“
Hey, can I see that sword you were using?"
I showed him Riptide, and explained how it turned from a pen into a sword just by uncapping it.
"Cool! Does it ever run out of ink?"
"Um, well, I don't actually write with it."
"Are you really the son of Poseidon?"
"Well, yeah."
"Can you surf really well, then?"
I looked at Grover, who was trying hard not to laugh.
"Jeez, Nico," I said. "I've never really tried."
He went on asking questions. Did I fight a lot with Thalia, since she was a daughter of Zeus? (I didn't answer that one.) If Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) Was Annabeth my girlfriend? (At this point, I was ready to stick the kid in a meat-flavored sack and throw him to the wolves.)
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
The paradox of volcanoes was that they were symbols of destruction but also life. Once the lava slows and cools, it solidifies and then breaks down over time to become soil - rich, fertile soil.
She wasn't a black hole, she decided. She was a volcano. And like a volcano she couldn't run away from herself. She'd have to stay there and tend to that wasteland.
She could plant a forest inside herself.
”
”
Matt Haig (The Midnight Library)
“
I choose you," he said very softly, "Max."
Then his hard, rough hand tenderly cuppoed my chin, and suddenly his mouth was on mine, and every synapse in my brain shorted out.
We had kissed a couple of times before, but this was different. This time, I squelched my immediate, overwhelming desire to run away screaming. I closed my eyes and put my arms around him despite my fear. Then somehow we slid sideways so we were lying in the cool sand. I was holding him fiercely, and he was kissing me fiercely, and it was...just so, so intensely good. Once I got past my usual, gut-wrenching terror, there was a long, sweet slide into mindlessness, when all I felt was Fang, and all I heard was his breathing, and all I could think was "Oh, God, I want to do this all the time.
”
”
James Patterson (Max (Maximum Ride, #5))
“
An open Facebook page is simply a psychiatric dry erase board that screams, “Look at me. I am insecure. I need your reaction to what I am doing, but you’re not cool enough to be my friend. Therefore, I will just pray you see this because the approval of God is not all I need.
”
”
Shannon L. Alder
“
Wish You Were Here
So, so you think you can tell
Heaven from Hell,
Blue skys from pain.
Can you tell a green field
From a cold steel rail?
A smile from a veil?
Do you think you can tell?
And did they get you to trade
Your heros for ghosts?
Hot ashes for trees?
Hot air for a cool breeze?
Cold comfort for change?
And did you exchange
A walk on part in the war
For a lead role in a cage?
How I wish, how I wish you were here.
We're just two lost souls
Swimming in a fish bowl,
Year after year,
Running over the same old ground.
What have we found?
The same old fears.
Wish you were here.
”
”
Roger Waters
“
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond!
I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive.
Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial!
I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers.
I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail.
But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant.
I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn.
I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity.
I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
”
”
George Carlin
“
The first thing I did was run. Okay, actually the first thing I did was scream, lose my balance, flail my arms in the air like some kind of uncoordinated bird, then slide down the side of the tree and land on my butt.
Then I ran.
”
”
Gemma Halliday (Social Suicide (Deadly Cool, #2))
“
Sometimes, Gansey forgot how much he liked school and how good he was at it. But he couldn't forget it on mornings like this one—fall fog rising out of the fields and lifting in front of the mountains, the Pig running cool and loud, Ronan climbing out of the passenger seat and knocking knuckles on the roof with teeth flashing, dewy grass misting the black toes of his shoes, bag slung over his blazer, narrow-eyed Adam bumping fists as they met on the sidewalk, boys around them laughing and calling to one another, making space for the three of them because this had been a thing for so long: Gansey-Lynch-Parrish.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
I've never understood why people run to get out of the rain in the summertime... People will drive miles and miles to go jump in a cool swimming hole, but when it rains, they scatter.
”
”
Silas House (Eli the Good)
“
When the food runs out, the family reunion is over. It’s cool that out of all my relatives, I’m the only cannibal.
”
”
Jarod Kintz (This Book Has No Title)
“
Cold?” Christian asks softly and bends to lick and suckle all the ice cream off me once more, his mouth hot compared to the cool of the ice.
Oh my. It’s torture. As it starts to melt, the ice cream runs off me in rivulets on to the bed. His lips continue their slow torture, sucking hard, nuzzling, softly—Oh please!—I’m panting.
