Golden Fleece Quotes

We've searched our database for all the quotes and captions related to Golden Fleece. Here they are! All 69 of them:

The real story of the Fleece: there were these two children of Zeus, Cadmus and Europa, okay? They were about to get offered up as human sacrifices, when they prayed to Zeus to save them. So Zeus sent this magical flying ram with golden wool, which picked them up in Greece and carried them all the way to Colchis in Asia Minor. Well, actually it carried Cadmus. Europa fell off and died along the way, but that's not important." "It was probably important to her.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Theophane gave birth to a magical ram named Krysomallos, who for some reason had wool made of gold. Eventually, Krysomallos would be skinned for his fleece, which became known as the Golden Fleece, which means I am related to a sheepskin rug.
Rick Riordan (Percy Jackson's Greek Gods)
His big claim to fame was that the Golden Fleece—that magical sheepskin rug I'm related to—ended up in his kingdom, which made the place immune to disease, invasion, stock-market crashes, visits from Justin Bieber and pretty much any other natural disaster.
Rick Riordan (Percy Jackson's Greek Gods)
Eventually, Krysomallos would be skinned for his fleece, which became known as the Golden Fleece, which means I am related to a sheepskin rug. This is why you don't want to think too hard about who you're related to in the Greek myths. It'll drive you crazy.
Rick Riordan (Percy Jackson's Greek Gods)
Childhood is bound like the Gordian knot with my memories of the Black Sea, and I still feel its waters welling up within me today. Sometimes these waters are leaden, as grey as the military ships that sail on their curved expanses, and sometimes they are blue as pigmented cobalt. Then would come dusk, when I would sit and watch the seabirds waver to shore, flitting from open waters to the quiet empty vastlands in darkening spaces behind me, the same birds Ovid once saw during his exile, perhaps; and the same waters the Argonauts crossed searching for the fleece of renewal. And out in the distance, invisible, the towering heights of Caucasus, where once-bright memories of the fire-thief have transmuted into something weird and many-faceted, and beyond these, pitch-black Karabakh in dolorous Armenia.
Paul Christensen (The Heretic Emperor)
As for Ares's other sacred grove, the one in Colchis, things were run a little differently over there. The king was a guy named Aeetes. (As far as I can figure, that's pronounced "I Eat Tees.") His big claim to fame was that the Golden Fleece - that magical sheepskin rug I'm related to - ended up in his kingdom, which made the place immune to disease, invasion, stock market crashes, visits from Justin Bieber, and pretty much any other natural disaster.
Rick Riordan (Percy Jackson's Greek Gods)
A working woman, rising before dawn to spin and needing light in her cottage room, piles brushwood on a smoldering log, and the whole heap kindled by the little brand goes up in a mighty blaze. Such was the fire of Love, stealthy but all-consuming, that swept through Medea's heart. In the turmoil of her soul, her soft cheeks turned from rose to white and white to rose.
Apollonius of Rhodes (Jason and the Golden Fleece (The Argonautica))
Neither Tiphys nor Argus nor old Nauplius (whose great-grandfather and namesake had been the first Greek ever to steer by the Pole Star) could calculate their position with certainty.
Robert Graves (The Golden Fleece)
True adventurers have never been plentiful. They who are set down in print as such have been mostly business men with newly invented methods. They have been out after the things they wanted - golden fleeces, holy grails, lady loves, treasures, crowns, and fame. The true adventurer goes forth aimless and uncalculating to meet and greet unknown fate. A fine example was the Prodigal Sob - when he started back home.
O. Henry (The Four Million)
This is closest we'll ever be. This is our escape. Our secret closet, our letter of invitation to Hogwarts, our death-star run. After this we're back to the real world, and from there the hill slopes down and only stops at six feet under.
Emil Ostrovski (The Paradox of Vertical Flight)
Myths are as much a part of the slipstream of Black life as joy. Yes, Black folks are masters of joy. Trauma isn’t the only thing carried in DNA. Blackness, like any Golden Fleece, is both a birthright and what lies at the end of a quest.
Erin E. Adams (Jackal)
They slept with each other for the first time while waiting out a storm in an abandoned shepherd hut. The hours the storm granted them, surrounded by raw wool and rusty shears, felt like a month, a year, all the years they’d been waiting for this, full of fear of their kisses, of their too-familiar skins. So far from all their memories, it felt as if they were meeting each other for the first time all over again. The horse scraping around in the discarded fleece, the storm, the sound of rain, Jacob gathered it all, like jewelry he would put around Fox’s neck whenever they would remember this first time.
Cornelia Funke (The Golden Yarn (Reckless #3))
As far as cheating goes , you have illustrious predecessors . Theseus escaped from the labyrinth thanks to Ariadne's thread , Jason stole the golden fleece with Medea's help .... The Kaurabas used subterfuge to win at dice in the Mahabharata , and the Achaeans checkmated the Trojans by moving a wooden horse . Your conscience is clear .
Arturo Pérez-Reverte (The Club Dumas)
Objects, too, have trickled through the doors between worlds, blown by strange winds, drifting on white-frosted waves, carried and discarded by careless travelers- even stolen, sometimes. Some of them have been lost or ignored or forgotten- books written in foreign tongues, clothes in strange fashions, devices with no use beyond their home worlds- but some of them have left stories in their wakes. Stories of magic lamps and enchanted mirrors, golden fleeces and fountains of youth, dragon-scale armor and moon-streaked broomsticks.
Alix E. Harrow (The Ten Thousand Doors of January)
It is a fact that we tribes of suffering men never plant our feet firmly upon the path of joy, but there is ever some bitter pain to keep company with our delight.
Apollonius of Rhodes (Jason and the Golden Fleece)
His big claim to fame was that the Golden Fleece—that magical sheepskin rug I’m related to—ended up in his kingdom, which made the place immune to disease, invasion, stock market crashes, visits from Justin Bieber, and pretty
Rick Riordan (Percy Jackson's Greek Gods)
His big claim to fame was that the Golden Fleece—that magical sheepskin rug I’m related to—ended up in his kingdom, which made the place immune to disease, invasion, stock market crashes, visits from Justin Bieber, and pretty much any other natural
Rick Riordan (Percy Jackson's Greek Gods)
His big claim to fame was that the Golden Fleece—that magical sheepskin rug I’m related to—ended up in his kingdom, which made the place immune to disease, invasion, stock market crashes, visits from Justin Bieber, and pretty much any other natural disaster.
