Golden Globes Quotes

I really look forward to that insane hour that we spend together. I really do.

Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess — no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity — back of that morning, he had done nothing. They knew that it took him six days to make the earth — all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death. At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ. Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow? I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken — that there is no supernatural power that can answer prayer - no power that worship can persuade or change — no power that cares for man. Is there a God? I do not know. Is man immortal? I do not know. One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be. We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine — with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.

Do you see the Field of Mars, where I walked next to my bride in her white wedding dress, with red sandals in her hands, when we were kids?” “I see it well.” “We spent all our days afraid it was too good to be true, Tatiana,” said Alexander. “We were always afraid all we had was a borrowed five minutes from now.” Her hands went on his face. “That’s all any of us ever has, my love,” she said. “And it all flies by.” “Yes,” he said, looking at her, at the desert, covered coral and yellow with golden eye and globe mallow. “But what a five minutes it’s been.

(Golden Globe acceptance speech in the style of Jane Austen's letters): "Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport. P.S. Managed to avoid the hoyden Emily Tomkins who has purloined my creation and added things of her own. Nefarious creature." "With gratitude and apologies to Miss Austen, thank you.

Because we live in a largely free society, we tend to forget how limited is the span of time and the part of the globe for which there has ever been anything like political freedom: the typical state of mankind is tyranny, servitude, and misery. The nineteenth century and early twentieth century in the Western world stand out as striking exceptions to the general trend of historical development. Political freedom in this instance clearly came along with the free market and the development of capitalist institutions. So also did political freedom in the golden age of Greece and in the early days of the Roman era.

Parents of young children are always acting. You act excited to read a story for the five-hundredth time. You act impressed someone went to the bathroom on the toilet. The excitement I show to some of the children’s scribbles should get me a Golden Globe nomination.

Have we not already seen enough of the fallacy and extravagance of those idle theories which have amused us with promises of an exemption from the imperfections, weaknesses and evils incident to society in every shape? Is it not time to awake from the deceitful dream of a golden age, and to adopt as a practical maxim for the direction of our political conduct that we, as well as the other inhabitants of the globe, are yet remote from the happy empire of perfect wisdom and perfect virtue?

Three blockbuster comedies under his belt and he still felt like the weird wallflower at the movie premiere, the guy not making eye contact with anyone at the Golden Globes.

Once I ate a weed lollipop at the Golden Globes and got so high, I had to leave early.

And the Golden Globe for acting cool while really wanting to run screaming from the building goes to... the corpse of Bea Alexander.

When The Matrix debuted in 1999, it was a huge box-office success. It was also well received by critics, most of whom focused on one of two qualities—the technological (it mainstreamed the digital technique of three-dimensional “bullet time,” where the on-screen action would freeze while the camera continued to revolve around the participants) or the philosophical (it served as a trippy entry point for the notion that we already live in a simulated world, directly quoting philosopher Jean Baudrillard’s 1981 reality-rejecting book Simulacra and Simulation). If you talk about The Matrix right now, these are still the two things you likely discuss. But what will still be interesting about this film once the technology becomes ancient and the philosophy becomes standard? I suspect it might be this: The Matrix was written and directed by “the Wachowski siblings.” In 1999, this designation meant two brothers; as I write today, it means two sisters. In the years following the release of The Matrix, the older Wachowski (Larry, now Lana) completed her transition from male to female. The younger Wachowski (Andy, now Lilly) publicly announced her transition in the spring of 2016. These events occurred during a period when the social view of transgender issues radically evolved, more rapidly than any other component of modern society. In 1999, it was almost impossible to find any example of a trans person within any realm of popular culture; by 2014, a TV series devoted exclusively to the notion won the Golden Globe for Best Television Series. In the fifteen-year window from 1999 to 2014, no aspect of interpersonal civilization changed more, to the point where Caitlyn (formerly Bruce) Jenner attracted more Twitter followers than the president (and the importance of this shift will amplify as the decades pass—soon, the notion of a transgender US president will not seem remotely implausible). So think how this might alter the memory of The Matrix: In some protracted reality, film historians will reinvestigate an extremely commercial action movie made by people who (unbeknownst to the audience) would eventually transition from male to female. Suddenly, the symbolic meaning of a universe with two worlds—one false and constructed, the other genuine and hidden—takes on an entirely new meaning. The idea of a character choosing between swallowing a blue pill that allows him to remain a false placeholder and a red pill that forces him to confront who he truly is becomes a much different metaphor. Considered from this speculative vantage point, The Matrix may seem like a breakthrough of a far different kind. It would feel more reflective than entertaining, which is precisely why certain things get remembered while certain others get lost.

From eating at El Pollo Loco salsa bar to the Golden Globes buffet, I managed to stumble through this journey with the perseverance of an immigrant and the mindset of an American. I learned to thrive on being uncomfortable to pursue what I loved. The English language was uncomfortable, so I studied BET until it became my natural tongue. Doing stand-up was uncomfortable, so I hung out at the Comedy Palace until it became my second home. Auditions were uncomfortable, so I spent six hundred bucks a month on acting classes while I slept in some dude's living room for three hundred bucks until acting became my profession. I never looked at these challenges as barriers; I saw them as opportunities to grow. I'd rather try to pursue my dream knowing that I might fail miserably than to have never tried at all. That is How to American.

The Lion King? It's just a kid's film. Just a kid's film?!? Yeah, just a kid's film with an IMDB rating of 8.5, 2 Academy Awards and 2 Golden Globes, that's been adapted into THE most successful West-end musical of all time, generating a gross profit of 8 million pounds and counting. "But maybe it's just a kid's film because it doesn't deal with any mature films" said fucking nobody ever. The Lion King is the greatest anthropomorphic assault upon the theme of mortality that Western culture has ever produced. It is so complex that your tiny, shriveled, and scrotum of a brain wouldn't dare to fathom it. So no, it is not just a kid's film, it is Shakespear with fur!

Cootamundra wattle Meaning: I wound to heal Acacia baileyana | New South Wales Graceful tree with fern-like foliage and bright golden-yellow globe-shaped flower heads. Adaptable, hardy evergreen, easy to grow. Profuse flowering in winter. Heavily fragrant and sweetly scented. Produces abundant pollen, favored for feeding bees in the production of honey.

Well, I don’t know about you, but I’d rather die than let cute dogs named after my favourite comedians slash authors slash Golden Globes hosts perish,’ replies a shredded firefighter who looks like a genetic mash-up of Idris Elba and danger.