“Want some?” And before I can confirm or deny his offer, his tongue is in my mouth, and it’s cold and skilled and tastes of Christian and vanilla. Delicious.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
So, so you think you can tell
Heaven from Hell
Blue skies from pain
Can you tell a green field
From a cold steel rail?
A smile from a veil?
Do you think you can tell?
Did they get you to trade
Your heroes for ghosts?
Hot ashes for trees?
Hot air for a cool breeze?
Cold comfort for change?
And did you exchange
A walk on part in a war
For a lead role in a cage?
How I wish, how I wish you were here
We're just two lost souls
Swimming in a fish bowl
Year after year
Running over the same old ground
What have we found?
The same old fears
Wish you were here
”
”
David Gilmour
“
Perhaps, after all, our best thoughts come when we are alone. It is good to listen, not to voices but to the wind blowing, to the brook running cool over polished stones, to bees drowsy with the weight of pollen. If we attend to the music of the earth, we reach serenity. And then, in some unexplained way, we share it with others.
”
”
Gladys Taber
“
I want you, Elsie. All the time. I think of you. All. The. Fucking. Time. I’m distracted. I’m shit at work. And my first instinct, the very first time I saw you, was to run away. Because I knew that if we’d start doing this, we would never stop. And that’s exactly how it is. There is no universe in which I’m going to let you go. I want to be with you, on you, every second of every day. I think – I dream of crazy things. I want you to marry me tomorrow so you can go on my health insurance. I want to lock you in my room for a couple of weeks. I want to buy groceries based on what you like. I want to play it cool, like I’m attracted to you and not obsessed out of my mind, but that’s not where I’m at. Not at all. And I need you to keep us in check. I need you to pace us, because wherever it is that we’re going… I’m here. I’m already right here.
”
”
Ali Hazelwood (Love, Theoretically)
“
The concept of time, as it’s commonly understood by normal
people with normal jobs and normal goddamn lives, doesn’t
exist on the road. The nights spread out like the dark,
godforsaken highways that distinguish them, and the days run
together like Thanksgiving dinner smothered in gravy. You
never really know where you are or what time it is, and the outside
world starts to fade away.
It’s cool.
”
”
Tiffanie DeBartolo (How to Kill a Rock Star)
“
YEAH, I KNOW. You guys are going to read about how I died in agony, and you’re going be like, “Wow! That sounds cool, Magnus! Can I die in agony too?” No. Just no. Don’t go jumping off any rooftops. Don’t run into the highway or set yourself on fire. It doesn’t work that way. You will not end up where I ended up.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
In middle school, my friends decided I was weird, and they didn’t like my hair. They ditched me and talked behind my back, which is cool — I’m over it. [laughs] One time I called them and said, “Hey, do you want to go to the Berkshire Mall?” They all gave me excuses and said no. So I go to the mall with my mom, and don’t you know, we run into all of them. Together. Shopping. My mom could see I was about to cry, so she said, “You know what? We’re going to the King of Prussia mall,” which was the mecca.
”
”
Taylor Swift
“
Like many fly fishermen in western Montana where the summer days are almost Arctic in length, I often do not start fishing until the cool of the evening. Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise.
Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of those rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs.
I am haunted by waters.
”
”
Norman Maclean (A River Runs Through It)
“
Eleven o'clock had come and gone. I had to find a way to bring this conversation to a successful conclusion and get out of there. But before I could say anything, she suddenly asked me to hold her.
'Why?' I asked, caught off guard.
'To charge my batteries,' she said.
'Charge your batteries?'
'My body has run out of electricity. I haven't been able to sleep for days now. The minute I get to sleep I wake up, and then I can't get back to sleep. I can't think. When I get like that, somebody has to charge my batteries. Otherwise, I can't go on living. It's true.'
I peered into her eyes, wondering if she was still drunk, but they were once again her usual cool, intelligent eyes. She was far from drunk.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
The world you see is just a movie in your mind.
Rocks dont see it.
Bless and sit down.
Forgive and forget.
Practice kindness all day to everybody
and you will realize you’re already
in heaven now.
That’s the story.
That’s the message.
Nobody understands it,
nobody listens, they’re
all running around like chickens with heads cut
off. I will try to teach it but it will
be in vain, s’why I’ll
end up in a shack
praying and being
cool and singing
by my woodstove
making pancakes.
”
”
Jack Kerouac (The Portable Jack Kerouac (Portable Library))
“
Beware, Underlanders, time hangs by a thread.
