how that too had once seemed the centre of the universe. I don’t, she said. No, I don’t. It’s too small a word, don’t you think, Mr Evans? I have a friend in Fern Tree who teaches piano. Very musical, she is. I’m tone-deaf myself. But one day she was telling me how every room has a note. You just have to find it. She started warbling away, up and down. And suddenly one note came back to us, just bounced back off the walls and rose from the floor and filled the place with this perfect hum. This beautiful sound. Like you’ve thrown a plum and an orchard comes back at you. You wouldn’t believe it, Mr Evans. These two completely different things, a note and a room, finding each other. It sounded … right. Am I being ridiculous? Do you think that’s what we mean by love, Mr Evans? The note that comes back to you? That finds you even when you don’t want to be found? That one day you find someone, and everything they are comes back to you in a strange way that hums? That fits. That’s beautiful. I’m not explaining myself at all well, am I? she said. I’m not very good with words. But that’s what we were. Jack and me. We didn’t really know each other. I’m not sure if I liked everything about him. I suppose some things about me annoyed him. But I was that room and he was that note and now he’s gone. And everything is silent.
”
”
Richard Flanagan (The Narrow Road to the Deep North)
“
You’re very good at organizing your feelings, aren’t you?” Christopher had asked dryly.
“I suppose I am. I wish I could organize yours. At present they seem to resemble an overturned drawer of neckcloths.”
“Not neckcloths,” he said. “Flatware, with sharp edges.”
Audrey had smiled. “I pity those who find themselves in the way of your feelings.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Diamonds Are Not This Girl's Best Friend
Diamonds are not my best friend but they used to be. It wasn't just jewelry but all the things I bought to lift me up, prove my worth, and demonstrate my love. As I became more and more me and started experiencing the world from this new stuff-less place, I realized that diamonds are not this girl's best friend. My best friend is a magical rooftop sunrise. My best friend is the ocean. My best friend is a hike in the mountains. My best friend is a peaceful afternoon. My best friend is a really good book. My best friend is laughter. My best friend is seeing the world. My best friend is time with people I love. Diamonds have nothing on my best friends.
”
”
Courtney Carver (Soulful Simplicity: How Living with Less Can Lead to So Much More)
“
Love, Ada thought out on the lake that first spring afternoon, is largely a matter of paying attention and good timing.
”
”
Alice Randall (Ada's Rules: A Sexy Skinny Novel)
“
Luke had woken up that afternoon with a fucker of a headache and a trashed living room, his first thought hadn’t been to find and flirt with his mate. He’d intended to find and spank his mate for fucking up a perfectly good coffee table with her WWE shenanigans, and also to have a serious conversation with her about how loving couples shouldn’t stab each other.
”
”
Talia Hibbert (Mating the Huntress (Monsters and Mates, #1))
“
Gustavo Tiberius speaking."
“It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.”
“It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.”
“Oh boy, there’s the Grumpy Gus I know. You miss me?”
Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.”
“Really.”
“Yes.”
“Gus.”
“Casey.”
“I miss you.”
“I miss you too,” Gus mumbled into the phone, blushing fiercely.
“Yeah? How much?”
Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.”
“I know what you mean,” Casey said. “The guys were saying the same thing about me.”
Gus smiled. “How embarrassing for you.”
“Completely. You have no idea.”
“They’re going to get you packed up this week?”
“Ah, yeah. Sure. Something like that.”
“Casey.”
“Yes, Gustavo.”
“You’re being cagey.”
“I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.”
Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?”
There was a knock on the window to the Emporium. Gus looked up.
Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen.
Casey wiggled his eyebrows at Gus. “Hey, man.”
“Hi,” Gus croaked.
“Come over here, but stay on the phone, okay?”
Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal.
Gus went to the window, and Casey smiled that lazy smile.
He said, “Hi.”
Gus said, “Hi.”
“So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?”
“I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close.
The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.”
Gus didn’t even try to stop the eye roll. “Oh my god.”
“Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.”
“What did?”
Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?”
“Yeah?”
“I’m going to ask you a question, okay?”
Gustavo’s throat felt very dry. “Okay.”
“What was the Oscar winner for Best Song in 1984?”
Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to—
And then he could barely breathe.
Casey’s smile wobbled a little bit. “Okay?”
Gus blinked the burn away. He nodded as best he could.
And Casey said, “Yeah, man. I love you too.”
Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
“
But emotions were, indeed, wild horses, and they demanded to be heard.Brida let them run free for a while until they grew tired. Her emotions were telling her how good it would be that afternoon if she were in love with him, because when you were in love, you were capable of learning everything and of knowing things you had never dared even to think, because love was the key to understanding all of the mysteries.
”
”
Paulo Coelho (Brida)
“
Competing in an Olympics didn't scare her now. The thought of stepping up into the full roar of the crowd, in London, seemed simple and natural and good. It was ordinary days now that frightened her - endless Tuesday mornings and Wednesday afternoons of real life, the days you had to steer through without the benefit of handlebars. Off the bike she was like a smoker without cigarettes, never sure what to do with her hands. As soon as she got off the bike, her heart was expected to perform all these baffling secondary functions - like loving someone and feeling something and belonging somewhere - when all she'd ever trained it to do was pump blood.
”
”
Chris Cleave
“
I hope Ravi and Margot keep dating, because I could see him in our family forever. Or at least stay together long enough for Margot and me to take a trip to London and stay at his house!
Ravi has to leave for Texas the next afternoon, and while I’m sad to see him go, I’m also a little bit glad, because then we get to have Margot all to ourselves before she leaves again.
When we say good-bye, I point at him and say, “Hufflepuff.”
He grins. “You got it in one.” Then he points at me. “Hufflepuff?”
I grin back. “You got it in one.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Bloody rain” says Mr Chivers
Bouncing a basketball
On the one dry patch of court
bloody rain” he nods to our Sports class
And gives us the afternoon off.
Bloody rain all right
As Annabel and I run to Megalong Creek hut
Faster than we ever have in Chivers’s class
And the exercise we have in mind
We’ve been training for all year
But I doubt if old Chivers
Will give us a medal if he ever finds out.
We high jump into the hut
And strip down
Climb under the blankets
And cheer the bloody rain
As it does a lap or two
Around the mountain
While Annabel and me
Embrace like winners should
Like good sports do
As Mr. Chivers sips his third coffee
And twitches his bad knee
From his playing days
While miles away
Annabel and I
Score a convincing victory
And for once in our school life
The words “Physical Education”
Make sense…
”
”
Steven Herrick (Kissing Annabel: Love, Ghosts, and Facial Hair; A Place Like This)
“
At the ponds that evening I said to Antonio: "It's always been like that, since we were little: everyone thinks she's bad and I'm good."
He kissed me, murmuring ironically, "Why, isn't that true?"
That response touched me and kept me from telling him that we had to part. It was a decision that seemed to me urgent, the affection wasn't love, I loved Nino, I knew I would love him forever. I had a gentle speech prepared for Antonio, I wanted to say to him: It's been wonderful, you helped me a lot at a time when I was sad, but now school is starting and this year is going to be difficult, I have new subjects, I'll have to study a lot; I'm sorry but we have to stop. I felt it was necessary and every afternoon I went to our meeting at the ponds with my little speech ready. But he was so affectionate, so passionate, that my courage failed and I put it off.
”
”
Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
“
Don’t come up behind me,” Christopher said roughly. “Ever.”
“I of all people should have known that. I won’t do it again.”
Christopher took a fiery swallow of the liquor. “What do you mean, you of all people?”
“I’m used to wild creatures who don’t like to be approached from behind.”
He shot her a baleful glance. “How fortunate that your experience with animals has turned out to be such good preparation for marriage to me.”
“I didn’t mean…well, my point was that I should have been more considerate of your nerves.”
“I don’t have nerves,” he snapped.
“I’m sorry. We’ll call them something else.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
In subsequent experiences I frequently found the mothers of schizophrenic children to be extraordinarily narcissistic individuals like Mrs. X. This is not to say that such mothers are always narcissistic or that narcissistic mothers can’t raise non-schizophrenic children. Schizophrenia is an extremely complex disorder, with obvious genetic as well as environmental determinants. But one can imagine the depth of confusion in Susan’s childhood produced by her mother’s narcissism, and one can objectively see this confusion when actually observing narcissistic mothers interact with their children. On an afternoon when Mrs. X. was feeling sorry for herself Susan might have come home from school bringing some of her paintings the teacher had graded A. If she told her mother proudly how she was progressing in art, Mrs. X. might well respond: “Susan, go take a nap. You shouldn’t get yourself so exhausted over your work in school. The school system is no good anymore. They don’t care for children anymore.” On the other hand, on an afternoon when Mrs. X. was in a very cheerful mood Susan might have come home in tears over the fact that she had been bullied by several boys on the school bus, and Mrs. X. could say: “Isn’t it fortunate that Mr. Jones is such a good bus driver? He is so nice and patient with all you children and your roughhousing. I think you should be sure to give him a nice little present at Christmastime.” Since they do not perceive others as others but only as extensions of themselves, narcissistic
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
She asked him to come in, if only for a minute, as it would seem so odd otherwise, and as if she had been out alone in the dark. He gave way, and followed her in. Immediately that the door was opened he found, in addition to her parents, several neighbours sitting round. They all spoke in a congratulatory manner, and took him seriously as Arabella's intended partner.
They did not belong to his set or circle, and he felt out of place and embarrassed. He had not meant this: a mere afternoon of pleasant walking with Arabella, that was all he had meant. He did not stay longer than to speak to her stepmother, a simple, quiet woman without features or character; and bidding them all good night plunged with a sense of relief into the track over the down.
But that sense was only temporary: Arabella reasserted her sway in his soul. He walked as if he felt himself to be another man from the Jude of yesterday. What were his books to him? what were his intentions, hitherto adhered to so strictly, as to not wasting a single minute of time day by day? 'Wasting!' It depended on your point of view to define that: he was just living for the first time: not wasting life. It was better to love a woman than to be a graduate, or a parson; ay, or a pope!
”
”
Thomas Hardy (Jude the Obscure)
“
I pick up one neat quarter of my raisin-bran muffin. How lovely. It’s fresh. Isn’t it interesting that this shop bakes goods in the late afternoon? You wouldn’t think many people would choose muffins in the afternoon, but there you have it. Perhaps there are others out there in the world just like me. People are a mystery that can never be solved.
”
”
Nita Prose (The Maid (Molly the Maid, #1))
“
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches.
And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo.
And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995).
But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
”
”
Dolly Alderton (Good Material)
“
You and Beatrix haven’t known each other long enough to consider matrimony. A matter of weeks, to my knowledge. And what about Prudence Mercer? You’re practically betrothed, aren’t you?”
