Goddess Warrior Quotes

No one knows what you have been through or what your pretty little eyes have seen, but I can reassure you ~ whatever you have conquered, it shines through your mind.

I’m not a warrior or a goddess,” I said at last. Adrian leaned closer. “As far as I’m concerned, you’re both.

I feel a resurgence of my 6-year-old self… that little warrior, goddess of a girl reminding me of who I was when I was little, before the world got its hands on me.

Sweet weeping baby Jesus he has a six-pack to beat all six-packs!

Seminaked men!” Jacky trilled. “With swords,” Kat purred. “It is a romance novel!

Nix to Declan: Begin transcript— Testing. Hello, hellooo, anybody out there? Check, check, one, two. Soft pee. Puh, puh. Resonance! Sooooooft pee. Alpha bravo disco tango duck. This is Nïx! I’m the Ever-Knowing One, a goddess incandescent, incomparable, and irresistible. But enough about what you think of me. It’s a beautiful day in New Orleans. The wind is out of the east at a steady five knots and clouds look like rabbits … But enough about what you think of me! Now, down to business— Squirrel! Where was I? [Long pause] Why am I in Regin’s car? Bertil, you crawl right back out of that bong this minute! Oh, I remember! I am hereby laying down this track for Magister Declan Chase. If you are a mortal of the recorder peon class, know that Dekko and I go waaaaay back, and he’ll go berserk (snicker snicker) if he doesn’t receive this transmittal. … Chase, riddle me this: what’s beautiful but monstrous, long of tooth but sharp of tooth and soft of mind, and can never ever tell a lie? That’s right. The Enemy of Old can be very useful to you. So use him already. P.S. Your middle name’s about to be spelled r-e-g-r-e-t. And with that, I must bid you adieu. Don’t worry, we’ll catch up very soon. … [Muffled] Who’s mummy’s wittle echolocator? That’s right—you are! —End transcript

Christ on a cracker. You raped Achilles!

Ersken gathered the dice, put them in the cup they had used for play, and tucked it inside one bound Rat's shirt. "Let that be a lesson to you not to gamble," he told the Rat soberly. "The trickster asks you pay for any luck you may have, one way or another." "Bless the boy, he's a priest with it," one of the Goddess warriors said with a grin. "After this, laddie, what's say I take you home and rub some of that off yez?" Ersken actually winked at her! "Forgive me, gracious warrior, but my woman would turn me into something unnatural if I took you up on your kind offer," he replied as if he truly regretted it. "She's a mage and I'd best stay devoted.

I take a length of cloth and hold it to my head - a wedding veil. I do not regret the days of make-believe, but for every time I played at bride I should have played at goddess, river, warrior queen

I carry within me the heart of a warrior, the mind of a pharaoh, the soul of a goddess and the wisdom of my grandmothers' grandmothers.

Right. Of course. So many of us would voluntarily turn ourselves over to a...What was it? A vampire? No, wait, a vampire goddess. To save the lives of other people. Yeah, you're right. That's not noble. I do that every day before breakfast. Twice on Fridays.

You deserve to be treated like the fucking warrior goddess you are—beautiful, strong, perfect. You deserve a man that can worship your body all night softly, then pull your hair back and fuck you till you scream out in release, over and over. You deserve an equal in life, but a man to dominate you in bed. You deserve the flowers and the fucks.

Always remember, wherever you are, whether near or far, you had a mother who really, really loved you. The original mother. Once you've found your true inner guru you can never again be divided. Perfect union with the divine, through the grace of your real teacher, transcends time, space, death and all worldly limitations. Your real teacher is the original mother - regardless in which manifest or non-manifest form, or gender, she appears. The one who nurtures you and the one who also, out of wisdom and compassion, corrects you if you are misguided.

When we bring our attention back to discovering who we are on the inside—not who we wish we were or who we think we should be—we begin a sacred path of transformation toward our innate, authentic, embodied power. This is the path of the Warrior Goddess.

When you find yourself in one of those mystical/devotional frames of mind or in am emergency and you feel you want to pray, then pray. Don’t ever be ashamed to pray or feel prevented by thinking yourself unworthy in any way. Fact is whatever terrible thing you may have done, praying will always turn your energy around for the better. Pray to whomever, whatever, and whenever you choose. Pray to the mountain, pray to the ancestors, pray to the Earth, pray to the Tao (but it won’t listen!), pray to the Great Mother, pray to Jehovah, Allah, Buddha, Jesus, Lakshmi, Siva, pray to the Great Spirit, it makes no difference. Praying is merely a device for realigning the mind, energy, and passion of your local self with the mind, energy and passion of your universal self. When you pray, you are praying to the god or goddess within you. This has an effect on your energy field, which in turn translates into a positive charge that makes something good happen.

Our deepest healing occurs when we learn to be our own best friend, companion, and cheerleader.

Ulysses was not comely, but he was eloquent, Yet he fired two goddesses of the sea with love

When we choose to be what others want us to be, we end up being dissatisfied with our life, because we are not living from our authenticity, but from our domestication.

I don't want to get to the end of my life and find that I lived just the length of it. I want to have lived the width of it as well. —Diane Ackerman

The truth is simple: Life is perfectly imperfect, unpredictable, and unexplainable.

Your heart is not a fragile, delicate bird, but a resilient, powerful hawk learning to fly.

Kundalini means, according to Zeena ‘She Who is Hidden,’ and points to the dormant goddess in every human being’s body. While the kundalini force is found in muladharachakra, she hypnotizes humans, like maya herself, and renders them slaves to the illusory. Kundalini can only awaken people if she travels up along the spine.' --About Zeena Schreck by Malin Fitger 'Contemporary notions of Kundalini, its background and role within new Western religiosity,' University of Stockholm, 2004

She does not have the power to heal as Apollo does, but she does have the capacity to turn them into something that heals itself. Warrior. Hold your monsters close. Turn them into your magic.

