Goethe Faust Quotes

Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it!

As soon as you trust yourself, you will know how to live.

A man sees in the world what he carries in his heart.

Who are you then?" "I am part of that power which eternally wills evil and eternally works good.

God help us -- for art is long, and life so short.

All theory is gray, my friend. But forever green is the tree of life.

Faust: Who holds the devil, let him hold him well, He hardly will be caught a second time.

You can’t, if you can’t feel it, if it never Rises from the soul, and sways The heart of every single hearer, With deepest power, in simple ways. You’ll sit forever, gluing things together, Cooking up a stew from other’s scraps, Blowing on a miserable fire, Made from your heap of dying ash. Let apes and children praise your art, If their admiration’s to your taste, But you’ll never speak from heart to heart, Unless it rises up from your heart’s space.

Once I blazed across the sky, Leaving trails of flame; I fell to earth, and here I lie - Who'll help me up again? -A Shooting Star

Whatever is the lot of humankind I want to taste within my deepest self. I want to seize the highest and the lowest, to load its woe and bliss upon my breast, and thus expand my single self titanically and in the end go down with all the rest.

Two souls, alas, are housed within my breast, And each will wrestle for the mastery there.

What I possess, seems far away to me, and what is gone becomes reality.

I am not omniscient, but I know a lot.

من هرگز در حسرت بال پرندگان نخواهم بود. جذبه های جانم، از کتابی به کتاب دیگر و از صفحه ای به صفحه ی دیگر مرا به جاهای بسیار دورتر می برند.

I am the spirit that negates. And rightly so, for all that comes to be Deserves to perish wretchedly; 'Twere better nothing would begin. Thus everything that that your terms, sin, Destruction, evil represent— That is my proper element.

Everything transitory is but an image.

Waste not a day in vain digression; with resolute, courageous trust seek every possible impression and make it firmly your posession you'll then work on because you must.

I see my discourse leaves you cold; Dear kids, I do not take offense; Recall: the Devil, he is old, Grow old yourselves, and he'll make sense!

Wild dreams torment me as I lie. And though a god lives in my heart, though all my power waken at his word, though he can move my every inmost part - yet nothing in the outer world is stirred. thus by existence tortured and oppressed I crave for death, I long for rest.

That which issues from the heart alone, Will bend the hearts of others to your own.

When I say to the Moment flying; 'Linger a while -- thou art so fair!' Then bind me in thy bonds undying, And my final ruin I will bear!

If I wasn't a devil myself I'd give Me up to the Devil this very minute.

One mind is enough for a thousand hands.

Ich bin der Geist der stets verneint! Und das mit Recht; denn alles, was entsteht, ist wert, dass es zugrunde geht.

But who will dare to speak the truth out clear? The few who anything of truth have learned, And foolishly did not keep truth concealed, Their thoughts and visions to the common herd revealed, Since time began we've crucified and burned

from desire I rush to satisfaction; from satisfaction I leap to desire.

I nothing had, and yet enough for youth--Joy in Illusion, ardent thirst for Truth. Give unrestrained, the old emotion, The bliss that touched the verge of pain, The strength of Hate, Love's deep devotion,--O, give me back my youth again!

There are but two roads that lead to an important goal and to the doing of great things: strength and perseverance. Strength is the lot of but a few priveledged men; but austere perseverance, harsh and continuous, may be employed by the smallest of us and rarely fails of its purpose, for its silent power grows irresistibly greater with time.

The finished man, you know, is difficult to please; a growing mind will ever show you gratitude. --Faust 1, lines 182-3

While Man's desires and aspirations stir, He cannot choose but err.

schade dass die Natur nur einen Mensch aus dir schuf / denn zum wurdigen Mann war und zum Schelmen der Stoff" (loose translation: nature, alas, made only one being out of you although there was material for a good man & a rogue)

If the whole world I once could see On free soil stand, with the people free Then to the moment might I say, Linger awhile. . .so fair thou art.

