Go Forth And Be Great Quotes

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The Standard of Truth has been erected; no unhallowed hand can stop the work from progressing; persecutions may rage, mobs may combine, armies may assemble, calumny may defame, but the truth of God will go forth boldly, nobly, and independent, till it has penetrated every continent, visited every clime, swept every country, and sounded in every ear, till the purposes of God shall be accomplished, and the Great Jehovah shall say the work is done.
Joseph Smith Jr.
I will hold your secret and say prayers to the goddesses for your success. Go forth, and do great things, young guardian.
Tricia Copeland (To be a Fae Guardian (Realm Chronicles, #2))
Let’s go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we won’t be disappointed.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
And I imagine... with great pleasure... all the horrible stirrings of the nonmanifested to bring forth the scream which creates the universe. Maybe one day I'll see you trembling, and you'll go into convulsion and grow larger and smaller until your mouth opens and the world will come from your mouth, escaping through the window like a river, and it will flood the city. And then we'll begin to live.
Alejandro Jodorowsky
These wonderful narrations inspired me with strange feelings. Was man, indeed, at once so powerful, so virtuous and magnificent, yet so vicious and base? He appeared at one time a mere scion of the evil principle, and at another as all that can be conceived of noble and godlike. To be a great and virtuous man appeared the highest honour that can befall a sensitive being; to be base and vicious, as many on record have been, appeared the lowest degradation, a condition more abject than that of the blind mole or harmless worm. For a long time I could not conceive how one man could go forth to murder his fellow, or even why there were laws and governments; but when I heard details of vice and bloodshed, my wonder ceased, and I turned away with disgust and loathing.
Mary Wollstonecraft Shelley (Frankenstein)
Next, the secretary advised me to take a seat while she notified the headmaster of my arrival. During those dreadful moments I did everything I could to remain calm. Nervously, I kept patting my foot to the floor and heard each and every tap. Suddenly, shouts of extreme havoc rung out just like the other times! “Oh God no! Jesus, please help me Lawd! I got you, Sir, I got you,” were screams filling the airwaves. The door opened and a battered female raced rightpast me with her hands covering her face. She kept mumbling phrases that shouldn’t be repeated by innocent lips. I couldn’t believe those disgusting words coming out of her baby-sized mouth. Then damn, another nightmare was possibly moments away. I needed an out and fast. Fearing for my life, I formulated my plan of action. Right before Principal Shellshock steadies his paddle, I was going to blow out all the gas I reserved in my little butt. I was never a fan of the fart game, but I was scheming like a veteran. That’s all I had, and it was my “A game.” My intentions were to rip a good hard one that opens my belt, ruffles my pants, and sends my new shoes flyingacross the room. Then all options would be left to the principal. He could chance tearing into me and losing a lung or take cover and let me go. Punishing me will become a hazard to his health. For the moment, I felt really good about that notion. I didn’t have much else to cling to, but I was dangerously packing breakfast from Aunt Kathy. Yes, I was sure my stink bomb defense would win that day. According to past reports, I would be the first and only kid at Mitchell Memorial to get on the scoreboard against the headmaster. Make that, Hal “1” and Principal Shell Shock “0.
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
New eyes awaken. I send Love's name into the world with wings And songs grow up around me like a jungle. Choirs of all creatures sing the tunes Your Spirit played in Eden. Zebras and antelopes and birds of paradise Shine on the face of the abyss And I am drunk with the great wilderness Of the sixth day in Genesis. But sound is never half so fair As when that music turns to air And the universe dies of excellence. Sun, moon and stars Fall from their heavenly towers. Joys walk no longer down the blue world's shore. Though fires loiter, lights still fly on the air of the gulf, All fear another wind, another thunder: Then one more voice Snuffs all their flares in one gust. And I go forth with no more wine and no more stars And no more buds and no more Eden And no more animals and no more sea: While God sings by himself in acres of night And walls fall down, that guarded Paradise.
Thomas Merton
Be not defeated by the rain, Nor let the wind prove your better. Succumb not to the snows of winter. Nor be bested by the heat of summer. Be strong in body. Unfettered by desire. Not enticed to anger. Cultivate a quiet joy. Count yourself last in everything. Put others before you. Watch well and listen closely. Hold the learned lessons dear. A thatch-roof house, in a meadow, nestled in a pine grove's shade. A handful of rice, some miso, and a few vegetables to suffice for the day. If, to the East, a child lies sick: Go forth and nurse him to health. If, to the West, an old lady stands exhausted: Go forth, and relieve her of burden. If, to the South, a man lies dying: Go forth with words of courage to dispel his fear. If, to the North, an argument or fight ensues: Go forth and beg them stop such a waste of effort and of spirit. In times of drought, shed tears of sympathy. In summers cold, walk in concern and empathy. Stand aloof of the unknowing masses: Better dismissed as useless than flattered as a "Great Man". This is my goal, the person I strive to become.
Kenji Miyazawa (雨ニモマケズ [Ame ni mo Makezu])
Was man, indeed, at once so powerful, so virtuous and magnificent, yet so vicious and base? He appeared at one time a mere scion of the evil principle and at another as all that can be conceived of noble and godlike. To be a great and virtuous man appeared the highest honour that can befall a sensitive being; to be base and vicious, as many on record have been, appeared the lowest degradation, a condition more abject than that of the blind mole or harmless worm. For a long time I could not conceive how one man could go forth to murder his fellow, or even why there were laws and governments; but when I heard details of vice and bloodshed, my wonder ceased and I turned away with disgust and loathing.
Mary Wollstonecraft Shelley (Frankenstein)
The Trial By Existence Even the bravest that are slain Shall not dissemble their surprise On waking to find valor reign, Even as on earth, in paradise; And where they sought without the sword Wide fields of asphodel fore’er, To find that the utmost reward Of daring should be still to dare. The light of heaven falls whole and white And is not shattered into dyes, The light for ever is morning light; The hills are verdured pasture-wise; The angel hosts with freshness go, And seek with laughter what to brave;— And binding all is the hushed snow Of the far-distant breaking wave. And from a cliff-top is proclaimed The gathering of the souls for birth, The trial by existence named, The obscuration upon earth. And the slant spirits trooping by In streams and cross- and counter-streams Can but give ear to that sweet cry For its suggestion of what dreams! And the more loitering are turned To view once more the sacrifice Of those who for some good discerned Will gladly give up paradise. And a white shimmering concourse rolls Toward the throne to witness there The speeding of devoted souls Which God makes his especial care. And none are taken but who will, Having first heard the life read out That opens earthward, good and ill, Beyond the shadow of a doubt; And very beautifully God limns, And tenderly, life’s little dream, But naught extenuates or dims, Setting the thing that is supreme. Nor is there wanting in the press Some spirit to stand simply forth, Heroic in its nakedness, Against the uttermost of earth. The tale of earth’s unhonored things Sounds nobler there than ’neath the sun; And the mind whirls and the heart sings, And a shout greets the daring one. But always God speaks at the end: ’One thought in agony of strife The bravest would have by for friend, The memory that he chose the life; But the pure fate to which you go Admits no memory of choice, Or the woe were not earthly woe To which you give the assenting voice.’ And so the choice must be again, But the last choice is still the same; And the awe passes wonder then, And a hush falls for all acclaim. And God has taken a flower of gold And broken it, and used therefrom The mystic link to bind and hold Spirit to matter till death come. ‘Tis of the essence of life here, Though we choose greatly, still to lack The lasting memory at all clear, That life has for us on the wrack Nothing but what we somehow chose; Thus are we wholly stripped of pride In the pain that has but one close, Bearing it crushed and mystified.
Robert Frost
Cathy, don't look so defeated. She was only trying to put us down again. Maybe nothing did work out right for her, but that doesn't mean we are doomed. Let's go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we won't be disappointed.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
Our waking life's desire to shape the world to our convenience invites all manner of paradox and difficulty. All in our custody seethes with an inner restlessness. But in dreams we stand in this great democracy of the possible and there we are right pilgrims indeed. There we go forth to meet what we shall meet.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Let’s go forth tomorrow with no great expectations of finding perfection.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
I dreamed of going to the top of Mount Elum like Alexander the Great to touch Jupiter and even beyond the valley. But, as I watched my brother running across the roof, flying their kites and skillfully flicking the strings back and forth to cut each other's down, I wondered hoe free a daughter could ever be.
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
These scars on my body,” Alexander declared, “were got for you, my brothers. Every wound, as you see, is in the front. Let that man stand forth from your ranks who has bled more than I, or endured more than I for your sake. Show him to me, and I will yield to your weariness and go home.” Not a man came forward. Instead, a great cheer arose from the army. The men begged their king to forgive them for their want of spirit and pleaded with him only to lead them forward.
Steven Pressfield (The Afghan Campaign)
Cathy, don't look so defeated. She was only trying to put us down again. Maybe nothing did work out right for her, but that doesn't mean we are doomed. Let's go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we won't be disappointed." If a little hill of happiness would satisfy Chris, good for him. But after all these years of striving, hoping, dreaming, longing-I wanted a mountain high! A hill wasn't enough. From this day forward, I vowed to myself, I was in control of my life. Not fate, not God, not even Chris was ever again going to tell me what to do, or dominate me in any way. From this day forward, I was my own person, to take what I would, when I would, and I would answer only to myself. I'd been kept prisoner, held captive by greed. I'd been betrayed, deceived, tied to, used, poisoned ... but all that was over now.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each. Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime. There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful. If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love: To Gaylene deceased To Ray deceased To Francy permanent psychosis To Kathy permanent brain damage To Jim deceased To Val massive permanent brain damage To Nancy permanent psychosis To Joanne permanent brain damage To Maren deceased To Nick deceased To Terry deceased To Dennis deceased To Phil permanent pancreatic damage To Sue permanent vascular damage To Jerri permanent psychosis and vascular damage . . . and so forth. In Memoriam. These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.
Philip K. Dick (A Scanner Darkly)
Usually, even a non-Christian knows something about the earth, the heavens, and the other elements of the world, about the motion and orbit of the stars and even their size and relative positions, about the predictable eclipses of the sun and moon, the cycles of the years and the seasons, about the kinds of animals, shrubs, stones, and so forth, and this knowledge he holds to as being certain from reason and experience. Now, it is a disgraceful and dangerous thing for an infidel to hear a Christian, presumably giving the meaning of Holy Scripture, talking nonsense on these topics; and we should take all means to prevent such an embarrassing situation, in which people show up vast ignorance in a Christian and laugh it to scorn. The shame is not so much that an ignorant individual is derided, but that people outside the household of faith think our sacred writers held such opinions, and, to the great loss of those for whose salvation we toil, the writers of our Scripture are criticized and rejected as unlearned men. If they find a Christian mistaken in a field which they themselves know well and hear him maintaining his foolish opinions about our books, how are they going to believe those books in matters concerning the resurrection of the dead, the hope of eternal life, and the kingdom of heaven, when they think their pages are full of falsehoods on facts which they themselves have learnt from experience and the light of reason? Reckless and incompetent expounders of Holy Scripture bring untold trouble and sorrow on their wiser brethren when they are caught in one of their mischievous false opinions and are taken to task by those who are not bound by the authority of our sacred books. For then, to defend their utterly foolish and obviously untrue statements, they will try to call upon Holy Scripture for proof and even recite from memory many passages which they think support their position, although they understand neither what they say nor the things about which they make assertion [quoting 1 Tim 1:7].
Augustine of Hippo (The Literal Meaning of Genesis, Vol 2 (De Genesi ad litteram))
What is needed is this, and this alone: solitude, great inner loneliness. Going into oneself and not meeting anyone for hours – that is what one must arrive at. Loneliness of the kind one knew as a child, when the grown-ups went back and forth bound up in things which seemed grave and weighty because they looked so busy, and because one had no idea what they were up to. And when one day you realise that their preoccupations are meagre, their professions barren and no longer connected to life, why not continue to look on them like a child, as if on something alien, drawing on the depths of your own world, on the expanse of your own solitude, which itself is work and achievement and a vocation? Why wish to exchange a child’s wise incomprehension for rejection and contempt, when incomprehension is solitude, whereas rejection and contempt are ways of participating in what, by precisely these means, you want to sever yourself from?