Power does not come from who you know, what you do, or how much money you have in the bank. It comes from blossoming into unconditional love for yourself and embodying joyful faith in your gifts.

Commit to You Don't ever give up. Don't ever give in. Don't ever stop trying. Don't ever sell out. And if you find yourself succumbing to one of the above for a brief moment, pick yourself up, brush yourself off, whisper a prayer, and start where you left off. But never, ever, ever give up. —Richelle E. Goodrich

We are all longing to go home to some place we have never been—a place half-remembered and half-envisioned we can only catch glimpses of from time to time. Community.

Then you do not belong here. Death holds no sweetness in this house. We are not warriors, nor soldiers, nor swaggering bravos puffed up with pride. We do not kill to serve some lord, to fatten our purses, to stroke our vanity. We never give the gift to please ourselves. Nor do we choose the ones we kill. We are but servants of the God of Many Faces." "Valar dohaeris." All men must serve. "You know the words, but you are too proud to serve. A servant must be humble and obedient." "I obey. I can be humbler than anyone." That made him chuckle. "You will be the very goddess of humility, I am sure. But can you pay the price?" "What price?" "The price is you. The price is all you have and all you ever hope to have. We took your eyes and gave them back. Next we will take your ears, and you will walk in silence. You will give us your legs and crawl. You will be no one's daughter, no one's wife, no one's mother. Your name will be a lie, and the very face you wear will not be your own.

There came a time when the risk to remain tight in the bud was more painful than the risk it took to blossom. —Anaïs Nin

While we cannot control life, we do have a choice in how we respond to what life brings and how we react.

I do not regret the days of make-believe, but for every time I played at bride I should have played at goddess river warrior queen.

Don’t think for one second you can’t be anything you want to be— a warrior, a goddess, a queen-bee.

This book is dedicated to the Ancient Ones, to the Lord of Abominations, Humwawa, whose face is a mass of entrails, whose breath is the stench of dung and the perfume of death, Dark Angel of all that is excreted and sours, Lord of Decay, Lord of the Future, who rides on a whispering south wind, to Pazuzu, Lord of Fevers and Plagues, Dark Angel of the Four Winds with rotting genitals from which he howls through sharpened teeth over stricken cities, to Kutulu, the Sleeping Serpent who cannot be summoned, to the Akhkharu, who such the blood of men since they desire to become men, to the Lalussu, who haunt the places of men, to Gelal and Lilit, who invade the beds of men and whose children are born in secret places, to Addu, raiser of storms who can fill the night sky with brightness, to Malah, Lord of Courage and Bravery, to Zahgurim, whose number is twenty-three and who kills in an unnatural fashion, to Zahrim, a warrior among warriors, to Itzamna, Spirit of Early Mists and Showers, to Ix Chel, the Spider-Web-that-Catches-the-Dew-of-Morning, to Zuhuy Kak, Virgin Fire, to Ah Dziz, the Master of Cold, to Kak U Pacat, who works in fire, to Ix Tab, Goddess of Ropes and Snares, patroness of those who hang themselves, to Schmuun, the Silent One, twin brother of Ix Tab, to Xolotl the Unformed, Lord of Rebirth, to Aguchi, Master of Ejaculations, to Osiris and Amen in phallic form, to Hex Chun Chan, the Dangerous One, to Ah Pook, the Destroyer, to the Great Old One and the Star Beast, to Pan, God of Panic, to the nameless gods of dispersal and emptiness, to Hassan i Sabbah, Master of Assassins. To all the scribes and artists and practitioners of magic through whom these spirits have been manifested…. NOTHING IS TRUE. EVERYTHING IS PERMITTED.

From the flames she rises, a bold, resplendent warrior ready to bring the world to its knees and cast away those who do not revere their Goddess. Enrapturing all those whom she favours there is no escaping her beguiling sensuality. Enfolding him to her breast, she enslaves his tumescence within her warm embrace and he is lost, within her passion, for eternity...

if we make other people responsible for our own freedom, we will not have what it takes to truly inhabit our essential nature. When we stand in our own center, the challenges we encounter temper us. We can see

I would be the master of my own fate. Me and the goddess Morrigan. No one else- and certainly no man. Mael and Aeddan could fight over me until they were both bloody. My father could deny me my blade. But they couldn't force me from my warrior's path unless I let them.

Change is inevitable, but transformation is by conscious choice.

When we create a life based on what we think we are supposed to do rather than from our own heart's desire, we always feel like something is missing, that we are not quite free. There is a deeper longing that keeps calling us to stop conforming, to break the chains of our fears, to jump the fence of people's opinions and find our innate wild happiness. Inside,

This book is dedicated to all the women on this beautiful planet. May we reclaim the fierce love of the warrior and embody the wisdom of the goddess to bring balance and harmony to the Earth.

I hope he and his warrior Goddess live happily ever after... jackass.

You are whole. You are valued. You are loved. I see your wholeness. I know your value. I love you, just the way you are. Welcome to the path of the Warrior Goddess.

The keystone of committing to yourself is very simple: Learn to love all of who you are, flaws and all.

Often we miss the immensity of our being by focusing on the details and dramas around us.

When we create a life based on what we think we are supposed to do rather than from our own heart's desire, we always feel like something is missing, that we are not quite free.

When Morrigan and Brighid created Aerric, he had no need for emotions, he only needed to be a great warrior, and for thousands of years he was just that… the perfect killing machine.

Arrgh!” Hadleigh flung up an arm to shield her eyes but the damage had been done. She’d seen a lot of ugly things in her time and generally ended up killing them but this … this thing defied description. It mocked the word ugly as pithy and stomped on an array of descriptive words such as loathsome, skin crawling and hideous. “Good Goddess, what in the Hell is that?