Rick Riordan (Percy Jackson's Greek Gods)
Jason neither agreed nor disagreed, but took refuge in gloomy silence, while Orpheus, who of all the Argonauts was least likely to blunder in the Samothracian ritual, invoked the Triple Goddess in her name of Amphitrite. He poured a jar of olive oil upon the waves, and in her name respectfully called upon the North Wind to cease. For a while the North Wind, whom his sons Calaïs and Zetes also respectfully invoked, made no response, except for a single furious blast that nearly tore the mast out of the ship, but then gradually ceased.
Robert Graves (The Golden Fleece)
To mortal men the gods allot woes which cannot be foreseen.
Apollonius of Rhodes (Jason and the Golden Fleece (The Argonautica))
What? Am I to be a listener only all my days? Am I never to get my word in—I that have been so often bored by the Theseid of the ranting Cordus? Shall this one have spouted to me his comedies, and that one his love ditties, and I be unavenged? Shall I have no revenge on one who has taken up the whole day with an interminable Telephus or with an Orestes which, after filling the margin at the top of the roll and the back as well, hasn't even yet come to an end? No one knows his own house so well as I know the groves of Mars, and the cave of Vulcan near the cliffs of Aeolus. What the winds are brewing; whose souls Aeacus has on the rack; from what country another worthy is carrying off that stolen golden fleece; how big are the ash trees which Monychus hurls as missiles: these are the themes with which Fronto's plane trees and marble halls are for ever ringing until the pillars quiver and quake under the continual recitations; such is the kind of stuff you may look for from every poet, greatest or least. Well, I too have slipped my hand from under the cane; I too have counselled Sulla to retire from public life and take a deep sleep; it is a foolish clemency when you jostle against poets at every corner, to spare paper that will be wasted anyhow. But if you can give me time, and will listen quietly to reason, I will tell you why I prefer to run in the same course over which Lucilius, the great nursling of Aurunca drove his horses.
Juvenal
My mind takes flight like a butterfly. There is so much to do. You can wander off in space or in time, set out for Tierra del Fuego or for King Midas’s court. You can visit the woman you love, slide down beside her and stroke her still-sleeping face. You can build castles in Spain, steal the Golden Fleece, discover Atlantis, realize your childhood dreams and adult ambitions.
Michael S. Gazzaniga (The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind)
Hercules expressed no wonder at any point of the recital, but when he heard of Medea’s infatuation for Jason he sighed and remarked with unusual mildness, ”The poor girl, I pity her! Echion, my friend, I have a message for you to deliver, and here is my silver cup in payment. Tell the Princess I condole with her, no less heartily than I condoled with Queen Hypsipyle of Lemnos. Tell her that Jason will treat her no less faithlessly than he treated Hypsipyle, though for his sake she has cut herself off from her own house and people and become an accessory to parricide and fratricide. Assure her that when he deserts her, whether it be this year or next year or in twelve years’ time, she can steadfastly count upon Hercules of Tiryns to avenge her or comfort her.
Robert Graves (The Golden Fleece)
Here,” said Autolycus, “is a settlement of curly-bearded, long-robed Assyrians, exiles from their country; and beyond stretches the land of the Chalybeans, a savage tribe famous as iron-workers, with whom I have lately traded. Soon we shall sight an islet, called the Isle of Barter, close to the Chalybean shore, where we of Sinope come in our dug-out canoes, and lay out on the rocks painted Minyan pottery and linen cloth from Colchis and sheepskin coats dyed red with madder or yellow with heather, such as the Chalybeans prize, and spear-shafts painted with vermilion. Then we row away out of sight behind rocks. As soon as we are gone, the Chalybeans venture across to the islet on rafts; they lay down beside our goods broad-bladed, well-tempered spear-heads and axe-heads, also awls and knives and sail-needles, and go away again. If on our return we are satisfied with their goods, we take them up and make for home; but if we are not satisfied, we remove apart from the rest of our merchandise whatever we think is not covered by their payment. The Chalybeans then return again and pay for this extra heap with a few more iron implements. In the end the barter is complete, unless the Chalybeans in a huff take away all their iron goods and let us sail off empty-handed; for they are a capricious race.
Robert Graves (The Golden Fleece)
We'd need to leave fast. The biggest hurdle would be finding a ship. Passages across the Atlantic didn't always work out. The Black Sea wasn't easy to cross either. The ancient Greeks called it Pontos Axenos, the Hostile Sea. In our day and age, Greek myths were lifesaving required reading, and I'd read enough of them to know that the Black Sea wasn't a fun place. "Where on the Black Sea?" "Georgia." Colchis. Bodyguard detail in the land of the Golden Fleece, dragons, and witches, where the Argonauts had sailed and nearly died.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
It is a story, as the first word of the original Greek tells us about "a man" (andras). He is not "the" man, but one of many men-- albeit a man of extraordinary cognitive, psychological, and military power, one who can win any competition, outwit any opponent, and manage, against all odds, to survive. The poem tells us how he makes his circuitous way back home across stormy seas after many years at war. We may expect the hero of an "epic" narrative to confront evil forces, perform a superhuman task, and rescue vast numbers of people from an extraordinary kind of threat. Failing that, we might hope at least for a great quest unexpectedly achieved, despite perils all around; an action that saves the world, or at least changes it in some momentous way-- like Jason claiming the Golden Fleece, Launcelot glimpsing the Holy Grail, Aeanas beginning the foundation of Rome. In 'The Odyssey', we find instead the story of a man whose grand adventure is simply to go back to his own home, where he tries to turn everything back to the way it was before he went away. For this hero, mere survival is the most amazing feat of all.
Emily Wilson (The Odyssey)
Though we may make the points of our weapons as sharp as needles and edges as sharp as razors, there is only one man who can haul us out of this mire, the very man who, lanterned like the Marsh Spite, has led us into it – Jason, son of Aeson. Hercules himself chose him as our captain, and obeyed him faithfully as long as he was with us. Now why was this? Jason is a skilled archer, but not the equal of Phalerus or Atalanta; he throws the javelin well, but not so well as Atalanta or Meleager or even myself; he can use a spear, but not with the art or courage of Idas; he is ignorant of music, except that of drum and pipe; he cannot swim; he cannot box; he has learned to pull well at the oar but he is no seaman; he is no painter; he is no wizard; his sight is not keen above the ordinary; in eloquence he is below anyone else here, except Idas, and perhaps myself; he is hasty-tempered, faithless, sulky and young. Yet Hercules chose him as our captain and obeyed him. I ask again: why was this?