[it] isn't something you just get over. You don't go back to being who you were. It's more like a snow globe. War shakes you up, and suddenly all those pieces of your life - muscles, bones, thoughts, beliefs, relationships, even your dreams - are floating in the air out of your grip. They'll come down. I'm here to tell you that, with hard work, you'll recover. But they'll never come down where they once were. You're a changed person after combat. Not better or worse, just different.

The flickering flames serve a fair match for the sun as the golden globe dips low behind Dove Mountain. In response the earth sings out in passionate notes, morphing from a timid silence into an aria of melon, tangerine, and pomegranate. Foraging bats add their faint, rhythmic clicks, and my heart hums in response.

I poked fun at rich friends growling about the unfairness of the Electoral College over a dinner at Spago that cost thousands of dollars, and took Meryl Streep to task for her outraged anti-Trump speech at the Golden Globes the same week she’d put her Greenwich Village townhouse on the market for thirty million dollars.

My Lolita had a way of raising her bent left knee at the ample and springy start of the service cycle when there would develop and hang in the sun for a second a vital web of balance between toed foot, pristine armpit, burnished arm and far back-flung racket, as she smiled up with gleaming teeth at the small globe suspended so high in the zenith of the powerful and graceful cosmos she had created for the express purpose of falling upon it with a clean resounding crack of her golden whip.

Why is it that when Robert Redford-cum-Denys Finch Hatton flies away in the golden glow out of Africa, he is pursuing his destiny? And when I walk away I'm just a chick who's scared of commitment and on the run, who's weird for ignoring Glamour magazine's predictions of my eggs drying up? Learning is an underrated form of liberation.

A story carves deep grooves into our brains each time we tell it. But we aren’t one story. We can change our stories. We can write our own. Melissa and Wendy and Jane and I joked about the Golden Globes and gave each other fake awards. I gave Melissa “Best Person in Charge.” She gave me “Most Famous and Most Normal.” This meant and means a great deal.

But…but…open borders? Absolute anathema to the bureaucratic mentality.

the more bureaucrats there are, the more laws are needed to keep them fed. I

Humans have this need to name everything, no matter how little that thing may deserve it.

As we walked homeward across the fields, the sun dropped and lay like a great golden globe in the low west. While it hung there, the moon rose in the east, as big as a cart-wheel, pale silver and streaked with rose color, thin as a bubble or a ghost-moon. For five, perhaps ten minutes, the two luminaries confronted each other across the level land, resting on opposite edges of the world. In that singular light every little tree and shock of wheat, every sunflower stalk and clump of snow-on-the-mountain, drew itself up high and pointed; the very clods and furrows in the fields seemed to stand up sharply. I felt the old pull of the earth, the solemn magic that comes out of those fields at nightfall. I wished I could be a little boy again, and that my way could end there.

To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.

We spent all of our days afraid it was too good to be true, Tatiana," said Alexander. "We were always afraid all we had was a borrowed five minutes from now." Her hands went on his face. "That's all any of us ever has, my love," she said. "And it all flies by." "Yes," he said, looking at her, at the desert, covered coral and yellow with golden eye and globe mallow. "But what a five minutes it's been." -- The Summer Garden

Finally, in 1888, Cixi approved the Western-style Navy Regulations. It was in endorsing these Regulations that she effectively unveiled China’s first national flag. The country had had no national ensign, until its engagement with the West at the beginning of her reign necessitated a triangular-shaped golden yellow flag for the nascent navy. Now she endorsed its change into the internationally standard quadrangular shape. On the flag, named the Yellow Dragon, was a vividly blue, animated dragon, raising its head towards a bright-red globe, the sun. With the birth of this national flag, remarked contemporary Western commentators, ‘China proudly took her proper place among the nations.

As long as that statue [of Liberty] stands, the tradition of immigrant hospitality and justice it symbolises will continue to haunt us. Will we whose ancestors respected no boundaries seek to erect impermeable borders? Will the descendants of Ellis Island bar the 'golden door', even as our economic and military policies around the globe continue to create 'tempest-tossed' populations? Or will we listen…to the voice of Christ speaking through the immigrant poor: 'Listen! I stand at the door knocking; if you hear my voice and open the door, I will come in to you and we will share communion' (Rev. 3:20).

We do not own the land we abuse, or the lakes and streams we pollute or the raccoons and the otters we persecute. Those who play God in destroying any form of life are tampering with a master plan too intricate for any of us to understand. All that we can do is to aid that great plan and to keep part of our planet habitable. The greatest predator on earth is man himself, and we must look inward to destroy the killer instinct which may yet atomize the human race. Our morality must be extended to every living thing upon our globe, and we must amend the Golden Rule to read: ’ Do unto other creatures as you would have them do unto you!

In our five thousand years of civilization, our history has often been the handmaid of geography. We lie exactly midway between the North Pole and the Equator. We are the gateway between the Fertile Crescent and Europe, between landlocked Central Asia and the Mediterranean world and beyond that, the Atlantic. Peoples and empires have ebbed and flowed across this land. Even today sixty per cent of Europe’s gas supply either passes down the Bosphorus or runs under our very feet through pipelines. We have always been the navel of the world. Yet our favoured location by its very nature surrounded us with historical enemies; to the north, Russia to the south, the Arabs; to the east, Persia and to the west, the Red Apple itself, Europe.’ The Red Apple, the myth of Ottoman imperialism. When Mehmet the Conqueror looked out from the parapets of his fortress of Europe at Constantinople, the Red Apple had been the golden globe in the open palm of Justinian’s statue in the Hippodrome, the symbol of Roman power and ambition. Mehmet rode through the crumbling Hippodrome, the decaying streets of dying Byzantium and the Red Apple became Rome itself. The truth of the Red Apple was that it would always be unattainable, for it was the westering spirit, the globe of the setting sun itself. ‘Now we find ourselves caught between Arab oil, Russian gas and Iranian radiation and we found that the only way we could take the Red Apple was by joining it.’ This is poor stuff, Georgios thinks. You would not insult undergraduates’ intelligence with this.

The one who answered his questions certainly had pointed ears, though the same observer might be hard pressed to make out any ears- or actual answers at all. The boy spoke to what appeared to be little more than a golden light that bobbled and sparkled and tinkled like bells. In fact, the whole scene resembled a mesmerist quizzing a pendulum held from a long golden chain, glittering in the sunlight, whose vague swings returned meanings known only to the occultist himself. But upon looking more closely, one would see that inside the golden bauble was a tiny woman with very pointed ears, a serious face, a green dress, and sparkling wings. Her body was like a series of energetic globes, from her golden hair in its messy bun to her hips to the round silver bells that decorated her shoes. Throughout the conversation every part of her was as animated as her friend's face.