“Those are valid points,” Christopher said. “And I will answer them. But you should know right away that I’m against the match.”
Leo blinked in bemusement. “You mean you’re against a match with Miss Mercer?”
“Well…yes. But I’m also against a match with Beatrix.”
Silence fell over the room.
“This is a trick of some sort,” Leo said.
“Unfortunately, it’s not,” Christopher replied.
Another silence.
“Captain Phelan,” Cam asked, choosing his words with care. “Have you come to ask for our consent to marry Beatrix?”
Christopher shook his head. “If I decide to marry Beatrix, I’ll do it with or without your consent.”
Leo looked at Cam. “Good God,” he said in disgust. “This one’s worse than Harry.”
Cam wore an expression of beleaguered patience. “Perhaps we should both talk to Captain Phelan in the library. With brandy.”
“I want my own bottle,” Leo said feelingly, leading the way.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
The medal recipients, sixty-two in al, were summoned to the dais. Like many of the other men, Christopher was dressed in private clothes, having left the ranks at the conclusion of the war. Unlike the other men, Christopher was holding a leash. Attached to a dog. For reasons that had not been explained, he had been told to bring Albert to the presentation. The other Rifles whispered encouragements as Albert walked obediently beside Christopher.
“There’s a good boy!”
“Look smart, fellow!”
“No accidents in front of the queen!”
“And all that goes for you too, Albert,” someone added, causing the lot of them to snicker.
Giving his friends a damning glance, which only amused them further, Christopher took Albert to meet the queen.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
So you take all that hurt and resentment, suffered in silence, and you let it simmer for decades and it distills down into anger." She looked out at the canal next to them, the water close enough to throw late-afternoon ripples onto her face. "That's what I found so hard, Swan. I didn't know how to love an angry man who pretended to be fine." To stave off Sewanee's response, Marilyn held up a hand, her left one, ringless. "We had a good life together. Life is never one thing. But I think I was his consolation prize. And if there's one things I've learned, Swanling: never be a consolation prize."
How could Sewanee not think of Nick when Marilyn said this? Didn't this justify her feelings? And then Marilyn added, "Especially your own," which spun Sewanee's head around.
”
”
Julia Whelan (Thank You for Listening)
“
I like him,” she said, hugging Beatrix and drawing back to view her with a smile. “He seems to be a good and honorable man.”
“And brave,” Cam added.
“Yes,” Amelia replied soberly, “one can’t forget what he did in the war.”
“Oh, I didn’t mean that,” Cam told her. “I was referring to the fact that he’s willing to marry a Hathaway sister.”
Amelia stuck her tongue out at him, and he grinned.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
”
”
Dale Carnegie (How To Win Friends and Influence People)
“
He dropped to one knee before her. "Sophia MacFarlane, though I've been every sort of fool there is, and though I've stolen from you and lied to you, as you've stolen from me and lied to me, will you please marry me? To keep me out of trouble, if nothing else."
She gave a hiccup of a laugh, her eyes moist with tears. "Only if you, Dougal MacLean, will have me. After all I did to save MacFarlane House, I now realize that without people in it, the people I love, it's nothing more than an empty building. My home is with you, inside your heart."
Dougal swept Sophia into his arms and kissed her thoroughly. Then, laughing, he set her back on her feet. "Come, my love, let's find my sister. She spent a good part of the afternoon telling me what a fool I was.I have to show her that she was wrong."
"And you need my help to do that?"
"It would be a great boon if you'd cling to my arm and look absurdly happy."
Sophia chuckled. "I think I can manage that."
It was a noisy, contentious group that moved down the hall, as the earl and Red continued to snipe at each other, and Sir Reginald felt he needed to explain his improper embrace with Sophia even though everyone attempted to dissaude him.
”
”
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
“
It's a difficult path that we tread, us Indie self-publishers, but we're not alone. How many bands practicing in their dad’s garage have heard of a group from the neighbourhood who got signed by a recording company? Or how many artists who love to paint, but are not really getting anywhere with it hear of someone they went to art school with being offered an exhibition in a gallery? How many chefs who love to get creative around food hear of someone else who’s just landed a job with Marco Pierre White?
There’s no difference between us and them. There is, however, a huge difference in how everyone else perceives the writer. And there’s a huge difference between all of us – the writers, the musicians, the composers, the chefs, the dance choreographers and to a certain extent the tradesmen - and the rest of society in that no one understands us. It’s a wretched dream to hope that our creativity gets recognised while our family thinks we’re wasting our time when the lawn needs mowing, the deck needs painting and the bedroom needs decorating.
It’s acceptable to go into the garage to tinker about with a motorbike, but it’s a waste of a good Sunday afternoon if you go into the garage and practice your guitar, or sit in your study attempting to capture words that have been floating around your brain forever.
”
”
Karl Wiggins (Self-Publishing In the Eye of the Storm)
“
One thing I have discovered since I've been ill, though, is that nobody ever knows anybody, and maybe least of all the people who are closest to them. Sort of a business of not being able to see the trees for the woods. We all live in isolated prisons of our own bodies and there's no real contact with any other human being. That's what sex is, in a way, isn't it, a desperate striving for contact? With which cheerful Thought for Today, I will bid you good afternoon.
”
”
Madeleine L'Engle
“
Woman lost (skin deep) like a damn fine thread in the fire
Woman of the world caught up in your black machinations
I was a woman who cried alone at night, who gave it all
away when she saw the good heart of the man inside
Woman caught standing up; her open parts are broken -
Someone's armour broke right through, it was you, you
For some reason I've been thinking about you, your light
Today, you poured out all the tension, the ego underground
Hibernating inside my heart. I was so close to it, to the flicker
Of love in a lonely street and I turned my head and walked
Away from the flame in your arms. As I put away the fun in
A house of fight I came across you and a mechanism in
My brain shifted chemically, walls caved in like the cadence
In your words and I was lost in the darkness. Even now in
Middle age I remember when desire was a popular drug
And everyone was selling it but I don't live to explore to be
Able to illuminate the proof of my existence, live to burn
Vicariously though the diamond mouth of sleeping stars.
From so much love, pictures of death arrived in black and
White photographs and you're perfect, you always were -
Illusions have no flaws; they're dangerous beings, smoke.
Could I take the moon back and still live with my great
Expectations of nostalgia, laughter, tears and suffering -
But they are all a part of me not the people of the stars,
Long dead videotape, the past has stained the symphony
Of my soul (like the wind through the trees) throughout
Me finding myself, my two left feet as a female poet
The warning was there of the noise of eternity, signs
That said, don't anger the sea, you have an ally in her.
When men grow cold listen to their stories and bask in
The glory of their genuine deaths, their winters, put
Them away so you can read them like the newspaper.
Once in a while you can go back to where you stood
In youth with your afternoon tea, the sun of God in our
Eyes - I am that kind of woman who lives in the past
”
”
Abigail George (Feeding The Beasts)
“
Arithmetic Matilda longed for her parents to be good and loving and understanding and honourable and intelligent. The fact that they were none of these things was something she had to put up with. It was not easy to do so. But the new game she had invented of punishing one or both of them each time they were beastly to her made her life more or less bearable. Being very small and very young, the only power Matilda had over anyone in her family was brain-power. For sheer cleverness she could run rings around them all. But the fact remained that any five-year-old girl in any family was always obliged to do as she was told, however asinine the orders might be. Thus she was always forced to eat her evening meals out of TV-dinner-trays in front of the dreaded box. She always had to stay alone on weekday afternoons, and whenever she was told to shut up, she had to shut up. Her safety-valve, the thing that prevented her from going round the bend, was the fun of devising and dishing out these splendid punishments, and the lovely thing was that they seemed to work, at any rate for short periods. The father in particular became less cocky
”
”
Roald Dahl (Matilda)
“
Mrs. Visser has invited me in for a cup of tea tomorrow afternoon. I should have declined, if only because of how she smells, but I said I would love to stop by for a minute. There goes my afternoon. What a stupid wimp I am. On the spur of the moment I couldn’t think of a good excuse, so I’ll have to endure the mindless jabbering and the dry sponge cake. How she manages to turn the moistest of cakes into dusty cardboard is beyond me. You need three cups of tea per slice to wash it down. Tomorrow I will take a bold stand and turn down the second helping. Start a new life. A
”
”
Hendrik Groen (The Secret Diary of Hendrik Groen, 83¼ Years Old)
“
So many of our habits come to feel like rituals, but if you think about it, few are truly nonnegotiable. I like to have a cup of coffee with a splash of milk every morning, but if there isn’t coffee or milk at home, I simply wait. The day might take on a different shape, a detour to stop at a café or a trip to the market. Maybe I’ll go without coffee until later in the afternoon. This isn’t like that. The necessity of getting drugs and the wolfish entitlement to be high arrive anew each morning with the rosy light of daybreak, and he sets about, diversionless, feeding that urge.
”
”
Nina Renata Aron (Good Morning, Destroyer of Men's Souls: A Memoir of Women, Addiction, and Love)
“
Alhambra
Welcome, the water’s voice
To one whom black sand overwhelmed,
Welcome, to the curved hand
The smooth column of the marble,
Welcome, slender labyrinths of water
Between the lemon trees,
Welcome the melodious zéjel,
Welcome is love, welcome the prayer
Offered to a God who is One,
Welcome the jasmine.
Vain the scimitar
Against the long lances of the host,
Vain to be the best.
Good to know, foreknow, grieving king,
That your courtesies are farewells,
That the key will be denied you,
The infidels’ cross eclipse the moon,
The afternoon you gaze on prove your last.
Granada, 1976.
”
”
Jorge Luis Borges
“
Who will braid my hair when I’m at college?” I muse.
“I will,” Peter says, all confidence.
“You don’t know how,” I scoff.
“The kid will teach me. Won’t you, kid?”
“For a price,” Kitty says.
They negotiate back and forth before finally settling on Peter taking Kitty and her friends to the movies one Saturday afternoon. Which is how I come to be sitting cross-legged on the floor while Peter and Kitty sit on the couch above me, Kitty demonstrating a French braid and Peter recording it on his phone.
“Now you try it,” she says.
He keeps losing a piece and getting frustrated. “You have a lot of hair, Lara Jean.”
“If you can’t get the French, I’ll teach you something more basic,” Kitty says, and there is no mistaking the contempt in her voice.
Peter hears it too. “No, I’m gonna get it. Just give me a second. I’m gonna master it just like I mastered the other kind of French.” He winks at me.
Kitty and I both scream at him for that. “Don’t talk like that in front of my sister!” I yell, shoving him in the chest.
“I was kidding!”
“Also, you’re not that good at French kissing.” Even though, yeah, he is.