The hunters are hunted, white water runs red.
The Gnawers will strike to extinguish the rest.
The hope of the hopeless resides in a quest.
An Overland warrior, a son of the sun,
May bring us back light, he may bring us back none.
But gather your neighbors and follow his call
Or rats will most surely devour us all.
Two over, two under, of royal descent,
Two flyers, two crawlers, two spinners assent.
One gnawer beside and one lost up ahead.
And eight will be left when we count up the dead.
The last who will die must decide where he stands.
The fate of the eight is contained in his hands.
So bid him take care, bid him look where he leaps,
As life may be death and death life again reaps.
”
”
Suzanne Collins (Gregor the Overlander (Underland Chronicles, #1))
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
“
They stood in the pool of lantern light, the house still around them. She placed a hand to calm his still heaving chest, the heat of his body fresh from travel. The coolness of her hand made him start, then he pulled her close. It was more than her body he needed.
”
”
Leslie K. Simmons (Red Clay, Running Waters)
“
Of course, now I am too old to be much of a fisherman, and now of course I usually fish the big waters alone, although some friends think I shouldn’t. Like many fly fishermen in western Montana where the summer days are almost Arctic in length, I often do not start fishing until the cool of the evening. Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise.
Eventually, all things merge into one, and a river runs through it. The river was cut by the world’s great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs.
I am haunted by waters.
”
”
Norman Maclean (A River Runs Through It and Other Stories)
“
Newtonian physics runs into problems at the subatomic level. Down there--in the land of hadrons, quarks, and Schrödinger's cat--things gent freaky. The cool rationality of Isaac Newton gives way to the bizarre unpredictability of Lewis Carroll.
”
”
Daniel H. Pink (Drive: The Surprising Truth About What Motivates Us)
“
Live. And Live Well.
BREATHE. Breathe in and Breathe deeply.
Be PRESENT. Do
not be past. Do not be future. Be now.
On a crystal clear, breezy 70 degree day,
roll down the windows and
FEEL the wind against your skin. Feel the warmth of
the sun.
If you run, then allow those first few breaths on a cool Autumn day to
FREEZE your lungs and do not just be alarmed, be ALIVE.
Get knee-deep in a novel
and LOSE track of time.
If you bike, pedal HARDER and if you crash then crash
well.
Feel the SATISFACTION of a job well done-a paper well-written, a project
thoroughly completed, a play well-performed.
If you must wipe the snot from your
3-year old's nose, don't be disgusted if the Kleenex didn't catch it all
because soon he'll be wiping his own.
If you've recently experienced loss, then
GRIEVE. And Grieve well.
At the table with friends and family, LAUGH.
If you're
eating and laughing at the same time, then might as well laugh until you puke.
And if you eat, then SMELL.
The aromas are not impediments to your day. Steak on
the grill, coffee beans freshly ground, cookies in the oven.
And TASTE.
Taste every ounce of flavor.
Taste every ounce of friendship.
Taste every ounce of Life.
Because-it-is-most-definitely-a-Gift.
”
”
Kyle Lake
“
A little present from my run-in with a sword. Or should I say from when the sword had a run-in with me?” His eyes lit up.
“Want to see the scar? It’s cool.” He started pulling his shirt out of his pants.
“Janco,” Ari warned. “We’re not supposed to be fraternizing with the Sitians.”
“But she’s not Sitian. Right, Yelena? You haven’t gone south on us, have you?” Janco’s voice held mock horror.
“Because if you have I can’t give you your present.”
I took my switchblade out, showing the inscription to Janco. “What about ‘Sieges weathered, fight together, friends forever’? Does that change if I become an official southerner?”
Janco rubbed the hair on his chin, considering.
“No,” Ari said. “You could change into a goat and it would still apply.
”
”
Maria V. Snyder (Magic Study (Study, #2))
“
Whether it's good for anything or not, cool or totally uncool, in the final analysis what's most important is what you can't see but can feel in your heart.
”
”
Haruki Murakami (What I Talk About When I Talk About Running)
“
That's why I always keep a handful of silver glitter in my pockets. If I get pushed into a conversational corner I throw the glitter into the air, and while the person I'm talking to is distracted, I run away. An additional benefit is that I look like a cool magician, so I've got that going for me.
”
”
Jon Acuff
“
She kept her stare locked on his as she let go of his face and slowly, making sure he understood every step of the way,tilted her head back until her throat was arched and bared before him.