Rainer Maria Rilke (Letters to a Young Poet)
There is a sign on the gate of this [BYU] campus that reads: 'Enter to learn; go forth to serve.' I invite you, every one of you, to make that your motto. Mediocrity will never do. You are capable of something better. Give it your very best. You will never again have such an opportunity. Pray about it. Work at it. Make it happen. Drink in the great knowledge here to be obtained from this dedicated faculty. Qualify yourselves for the work of the world that lies ahead. It will largely compensate you in terms of what it thinks you are worth. Walk the high road of charity, respect, and love for others and particularly those who are less fortunate.
Gordon B. Hinckley
When I get nervous, I go to the library and hang around. The libraries are filled with people who are nervous. You can blend in with them there. You're bound to see someone more nervous than you are in a library. Sometimes the librarians themselves are more nervous than you are. I'll probably be a librarian for that reason. Then if I'm nervous on the job, it won't show. I'll just stamp books and look things up for people and run back and forth to the staff room sneaking smokes until I get hold of myself. A library is a great place to hid.
M.E. Kerr (Dinky Hocker Shoots Smack!)
Rightly to be great Is not to stir without great argument, But greatly to find quarrel in a straw When honor’s at the stake. How stand I then, That have a father killed, a mother stained, Excitements of my reason and my blood, And let all sleep—while, to my shame, I see The imminent death of twenty thousand men, That for a fantasy and trick of fame Go to their graves like beds, fight for a plot Whereon the numbers cannot try the cause, Which is not tomb enough and continent To hide the slain? Oh, from this time forth, My thoughts be bloody, or be nothing worth!
William Shakespeare (Hamlet)
Love, prayer and miracles go hand in hand. Every great master who has come forth to teach humanity has spoken of love.
Susan Barbara Apollon (Touched by the Extraordinary)
Our own humble and meek ones, fasters and keepers of silence, will arise and go forth for a great deed.
Fyodor Dostoevsky (The Brothers Karamazov)
Reflections of love, compassion and great empathy. Love is the only thing that is real. Believe in its magic that allows your heart to soar-Go forth, carry on and feel.
Maria Teresa Pratico (My Soul's Dance, Accepting the Shadows while Embracing the Light: Poems about Death and Rebirth)
There is a great deal of illusion in a work of art; one could go farther and say that it is illusory in and of itself, as a "work." Its ambition is to make others believe that it was not made but rather simply arose, burst forth from Jupiter's head like Pallas Athena fully adorned in enchased armor. But that is only a pretense. No work has ever come into being that way. It is indeed work, artistic labor for the purpose of illusion-and now the question arises whether, given the current state of our consciousness, our comprehension, and our sense of truth, the game is still permissible, still intellectually possible, can still be taken seriously; whether the work as such, as a self-sufficient and harmonically self-contained structure, still stands in a legitimate relation to our problematical social condition, with its total insecurity and lack of harmony; whether all illusion, even the most beautiful, and especially the most beautiful, has not become a lie today.
Thomas Mann (Doctor Faustus)
Frida. So after all, it is not for nothing that I was born a poet. For now she is going forth into the great wide world, that I once yearned so passionately to see. Little Frida sets out in a splendid covered sledge with silver bells on the harness——
Henrik Ibsen (John Gabriel Borkman)
What sorrow is like to the sorrow of one who is alone? Once I dwelt in the company of the king I loved well, And my arm was heavy with the weight of the rings he gave, And my heart weighed down with the gold of his love. The face the king is like the sun to those who surrounded,. But now my heart is empty And I wander along throughout the world. The groves take on their blossoms, The trees and meadows grow fair But the cuckoo, saddest of singers, Cries forth the only sorrow of the exile, And now my heart hoes wandering, In search of what I shall never see more; All faces are alike to me if I cannot see the face of my king, And all countries are alike to me When I cannot see the fair fields and meadows of my home. So I shall arise and follow my heart in its wandering For what is the fair meadow of home to me When I cannot see the face of my king And the weight on my arm is but a band of gold When the heart is empty of the weight of love. And so I shall go roaming Over the fishers' road And the road of the great whale And beyond the country of the wave With none to bear me company But the memory of those I loved And the songs I sang out of a full heart, And the cuckoo's cry in memory.
Marion Zimmer Bradley (The Prisoner in the Oak (The Mists of Avalon, #4))
Early the next morning I was astir. Considerable freedom was allowed me, as Sola had informed me that so long as I did not attempt to leave the city I was free to go and come as I pleased. She had warned me, however, against venturing forth unarmed, as this city, like all other deserted metropolises of an ancient Martian civilization, was peopled by the great white apes of my second day's adventure.
Edgar Rice Burroughs (A Princess of Mars (Barsoom, #1))
We are the poem's ancient band of twelve that proceeds through the ages. There were twelve of us, when we ruled the world on the cloud-covered top of Olympus, and twelve when we lived as birds in Ygdrasil's green crown. Wherever poetry went forth, there we followed. Did we not sit, twelve men strong, at King Arthur's round table, and did twelve paladins not go in Charles the Twelfth's great army? On of us has been Thor, another Jupiter, as any man should be able to see in us yet today. The divine splendor can be sensed under the rags, the lion's mane under the donkey hide. Time has treated us badly, but when we are there, the smithy becomes Mount Olympus and the cavalier's wing a Valhalla.
Selma Lagerlöf (Gösta Berling's Saga)
Whatever variety evolution brings forth... Every new dimension of world-response...means another modality for God's trying out his hidden essence and discovering himself through the surprises of world-adventure...the heightening pitch and passion of life that go with the twin rise of perception and motility in animals. The ever more sharpened keenness of appetite and fear, pleasure and pain, triumph and anguish, love and even cruelty - their very edge is the deity's gain. Their countless, yet never blunted incidence - hence the necessity of death and new birth - supplies the tempered essence from which the Godhead reconstitutes itself. All this, evolution provides in the mere lavishness of its play and sternness of its spur. Its creatures, by merely fulfilling themselves in pursuit of their lives, vindicate the divine venture. Even their suffering deepens the fullness of the symphony. Thus, this side of good and evil, God cannot lose in the great evolutionary game.
Hans Jonas
We are the music makers And we are the dreamers of dreams, Wandering by lonely sea-breakers, And sitting by desolate streams; World losers and world forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world, forever, it seems. With wonderful deathless ditties We build up with world’s great cities, And out of a fabulous story We fashion an empire’s glory: One man with a dream, at pleasure Shall go forth and conquer a crown; And three with a new song’s measure Can trample an empire down. We in the ages lying, In the buried past of the earth, Built Nineveh with our sighing, And Babel itself with our mirth.
N.H. Kleinbaum (Dead Poets Society)
A child is born with no state of mind Blind to the ways of mankind God is smilin' on you but he's frownin' too Because only God knows what you'll go through You'll grow in the ghetto livin' second-rate And your eyes will sing a song called deep hate The places you play and where you stay Looks like one great big alleyway You'll admire all the number-book takers Thugs, pimps and pushers and the big money-makers Drivin' big cars, spendin' twenties and tens And you'll wanna grow up to be just like them, huh Smugglers, scramblers, burglars, gamblers Pickpocket peddlers, even panhandlers You say I'm cool, huh, I'm no fool But then you wind up droppin' outta high school Now you're unemployed, all non-void Walkin' round like you're Pretty Boy Floyd Turned stick-up kid, but look what you done did Got sent up for a eight-year bid Now your manhood is took and you're a Maytag Spend the next two years as a undercover fag Bein' used and abused to serve like hell 'til one day, you was found hung dead in the cell It was plain to see that your life was lost You was cold and your body swung back and forth But now your eyes sing the sad, sad song Of how you lived so fast and died so young
Grandmaster Flash
Having read little poetry or other prettified writing, I was free of the pretensions it takes to view your own situation as a novel, to go dashing back and forth across the novelistic landscape making a great show of your pain and sorrow, all the while observing your own pitiful state from a place apart and gushing over how terribly poetic it is.
Natsume Sōseki (The Miner)
In regard to the memory, we must unlearn a great deal: here we meet with the greatest temptation to assume the existence of a 'soul,' which, irrespective of time, reproduces and recognises again and again, etc. What I have experienced, however, continues to live 'in the memory'; I have nothing to do with it when memory 'comes,' my will is inactive in regard to it, as in the case of the coming and going of a thought. Something happens, of which I become conscious: now something similar comes — who has called it forth? Who has awakened it?
Friedrich Nietzsche (The Will to Power)
On Becoming Who You Are Wherever you’ve been, and whatever you’ve done so far, your entire life was building up to this moment. Now is the time to burst forth into your greatness, a greatness you could never have achieved without going through exactly the things you’ve gone through. Everything you’ve experienced was grist for the mill by which you have become who you are. As low as you might have descended, in God there are no limits to how high you can go now. It is not too late. You are not too damaged. In fact, you are better than you know.
Marianne Williamson (A Year of Miracles: Daily Devotions and Reflections (The Marianne Williamson Series))
The other wives and I talked together one night about the possibility of becoming widows. What would we do? God gave us peace of heart, and confidence that whatever might happen, His Word would hold. We knew that 'when He Putteth forth His sheep, He goeth before them.' God's leading was unmistakable up to this point. Each of us knew when we married our husbands that there would never be any question about who came first -- God and His work held held first place in each life. It was the condition of true discipleship; it became devastatingly meaningful now. It was a time for soul-searching, a time for counting the possible cost. Was it the thrill of adventure that drew our husbands on? No. Their letters and journals make it abundantly clear that these men did not go out as some men go out to shoot a lion or climb a mountain. Their compulsion was from a different source. Each had made a personal transaction with God, recognising that he belonged to God, first of all by creation, and secondly by redemption through the death of His Son, Jesus Christ. This double claim on his life settled once and for all the question of allegiance. It was not a matter of striving to follow the example of a great Teacher. To conform to the perfect life of Jesus was impossible for a human being. To these men, Jesus Christ was God, and had actually taken upon Himself human form, in order that He might die, and, by His death, provide not only escape from the punishment which their sin merited, but also a new kind of life, eternal both in length and in quality. This meant simply that Christ was to be obeyed, and more than that, that. He would provide the power to obey
Elisabeth Elliot (Through Gates of Splendor)
There will be peaks of great joy from which to crow and vales of tears out of which to climb. When and why they will happen, no one can say, but they will happen. To all of us. We will all go back and forth from one to the other countless times during a lifetime. This is not some call to bipartisanship between inimical sides. The Happy and the Sad are the same population.
David Rakoff (Half Empty)
You’re . . .” I search for the right word. It’s rare that my vocabulary fails me like this. “Organized.” His eyes crackle with light as he laughs. “Organized?” “Extremely,” I deadpan. “Not to mention thorough.” “You make me sound like a contract,” he says, amused. “And you know how I feel about a good contract,” I say. His smirk pulls higher. “Actually, I only know how you feel about a bad one, written on a damp napkin.” He lies back fully on the mattress, and I do too, leaving a healthy gap between us. “A good contract is . . .” I think for a moment. “Adorable?” Charlie supplies, teasing. “No.” “Comely?” “At bare minimum,” I say. “Charming?” “Sexy as hell,” I reply. “Irresistible. It’s a list of great traits and working compromises that watch out for all parties involved. It’s . . . satisfying, even when it’s not what you expected, because you work for it. You go back and forth until every detail is just how it needs to be.
Emily Henry (Book Lovers)
True imagination and creativity don’t come from thinking outside the box or letting ourselves go wild, just as true spontaneity does not come from dancing on a table on the weekend while you remain in your tedious job. They don’t come out of great disruptive moments that break forth from an otherwise ordinary, drab life. They are part and parcel of how we live our every day; all moments can be creative and spontaneous when we experience the entire world as an open and expansive place. We get there by constantly cultivating our ability to imagine transcending our own experience.
Michael Puett (The Path: What Chinese Philosophers Can Teach Us About the Good Life)
Some things are too great to come at directly. Just as we may weave back and forth as we climb a hill, and appear to be going round in circles, yet all the while are coming closer to the summit, so in our religious and spiritual life things may seem circuitous; we may think we have come back to the same spot, but always, if we press on, it is a little higher, a little closer to the truth.