I am not going to give you disclaimers about what you can expect to find in my story. I went through menopause recently and find I don't much care about anyone's sensibilities anymore. I am called BadSquirrel for a reason. Considering how incredibly rude and grouchy I have become, I expect all of you to be extremely grateful to the QMBG (Queen Mother Bitch Goddess for those of you who haven't kept up) for all of the good warm fuzzy bits of my story. If you like it, it's because she went through it and took out all the really disturbing parts and made me behave.

But every time I am willing to look within I am so grateful for every experience, every obstacle, every learning, because I've learned to use everything that arises in my field of awareness as a tool to discover who I truly am.

Doesn’t matter whether you’re a baker’s wife or a whore or a princess—if you have the strength, you can take a lover, write a motet, lead an army, rule a country. Women have. Not all, granted, but some. And we adore them, don’t we? In theory. We make statues of warrior women, paint them on our ceilings—goddesses with shields and togas and one fair breast exposed so there can be no doubt. The palaces of Europe are covered in them. The Opéra stages, too, for that matter. Yet most women I know—no matter how clever, no matter how strong—are dragged down by husbands or fathers or titles or too many petticoats, or priests clutching at their hems, telling them, ‘No, you cannot do that, you cannot be that.’ I never listened. That’s rare.

The paradox is to know what you want, put your energy behind it 100 percent, and then let your intention go to a higher force. Work from your feeling sense rather than from your mind. Stay open and curious about what shows up. Sometimes what shows up is the obstacle that needs to be cleared from your being before you will be able to open fully to your highest possibility.

I want to taste you,” he murmured, his wicked voice full of promises against her neck. She nodded and let out a garbled moan that could have meant anything, but he thankfully seemed to understand she meant ‘dear goddess, yes please’. -Con & Leilani

1212Forget what they told you. You are love child of a passionate affair between goddess and universe. You were born of a steamy forbidden heat and you were made for the cyclone of unadulterated wholeness. You are a daughter of delight. You are the unconstrained mother of all. A fierce warrior. A wicked priestess. Your roots twist into this earth. Your spirit rises in glorious asana. You let loose with the howl of the wilderness you’ve held tight all these years. You are the wild. Untethered. Gloriously free.

Igniting your will occurs when you are clear on what you really want for yourself, and when you take action based on this knowledge. If you are consumed with what others think, you are repressing your fears, and you will not have the will needed to stand in your power.

We need to embrace our anger. By that I mean, we want to recognize the sacredness of anger. Many deities from all around the world depict 'anger' in a sacred way. Kali, The Morrigan, Hades, Set, Mars, Minerva, Lugh, Thor, Vulcan, Odin, and Fion Mac Cumhail are all deities that express a divine kind of anger. They are the avengers, hunters, protectors, and warriors; Gods and Goddesses of death and slaughter.

It is not an easy task to accept what we don't want—especially when what we are experiencing is pain or suffering. I wrote her back with compassion and invited her to be with what was true for her body right now, without making up any story about what it would be like tomorrow. Acceptance is not a dispirited surrender from a place of powerlessness; acceptance and aligning with life is an active, courageous walk with the flow of what is.

Don't ever give up. Don't ever give in. Don't ever stop trying. Don't ever sell out. And if you find yourself succumbing to one of the above for a brief moment, pick yourself up, brush yourself off, whisper a prayer, and start where you left off. But never, ever, ever give up. —Richelle E. Goodrich

The War on Men Through the Degradation of Woman” - "How is man to recognize his full self, his full power through the eye’s of an incomplete woman? The woman who has been stripped of Goddess recognition and diminished to a big ass and full breast for physical comfort only. The woman who has been silenced so she may forget her spiritual essence because her words stir too much thought outside of the pleasure space. The woman who has been diminished to covering all that rots inside of her with weaves and red bottom shoes. I am sure the men, who restructured our societies from cultures that honored woman, had no idea of the outcome. They had no idea that eventually, even men would render themselves empty and longing for meaning, depth and connection. There is a deep sadness when I witness a man that can’t recognize the emptiness he feels when he objectifies himself as a bank and truly believes he can buy love with things and status. It is painful to witness the betrayal when a woman takes him up on that offer. He doesn’t recognize that the [creation] of a half woman has contributed to his repressed anger and frustration of feeling he is not enough. He then may love no woman or keep many half women as his prize. He doesn’t recognize that it’s his submersion in the imbalanced warrior culture, where violence is the means of getting respect and power, as the reason he can break the face of the woman who bore him 4 four children. When woman is lost, so is man. The truth is, woman is the window to a man’s heart and a man’s heart is the gateway to his soul. Power and control will NEVER out weigh love. May we all find our way.

Warrior energy is a combination of focus, dedication, purpose, and determination.

Oh...oh, goddess, it's true about your tongues...

Even a warrior Goddess must accept that there are battles that can’t be won.

Your mind, energy, emotions, and body are sacred, no matter what state of disarray they may be in at the current moment.

When we choose to be what others want us to be, we end up being dissatisfied with our life,

You are whole. You are powerful. You are divine.

I don't want to get to the end of my life and find that I lived just the length of it. I want to have lived the width of it as well.

Life does not personally punish people or seek to cause suffering; it simply moves. It is only when we claim life should look this way or that way that we limit ourselves and suffer.

She stood in profile across the green, her back straight, her stance that of some long ago warrior maiden. As he walked toward her, Miss Greaves drew back her bow briskly, aiming a tad high to account for the wind, and let her arrow fly. Before it had hit the target, she’d notched another and shot it. A third followed just as rapidly. He glanced to the target. All three of her arrows were clustered together at the center of the red circle. Miss Greaves, who “did not shoot,” was a better shot than all the other ladies—and probably the men as well. He glanced from the target to her and saw that she stared back, proud and unsmiling. Artemis. She was named for the goddess of the hunt—a goddess who had slain without remorse her only admirer.