"Aelin," he breathed. Not in reprimand or warning, but... a plea. It sounded like a plea. He lowered his head to her exposed neck and hovered a hair's breath away.
She arched her neck farther, a silent invitation.
Rowan let out a soft groan and grazed his teeth against her skin.
One bite, one movement, was all it would take for him to rip out her throat.
His elongated canines slid along her flesh-gently, precisely. She clenched the sheets to keep from running her fingers down on his bare back and drawing him closer.
He braced one hand beside her head, his fingers twining in her hair.
"No one else," she whispered. "I would never allow anyone else at my throat." Showing him was the only way he'd understand that trust, in a manner that only the predatory, Fae side of him would comprehend. "No one else," she said again.
He let out another low groan, answer and confirmation and request, and the rumble echoed inside her. Carefully, he closed his teeth over the spot where her lifeblood thrummed and pounded, his breath hot on her skin.
She shut her eyes, every sense narrowing on that sensation, on the teeth and mouth at her throat, on the powerful body trembling with restraint above hers. His tongue flicked against her skin.
She made a small noise that might have been a moan, or a word, or his name. He shuddered and pulled back, the cool air kissing her neck. Wildness-pure wildness sparked in those eyes.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Opposition can be your friend. Opposition can be the fire that tempers the better sword, as well as the ice that cools a fiery temper. Don't ever run from it; learn from it!
”
”
Jack R. Rose (The Cedar Post: The Pristine American Dream)
“
In my mind, I built stairways. At the end of the stairways, I imagined rooms. These were high, airy places with big windows and a cool breeze moving through. I imagined one room opening brightly onto another room until I'd built a house, a place with hallways and more staircases. I built many houses, one after another, and those gave rise to a city -- a calm, sparkling city near the ocean, a place like Vancouver. I put myself there, and that's where I lived, in the wide-open sky of my mind. I made friends and read books and went running on a footpath in a jewel-green park along the harbour. I ate pancakes drizzled in syrup and took baths and watched sunlight pour through trees. This wasn't longing, and it wasn't insanity. It was relief. It got me through.
”
”
Amanda Lindhout (A House in the Sky)
“
There should be more natural disasters. I like those because you can't blame anyone. You can't put an earthquake on trial. You can't send a flood to the chair. Look at the fucking zoo I live in. All these bent up little players running around through the ruins saying, "Isn't this groovy and decadent? Cool!" Looking like Death and thinking they're something. I would like to help. I really would. I wonder if the guy at the gun store would give me a discount on the bullets I'll need if I told him what I was up to.
”
”
Henry Rollins (Eye Scream)
“
We should go back inside," she said, in a half whisper. She did not want to go back inside. She wanted to stay here, with Will achingly close, almost leaning into her. She could feel the heat that radiated from his body. His dark hair fell around the mask, into his eyes, tangling with his long eyelashes. "We have only a little time-"
She took a step forward-and stumbled into Will, who caught her. She froze-and then her arms crept around him, her fingers lacing themselves behind his neck. Her face was pressed against his throat, his soft hair under her fingers. She closed her eyes, shutting out the dizzying world, the light beyond the French windows, the glow of the sky. She wanted to be here with Will, cocooned in this moment, inhaling the clean sharp scent of him., feeling the beat of his heart against hers, as steady and strong as the pulse of the ocean.
She felt him inhale. "Tess," he said. "Tess, look at me."
She raised her eyes to his, slow and unwilling, braced for anger or coldness-but his gaze was fixed on hers, his dark blue eyes somber beneath their thick black lashes, and they were stripped of all their usual cool, aloof distance. They were as clear as glass and full of desire. And more than desire-a tenderness she had never seen in them before, had never even associated with Will Herondale. That, more than anything else, stopped her protest as he raised his hands and methodically began to take the pins from her hair, one by one.
This is madness, she thought, as the first pin rattled to the ground. They should be running, fleeing this place. Instead she stood, wordless, as Will cast Jessamine's pearl clasps aside as if they were so much paste jewelry. Her own long, curling dark hair fell down around her shoulders, and Will slid his hands into it. She heard him exhale as he did so, as if he had been holding his breath for months and had only just let it out. She stood as if mesmerized as he gathered her hair in his hands, draping it over one of her shoulders, winding her curls between his fingers. "My Tessa," he said, and this time she did not tell him that she was not his.