Dear me! how long is art! And short is our life! I often know amid the scholar's strife A sinking feeling in my mind and heart. How difficult the means are to be found By which the primal sources may be breached; And long before the halfway point is reached, They bury a poor devil in the ground.

Let's plunge ourselves into the roar of time, the whirl of accident; may pain and pleasure, success and failure, shift as they will -- it's only action that can make a man.

[Ich bin] ein Teil von jener Kraft, die stets das Böse will und stets das Gute schafft.

Ich bin der Geist der stets verneint! Unde das mit Recht; denn alles was entsteht ist werth daß es zu Grunde geht; Drum besser wär's daß nichts entstünde. So ist denn alles was ihr Sünde, Zerstörung, kurz das Böse nennt, Mein eigentliches Element.

... the vintage of history is forever repeating ~ same old vines, same old wines!

I've often heard it said a preacher might learn with a comedian for a teacher.

There is no day that one should skip But one should seize, without distrust, The possible with iron grip

Grant me one hour on love’s most sacred shores To clasp the bosom that my soul adores, Lie heart to heart and merge my soul with yours.

You are aware of only one unrest; Oh, never learn to know the other! Two souls, alas, are dwelling in my breast, And one is striving to forsake its brother. Unto the world in grossly loving zest, With clinging tendrils, one adheres; The other rises forcibly in quest Of rarefied ancestral spheres. If there be spirits in the air That hold their sway between the earth and sky, Descend out of the golden vapors there And sweep me into iridescent life. Oh, came a magic cloak into my hands To carry me to distant lands, I should not trade it for the choicest gown, Nor for the cloak and garments of the crown.

I am part of the part that once was everything, Part of the darkness which gave birth to light… Mephistopheles, from Faust.

When scholars study a thing, they strive To kill it first, if its alive; Then they have the parts and they’ve lost the whole For the link that’s missing was the living soul.

Sweet moonlight, shining full and clear, Why do you light my torture here? How often have you seen me toil, Burning last drops of midnight oil. On books and papers as I read, My friend, your mournful light you shed. If only I could flee this den And walk the mountain-tops again, Through moonlit meadows make my way, In mountain caves with spirits play - Released from learning's musty cell, Your healing dew would make me well!

The Church has an excellent appetite. She has swallowed whole countries and the question Has never risen of indigestion. Only the Church . . . can take Ill-gotten goods without stomach-ache!

Words are mere sound and smoke, dimming the heavenly light.

What matters creative endless toil, When, at a snatch, oblivion ends the coil?

Yes - this I hold to with devout insistence, Wisdom's last verdict goes to say: He only earns both freedom and existence Who must reconquer them each day.

If ever I to the moment shall say: Beautiful moment, do not pass away! Then you may forge your chains to bind me, Then I will put my life behind me, Then let them hear my death-knell toll, Then from your labours you'll be free, The clock may stop, the clock-hands fall, And time come to an end for me!

„Was glänzt ist für den Augenblick geboren; Das Echte bleibt der Nachwelt unverloren.

As long as on the earth endures his life To deal with him have full and free permission; Man's hour on earth is weakness, error, strife.

Did we force ourselves on you, or you on us?

What you inherit from your father must first be earned before it's yours.

The world has always been the same - An endless farce, an antic game, A universal masquerade!

Es irrt der Mensch so lang er strebt

But you will never know another's heart, unless you are prepared to give yours too.

I've studied now Philosophy And Jurisprudence, Medicine,— And even, alas! Theology,— From end to end, with labor keen; And here, poor fool! with all my lore I stand, no wiser than before:

How to please the public - that's the test, But nowadays I find I'm in a fix; I know they're not accustomed to the best, But they've all read so much they know the tricks. How can we give then something fresh and new That's serious, but entertaining too?