Peter gives me a Who are you kidding? look, and I shrug, because who am I kidding?
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
You must give yourself enough time to get better.”
“How much time will that take?” he asked bitterly.
“I don’t know,” she admitted. “But you have a lifetime.”
A caustic laugh broke from him. “That’s too damned long.”
“I understand that you feel responsible for what happened to Mark. But you’ve already been forgiven for whatever you think your sins are. You have,” she insisted as he shook his head. “Love forgives all things. And so many people--” She stopped as she felt his entire body jerk.
“What did you say?” she heard him whisper.
Beatrix realized the mistake she had just made. Her arms fell away from him.
The blood began to roar in her ears, her heart thumping so madly she felt faint. Without thinking, she scrambled away from him, off the bed, to the center of the room.
Breathing in frantic bursts, Beatrix turned to face him.
Christopher was staring at her, his eyes gleaming with a strange, mad light. “I knew it,” he whispered.
She wondered if he might try to kill her.
She decided not to wait to find out.
Fear gave her the speed of a terrified hare. She bolted before he could catch her, tearing to the door, flinging it open, and scampering to the grand staircase. Her boots made absurdly loud thuds on the stairs as she leaped downward.
Christopher followed her to the threshold, bellowing her name.
Beatrix didn’t pause for a second, knowing he was going to pursue her as soon as he donned his clothes.
Mrs. Clocker stood near the entrance hall, looking worried and astonished. “Miss Hathaway? What--”
“I think he’ll come out of his room now,” Beatrix said rapidly, jumping down the last of the stairs. “It’s time for me to be going.”
“Did he…are you…”
“If he asks for his horse to be saddled,” Beatrix said breathlessly, “please have it done slowly.”
“Yes, but--”
Good-bye.”
And Beatrix raced from the house as if demons were at her heels.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Do you know where we are?” he whispered. “Surely that is Baker Street,” I answered, staring through the dim window. “Exactly. We are in Camden House, which stands opposite to our own old quarters.” “But why are we here?” “Because it commands so excellent a view of that picturesque pile. Might I trouble you, my dear Watson, to draw a little nearer to the window, taking every precaution not to show yourself, and then to look up at our old rooms--the starting-point of so many of your little fairy-tales? We will see if my three years of absence have entirely taken away my power to surprise you.” I crept forward and looked across at the familiar window. As my eyes fell upon it, I gave a gasp and a cry of amazement. The blind was down, and a strong light was burning in the room. The shadow of a man who was seated in a chair within was thrown in hard, black outline upon the luminous screen of the window. There was no mistaking the poise of the head, the squareness of the shoulders, the sharpness of the features. The face was turned half-round, and the effect was that of one of those black silhouettes which our grandparents loved to frame. It was a perfect reproduction of Holmes. So amazed was I that I threw out my hand to make sure that the man himself was standing beside me. He was quivering with silent laughter. “Well?” said he. “Good heavens!” I cried. “It is marvellous.” “I trust that age doth not wither nor custom stale my infinite variety,” said he, and I recognized in his voice the joy and pride which the artist takes in his own creation. “It really is rather like me, is it not?” “I should be prepared to swear that it was you.” “The credit of the execution is due to Monsieur Oscar Meunier, of Grenoble, who spent some days in doing the moulding. It is a bust in wax. The rest I arranged myself during my visit to Baker Street this afternoon.
”
”
Arthur Conan Doyle (The Complete Sherlock Holmes)
“
She paused and regarded Annandale with frank interest. "My goodness, you are an eagle, aren't you?"
"A what?" the elderly man asked, his eyes narrowing.
"An eagle." Beatrix stared at him closely. "You have such striking features, and you exude power even while sitting still. And you like to watch people. You can assess them instantly, can't you? No doubt you're always right."
Christopher began to intervene, certain that his grandfather would incinerate her with his response. To his astonishment, Annandale practically preened under Beatrix's admiring regard.
"I can," the earl allowed. "And indeed, I am seldom mistaken in my judgements.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
I was sentimental about many things: a woman’s shoes under the bed; one hairpin left behind on the dresser; the way they said, 'I’m going to pee...' hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking, talking; the arguments; thinking of suicide; eating together and feeling good; the jokes; the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3 AM; being told you snore, hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce; but always carrying on, always seeing it through…
”
”
Charles Bukowski (Women)
“
Umpires suffer from a tremendously low level of self-esteem, too, by virtue of the fact that they are umpires. As such, you should look to engage in light-hearted horseplay with them at all times. Negging him about the amount of sunscreen he’s wearing — which is always inversely proportional to his decision-making ability — is a good place to start. Like all of us, all they really want is to be loved. So your missus still doesn’t understand why you spend your whole weekend playing cricket? Imagine how an umpire’s girlfriend must feel. Seriously, imagine being an umpire’s girlfriend. He’d rather officiate a shit game of cricket than spend a gorgeous Saturday afternoon with you.
”
”
Sam Perry (The Grade Cricketer)
“
One day Moses was walking in the mountains on his own when he saw a shepherd in the distance.
The man was on his knees with his hands spread out to the sky, praying. Moses was delighted. But
when he got closer, he was equally stunned to hear the shepherd’s prayer.
“Oh, my beloved God, I love Thee more than Thou can know. I will do anything for Thee, just say
the word. Even if Thou asked me to slaughter the fattest sheep in my flock in Thy name, I would do so
without hesitation. Thou would roast it and put its tail fat in Thy rice to make it more tasty.”
Moses inched toward the shepherd, listening attentively.
“Afterward I would wash Thy feet and clean Thine ears and pick Thy lice for Thee. That is how much I love Thee.”
Having heard enough, Moses interrupted the shepherd, yelling, “Stop, you ignorant man! What do
you think you are doing? Do you think God eats rice? Do you think God has feet for you to wash? This
is not prayer. It is sheer blasphemy.”
Dazed and ashamed, the shepherd apologized repeatedly and promised to pray as decent people did.
Moses taught him several prayers that afternoon. Then he went on his way, utterly pleased with
himself.
But that night Moses heard a voice. It was God’s.
“Oh, Moses, what have you done? You scolded that poor shepherd and failed to realize how dear he
was to Me. He might not be saying the right things in the right way, but he was sincere. His heart was
pure and his intentions good. I was pleased with him. His words might have been blasphemy to your
ears, but to Me they were sweet blasphemy.”
Moses immediately understood his mistake. The next day, early in the morning, he went back to the
mountains to see the shepherd. He found him praying again, except this time he was praying in the way
he had been instructed. In his determination to get the prayer right, he was stammering, bereft of the
excitement and passion of his earlier prayer. Regretting what he had done to him, Moses patted the
shepherd’s back and said: “My friend, I was wrong. Please forgive me. Keep praying in your own way.
That is more precious in God’s eyes.”
The shepherd was astonished to hear this, but even deeper was his relief. Nevertheless, he did not
want to go back to his old prayers. Neither did he abide by the formal prayers that Moses had taught
him. He had now found a new way of communicating with God. Though satisfied and blessed in his
naïve devotion, he was now past that stage—beyond his sweet blasphemy.
“So you see, don’t judge the way other people connect to God,” concluded Shams. “To each his own
way and his own prayer. God does not take us at our word. He looks deep into our hearts. It is not the
ceremonies or rituals that make a difference, but whether our hearts are sufficiently pure or not.
”
”
Elif Shafak
“
I’m sitting on the back porch reading after a trip to the library this afternoon. The book is old and has that dusty, musty smell I love. The author is Irish, probably dead, and someone I’ve never heard of before today. The book is surely out of print by now, and I feel as if I am holding a lost treasure in my hands. I stop suddenly and close my eyes. This book is a treasure; I did not suspect it would be so good when I picked it up, but now I can feel the printed words seeping through my skin and into my veins, rushing to my heart and marking it forever. I want to savor this wonder, this happening of loving a book and reading it for the first time, because the first time is always the best, and I will never read this book for the first time ever again.
”
”
Laura Nowlin (If He Had Been with Me)
“
I’m just getting to the good stuff (Cressida must seduce Nigel to gain access to the spy codes!) when Josh walks out of his house to get the mail. He sees me too; he lifts his hand like he’s just going to wave and not come over, but then he does.
“Hey, nice onesie,” he says as he makes his way across the driveway.
It’s faded light blue with sunflowers and it ties around the neck. I got it from the vintage store, 75 percent off. And it’s not a onesie. “This is a sunsuit,” I tell him, going back to my book. I try to subtly hide the cover with my hand. The last thing I need is Josh giving me a hard time for reading a trashy book when I’m just trying to enjoy a relaxing afternoon.
I can feel him looking at me, his arms crossed, waiting. I look up. “What?”
“Wanna see a movie tonight at the Bess? There’s a Pixar movie playing. We can take Kitty.”
“Sure, text me when you want to head over,” I say, turning the page of my book. Nigel is unbuttoning Cressida’s blouse and she’s wondering when the sleeping pill she slipped in his Merlot will kick in, while simultaneously hoping it won’t kick in too soon, because Nigel is actually quite a good kisser.
Josh reaches down and tries to get a closer look at my book. I slap his hand away, but not before he reads out loud, “Cressida’s heart raced as Nigel moved his hand along her stockinged thigh.” Josh cracks up. “What the heck are you reading?”
My cheeks are burning. “Oh, be quiet.”
Chuckling, Josh backs away. “I’ll leave you to Cressida and Noel then.”
To his back, I call out, “For your information, it’s Nigel!
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Ann didn't move. There was no use; her mother had seen her. She could try to hide the flowered plates but that wouldn't be any use either. Her mother had already been in the cabin and seen the open chest.
Ann waited, her heart pounding and her eyes on the ground. When she finally looked up, her mother was standing quietly beside her and looking at the tea party table. Ann held her breath, but for some reason her mother didn't look cross at all. Instead, there was the same kind of lovingness in her face as she had when she rocked the baby after he had been crying for a long time. Then Mrs. Hamilton turned to Ann and smiled.
"Good afternoon, Mrs. Jones," she said. "I hope I am not too late for tea. And is this your daughter?" Mrs. Hamilton nodded toward Semanthie. "My, how she's grown!
”
”
Jean Fritz (The Cabin Faced West)
“
The boy continued to listen to his heart as they crossed the desert. He came to understand its dodges and tricks, and to accept it as it was. He lost his fear, and forgot about his need to go back to the oasis, because, one afternoon, his heart told him that it was happy. “Even though I complain sometimes,” it said, “it’s because I’m the heart of a person, and people’s hearts are that way. People are afraid to pursue their most important dreams, because they feel that they don’t deserve them, or that they’ll be unable to achieve them. We, their hearts, become fearful just thinking of loved ones who go away forever, or of moments that could have been good but weren’t, or of treasures that might have been found but were forever hidden in the sands. Because, when these things happen, we suffer terribly.