Robert Graves (The Golden Fleece)
The natural mates of men were the Meliads[Ash Nymphs], who were Demi-Goddesses, & the Goddesses.Whilst it was believed that women could mate with animals & produce offspring, as Pasiphae did with a bull & begot the Minotaur & Theophane did with Poseidon in the form of a ram, & begot the Ram with the Golden Fleece. And thus, women were part-animals,further proven by the fact that Helen, considered the most beautiful of them all,was hatched from an egg. And since women were playthings,daughters were given away as gifts, prizes & bribes. And it was considered good form to take women by force, as plunder or booty, or as spoils of war & to sell them as slaves for profit.[INTRO]
Nicholas Chong
As the Argo drew alongside the great rock at Methone which served as a jetty, Atalanta sprang aboard before anyone could prevent her, with a fir branch in her hand. “In the name of the maiden goddess,” she cried. Jason had no choice but to accept her as a member of the ship’s company. The silver fir is sacred to Artemis, who, though she has renounced her connexion with the Triple Goddess, and acknowledged herself as a daughter of Zeus, still keeps most of her former characteristics. It is more dangerous to offend her than almost any other deity, and Jason was relieved that she too favoured the expedition; he had feared that he might have offended her priestess Iphias by his curtness that morning.
Robert Graves (The Golden Fleece)
Hercules expressed no wonder at any point of the recital, but when he heard of Medea’s infatuation for Jason he sighed and remarked with unusual mildness, ”The poor girl, I pity her! Echion, my friend, I have a message for you to deliver, and here is my silver cup in payment. Tell the Princess I condole with her, no less heartily than I condoled with Queen Hypsipyle of Lemnos. Tell her that Jason will treat her no less faithlessly than he treated Hypsipyle, though for his sake she has cut herself off from her own house and people and become a come an accessory to parricide and fratricide. Assure her that when he deserts her, whether it be this year or next year or in twelve years’ time, she can steadfastly count upon Hercules of Tiryns to avenge her or comfort her.
Robert Graves (The Golden Fleece)
With these words of prayer he threw the barley-grains. The two heroes responsible for the oxen, might Ankaios and Herakles, girded themselves in preparation. The latter crashed his club down on the middle of the forehead of one ox; in one movement its heavy body fell to the ground. Ankaios cut the other's broad neck with his bronze axe, slicing through the tough tendons; it fell sprawling over its two horns. Their comrades quickly slaughtered and flayed the oxen, chopping and cutting them up and removing the thigh pieces for sacrifice These they covered all over with a thick layer of fat and burnt them on spits, while the son of Aison poured libations of unmixed wine. Idmon rejoiced as he gazed at the flame, which burnt brightly all around the sacrifices, and the favourable omen of the murky smoke, darting up in dark spirals.
Apollonius of Rhodes (Jason and the Golden Fleece (The Argonautica))
About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..
Philippe Delerm
That night was memorable to the Argonauts, for it was then that Nauplius taught them the names of the heavenly constellations, so far as he knew them, such as Callisto the Bear Woman, her son Arcas (usually called the Bear Warden), the Pleiads (which were just rising), and Cassiopeia. They amused themselves by naming others for themselves; some of which names gained currency in Greek ports after the return of the Argo. Thus the twin stars Castor and Pollux, at the shining of which the roughest seas subside; and the great lumbering constellation of Hercules at Labour; and the Lyre of Orpheus; and the constellation of Cheiron the Centaur (which Jason named) – all these are still remembered. So is the Dolphin of Little Ancaeus: for that evening all but he dined on mutton fried in dolphin oil, which was a food forbidden him; he therefore ate dried tunny instead and named the constellation ‘The Dolphin of Little Ancaeus.’ it was many years before the Argo herself was set in the heavens, low on the southern horizon: a constellation of twenty-three stars. Four stars form the mast, five the port rudder, and four the starboard; five the keel, five the gunwale; but the prow is not shown, because of a homicide that it caused.
Robert Graves (The Golden Fleece)
Rejecting failure and avoiding mistakes seem like high-minded goals, but they are fundamentally misguided. Take something like the Golden Fleece Awards, which were established in 1975 to call attention to government-funded projects that were particularly egregious wastes of money. (Among the winners were things like an $84,000 study on love commissioned by the National Science Foundation, and a $3,000 Department of Defense study that examined whether people in the military should carry umbrellas.) While such scrutiny may have seemed like a good idea at the time, it had a chilling effect on research. No one wanted to “win” a Golden Fleece Award because, under the guise of avoiding waste, its organizers had inadvertently made it dangerous and embarrassing for everyone to make mistakes. The truth is, if you fund thousands of research projects every year, some will have obvious, measurable, positive impacts, and others will go nowhere. We aren’t very good at predicting the future—that’s a given—and yet the Golden Fleece Awards tacitly implied that researchers should know before they do their research whether or not the results of that research would have value. Failure was being used as a weapon, rather than as an agent of learning. And that had fallout: The fact that failing could earn you a very public flogging distorted the way researchers chose projects. The politics of failure, then, impeded our progress. There’s a quick way to determine if your company has embraced the negative definition of failure. Ask yourself what happens when an error is discovered. Do people shut down and turn inward, instead of coming together to untangle the causes of problems that might be avoided going forward? Is the question being asked: Whose fault was this? If so, your culture is one that vilifies failure. Failure is difficult enough without it being compounded by the search for a scapegoat. In a fear-based, failure-averse culture, people will consciously or unconsciously avoid risk. They will seek instead to repeat something safe that’s been good enough in the past. Their work will be derivative, not innovative. But if you can foster a positive understanding of failure, the opposite will happen. How, then, do you make failure into something people can face without fear? Part of the answer is simple: If we as leaders can talk about our mistakes and our part in them, then we make it safe for others. You don’t run from it or pretend it doesn’t exist. That is why I make a point of being open about our meltdowns inside Pixar, because I believe they teach us something important: Being open about problems is the first step toward learning from them. My goal is not to drive fear out completely, because fear is inevitable in high-stakes situations. What I want to do is loosen its grip on us. While we don’t want too many failures, we must think of the cost of failure as an investment in the future.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
For what is in this world but grief and woe? O God! methinks it were a happy life To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run- How many makes the hour full complete, How many hours brings about the day, How many days will finish up the year, How many years a mortal man may live. When this is known, then to divide the times- So many hours must I tend my flock; So many hours must I take my rest; So many hours must I contemplate; So many hours must I sport myself; So many days my ewes have been with young; So many weeks ere the poor fools will can; So many years ere I shall shear the fleece: So minutes, hours, days, months, and years, Pass'd over to the end they were created, Would bring white hairs unto a quiet grave. Ah, what a life were this! how sweet! how lovely! Gives not the hawthorn bush a sweeter shade To shepherds looking on their silly sheep, Than doth a rich embroider'd canopy To kings that fear their subjects' treachery? O yes, it doth; a thousand-fold it doth. And to conclude: the shepherd's homely curds, His cold thin drink out of his leather bottle, His wonted sleep under a fresh tree's shade, All which secure and sweetly he enjoys, Is far beyond a prince's delicates- His viands sparkling in a golden cup, His body couched in a curious bed, When care, mistrust, and treason waits on him.