When steel is tempered, heat and pressure are used to strengthen the metal. When a butterfly first begins to emerge from its cocoon, it must struggle in order to strengthen its wings. If someone frees the butterfly from its cocoon prematurely, it will not be able to fly because its crucial tempering stage will not have occurred. In one experiment where an entire ecosystem was created within a protected bubble, the healthy trees fell unexpectedly. Researchers later realized that these trees needed wind in order build their structural strength to stay upright.

I keeled over sideways. The world turned fluffy, bleached of all color. Nothing hurt anymore. I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders. “He’s almost gone,” Diana said. Then I was gone. My mind slipped into a pool of cold, slimy darkness. “Oh, no, you don’t.” My sister’s voice woke me rudely. I’d been so comfortable, so nonexistent. Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her. As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades. “H-how long was I out?” I croaked. “Roughly three seconds,” she said. “Now, get up, drama queen.” She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth. I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion. She blinked, clearly unsure what to do with this information. “You really have changed.” “I missed you!” “Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.” “It worked, then!” I grinned at Hazel and Meg. “It worked!” “Yeah,” Meg said wearily. “Hi, Artemis.” “Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.” Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.” I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect. Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.” “Little brother?” She smirked.

On an energetic level, humans are a lot like trees. A well-balanced tree has deep, grounded roots that go into the earth like a grounding rod. A tree's roots are both its stability and its source of nutrition. The deeper and wider the roots, the more resilient and anchored the tree will be, and the more likely it is to survive changes in the environment, such as high winds or drought.

The Chinese did not admire a bent back; goddesses and warriors stood straight. Still there must have been a marvelous freeing of beauty when a worker laid down her burden and stretched and arched.

Some days she is delicate, vulnerable and soft. Other days she is a lioness; courageous, determined, unafraid. Always she is a goddess, a tenacious warrior’s heart. She is you, him and her. No one is without flaws, yet we are all flawless. Quite the contraction, still, so very true. Never underestimate your worth your beauty or your strength. You are everything you can imagine and so much more.

The scent of the leather and the feel of the cold steel transported her back in time. “But Daddy, why can’t I have a sword and a scabbard? Dillon and Tynan have one and look, I can lift it above my head, too.” Kylah chuckled because she hadn’t lifted it above her head; she’d barely lifted the broadsword off the floor. But Cearnach was always supportive. He’d told her, “Someday, little one… someday you will be a great warrior just like your brothers.

This means going beyond our fear of our power, letting go of trying to be nonthreatening little girls or enticing sexpots, and releasing the habit of putting everyone else first without including our needs. It's time we claim our innate crone wisdom.

So damn beautiful. You look like a goddess. Like a warrior. Like you could slay me and you do. Just looking at you ruins me. I love to look at you. I could look at you lying spread like this forever. Open to me, wet and flushed—forever and never grow tired.

words—how we speak our story to ourselves and others. Like body and mind, words are vessels. Each word we choose can hold the vibration of healing, peace, and love, or be brimming with fear, victimization, and judgment. Our words help to nourish or deplete our vessel.

Warriors with developed senses of honour and hair-trigger tempers sensitive to the slightest insult make dangerous enemies but they also make uncertain allies. Indeed, Aristotle claims that ‘our anger is more aroused against associates and friends we think have insulted us than against strangers’. This is the dilemma at the heart of heroic values. It is, again, one reason that Homer invites the goddess to sing about anger, one reason that she sings a song in which that anger is first directed against friends and then against enemies.

In Norse mythology, Valkyrie were female goddesses who spread their wings and flew over the battlefield, choosing who lived and who died in battle. Warriors chosen by the Valkyrie died with honor and were then taken to the hall of Valhalla in the afterlife. Their souls could finally rest.

She heard him close the door. “I was going to impress you with my romantic eloquence, of course. I’d thought to wax philosophical about the beauty of your brow.” Lucy blinked. “My brow?” “Mmm. Have I told you that your brow intimidates me?” She felt his warmth at her back as he moved behind her, but he didn’t touch her. “It’s so smooth and white and broad, and ends with your straight, knowing eyebrows, like a statue of Athena pronouncing judgment. If the warrior goddess had a brow like yours, it is no wonder the ancients worshiped and feared her.” “Blather,” she murmured. “Blather, indeed. Blather is all I am, after all.” She frowned and turned to contradict him, but he moved with her so that she couldn’t quite catch sight of his face. “I am the duke of nonsense,” he whispered in her ear. “The king of farce, the emperor of emptiness.” Did he really see himself so? “But—” “Blathering is what I do best,” he said, still unseen. “I’d like to blather about your golden eyes and ruby lips.” “Simon—” “The perfect curve of your cheek,” he murmured close. She gasped as his breath stirred the hair at her neck. He was distracting her with lovemaking. And it was working. “What a lot of talk.” “I do talk too much. It’s a weakness you’ll have to bear in your husband.” His voice was next to her ear. “But I’d have to spend quite a bit of time outlining the shape of your mouth, its softness and the warmth within. -Simon to Lucy on their wedding night.

I was created a warrior, meant to guard the king of gods. For many years, I served him well, helping to keep him in power, protecting him even from his own family. But he did not think me strong enough to guard his most precious possession, a box formed from the bones of the dead goddess of oppression. No, he commanded a woman to do it. She was known as the greatest female warrior, true, but my pride was stung.” Thankfully, Ashlyn remained relaxed. “Thinking to prove a mistake had been made, I helped release the demons inside upon the world. And in punishment, I was bonded to one.

How foolish I had been to think everything would work out, just like in the books I had read: the lost child found by his mother, the monster defeated by a valiant warrior, the princess saved by the prince. But I was no princess and fairy tales did not exist for the likes of me, not even in heaven.

The life cycle of a plant is a great metaphor for all cycles. When we plant a seed in the ground, we push it into the darkness of earth. A miraculous, hidden process happens that takes that hard seed and cracks it open to let the life out. If we impatiently keep digging up the seed to see if it is sprouting, we risk stopping the process of growth.