”
”
Paulo Coelho (The Alchemist)
“
The hospital to which I had been assigned was run by Franciscan sisters. I soon fell in love with every one of them. From dawn until midnight they were busy in the wards, cleaning bedpans, swabbing wounds, writing letters for us, laughing, singing. I never once heard them complain. One day I asked the nun who came to bathe me how it was that she and the other sisters were always so cheerful.
'Why, Andrew, you ought to know the answer to that - a good Dutch boy like you. It's the love of Christ.' When she said it, her eyes sparkled, and I knew without question that for her this was the whole answer: she could have talked all afternoon and said no more.
'But you are teasing me, aren't you?' she said, tapping the well-worn little Bible where it still lay on the bedside table. 'You've got the answer right here.
”
”
Brother Andrew (God's Smuggler)
“
Waste forces within him, and a desert all around, this man stood still on his way across a silent terrace, and saw for a moment, lying in the wilderness before him, a mirage of honourable ambition, self-denial, and perseverance. In the fair city of this vision, there were airy galleries from which the loves and graces looked upon him, gardens in which the fruits of life hung ripening, waters of Hope that sparkled in his sight. A moment, and it was gone. Climbing to a high chamber in a well of houses, he threw himself down in his clothes on a neglected bed, and its pillow was wet with wasted tears. Sadly, sadly, the sun rose; it rose upon no sadder sight than the man of good abilities and good emotions, incapable of their directed exercise, incapable of his own help and his own happiness, sensible of the blight on him, and resigning himself to let it eat him away. Chapter 6 — Hundreds of People The quiet lodgings of Doctor Manette were in a quiet street-corner not far from Soho-square. On the afternoon of a certain fine Sunday when the waves of four months had roiled over the trial for treason, and carried
”
”
Charles Dickens (Charles Dickens: The Complete Novels)
“
Ah, my friends, that innocent afternoon with Larry provoked me into thought in a way my own dicelife until then never had. Larry took to following the dice with such ease and joy compared to the soul-searching gloom that I often went through before following a decision, that I had to wonder what happened to every human in the two decades between seven and twenty-seven to turn a kitten into a cow. Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused?
It was the Goddam sense of having a self: that sense of self which psychologists have been proclaiming we all must have. What if - at the time it seemed like an original thought - what if the development of a sense of self is normal and natural, but is neither inevitable nor desirable? What if it represents a psychological appendix: a useless, anachronistic pain in the side? - or, like the mastodon's huge tusks: a heavy, useless and ultimately self-destructive burden? What if the sense of being some-one represents an evolutionary error as disastrous to the further development of a more complex creature as was the shell for snails or turtles?
He he he. What if? indeed: men must attempt to eliminate the error and develop in themselves and their children liberation from the sense of self. Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus.
I became tremendously excited with my thoughts: 'Men must become comfortable in flowing from one role to another' - why aren't they? At the age of three or four, children were willing to be either good guys or bad guys, the Americans or the Commies, the students or the fuzz. As the culture molds them, however, each child comes to insist on playing only one set of roles: he must always be a good guy, or, for equally compulsive reasons, a bad guy or rebel. The capacity to play and feel both sets of roles is lost. He has begun to know who he is supposed to be.
The sense of permanent self: ah, how psychologists and parents lust to lock their kids into some definable cage. Consistency, patterns, something we can label - that's what we want in our boy.
'Oh, our Johnny always does a beautiful bower movement every morning after breakfast.'
'Billy just loves to read all the time...'
'Isn't Joan sweet? She always likes to let the other person win.'
'Sylvia's so pretty and so grown up; she just loves all the time to dress up.'
It seemed to me that a thousand oversimplifications a year betrayed the truths in the child's heart: he knew at one point that he didn't always feel like shitting after breakfast but it gave his Ma a thrill. Billy ached to be out splashing in mud puddles with the other boys, but... Joan wanted to chew the penis off her brother every time he won, but ... And Sylvia daydreamed of a land in which she wouldn’t have to worry about how she looked . . .
Patterns are prostitution to the patter of parents. Adults rule and they reward patterns. Patterns it is. And eventual misery.
What if we were to bring up our children differently? Reward them for varying their habits, tastes, roles? Reward them for being inconsistent? What then? We could discipline them to be reliably various, to be conscientiously inconsistent, determinedly habit-free - even of 'good' habits.
”
”
Luke Rhinehart (The Dice Man)
“
The next morning I showed up at dad’s house at eight, with a hangover. All my brothers’ trucks were parked in front. What are they all doing here?
When I opened the front door, Dad, Alan, Jase, and Willie looked at me. They were sitting around the living room, waiting. No one smiled, and the air felt really heavy.
I looked to my left, where Mom was usually working in the kitchen, but this time she was still, leaning over the counter and looking at me too.
Dad spoke first. “Son, are you ready to change?”
Everything else seemed to go silent and fade away, and all I heard was my dad’s voice.
“I just want you to know we’ve come to a decision as a family. You’ve got two choices. You keep doing what you’re doing--maybe you’ll live through it--but we don’t want nothin’ to do with you. Somebody can drop you off at the highway, and then you’ll be on your own. You can go live your life; we’ll pray for you and hope that you come back one day. And good luck to you in this world.”
He paused for a second then went on, a little quieter.
“Your other choice is that you can join this family and follow God. You know what we stand for. We’re not going to let you visit our home while you’re carrying on like this. You give it all up, give up all those friends, and those drugs, and come home. Those are your two choices.”
I struggled to breathe, my head down and my chest tight. No matter what happened, I knew I would never forget this moment.
My breath left me in a rush, and I fell to my knees in front of them all and started crying.
“Dad, what took y’all so long?” I burst out.
I felt broken, and I began to tell them about the sorry and dangerous road I’d been traveling down. I could see my brothers’ eyes starting to fill with tears too.
I didn’t dare look at my mom’s face although I could feel her presence behind me. I knew she’d already been through the hell of addiction with her own mother, with my dad, with her brother-in-law Si, and with my oldest brother, Alan. And now me, her baby. I remembered the letters she’d been writing to me over the last few months, reaching out with words of love from her heart and from the heart of the Lord.
Suddenly, I felt guilty.
“Dad, I don’t deserve to come back. I’ve been horrible. Let me tell you some more.”
“No, son,” he answered. “You’ve told me enough.”
I’ve seen my dad cry maybe three times, and that was one of them. To see my dad that upset hit me right in the gut. He took me by my shoulders and said, “I want you to know that God loves you, and we love you, but you just can’t live like that anymore.”
“I know. I want to come back home,” I said.
I realized my dad understood. He’d been down this road before and come back home. He, too, had been lost and then found.
By this time my brothers were crying, and they got around me, and we were on our knees, crying. I prayed out loud to God, “Thank You for getting me out of this because I am done living the way I’ve been living.”
“My prodigal son has returned,” Dad said, with tears of joy streaming down his face.
It was the best day of my life. I could finally look over at my mom, and she was hanging on to the counter for dear life, crying, and shaking with happiness.
A little later I felt I had to go use the bathroom. My stomach was a mess from the stress and the emotions. But when I was in the bathroom with the door shut, my dad thought I might be in there doing one last hit of something or drinking one last drop, so he got up, came over, and started banging on the bathroom door. Before I could do anything, he kicked in the door. All he saw was me sitting on the pot and looking up at him while I about had a heart attack. It was not our finest moment.
That afternoon after my brothers had left, we went into town and packed up and moved my stuff out of my apartment.
“Hey bro,” I said to my roommate. “I’m changing my life. I’ll see ya later.” I meant it.
”
”
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
Out of all green ends and correlated mystic blend underlying the wholesome beauty only one note could speak and flow when nothing else on the barren wet streets she laughed at my grin speaking of what I missed. How is the realm so lovely when the rain tells me how perfect the self organizing smooth system far less attracted so please the muse to the scene, swirling in utter beauty turn away from conversations of horrific overwhelming tension your sublime nature forces half naked bare legged bathing in geometrical arrangements; a future rebelled, tame and dominate your blessed frightened glass ceiling, breath or goodness spells glitter rains down on your laced chest, taking off your shades and notable note from off your written thoughts on the reality page of mirrored candy smile hair twisting, back alone chasing drinks with cheers toward all we saved in the red ashes; smiling how perfect we feel tonight, I could end any beings or spirit. A sucker for the matter found without presence in unlimited rising smoke you weep and invent forms, or nature reflection internality on how few nerves you leave me squirming producing works of utter biting beauty art works off afternoon body gasping at whatever is near or afar, look how smart you get when you cant always get what you dreamt of, on time naughty morning sun baking eyes in mine.
”
”
Brandon Villasenor (Prima Materia (Radiance Hotter than Shade, #1))
“
Memories whirled in the back of her head. Not frightening this time. The owner of that voice made her smile. He protected her, and he loved her. When she was with him, the world felt right. As long as she was with him, she was safe.
He entered the room, crossing at an angle to her so that she saw just his shoulders and a glimpse of flat stomach. Not a stitch of clothing covered him. Not one. She could see the backs of his thighs and his bare behind. Round and strong and firm. Dark hair cut short gave his profile greater sternness. She knew beyond certainty she had every right to be here, with him perfectly naked. Her heart swelled with joy, a feeling so intense she wanted to cry out to the world.
He stopped at the window and stood there, one arm resting atop the sash, staring at the hills rising toward Scotland. His arm came forward on the sash, and he shifted so that he faced her. "Well," he said in a soft voice that made her breath catch. His voice was velvet, liquid velvet, and she was drowning in it, filled all the way to her soul. That voice, a woman could love. "Good afternoon."
Bluer eyes she'd never seen. Nor more piercing ones. She drowned in eyes of an incredible, piercing blue. The light shimmered as a cloud crossed the sun. But this man, this man with eyes like frost on a window, whose eyes made battle-hardened men quail and who seemed so foreign to tenderness, made her complete...
”
”
Carolyn Jewel (The Spare)
“
Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth.
Marcelina Hoffman was well on her way to becoming a Botox junkie.
Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.”
Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin.
Because I’m worth it.
”
”
Ian McDonald (Brasyl)
“
Before Chris passed away, I’d volunteered to coach Angel’s soccer team in our local recreational league. It was a commitment I vowed to keep. I was determined to show those little girls how to succeed on the soccer “pitch,” as the field is sometimes called.
I may have gone a little overboard. I mean, how many six-year-old girls have the misfortune of being coached by the wife of a SEAL?
Day One:
“We start by running!” I shouted enthusiastically. “Everyone run around the park. Let’s go.”
“The soccer field, Mrs. Kyle?” asked a player.