Malcolm Guite (The Word in the Wilderness)
I had a copy of the Soviet Constitution and I read it with great interest. And I saw all kinds of terms in there that sound just exactly like our own: 'Freedom of assembly' and 'freedom of speech' and so forth. Of course, they don't allow them to have those things, but they're in there in the constitution. But I began to wonder about the other constitutions - everyone has one - and our own, and why so much emphasis on ours. And then I found out, and the answer was very simple - that's why you don't notice it at first. But it is so great that it tells the entire difference. All those other constitutions are documents that say, 'We, the government, allow the people the following rights,' and our Constitution says 'We the People, allow the government the following privileges and rights.' We give our permission to government to do the things that it does. And that's the whole story of the difference - why we're unique in the world and why no matter what our troubles may be, we're going to overcome.
Ronald Reagan
The art of reasoned persuasion is an iterative, recursive heuristic, meaning that we must go back and forth between the facts and the rules until we have a good fit. We cannot see the facts properly until we know what framework to place them into, and we cannot determine what framework to place them into until we see the basic contours of the facts. The great economist Friedrich Hayek said, “Without a theory, the facts are silent.
Joel P. Trachtman (The Tools of Argument: How the Best Lawyers Think, Argue, and Win)
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
William Cullen Bryant (Thanatopsis)
Summer days, and the flat water meadows and the blue hills in the distance, and the willows up the backwater and the pools underneath like a kind of deep green glass. Summer evenings, the fish breaking the water, the nightjars hawking round your head, the smell of nightstocks and latakia. Don’t mistake what I’m talking about. It’s not that I’m trying to put across any of that poetry of childhood stuff. I know that’s all baloney. Old Porteous (a friend of mine, a retired schoolmaster, I’ll tell you about him later) is great on the poetry of childhood. Sometimes he reads me stuff about it out of books. Wordsworth. Lucy Gray. There was a time when meadow, grove, and all that. Needless to say he’s got no kids of his own. The truth is that kids aren’t in any way poetic, they’re merely savage little animals, except that no animal is a quarter as selfish. A boy isn’t interested in meadows, groves, and so forth. He never looks at a landscape, doesn’tgive a damn for flowers, and unless they affect him in some way, such as being good to eat, he doesn’t know one plant from another. Killing things - that’s about as near to poetry as a boy gets. And yet all the while there’s that peculiar intensity, the power of longing for things as you can’t long when you’re grown up, and the feeling that time stretches out and out in front of you and that whatever you’re doing you could go on for ever.
George Orwell (Coming up for Air)
April 26—I know I shouldn’t hang around the college when I’m through at the lab, but seeing the young men and women going back and forth carrying books and hearing them talk about all the things they’re learning in their classes excites me. I wish I could sit and talk with them over coffee in the Campus Bowl Luncheonette when they get together to argue about books and politics and ideas. It’s exciting to hear them talking about poetry and science and philosophy—about Shakespeare and Milton; Newton and Einstein and Freud; about Plato and Hegel and Kant, and all the other names that echo like great church bells in my mind. Sometimes I listen in on the conversations at the tables around me, and pretend I’m a college student, even though I’m a lot older than they are. I carry books around, and I’ve started to smoke a pipe. It’s silly, but since I belong at the lab I feel as if I’m a part of the university. I hate to go home to that lonely room.   April
Daniel Keyes (Flowers for Algernon)
Therefore the Way that is sagely within and kingly without has fallen into darkness and is no longer clearly perceived, has become shrouded and no longer shines forth. The men of the world all follow their own desires and make these their “doctrine.” How sad!—the hundred schools going on and on instead of turning back, fated never to join again. The scholars of later ages have unfortunately never perceived the purity of Heaven and earth, the great body of the ancients, and “the art of the Way” in time comes to be rent and torn apart by the world.
Zhuangzi
Somehow the realization that nothing was to be hoped for had a salutary effect upon me. For weeks and months, for years, in fact, all my life I had been looking forward to something happening, some intrinsic event that would alter my life, and now suddenly, inspired by the absolute hopelessness of everything, I felt relieved, felt as though a great burden had been lifted from my shoulders. At dawn I parted company with the young Hindu, after touching him for a few francs, enough for a room. Walking toward Montparnasse I decided to let myself drift with the tide, to make not the least resistance to fate, no matter in what form it presented itself. Nothing that had happened to me thus far had been sufficient to destroy me; nothing had been destroyed except my illusions. I myself was intact. The world was intact. Tomorrow there might be a revolution, a plague, an earthquake; tomorrow there might not be left a single soul to whom one could turn for sympathy, for aid, for faith. It seemed to me that the great calamity had already manifested itself, that I could be no more truly alone than at this very moment. I made up my mind that I would hold on to nothing, that I would expect nothing, that henceforth I would live as an animal, a beast of prey, a rover, a plunderer. Even if war were declared, and it were my lot to go, I would grab the bayonet and plunge it, plunge it up to the hilt. And if rape were the order of the day then rape I would, and with a vengeance. At this very moment, in the quiet dawn of a new day, was not the earth giddy with crime and distress? Had one single element of man's nature been altered, vitally, fundamentally altered, by the incessant march of history? By what he calls the better part of his nature, man has been betrayed, that is all. At the extreme limits of his spiritual being man finds himself again naked as a savage. When he finds God, as it were, he has been picked clean: he is a skeleton. One must burrow into life again in order to put on flesh. The word must become flesh; the soul thirsts. On whatever crumb my eye fastens, I will pounce and devour. If to live is the paramount thing, then I will live, even if I must become a cannibal. Heretofore I have been trying to save my precious hide, trying to preserve the few pieces of meat that hid my bones. I am done with that. I have reached the limits of endurance. My back is to the wall; I can retreat no further. As far as history goes I am dead. If there is something beyond I shall have to bounce back. I have found God, but he is insufficient. I am only spiritually dead. Physically I am alive. Morally I am free. The world which I have departed is a menagerie. The dawn is breaking on a new world, a jungle world in which the lean spirits roam with sharp claws. If I am a hyena I am a lean and hungry one: I go forth to fatten myself.
Henry Miller (Tropic of Cancer (Tropic, #1))
He says, That’s great. My grace covers your guilt. My grace changes your shame. I want you to become a leader in My church. I want you to feed My sheep. I want you to be a part of My mission. I want you to love God and love other people in My name. You do not have to sit in the back row for the rest of your life. You do not have to live in the shadows. You don’t have to build protective walls around yourself. You don’t have to hide from the people who love you and care for you. They’ll help love you and restore your integrity, and your call is to help take My name to the world, and I want you in the front row on that mission. You are My chosen instrument to carry forth the plans and purposes of God. You are not going to live defined by shame or guilt. You are going to live defined by Me. Since you love Me, let’s not go backward. Let’s go forward, together.
Louie Giglio (Don't Give the Enemy a Seat at Your Table: It's Time to Win the Battle of Your Mind...)
Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.
Robert Louis Stevenson (Treasure Island)
And he said, Go forth, and stand upon the mount before the Lord. And, behold, the Lord passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; but the Lord was not in the wind: and after the wind an earthquake; but the Lord was not in the earthquake: 12 And after the earthquake a fire; but the Lord was not in the fire: and after the fire a still small voice. 13 And it was so, when Elijah heard it, that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And, behold, there came a voice unto him, and said, What doest thou here, Elijah?
Anonymous
It was no ill simile by which Plato set forth the unreasonableness of a philosopher’s meddling with government.  ‘If a man,’ says he, ‘were to see a great company run out every day into the rain and take delight in being wet—if he knew that it would be to no purpose for him to go and persuade them to return to their houses in order to avoid the storm, and that all that could be expected by his going to speak to them would be that he himself should be as wet as they, it would be best for him to keep within doors, and, since he had not influence enough to correct other people’s folly, to take care to preserve himself.’ “Though,
Thomas More (Utopia)
Lo, I am with you always, even unto the end of the age.” Note the “I Am.” In the Greek it is the strongest possible form of expression – Ego Eimi. Both ego and eimi mean “I am” but the former puts the emphasis on the “I” while the latter puts it on the “am.” Taken together they are the strongest Greek form to express the name of God as the great “I AM.” That is how the risen Christ here refers to Himself. “Lo, I AM with you!” But there is a lovely feature in the Greek construction here which does not reveal itself in our English translation. It reads like this: “And lo, I with you AM…” You and I dear fellow believer, are in between the “I” and the “AM.” He is not only with us, He is all around us. Not only now and then, but “always” which literally translated is, “all the days” … this day, this hour, this moment. Why, when we reflect on it, were not our Lord’s sudden appearings & disappearings during the 40 days between His resurrection and His ascension meant to teach those early disciples (and ourselves) this very thing, that even when He is invisible He is none the less present, hearing, watching, knowing, sympathizing, overruling? Let us never forget that the special promise of His presence is given in connection with our going forth as winners of others to Him.
J. Sidlow Baxter (Baxter's Explore the Book)
I don’t read the Bible like a flat line. I don’t see all of the passages in the Bible sitting equally side by side so that you can pick one and then counter it with another and go back and forth endlessly, endlessly leading you to the barbaric and violent and random nature of life—and God. I read it looking for what the story is doing, what’s happening within it. What new perspective is emerging? What new idea is being presented? What sense is being heightened? The stories in the Bible—and the Bible itself—have an arc, a trajectory, a movement and momentum like all great stories have. There are earlier parts in the story, and there are later parts in the story. The story is headed somewhere.