Achilles said. “I assume he is a famous warrior. But I am more interested in peace than war. War seems like a wonderful way to make everyone poor and miserable, to increase the share of orphans, to promote superstitions, to waste a lot of good bronze that could be used for tools, to ruin the soil, to kill perfectly good cart-horses pulling chariots, and so on.

Why may you not kiss me?” she had demanded. “Am I a corpse?” “Of course not.” “Do you find me less attractive now that weather and wind have scoured the bloom from my cheeks?” “Skaytha, it’s nothing like that. If anything you are more beautiful now than when we lived on Skyrl. Often enough I have no breath when I look at you. You rob me of any other thoughts.” “So you’re afraid my kisses will take what little brain you have left?” “I’m afraid the angels will do something I don’t want them to do if I fly in the face of their commands, commands I can only assume are divine as well as angelic.” “Did you ever think to ask them the reasons behind their demands?” “When it is an angel I just want to get out of the conversation alive or at least without being struck dumb. So I don’t prolong the chat.” “You might have wanted my kisses more than that. If you had any romance in you you’d have told them you were ready to fight ten legions of angels for my love.” Hawk had reached out to hold her. “If I’d told them that they might have taken me up on it. Angels are not just useful for gallant flourishes the moment you declare your intention to battle all comers for the woman you love. Angels burn like fire and blaze like a hundred suns – they strike fear in my heart.” She had pulled away from his embrace and jumped to her feet. “Oh, no, you don’t. If I’m not good enough to kiss I’m not good enough to take in your arms either. It’s angels or me. Make up your mind whom you fear more. Or love more.” “I don’t love the angels.” “Clearly you don’t love me either.” They had been in a tipi. She’d gone to the opening, lifted the flap, bent, and stalked away, passing by warriors of the tribe with her head as high as a goddess and her back as straight as the shaft of the spear. The chief had poked his head in. “All is well, Hawk?’ he had asked. Hawk had learned their tongue. “It couldn’t be better,” Hawk had responded. “Only being slain in battle would be greater than this.” The chief had thought this over and laughed. "That would bring you great honor." "I am in short supply of honor right now and such short supply never pleases a woman like her. Better to die at the end of a spear and have it for a few moments and win her back." The chief had nodded. "Sound wisdom. Would you like to join a raiding party against our enemy tonight?" "I couldn't be happier." (from The Name of the Hawk, Book 2)

That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.

Belît sprang before the blacks, beating down their spears. She turned toward Conan, her bosom heaving, her eyes flashing. Fierce fingers of wonder caught at his heart. She was slender, yet formed like a goddess: at once lithe and voluptuous. Her only garment was a broad silken girdle. Her white ivory limbs and the ivory globes of her breasts drove a beat of fierce passion through the Cimmerian's pulse, even in the panting fury of battle. Her rich black hair, black as a Stygian night, fell in rippling burnished clusters down her supple back. Her dark eyes burned on the Cimmerian. She was untamed as a desert wind, supple and dangerous as a she-panther. She came close to him, heedless of his great blade, dripping with blood of her warriors. Her supple thigh brushed against it, so close she came to the tall warrior. Her red lips parted as she stared up into his somber menacing eyes.

There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?

You wouldn’t think so, but . . . well. You were . . . amazing, throwing that fire like some kind of ancient warrior goddess.” Annoyed, I turned away. “Stop making fun of me.” He caught my arm and pulled me back toward him. “I am absolutely serious.” I swallowed, speechless for a moment. All I was aware of was how close we were, that he was holding me to him with only a few inches between us. Almost as close as at the sorority. “I’m not a warrior or a goddess,” I managed at last. Adrian leaned closer. “As far as I’m concerned, you’re both.

Because even she thinks we’re going to lose, and I’ll be damned if I prove that fucking goddess right. I don’t lose. I’ve overcome great odds in my life, and I will never let someone tell me my fate. I make my fate. I decide when and where I will fight and die. I’ve been a slave and a gladiator. I’ve been your mercenary, your warrior, and your rebel. I’m considered enemy number one in the Empire, and I have been a Champion twice.” She straightened her posture. “And if I have to become a fucking Avatar to win this war, that is what I will become.

There are human boys here somewhere?” Zoey asked. Aurox’s face scrunched up as he frowned at her. “Not here. Outside—out there. ” He pointed in the general direction of the door to the field house behind them. “Outside the field house!” she almost yelled. “Zo, sometimes I think you don’t listen so good,” Aurox said. Still frowning at her, he continued speaking slowly, as if trying to get her to understand a foreign language. “Two boys. Outside the wall. With the keg. And cups. They. Want. Hot. Vampyre. Chicks.” “Okay, I think I get it.” Stark grabbed Aurox’s arm and started to drag him toward the door and away from Z before she went for his throat, although that would have been funny as hell. “You found two kids, with beer, trying to get over the wall, right?” “See, you listen better.” Aurox patted him on the back, almost knocking Stark over. “But they’re just looking through the hole for vampyre pussy, not trying to get over the wall.” “If you say pussy one more time I’m going to smack the crap out of you,” Zoey said, coming after them. “You can’t come!” Aurox stumbled to a stop. “You have legs and tits!” “Oh. My. Goddess. I’m going to kill him!” Stark stepped between the two of them. He faced Zoey. She’d gone from pale to bright red in zero-point-nothing seconds. “Z, I think this is something that a Warrior needs to handle.” Behind him, Aurox belched, sending a wave of beer air wafting over them. Zoey narrowed her eyes and pointed at Aurox. “You have never been able to drink!” Then she spun around and stomped back to the basement entrance, slamming the door behind her. “She seems mad. Should we bring her a beer?” Aurox said. Stark covered his laugh with a cough. “Ur, no. Z doesn’t like beer.” “Doesn’t like beer? She should. It would make her head feel bubbly and happy.” Stark didn’t bother to cover his laugh a second time. “I wish it worked that way with her, but it doesn’t.” “Because she has legs and tits?” Stark knew it was wrong, but he couldn’t stop himself. “I’m not sure. Maybe you should ask her next time you see her.” Aurox nodded, looking as serious as a drunk could look. “I will.” “That should be fun. But until then, show me where these humans are, and while we’re going there, start back at the beginning and tell me exactly what happened before and after you were introduced to the red Solo cup.