“No! The entire complex. Come on!”
I’m guessing it was maybe five or six times as far as they’d ever run before--or maybe ten or twenty--and a good deal farther than many teams with considerably older players ran. But the girls were good sports about it. We built endurance and worked on drills, and we had fun--you never knew when the coach might grab one the of the players and twirl her around enthusiastically for doing a good job.
“I’m taking goal,” I’d say when shooting practice wasn’t going well. “Anyone who can hurt me gets an extra piece of candy!”
I gave out a lot of candy that afternoon.
We were a young team and a little rough at first, but we got better as we went. It was fun to watch the transition many of the girls made over the length of the season--they not only got in better shape and learned to play soccer better, but they seemed more confident as well.
I will guarantee one thing: they slept pretty well the nights after practice.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
Albert?"
The barking became more passionate, with cries and whimpers breaking in.
Slowly Beatrix lowered to the ground and sat with her back against the shed. "Calm yourself, Albert," she said. "I'll let you out as soon as you're quiet."
The terrier growled and pawed at the door.
Having consulted several books on the subject of dogs, one on rough terriers in particular, Beatrix was fairly certain that training Albert with techniques involving dominance or punishment would not be at all effective. In fact, they would probably make his behavior worse. Terriers, the book had said, frequently tried to outsmart humans. The only method left was to reward his good behavior with praise and food and kindness.
"Of course you're unhappy, poor boy. He's gone away, and your place is by his side. But I've come to collect you, and while he's gone, we'll work on your manners. Perhaps we can't turn you into a perfect lapdog... but I'll help you learn how to get on with others." She paused before adding with a reflective grin. "Of course, I can't manage to behave properly in polite society. I've always thought there's a fair amount of dishonesty involved in politeness. There, you're quiet now." She stood and pulled at the latch. "Here is your first rule, Albert: it's very rude to maul people."
Albert burst out and jumped on her. Had she not been holding on to the support of the shed's frame, she would have been knocked over. Whining and wagging his tail, Albert stood on his hind legs and dove his face against her.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
As we walked back into the hallway, Patrick held on to Diana’s hand. He was reluctant to let her go and gazed up at her with open adoration. I wish I could have taken another picture of that touching moment. With the royal staff clustering around, that was impossible. Diana seemed equally hesitant to say good-bye and bent down to squeeze Patrick tightly as we left. To Patrick that afternoon, Diana was truly a fairy-tale princess. Is it possible to imagine how her own sons felt about her?
I was tremendously proud of Patrick for being so poised and polite, so natural all afternoon. “God bless him,” I thought. “If he ever had to be on his best behavior, it was today, when it mattered so very much.” I was also feeling blissful, really floating on air, after our long and private visit with Diana and Charles. It was hard to believe that they had spent so much time with us that afternoon and later were heading to the White House to spend the evening with President and Mrs. Reagan and lots of celebrities. The often-seen photograph of Diana in a midnight blue evening gown dancing with John Travolta was taken that night.
On the taxi ride back to our hotel, we saw Diana and Charles’s limousine and security escort crossing an intersection in the distance. Our taxi driver explained to us that many streets in Washington were blocked off that day due to the important state visit of the Prince and Princess of Wales. Patrick, Adrienne, and I didn’t say a word. We just smiled and kept our visit a secret among ourselves. We all flew home later that afternoon.
”
”
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
“
Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, ‘Goodbye, Daddy!’ and I frowned, and said in reply, ‘Hold your shoulders back!’ Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive – and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. ‘What is it you want?’ I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding – this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: ‘He is nothing but a boy – a little boy!’ I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. Instead of condemning people, let’s try to understand them. Let’s try to figure out why they do what they do. That’s a lot more profitable and intriguing than criticism; and it breeds sympathy, tolerance and kindness. ‘To know all is to forgive all.
”
”
Dale Carnegie (How to Win Friends and Influence People)
“
Have you ever talked to Vyse without feeling tired?’
‘I can scarcely discuss —’
‘No, but have you ever? He is the sort who are all right so long as they keep to things — books, pictures — but kill when they come to people. That’s why I’ll speak out through all this muddle even now. It’s shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over — playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for you to settle whether you were shocked or no. Cecil all over again. He daren’t let a woman decide. He’s the type who’s kept Europe back for a thousand years. Every moment of his life he’s forming you, telling you what’s charming or amusing or ladylike, telling you what a man thinks is womanly; and you, you of all women, listen to his voice instead of to your own. So it was at the rectory, when I met you both again; so it has been the whole of this afternoon. Therefore — not “therefore I kissed you”, because the book made me do that, and I wish to goodness I had more self-control. I’m not ashamed. I don’t apologise. But it has frightened you, and you may not have noticed that I love you. Or would you have told me to go, and dealt with a tremendous thing so lightly? But therefore — therefore, I settled to fight him.
”
”
E.M. Forster (A Room with a View)
“
For most of our history, walking wasn’t a choice. It was a given. Walking was our primary means of locomotion. But, today, you have to choose to walk. We ride to work. Office buildings and apartments have elevators. Department stores offer escalators. Airports use moving sidewalks. An afternoon of golf is spent riding in a cart. Even a ramble around your neighborhood can be done on a Segway. Why not just put one foot in front of the other? You don’t have to live in the country. It’s great to take a walk in the woods, but I love to roam city streets, too, especially in places like New York, London, or Rome, where you can’t go half a block without making some new discovery. A long stroll slows you down, puts things in perspective, brings you back to the present moment. In Wanderlust: A History of Walking (Viking, 2000), author Rebecca Solnit writes that, “Walking, ideally, is a state in which the mind, the body, and the world are aligned, as though they were three characters finally in conversation together, three notes suddenly making a chord.” Yet in our hectic, goal-oriented culture, taking a leisurely walk isn’t always easy. You have to plan for it. And perhaps you should. Walking is good exercise, but it is also a recreation, an aesthetic experience, an exploration, an investigation, a ritual, a meditation. It fosters health and joie de vivre. Cardiologist Paul Dudley White once said, “A vigorous five-mile walk will do more good for an unhappy but otherwise healthy adult than all the medicine and psychology in the world.” A good walk is anything but pedestrian. It lengthens your life. It clears, refreshes, provokes, and repairs the mind. So lace up those shoes and get outside. The most ancient exercise is still the best.
”
”
Alexander Green (Beyond Wealth: The Road Map to a Rich Life)
“
At the moment Ormsley looked on the verge of tears as his damp, faded blue eyes roved almost lovingly over Ian’s face. “Good afternoon, my lord,” he intoned formally, but the ecstatic expression on his face gaze Ian the impression the servant was restraining himself from wrapping his arms around him. “And-and may I say-“ The elderly man stopped, his voice hoarse with emotion, and cleared his throat. “And may I say how very-how very very good it is to have you here at-“ His voice choked, he flushed, and Ian’s ire at his grandfather was momentarily forgotten.
“Good afternoon, Ormsley,” Ian said, grinning at the look of sublime pleasure that crossed Ormsley’s lined face when Ian knew his name. Sensing the butler was about to bow again, Ian put out his hand instead, forcing the loyal retainer to shake hands with him. “I trust,” Ian joked gently, “that you’ve conquered your habit of overindulging in French brandy?”
The faded old eyes brightened like diamonds at this added proof that Ian’s father had spoken of him to Ian.
“Welcome home. Welcome home at last, my lord,” Ormsley said hoarsely, returning Ian’s handshake.
“I’m only staying a few hours,” Ian told him calmly, and the butler’s hand went a little limp with disappointment. He recovered himself, however, and escorted Ian down a wide, oak-paneled hall. A small army of footmen and housemaids seemed to be lurking about, ostensibly dusting mirrors, paneling, and floors. As Ian passed, several of them stole long, lingering looks at him, then turned to exchange swift gratified smiles. His mind on the looming meeting with his grandfather, Ian was oblivious to the searching scrutiny and startled glances he was receiving, but he was dimly aware that a few of the servants were hastily dabbing at their eyes and noses with handkerchiefs.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
You look lovely tonight, my lady,” Kellan said for her ears alone as he took her into his arms-not too close, of course.
His flattery pleased her but did not discompose her as Grey’s did. Rose smiled sincerely in response. “Thank you, sir. Might I say that you are in very fine looks as well.”
“You always know exactly the right thing to say to woo me, Lady Rose.” He grinned as they moved through a turn. “Have a care, else you’re likely to break my heart.”
“If it is so easily broken, perhaps you should hold it a little more dear,” she advised archly.
He winced, but it was apparent that he had taken the remark with the humor she intended. “She mocks me.”
“You are mistaken, sir. I am merely thinking of your best interests.”
They shared a smile and were silent for a turn.
“I am surprised that Ryeton allowed you to come tonight.”
Rose raised a brow. “The duke does not dictate where I can and cannot go.” Grey might be her benefactor, but he was not her guardian.
“That is good to hear,” Kellan replied, ignoring the edge to her tone. “So he cannot prevent you from taking a drive in Hyde Park with me tomorrow afternoon.”
She chuckled. “No, I suppose not. But first, you might want to ask me if I care to take a drive with you.”
“Do you?”
She did. Did that make her awful? Just a few minutes ago she’d been missing Grey and thinking about how much she cared for him, and now here she was flirting with Kellan and fluttering over the prospect of going for a carriage ride.
It wasn’t fickleness, she told herself. It was practicality. She was doing what she was supposed to do. Kellan had yet to lay any claim to her feelings or her heart, but she owed him the opportunity to try. She would never get over Grey and find love if she didn’t try as well.
And it wouldn’t hurt Grey to see another man take interest in her. Perhaps a little jealousy would do him good.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
He strode forward, heedless of the murmuring that began among the women when they saw him. Then Sara turned, and her gaze met his. Instantly a guilty blush spread over her cheeks that told him all he needed to know about her intent.
“Good afternoon, ladies,” he said in steely tones. “Class is over for today. Why don’t you all go up on deck and get a little fresh air?”
When the women looked at Sara, she folded her hands primly in front of her and stared at him. “You have no right to dismiss my class, Captain Horn. Besides, we aren’t finished yet. I was telling them a story—”
“I know. You were recounting Lysistrata.”
Surprise flickered briefly in her eyes, but then turned smug and looked down her aristocratic little nose at him. “Yes, Lysistrata,” she said in a sweet voice that didn’t fool him for one minute. “Surely you have no objection to my educating the women on the great works of literature, Captain Horn.”
“None at all.” He set his hands on his hips. “But I question your choice of material. Don’t you think Aristophanes is a bit beyond the abilities of your pupils?”
He took great pleasure in the shock that passed over Sara’s face before she caught herself. Ignoring the rustle of whispers among the women, she stood a little straighter. “As if you know anything at all about Aristophanes.”