Our mandala is indeed an 'eye,' the structure of which symbolizes the centre of order in the unconscious. The eye is a hollow sphere, black inside, and filled with a semi-liquid substance, the vitreous humour. Looking at it from outside, one sees a round, coloured surface, the iris, with a dark centre, from which a golden light shines. Bohme calls it a 'fiery eye,' in accordance with the old idea that seeing emanates from the eye. The eye may well stand for consciousness (which is in fact an organ of perception), looking into its own background. It sees its own light there, and when this is clear and pure the whole body is filled with light. Under certain conditions consciousness has a purifying effect. This is probably what is meant by Matthew 6 : 22ff., an idea expressed even more clearly in Luke 11 : 33. The eye is also a well-known symbol for God. Hence Bohme calls his 'Philosophique Globe' the 'Eye of Eternity,' the 'Essence of all Essences,' the 'Eye of God.' By accepting the darkness, the patient has not, to be sure, changed it into light, but she has kindled a light that illuminates the darkness within. By day no light is needed, and if you don't know it is night you won't light one, nor will any light be lit for you unless you have suffered the horror of darkness. This is not an edifying text but a mere statement of the psychological facts.

But remember 2003, though, when girls wore those miniskirts that were like six floaty napkins stapled to a scrunchie, with perhaps an Edwardian waistcoat sewn of cobwebs as a top? Where at any moment a baby’s sneeze across campus might expose Kaylee’s entire bunghole and even the slouchy Western belt she wore over her three layers of different-colored camisoles couldn’t save her? In case you’ve repressed the memory, 2003 was the kind of year where Jessica Simpson might wear rubber flip-flops to the Golden Globes, and Nicole Richie was nearly elected president on a platform of “straight blonde hair on top, long curly dark brown extensions underneath, one feather.” The 2003 vibe—culturally, socially, politically, spiritually—was very “energy drink commercial directed by Mark McGrath, and not Mark McGrath in his prime, either.” Millions of Americans were forced to mourn Mr. Rogers while wearing a hot-pink corduroy train conductor’s hat. Never again! Bad Boys II is a 2003 movie.

And all this time I was keeping my eyes open, or trying to, only they kept closing, because I wanted to go on watching the stars, where the most extraordinary things were happening. A bright satellite, a man-made star, very slowly and somehow carefully crossed the sky in a great arc, from one side to the other, a close arc, one knew it was not far away, a friendly satellite slowly going about its business round and round the globe. And then, much much farther away, stars were quietly shooting and tumbling and disappearing, silently falling and being extinguished, lost utterly silent falling stars, falling from nowhere to nowhere into an unimaginable extinction. How many of them there were, as if the heavens were crumbling at last and being dismantled. And I wanted to show all these things to my father. Later I knew that I had been asleep and I opened my eyes with wonder and the sky had utterly changed again and was no longer dark but bright, golden, gold-dust golden, as if curtain after curtain had been removed behind the stars I had seen before, and now I was looking into the vast interior of the universe, as if the universe were quietly turning itself inside out. Stars behind stars and stars behind stars behind stars until there was nothing between them, nothing beyond them, but dusty dim gold of stars and no space and no light but stars. The moon was gone. The water lapped higher, nearer, touching the rock so lightly it was audible only as a kind of vibration. The sea had fallen dark, in submission to the stars. And the stars seemed to move as if one could see the rotation of the heavens as a kind of vast crepitation, only now there were no more events, no shooting stars, no falling stars, which human senses could grasp or even conceive of. All was movement, all was change, and somehow this was visible and yet unimaginable. And I was no longer I but something pinned down as an atom, an atom of an atom, a necessary captive spectator, a tiny mirror into which it was all indifferently beamed, as it motionlessly seethed and boiled, gold behind gold behind gold. Later still I awoke and it had all gone; and for a few moments I thought that I had seen all those stars only in a dream. There was a weird shocking sudden quiet, as at the cessation of a great symphony or of some immense prolonged indescribable din. Had the stars then been audible as well as visible and had I indeed heard the music of the spheres? The early dawn light hung over the rocks and over the sea, with an awful intent gripping silence, as if it had seized these faintly visible shapes and were very slowly drawing tgem out of a darkness in which they wanted to remain. Even the water was now totally silent, not a tap, not a vibration. The sky was a faintly lucid grey and the sea was a lightless grey, and the rocks were a dark fuzzy greyish brown. The sense of loneliness was far more intense than it had been under the stars. Then I had felt no fear. Now I felt fear. I discovered that I was feeling very stiff and rather cold. The rock beneath me was very hard and I felt bruised and aching. I was surprised to find my rugs and cushions were wet with dew. I got up stiffly and shook them. I looked around me. Mountainous piled-up rocks hid the house. And I saw myself as a dark figure in the midst of this empty awfully silent dawn, where light was scarcely yet light, and I was afraid of myself and quickly lay down again and settled my rug and closed my eyes, lying there stiffly and not imagining that I would sleep again.

You've asked me what the lobster is weaving there with his golden feet? I reply, the ocean knows this. You say, what is the ascidia waiting for in its transparent bell? What is it waiting for? I tell you it is waiting for time, like you. You ask me whom the Macrocystis alga hugs in its arms? Study, study it, at a certain hour, in a certain sea I know. You question me about the wicked tusk of the narwhal, and I reply by describing how the sea unicorn with the harpoon in it dies. You enquire about the kingfisher's feathers, which tremble in the pure springs of the southern tides? Or you've found in the cards a new question touching on the crystal architecture of the sea anemone, and you'll deal that to me now? You want to understand the electric nature of the ocean spines? The armored stalactite that breaks as it walks? The hook of the angler fish, the music stretched out in the deep places like a thread in the water? I want to tell you the ocean knows this, that life in its jewel boxes is endless as the sand, impossible to count, pure, and among the blood-colored grapes time has made the petal hard and shiny, made the jellyfish full of light and untied its knot, letting its musical threads fall from a horn of plenty made of infinite mother-of-pearl. I am nothing but the empty net which has gone on ahead of human eyes, dead in those darknesses, of fingers accustomed to the triangle, longitudes on the timid globe of an orange. I walked around as you do, investigating the endless star, and in my net, during the night, I woke up naked, the only thing caught, a fish trapped inside the wind.

The Bible and the church, they have been the greatest block in the way of her development. The vantage ground woman holds today is due to all the forces of civilization, to science, discovery, invention, rationalism, the religion of humanity chanted in the golden rule round the globe centuries before the Christian religion was known. It is not to Bibles, prayer books, catechisms, liturgies, the canon law and church creeds and organizations, that woman owes one step in her progress, for all these alike have been hostile, and still are, to her freedom and development.