William Shakespeare (King Henry VI, Part 3)
Hercules expressed no wonder at any point of the recital, but when he heard of Medea’s infatuation for Jason he sighed and remarked with unusual mildness, ”The poor girl, I pity her! Echion, my friend, I have a message for you to deliver, and here is my silver cup in payment. Tell the Princess I condole with her, no less heartily than I condoled with Queen Hypsipyle of Lemons. Tell her that Jason will treat her no less faithlessly than he treated Hypsipyle, though for his sake she has cut herself off from her own house and people and become a come an accessory to parricide and fratricide. Assure her that when he deserts her, whether it be this year or next year or in twelve years’ time, she can steadfastly count upon Hercules of Tiryns to avenge her or comfort her.
Robert Graves (The Golden Fleece)
Darwin’s Bestiary PROLOGUE Animals tame and animals feral prowled the Dark Ages in search of a moral: the canine was Loyal, the lion was Virile, rabbits were Potent and gryphons were Sterile. Sloth, Envy, Gluttony, Pride—every peril was fleshed into something phantasmic and rural, while Courage, Devotion, Thrift—every bright laurel crowned a creature in some mythological mural. Scientists think there is something immoral in singular brutes having meat that is plural: beasts are mere beasts, just as flowers are floral. Yet between the lines there’s an implicit demurral; the habit stays with us, albeit it’s puerile: when Darwin saw squirrels, he saw more than Squirrel. 1. THE ANT The ant, Darwin reminded us, defies all simple-mindedness: Take nothing (says the ant) on faith, and never trust a simple truth. The PR men of bestiaries eulogized for centuries this busy little paragon, nature’s proletarian— but look here, Darwin said: some ants make slaves of smaller ants, and end exploiting in their peonages the sweating brows of their tiny drudges. Thus the ant speaks out of both sides of its mealy little mouth: its example is extolled to the workers of the world, but its habits also preach the virtues of the idle rich. 2. THE WORM Eyeless in Gaza, earless in Britain, lower than a rattlesnake’s belly-button, deaf as a judge and dumb as an audit: nobody gave the worm much credit till Darwin looked a little closer at this spaghetti-torsoed loser. Look, he said, a worm can feel and taste and touch and learn and smell; and ounce for ounce, they’re tough as wrestlers, and love can turn them into hustlers, and as to work, their labors are mythic, small devotees of the Protestant Ethic: they’ll go anywhere, to mountains or grassland, south to the rain forests, north to Iceland, fifty thousand to every acre guzzling earth like a drunk on liquor, churning the soil and making it fertile, earning the thanks of every mortal: proud Homo sapiens, with legs and arms— his whole existence depends on worms. So, History, no longer let the worm’s be an ignoble lot unwept, unhonored, and unsung. Moral: even a worm can turn. 3. THE RABBIT a. Except in distress, the rabbit is silent, but social as teacups: no hare is an island. (Moral: silence is golden—or anyway harmless; rabbits may run, but never for Congress.) b. When a rabbit gets miffed, he bounds in an orbit, kicking and scratching like—well, like a rabbit. (Moral: to thine own self be true—or as true as you can; a wolf in sheep’s clothing fleeces his skin.) c. He populates prairies and mountains and moors, but in Sweden the rabbit can’t live out of doors. (Moral: to know your own strength, take a tug at your shackles; to understand purity, ponder your freckles.) d. Survival developed these small furry tutors; the morals of rabbits outnumber their litters. (Conclusion: you needn’t be brainy, benign, or bizarre to be thought a great prophet. Endure. Just endure.) 4. THE GOSSAMER Sixty miles from land the gentle trades that silk the Yankee clippers to Cathay sift a million gossamers, like tides of fluff above the menace of the sea. These tiny spiders spin their bits of webbing and ride the air as schooners ride the ocean; the Beagle trapped a thousand in its rigging, small aeronauts on some elusive mission. The Megatherium, done to extinction by its own bigness, makes a counterpoint to gossamers, who breathe us this small lesson: for survival, it’s the little things that count.