"Will," she whispered as he reached up and unlocked her hands from around his neck. He drew her gloves off, and they joined her mask and Jessie's pins on the stone floor of the balcony. He pulled off his own mask next and cast it aside, running his hands through his damp black hair, pushing it back from his forehead. The lower edge of the mask had left marks across his high cheekbones, like light scars, but when she reached to touch them, he gently caught at her hands and pressed them down.
"No," he said. "Let me touch you first. I have wanted...
”
”
Cassandra Clare
“
Just run away from your problems if you want cause sometimes we need a time to think and cool down a bit before making a decision.
”
”
Adel Sakura
“
Yeah, I get it; you're a vampire," she said. "Creepy. And okay, a little hot, I admit."
"You don't mean that."
"Come on. I still like you, you know, even if you... crave plasma."
Michael blinked and looked at her as if he had never seen her before.
"You what?"
"Like. You." Eve enunciated slowly, as if Michael might not know the words. "Idiot. I always have. What, you didn't know?" Eve sounded cool and grown-up about it, but Claire saw the hectic color in her cheeks, under the makeup.
"How clueless are you? Does it come with the fangs?"
"I guess I... I just thought... Hell. I just didn't think... You're kind of intimidating, you know."
"I'm intimidating? Me? I run like a rabbit from trouble, mostly," Eve said.
"It's all show and makeup. You're the one who's intimidating. I mean, come on. All that talent, and you look... Well, you know how you look."
" How do I look?" He sounded fascinated now, and he'd actually moved a little closer to Eve on the couch.
She laughed. "Oh come on. You're a total model-babe."
"You're kidding."
"You don't think you are?"
He shook his head.
"Then you're kind of an idiot, Glass. Smart, but and idiot." Eve crossed her arms.
“So? What exactly do you think about me, except that I’m intimidating?”
“I think you’re…you’re…ah, interesting?” Michael was amazingly bad at this, Claire thought, but then he saved it by looking away and continuing. “I think you’re beautiful. And really, really strange.”
Eve smiled and looked down, and that looked like a real blush, under the rice powder. “Thanks for that, “ she said, “I never thought you knew I existed, or if you did, that you thought I was anything but Shane’s bratty freak friend.”
“Well, to be fair, you are Shane’s bratty freak friend.”
“Hey!”
“You can be bratty and beautiful,” Michael said. “I think it’s interesting.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
His laugh rumbled against me. Eyes closed, the wind roaring like a wild animal, I adjusted my position, gripping him tighter. My knuckles brushed one of his wings- smooth and cool like silk, but hard as stone with it stretched taut.
Fascinating. I blindly reached again... and dared to run a fingertip along some inner edge.
Rhysand shuddered, a soft groan slipping past my ear. "That," he said tightly, "is very sensitive".
I snatched my finger back, pulling away far enough to see his face. With the wind, I had to squint, and my braided hair ripped this way and that, but- he was entirely focused on the montains around us. "Does it tickle?"
He flicked his gaze to me, then on the snow and pine that went on forever. "It feels like this," he said, and learned in so close that his lips brushed the shell of my ear as he sent a gentle breath into it. My back arched on instinct, my chin tipping up at the carees of that breath.
"Oh", I managed to say. I felt him smile against my ear and pull away.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Ah, drink again
This river that is the taker-away of pain,
And the giver-back of beauty!
In these cool waves
What can be lost?--
Only the sorry cost
Of the lovely thing, ah, never the thing itself!
The level flood that laves
The hot brow
And the stiff shoulder
Is at our temples now.
Gone is the fever,
But not into the river;
Melted the frozen pride,
But the tranquil tide
Runs never the warmer for this,
Never the colder.
Immerse the dream.
Drench the kiss.
Dip the song in the stream.
”
”
Edna St. Vincent Millay
“
nightly boiling and then cooling a broth of freshly pounded fudano leaves in which she soaked her feat -and the pale palms of her hands- to an inky blackness. When Kunta asked his mother she told him to run along. So he asked his father, who told him, "The more blackness a woman has the more beautiful she is.
”
”
Alex Haley (Roots: The Saga of an American Family)
“
This dim coolness of my room was to the broad daylight of the street what the shadow is to the sunbeam, that is to say equally luminous, and presented to my imagination the entire panorama of summer, which my senses, if I had been out walking, could have tasted and enjoyed only piecemeal; and so it was quite in harmony with my state of repose which (thanks to the enlivening adventures related in my books) sustained, like a hand reposing motionless in a stream of running water, the shock and animation of a torrent of activity.