Rob Bell (What Is the Bible?: How an Ancient Library of Poems, Letters, and Stories Can Transform the Way You Think and Feel About Everything)
The Heiligenstadt Testament" Oh! ye who think or declare me to be hostile, morose, and misanthropical, how unjust you are, and how little you know the secret cause of what appears thus to you! My heart and mind were ever from childhood prone to the most tender feelings of affection, and I was always disposed to accomplish something great. But you must remember that six years ago I was attacked by an incurable malady, aggravated by unskillful physicians, deluded from year to year, too, by the hope of relief, and at length forced to the conviction of a lasting affliction (the cure of which may go on for years, and perhaps after all prove impracticable). Born with a passionate and excitable temperament, keenly susceptible to the pleasures of society, I was yet obliged early in life to isolate myself, and to pass my existence in solitude. If I at any time resolved to surmount all this, oh! how cruelly was I again repelled by the experience, sadder than ever, of my defective hearing! — and yet I found it impossible to say to others: Speak louder; shout! for I am deaf! Alas! how could I proclaim the deficiency of a sense which ought to have been more perfect with me than with other men, — a sense which I once possessed in the highest perfection, to an extent, indeed, that few of my profession ever enjoyed! Alas, I cannot do this! Forgive me therefore when you see me withdraw from you with whom I would so gladly mingle. My misfortune is doubly severe from causing me to be misunderstood. No longer can I enjoy recreation in social intercourse, refined conversation, or mutual outpourings of thought. Completely isolated, I only enter society when compelled to do so. I must live like art exile. In company I am assailed by the most painful apprehensions, from the dread of being exposed to the risk of my condition being observed. It was the same during the last six months I spent in the country. My intelligent physician recommended me to spare my hearing as much as possible, which was quite in accordance with my present disposition, though sometimes, tempted by my natural inclination for society, I allowed myself to be beguiled into it. But what humiliation when any one beside me heard a flute in the far distance, while I heard nothing, or when others heard a shepherd singing, and I still heard nothing! Such things brought me to the verge of desperation, and well-nigh caused me to put an end to my life. Art! art alone deterred me. Ah! how could I possibly quit the world before bringing forth all that I felt it was my vocation to produce? And thus I spared this miserable life — so utterly miserable that any sudden change may reduce me at any moment from my best condition into the worst. It is decreed that I must now choose Patience for my guide! This I have done. I hope the resolve will not fail me, steadfastly to persevere till it may please the inexorable Fates to cut the thread of my life. Perhaps I may get better, perhaps not. I am prepared for either. Constrained to become a philosopher in my twenty-eighth year! This is no slight trial, and more severe on an artist than on any one else. God looks into my heart, He searches it, and knows that love for man and feelings of benevolence have their abode there! Oh! ye who may one day read this, think that you have done me injustice, and let any one similarly afflicted be consoled, by finding one like himself, who, in defiance of all the obstacles of Nature, has done all in his power to be included in the ranks of estimable artists and men. My brothers Carl and [Johann], as soon as I am no more, if Professor Schmidt be still alive, beg him in my name to describe my malady, and to add these pages to the analysis of my disease, that at least, so far as possible, the world may be reconciled to me after my death. I also hereby declare you both heirs of my small fortune (if so it may be called). Share it fairly, agree together and assist each other. You know that any
Ludwig van Beethoven
And are we not guilty of offensive disparagement in calling chess a game? Is it not also a science and an art, hovering between those categories as Muhammad’s coffin hovered between heaven and earth, a unique link between pairs of opposites: ancient yet eternally new; mechanical in structure, yet made effective only by the imagination; limited to a geometrically fixed space, yet with unlimited combinations; constantly developing, yet sterile; thought that leads nowhere; mathematics calculating nothing; art without works of art; architecture without substance – but nonetheless shown to be more durable in its entity and existence than all books and works of art; the only game that belongs to all nations and all eras, although no one knows what god brought it down to earth to vanquish boredom, sharpen the senses and stretch the mind. Where does it begin and where does it end? Every child can learn its basic rules, every bungler can try his luck at it, yet within that immutable little square it is able to bring forth a particular species of masters who cannot be compared to anyone else, people with a gift solely designed for chess, geniuses in their specific field who unite vision, patience and technique in just the same proportions as do mathematicians, poets, musicians, but in different stratifications and combinations. In the old days of the enthusiasm for physiognomy, a physician like Gall might perhaps have dissected a chess champion’s brain to find out whether some particular twist or turn in the grey matter, a kind of chess muscle or chess bump, is more developed in such chess geniuses than in the skulls of other mortals. And how intrigued such a physiognomist would have been by the case of Czentovic, where that specific genius appeared in a setting of absolute intellectual lethargy, like a single vein of gold in a hundredweight of dull stone. In principle, I had always realized that such a unique, brilliant game must create its own matadors, but how difficult and indeed impossible it is to imagine the life of an intellectually active human being whose world is reduced entirely to the narrow one-way traffic between black and white, who seeks the triumphs of his life in the mere movement to and fro, forward and back of thirty-two chessmen, someone to whom a new opening, moving knight rather than pawn, is a great deed, and his little corner of immortality is tucked away in a book about chess – a human being, an intellectual human being who constantly bends the entire force of his mind on the ridiculous task of forcing a wooden king into the corner of a wooden board, and does it without going mad!
Stefan Zweig (Chess)
At first I thought I saw the sun setting in the east . . . . Then I realized that what I saw was a full moon rising just as the sun was going down. Each of them was standing on its edge, with the most wonderful light between them. It seemed as if you could touch it, as if there were palpable currents of light passing back and forth, or if there were great taut skeins of light suspended between them. . . . We just stood there until the sun was down and the moon was up. They seemed to float on the horizon for quite a long time, I suppose because they were both so bright you couldn't get a clear look at them. And that grave, and my father and I, were exactly between them . . . . My father said, "I would never have thought this place could be beautiful. I'm glad to know that.
Marilynne Robinson (Gilead (Gilead, #1))
Heidi began to read of the son when he was happily at home, and went out into the fields with his father's flocks, and was dressed in a fine cloak, and stood leaning on his shepherd's staff watching as the sun went down, just as he was to be seen in the picture. But then all at once he wanted to have his own goods and money and to be his own master, and so he asked his father to give him his portion, and he left his home and went and wasted all his substance. And when he had nothing left he hired himself out to a master who had no flocks and fields like his father, but only swine to keep; and so he was obliged to watch these, and he only had rags to wear and a few husks to eat such as the swine fed upon. And then he thought of his old happy life at home and of how kindly his father had treated him and how ungrateful he had been, and he wept for sorrow and longing. And he thought to himself, "I will arise and go to my father, and will say to him, 'Father, I am not worthy to be called thy son; make me as one of thy hired servants.' " And when he was yet a great way off his father saw him . . . Here Heidi paused in her reading. "What do you think happens now, grandfather?" she said. "Do you think the father is still angry and will say to him, 'I told you so!' Well, listen now to what comes next." His father saw him, and had compassion, and ran, and fell on his neck and kissed him. And the son said to him, "Father, I have sinned against heaven and in thy sight, and am no more worthy to be called thy son." But the father said to his servants, "Bring forth the best robe, and put it on him; and put a ring on his hand and shoes on his feet: and bring hither the fatted calf and kill it; and let us eat and be merry, for this my son was dead and is alive again; he was lost and is found. And they began to be merry." "Isn't that a beautiful tale, grandfather," said Heidi, as the latter continued to sit without speaking, for she had expected him to express pleasure and astonishment.
Johanna Spyri (Heidi (Heidi, #1-2))
WE are the music-makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams; World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world for ever, it seems. With wonderful deathless ditties We build up the world's great cities, And out of a fabulous story We fashion an empire's glory: One man with a dream, at pleasure, Shall go forth and conquer a crown; And three with a new song's measure Can trample an empire down. We, in the ages lying In the buried past of the earth, Built Nineveh with our sighing, And Babel itself with our mirth; And o'erthrew them with prophesying To the old of the new world's worth; For each age is a dream that is dying, Or one that is coming to birth.
Arthur O'Shaughnessy.
You and I have found something few people ever do.Do you not understand, Matthew? I refuse to let your misguided nobility keep us apart.My life as a princess, or a peasant, is not worth living without you in it." "And mine is without you? I'm willing to go to Avalonia and be your blasted lapdog, if that will keep you in my life. Damn it all, Tatiana, I love you. I have loved you from the moment you went up in my balloon. From the moment I saw the tilt of your smile and the spark in your green eyes. From the first lie to the last, I have loved you. And I love you now!" "Then do stop screaming at me!" "I am not screaming! I am..." He stopped abruptly and blew a long, frustrated breath. Stark....raving...mad." "I suspected as much." The corners of her lips twitched as if she were about to laugh.His heart leapt. He stared at her for a long moment. "Can you forgive me?" "Never." She shrugged. "Perhaps. Possibly. Someday.Years from now." "After a great deal of groveling, I imagine?" He raised a brow. "Begging, beseeching, pleading and so forth as well, no doubt?" "Without question." "And how long do you expect the groveling, begging, beseeching and so forth would continue?" He started around the table toward her. "A lifetime should do." She cast him the look, and any lingering doubt he had vanished. "I see. Exactly where will I be doing this groveling, begging and beseeching?" He reached her and pulled her into his arms and back into his life. "Do not forget the so forth." She stared defiantly up at him. "I would never forget the so forth." He bent and kissd the hollow of her throat. "The so forth has always been my favorite part.Now,where?
Victoria Alexander (Her Highness, My Wife (Effingtons, #5))
There is only one solutide, and it is vast and not easy to bear and almost everyone has moments when they would happily exchange it for some form of company, be it ever so banal or trivial, for the illusion of some slight correspondence with whoever one happens to come across, however unworthy...But perhaps those are precisely the hours when solitude grows, for its growth is painful like the growth of boys and sad like the beginning of spring. But that must not put you off. What is needed is this, and this alone: solitude, great inner loneliness. Going into oneself and not meeting anyone for hours - that is what one must arrive at. Loneliness of the kind one knew as a child, when the grown-ups went back and forth bound up in things which seemed grave and weighty because they looked so busy, and because one had no idea what they were up to.
Rainer Maria Rilke (Letters to a Young Poet)
There is only one solitude, and it is vast and not easy to bear and almost everyone has moments when they would happily exchange it for some form of company, be it ever so banal or trivial, for the illusion of some slight correspondence with whoever one happens to come across, however unworthy...But perhaps those are precisely the hours when solitude grows, for its growth is painful like the growth of boys and sad like the beginning of spring. But that must not put you off. What is needed is this, and this alone: solitude, great inner loneliness. Going into oneself and not meeting anyone for hours - that is what one must arrive at. Loneliness of the kind one knew as a child, when the grown-ups went back and forth bound up in things which seemed grave and weighty because they looked so busy, and because one had no idea what they were up to.
Rainer Maria Rilke (Letters to a Young Poet)
We owe all to Jesus crucified. What is your life, my brethren, but the cross? Whence comes the bread of your soul but from the cross? What is your joy but the cross? What is your delight, what is your heaven, but the Blessed One, once crucified for you, who ever liveth to make intercession for you? Cling to the cross, then, put both arms around it! Hold to the Crucified, and never let Him go. Come afresh to the cross at this moment, and rest there now and for ever! Then, with the power of God resting upon you, go forth and preach the cross! Tell out the story of the bleeding Lamb. Repeat the wondrous tale, and nothing else. Never mind how you do it, only proclaim that Jesus died for sinner. The cross held up by a babe’s hands is just as powerful as if a giant held it up. The power lies in the word itself, or rather in the Holy Spirit who works by it and with it. O glorious Christ, when I have had a vision of Thy cross, I have seen it at first like a common gibbet, and Thou wast hanging on it like a felon; but, as I have looked, I have seen it begin to rise, and tower aloft till it has reached the highest heaven, and by its mighty power has lifted up myriads to the throne of God. I have seen its arms extend and expand until they have embraced all the earth. I have seen the foot of it go down deep as our helpless miseries are; and what a vision I have had of Thy magnificence, O Thou crucified One! Brethren, believe in the power of the cross for the conversion of those around you. Do not say of any man that he cannot be saved. The blood of Jesus is omnipotent. Do not say of any district that it is too sunken, or of any class of men that they are too far gone: the word of the cross reclaims the lost. Believe it to be the power of God, and you shall find it so. Believe in Christ crucified, and preach boldly in His name, and you shall see great and gladsome things. Do not doubt the ultimate triumph of Christianity. Do not let a mistrust flit across your soul. The cross must conquer; it must blossom with a crown, a crown commensurate with the person of the Crucified, and the bitterness of His agony. His reward shall parallel His sorrows. Trust in God, and lift your banner high, and now with psalms and songs advance to battle, for the Lord of hosts is with us, the Son of the Highest leads our van. Onward, with blast of silver trumpet and shout of those that seize the spoil. Let no man’s heart fail him! Christ hath died! Atonement is complete! God is satisfied! Peace is proclaimed! Heaven glitters with proofs of mercy already bestowed upon ten thousand times ten thousand! Hell is trembling, heaven adoring, earth waiting. Advance, ye saints, to certain victory! You shall overcome through the blood of the Lamb.
Charles Haddon Spurgeon
Hamlet’s soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it’s sublime, sublime! Always fetches the house. I haven’t got it in the book—I’ve only got one volume—but I reckon I can piece it out from memory. I’ll just walk up and down a minute, and see if I can call it back from recollection’s vaults.” So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he’d let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech—I learned it, easy enough, while he was learning it to the king: To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature’s second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of. There’s the respect must give us pause: Wake Duncan with thy knocking! I would thou couldst; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The law’s delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i’ the adage, Is sicklied o’er with care, And all the clouds that lowered o’er our housetops, With this regard their currents turn awry, And lose the name of action. ’Tis a consummation devoutly to be wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery—go! Well,
Mark Twain (The Adventures of Huckleberry Finn)
Arise and do on gladness, lest the clouds roll on and lower O'er the heavy hearts of the people in the Niblungs' parting hour. So he spake, and his love rejoiced her, and they rose in the face of the day, And no seeming shadow of evil on those bright-eyed King-folk lay. Lo now, a stir by the doorway, and men see how great and grand Come the Kings of Giuki begotten, all-armed, and hand in hand: Where then shall the world behold them, such champions clad in steel, Such hearts so free and bounteous, so wise for the people's weal? Where then shall the world see such-like, if these must die as the mean, And fall as lowly people, and their days be no more seen? They go forth fair and softly as they wend to the seat of the Kings, And they smile in their loving-kindness as they talk of bygone things. Are they not as the children of Giuki, that fared afield erewhile In hope without contention, mid the youth that knew no guile?