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

It was odd that I hadn’t really noticed till now what a beautiful evening it was. The street lamps glowed like ripe oranges among the bare boughs. Below in the wet street their globes glimmered down and down, to drown in their own reflections. He hangs in shades the orange bright, like golden lamps … and on the pavements there were piles of oranges, too, real ones, spilled there in prodigal piles with aubergines and green and scarlet peppers. The open door of a wine-shop glittered like Aladdin’s cave with bottles from floor to roof, shelf on shelf of ruby and amber and purple, the rich heart of a hundred sun-drenched harvests. From a brightly-lit workmen’s café nearby came music, the sound of voices loud in argument, and the smell of new bread. The last lamp drowned its golden moon in the road ahead. The last house vanished and we were running between hedgeless fields. To the right a pale sky still showed clear under the western rim of the rain-clouds, and against it the bare trees that staked the road stood out black and sheer. The leaves of an ilex cut the half-light like knives. A willow streamed in the wind like a woman’s hair. The road lifted itself ahead, mackerel-silver under its bending poplars. The blue hour, the lovely hour … Then the hills were round us, and it was dark.

Sarah rode with him and felt her body rejoice, felt her senses whirl and sing with pleasure. She was exquisitely conscious, to her fingernails aware of the shattering intimacy of their joining. Eyes closed, hearing suspended, her world condensed just to him and her, and another world came alive, a landscape filled with feeling, with heat and longing, with sensation and power and the promise of glory. He moved within her and she rode out each thrust, met and matched him, welcomed and reluctantly released him again. Pleasure and delight bloomed, welled, then spilled through her. The momentary pain had faded so fast it was already a dim memory, overwhelmed by the solid and immediate reality of him hard and strong and so elementally male, joining so deeply and inexorably with her. His fingers slid from hers, sliding down and around to one globe of her bottom. He tilted her hips, and she gasped as the altered position let him penetrate her more deeply still. The reined power behind each deliberate thrust sent a thrill arcing through her. A primitive sense of danger, the recognition of vulnerability; he was so much stronger than she, his body so much harder, so much more powerful than hers. Yet he was careful. The realization slid through her, but she couldn't focus enough to think, then the heat of their passion rose another degree and claimed her. Sent fire and a hungry, ravenous need sliding through her veins, making her writhe, making her gasp. It inexorably branded desire deep into her flesh, marking and searing, until she burned. Until her body was aflame, until the flames coalesced and concentrated, burning deeper and hotter until she sobbed and clung and desperately urged him on, and he rode her faster, harder, deeper. Until with a rush, all heat and yearning, she found herself clinging to that final, dizzying peak. Felt him thrust one last time and shatter her, felt the furnace within her that he'd stoked and fed rupture, felt glory pour forth and sear her veins. And rush through her. She spiraled through a void, cushioned in heated bliss, her mind disconnected. Dimly, she heard him groan, long-drawn and guttural, was distantly aware that, joined deeply with her, he went rigid in her arms. She felt, from far away, the warmth of his seed spill inside her. Buoyed by glory, cocooned in golden rapture, she smiled.

The Big Picture: From Abraham to Armageddon Down through the ages, the sons of Jacob have survived trials, persecution, and thousands of years in exile from their homeland. The Scriptures foretold the dispersion of the Jews and also of their regathering toward the end of the age. After a long absence from a country left in desolation, the Jews have come home to the land that God promised to Abraham: “…a land that has recovered from war, whose people were gathered from many nations to the mountains of Israel, which had long been desolate. They had been brought out from the nations, and now all of them live in safety.” (Ezekiel 38:8). The other branch of Abraham’s family—the sons of Ishmael— are the Islamic Arabs that inhabit the lands surrounding Israel. Ishmael’s descendants epitomize the spirit and temperament that the Bible predicted more than three millennia ago: “…his hand will be against everyone and everyone’s hand against him, and he will live in hostility toward all his brothers” (Genesis 16:12). The Prophet Ezekiel tells us that these same sons of Ishmael will be among the enemies who seek to destroy Israel in the end times: “And thou shalt come up against my people of Israel, as a cloud to cover the land; it shall be in the latter days, and I will bring thee against my land…” (Ezekiel 38:16). The day is soon coming when Ishmael’s descendants will unite as one: “…they receive authority for one hour as kings with the beast.” Their ultimate purpose being the fulfillment of a long-held dream: the annihilation of Israel. Muslims have been taught for centuries that the Last Day will not come until they wage a final war against the Jews and rid the world of them once and for all. They believe that only after this is accomplished will Muslims enjoy a golden age of peace, justice, and worldwide Islamic rule. However, the Bible tells us that God has other plans: Before Israel can be destroyed He is going to intervene, and bring to ruin those who seek her destruction. On that day, multitudes of Jews will realize that Jesus is Messiah, and many Muslims will realize that they have made a fateful mistake. Though most are unaware, we, today, are witnessing the fruition of seeds that were planted nearly four thousand years ago with the birth of Abraham’s sons. God promised Abraham that He would make great nations of both Isaac and Ishmael. To be sure, one would be hard pressed to argue that He did not. The Jewish and Arabic peoples have had an immeasurable impact on the world and can now be found at center stage in the arena of world politics and conflict. Thus, the history of mankind will reach its pinnacle, essentially where it began, in a region literally located at the center of the globe; more specifically, Israel and the nations that surround her.

We spent all our days afraid it was too good to be true, Tatiana,” said Alexander. “We were always afraid all we had was a borrowed five minutes from now.” “Her hands went on his face. “That’s all any of us ever has, my love,” she said. “And it all flies by.” “Yes,” he said, looking at her, at the desert, covered coral and yellow with golden eye and globe mallow. “But what a five minutes it’s been.

There! I can’t fix the whole country, and it will only last a few days, but I present you with the sun, on behalf of my dreadfully boring magic.” He bows low, holding out his hand. I reach out tentatively, afraid of being burned, but the globe merely hovers above my hand where I slide it on top of Finn’s. It’s golden and deliciously warm and instantly makes me happier and more at ease than I’ve been in weeks. I laugh, delighted, and by the look on Finn’s face you’d think I was the one who had given him an absurd and wonderful gift.