I recently heard about some new studies on stress that challenge everything we've been told about how stress is bad for us. This new research suggests that stress might actually be good for you, as it helps build strength and focus when it is needed most. Health psychologist Kelly McGonigal believes the harmful effects of stress may be a consequence of our perception that it is bad for our health, but the stress itself is not inherently bad. Nature seems to have the same message for us Warrior Goddesses: You can use your environment and experiences to gain strength and resiliency.

before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,

North: The frieze from the north portion of the temple depicts the war against the Amazons. It shows a meeting between the Amazon and Greek warriors, with Hekate being the central figure sanctioning a pact. The position of her body in this particular frieze has been interpreted as being indicative that while she brought the sides together and sanctioned the pact, she sided with the legendary female warriors of Anatolia. East: The eastern frieze depicts scenes from the life of Zeus, including a version of his birth in which Hekate takes the role of midwife. She assists the goddess Rhea in swaddling the baby and protecting it from his father Kronos’ paranoid madness. West: The western side shows a version of the war against the Giants. Like that of the famous friezes of Pergamon, it depicts Hekate as fighting on the side of Zeus. South: The south side shows a selection of Carian deities gathering for a feast. This has been interpreted as a gathering for the Hekatesion or another significant festival. Here it is interesting to note that the front of the temple (East) depicted the birth of Zeus and the back his battle and victory over the Titans. These are pivotal points in Greek religious history, Zeus’ birth and his victory in the battle which enables him to ascend to the throne. At both these points, Hekate is present.

Imagine such a happiness. Like drinking wine your whole life, instead of water. Like having Achilles to run your errands.” I did not know the name. His voice rolled like a bard’s: Achilles, prince of Phthia, swiftest of all the Greeks, best of the Achaian warriors at Troy. Beautiful, brilliant, born from the dread nereid Thetis, graceful and deadly as the sea itself. The Trojans had fallen before him like grass before the scythe, and the mighty Prince Hector himself perished at his ash-spear’s end. “You did not like him,” I said. Some inward amusement touched his face. “I appreciated him, in his way. But he made a terrible soldier, however many men he could bleed. He had a number of inconvenient ideas about loyalty and honor. Every day was a new struggle to yoke him to our purpose, keep him straight in his furrow. Then the best part of him died, and he was even more difficult after that. But as I said, his mother was a goddess, and prophecies hung on him like ocean-weed. He wrestled with matters larger than I will ever understand.” It was not a lie, but it was not truth either. He had named Athena as his patron. He had walked with those who could crack the world like eggs. “What was his best part?” “His lover, Patroclus. He didn’t like me much, but then the good ones never do. Achilles went mad when he died; nearly mad, anyway.

With twelve ships Odysseus sets sail from Troy and goes north to the town of Ismarus. When the ships and warriors arrive, what do they do? They ravage the town and ravish the women. The priest of Ismarus actually thanks Odysseus for not raping his daughter. These men were that rapacious. The gods say, “This is no way for a man to go home to his wife! This is not the proper relationship of a male to a female for a domestic existence.” So they blow those twelve ships astray for ten days. What Odysseus is going to have to do in order to get where he wants to go is to meet those three goddesses and appease them. Aphrodite, Hera, and Athena are going to appear in the forms of three nymphs Circe, Calypso, and Nausicaa.

Hindus who adhere to the caste system believe that cosmic forces have made one caste superior to another. According to a famous Hindu creation myth, the gods fashioned the world out of the body of a primeval being, the Purusa. The sun was created from the Purusa’s eye, the moon from the Purusa’s brain, the Brahmins (priests) from its mouth, the Kshatriyas (warriors) from its arms, the Vaishyas (peasants and merchants) from its thighs, and the Shudras (servants) from its legs. Accept this explanation and the sociopolitical differences between Brahmins and Shudras are as natural and eternal as the differences between the sun and the moon.1 The ancient Chinese believed that when the goddess Nü Wa created humans from earth, she kneaded aristocrats from fine yellow soil, whereas commoners were formed from brown mud.

The boy under the power of the Mama's Boy is what is called autoerotic. He may compulsively masturbate. He may be into pornography, seeking the Goddess in the nearly infinite forms of the female body. Some men under the infantile power of the Mama's Boy aspect of the Oedipal Child have vast collections of pictures of nude women, alone or making love with men. He is seeking to experience his masculinity, his phallic power, his generativity. But instead of affirming his own masculinity as a mortal man, he is really seeking to experience the penis of God—the Great Phallus—that experiences all women, or rather that experiences union with the Mother Goddess in her infinity of female forms. Caught up in masturbation and the compulsive use of pornography, the Mama's Boy, like all immature energies, wants just to be. He does not want to do what it takes to actually have union with a mortal woman and to deal with all the complex feelings involved in an intimate relationship. He does not want to take responsibility.