”
”
Marcel Proust
“
To tell you the truth, I prefer just your average, run-of-the-mill, everyday jackass with his glass-eyed, slack-jawed obliviousness to the guys who try to hijack my cool by reading poetry and listening to halfway-good music. I worked hard for my cool. I got my ass kicked in middle school for my cool. I came by this shit honestly.
”
”
John Green (Will Grayson, Will Grayson)
“
To me, the raveled sleeve of care is never more painlessly knitted up than in an evening alone in a chair snug yet copious, with a good light and an easily held little volume sloppily printed and bound in inexpensive paper. I do not ask much of it - which is just as well, for that is all I get. It does not matter if I guess the killer, and if I happen to discover, along around page 208, that I have read the work before, I attribute the fact not to the less than arresting powers of the author, but to my own lazy memory. I like best to have one book in my hand, and a stack of others on the floor beside me, so as to know the supply of poppy and mandragora will not run out before the small hours. In all reverence I say Heaven bless the Whodunit, the soothing balm on the wound, the cooling hand on the brow, the opiate of the people."
--Book review Of Ellery Queen: The New York Murders, from Esquire, January 1959
”
”
Dorothy Parker (The Portable Dorothy Parker)
“
Silence is a frightening thing. Silences leaves us at the mercy of the noise within us. We hear the fears that need to be faced. We hear, then, the angers that need to be cooled. We hear the emptiness that needs to be filled. We hear the cries for humility and reconciliation and centeredness. We hear ambition and arrogance and attitudes of uncaring awash in the shallows of the soul. Silence demands answers. Silence invites us to depth. Silence heals what hoarding and running will not touch.
”
”
Joan D. Chittister (Wisdom Distilled from the Daily: Living the Rule of St. Benedict Today)
“
Mirabelle loved the forest. It was cool and full of shadows and little shifting pools of sunlight. It was strange and secret, full of unknown things, magic things perhaps. It sheltered flocks of colored birds, and rabbits and squirrels and the big-eyed, delicate-footed deer. It breathed with the scent of flowers and the sound of running water, and at night it held all the stars in its branches.
”
”
Margaret Greaves (A Net to Catch the Wind)
“
The following night she came to his bed and she came every night for nine nights running, pushing the door shut and latching it and turning in the slatted light at God knew what hour and stepping out of her clothes and sliding cool and naked against him in the narrow bunk all softness and perfume and the lushness of her black hair falling over him and no caution to her at all. Saying I dont care I dont care. Drawing blood with her teeth where he held the heel of his hand against her mouth that she not cry out.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
And you think that's it? All is forgiven and he'll just be cool with me having Storm King's grandchildren because we're all united in some super team? That's naive."
Dorian's face suddenly hardened. "Equally naive is the thought that I would carelessly allow him to do anything to you or your children. How many times do I have to convince you of my protection? Do you really think that if he comes back here and attempts to harm one hair on your head, I'll allow it? Eugenie, if he so much as looks at you in a way I don't like, Rurik and his conspirators over there won't have a chance to act because I'll have long since run that bastard kitsune through myself." Dorian's tone astonishingly became light and easy again. "Now then. I wonder where we'll be making camp tonight.
”
”
Richelle Mead (Shadow Heir (Dark Swan, #4))
“
I run to the high mountains
I pour my heart out to the skies
I sing of the summer song
While the sky above dance in the yellow light.
The cool breeze fools the sun above
Takes a run, wins the mighty fight.
Your light then comes to me with warmth,
A view my heart wants.
Love to me is the song you write.
The tricks you play with the endless sky
And with the icy wind you find a disguise.
You burn me like sun that burns up
In the blue abyss.
With the ink of my emotions
You write a song of Fire and Ice.
”
”
Jaishree Garg
“
Wish You Were Here"
So, so you think you can tell Heaven from Hell, blue skies from pain.
Can you tell a green field from a cold steel rail?
A smile from a veil?
Do you think you can tell?
Did they get you to trade your heroes for ghosts?
Hot ashes for trees?
Hot air for a cool breeze?
Cold comfort for change?
Did you exchange a walk on part in the war for a lead role in a cage?
How I wish, how I wish you were here.
We're just two lost souls swimming in a fish bowl, year after year,
Running over the same old ground.
What have we found?
The same old fears.
Wish you were here.