Habe nun, ach! Philosophie, Juristerei und Medizin, Und leider auch Theologie Durchaus studiert, mit heißem Bemühn. Da steh ich nun, ich armer Tor! Und bin so klug als wie zuvor; Heiße Magister, heiße Doktor gar Und ziehe schon an die zehen Jahr Herauf, herab und quer und krumm Meine Schüler an der Nase herum- Und sehe, daß wir nichts wissen können! Das will mir schier das Herz verbrennen. Zwar bin ich gescheiter als all die Laffen, Doktoren, Magister, Schreiber und Pfaffen; Mich plagen keine Skrupel noch Zweifel, Fürchte mich weder vor Hölle noch Teufel- Dafür ist mir auch alle Freud entrissen, Bilde mir nicht ein, was Rechts zu wissen, Bilde mir nicht ein, ich könnte was lehren, Die Menschen zu bessern und zu bekehren.

Man errs, till he has ceased to strive.

Though the ear choose not to hear, In the heart I echo,clear: Always found, and never sought, Praised, as well as cursed, in thought.

Imagination, however high it flies, Falls short, however hard it tries. But spirits fit to see deeply invest In what is boundless a boundless trust.

And those whom once my song had cheered and gladdened, If still they live, rove through the world now saddened.

He calls it reason, using it To be more beast than ever beast was yet.

To end the greatest work designed, A thousand hands need but one mind.

Du bist am Ende was du bist.

Well, that's Philosophy I've read, And Law and Medicine, and I fear Theology, too, from A to Z; Hard studies all, that have cost me dear. And so I sit, poor silly man No wiser now than when I began.

Was ich besitze, seh ich wie im Weiten, Und was verschwand, wird mir zu Wirklichkeiten.

Just take a look at our patrons, and you'll know Some don't appreciate us, others never will.

By Fortune's adverse buffets overborne To solitude I fled, to wilds forlorn, And not in utter loneliness to live, Myself at last did to the Devil give!

What I possess, I see far distant lying, And what I lost, grows real and undying.

The eternal feminine draws us on high.

Grau, teurer Freund, ist alle Theorie und grün des Lebens goldner Baum

All things transient are but a parable.

Laisse le grand monde aller son train sonore, nous autres nicherons ici en silence.

I call him happy who still hopes to rise To the surface in this sea of error. The very things we don't know, we could use And what we do know we have no use for.

Your favourite virtue ... Simplicity Your favourite virtue in man ... Strength Your favourite virtue in woman ... Weakness Your chief characteristic ... Singleness of purpose Your idea of happiness ... To fight Your idea of misery ... Submission The vice you excuse most ... Gullibility The vice you detest most ... Servility Your aversion ... Martin Tupper Favourite occupation ... Book-worming Favourite poet ... Shakespeare, Aeschylus, Goethe Favourite prose-writer ... Diderot Favourite hero ... Spartacus, Kepler Favourite heroine ... Gretchen [Heroine of Goethe's Faust] Favourite flower ... Daphne Favourite colour ... Red Favourite name ... Laura, Jenny Favourite dish ... Fish Favourite maxim ... Nihil humani a me alienum puto [Nothing human is alien to me] Favourite motto ... De omnibus dubitandum [Everything must be doubted].

Într-adevăr ştiu multe, dar aş vrea să ştiu totul.

Things unused burden and beset.

Dust shall he eat, and greedily, like my celebrated serpent-cousin

If I wasn't a devil myself I'd give Me up to the Devil this very minute.

You are aware of only one unrest; Oh, never learn to know the other! Two souls, alas, are dwelling in my breast, And one is striving to forsake its brother.

What's foreign one can't always keep quite clear of, For good things, oft, are not so near; A German can't endure the French to see or hear of, Yet drinks their wines with hearty cheer.

Medicine, and Law, and Philosophy - You've worked your way through every school, Even, God help you, Theology, And sweated at it like a fool. Why labour at it any more? You're no wiser now than you were before. You're Master of Arts, and Doctor too, And for ten years all you've been able to do Is lead your students a fearful dance Through a maze of error and ignorance. And all this misery goes to show There's nothing we can ever know. Oh yes you're brighter than all those relics, Professors and Doctors, scribblers and clerics, No doubts or scruples to trouble you, Defying hell, and the Devil too. But there's no joy in self-delusion; Your search for truth ends in confusion. Don't imagine your teaching will ever raise The minds of men or change their ways. And as for worldly wealth, you have none - What honour or glory have you won? A dog could stand this life no more. And so I've turned to magic lore; The spirit message of this art Some secret knowledge might impart. No longer shall I sweat to teach What always lay beyond my reach; I'll know what makes the world revolve, Its mysteries resolve, No more in empty words I'll deal - Creation's wellsprings I'll reveal!