William Morris (The Story of Sigurd the Volsung and the Fall of the Niblungs Volume 1)
The third gentleman now stepped forth.  A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people’s too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England.  To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer.  He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly.  He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time.  And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.   ‘Very
Charles Dickens (Hard Times)
Many religious fundamentalists around the world would like to see the establishment of theocracies — states where religion and government are closely intertwined. While some just reject separation of [name of place of worship] and state, others go further and insist that one religion’s tenets be made law. The normal arguments for a theocracy are that, for example, it would lend a greater sense of morality to the making and enforcement of laws. Or that as our laws were originally derived from some moral commandments in a particular religion, it makes sense to enthrone this religion as chief in the state. Basically, theocrats can talk until the cows come home about how great it would be if we were ruled by God, how great it would be if our laws followed God’s laws, and so forth. But this vision of theocracy will never come to be, and should never come to be. The fundamental problem with every theocracy is that is innately unfair. Not just unfair to those who do not follow the state religion, but also unfair to those who do not follow the state religion as it is understood and interpreted by the humans who run the state. After all, who really believes that all the Muslims in any of the Islamic theocracies we have today are happy? Those who believe the wrong things about Islam from one particular point of view are mercilessly vilified — the present civil war in Iraq is an excellent example. Why a theocracy would be unfair to those who don’t practice the state religion should be very apparent. Whatever flowery talk there may be of equality, if the laws are derived from one religion, then the laws will favour that religion, like it or not. At this point, supporters of theocracy often get riled up. This is because they can point topassages in their holy book which they argue justify their claims that their religion would be fair to all. On occasion they will also argue that their particular God’s laws are perfect.
John Lee
And that date, too, is far off?' 'Far off; when it comes, think your end in this world is at hand!' 'How and what is the end? Look east, west, south and north.' 'In the north, where you never yet trod, towards the point whence your instincts have warned you, there a spectre will seize you. 'Tis Death! I see a ship - it is haunted - 'tis chased - it sails on. Baffled navies sail after that ship. It enters the regions of ice. It passes a sky red with meteors. Two moons stand on high, over ice-reefs. I see the ship locked between white defiles - they are ice-rocks. I see the dead strew the decks - stark and livid, green mold on their limbs. All are dead, but one man - it is you! But years, though so slowly they come, have then scathed you. There is the coming of age on your brow, and the will is relaxed in the cells of the brain. Still that will, though enfeebled, exceeds all that man knew before you, through the will you live on, gnawed with famine; and nature no longer obeys you in that death-spreading region; the sky is a sky of iron, and the air has iron clamps, and the ice-rocks wedge in the ship. Hark how it cracks and groans. Ice will imbed it as amber imbeds a straw. And a man has gone forth, living yet, from the ship and its dead; and he has clambered up the spikes of an iceberg, and the two moons gaze down on his form. That man is yourself; and terror is on you - terror; and terror has swallowed your will. And I see swarming up the steep ice-rock, grey grisly things. The bears of the north have scented their quarry - they come near you and nearer, shambling and rolling their bulk, and in that day every moment shall seem to you longer than the centuries through which you have passed. And heed this - after life, moments continued make the bliss or the hell of eternity.' 'Hush,' said the whisper; 'but the day, you assure me, is far off - very far! I go back to the almond and rose of Damascus! - sleep!' ("The House And The Brain
Edward Bulwer-Lytton (Reign of Terror Volume 2: Great Victorian Horror Stories)
AUTHOR’S NOTE Dear reader: This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard. My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm. My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight. The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn. Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering. It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents. Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own. No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends. This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared. I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.
Suzanne Redfearn (In an Instant)
Noon. In the middle of Knoll Road. In it up to your waist, wearing your father’s old reindeer sweater, your mother’s fur-lined gloves. Squinting across an infinite ocean of white. Shivering. Breathing. Listening. To nothing. There are no cars, no mailboxes, no traffic islands, no sound. The triple-deckers are now double-deckers and everything’s muffled and buried and gone. You yell and you are the only one yelling. The only one breathing. The only one there. The faint chime of a city plow in the distance. The wail of one of Schoerner’s penned-up hounds. But no one is with you. No one to contradict you. And you dare to close your eyes and fill up your lungs with winter, your destiny before you like a map of the world. And the wind seems to whisper promises, and you, with arms outstretched and chin to the heavens, swear oaths back to the wind - little things, like fulfilling prophecies and charting new courses and going forth from this time and this place to do great and wondrous things. But first, of course, it will be necessary to get high.
Bob Flaherty (Puff)
No adventure ever came to one for the asking.  He who starts on a deliberate quest of adventure goes forth but to gather dead-sea fruit, unless, indeed, he be beloved of the gods and great amongst heroes, like that most excellent cavalier Don Quixote de la Mancha.  By us ordinary mortals of a mediocre animus that is only too anxious to pass by wicked giants for so many honest windmills, adventures are entertained like visiting angels.  They come upon our complacency unawares.  As unbidden guests are apt to do, they often come at inconvenient times.  And we are glad to let them go unrecognised, without any acknowledgment of so high a favour.  After many years, on looking back from the middle turn of life’s way at the events of the past, which, like a friendly crowd, seem to gaze sadly after us hastening towards the Cimmerian shore, we may see here and there, in the gray throng, some figure glowing with a faint radiance, as though it had caught all the light of our already crepuscular sky.  And by this glow we may recognise the faces of our true adventures, of the once unbidden guests entertained unawares in our young days.
Joseph Conrad (The Mirror of the Sea)
To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature’s second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of. There’s the respect must give us pause: Wake Duncan with thy knocking! I would thou couldst; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The law’s delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i’ the adage, Is sicklied o’er with care, And all the clouds that lowered o’er our housetops, With this regard their currents turn awry, And lose the name of action. ’Tis a consummation devoutly to be wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery — go!
Mark Twain (The Adventures of Huckleberry Finn)
If you’re going to make an error in life, err on the side of overestimating your capabilities (obviously, as long as it doesn’t jeopardize your life). By the way, this is something that’s hard to do, since the human capacity is so much greater than most of us would ever dream. In fact, many studies have focused on the differences between people who are depressed and people who are extremely optimistic. After attempting to learn a new skill, the pessimists are always more accurate about how they did, while the optimists see their behavior as being more effective than it actually was. Yet this unrealistic evaluation of their own performance is the secret of their future success. Invariably the optimists eventually end up mastering the skill while the pessimists fail. Why? Optimists are those who, despite having no references for success, or even references of failure, manage to ignore those references, leaving unassembled such cognitive tabletops as “I failed” or “I can’t succeed.” Instead, optimists produce faith references, summoning forth their imagination to picture themselves doing something different next time and succeeding. It is this special ability, this unique focus, which allows them to persist until eventually they gain the distinctions that put them over the top. The reason success eludes most people is that they have insufficient references of succeeding in the past. But an optimist operates with beliefs such as, “The past doesn’t equal the future.” All great leaders, all people who have achieved success in any area of life, know the power of continuously pursuing their vision, even if all the details of how to achieve it aren’t yet available. If you develop the absolute sense of certainty that powerful beliefs provide, then you can get yourself to accomplish virtually anything, including those things that other people are certain are impossible.
Anthony Robbins (Awaken the Giant Within: How to Take Immediate Control of Your Mental, Emotional, Physical and Financial Destiny!)
SOUL CONTRACTIONS My mother ages all too quickly now, the latest illness claiming more chunks of her vitality each day. This beloved woman whose womb held my body, I now hold in the chalice of my vigilance. Sadness and sorrow pulse inside my spirit, a kindred soul-contraction resonating with her spiritual gestation as she prepares during these final years for her birth into eternity. Dear mother, I, who burst forth from your womb on a sunny morning in June, embrace you now with gratitude, praying to let you go freely, to encourage your spirit to wing forward peacefully into the mystery of the One Great Womb, where there is space enough to embrace us all.
Joyce Rupp (Joyce Rupp: Essential Writings (Modern Spiritual Masters))
And though you are the one I hurt, it was God who was offended by me,” he said with downcast eyes. My heart was deeply moved and I felt great pity for him. “I wish for your redemption, John. Fear not Brother, for all is as it should be,” I said sincerely, clutching the stone in my hand, hopeful of its magic. “You shall hereby be released from the burdens you have carried like a ball and chain into Heaven,” I declared, weeping tears of regret. “You are forgiven, John. Now go forth and let us meet in the Kingdom of eternal grace,” I said expectantly. “I have paid a great price for my sins, Mariam. Please tell our daughter that her father loves and watches over
Krishna Rose (Woman in Red: Magdalene Speaks)
Ah! Gentle, gracious Dove, And art thou grieved in me, That sinners should restrain thy love, And say, “It is not free: It is not free for all: The most, thou passest by, And mockest with a fruitless call Whom thou hast doomed to die.” They think thee not sincere In giving each his day, “ Thou only draw’st the sinner near To cast him quite away, To aggravate his sin, His sure damnation seal: Thou show’st him heaven, and say’st, go in And thrusts him into hell.” O HORRIBLE DECREE Worthy of whence it came! Forgive their hellish blasphemy Who charge it on the Lamb: Whose pity him inclined To leave his throne above, The friend, and Saviour of mankind, The God of grace, and love. O gracious, loving Lord, I feel thy bowels yearn; For those who slight the gospel word I share in thy concern: How art thou grieved to be By ransomed worms withstood! How dost thou bleed afresh to see Them trample on thy blood! To limit thee they dare, Blaspheme thee to thy face, Deny their fellow-worms a share In thy redeeming grace: All for their own they take, Thy righteousness engross, Of none effect to most they make The merits of thy cross. Sinners, abhor the fiend: His other gospel hear— “The God of truth did not intend The thing his words declare, He offers grace to all, Which most cannot embrace, Mocked with an ineffectual call And insufficient grace. “The righteous God consigned Them over to their doom, And sent the Saviour of mankind To damn them from the womb; To damn for falling short, “Of what they could not do, For not believing the report Of that which was not true. “The God of love passed by The most of those that fell, Ordained poor reprobates to die, And forced them into hell.” “He did not do the deed” (Some have more mildly raved) “He did not damn them—but decreed They never should be saved. “He did not them bereave Of life, or stop their breath, His grace he only would not give, And starved their souls to death.” Satanic sophistry! But still, all-gracious God, They charge the sinner’s death on thee, Who bought’st him with thy blood. They think with shrieks and cries To please the Lord of hosts, And offer thee, in sacrifice Millions of slaughtered ghosts: With newborn babes they fill The dire infernal shade, “For such,” they say, “was thy great will, Before the world was made.” How long, O God, how long Shall Satan’s rage proceed! Wilt thou not soon avenge the wrong, And crush the serpent’s head? Surely thou shalt at last Bruise him beneath our feet: The devil and his doctrine cast Into the burning pit. Arise, O God, arise, Thy glorious truth maintain, Hold forth the bloody sacrifice, For every sinner slain! Defend thy mercy’s cause, Thy grace divinely free, Lift up the standard of thy cross, Draw all men unto thee. O vindicate thy grace, Which every soul may prove, Us in thy arms of love embrace, Of everlasting love. Give the pure gospel word, Thy preachers multiply, Let all confess their common Lord, And dare for him to die. My life I here present, My heart’s last drop of blood, O let it all be freely spent In proof that thou art good, Art good to all that breathe, Who all may pardon have: Thou willest not the sinner’s death, But all the world wouldst save. O take me at my word, But arm me with thy power, Then call me forth to suffer, Lord, To meet the fiery hour: In death will I proclaim That all may hear thy call, And clap my hands amidst the flame, And shout,—HE DIED FOR ALL
Charles Wesley
As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.