A Sunset I love the evenings, passionless and fair, I love the evens, Whether old manor-fronts their ray with golden fulgence leavens, In numerous leafage bosomed close; Whether the mist in reefs of fire extend its reaches sheer, Or a hundred sunbeams splinter in an azure atmosphere On cloudy archipelagos. Oh, gaze ye on the firmament! A hundred clouds in motion, Up-piled in the immense sublime beneath the winds' commotion, Their unimagined shapes accord: Under their waves at intervals flame a pale levin through, As if some giant of the air amid the vapors drew A sudden elemental sword. The sun at bay with splendid thrusts still keeps the sullen fold; And momently at distance sets, as a cupola of gold, The thatched roof of a cot a-glance; Or on the blurred horizon joins his battle with the haze; Or pools the blooming fields about with inter-isolate blaze, Great moveless meres of radiance. Then mark you how there hangs athwart the firmament's swept track, Yonder a mighty crocodile with vast irradiant back, A triple row of pointed teeth? Under its burnished belly slips a ray of eventide, The flickerings of a hundred glowing clouds in tenebrous side With scales of golden mail ensheathe. Then mounts a palace, then the air vibrates--the vision flees. Confounded to its base, the fearful cloudy edifice Ruins immense in mounded wrack; Afar the fragments strew the sky, and each envermeiled cone Hangeth, peak downward, overhead, like mountains overthrown When the earthquake heaves its hugy back. These vapors, with their leaden, golden, iron, bronz¨¨d glows, Where the hurricane, the waterspout, thunder, and hell repose, Muttering hoarse dreams of destined harms, 'Tis God who hangs their multitude amid the skiey deep, As a warrior that suspendeth from the roof-tree of his keep His dreadful and resounding arms! All vanishes! The Sun, from topmost heaven precipitated, Like a globe of iron which is tossed back fiery red Into the furnace stirred to fume, Shocking the cloudy surges, plashed from its impetuous ire, Even to the zenith spattereth in a flecking scud of fire The vaporous and inflam¨¨d spaume. O contemplate the heavens! Whenas the vein-drawn day dies pale, In every season, every place, gaze through their every veil? With love that has not speech for need! Beneath their solemn beauty is a mystery infinite: If winter hue them like a pall, or if the summer night Fantasy them starre brede.

February 28: Marilyn is nominated for a Golden Globe award for her work on Bus Stop but does not attend the ceremony, at which Deborah Kerr wins for her performance in The King and I.

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Round the front door, like a wreath, another vine was simply swarming with startling berries of lilac, turquoise, and blue, each shining pearly globe spotted like the eggs of the song thrush. The leaves were a leprous variegated green. “Ampelopsis,” Dogger said. “Sometimes called the porcelain vine.

I could tell Jeung was skeptical about my line of questioning from the get-go. There was a long pause, after which I could hear him puzzling hesitantly on how best to respond. “I don’t know if silence is necessarily secret-keeping,” he said slowly. “I’m sure parents don’t talk about their kids about a lot of things. They don’t talk about their sex lives. I don’t know that it’s necessarily a Taoist approach. There are probably things they’d just rather forget. And there is a Chinese popular religion thing where people don’t talk about negative things. It’s why people don’t talk about cancer. You know The Farewell?” he asked, citing Lulu Wang’s Golden Globe- and BAFTA-winning film about her family’s decision to hide her grandmother’s lung cancer diagnosis from her. Her grandmother was supposed to live only six months, but her family thought she would fare better and live longer if they told her she was just fine. The approach may have worked. At the time I am writing this, eight years after her diagnosis, Lulu’s grandmother is still alive.

Quelque chose dans ces rues me troublait, le calme peut-être, le calme ou l’harmonie, une répartition de la communauté selon un ordre indiscutable et silencieux : nul aboiement de chien à notre passage, nul cri de dispute surgi de l’intérieur d’une maison et propre à en faire voir le revers, le quotidien domestique, comme un gant retourné, à peine des pleurs de bébé filtrés par une fenêtre ouverte, le sifflet d’une cocotte-minute ou le souffle d’un aspirateur. Nous avancions ainsi comme sur les cases d’un échiquier, les perspectives et les angles, la distance d’un bloc à l’autre, la durée du parcours, la logique cadastrale croisant artères numérotées et artères nommées — étrange maillage où les rues allouées aux tribus indiennes côtoyaient sans ironie celles dévolues aux présidents qui avaient œuvré à leur éradication —, tout cela s’incorporait en nous jour après jour, nous prenions nos marques, marchant côte à côte sous les grands arbres dorés, égaux nous aussi puisque fondus dans un même étonnement, dans une même solitude, et jamais je n’ai éprouvé depuis ce sentiment violent et obscur que nous étions tout l’un pour l’autre, Kid et moi, durant ces journées vacantes, largués mais amarrés ensemble, et tissant notre existence à celle de ceux d’ici, anticipant bientôt la marque et la couleur des voitures garées devant les garages, pariant sur l’érable rouge, la niche bleu pâle, le heurtoir en sabot de cheval sur la porte noire, un globe lumineux derrière un bow-window. Nous donnions des noms aux maisons, aux silhouettes, aux animaux, aux plantes, nous devenions familiers, nous devenions des voisins.Pourtant, dès que nous débarquions sur Main St., l’acmé de la balade, je perdais pied, ne parvenais plus à savoir où j’étais, ni même si j’étais quelque part, la rue était insituable, je n’y croyais pas, contrairement à Kid qui, après avoir malgré tout traîné les pieds dans les rues adjacentes, reprenait vie à la vue des boutiques, et bondissait au-devant, petit cabri, réclamant toujours un truc, un donut, une petite voiture ou cette pierre bleue qu’il avait vue dans la vitrine de la minéralogiste. Mais quelque chose ici jouait avec le vrai et le faux, comme si la rue principale de Golden était truquée, fabriquée pour les besoins d’un récit, et comme si l’arche de bienvenue matérialisait la porte d’entrée d’un monde fictif.

For an unrelated reason, I was fortunate to be in London to witness a set of extraordinary festivities commemorating the fiftieth anniversary of Elizabeth II’s accession to the throne of England. Although the queen had been traveling the globe for months to Commonwealth nations hosting Golden Jubilee events in her name, the celebrations peaked on June 4, 2002, with a program on the Mall in London that drew over a million well-wishers from around Britain and the world. The marked adulation surprised many in the national press who’d predicted the Jubilee would be a fizzle, demonstrating the modern-day irrelevance of the British monarchy in general and of Her Royal Highness in particular. The opposite proved to be the case. In the several weeks’ run-up to June 4, throngs within the United Kingdom flocked to dedications, parades, concerts, and special proceedings honoring the queen, which she honored in turn with her presence. Especially coveted were invitations to small parties where it was sometimes possible to be addressed personally by the queen in a receiving line. Of course, the opportunity to meet Elizabeth II under any circumstances would be considered exceptional; but the chance to meet her amid the pomp and pageantry of the Golden Jubilee added even more significance to such occasions, which were widely reported by the media. One report stood out from all the others for me. A young woman moving through a reception line at one of the small fêtes experienced the horror of hearing the cell phone in her purse begin to ring just as she met the queen. Flustered and frozen with embarrassment as her phone pealed insistently, she stared helplessly into the royal eyes that had become fixed on her bag. Finally, Elizabeth leaned forward and advised, “You should answer that, dear. It might be someone important.