Philip Appleman
His arms wrapped around her, and he rolled easily to his back, taking her with him. Surprised and flummoxed, Merritt floundered a little as he gently pushed her up and arranged her legs to straddle him. "What are you doing?" "Putting you to work," he said, "since you're so set on wringing me dry." She looked at the brawny male beneath her and shook her head slightly. A brief laugh escaped him as he saw her confusion. "You're a horsewoman, aye?" he asked, and nudged upward with his hips. "Ride." Genuinely shocked at finding herself in the dominant position, Merritt braced her hands on his chest for balance. Her first tentative movement was rewarded by an encouraging lift of his hips. It sent him even deeper than before, the angle seeming to open something inside her, and she quivered in sensitive reaction. Hot and excited and mortified, she understood what he wanted. As she began to move, she gradually lost her self-consciousness and found a rhythm, her sex rubbing and pumping against his. Every downstroke sent pleasure through her, every sensation connected to the thick length of him. Panting heavily, Keir reached up to cup her breasts, his thumbs stroking the stiff peaks. "Merry, love... I'm going to come soon." "Yes," she gasped, a tide of heat approaching fast. "You'll... you'll have to pull away, if you dinna want me to release inside you." "I want it," she managed to say. "Stay in me. I want to feel you come... Keir..." He began to pump fast and hard, his hands grasping her hips to keep her in place. His eyes half closed, the passion-drowsed intensity of his gaze pushing her over the edge. The release went on and on, new swells and crests washing over her, having her moaning and shivering in their wake. She felt his hands grip her thighs as he bucked beneath her once, twice, and held fast. When he subsided, trembling like a racehorse held in check, she lay on top of him with their bodies still fused. Feeling euphoric, she nuzzled the dark golden fleece of his chest.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Bringing back the Golden Fleece,” I repeated, mocking him. “As if it exists.” Castor frowned. “What’s biting you? Of course it exists! We told you what Jason said. It belonged to a marvelous ram sent by the gods to rescue two royal children, Phrixus and Helle, from their murderous stepmother. A pity it wasn’t a perfect rescue. Phrixus reached Colchis safely, but his sister, Helle, fell off in mid-flight and drowned. Jason says that’s why the place where she plunged into the sea’s called the Hellespont. If that doesn’t prove the story’s true, what will satisfy you?” “Anyone can give a place a name,” I said, rolling my eyes. “When I get home, I’ll name that olive grove near our training ground Wolf Forest and see what happens. A ram with a fleece of real gold, a flying ram that could carry the children through the skies to Colchis, where there are dragons, oh yes, that’s believable! That’s worth risking your lives for on a voyage across the world! I’ll bet you don’t care if that story’s true or not. You just want an excuse to go off chasing fame!” Polydeuces set a honey cake on my already heaping plate. “There must be something waiting for us in Colchis, little sister,” he said gently. “Maybe not the gold fleece of a flying ram, but something. Why would Jason go to the trouble and expense of outfitting a ship for such a long, dangerous voyage otherwise?” He smiled wistfully and added, “You mustn’t worry about us. We’ll come back; we’ll be fine.” He was right: I was worried about what would become of my brothers on that great adventure. But more than that, I envied them with all my heart. So what if the goal of their expedition was the phantom fleece of a ram that never existed? The fascinating lands my brothers would see and the exploits they’d share would be real enough. And I’d be left behind. They’ll see marvels I can’t being to imagine, I thought. Maybe they’ll even see that old sailor’s five-legged monster! Meanwhile, I’m going to be trundled home in an oxcart so thickly hedged around by Spartan soldiers that all I’ll see during my journey will be spears. It’s not fair! I can handle a sword almost as well as either of them, and I know I’m better with a bow and arrow!
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine. While clothed in natural scarlet graze the lambs.
Virgil (The Eclogues)
Her hands slipped down to his chest, the firm surface covered with a light fleece of coarse golden hair. With his body still joined to hers, St. Vincent held still beneath her inquisitive fingers. She touched his lean sides, exploring the hard vaulting of his ribs and the satiny plane of his back. His blue eyes widened, and then he dropped his head to the pillow beside hers, growling as his body worked inside hers with a deep thrust, as he was helplessly shaken with new tremors of rapture. His mouth fastened on hers with a primal greed. She opened her legs wider, pulled at his back to urge more of his weight on her, trying in spite of the pain to tug him deeper, harder. Braced on his elbows to keep from crushing her, he rested his head on her chest, his breath hot and light as it fanned over her nipple. The bristle of his cheek stung her skin a little, the sensation causing the tips of her breasts to contract. His sex was still buried inside her, though it had softened. He was silent but awake, his eyelashes a silky tickle against her skin. Evie remained quiet as well, her arms encircling his head, her fingers playing in his beautiful hair. She felt the weight of his head shift, the wet heat of his mouth seeking her nipple. His lips fastened over it, and his tongue slowly traced the outer edge of the gathered aureole, around and around until he felt her stirring restlessly beneath him. Keeping the tender bud inside his mouth, he licked steadily, sweetly, while desire ignited her breasts and her stomach and loins, and the soreness dissolved in a fresh wave of need. Intently he moved to the other breast, nibbling, stroking, seeming to feed on her pleasure. He levered upward enough to allow his hand to slide between them, and his cunning fingers slid into the wet nest of hair, finding the tingling feminine crest and teasing skillfully. She felt herself sliding into another climax, her body clamping voluptuously on the hot flesh that was insinuated deep inside her.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine.
Virgil (The Eclogues)
The only way that Jason can claim his rightful place as ruler of Iolcus, Greece, is by retrieving the fabled Golden Fleece from distant lands. The problem? Everyone considers the task impossible, fraught with terrifying perils certain to kill any man. Jason isn’t so sure. He assembles a mighty team of warriors—the Argonauts—and builds the largest ship ever constructed. He then figures out how to successfully navigate the legendary maze of crushing rocks known as the Symplegades, yoke fire-breathing, bronze-hoofed oxen, trick a mighty army guarding the Fleece into ravaging itself to pieces, and drug a sleepless dragon into its first slumber. Four months after departing, Jason returns with the Fleece to take his throne.
Sean Patrick (Nikola Tesla: Imagination and the Man That Invented the 20th Century)
This whole Psalm offers itself to be drawn into these two opposite propositions: a godly man is blessed, a wicked man is miserable; which seem to stand as two challenges, made by the prophet: one, that he will maintain a godly man against all comers, to be the only Jason for winning the golden fleece of blessedness; the other, that albeit the ungodly make a show in the world of being happy, yet they of all men are most miserable.—Sir Richard Baker, 1640
Charles Haddon Spurgeon (The Treasury of David: The Complete Seven Volumes)
remember when we saw Gideon’s Fleece in the Bedouin camp?” she asked. “Yes. Someone had used it to wrap the golden ephod that Gideon owned.” Sam frowned. “That ephod was worth millions. Why did he own such an expensive plaque?” “It was a reward from the men of Israel. They wanted to honor him. So he asked for them to donate the gold taken as war spoils. The ephod was made from the golden earrings, ornaments, and pendants that the soldiers had collected in battle, after they won the war against Midian.” Achava smiled. “It reminded the people that God won the war for them.” “Tell me about Midian. Where are those people now?” asked Sam. “They intermarried with Arabs.” “Maybe they are Bedouins now.” “Who knows. If so, it is good that they have Gideon’s fleece and ephod. Maybe they are the rightful owner.” “Maybe.