C.G. Jung (The Red Book: Liber Novus)
The doctors found one electrode contact that greatly relieved the woman's symptoms. But the unexpected happened when the electric current passed through one of the four contact sites on the patient's left side, precisely two millimeters below the contact that improved her condition. The patient stopped her ongoing conversation quite abruptly, cast her eyes down and to her right side, then leaned slightly to the right and her emotional expression became one of sadness. After a few seconds she suddenly began to cry. Tears flowed and her entire demeanor was one of profound misery. Soon she was sobbing. As this display continued she began talking about how deeply sad she felt, how she had no energies left to go on living in this manner, how hopeless and exhausted she was. [ . . . ] The physician in charge of the treatment realized that this unusual event was due to the current and aborted the procedure. About ninety seconds after the current was interrupted the patient's behavior returned to normal. [ . . . ] Why would this patient's brain evoke the kind of thoughts that normally cause sadness considering that the emotion and feeling were unmotivated by the appropriate stimuli? The answer has to do with the dependence of feeling on emotion and the intriguing ways of one's memory. When the emotion sadness is deployed, feelings of sadness instantly follow. In short order, the brain also brings forth the kind of thoughts that normally cause the emotion sadness and feelings of sadness. This is because associative learning has linked emotions with thoughts in a rich two-way network. Certain thoughts evoke certain emotions and vice-versa.
António Damásio (Looking for Spinoza: Joy, Sorrow, and the Feeling Brain)
THE SPANISH JEW'S TALE. THE LEGEND OF RABBI BEN LEVI. Rabbi Ben Levi, on the Sabbath, read A volume of the Law, in which it said, "No man shall look upon my face and live." And as he read, he prayed that God would give His faithful servant grace with mortal eye To look upon His face and yet not die. Then fell a sudden shadow on the page And, lifting up his eyes, grown dim with age, He saw the Angel of Death before him stand, Holding a naked sword in his right hand. Rabbi Ben Levi was a righteous man, Yet through his veins a chill of terror ran. With trembling voice he said, "What wilt thou here?" The angel answered, "Lo! the time draws near When thou must die; yet first, by God's decree, Whate'er thou askest shall be granted thee." Replied the Rabbi, "Let these living eyes First look upon my place in Paradise." Then said the Angel, "Come with me and look." Rabbi Ben Levi closed the sacred book, And rising, and uplifting his gray head, "Give me thy sword," he to the Angel said, "Lest thou shouldst fall upon me by the way." The Angel smiled and hastened to obey, Then led him forth to the Celestial Town, And set him on the wall, whence, gazing down, Rabbi Ben Levi, with his living eyes, Might look upon his place in Paradise. Then straight into the city of the Lord The Rabbi leaped with the Death-Angel's sword, And through the streets there swept a sudden breath Of something there unknown, which men call death. Meanwhile the Angel stayed without, and cried, "Come back!" To which the Rabbi's voice replied, "No! in the name of God, whom I adore, I swear that hence I will depart no more!" Then all the Angels cried, "O Holy One, See what the son of Levi here has done! The kingdom of Heaven he takes by violence, And in Thy name refuses to go hence!" The Lord replied, "My Angels, be not wroth; Did e'er the son of Levi break his oath? Let him remain; for he with mortal eye Shall look upon my face and yet not die." Beyond the outer wall the Angel of Death Heard the great voice, and said, with panting breath, "Give back the sword, and let me go my way." Whereat the Rabbi paused, and answered, "Nay! Anguish enough already has it caused Among the sons of men." And while he paused He heard the awful mandate of the Lord Resounding through the air, "Give back the sword!" The Rabbi bowed his head in silent prayer; Then said he to the dreadful Angel, "Swear, No human eye shall look on it again; But when thou takest away the souls of men, Thyself unseen, and with an unseen sword, Thou wilt perform the bidding of the Lord." The Angel took the sword again, and swore, And walks on earth unseen forevermore.
Henry Wadsworth Longfellow (Tales of a Wayside Inn)
I lie on the seashore, the sparkling flood blue-shimmering in my dreamy eyes; light breezes flutter in the distance; the thud of the waves, charging and breaking over in foam, beats thrillingly and drowsily upon the shore—or upon the ear? I cannot tell. The far and the near become blurred into one; outside and inside merge into one another. Nearer and nearer, friendlier, like a homecoming, sounds the thud of the waves; now, like a thundering pulse, they beat in my head, now they beat over my soul, wrapping it round, consuming it, while at the same time my soul floats out of me as a blue waste of waters. Outside and inside are one. The whole symphony of sensations fades away into one tone, all senses become one sense, which is one with feeling; the world expires in the soul and the soul dissolves in the world. Our little life is rounded by a great sleep. Sleep our cradle, sleep our grave, sleep our home, from which we go forth in the morning, returning again at evening; our life a short pilgrimage, the interval between emergence from original oneness and sinking back into it! Blue shimmers the infinite sea, where the jelly-fish dreams of that primeval existence to which our thoughts still filter down through aeons of memory. For every experience entails a change and a guarantee of life’s unity. At that moment when they are no longer blended together, when the experient lifts his head, still blind and dripping, from immersion in the stream of experience, from flowing away with the thing experienced; when man, amazed and estranged, detaches the change from himself and holds it before him as something alien—at that moment of estrangement the two sides of the experience are substantialized into subject and object, and at that moment consciousness is born.33
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
Although his intimacy with Stephen Maturin did not allow him to ask questions that might be judged impertinent, it was of such a rare kind that he could ask for money without the least hesitation. "Have you any money, Stephen?" he said, the Marine having vanished in the trees. "How I hope you have. I shall have to borrow the Marine's guinea from you, and a great deal more besides, if his message is what I dearly trust. My half-pay is not due until the month after next, and we are living on credit." "Money, is it?" said Stephen, who had been thinking about lemurs. There were lemurs in Madagascar: might there not be lemurs on Reunion? Lemurs concealed among the forests and the mountains of the interior? "Money? Oh, yes, I have money galore." He felt in his pockets. "The question is, where is it?" He felt again, patted his bosom, and brought out a couple of greasy two pound notes on a country bank. "That is not it," he muttered, going through his pockets again. "Yet I was sure--was it in my other coat? did I perhaps leave it in London?--you are growing old, Maturin--ah, you dog, there you are!" he cried triumphantly, returning to the first pocket and drawing forth a neat roll, tied with tape. "There. I had confused it with my lancet-case. It was Mrs Broad of the Grapes that did it up, finding it in a Bank of England wrapper that I had--that I had neglected. A most ingenious way of carrying money, calculated to deceive the pick-pocket. I hope it will suffice." "How much is it?" asked Jack. "Sixty or seventy pound, I dare say." "But, Stephen, the top note is a fifty, and so is the next. I do not believe you ever counted them." "Well, never mind, never mind," said Stephen testily. "I meant a hundred and sixty. Indeed, I said as much, only you did not attend.
Patrick O'Brian (The Mauritius Command: 4 (Aubrey-Maturin))
Syn pulled Furi to his chest. “Furi, I want you to go back through the bar and go wait at my place. I’m going to have a little chat with your ex-husband,” Syn said extra loudly. Furi huffed in annoyance, “Syn, I took six months of self-defense courses at the YMCA this year. I can fight for myself.” Syn looked at Furi like he’d lost his damn mind. “At the Y? Well hell, that’s great Furious. If you ever get jumped by the Village People, feel free to pull out those moves. As for now, I want you to take your karate-kicking-YMCA-going-ass back to my apartment,” Syn snarled at Furi, urging him toward the door, having neither the time nor the patience to argue with his ridiculous pride. Thankfully, with one final glare Furi went back into the pub. When Syn turned back, God and Day were looking back and forth between him and his two foes. “What’s going on here, fellas?” God asked casually, not acknowledging Syn.
A.E. Via
Such is the lot of the knight that even though my patrimony were ample and adequate for my support, nevertheless here are the disturbances which give me no quiet. We live in fields, forests, and fortresses. Those by whose labors we exist are poverty-stricken peasants, to whom we lease our fields, vineyards, pastures, and woods. The return is exceedingly sparse in proportion to the labor expended. Nevertheless the utmost effort is put forth that it may be bountiful and plentiful, for we must be diligent stewards. I must attach myself to some prince in the hope of protection. Otherwise every one will look upon me as fair plunder. But even if I do make such an attachment hope is beclouded by danger and daily anxiety. If I go away from home I am in peril lest I fall in with those who are at war or feud with my overlord, no matter who he is, and for that reason fall upon me and carry me away. If fortune is adverse, the half of my estates will be forfeit as ransom. Where I looked for protection I was ensnared. We cannot go unarmed beyond to yokes of land. On that account, we must have a large equipage of horses, arms, and followers, and all at great expense. We cannot visit a neighboring village or go hunting or fishing save in iron. Then there are frequently quarrels between our retainers and others, and scarcely a day passes but some squabble is referred to us which we must compose as discreetly as possible, for if I push my claim to uncompromisingly war arises, but if I am too yielding I am immediately the subject of extortion. One concession unlooses a clamor of demands. And among whom does all this take place? Not among strangers, my friend, but among neighbors, relatives, and those of the same household, even brothers. These are our rural delights, our peace and tranquility. The castle, whether on plain or mountain, must be not fair but firm, surrounded by moat and wall, narrow within, crowded with stalls for the cattle, and arsenals for guns, pitch, and powder. Then there are dogs and their dung, a sweet savor I assure you. The horsemen come and go, among them robbers, thieves, and bandits. Our doors are open to practically all comers, either because we do not know who they are or do not make too diligent inquiry. One hears the bleating of sheep, the lowing of cattle, the barking of dogs, the shouts of men working in the fields, the squeaks or barrows and wagons, yes, and even the howling of wolves from nearby woods. The day is full of thought for the morrow, constant disturbance, continual storms. The fields must be ploughed and spaded, the vines tended, trees planted, meadows irrigated. There is harrowing, sowing, fertilizing, reaping, threshing: harvest and vintage. If the harvest fails in any year, then follow dire poverty, unrest, and turbulence.
Ulrich von Hutten (Ulrich von Hutten and the German Reformation)
And blood, in all the cities through which he passed, ran down. There seemed no door, anywhere, behind which blood did not call out, unceasingly, for blood; no woman whether singing before defiant trumpets or rejoicing before the Lord, who had not seen her father, her brother, her lover, or her son cut down without mercy; who had not seen her sister become part of the white man's great whorehouse, who had not, all too narrowly, escaped that house herself; no man... who had not been made to bend his head and drink white men's muddy water... their very names were nothing more than dust blown disdainfully across the field of time - to fall where, to blossom where, bringing forth what fruit hereafter, where? their very names were not their own. Behind them was the darkness, nothing but the darkness, and all around them destruction, and before them nothing but the fire - a bastard people, far from God, singing and crying in the wilderness!
James Baldwin (Go Tell It on the Mountain)
Describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don't blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is no poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world's sound - wouldn't you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attention to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. And if out of , this turning within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it. So, dear Sir, I can't give you any advice but this: to go into yourself and see how deep the place is from which your life flows; at its source you will find the answer to, the question of whether you must create. Accept that answer, just as it is given to you, without trying to interpret it. Perhaps you will discover that you are called to be an artist. Then take that destiny upon yourself, and bear it, its burden and its greatness, without ever asking what reward might come from outside. For the creator must be a world for himself and must find everything in himself and in Nature, to whom his whole life is devoted.
Rainer Maria Rilke
In Psalm 57: 1, David says, “In the shadow of thy wings will I make my refuge, until these calamities be overpass.” Instead of going out to fight his own battles, David took refuge in God. How tempting it might have been for him to show the enemy his strength and might. To show his enemy that he was not somebody to be messed with must have been a great temptation for a man like David. Instead of engaging the enemy, however, David took refuge in the shadow of God’s wings. What a blessed truth to understand that, in the middle of all of our difficulties and calamities, we have a refuge. Certainly, there is a time to go forth into battle and engage the enemy. But this should only be under the direct orders of the Captain of our salvation. Young David understood this as he faced Goliath. And all this assembly shall know that the LORD saveth not with sword and spear: for the battle is the LORD’s, and he will give you into our hands (1 Sam. 17: 47). The battle is always the Lord’s.