”
”
David Gilmour
“
I'd make oatmeal cookies."
"Cookies?"
"I would. That's just what I would do."
"Why?"
He lifts one hand from the steering wheel and pinches his chin. "Because the world is changing so fast all the time. There's nothing you can do but just say, 'cool,' and roll with it. But some things can stay the same. Flour is still flour. Vanilla still smells like vanilla. Say a giant fireball is motoring toward us right now from Alha Centauri. Okay, universe. You expect us to run and scream and kill one another? Sorry, we're making oatmeal freaking cookies.
”
”
R.A. Nelson (Breathe My Name)
“
...love, as I have heard say, sometimes flies and sometimes walks; with this one it runs, with that it moves slowly; some it cools, others it burns; some it wounds, others it slays; it begins in the course of its desires, and at the same moment completes and end it; in the morning it will lay siege to a fortress and by night will have taken it, for there is no power than can resist it.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
If you asked most kids, “Hey, you want to summon fire or lightning or magical makeup?” they’d think it sounded pretty cool. But those powers went along with hard stuff, like sitting in a sewer in the middle of winter, running from monsters, losing your memory, watching your friends almost get cooked, and having dreams that warned you of your own death.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
With shaking fingers, I turn the key and crank the ignition. When I rev the engine, I figure there’s no way it’s running with more RPMs than my libido is at this very moment. If Cash doesn’t cool it, I’ll be sitting in a puddle within the hour.
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
A reaper emerges from the crowd with glossy, black wings, and Akila takes off her headset and runs dizzily over. She puts her arms around me and says, I am so happy right now. I do my best to be cool about this contact, but it has never happened before, and I pat her awkwardly on the shoulder, terrified that a too-enthusiastic reciprocation will alert her to her error, like the way a white person might raise a jungle cat from birth and be pals for a time until the cat turns five and realizes it is, in fact, a carnivore. If I’m honest, all my relationships have been like this, parsing the intent of the jaws that lock around my head. Like, is he kidding, or is he hungry? In other words, all of it, even the love, is a violence.
”
”
Raven Leilani (Luster)
“
depression is stupid and not a thing that makes me a better writer. one time i went a whole year without writing and i stayed in bed and drank. fuck your bukowskisms. i want sunlight and love and running down some street i’ve never been on where it’s warm and cool at the same time and i’m smiling. i want nothing to ever be bad again- and i don’t mean that i want a life free of conflict, i mean that i want a life free of meaningless conflict. not being able to will oneself to take a shower or leave the house is meaningless. there is nothing to be gained, no lesson to be learned from that kind of life. my heart is stale, my prose is stale. give me fire if you want to hurt me. give me something i can taste. there’s nothing romantic or mysterious about where i am. there’s nothing here worth holding onto.
”
”
Joshua Espinoza
“
He filled his hands with the cool, clean liquid and washed his face, running a wet hand across his neck, down to his pecs, then looked around. “I…” Seeing Dan, he stopped, and smiled. “Adore you.”
Dan was about to laugh at the words, but the laughter got stuck in his throat and he tilted his head, smiling. “Why?” Reaching for the tap with hot water to clean himself up.
Vadim only stepped out of the way enough to allow Dan to wash himself, lips finding Dan’s hot skin, smelling the fresh sweat, and his hair. “Because….you can make this stop.” Vadim touched his temple. “You can kill all thoughts, all memories.”
Dan shut the tap off, dried his cock and tucked himself back in, biding his time. Turning back to Vadim, he raised his hand and touched the temple at the same place, caressing the short hair. “All bad memories?”
Vadim leaned in to kiss Dan’s wrist. “Everything. Those, too, I don’t care about them anymore, and then they’re gone.” He placed a hand on Dan’s ass and pulled him close and around enough, to kiss him. “You….” He murmured, “would blank out the sun, Dan. Everything.
”
”
Aleksandr Voinov (Special Forces - Mercenaries Part I (Special Forces, #2 part 1))
“
Whether it's good for anything or not, cool or totally uncool, in the final analysis what's most important is what you can't see but can feel in your heart. To be able to grasp something of value, sometimes you have to perform seemingly inefficient acts. But even activities that appear fruitless don't necessarily end up so.
”
”
Haruki Murakami (What I Talk About When I Talk About Running)
“
My mom always said, there are two kinds of love in this world: the steady breeze, and the hurricane.