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Would it be death? If so, she did not fear it, for she knew that her life would flow down the silver thread which always trailed her, to the Carrier of Spirits who would gather the rest of her in that vast sea of memory. Would she find her mother? She had found her mother. Would she go home? Where was home, anyway? “The trees were full of fireflies, and suddenly, as if a new goddess came to meet her, the moon, a vast-seeming golden sphere of light, softened at the edges by the thickness of the air, rose and came toward her. She ran in her own globe of golden radiance until she felt that like Skaalya in the legend she could learn to fly. She would fly up, she would dive into the Moon, she would know what this goddess knew, she would give herself to the light which had at long last returned itself to her. “She chased the moon toward her until they met at the doorway, the moon diving into the portal before Essa arrived. It was there, she knew, on the other side. Would she too pass through? “She stood in wonder before the doorway: was this what ‘wondering’ truly meant? She could spend her life wondering.… “Ahead of her was the bright doorway: green, iridescent, swirling, oval under the trees, lit from behind by the full moon.

It’s strange how equalizing fear can be. Lyla and Nolan are stars by any definition, with an Oscar and four Golden Globes between them and a combined net worth of $250 million. But alone in their dark kitchen at 3:00 a.m., their cell phones and the landline as silent as the night, they are a couple with a missing child, like any couple anywhere with any missing child. They have nothing.

there is consensus among critical economists that the most glorious period or “golden age” of capitalism which began in the 1950s (for those living advanced states at least) fell into crisis by the late 1970s.4 And, it was on the road from there to the 21st century that untoward things started to happen. First, advanced economies including Britain, the US, major European (EU) states, built prosperity across the 20th century around expansion and sophistication of their industrial production systems and rising real and social wages for the mass workforces that operated them. Yet, by the time the century came to a close, these industrial production systems had been sliced and diced with their components disarticulated across the globe. Parallel to this slicing and dicing of industries the decently paid jobs of the industrial mass workforce vaporized.

After the couple kissed and made up, they were all smiles again. But Wagner was left with a nagging feeling of inadequacy; especially after his wife’s sensational performance earned rave reviews, sparking rumors of Emmy and Golden Globe nominations.

Asteria’s Ship’s Library Sailing Books Admiralty, NP 136, Ocean Passages of the World, 1973 (1895).  Admiralty, NP 303 / AP 3270, Rapid Sight Reduction Tables for Navigation Vol 1 & Vol 2 & Vol3. Admiralty, The Nautical Almanac 2018 & 2019. Errol Bruce: Deep Sea Sailing, 1954. K. Adlard Coles: Heavy Weather Sailing, 1967. Tom Cunliffe: Celestial Navigation, 1989. Andrew Evans: Single Handed Sailing, 2015. Rob James: Ocean Sailing, 1980. Robin Knox-Johnston: A World of my Own, 1969. Robin Knox-Johnston: On Seamanship & Seafaring, 2018. Bernard Moitessier: The Long Route, 1971. Hal Roth: Handling Storms at Sea, 2009. Spike Briggs & Campbell Mackenzie: Skipper's Medical Emergency Handbook, 2015 Essays Albert Camus: The Myth of Sisyphus & Other Essays, 1955. Biographies Pamela Eriksson: The Duchess, 1958. Olaf Harken: Fun Times in Boats, Blocks & Business, 2015. Martti Häikiö: VA Koskenniemi 1–2, 2009. Eino Koivistoinen: Gustaf Erikson – King of Sailing Ships, 1981. Erik Tawaststjerna: Jean Sibelius 1–5, 1989. Novels Ingmar Bergman: The Best Intentions, 1991. Bo Carpelan: Axel, 1986. Joseph Conrad: The End of the Tether, 1902. Joseph Conrad: Youth and Other Stories 1898–1910.  Joseph Conrad: Heart of Darkness, 1902. Joseph Conrad: Lord Jim, 1900. James Joyce: Ulysses, 1922, (translation Pentti Saarikoski 1982). Volter Kilpi: In the Alastalo Hall I – II, 1933. Thomas Mann: Buddenbrooks, 1925. Harry Martinson: The Road, 1948. Hjalmar Nortamo: Collected Works, 1938. Marcel Proust: In Search of Lost Time 1–10, 1922. Poems Aaro Hellaakoski: Collected Poems. Homer: Odysseus, c. 700 BC (translation Otto Manninen). Harry Martinson: Aniara, 1956. Lauri Viita: Collected Poems. Music Classic Jean Sibelius Sergei Rachmaninov Sergei Prokofiev Gustav Mahler Franz Schubert Giuseppe Verdi Mozart Carl Orff Richard Strauss Edvard Grieg Max Bruch Jazz Ben Webster Thelonius Monk Oscar Peterson Miles Davis Keith Jarrett Errol Garner Dizzy Gillespie & Benny Dave Brubeck Stan Getz Charlie Parker Ella Fitzgerald John Coltrane Other Ibrahim Ferrer, Buena Vista Social Club Jobim & Gilberto, Eric Clapton Carlos Santana Bob Dylan John Lennon Beatles Sting Rolling Stones Dire Straits Mark Knopfler Moody Blues Pink Floyd Jim Morrison The Doors Procol Harum Leonard Cohen Led Zeppelin Kim Carnes Jacques Brel Yves Montand Edit Piaf

Plasma escapes containment to displace great gulps of dirt and air. It turns running men and women into gray puffs of instant cinder, then blows them into dust with howling wind. A thick layer of surface sand ripples into moving sheets of gooey glass that flow stickily down flattened dunes, pooling into molten lakes at the bottom. Rolling sheets engulf craters and ruins, encasing scalded bones of dead armor and bits of wrecked trench works. More liquid glass captures screaming fighters inside hardening silicate globes. a man’s or woman’s last moment of life and pain and final scream trapped in clear, golden glass sarcophagi. They’ll cool later, lying atop the desert like huge, ancient insects locked in Triassic amber. They’ll be the most prized of all Amasian death-glass, illegal but kept anyway in secret private collections.

Did you watch the Golden Globes? If you’ve got better things to do with your time, like most of us, here’s the one-sentence version: It’s one of a series of Hollywood parties in which all the celebrities pat themselves on the back for how talented they are. Almost always at these events some movie star who wins an award gets on stage and preaches about the need to help the poor or the less fortunate. Usually they blast evil Republicans in the process. Most of them are drunk when they do it.