A.W. Tozer (The Crucified Life: How To Live Out A Deeper Christian Experience)
I should simply mislead a confiding reader if I were to tell him that Mrs Lupex was an amiable woman. Perhaps the fact that she was not amiable is the one great fault that should be laid to her charge; but that fault had spread itself so widely, and had cropped forth in so many different places of her life, like a strong rank plant that will show itself all over a garden, that it may almost be said that it made her odious in every branch of life, and detestable alike to those who knew her little and to those who knew her much. If a searcher could have got at the inside spirit of the woman, that searcher would have found that she wished to go right, — that she did make, or at any rate promise to herself that she would make, certain struggles to attain decency and propriety. But it was so natural to her to torment those whose misfortune brought them near to her, and especially that wretched man who in an evil day had taken her to his bosom as his wife, that decency fled from her, and propriety would not live in her quarters.
Anthony Trollope (Complete Works of Anthony Trollope)
She knows she should feel excited about her acceptance to Emory and the promise of spring break. She should feel infinite and hopeful, like the growing earth around her. Like the sunlight, which stretches longer each day, asking for one more minute, one more oak tree to shimmer on. Like the late March mornings, which arrive carrying a gentle heat, rocking it back and forth over the pavement in the parking lot, letting it crawl forth over the grass and the tree roots, nurturing it while it is still nascent and tender, before it turns into swollen summer. But while the whole earth prepares for spring, Hannah feels a great anxiety in her heart, for something dangerous has grown in her, something she never planted or even wanted to plant. It’s there. She knows it’s there. If she’s truthful with herself, she’s probably known it all along. But now, as the days grow longer and the Garden District grows greener, she can actually see it. It has sprung up at last, and it refuses to be unseen. She tells herself it’s passing. It’s temporary. It’s intensified only because she’s a senior and all of her emotions are heightened. It’s innocent. It’s typical for a girl her age. It’s no more or less of a feeling than everyone else has had at 17. But deep down, deep below the topsoil of her heart, she knows it’s not. Still, she pushes it down inside of her, buries it as far as it can go, suffocates it in the space between her stomach and her heart. She tells herself that she is stronger, that she can fight it, that she has control. That no one else has to know. I can ignore it, she thinks. I can refuse to look at it. I can stomp on it every time it springs up within me. So she lies to herself that everything is normal. That she is normal. She carries herself through the end of the school week by refusing to acknowledge it. By refusing to align her heart with the growing sunlight and the nurturing heat and the flowering plants and the tall, proud trees. ‘You alright?’ Baker asks, when Hannah says goodbye to her after school on Friday. Hannah stomps, buries, suffocates, wishes for death. ‘Yeah,’ she says. ‘I’m good.
Kelly Quindlen (Her Name in the Sky)
Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please—” Ian realized what she was asking for, but he responded with a questioning lift of his brows. “I—” she began, uncomfortably aware of the knowing look in his eyes. “Yes?” he prompted. “I don’t know—exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms. “Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.” “What!” “You heard me.” “Of all the arrogant—” He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted. To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer. “Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, exactly as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, invited—brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight . . . wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking . . . teasing! She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quite the way I remembered it.” “Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation.
Judith McNaught (Almost Heaven (Sequels, #3))
You mentioned that Palermo, the part of Buenos Aires where you were brought up, had been a violent place full of bohemians and bandits. There they had two names for the knife, ‘the blade’ and ‘the slicer’. The two names described the same object, but ‘the blade’ was the thing itself, and ‘the slicer’ described its function. ‘The blade’ could fit in the hand even of a sickly child shut up in his father’s library, ‘the blade’ could be any of the superannuated daggers and swords belonging to his warrior grandfather or great-grandfather and displayed on the walls of his house, but ‘the slicer’, the knife in the hand slicing back and forth, in and out, existed only in his imagination, in a fascinating world of rapid settlings of accounts and duels over honor, an insult or a woman, in dark street where you never went, where no writer went, except in the literature he wrote. ‘I’ve always felt that in order to be a great writer, one should have the experience of life at sea, which is why Conrad and Melville and, in a way, Stevenson, who ended his days in the South Seas, were better than all of us, Vogelstein. At sea, a writer flees from the minor demons and faces only the definitive ones. A character in Conrad says that he has a horror of ports because, in port, ships rot and men go to the devil. He meant the devils of domesticity and incoherence, the small devils of terra firma. But I think that having experience of “the slicer” would give a writer the same sensation as going to sea, of spectacularly breaking the bounds of his own passivity and of his remoteness from the fundamental matters of the world.’ ‘You mean that if the writer were to stab someone three times, he could allege that he was merely doing so in order to improve his style.’ ‘Something like that. Soaking up experience and atmosphere.’ ‘It’s said that the artist Turner used to have himself lashed to the ship’s mast during storms at sea so that he could make sure he was getting the colours and details of his painted vortices right.’ ‘And it worked. But neither you nor I will ever experience “the slicer”, Vogelstein. We are condemned to “the blade”, to the knife purely as theory. Even if we used “the slicer” against someone, we would still be ourselves, watching, analyzing the scene, and, therefore, inevitably, holding “the blade” in our hand. I don’t think I could kill anyone, apart from my own characters. And I don’t think I would feel comfortable at sea either. There aren’t any libraries at sea. The sea replaces the library.
Luis Fernando Verissimo (Borges and the Eternal Orangutans)
Three years ago, when this book first appeared, some people thought it was worth while to dispute the authorship! Some asserted that it was an English book, and others that it was an American book. What a singular mania there is for seeking the origin of matters at a great distance; trying to trace from the source of the Nile, the streamlet which washes one’s street. Alas! this work is neither English, neither American nor Chinese. The author found the idea of The Last Day of a Condemned, not in a book, for he is not accustomed to seek his ideas so far afield, but where you all might find it, where perhaps you may all have found it, (for who is there that has not reflected and had reveries of The Last Day of a Condemned,) there, on the public walk, on the Place de Grève. It was there, while passing casually during an execution, that this forcible idea occurred to him; and, since then, after those funereal Thursdays of the Court of Cassation, which send forth through Paris the intelligence of an approaching execution, the hoarse voices of the spectators going to the Grève, as they hurried past his windows, filled his mind with the prolonged misery of the person about to suffer, which he pictured to himself from hour to hour, according to what he conceived was its actual progress. It was a torture which commenced from daybreak and
Victor Hugo (Complete Works of Victor Hugo)
We will not find the enemy.8 Because the enemy does not exist in space, but in time: four thousand years ago. We are about to destroy each other, and the world, because of profound mistakes made in Bronze Age patriarchal ontology—mistakes about the nature of being, about the nature of human being in the world. Evolution itself is a time-process, seemingly a relentlessly linear unfolding. But biology also dreams, and in its dreams and waking visions it outleaps time, as well as space. It experiences prevision, clairvoyance, telepathy, synchronicity. Thus we have what has been called a magical capacity built into our genes. It is built into the physical universe. Synchronicity is a quantum phenomenon. The tachyon is consciousness, which can move faster than light. So, built into our biological-physical selves evolving linearly through time and space, is an authentically magical capacity to move spirally, synchronously, multi-sensorially, simultaneously back and forth, up and down, in and out through all time and space. In our DNA is a genetic memory going back through time to the first cell, and beyond; back through space to the big bang (the cosmic egg), and before that. To evolve then—to save ourselves from species extinction—we can activate our genetic capacity for magic. We can go back in time to our prepatriarchal consciousness of human oneness with the earth. This memory is in our genes, we have lived it, it is ours. This
Monica Sjöö (The Great Cosmic Mother: Rediscovering the Religion of the Earth)
Let us begin, then, with the mad-house; from this evil and fantastic inn let us set forth on our intellectual journey. Now, if we are to glance at the philosophy of sanity, the first thing to do in the matter is to blot out one big and common mistake. There is a notion adrift everywhere that imagination, especially mystical imagination, is dangerous to man’s mental balance. Poets are commonly spoken of as psychologically unreliable; and generally there is a vague association between wreathing laurels in your hair and sticking straws in it. Facts and history utterly contradict this view. Most of the very great poets have been not only sane, but extremely business-like; and if Shakespeare ever really held horses, it was because he was much the safest man to hold them. Imagination does not breed insanity. Exactly what does breed insanity is reason. Poets do not go mad; but chess-players do. Mathematicians go mad, and cashiers; but creative artists very seldom. I am not, as will be seen, in any sense attacking logic: I only say that this danger does lie in logic, not in imagination. Artistic paternity is as wholesome as physical paternity. Moreover, it is worthy of remark that when a poet really was morbid it was commonly because he had some weak spot of rationality on his brain. Poe, for instance, really was morbid; not because he was poetical, but because he was specially analytical. Even chess was too poetical for him; he disliked chess because it was full of knights and castles, like a poem. He avowedly preferred the black discs of draughts, because they were more like the mere black dots on a diagram. Perhaps the strongest case of all is this: that only one great English poet went mad, Cowper. And he was definitely driven mad by logic, by the ugly and alien logic of predestination. Poetry was not the disease, but the medicine; poetry partly kept him in health. He could sometimes forget the red and thirsty hell to which his hideous necessitarianism dragged him among the wide waters and the white flat lilies of the Ouse. He was damned by John Calvin; he was almost saved by John Gilpin. Everywhere we see that men do not go mad by dreaming. Critics are much madder than poets. Homer is complete and calm enough; it is his critics who tear him into extravagant tatters. Shakespeare is quite himself; it is only some of his critics who have discovered that he was somebody else. And though St. John the Evangelist saw many strange monsters in his vision, he saw no creature so wild as one of his own commentators. The general fact is simple. Poetry is sane because it floats easily in an infinite sea; reason seeks to cross the infinite sea, and so make it finite. The result is mental exhaustion, like the physical exhaustion of Mr. Holbein. To accept everything is an exercise, to understand everything a strain. The poet only desires exaltation and expansion, a world to stretch himself in. The poet only asks to get his head into the heavens. It is the logician who seeks to get the heavens into his head. And it is his head that splits.
G.K. Chesterton (The G.K. Chesterton Collection [34 Books])
But as people become anxious to be accepted by the group, their personal values and behaviors are exchanged for more negative ones. We can too easily become more intense, abusive, fundamentalist, fanatical—behaviors strange to our former selves, born out of our intense need to belong. This may be one explanation for why the Internet, which gave us the possibility of self-organizing, is devolving into a medium of hate and persecution, where trolls6 claiming a certain identity go to great efforts to harass, threaten, and destroy those different from themselves. The Internet, as a fundamental means for self-organizing, can’t help but breed this type of negative, separatist behavior. Tweets and texts spawn instant reactions; back and forth exchanges of only a few words quickly degenerate into comments that push us apart. Listening, reflecting, exchanging ideas with respect—gone. But this is far less problematic than the way the Internet has intensified the language of threat and hate. People no longer hide behind anonymity as they spew hatred, abominations, and lurid death threats at people they don’t even know and those that they do. Trolls, who use social media to issue obscene threats and also organize others to deluge a person with hateful tweets and emails, are so great a problem for people who come into public view that some go off Twitter, change their physical appearance, or move in order to protect their children.7 Reporters admit that they refuse to publish about certain issues because they fear the blowback from trolls.
Margaret J. Wheatley (Who Do We Choose to Be?: Facing Reality, Claiming Leadership, Restoring Sanity)
admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is no poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world's sound - wouldn't you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attention to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. And if out of , this turning within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it. So, dear Sir, I can't give you any advice but this: to go into yourself and see how deep the place is from which your life flows; at its source you will find the answer to, the question of whether you must create. Accept that answer, just as it is given to you, without trying to interpret it. Perhaps you will discover that you are called to be an artist. Then take that destiny upon yourself, and bear it, its burden and its greatness, without ever asking what reward might come from outside. For the creator must be a world for himself and must find everything in himself and in Nature, to whom his whole life is devoted.