Summer Lee (The Crown of Christ (A Biblical Adventure #4))
When I grew a little older, and had suitors, I demanded from them rings from the bottom of the sea, or a sword from the depths of the desert, or a golden bough and a thick golden fleece, too, before I allowed even one kiss.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
We have seen what significance, given socialism, the wealth of human needs acquires, and what significance, therefore, both a new mode of production and a new object of production obtain: a new manifestation of the forces of human nature and a new enrichment of human nature. Under private property their significance is reversed: every person speculates on creating a new need in another, so as to drive him to fresh sacrifice, to place him in a new dependence and to seduce him into a new mode of enjoyment and therefore economic ruin. Each tries to establish over the other an alien power, so as thereby to find satisfaction of his own selfish need. The increase in the quantity of objects is therefore accompanied by an extension of the realm of the alien powers to which man is subjected, and every new product represents a new potentiality of mutual swindling and mutual plundering. Man becomes ever poorer as man, his need for money becomes ever greater if he wants to master the hostile power. The power of his money declines in inverse proportion to the increase in the volume of production: that is, his neediness grows as the power of money increases. The need for money is therefore the true need produced by the economic system, and it is the only need which the latter produces. The quantity of money becomes to an ever greater degree its sole effective quality. Just as it reduces everything to its abstract form, so it reduces itself in the course of its own movement to quantitative being. Excess and intemperance come to be its true norm. Subjectively, this appears partly in the fact that the extension of products and needs becomes a contriving and ever-calculating subservience to inhuman, sophisticated, unnatural and imaginary appetites. Private property does not know how to change crude need into human need. Its idealism is fantasy, caprice and whim; and no eunuch flatters his despot more basely or uses more despicable means to stimulate his dulled capacity for pleasure in order to sneak a favour for himself than does the industrial eunuch – the producer – in order to sneak for himself a few pieces of silver, in order to charm the golden birds, out of the pockets of his dearly beloved neighbours in Christ. He puts himself at the service of the other’s most depraved fancies, plays the pimp between him and his need, excites in him morbid appetites, lies in wait for each of his weaknesses – all so that he can then demand the cash for this service of love. (Every product is a bait with which to seduce away the other’s very being, his money; every real and possible need is a weakness which will lead the fly to the glue-pot. General exploitation of communal human nature, just as every imperfection in man, is a bond with heaven – an avenue giving the priest access to his heart; every need is an opportunity to approach one’s neighbour under the guise of the utmost amiability and to say to him: Dear friend, I give you what you need, but you know the conditio sine qua non; you know the ink in which you have to sign yourself over to me; in providing for your pleasure, I fleece you.) This estrangement manifests itself in part in that the sophistication of needs and of the means (of their satisfaction) on the one side produces a bestial barbarisation, a complete, crude, abstract simplicity of need, on the other; or rather in that it merely reproduces itself in its opposite. Even the need for fresh air ceases to be a need for the worker. Man returns to a cave dwelling, which is now, however, contaminated with the pestilential breath of civilisation, and which he continues to occupy only precariously, it being for him an alien habitation which can be withdrawn from him any day – a place from which, if he does ||XV| not pay, he can be thrown out any day.
Karl Marx
Theseus, slayer of the Minotaur (who also slew Eumolpus’ son Kerkyon, to become king of Eleusis and neighboring Athens), pacified Cerberus, Hell’s watchdog, with poppy-juice on his aborted raid to kidnap the spring-princess, Persephone, from her lover, Hades. Jason of Thessaly was an adept herbalist—the name translates as “healer”—well-acquainted with opium. He used it as a kind of Mickey Finn, sprinkling it on the eyes of the serpent guarding the Golden Fleece. And the fire which Prometheus stole from Zeus is described metaphorically by Aeschylus as both flower and drug. Prometheus concealed the “fire” in the customary manner of Greek herb-gatherers—in a hollow fennel stalk—and stole it from Zeus at a place called Mekone, which translates literally as poppy town.
Jeff Goldberg (Flowers in the Blood: The Story of Opium)
Their laughter didn’t register with Hailey, whose gaze remained fixed on the envelope clutched in her hands. It smelled of salt, reminding her of sunny days at the beach. The address read: Miss Hailey Woods 12 Golden Fleece Place Calliope Gardens London A gold trident bordered by the letters P and A was stamped on the back, with a swirl of gold water encircling it. Hailey’s stomach grew heavy as she thought about the letter inside, which would either inform her of her acceptance to or rejection from Poseidon’s Academy: the high school every eligible teenager in the world strived to get into. Poseidon’s Academy was no ordinary high school. It was an underwater palace that had once been the Olympian god Poseidon’s home. No one had ever seen it—aside from accepted students, who whispered of jewel-encrusted walls and sea-nymphs.
Sarah A. Vogler (Poseidon's Academy (Book 1))
big claim to fame was that the Golden Fleece—that magical sheepskin rug I’m related to—ended up in his kingdom, which made the place immune to disease, invasion, stock market crashes, visits from Justin Bieber, and pretty much any other natural disaster. Aeetes
Rick Riordan (Percy Jackson's Greek Gods)
Much about motherhood is a challenge, but among its comforts is how I get to read so many things I never knew before and never knew I needed. For example, I didn’t know Jason and the Argonauts is really The Witch Medea Gets Your Golden Fleece for You, You Fucking Incompetent.
Kathryn Nuernberger (The Witch of Eye)
The Ballad of Philippe Petit —for the world's greatest rope dancer Philippe Petit hangs his high wire in the third eye of God, fills the dull air with blue fire, all alone on the big city street, Little Phillip, Philippe Petit. Philippe Petit, high priest of daring, feels wind pulse in his feet, flying high on his mystical string, between tall towers above the street. Little Phillip, Philippe Petit. Little Phillip by the Golden Fleece, making Seventh Avenue sing. He draws a magic circle of chalk, rides his cycle around in a ring, Little Phillip, Philippe Petit. Little Phillip, clown gargoyle, spewing light on the grey street, rope dances twirling sticks of fire, bright sparkle of the dark street, Little Phillip, Philippe Petit. Philippe Petit juggles fire and balls, winks at Zeus, laughs at Mars, pulls Newton's beard, sups with God, cycling his way from heaven to street. Little Phillip, Philippe Petit. Little Phillip, when we get there, you'll surely be on high, juggling molecules for your maker on the wide streets of the sky, Little Phillip, Philippe Petit. Philippe Petit, The King of Heaven has a brilliant little fool juggling fire at his footstool. A light on the dark city street, A light, a light, Philippe Petit.