Добре – ала какво е истинско познание? Нещата кой нарича с вярното название? Малцината, които от света познаха нещо и безумно смели сърцата си разкриха пред сганта, на кладата и кръста са умрели!

Ja! diesem Sinne bin ich ganz ergeben, das ist der Weisheit letzter Schluß: nur der verdient sich Freiheit wie das Leben, der täglich sie erobern muß.

That's the existential problem," Fat said, "based on the concept that We are what we do, rather than, We are what we think. It finds its first expression in Goethe's Faust, Part One, where Faust says, 'Im Anfang war das Wort'. He's quoting the opening of the Fourth Gospel; 'In the beginning was the Word.' Faust says, 'Nein. Im Anfang war die Tat.' In the beginning was the Deed. From this, all existentialism comes.

THE WITCH. [dancing]. O I shall lose my wits, I fear, Do I, again, see Squire Satan here! MEPHISTOPHELES. Woman, the name offends my ear! THE WITCH. Why so? What has it done to you? MEPHISTOPHELES. It has long since to fable-books been banished; But men are none the better for it; true, The wicked one, but not the wicked ones, has vanished.

Poetry is not simply a fashion of expression: it is the form of expression absolutely required by a certain class of ideas. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning.

I hope we shall get on together, you and I; I've come to cheer you up - That's why I'm dressed up like an aristocrat In a fine red coat with golden stitches, A stiff silk cape on top of that, A long sharp dagger in my breeches, And a cockerel's feather in my hat. Take my advice - if I were you, I'd get an outfit like this too; Then you'd be well equipped to see Just how exciting life can be.

76. David Hume – Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding 77. Jean-Jacques Rousseau – On the Origin of Inequality; On the Political Economy; Emile – or, On Education, The Social Contract 78. Laurence Sterne – Tristram Shandy; A Sentimental Journey through France and Italy 79. Adam Smith – The Theory of Moral Sentiments; The Wealth of Nations 80. Immanuel Kant – Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace 81. Edward Gibbon – The Decline and Fall of the Roman Empire; Autobiography 82. James Boswell – Journal; Life of Samuel Johnson, Ll.D. 83. Antoine Laurent Lavoisier – Traité Élémentaire de Chimie (Elements of Chemistry) 84. Alexander Hamilton, John Jay, and James Madison – Federalist Papers 85. Jeremy Bentham – Introduction to the Principles of Morals and Legislation; Theory of Fictions 86. Johann Wolfgang von Goethe – Faust; Poetry and Truth 87. Jean Baptiste Joseph Fourier – Analytical Theory of Heat 88. Georg Wilhelm Friedrich Hegel – Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History 89. William Wordsworth – Poems 90. Samuel Taylor Coleridge – Poems; Biographia Literaria 91. Jane Austen – Pride and Prejudice; Emma 92. Carl von Clausewitz – On War 93. Stendhal – The Red and the Black; The Charterhouse of Parma; On Love 94. Lord Byron – Don Juan 95. Arthur Schopenhauer – Studies in Pessimism 96. Michael Faraday – Chemical History of a Candle; Experimental Researches in Electricity 97. Charles Lyell – Principles of Geology 98. Auguste Comte – The Positive Philosophy 99. Honoré de Balzac – Père Goriot; Eugenie Grandet 100. Ralph Waldo Emerson – Representative Men; Essays; Journal 101. Nathaniel Hawthorne – The Scarlet Letter 102. Alexis de Tocqueville – Democracy in America 103. John Stuart Mill – A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography 104. Charles Darwin – The Origin of Species; The Descent of Man; Autobiography 105. Charles Dickens – Pickwick Papers; David Copperfield; Hard Times 106. Claude Bernard – Introduction to the Study of Experimental Medicine 107. Henry David Thoreau – Civil Disobedience; Walden 108. Karl Marx – Capital; Communist Manifesto 109. George Eliot – Adam Bede; Middlemarch 110. Herman Melville – Moby-Dick; Billy Budd 111. Fyodor Dostoevsky – Crime and Punishment; The Idiot; The Brothers Karamazov 112. Gustave Flaubert – Madame Bovary; Three Stories 113. Henrik Ibsen – Plays 114. Leo Tolstoy – War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales 115. Mark Twain – The Adventures of Huckleberry Finn; The Mysterious Stranger 116. William James – The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism 117. Henry James – The American; The Ambassadors 118. Friedrich Wilhelm Nietzsche – Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power 119. Jules Henri Poincaré – Science and Hypothesis; Science and Method 120. Sigmund Freud – The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis 121. George Bernard Shaw – Plays and Prefaces