“I don’t have to be an English lordling to know literature, Sara. I know all the blasted writers you English make so much of. Any one of them would have been a better choice for your charges than Aristophanes.”
As she continued to glower at him unconvinced, he scoured his memory, searching through the hundreds of verse passages his English father had literally pounded into him. “You might have chosen Shakespeare’s The Taming of the Shrew, for example—‘fie, fie! Unknit that threatening unkind brow. / And dart not scornful glances from those eyes / to wound thy lord, thy king, thy governor.’”
It had been a long time since he’d recited his father’s favorite passages of Shakespeare, but the words were as fresh as if he’d learned them only yesterday. And if anyone knew how to use literature as a weapon, he did. His father had delighted in tormenting him with quotes about unrepentant children.
Sara gaped at him as the other women looked from him to her in confusion. “How . . . I mean . . . when could you possibly—”
“Never mind that. The point us, you’re telling them the tale of Lysistrata when what you should be telling them is ‘thy husband is thy lord, thy life, thy keeper. /thy head, thy sovereign; one that cares for thee / and for thy maintenance commits his body / to painful labour by both sea and land.’”
Her surprise at this knowledge of Shakespeare seemed to vanish as she recognized the passage he was quoting—the scene where Katherine accepts Petruchio as her lord and master before all her father’s guests.
Sara’s eyes glittered as she stepped from among the women and came nearer to him. “We are not your wives yet. And Shakespeare also said ‘sigh no more, ladies, sigh no more / men were deceivers ever / one foot on sea and one on shore / to one thing constant never.’”
“Ah, yes. Much Ado About Nothing. But even Beatrice changes her tune in the end, doesn’t she? I believe it’s Beatrice who says, ‘contempt, farewell! And maiden pride, adieu! / no glory lives behind the back of such./ and Benedick, love on, I will requite thee, / taming my wild heart to thy loving hand.’”
“She was tricked into saying that! She was forced to acknowledge him as surely as you are forcing us!”
“Forcing you?” he shouted. “You don’t know the meaning of force! I swear, if you—”
He broke off when he realized that the women were staring at him with eyes round and fearful. Sara was twisting his words to make him sound like a monster. And succeeding, too, confound her.
”
”
Sabrina Jeffries (The Pirate Lord)
“
Dear Jon,
A real Dear Jon letter, how perfect is that?! Who knew you’d get dumped twice in the same amount of months. See, I’m one paragraph in and I’ve already fucked this.
I’m writing this because I can’t say any of this to you face-to-face. I’ve spent the last few months questioning a lot of my friendships and wondering what their purpose is, if not to work through big emotional things together. But I now realize: I don’t want that. And I know you’ve all been there for me in other ways. Maybe not in the literal sense, but I know you all would have done anything to fix me other than listening to me talk and allowing me to be sad without solutions. And now I am writing this letter rather than picking up the phone and talking to you because, despite every thing I know, I just don’t want to, and I don’t think you want me to either.
I lost my mind when Jen broke up with me. I’m pretty sure it’s been the subject of a few of your WhatsApp conversations and more power to you, because I would need to vent about me if I’d been friends with me for the last six months. I don’t want it to have been in vain, and I wanted to tell you what I’ve learnt.
If you do a high-fat, high-protein, low-carb diet and join a gym, it will be a good distraction for a while and you will lose fat and gain muscle, but you will run out of steam and eat normally again and put all the weight back on. So maybe don’t bother. Drunkenness is another idea. I was in blackout for most of the first two months and I think that’s fine, it got me through the evenings (and the occasional afternoon). You’ll have to do a lot of it on your own, though, because no one is free to meet up any more. I think that’s fine for a bit. It was for me until someone walked past me drinking from a whisky miniature while I waited for a night bus, put five quid in my hand and told me to keep warm. You’re the only person I’ve ever told this story.
None of your mates will be excited that you’re single again. I’m probably your only single mate and even I’m not that excited. Generally the experience of being single at thirty-five will feel different to any other time you’ve been single and that’s no bad thing.
When your ex moves on, you might become obsessed with the bloke in a way that is almost sexual. Don’t worry, you don’t want to fuck him, even though it will feel a bit like you do sometimes.
If you open up to me or one of the other boys, it will feel good in the moment and then you’ll get an emotional hangover the next day. You’ll wish you could take it all back. You may even feel like we’ve enjoyed seeing you so low. Or that we feel smug because we’re winning at something and you’re losing. Remember that none of us feel that.
You may become obsessed with working out why exactly she broke up with you and you are likely to go fully, fully nuts in your bid to find a satisfying answer. I can save you a lot of time by letting you know that you may well never work it out. And even if you did work it out, what’s the purpose of it? Soon enough, some girl is going to be crazy about you for some undefinable reason and you’re not going to be interested in her for some undefinable reason. It’s all so random and unfair – the people we want to be with don’t want to be with us and the people who want to be with us are not the people we want to be with.
Really, the thing that’s going to hurt a lot is the fact that someone doesn’t want to be with you any more. Feeling the absence of someone’s company and the absence of their love are two different things. I wish I’d known that earlier. I wish I’d known that it isn’t anybody’s job to stay in a relationship they don’t want to be in just so someone else doesn’t feel bad about themselves.
Anyway. That’s all. You’re going to be okay, mate.
Andy
”
”
Dolly Alderton (Good Material)
“
I see the good in you.”
“Don’t harbor illusions about me. In marrying me, you’re going to have to make the best of a bad bargain. You don’t understand the situation you’re in.”
“You’re right.” Beatrix arched in bliss as he massaged the muscles on either side of her spine. “Any woman would pity me, being in this situation.”
“It’s one thing to spend an afternoon in bed with me,” Christopher said darkly. “It’s another to experience day-to-day life with a lunatic.”
“I know all about living with lunatics. I’m a Hathaway.” Beatrix sighed in pleasure as his hands worked the tender places low on her back. Her body felt relaxed and tingly all over, her bruises and aches forgotten. Twisting to glance at him over her shoulder, she saw the austere lines of his face. She had an overwhelming urge to tease him, to make him play. “You missed a place,” she told him.
“Where?”
Levering herself upward, Beatrix turned and crawled to where Christopher knelt on the mattress. He had donned a velvet dressing robe, the front parting to reveal a tantalizing hint of sun-browned flesh. Linking her arms around his neck, she kissed him. “Inside,” she whispered. “That’s where I need soothing.”
A reluctant smile lurked at the corners of his lips. “This balm is too strong for that.”
“No it’s not. It feels lovely. Here, I’ll show you--” She pounced for the tin of balm and coated her fingertips with the stuff. The rich scent of clove oil spiced the air. “Just hold still--”
“The devil I will.” His voice had thickened with amusement, and he reached for her wrist.
Fleet as a ferret, Beatrix twisted to evade him. Rolling once, twice, she dove for the belt of his robe. “You put it all over me,” she accused, giggling. “Coward. Now it’s your turn.”
“Not a chance.” He grabbed her, grappled with her, and she thrilled to the sound of his husky laugh.
Somehow managing to clamber over him, she gasped at the feel of his aroused flesh. She wrestled with him until he flipped her over with ease, pinning her wrists. The robe had become loosened during their tussle, their naked flesh rubbing together.
Sparkling silver eyes stared into blue. Already breathless with laughter, Beatrix became positively lightheaded as she saw the way he was looking at her. Lowering his head, he kissed and licked at her smile as if he could taste it.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Where is Albert?"
"He'll be here momentarily. I asked our housekeeper to fetch him."
Christopher blinked. "She's not afraid of him?"
"Of Albert? Heavens, no, everyone adores him."
The concept of someone, anyone, adoring his belligerent pet was difficult to grasp. Having expected to receive an inventory of all the damage Albert had caused, Christopher gave her a blank look.
And then the housekeeper returned with an obedient and well-groomed dog trotting by her side.
"Albert?" Christopher said.
The dog looked at him, ears twitching. His whiskered face changed, eyes brightening with excitement. Without hesitating, Albert launched forward with a happy yelp. Christopher knelt on the floor, gathering up an armful of joyfully wriggling canine. Albert strained to lick him, and whimpered and dove against him repeatedly.
Christopher was overwhelmed by feelings of kinship and relief. Grabbing the warm, compact body close, Christopher murmured his name and petted him roughly, and Albert whined and trembled.
"I missed you, Albert. Good boy. There's my boy." Unable to help himself, Christopher pressed his face against the rough fur. He was undone by guilt, humbled by the fact that even though he had abandoned Albert for the summer, the dog showed nothing but eager welcome. "I was away too long," Christopher murmured, looking into the soulful brown eyes. "I won't leave you again." He dragged his gaze up to Beatrix's. "It was a mistake to leave him," he said gruffly.
She was smiling at him. "Albert won't hold it against you. To err is human, to forgive, canine."
To his disbelief, Christopher felt an answering smile tug at the corners of his lips. He continued to pet the dog, who was fit and sleek. "You've taken good care of him."
"He's much better behaved than before," she said. "You can take him anywhere now."
Rising to his feet, Christopher looked down at her. "Why did you do it?" he asked softly.
"He's very much worth saving. Anyone could see that."
The awareness between them became unbearably aware. Christopher's heart worked in hard, uneven beats. How pretty she was in the white dress. She radiated a healthy female physicality that was very different from the fashionable frailty of London women. He wondered what it would be like to bed her, if she would be as direct in her passions as she was in everything else.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
HER HUSBAND’S ALMOST HOME. He’ll catch her this time. There isn’t a scrap of curtain, not a blade of blind, in number 212—the rust-red townhome that once housed the newlywed Motts, until recently, until they un-wed. I never met either Mott, but occasionally I check in online: his LinkedIn profile, her Facebook page. Their wedding registry lives on at Macy’s. I could still buy them flatware. As I was saying: not even a window dressing. So number 212 gazes blankly across the street, ruddy and raw, and I gaze right back, watching the mistress of the manor lead her contractor into the guest bedroom. What is it about that house? It’s where love goes to die. She’s lovely, a genuine redhead, with grass-green eyes and an archipelago of tiny moles trailing across her back. Much prettier than her husband, a Dr. John Miller, psychotherapist—yes, he offers couples counseling—and one of 436,000 John Millers online. This particular specimen works near Gramercy Park and does not accept insurance. According to the deed of sale, he paid $3.6 million for his house. Business must be good. I know both more and less about the wife. Not much of a homemaker, clearly; the Millers moved in eight weeks ago, yet still those windows are bare, tsk-tsk. She practices yoga three times a week, tripping down the steps with her magic-carpet mat rolled beneath one arm, legs shrink-wrapped in Lululemon. And she must volunteer someplace—she leaves the house a little past eleven on Mondays and Fridays, around the time I get up, and returns between five and five thirty, just as I’m settling in for my nightly film. (This evening’s selection: The Man Who Knew Too Much, for the umpteenth time. I am the woman who viewed too much.) I’ve noticed she likes a drink in the afternoon, as do I. Does she also like a drink in the morning? As do I? But her age is a mystery, although she’s certainly younger than Dr. Miller, and younger than me (nimbler, too); her name I can only guess at. I think of her as Rita, because she looks like Hayworth in Gilda. “I’m not in the least interested”—love that line. I myself am very much interested. Not in her body—the pale ridge of her spine, her shoulder blades like stunted wings, the baby-blue bra clasping her breasts: whenever these loom within my lens, any of them, I look away—but in the life she leads. The lives. Two more than I’ve got.