Rainer Maria Rilke
The Manifestation Manifesto Meditation” "Right now, I find a quiet and comfortable space where I can easily concentrate on these words as I gently read them aloud. "With the sound of my voice I soothe my nervous system … calm my entire body and relax my thoughts. I speak slowly … with a gentle but resonant tone. And as I do, I start to relax now. "I keep my eyes open and let them blink naturally when they want to … and they might start to feel slightly heavy and droopy … as they would feel when I read a book before going to sleep. “I use my imagination so that with every word I become more relaxed and drowsier. (Imagine feeling drowsy.). I keep my eyes open just enough to take in the following words. "I turn my attention to my breathing, and use this opportunity to relax my mind and body more deeply. "As I count my exhalations backwards from five to one, I let each number represent a gradually deeper level of relaxation and heightened focus. (Draw a breath before reading each number, and count as you exhale.) "Five … I double my relaxation and increase my concentration. "Four … With every number and every breath, I relax. "Three … I count slowly as I meditate deeper … deeper still. "Two … I use my imagination to double this meditative state. "One … My body is relaxed as my mind remains focused. (Pause for five seconds and breathe normally.) "At this level of meditation, people experience different things. Some notice interesting body sensations … such as a warmth or tingling in their fingers. I might also have that experience. (Pause five seconds.) "Some people feel a floating sensation … with a dreamy quality. I may experience that. (Pause five seconds.) "Whatever sensations I experience are exactly right for me at this moment. Whether I feel something unusual now or at some other time, I let that process happen on its own as I focus on the following manifesto. “I allow my subconscious to absorb the manifesto as I read each affirmation with purpose and conviction. (Pause for five seconds.) “The power to manifest is fully mine, here and now. “I acknowledge and embrace my power to manifest. “All human beings have this power, yet I choose to use it consciously and purposefully. “From the unlimited energy of the Universe, I attract all that I need to experience joy and abundance. “I recognize and consider the consequences of all that I manifest. I take full responsibility. “With awareness and intention, I apply my power for my highest good and for the welfare of others. “All of my manifestations reflect my inner state of being. Therefore, I ever seek to grow in wisdom and to become a better person. “With relaxed confidence, I employ the powers of Thought, Emotion and Vital Energy to manifest my desires.  “I let go of beliefs and ideas that suppress or encumber me and I cultivate those which empower me. “I accept what I manifest with appreciation and satisfaction. I am thankful. “I go forth with great enthusiasm with the realization that I manifest my life and circumstances. “I am ready to take charge of my manifestations from this moment onward.” “Day by day, I grow in awareness of my power to manifest my desires with speed and accuracy.” RECOMMENDED READING * Mastering Manifestation: A Practical System for Rapidly Creating Your Dream Reality - Adam James * Banned Manifestation Secrets - Richard Dotts * Manifesting: The Secret behind the Law of Attraction - Alexander Janzer * The Secret Science Behind Miracles - Max Freedom Long * The Kybalion - Three Initiates
Forbes Robbins Blair (The Manifestation Manifesto: Amazing Techniques and Strategies to Attract the Life You Want - No Visualization Required (Amazing Manifestation Strategies Book 1))
Save thee, Timon. Tim. Now, thieves? All [Banditti]. Soldiers, not thieves. Tim. Both too, and women's sons. All [Banditti]. We are not thieves, but men that much do want. Tim. Your greatest want is, you want much of meat. Why should you want? Behold, the earth hath roots; Within this mile break forth a hundred springs; The oaks bear mast, the briers scarlet hips; The bounteous housewife, nature, on each bush Lays her full mess before you. Want! why want? 1. Ban. We cannot live on grass, on berries, water, As beasts and birds and fishes. Tim. Nor on the beasts themselves, the birds, and fishes; You must eat men. Yet thanks I must you con That you are thieves profess'd, that you work not In holier shapes: for there is boundless theft In limited professions. Rascal thieves, Here's gold. Go, suck the subtle blood o' the grape, Till the high fever seethe your blood to froth, And so 'scape hanging: trust not the physician; His antidotes are poison, and he slays Moe than you rob: take wealth and lives together; Do villany, do, since you protest to do't, Like workmen. I'll example you with thievery. The sun's a thief, and with his great attraction Robs the vast sea: the moon's an arrant thief, And her pale fire she snatches from the sun: The sea's a thief, whose liquid surge resolves The moon into salt tears: the earth's a thief, That feeds and breeds by a composture stolen From general excrement: each thing's a thief: The laws, your curb and whip, in their rough power Have uncheque'd theft. Love not yourselves: away, Rob one another. There's more gold. Cut throats: All that you meet are thieves: to Athens go, Break open shops; nothing can you steal, But thieves do lose it: steal no less for this I give you; and gold confound you howsoe'er! Amen. 3. Ban. Has almost charmed me from my profession, by persuading me to it. 1. Ban. 'Tis in the malice of mankind that he thus advises us; not to have us thrive in our mystery. 2 Ban. I'll believe him as an enemy, and give over my trade. 1 Ban. Let us first see peace in Athens: there is no time so miserable but a man may be true. Exeunt Thieves [the Banditti]
William Shakespeare (Timon of Athens)
In the painting, the face has been horribly lacerated by blows, swollen, with terrible, swollen and bloody bruises, the eyes open, the pupils narrow; the large, open whites of the eyes gleam with a deathly, glassy sheen. But strangely, as one looks at this corpse of a tortured man, a peculiar and interesting question arises: if this is really what the corpse looked like (and it certainly must have looked just like this) when it was seen by all his disciples, his chief future apostles, by the women who followed him and stood by the cross, indeed by all who believed in him and worshipped him, then how could they believe, as they looked at such a corpse, that this martyr would rise from the dead? Here one cannot help being struck by the notion that if death is so terrible and the laws of nature so powerful, then how can they be overcome? How can they be overcome when they have not been conquered even by the one who conquered nature in his own lifetime, to whom it submitted, who cried: “Talitha cumi”8 – and the damsel arose, “Lazarus, come forth”,9 and the dead man came forth? Nature appears, as one looks at that painting, in the guise of some enormous, implacable and speechless animal or, more nearly, far more nearly, though strangely – in the guise of some enormous machine of the most modern devising, which has senselessly seized, smashed to pieces and devoured, dully and without feeling, a great and priceless being – a being which alone was worth the whole of nature and all its laws, the whole earth, which was, perhaps, created solely for the emergence of that being! It is as though this painting were the means by which this idea of a dark, brazen and senseless eternal force, to which everything is subordinate, is expressed, and is involuntarily conveyed to us. Those people who surrounded the dead man, though not one of them is visible in the painting, must have felt a terrible anguish and perturbation that evening, which had smashed all their hopes and almost all their beliefs in one go. They must have parted in the most dreadful fear, though each of them also took away within him an enormous idea that could never now be driven out of them. And if this same teacher could, on the eve of his execution, have seen what he looked like, then how could he have ascended the cross and died as he did now? This question also involuntarily presents itself as one looks at the painting.
Fyodor Dostoevsky (The Idiot)
Yet let us reflect, where does the animal cease, where does man begin? — man, who is nature’s sole concern! As long as anyone desires life as he desires happiness, he has not yet raised his eyes above the horizon of the animal, for he only desires more consciously what the animal seeks through blind impulse. But that is what we all do for the greater part of our lives; usually we fail to emerge out of animality, we ourselves are the animals whose suffering seems to be senseless. But there are moments when we realize this: then the clouds are rent asunder, and we see that, in common with all nature, we are pressing towards something that stands high above us. In this sudden illumination we gaze around us and behind us with a shudder; we behold the more subtle beasts of prey and there we are in the midst of them. The tremendous coming and going of men on the great wilderness of the earth, their founding of cities and states their wars their restless assembling and scattering again, their confused mingling, mutual imitation, mutual outwitting and downtreading, their wailing in distress, their howls of joy in victory — all this is a continuation of animality; as though man was to be deliberately retrogressed and defrauded of his metaphysical disposition, indeed as though nature, after having desired and worked at man for so long, now drew back from him in fear and preferred to return to the unconsciousness of instinct. Nature needs knowledge and it is terrified of the knowledge it has need of; and so the flame flickers restlessly back and forth as though afraid of itself and seizes upon a thousand things before it seizes upon that on account of which nature needs knowledge at all. In individual moments we all know how the most elaborate arrangements of our life are made only so as to flee from the tasks we actually ought to be performing, how we would like to hide our head somewhere as though our hundred-eyed conscience could not find us out there, how we hasten to give our heart to the state, to money-making, to sociability or science merely so as no longer to possess it ourselves, how we labor at our daily work more ardently and thoughtlessly than is necessary to sustain our life because to us it is even more necessary not to have leisure to stop and think. Haste is universal because everyone is in flight from himself; universal too is the shy concealment of this haste because everyone wants to seem content and would like to deceive more sharp-eyed observers as to the wretchedness he feels; and also universal is the need for new tinkling word-bells to hang upon life and so bestow upon it an air of noisy festivity. Everyone is familiar with the strange condition in which unpleasant memories suddenly assert themselves and we then make great efforts, through vehement noise and gestures, to banish them from our minds: but the noise and gestures which are going on everywhere reveal that we are all in such a condition all the time, that we live in fear of memory and of turning inward. But what is it that assails us so frequently, what is the gnat that will not let us sleep? There are spirits all around us, every moment of our life wants to say something to us, but we refuse to listen to these spirit-voices. We are afraid that when we are alone and quiet something will be whispered into our ear, and so we hate quietness and deafen ourselves with sociability.
Friedrich Nietzsche (Schopenhauer as Educator)
Indian Express (Indian Express) - Clip This Article at Location 721 | Added on Sunday, 30 November 2014 20:28:42 Fifth column: Hope and audacity Ministers, high officials, clerks and peons now report for duty on time and are no longer to be seen taking long lunch breaks to soak in winter sunshine in Delhi’s parks. Reform is needed not just in economic matters but in every area of governance. Does the Prime Minister know how hard it is to get a passport? Tavleen Singh | 807 words At the end of six months of the Modi sarkar are we seeing signs that it is confusing efficiency with reform? I ask the question because so far there is no sign of real reform in any area of governance. And, because some of Narendra Modi’s most ardent supporters are now beginning to get worried. Last week I met a man who dedicated a whole year to helping Modi become Prime Minister and he seemed despondent. When I asked how he thought the government was doing, he said he would answer in the words of the management guru Peter Drucker, “There is nothing quite so useless as doing with great efficiency something that should not be done at all.” We can certainly not fault this government on efficiency. Ministers, high officials, clerks and peons now report for duty on time and are no longer to be seen taking long lunch breaks to soak in winter sunshine in Delhi’s parks. The Prime Minister’s Office hums with more noise and activity than we have seen in a decade but, despite this, there are no signs of the policy changes that are vital if we are to see real reform. The Planning Commission has been abolished but there are many, many other leftovers from socialist times that must go. Do we need a Ministry of Information & Broadcasting in an age when the Internet has made propaganda futile? Do we need a meddlesome University Grants Commission? Do we need the government to continue wasting our money on a hopeless airline and badly run hotels? We do not. What we do need is for the government to make policies that will convince investors that India is a safe bet once more. We do not need a new government that simply implements more efficiently bad policies that it inherited from the last government. It was because of those policies that investors fled and the economy stopped growing. Unless this changes through better policies, the jobs that the Prime Minister promises young people at election rallies will not come. So far signals are so mixed that investors continue to shy away. The Finance Minister promises to end tax terrorism but in the next breath orders tax inspectors to go forth in search of black money. Vodafone has been given temporary relief by the courts but the retroactive tax remains valid. And, although we hear that the government has grandiose plans to improve the decrepit transport systems, power stations and ports it inherited, it continues to refuse to pay those who have to build them. The infrastructure industry is owed more than Rs 1.5 lakh continued... crore in government dues and this has crippled major companies. No amount of efficiency in announcing new projects will make a difference unless old dues are cleared. Reform is needed not just in economic matters but in every area of governance. Does the Prime Minister know how hard it is to get a passport? Does he know that a police check is required even if you just want to get a few pages added to your passport? Does he know how hard it is to do routine things like registering property? Does he know that no amount of efficiency will improve healthcare services that are broken? No amount of efficiency will improve educational services that have long been in terminal decline because of bad policies and interfering officials. At the same time, the licence raj that strangles private investment in schools and colleges remains in place. Modi’s popularity with ordinary people has increased since he became Prime Minister, as we saw from his rallies in Kashmir last week, but it will not la
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