Faustus, who embraced evil and shunned righteousness, became the foremost symbol of the misuse of free will, that sublime gift from God with its inherent opportunity to choose virtue and reject iniquity. “What shall a man gain if he has the whole world and lose his soul,” (Matt. 16: v. 26) - but for a notorious name, the ethereal shadow of a career, and a brief life of fleeting pleasure with no true peace? This was the blackest and most captivating tragedy of all, few could have remained indifferent to the growing intrigue of this individual who apparently shook hands with the devil and freely chose to descend to the molten, sulphuric chasm of Hell for all eternity for so little in exchange. It is a drama that continues to fascinate today as powerfully as when Faustus first disseminated his infamous card in the Heidelberg locale to the scandal of his generation. In fine, a life of good or evil, the hope of Heaven or the despair of Hell, Faustus stands as a reminder that the choice between these two absolutes also falls to us.

Du, Erde, warst auch diese Nacht beständig Und atmest neu erquickt zu meinen Füßert, Beginnest schon mit Lust mich zu umgeben, Du regst und rührst ein kräftiges Beschließen, Zum höchsten Dasein immerfort zu streben. This night, thou, Earth! hast also stood unshaken, And now thou breathest new-refreshed before me, And now beginnest, all thy gladness granting, A vigorous resolution to restore me, To seek that highest life for which I'm panting.

It is too late! Ah, nothing is too late Till the tired heart shall cease to palpitate. Cato learned Greek at eighty; Sophocles Wrote his grand Oedipus, and Simonides Bore off the prize of verse from his compeers, When each had numbered more than fourscore years, And Theophrastus, at fourscore and ten, Had but begun his Characters of Men. Chaucer, at Woodstock with the nightingales, At sixty wrote the Canterbury Tales; Goethe at Weimar, toiling to the last, Completed Faust when eighty years were past, These are indeed exceptions; but they show How far the gulf-stream of our youth may flow Into the arctic regions of our lives. Where little else than life itself survives.

The great prophetic work of the modern world is Goethe’s Faust, so little appreciated among the Anglo-Saxons. Mephistopheles offers Faust unlimited knowledge and unlimited power in exchange for his soul. Modern man has accepted that bargain. . . . I believe in what the Germans term Ehrfurcht: reverence for things one cannot understand. Faust’s error was an aspiration to understand, and therefore master, things which, by God or by nature, are set beyond the human compass. He could only achieve this at the cost of making the achievement pointless. Once again, it is exactly what modern man has done.

Your suns and worlds are not within my ken, I merely watch the plaguey state of men. The little god of earth remains the same queer sprite As on the first day, or in primal light. His life would be less difficult, poor thing, Without your gift of heavenly glimmering; He calls it Reason, using light celestial Just to outdo the beasts in being bestial. To me he seems, with deference to Your Grace, One of those crickets, jumping round the place, Who takes his flying leaps, with legs so long, Then falls to grass and chants the same old song; But, not content with grasses to repose in, This one will hunt for muck to stick his nose in.