Daniela Gioseffi
I was moving away from manned submersibles, which were dangerous and could stay underwater only a few hours at a time, to underwater vehicles that could be operated from on board a mother vessel and that could remain submerged for as long as needed. I even gave names to the robots I was envisioning. I planned to call them Jason and Argo, in honor of the mythical explorer and the vessel in which he had brought home the Golden Fleece. Compared to Alvin, they would be cheaper to operate and could survey much larger areas—a critical factor given the strict time limits on most ocean expeditions.
Robert D. Ballard (Into the Deep: A Memoir from the Man Who Found the Titanic)
We are all, as ever, the playthings of the Gods, and none of us can say what our tomorrows may bring;
Dennis Wheatley (Codeword - Golden Fleece (Duke de Richleau, #8))
How many times, she reflected ruefully, she had sought to understand a wounded wild creature. But it was another matter entirely to penetrate the mystery of a human being. Reaching Christopher’s door, she knocked softly. When there came no response, she let herself inside. To her surprise, the room brimmed with daylight, the late August sun illuminating tiny floating dust motes by the window. The air smelled like liquor and smoke and bath soap. A portable bath occupied one corner of the room, sodden footprints tracking across the carpet. Christopher reclined on the unmade bed, half propped on a haphazard stack of pillows, a bottle of brandy clasped negligently in his fingers. His incurious gaze moved to Beatri and held, his eyes becoming alert. He was clad in a pair of fawn-colored trousers, only partially fastened, and…nothing more. His body was a long golden arc on the bed, lean and complexly muscled. Scars marred the sun-browned skin in places…there was a ragged triangular shape where a bayonet had pierced his shoulder, a liberal scattering of marks from shrapnel, a small circular depression on his side that must have been caused by a bullet. Slowly Christopher levered himself upward and placed the bottle on the bedside table. Half leaning on the edge of the mattress, his bare feet braced on the floor, he regarded Beatrix without expression. The locks of his hair were still damp, darkened to antique gold. How broad his shoulders were, their sturdy slopes flowing into the powerful lines of his arms. “Why are you here?” His voice sounded rusty from disuse. Somehow Beatrix managed to drag her mesmerized gaze away from the glinting fleece on his chest. “I came to return Albert,” she said. “He appeared at Ramsay House today. He says you’ve been neglecting him. And that you haven’t taken him on any walks lately.” “Has he? I had no idea he was so loose-tongued.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Athenaeum, or Jonathan Edwards at thirteen entering Yale College, and while yet of a tender age shining in the horizon of American literature; while the same age finds H. W. Longfellow writing for the Portland Gazette. At fourteen John Quincy Adams was private secretary to Francis H. Dana, American Minister to Russia; at fifteen Benjamin Franklin was writing for the New England Courant, and at an early age became a noted journalist. Benjamin West at sixteen had painted "The Death of Socrates," at seventeen George Bancroft had won a degree in history, Washington Irving had gained
Charles Stewart Given (A Fleece of Gold; Five Lessons from the Fable of Jason and the Golden Fleece)
Thalia’s Pine and the Golden Fleece*
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
In Mythology, I am still reading about Medea and the quest for the Golden Fleece. Here is someone that I recognize. When Medea falls in love with Jason, it grabs me by the throat. I can see her. Medea sneaks Jason things to help him: ointments to make him invincible, secrets in rocks. She has magic, could bend the natural to the unnatural. But even with all her power, Jason bends her like a young pine in a hard wind; he makes her double in two. I know her.
Jesmyn Ward (Salvage the Bones)
As for... Monseigneur's feelings toward you, I think you are misinformed. You are too modest, Dame Catherine, far too modest, and I believe you know that the Duke has not forgotten you. Everyone here knows the truth about the Golden Fleece...
Juliette Benzoni (The Lady of Montsalvy (Catherine #7))
calls to adventure are puzzles waiting to be solved. Anyone can apply, but the price of admission is paid in imagination. As journeys unfold, new challenges arise and pressures mount. These successive tolls must too be paid in creativity and ingenuity, as they were by history’s most imaginative minds. The only way that Jason can claim his rightful place as ruler of Iolcus, Greece, is by retrieving the fabled Golden Fleece from distant lands. The problem? Everyone considers the task impossible, fraught with terrifying perils certain to kill any man. Jason isn’t so sure. He assembles a mighty team of warriors—the Argonauts—and builds the largest ship ever constructed. He then figures out how to successfully navigate the legendary maze of crushing rocks known as the Symplegades, yoke fire-breathing, bronze-hoofed oxen, trick a mighty army guarding the Fleece into ravaging itself to pieces, and drug a sleepless dragon into its first slumber. Four months after departing, Jason
Sean Patrick (Nikola Tesla: Imagination and the Man That Invented the 20th Century)
Many calls to adventure are puzzles waiting to be solved. Anyone can apply, but the price of admission is paid in imagination. As journeys unfold, new challenges arise and pressures mount. These successive tolls must too be paid in creativity and ingenuity, as they were by history’s most imaginative minds. The only way that Jason can claim his rightful place as ruler of Iolcus, Greece, is by retrieving the fabled Golden Fleece from distant lands. The problem? Everyone considers the task impossible, fraught with terrifying perils certain to kill any man. Jason isn’t so sure. He assembles a mighty team of warriors—the Argonauts—and builds the largest ship ever constructed. He then figures out how to successfully navigate the legendary maze of crushing rocks known as the Symplegades, yoke fire-breathing, bronze-hoofed oxen, trick a mighty army guarding the Fleece into ravaging itself to pieces, and drug a sleepless
Sean Patrick (Nikola Tesla: Imagination and the Man That Invented the 20th Century)
I doubt you cared this much about their feelings when you chose this path,” Iolaus said. He didn’t raise his voice. The truth doesn’t need to be shouted. “Maybe not,” I answered, looking him in the eyes. “But I had to choose it.” “That’s ridiculous.” “No more ridiculous than why you’re ready to sail into the unknown. The only person who needs to chase after the Golden Fleece is Prince Jason, yet you and all the others are joining him for the sake of pure adventure. You hunger for it! Why can’t I?” “Enough.” Iolaus raised his hand. “You win, for your brothers’ sake and because I’ve got the feeling you’d find a way to sneak aboard no matter how much they or I try to stop you. I wish some of the men I know had half your boldness. It’s strange to see it in a girl. Perhaps you’re really Atalanta’s daughter.” My smile answered his. “My nurse, Ione, said I was Zeus’s child.” “My uncle Herakles is supposed to be Zeus’s son. You two must be related. He’s a great one for following his heart first and thinking about the consequences afterward. Or never.” His teeth flashed in the shadows of the old fishwife’s home. “I’ll keep your secret.” “Thank you. You won’t have to do it for very long. You said I didn’t care about my brothers’ feelings when I decided to join this quest. You were right. I’ve only been thinking about what I want.” I took a deep breath. What I was about to say tore at my heart, but I couldn’t escape it. “I’ll go back to Delphi. It’s one thing to take a chance with my own life, but not with so many others.” “Oh, I agree,” Iolaus said. “Which is why I intend to take very good care of my new weapons bearers.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