She is also the power behind spiritual awakening, the inner force that unleashes spiritual power within the human body in the form of kundalini. And she is a guardian: beautiful, queenly, and fierce. Paintings of Durga show her with flowing hair, a red sari, bangles, necklaces, a crown—and eight arms bristling with weapons. Durga carries a spear, a mace, a discus, a bow, and a sword—as well as a conch (representing creative sound), a lotus (symbolizing fertility), and a rosary (symbolizing prayer). In one version of her origin, she appears as a divine female warrior, brought into manifestation by the male gods to save them from the buffalo demon, Mahisha. The assembled gods, furious and powerless over a demon who couldn’t be conquered, sent forth their anger as a mass of light and power. Their combined strength coalesced into the form of a radiantly beautiful woman who filled every direction with her light. Her face was formed by Shiva; her hair came from Yama, the god of death; her arms were given by Vishnu. Shiva gave her his trident, Vishnu his discus, Vayu—the wind god—offered his bow and arrow. The mountain god, Himalaya, gave her the lion for her mount. Durga set forth to battle the demon for the sake of the world, armed and protected by all the powers of the divine masculine.1 As a world protector, Durga’s fierceness arises out of her uniquely potent compassion. She is the deity to call on when you’re

On the other side of the mountain, Drizzt Do'Urden opened his eyes from his daytime slumber. Emerging from the cave into the growing gloom, he found Wulfgar in the customary spot, poised meditatively on a high stone, staring out over the plain. "You long for your home?" the drow asked rhetorically. Wulfgar shrugged his huge shoulders and answered absently, "Perhaps." The barbarian had come to ask many disturbing questions of himself about his people and their way of life since he had learned respect for Drizzt. The Drow was an enigma to him, a confusing combination of fighting brilliance and absolute control. Drizzt seemed able to weigh every move he ever made in the scales of high adventure and indisputable morals. Wulfgar turned a questioning gaze on the drow. "Why are you here?" he asked suddenly. Now it was Drizzt who stared reflectively into the openness before them. The first stars of the evening had appeared, their reflections sparkling distinctively in the dark pools of the elf's eyes. But Drizzt was not seeing them; his mind was viewing long past images of the lightless cities of the drow in their immense cavern complexes far beneath the ground. "I remember," Drizzt recalled vividly, as terrible memories are often vivid, "'the first time I ever viewed this surface world. I was a much younger elf then, a member of a large raiding party. We slipped out from a secret cave and descended upon a small elven village." The drow flinched at the images as they flashed again in his mind. "My companions slaughtered every member of the wood elf clan. Every female. Every child." Wulfgar listened with growing horror. The raid that Drizzt was describing might well have been one perpetrated by the ferocious Tribe of the Elk. "My people kill," Drizzt went on grimly. "They kill without mercy." He locked his stare onto Wulfgar to make sure that the barbarian heard him well. "They kill without passion." He paused for a moment to let the barbarian absorb the full weight of his words. The simple yet definitive description of the cold killers had confused Wulfgar. He had been raised and nurtured among passionate warriors, fighters whose entire purpose in life was the pursuit of battle-glory - fighting in praise of Tempos. The young barbarian simply could not understand such emotionless cruelty. A subtle difference, though, Wulfgar had to admit. Drow or barbarian, the results of the raids were much the same. "The demon goddess they serve leaves no room for the other races," Drizzt explained. "Particularly the other races of elves." "But you will never come to be accepted in this world," said Wulfgar. "Surely you must know that the humans will ever shun you." Drizzt nodded. "Most," he agreed. "I have few that I can call friends, yet I am content. You see, barbarian, I have my own respect, without guilt, without shame." He rose from his crouch and started away into the darkness. "Come," he instructed. "Let us fight well this night, for I am satisfied with the improvement of your skills, and this part of your lessons nears its end." Wulfgar sat a moment longer in contemplation. The drow lived a hard and materially empty existence, yet he was richer than any man Wulfgar had ever known. Drizzt had clung to his principles against overwhelming circumstances, leaving the familiar world of his own people by choice to remain in a world where he would never be accepted or appreciated. He looked at the departing elf, now a mere shadow in the gloom. "Perhaps we two are not so different," he mumbled under his breath.

The Sumerian pantheon was headed by an "Olympian Circle" of twelve, for each of these supreme gods had to have a celestial counterpart, one of the twelve members of the Solar System. Indeed, the names of the gods and their planets were one and the same (except when a variety of epithets were used to describe the planet or the god's attributes). Heading the pantheon was the ruler of Nibiru, ANU whose name was synonymous with "Heaven," for he resided on Nibiru. His spouse, also a member of the Twelve, was called ANTU. Included in this group were the two principal sons of ANU: E.A ("Whose House Is Water"), Anu's Firstborn but not by Antu; and EN.LIL ("Lord of the Command") who was the Heir Apparent because his mother was Antu, a half sister of Anu. Ea was also called in Sumerian texts EN.KI ("Lord Earth"), for he had led the first mission of the Anunnaki from Nibiru to Earth and established on Earth their first colonies in the E.DIN ("Home of the Righteous Ones")—the biblical Eden. His mission was to obtain gold, for which Earth was a unique source. Not for ornamentation or because of vanity, but as away to save the atmosphere of Nibiru by suspending gold dust in that planet's stratosphere. As recorded in the Sumerian texts (and related by us in The 12th Planet and subsequent books of The Earth Chronicles), Enlil was sent to Earth to take over the command when the initial extraction methods used by Enki proved unsatisfactory. This laid the groundwork for an ongoing feud between the two half brothers and their descendants, a feud that led to Wars of the Gods; it ended with a peace treaty worked out by their sister Ninti (thereafter renamed Ninharsag). The inhabited Earth was divided between the warring clans. The three sons of Enlil—Ninurta, Sin, Adad—together with Sin's twin children, Shamash (the Sun) and Ishtar (Venus), were given the lands of Shem and Japhet, the lands of the Semites and Indo-Europeans: Sin (the Moon) lowland Mesopotamia; Ninurta, ("Enlil's Warrior," Mars) the highlands of Elam and Assyria; Adad ("The Thunderer," Mercury) Asia Minor (the land of the Hittites) and Lebanon. Ishtar was granted dominion as the goddess of the Indus Valley civilization; Shamash was given command of the spaceport in the Sinai peninsula. This division, which did not go uncontested, gave Enki and his sons the lands of Ham—the brown/black people—of Africa: the civilization of the Nile Valley and the gold mines of southern and western Africa—a vital and cherished prize. A great scientist and metallurgist, Enki's Egyptian name was Ptah ("The Developer"; a title that translated into Hephaestus by the Greeks and Vulcan by the Romans). He shared the continent with his sons; among them was the firstborn MAR.DUK ("Son of the Bright Mound") whom the Egyptians called Ra, and NIN.GISH.ZI.DA ("Lord of the Tree of Life") whom the Egyptians called Thoth (Hermes to the Greeks)—a god of secret knowledge including astronomy, mathematics, and the building of pyramids. It was the knowledge imparted by this pantheon, the needs of the gods who had come to Earth, and the leadership of Thoth, that directed the African Olmecs and the bearded Near Easterners to the other side of the world. And having arrived in Mesoamerica on the Gulf coast—just as the Spaniards, aided by the same sea currents, did millennia later—they cut across the Mesoamerican isthmus at its narrowest neck and—just like the Spaniards due to the same geography—sailed down from the Pacific coast of Mesoamerica southward, to the lands of Central America and beyond. For that is where the gold was, in Spanish times and before.