Look, I like to have a good time as much as anyone. And if the people putting on the Golden Globes can afford to spend such ungodly sums on a bunch of pampered liberals, so be it. However, I don’t need these same people, liquored up, caviar-stuffed, and driven around in limousines, to lecture us about how Republicans don’t care about the poor. These people pour more money down their throats on a single night than many Americans earn in an entire year.

Doral used to be swampland, but now Carnival Cruise Lines and one of the major Miami papers makes it their home. Everyone who knows Florida well enough calls it Doralzula because so many Venezuelans live there. Rich Venezuelans, the beneficiaries of the old “re-distribute the wealth” scam of socialism, which fails repeatedly and consistently — though this fact is rarely ever mentioned in the media — around the globe. Once they had theirs, of course, they were off to the land of plenty, leaving the masses to wallow in poverty, under corrupt iron rule, while they golfed and ate at fine restaurants and bought exotic cars and slept with beautiful women who could be bought with luxury. Perhaps there was love sometimes, too, but I was always skeptical of any woman under forty wearing designer clothes. The far left loves countries like Cuba, and Venezuela, never taking note of the conditions, the poverty, or the people trying to get out and have a better life; most of whom will never make it to those golden shores of Florida. They are the first to cry over the oppressed, the victimized, the impoverished, as though they are their champion. Unless, of course, those unfortunate folks live in a country in line with their hard-left-leaning ideology, then they are willing to ignore their plight completely. There is no hypocrisy so bald as that of the liberal do-gooder. Talk to a real Venezuelan, or better yet, a Cuban refugee who’d made it to Miami, and ask them how it is there. After you do you will roll your eyes at the next liberal trying to convince you the time has come to embrace these countries.

I’ve attended some pretty glamorous events over the years, like the Costume Ball at the Met, the Golden Globes, and the Vanity Fair Oscar party. They are usually held at distinguished cultural institutions like the Met or the Annenberg Center—always beautiful spaces that are home to priceless works of art. The first thing they do when a Hollywood party rents out the place is push all the art to the corner so it doesn’t get in the way. They have to do that so there’s room for a red carpet, a bar, a prime rib carving station, a photo booth, and, for some reason, an Acura parked inside, in the middle of the party floor. There’s always a parked Acura at every major Hollywood party. Who

There is a huge golden globe in the middle of the floor, that you can spin and put your finger on and trace the countries sliding away under your hand. I used to love to do it when I was little.

a good story was frequently superior to the truth?

I dreamed once after he died that Lord Goodsleep came to me in the night on a stallion made of storm clouds,” she admitted. “He was monstrously large, with a pair of shining golden scissors in his hand, and he approached me while I slept and snipped me wide open from my neck to my navel, as if my skin were made of muslin. Then he took a pair of iron tongs and lifted out my heart—it was a crystalline globe, just a lovely thing, really, throwing dazzling sparks all over the sky like a magic lamp.” Fergal’s eyes lit. “How wonderful.” “He rolled it around in his fingers as if he were inspecting a plum… then he laid it on an anvil and smashed it with a silver hammer—not enough to turn it to dust, just enough to leave jagged edges upon it all the way around. Then he pushed it back inside of me with no concern whatsoever for my anguish, and he stitched me up tightly, so that when I woke, I would possess a pain that could never be dissolved.

But Pam, don't think I don't know your game. In your desperately wicked little heart, it is your sincerest hope that one day we are spotted, eavesdropped on, whatever, and my identity comes out, and you are then free to turn me into the golden-haired high-profile author of your dreams. I can practically see you trotting me around the globe like a dancing bear. Think of the publicity. Oh, and that would make you—" I pointed my stirrer at Pam, who was watching me with a tolerant smile. "—Pamela Wing, agent to said high-profile author. Not too shabby.

More typical, however, are tail-chasing proclamations like this one, which can be found on the website of the MIT Innovation Initiative: “The MIT Innovation Initiative is an Institute-wide, multi-year agenda to transform the Institute’s innovation ecosystem—internally, around the globe and with its partners—for accelerated impact well into the 21st century.”20 This sounds distinctly like bullshit, but if MIT wants to think of itself in such a way, that’s their business. The problem arises when we enshrine innovation as a public philosophy—when we look to it as the solution to our economic ills and understand it as the guide for how economies ought to parcel out rewards. To put it bluntly, it is not clear that cheering for innovation in the bombastic way we see in the blue states actually improves the economic well-being of average citizens. For example, the last fifteen years have been a golden age of financial and software innovation, but they have been feeble in terms of GDP growth. In ideological terms, however, innovation definitely works: as a way of excusing soaring inequality and explaining the exalted status of the rich, it is the best we’ve got.

from what our official accounts allow.28 Schwaller too recognized that whoever built the Sphinx, the Great Pyramid, and the temples at Luxor and Karnak was mathematically and cosmologically astute. From 1936 to 1951, Schwaller and his wife, Isha, herself the author of a series of novels about ancient Egypt (Her-Bak: Egyptian Initiate is the best known), studied the ancient Egyptian monuments. Schwaller found evidence in them for pi, but also for much more: a knowledge of the precession of the equinoxes, of the Pythagorean theorem centuries in advance of Pythagoras, of the circumference of the globe, as well as evidence of ϕ (phi), known as the Golden Section, a mathematical proportion that was again supposedly unknown until it was discovered by the Greeks. As John Anthony West makes clear, the Golden Section is more than an important item in classical architecture. It is, according

from what our official accounts allow.28 Schwaller too recognized that whoever built the Sphinx, the Great Pyramid, and the temples at Luxor and Karnak was mathematically and cosmologically astute. From 1936 to 1951, Schwaller and his wife, Isha, herself the author of a series of novels about ancient Egypt (Her-Bak: Egyptian Initiate is the best known), studied the ancient Egyptian monuments. Schwaller found evidence in them for pi, but also for much more: a knowledge of the precession of the equinoxes, of the Pythagorean theorem centuries in advance of Pythagoras, of the circumference of the globe, as well as evidence of ϕ (phi), known as the Golden Section, a mathematical proportion that was again supposedly unknown until it was discovered by the Greeks. As John Anthony West makes clear, the Golden Section is more than an important item in classical architecture. It is, according to Schwaller, the mathematical archetype of the universe, the reason why we have an “asymmetrical” “lumpy” world of galaxies and planets, and not a flattened-out, homogenous one, a question that today occupies contemporary cosmologists.29 In his writings, Schwaller linked phi to planetary orbits, to the architecture of Gothic cathedrals, and to plant and animal forms.