But there is no Golden Fleece. Only the Ram, bound for gold trade. You said so.” “No one Golden Fleece,” he responded, shaking a finger at me. “Colchis is rich in gold. It washes down in flakes out of the mountains. Men drop woolly sheepskins into the streams, and when they pull ’em out again, the fleeces glitter like little suns!” “What about the unsleeping dragon?” I asked. Before he could reply, we both heard the crunch of approaching footsteps and my brothers lurched into the circle of firelight. I prepared to bolt, but Polydeuces uttered a ground-shaking belch, tripped on nothing, and sprawled forward on top of me. He reeked of unwatered wine. Castor giggled. “Now look wha’ you did,” he declared, sweeping his arms wide apart. “We heard Argus tellin’ story ’bout the Fleece, all we want’s to come listen, an’ you crush poor ol’--ol’--whoever that is. I tol’ you, you drink too--too--too mush Herakles’ wine. Here, I help you up, boy.” He took three steps and fell over Polydeuces just when I’d gotten hold of his shoulders and was shoving him away. Both of my brothers flattened me in a human landslide. Argus howled with laughter.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
At least we’ll sail off with a memory of how happy you look tonight.” “I am happy. You-know-who isn’t here.” I rolled my eyes in the direction of Medea’s empty chair. “I hear she’s got a headache. It must be a big one, to keep her away from seeing Lord Aetes honor her precious hero.” “Orpheus tells me she approached him about making a praise-song recounting how Jason won the Golden Fleece. You should have heard the wild ideas she wanted him to include! Fire-breathing oxen with bronze hooves, dragon’s teeth that sprout into hosts of fully armed men, an unsleeping monster guarding the Fleece--” “As if he needs her help with making imaginary monsters!” I smiled. “The closest thing I saw to a sleeping monster was one old priest, napping near the temple to Ares.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
Just listen. The real story of the Fleece: there were these two children of Zeus, Cadmus and Europa, okay? They were about to get offered up as human sacrifices, when they prayed to Zeus to save them. So Zeus sent this magical flying ram with golden wool, which picked them up in Greece and carried them all the way to Colchis in Asia Minor. Well, actually it carried Cadmus. Europa fell off and died along the way, but that’s not important.’ ‘It was probably important to
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Every year he would select a few projects that he felt had no merit and would award them a golden fleece. As in “fleecing” the taxpayers.
Douglas Preston (Jennie: A Novel)
Sen. Proxmire, the watchdog of the scientific community, has tracked down and reported taxpayer-financed scientific research that is redundant, unnecessary, or just plain silly. Those projects that represent an egregious waste of taxpayer money are given his highest award, known as the Golden Fleece. Many of the projects that win the award seem amusing, until one examines the cost.
Douglas Preston (Jennie: A Novel)
The SS could still save Europe today, like thirty years ago, but it no longer exists on the temporal plane. As I showed in my book Les SS de la Toison d’Or [The SS of the Golden Fleece, Paris: Presses de la Cité, 1975], in 1944, the SS galvanized ALL THAT REMAINED of TRUE WARRIORS and DARING THINKERS on the old continent. Carrying the oldest cross in the world, down from the North with the primitive Aryans, the Waffen SS was no longer German in the narrow nationalist sense of the term. It was European and wished to revive the basic values of blood and soil.
Saint-Loup
MEDEA: Monster - an epithet too good for you... so you come to me, do you, you byword of aversion both in heaven and on earth, to me your own worst enemy? This is not courage. This is not being brave: to look a victim in the eyes whom you've betrayed - somebody you loved - this is a disease and the foulest that a man can have. You are shameless. But you have done well to come. I can unload some venom from my heart and you can smart to hear it. To begin at the beginning, yes, first things first, I saved your life - as every son of Greece who stepped on board the Argo knows. Your mission was to yoke the fire-breathing bulls and so the death-bearing plot of dragons' teeth. I came to your rescue, lit up life for you, slew the guardian of the Golden Fleece - that giant snake that hugged it sleepless coil on coil. I deserted my father and my home to come away with you to Iolcus by Mount Pelion, full of zeal and very little sense. I killed King Pelias - a horrid death, perpetrated through his daughters - and overturned their home. All this for you. I bore your sons, you reprobate man, just to be discarded for a new bride. Had you been childless, this craving for another bedmate might have been forgiven. But no: faith in vows was simply shattered. I am baffled. Do you suppose the gods of old no longer rule? Or is it that mankind now has different principles? Because your every vow to me, you surely know, is null and void. Curse this right hand of mine, so often held in yours, and these knees of mine sullied to no purpose by the grasp of a rotten man. You have turned my hopes to lies. Come now, tell me frankly, as if we were two friends, as if you really were prepared to help (I hope the question makes you wince): where do I go from here? [With a bitter laugh.] Home to my father, perhaps, and my native land, both of whom I sacrificed for you? Or to the poor deprived daughters of Pelias? They would be overjoyed to entertain their father's murderer. So this is how things stand. Among my loved ones at home I am execrated woman. There was no call for me to hurt them but now I have a death feud on my hands - and all for you. What a reward! What a heroine you have made me among the daughters of Hellas! Lucky Medea, having you! Such a wonderful husband, and so loyal! I leave this land displaced, expelled, deprived of friends, only my children with me and alone. What a charming record for our new bridegroom this: 'His own sons and the wife who saved him are wayside beggars.' [She breaks off and looks upward.] O Zeus, what made you give us clear signs for telling mere glitter from true gold, but when we need to know the base metal of a man no stamp upon his flesh for telling counterfeit?
Euripides; Paul Roche (Transl.) (Three Plays of Euripides: Alcestis/Medea/The Bacchae)