”
”
A.J. Finn (The Woman in the Window)
“
I’ve only an hour,” Colin said as he attached the safety tip to his foil. “I have an appointment this afternoon.”
“No matter,” Benedict replied, lunging forward a few times to loosen up the muscles in his leg. He hadn’t fenced in some time; the sword felt good in his hand. He drew back and touched the tip to the floor, letting the blade bend slightly. “It won’t take more than an hour to best you.”
Colin rolled his eyes before he drew down his mask.
Benedict walked to the center of the room. “Are you ready?”
“Not quite,” Colin replied, following him.
Benedict lunged again.
“I said I wasn’t ready!” Colin hollered as he jumped out of the way.
“You’re too slow,” Benedict snapped.
Colin cursed under his breath, then added a louder, “Bloody hell,” for good measure. “What’s gotten into you?”
“Nothing,” Benedict nearly snarled. “Why would you say so?”
Colin took a step backward until they were a suitable distance apart to start the match. “Oh, I don’t know,” he intoned, sarcasm evident. “I suppose it could be because you nearly took my head off.”
“I’ve a tip on my blade.”
“And you were slashing like you were using a sabre,” Colin shot back.
Benedict gave a hard smile. “It’s more fun that way.”
“Not for my neck.” Colin passed his sword from hand to hand as he flexed and stretched his fingers. He paused and frowned. “You sure you have a foil there?”
Benedict scowled. “For the love of God, Colin, I would never use a real weapon.”
“Just making sure,” Colin muttered, touching his neck lightly. “Are you ready?”
Benedict nodded and bent his knees.
“Regular rules,” Colin said, assuming a fencer’s crouch. “No slashing.”
Benedict gave him a curt nod.
“En garde!”
Both men raised their right arms, twisting their wrists until their palms were up, foils gripped in their fingers.
“Is that new?” Colin suddenly asked, eyeing the handle of Benedict’s foil with interest.
Benedict cursed at the loss of his concentration. “Yes, it’s new,” he bit off. “I prefer an Italian grip.”
Colin stepped back, completely losing his fencing posture as he looked at his own foil, with a less elaborate French grip. “Might I borrow it some time? I wouldn’t mind seeing if—”
“Yes!” Benedict snapped, barely resisting the urge to advance and lunge that very second. “Will you get back en garde?”
Colin gave him a lopsided smile, and Benedict just knew that he had asked about his grip simply to annoy him. “As you wish,” Colin murmured, assuming position again.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
Glass"
In every bar there’s someone sitting alone and absolutely absorbed
by whatever he’s seeing in the glass in front of him,
a glass that looks ordinary, with something clear or dark
inside it, something partially drunk but never completely gone.
Everything’s there: all the plans that came to nothing,
the stupid love affairs, and the terrifying ones, the ones where actual happiness
opened like a hole beneath his feet and he fell in, then lay helpless
while the dirt rained down a little at a time to bury him.
And his friends are there, cracking open six-packs, raising the bottles,
the click of their meeting like the sound of a pool cue
nicking a ball, the wrong ball, that now edges, black and shining,
toward the waiting pocket. But it stops short, and at the bar the lone drinker
signals for another. Now the relatives are floating up
with their failures, with cancer, with plateloads of guilt
and a little laughter, too, and even beauty—some afternoon from childhood,
a lake, a ball game, a book of stories, a few flurries of snow
that thicken and gradually cover the earth until the whole
world’s gone white and quiet, until there’s hardly a world
at all, no traffic, no money or butchery or sex,
just a blessed peace that seems final but isn’t. And finally
the glass that contains and spills this stuff continually
while the drinker hunches before it, while the bartender gathers
up empties, gives back the drinker’s own face. Who knows what it looks like;
who cares whether or not it was young once, or ever lovely,
who gives a shit about some drunk rising to stagger toward
the bathroom, some man or woman or even lost
angel who recklessly threw it all over—heaven, the ether,
the celestial works—and said, Fuck it, I want to be human?
Who believes in angels, anyway? Who has time for anything
but their own pleasures and sorrows, for the few good people
they’ve managed to gather around them against the uncertainty,
against afternoons of sitting alone in some bar
with a name like the Embers or the Ninth Inning or the Wishing Well?
Forget that loser. Just tell me who’s buying, who’s paying;
Christ but I’m thirsty, and I want to tell you something,
come close I want to whisper it, to pour
the words burning into you, the same words for each one of you,
listen, it’s simple, I’m saying it now, while I’m still sober,
while I’m not about to weep bitterly into my own glass,
while you’re still here—don’t go yet, stay, stay,
give me your shoulder to lean against, steady me, don’t let me drop,
I’m so in love with you I can’t stand up.
Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)
”
”
Kim Addonizio (Tell Me)
“
One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.
”
”
Marcel Proust (In Search of Lost Time: Swann's Way)
“
8:00am The sun is shining, the cows are mooing, and I am ready for the mines. I hope I find something awesome today. Steve has told me about some pretty crazy things I had no idea existed. According to him, I must find empty tombs in the desert. That’s where the real treasures are. For today, I will stick to regular mining. Who knows, maybe I will come across an abandoned mine shaft; could be my lucky day. 12:30pm I was forced to come home for lunch today because I had too much stuff to carry. I was getting low on my iron ore, gold, and lapis lazuli stocks before this mine trip. It’s amazing how quick lapis goes when you are busy enchanting everything but the kitchen sink. I’d enchant that too if I had one. I wonder what an enchanted kitchen sink would do. Would it do my dishes for me? That would be so cool. I have plenty of both now. I can make some new armor and enchant it! I love mining. Steve decided to join me for lunch and we ate a couple of pork chops and some cake. I love cake! We ate until no more food could fill us up. Then, Steve had the guts to brag about how, when he mines, he takes a horse with extra storage so he can stay down there all day long. Well fancy you, Steve. He also went on to tell me about how well the crops are doing these days. He thinks it’s because he is looking after them half of the time. What he doesn’t know is I throw bone marrow on them when I am working. Makes my job faster and gives me more free time so whatever you need to tell yourself, Steve. Life may be easier switching every day between mines and farming, but it still doesn’t make me his biggest fan. I just don’t think he needs to fall in a hole, either. At least… Not right now. I would consider us to be frienemies; Friendly enemies. Yes. At times we pretend to get along, but most of the time, we are happiest doing our own thing. 6:00pm Mining this afternoon was super fun… Not! I got attacked by a partially hidden skeleton guy. I couldn’t see him enough to strike back until half of my life hearts were gone. I must not have made the space bright enough. Those guys are nasty. They are hard to kill too. If you don’t have a bow and arrow you might as well surrender. Plus, they kind of smell like death. Yuck. Note to self: Bring more torches on the next mining day. On the other hand, I came back with an overshare of Redstone, too much iron for my own good, and oddly, quite a few diamonds. I won’t be sharing the diamonds with anyone. They are far too precious. They will go to some new diamond pickaxes, and maybe some armor. Hmm, I could enchant those too! The iron and Redstone though, I am thinking a trip to the village may be in order. See what those up-tight weirdos are willing to trade me. For now, it’s bedtime. 6:10pm You can only sleep at night. You can only sleep at night. You can only sleep at night. 6:11pm That stupid rule gets me every time. Why can’t I decide when it’s bed time? First, I will go eat a cookie, then I will go to sleep. Day Thirty-Three 3:00am I just dreamt that our world was made of cookies.
”
”
Crafty Nichole (Diary of an Angry Alex: Book 3 (an Unofficial Minecraft Book))
“
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
”
”
Lauren Royal (Alexandra (Regency Chase Brides #1))
“
I got your flowers. They’re beautiful, thank you.” A gorgeous riot of Gerber daisies and lilies in a rainbow of reds, pinks, yellows and oranges.
“Welcome. Bet Duncan loved sending one of his guys out to pick them up for me.”
She could hear the smile in his voice, imagined the devilish twinkle in his eyes. “Oh, he did. Said it’s probably the first time in the history of WITSEC that a U.S. Marshal delivered flowers to one of their witnesses.”
A low chuckle. “Well, this was a special circumstance, so they helped me out.”
“I loved the card you sent with them the best though.” Proud of you. Give ‘em hell tomorrow. He’d signed it Nathan rather than Nate, which had made her smile. “I had no idea you were romantic,” she continued. “All these interesting things I’m learning about you.” She hadn’t been able to wipe the silly smile off her face after one of the security team members had knocked on her door and handed them to her with a goofy smile and a, “special delivery”.
“Baby, you haven’t seen anything yet. When the trial’s done you’re gonna get all the romance you can handle, and then some.”
“Really?” Now that was something for a girl to look forward to, and it sure as hell did the trick in taking her mind off her worries. “Well I’m all intrigued, because it’s been forever since I was romanced. What do you have in mind? Candlelit dinners? Going to the movies? Long walks? Lazy afternoon picnics?”
“Not gonna give away my hand this early on, but I’ll take those into consideration.”
“And what’s the key to your heart, by the way? I mean, other than the thing I did to you this morning.”
“What thing is that? Refresh my memory,” he said, a teasing note in his voice.
She smiled, enjoying the light banter. It felt good to let her worry about tomorrow go and focus on what she had to look forward to when this was all done. Being with him again, seeing her family, getting back to her life. A life that would hopefully include Nathan in a romantic capacity. “Waking you up with my mouth.”
He gave a low groan. “I loved every second of it. But think simpler.”
Simpler than sex? For a guy like him? “Food, then. I bet you’re a sucker for a home-cooked meal. Am I right?” He chuckled.
“That works too, but it’s still not the key.”
“Then what?”
“You.”
She blinked, her heart squeezing at the conviction behind his answer. “Me?”
“Yeah, just you. And maybe bacon,” he added, a smile in his voice. He was so freaking adorable.
“So you’re saying if I made and served you a BLT, you’d be putty in my hands?” Seemed hard to imagine, but okay.