To me the mountain mass lies nobly mute, The whences and the whys I don't dispute. When Nature by and in herself was founded, In purity the earthen sphere she rounded. In summit and in gorge did pleasure seek, And threaded cliff to cliff and peak to peak; Then did she fashion sloping hills at peace And gently down into the vale release. All greens and grows, and to her gay abundance Your swirling lunacies are sheer redundance.

Through many a long day you'll be taught That what you once did without thinking, As easy as if it were eating or drinking, Must be done in order: one! two! three! But truly, this though factory of ours Is like some weaver's masterpiece: One treadle stirs a thousand threads, This way and that the shuttles whistle, Threads flow invisibly, one ... Read morestroke Ties a thousand knots .... The philosopher steps in And proves to you it had to be so; The first was so, the second was so, And therefore the third and fourth were so. If the first and second hadn't existed, The third and fourth would never have existed. And this is praised by every scholar, But never a one becomes a weaver. To know and describe a living thing You first get rid of all its spirit: Then the parts are all in the palm of your hand, And all that you lack is the spirit that binds them! Encheiresis naturae, chemists call it, And fool themselves and never know it

A thought expressed is a falsehood." In poetry what is not said and yet gleams through the beauty of the symbol, works more powerfully on the heart than that which is expressed in words. Symbolism makes the very style, the very artistic substance of poetry inspired, transparent, illuminated throughout like the delicate walls of an alabaster amphora in which a flame is ignited. Characters can also serve as symbols. Sancho Panza and Faust, Don Quixote and Hamlet, Don Juan and Falstaff, according to the words of Goethe, are "schwankende Gestalten." Apparitions which haunt mankind, sometimes repeatedly from age to age, accompany mankind from generation to generation. It is impossible to communicate in any words whatsoever the idea of such symbolic characters, for words only define and restrict thought, but symbols express the unrestricted aspect of truth. Moreover we cannot be satisfied with a vulgar, photographic exactness of experimental photoqraphv. We demand and have premonition of, according to the allusions of Flaubert, Maupassant, Turgenev, Ibsen, new and as yet undisclosed worlds of impressionability. This thirst for the unexperienced, in pursuit of elusive nuances, of the dark and unconscious in our sensibility, is the characteristic feature of the coming ideal poetry. Earlier Baudelaire and Edgar Allan Poe said that the beautiful must somewhat amaze, must seem unexpected and extraordinary. French critics more or less successfully named this feature - impressionism. Such are the three major elements of the new art: a mystical content, symbols, and the expansion of artistic impressionability. No positivistic conclusions, no utilitarian computation, but only a creative faith in something infinite and immortal can ignite the soul of man, create heroes, martyrs and prophets... People have need of faith, they need inspiration, they crave a holy madness in their heroes and martyrs. ("On The Reasons For The Decline And On The New Tendencies In Contemporary Literature")

The neurotic exhausts himself not only in self-preoccupations like hypochondrial fears and all sorts of fantasies, but also in others: those around him on whom he is dependent become his therapeutic work project; he takes out his subjective problems on them. But people are not clay to be molded; they have needs and counter-wills of their own. The neurotic's frustration as a failed artist can't be remedied by anything but an objective creative work of his own. Another way of looking at it is to say that the more totally one takes in the world as a problem, the more inferior or "bad" one is going to feel inside oneself. He can try to work out this "badness" by striving for perfection, and then the neurotic symptom becomes his "creative" work; or he can try to make himself perfect by means his partner. But it is obvious to us that the only way to work on perfection is in the form of an objective work that is fully under your control and is perfectible in some real ways. Either you eat up yourself and others around you, trying for perfection; or you objectify that imperfection in a work, on which you then unleash your creative powers. In this sense, some kind of objective creativity is the only answer man has to the problem of life. In this way he satisfies nature, which asks that he live and act objectively as a vital animal plunging into the world; but he also satisfies his own distinctive human nature because he plunges in on his own symbolic terms and not as a reflex of the world as given to mere physical sense experience. He takes in the world, makes a total problem out of it, and then gives out a fashioned, human answer to that problem. This, as Goethe saw in Faust, is the highest that man can achieve.