Now we move on to the dominant idea of this ancient heroic tradition, namely the mystical conception of victory. The fundamental assumption is that of a true correspondence between the physical and metaphysical, between the visible and the invisible, whereby the deeds of the spirit reveal supra-individual traits and express themselves through action and real events. On this basis, a spiritual realization is presumed to be the hidden soul of certain martial endeavors, which are crowned by the actual victory. Then the material, military victory becomes the correlation to a spiritual event, which has called forth victory in the place where outer and inner connect. The victory appears as a tangible sign for a consecration and mystical rebirth that are fulfilled in the same instant. The Furies and the death which the warrior withstood physically on the battlefield also confront him internally, in his spiritual element, in the form of a dangerous and threatening outburst of the primordial energy of his being. In triumphing over this, victory is his. This connection clarifies why, in the Traditional world, every victory also takes on a sacred meaning. The celebrated commander on the battlefield thus provided the experience of the presence of a mystical, transformative energy. In the same way we can understand the deep meaning a supra-wordly character that breaks forth in the victory’s glory and 'divinity', as well as the fact that the ancient Roman triumphal ceremony had far more of a sacred quality than a military one. It sheds a totally different light on those recurring symbols of the ancient Aryan tradition of Victories, Valkyries, and similar beings who leads the souls of warriors into 'Heaven', as well as on the myth of a victorious hero such as the Doric Hercules, who receives the crown from Nike, the 'victory goddess', enabling him to participate in Olympian immortality. And now it becomes obvious how paralyzing and frivolous that viewpoint is which prefers to see only 'poetics', rhetorics, and fairy tales in all of this.

Let us now assume that under truly extraordinary circumstances, the daimon nevertheless breaks through in the individual, so to speak, and is this able to let its destructive transcendence be felt: then one would have a kind of active experience of death. Thereupon the second connection becomes clear: why the figure of the daimon or doppelgänger in the ancient myths could be melded with the deity of death. In the Nordic tradition the warrior sees his Valkyrie precisely at the moment of death or mortal danger. In religious asceticism, mortification, self-renunciation, and the impulse of devotion to God are the preferred methods of provoking and successfully overcoming the crisis I have just mentioned. Everyone knows the expressions which refer to these states, such as the 'mystical death' or 'dark night of the soul', etc. In contrast to this, within the framework of a heroic tradition, the path to the same goal is the active rapture, the Dionysian unleashing of the active element. At its lower levels, we find phenomenons such as the use of dance as a sacred technique for achieving an ecstasy of the soul that summons and uses profound energies. While the individual’s life is surrendered to Dionysian rhythm, another life sinks into it, as if it where his abyssal roots surfacing. The 'wild host' Furies, Erinyes, and suchlike spiritual natures are symbolic picturings of this energy, thus corresponding to a manifestation of the daimon in its terrifying and active transcendence. At a higher level we find sacred war-games; higher still, war itself. And this brings us back to the ancient Aryan concept of battle and the warrior ascetic. At the climax of danger and heroic battle, the possibility for such an extraordinary experience was recognized. The Lating ludere, meaning both 'to play' and 'to fight', seems to contain the idea of release. This is one of the many allusions to the inherent ability of battle to release deeply-buried powers from individual limitations and let them freely emerge. Hence the third comparison: the daimon, the Lar, the individualizing I, etc., are not only identical with the Furies, Erinyes, and other unleashed Dionysian natures, which themselves have many traits similar to the goddess of death — they are also synonymous with the storm maidens of battle, the Valkyries and Fravartis. In the texts, for example, the Fravartis are called 'the terrible, the all-powerful', 'those who attack in storm and bestow victory upon those who conjure them', or, more precisely, those who conjure them up in themselves. From there to the final comparison is only a short step. In the Aryan tradition the same martial beings eventually take on the form of victory-goddesses, a transformation which denotes the happy completion of the inner experience in question. Just as the daimon or doppelgänger signifies a deep, supra-individual power in its latent condition as compared to ordinary consciousness; just as the Furies and Erinyes reflect a particular manifestation of daimonic rages and eruptions (and the goddesses of death, Valkyries, Fravartis, etc., refer to the same conditions, as long as these are facilitated by battle and heroism) — in the same way the goddess of victory is the expression of the triumph of the I over this power. She signifies the victorious ascent to a state unendangered by ecstasies and sub-personal forms of disintegration, a danger that always lurks behind the frenetic moment of Dionysian and even heroic action. The ascent to a spiritual, truly supra-personal condition that makes one free, immortal, and internally indestructible, when the 'Two becomes One', expresses itself in this image of mythical consciousness.