A masculine rumble filled her ears. “God, yeah.”
She couldn’t help the sappy smile that spread across her face. “Wow, you are easy. And I can definitely arrange that.”
“I can hardly wait. Will you serve it to me naked? Or maybe wearing just a frilly little apron and heels?”
She smothered a laugh, but a clear image of her doing just that popped into her head, serving him the sandwich in that sexy outfit while watching his eyes go all heated. “Depends on how good you are.”
“Oh, baby, I’ll be so good to you, you have no idea.
”
”
Kaylea Cross (Avenged (Hostage Rescue Team, #5))
“
Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this.
She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air.
Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too.
Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned.
As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud.
She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway.
She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up.
Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur.
She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain.
When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move.
”
”
Debra Holland (Healing Montana Sky (Montana Sky, #5))
“
I put my hand on his forearm, I don't know why I do this, and it's not exactly natural, although it's not unnatural, except that I really want to touch his skin. It's smooth and tan just a little bit and feels like summer, like something familiar and warm and good, like my skin did on the first days aboard 'Fishful Thinking' before it salted and burned and peeled.
'We broke up three years after that.'
I sit back in my chair and give a sly smile. Relationships are complex and sometimes you can't really explain them to an outside party.
'I can't believe I just told you that'
'YES! YOU! ARE! LIVING! YOUR! FULL! LIFE!'
A third time. I am not imagining it.
'There you are.'
This time my heart does skip a beat. I look down at his arm, and we are still touching, and he has made no attempt to retract his arm or retreat. All my surroundings, the red formica table top, the pink yogurt, the blue sky, the green vegetables in the market, they all come alive in vibrant technicolor as the sun peers from behind a cloud. I am living my full life.
'Honesty in all things,' Byron adds, lifting his cup of yogurt for a toast of sorts.
I pull my hand away from him and the instant my hand is back by his side, I miss the warmth of his arm, the warmth of him. Honesty in all things. I should put my hand back, that's where it wants to be, that's Lily's lesson to me. Be present in the moment, give spontaneous affection. I'm suddenly aware I haven't spoken in a bit.
'Did you know that an octopus has three hearts?'
As soon as it comes out of my mouth, I realize I sound like that kid from 'Jerry McGuire.' 'Did you know the human head weighs eight pounds?' I hope my question comes off almost a fraction as endearing.
'No,' Byron says with a glint in his eye that reads as curiosity, at least I hope that it does, but even if it doesn't I'm too into the inertia of the trivia to stop it.
'It's true, one heart called the systemic heart that functions much like the left side of the human heart, distributing blood throughout the heart, then two smaller branchial heart with gills that act like the right side of our hearts to pump the blood back.'
'What made you think of that?'
I smile. It may be entirely inappropriate first date conversation, but at least it doesn't bore me in the telling. I look up at the winsome August sky, marred only by the contrails of a passing jet, and a vaguely dachshund shaped cloud above the horizon. I don't believe in fate. I don't believe in love at first site. I don't believe in angels. I don't believe in heaven and that our loved ones are looking down on us, but the sun is so warm and the breeze is so cool and the company is so perfect and the whole afternoon so intoxicating, ti's hard not to hear Lily's voice dancing in the gentle wind, 'one! month! is Long! Enough TO! BE! SAD!'
...
'I recently lost someone close to me....I don't know, I feel her here today with us, you, me, her, three hearts, like an octopus,' I shrug.
If I were him, I would run. What a ridiculously creepy thing to say. I would run and I would not stop until I was home in my bed with a gallon of ice cream deleting my profile from every dating site I belonged to. Maybe it's because it's not rehearsed, maybe it's because it's as weird a thing to say as it is genuine, maybe it's because this is finally the man for me.
Byron stands and offers me his hand, 'Let's take a walk and you can tell me about her.'
The gentle untying of a shoe lace.
It takes me a minute to decide if I can do this, and I decide that I can, and I throw our yogurt dishes away, and I put my hand in his, and it's soft and warm, and instead of awkward fumbling, our hands clasp together like magnets and metal, like we've been hand-in-hand all along, and we are touching again.
...
”
”
Steven Rowley (Lily and the Octopus)
“
Reader's Digest (Reader's Digest USA) - Clip This Article on Location 56 | Added on Friday, May 16, 2014 12:06:55 AM Words of Lasting Interest Looking Out for The Lonely One teacher’s strategy to stop violence at its root BY GLENNON DOYLE MELTON FROM MOMASTERY.COM PHOTOGRAPH BY DAN WINTERS A few weeks ago, I went into my son Chase’s class for tutoring. I’d e-mailed Chase’s teacher one evening and said, “Chase keeps telling me that this stuff you’re sending home is math—but I’m not sure I believe him. Help, please.” She e-mailed right back and said, “No problem! I can tutor Chase after school anytime.” And I said, “No, not him. Me. He gets it. Help me.” And that’s how I ended up standing at a chalkboard in an empty fifth-grade classroom while Chase’s teacher sat behind me, using a soothing voice to try to help me understand the “new way we teach long division.” Luckily for me, I didn’t have to unlearn much because I’d never really understood the “old way we taught long division.” It took me a solid hour to complete one problem, but I could tell that Chase’s teacher liked me anyway. She used to work with NASA, so obviously we have a whole lot in common. Afterward, we sat for a few minutes and talked about teaching children and what a sacred trust and responsibility it is. We agreed that subjects like math and reading are not the most important things that are learned in a classroom. We talked about shaping little hearts to become contributors to a larger community—and we discussed our mutual dream that those communities might be made up of individuals who are kind and brave above all. And then she told me this. Every Friday afternoon, she asks her students to take out a piece of paper and write down the names of four children with whom they’d like to sit the following week. The children know that these requests may or may not be honored. She also asks the students to nominate one student who they believe has been an exceptional classroom citizen that week. All ballots are privately submitted to her. And every single Friday afternoon, after the students go home, she takes out those slips of paper, places them in front of her, and studies them. She looks for patterns. Who is not getting requested by anyone else? Who can’t think of anyone to request? Who never gets noticed enough to be nominated? Who had a million friends last week and none this week? You see, Chase’s teacher is not looking for a new seating chart or “exceptional citizens.” Chase’s teacher is looking for lonely children. She’s looking for children who are struggling to connect with other children. She’s identifying the little ones who are falling through the cracks of the class’s social life. She is discovering whose gifts are going unnoticed by their peers. And she’s pinning down—right away—who’s being bullied and who is doing the bullying. As a teacher, parent, and lover of all children, I think this is the most brilliant Love Ninja strategy I have ever encountered. It’s like taking an X-ray of a classroom to see beneath the surface of things and into the hearts of students. It is like mining for gold—the gold being those children who need a little help, who need adults to step in and teach them how to make friends, how to ask others to play, how to join a group, or how to share their gifts. And it’s a bully deterrent because every teacher knows that bullying usually happens outside her eyeshot and that often kids being bullied are too intimidated to share. But, as she said, the truth comes out on those safe, private, little sheets of paper. As Chase’s teacher explained this simple, ingenious idea, I stared at her with my mouth hanging open. “How long have you been using this system?” I said. Ever since Columbine, she said. Every single Friday afternoon since Columbine. Good Lord. This brilliant woman watched Columbine knowing that all violence begins with disconnection. All
”
”
Anonymous
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Keynes was a voracious reader. He had what he called ‘one of the best of all gifts – the eye which can pick up the print effortlessly’. If one was to be a good reader, that is to read as easily as one breathed, practice was needed. ‘I read the newspapers because they’re mostly trash,’ he said in 1936. ‘Newspapers are good practice in learning how to skip; and, if he is not to lose his time, every serious reader must have this art.’ Travelling by train from New York to Washington in 1943, Keynes awed his fellow passengers by the speed with which he devoured newspapers and periodicals as well as discussing modern art, the desolate American landscape and the absence of birds compared with English countryside.54
‘As a general rule,’ Keynes propounded as an undergraduate, ‘I hate books that end badly; I always want the characters to be happy.’ Thirty years later he deplored contemporary novels as ‘heavy-going’, with ‘such misunderstood, mishandled, misshapen, such muddled handling of human hopes’. Self-indulgent regrets, defeatism, railing against fate, gloom about future prospects: all these were anathema to Keynes in literature as in life. The modern classic he recommended in 1936 was Forster’s A Room with a View, which had been published nearly thirty years earlier. He was, however, grateful for the ‘perfect relaxation’ provided by those ‘unpretending, workmanlike, ingenious, abundant, delightful heaven-sent entertainers’, Agatha Christie, Edgar Wallace and P. G. Wodehouse. ‘There is a great purity in these writers, a remarkable absence of falsity and fudge, so that they live and move, serene, Olympian and aloof, free from any pretended contact with the realities of life.’ Keynes preferred memoirs as ‘more agreeable and amusing, so much more touching, bringing so much more of the pattern of life, than … the daydreams of a nervous wreck, which is the average modern novel’. He loved good theatre, settling into his seat at the first night of a production of Turgenev’s A Month in the Country with a blissful sigh and the words, ‘Ah! this is the loveliest play in all the world.’55
Rather as Keynes was a grabby eater, with table-manners that offended Norton and other Bloomsbury groupers, so he could be impatient to reach the end of books. In the inter-war period publishers used to have a ‘gathering’ of eight or sixteen pages at the back of their volumes to publicize their other books-in-print. He excised these advertisements while reading a book, so that as he turned a page he could always see how far he must go before finishing.
A reader, said Keynes, should approach books ‘with all his senses; he should know their touch and their smell. He should learn how to take them in his hands, rustle their pages and reach in a few seconds a first intuitive impression of what they contain. He should … have touched many thousands, at least ten times as many as he reads. He should cast an eye over books as a shepherd over sheep, and judge them with the rapid, searching glance with which a cattle-dealer eyes cattle.’ Keynes in 1927 reproached his fellow countrymen for their low expenditure in bookshops. ‘How many people spend even £10 a year on books? How many spend 1 per cent of their incomes? To buy a book ought to be felt not as an extravagance, but as a good deed, a social duty which blesses him who does it.’ He wished to muster ‘a mighty army … of Bookworms, pledged to spend £10 a year on books, and, in the higher ranks of the Brotherhood, to buy a book a week’. Keynes was a votary of good bookshops, whether their stock was new or second-hand. ‘A bookshop is not like a railway booking-office which one approaches knowing what one wants. One should enter it vaguely, almost in a dream, and allow what is there freely to attract and influence the eye. To walk the rounds of the bookshops, dipping in as curiosity dictates, should be an afternoon’s entertainment.
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Richard Davenport-Hines (Universal Man: The Seven Lives of John Maynard Keynes)