Sometimes you get to meet someone unexpected and delightful—for example, at my first Golden Globes I met the voice of Dug from the film Up, and he indulged me by saying, “I have just met you and I looove you.

Marilyn Monroe (born Norma Jeane Mortenson; June 1, 1926 – August 5, 1962) was an American actress, model, and singer, who became a major sex symbol, starring in a number of commercially successful motion pictures during the 1950s and early 1960s. After spending much of her childhood in foster homes, Monroe began a career as a model, which led to a film contract in 1946 with Twentieth Century-Fox. Her early film appearances were minor, but her performances in The Asphalt Jungle and All About Eve (both 1950), drew attention. By 1952 she had her first leading role in Don't Bother to Knock and 1953 brought a lead in Niagara, a melodramatic film noir that dwelt on her seductiveness. Her "dumb blonde" persona was used to comic effect in subsequent films such as Gentlemen Prefer Blondes (1953), How to Marry a Millionaire (1953) and The Seven Year Itch (1955). Limited by typecasting, Monroe studied at the Actors Studio to broaden her range. Her dramatic performance in Bus Stop (1956) was hailed by critics and garnered a Golden Globe nomination. Her production company, Marilyn Monroe Productions, released The Prince and the Showgirl (1957), for which she received a BAFTA Award nomination and won a David di Donatello award. She received a Golden Globe Award for her performance in Some Like It Hot (1959). Monroe's last completed film was The Misfits, co-starring Clark Gable with screenplay by her then-husband, Arthur Miller. Marilyn was a passionate reader, owning four hundred books at the time of her death, and was often photographed with a book. The final years of Monroe's life were marked by illness, personal problems, and a reputation for unreliability and being difficult to work with. The circumstances of her death, from an overdose of barbiturates, have been the subject of conjecture. Though officially classified as a "probable suicide", the possibility of an accidental overdose, as well as of homicide, have not been ruled out. In 1999, Monroe was ranked as the sixth greatest female star of all time by the American Film Institute. In the decades following her death, she has often been cited as both a pop and a cultural icon as well as the quintessential American sex symbol. 수면제,액상수면제,낙태약,여성최음제,ghb물뽕,여성흥분제,남성발기부전치유제,비아,시알,88정,드래곤,바오메이,정력제,남성성기확대제,카마그라젤,비닉스,센돔,,꽃물,남성조루제,네노마정,러쉬파퍼,엑스터시,신의눈물,lsd,아이스,캔디,대마초,떨,마리화나,프로포폴,에토미데이트,해피벌륜 등많은제품판매하고있습니다 원하시는제품있으시면 추천상으로 더좋은제품으로 모시겠습니다 qwe114.c33.kr 카톡【ACD5】텔레【KKD55】 I believe that everything happens for a reason. People change so that you can learn to let go, things go wrong so that you appreciate them when they're right, you believe lies so you eventually learn to trust no one but yourself, and sometimes good things fall apart so better things can fall together

I’m also not going to tell you how I learn from my kids. Fuck that. I’m the grown-up. They and, subsequently, you as you read this, are learning from me. I’ve got no beef with her as an actress, but when Amy Adams won her Golden Globe she did one of those actressy things that drive me insane. She thanked everybody: costars, agents, managers, and so on. Then at the end she thanked her obnoxiously named child, Aviana, a name that I’m pretty sure she took from the sparkling water she was drinking on set. This kid, by her own admission, was not old enough to understand what Mommy was saying. So why did she thank her? Because the little tyke had taught her how to “accept joy and let go of fear.” Her daughter was three. She probably only taught Amy how to have a Guatemalan chick take care of her while Mama was on set all day. My twins have taught me basically nothing except that kids are expensive and have no gratitude. I hate the parent-shaming crap that is so pervasive today. It’s like the guy who announces his wife is his best friend. He doesn’t mean it; he just does it to make the rest of us look like assholes. As I write this book, there is an Apple commercial showing how I can be closer with my kids through apps. It shows happy dads connecting with their progeny by using apps to map the stars, garden and take pictures of tidal pools. You know, shit that I never do with my kids because I’m too busy earning the money to buy them the iPhones they use to ignore me. Ads like this are just not realistic. The only thing I do with my phone is watch a little porn, then call my agent and yell at him to find me work so that my kids can enjoy all those app-tivities with the nanny. If this ad were at all realistic, if it looked in any way like my life, it would show the dad screaming at the mother to get the glass replaced on her broken iPhone and then he and the kids staring at their phones while ignoring each other.

“Does your heart implode into an infinite care for your other?” “Does it explode into a million stars?” “Do you feel warm and hold the desire to harbor?” “Would you fly the biggest plane into war?” “Could you change the direction of the starboard?” “If all you understood could immediately be over?” “The dark blue sky is infinite and fast forward.” “How much do you want to keep him safe from harm?” “Would you cut the wires knowingly to disable a bomb?” “To which or what does your sun revolve?” “What do you call your world?” “How many of its problems would you willingly solve?” “How many flags of pride for him will you unfurl?” “How big is your once broken vestige?” “Can you heal from your fleshwounds?” “To carry him on and on, even covered in scars?” “To be shot for the only, To be the carrier and keep it going.” “Even when the sound of every blackhole in space roars?” “Can you question your unholy gods in the name of love?” “Can you hold on even when you can see the reaper settling in?” “Can you curse those who fly far up and above?” “Would your golden soul settle to make due and amend?” “The river of euphrates flows over the globe.” “White clouds, rainfall coming down, droplets from the overdome.” “Are you to agree that you can set fire and land in the aerodrome?” “Even when the shooting rocks from millions of miles away decay your airspace?” “Would you tense up your strings and hold an angry face.” “One that circles around back to the care you have to display?” “How much can you love one person?” “How instantaneous, like spontaneous combustion.” “Can you see why you care this much in their eyes?” “Can you see the water fall from the skies?” “Can you see the sun rising to revolve around them once more?” “Can you see the falls from the cliff ledges and the birds?” “Can you foresee what the future has in store?” “Every story has only one narrator, Every view sought through two eyes.” “Your care, your love for him is not a disguise.” “It is a ground shaking thing to feel, you fly.” “The tremors, the earth-shattering quakes under the plates.” “You can only care anymore, no longer do you despise.” “All the angry lines are gone from the sands of time.” “Can you wonder, can you tell anyone or even explain why?” “Can you hold true for the next million years, Right by his side?” “Can you lose your fears to continue to try?” “Jump a million worlds, fall a million skies.” “Infinite voids, infinite times.” “For one world’s sunrise.