The steady breeze is slow and patient. It fills the sails of the boats in the harbor, and lifts laundry on the line. It cools you on a hot summer’s day; brings the leaves of fall, like clockwork every year. You can count on a breeze, steady and sure and true.
But there’s nothing steady about a hurricane. It rips through town, reckless, sending the ocean foaming up the shore, felling trees and power lines and anyone dumb or fucked-up enough to stand in its path. Sure, it’s a thrill like nothing you’ve ever known: your pulse kicks, your body calls to it, like a spirit possessed. It’s wild and breathless and all-consuming.
But what comes next?
“You see a hurricane coming, you run.” My mom told me, the summer I turned eighteen. “You shut the doors, and you bar the windows. Because come morning, there’ll be nothing but the wreckage left behind.”
Emerson Ray was my hurricane.
Looking back, I wonder if mom saw it in my eyes: the storm clouds gathering, the dry crackle of electricity in the air. But it was already too late. No warning sirens were going to save me. I guess you never really know the danger, not until you’re the one left, huddled on the ground, surrounded by the pieces of your broken heart.
It’s been four years now since that summer. Since Emerson. It took everything I had to pull myself back together, to crawl out of the empty wreckage of my life and build something new in its place. This time, I made it storm-proof. Strong. I barred shutters over my heart, and found myself a steady breeze to love. I swore, nothing would ever destroy me like that summer again.
I was wrong.
That’s the thing about hurricanes. Once the storm touches down, all you can do is pray.
”
”
Melody Grace (Unbroken (Beachwood Bay, #1))
“
I wonder now about Demeter and Persephone. Maybe Persephone was glad to run off with the king of death to his underground realm, maybe it was the only way she could break away from her mother, maybe Demeter was a bad parent the way Lear was a bad parent, denying nature, including the nature of children to leave their parents. Maybe Persephone thought Hades was the infinitely cool older man who held the knowledge she sought, maybe she loved the darkness, the six months of winter, the sharp taste of pomegranates, the freedom from her mother, maybe she knew that to be truly alive death had to be part of the picture just as winter must. It was as the queen of hell that she became an adult and came into power. Hades’s realm is called the underworld, and so are the urban realms of everything outside the law. And as in Hopi creation myths, where humans and other beings emerge from underground, so it’s from the underground that culture emerges in this civilization.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years.
”
”
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
“
Are you all right?" A crease appears between his eyebrows, and he touches my cheek gently.I bat his hand away.
"Well," I say, "first I got reamed out in front of everyone,and then I had to chat with the woman who's trying to destroy my old faction,and then Eric almost tossed my friends out of Dauntless,so yeah,it's shaping up to be a pretty great day,Four."
He shakes his head and looks at the dilapidated building to his right, which is made of brick and barely resembles the sleek glass spire behind me. It must be ancient.No one builds with brick anymore.
"Why do you care,anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn't mean to use it so flippantly,but it's too late now. "You can't play both parts at the same time."
"I am not cruel." He scowls at me. "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call your ranking a result of my favoritism rather than your skill."
I open my mouth to object,but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands.
"You didn't have to insult me to prove something to them," I say finally.
"And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides-it worked,didn't it?"
"At my expense."
"I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you.That you are capable of being hurt."
I slide my hands into my pockets and rock back on my heels.A strange feeling goes through me-a sweet,aching weakness. He did what he did because he believed in my strength.
At home it was Caleb who was strong,because he could forget himself,because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength.
I stand on my tiptoes, lift my head, and kiss him.Only our lips touch.
"You're brilliant,you know that?" I shake my head. "You always know exactly what to do."
"Only because I've been thinking about this for a long time," he says, kissing my briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend,Tris?"
"Not exactly." I shrug. "Why? Do you want me to?"
He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous.
"Yes," he finally says. Then his smile fades. "You think we convinced him you're just a silly girl?"
"I hope so," I say.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
It's not such a bad thing to always have something to do, someone to meet, work to complete, trains to catch, beers to drink, marathons to run, classes to attend. By the time some women find someone to whom they'd like to commit and who'd like to commit to them, perhaps it's not such a bad thing that they will have, if they were lucky, soaked in their cities and been wrung dry by them, that those who marry later, after a life lived single, may experience it as the relief of slipping between cool sheets after having been out all night.
”
”
Rebecca Traister (All the Single Ladies)
“
It was so stupid, and random, but at that second, with the morning sun hitting her auburn hair, and her huge brown eyes fixed on him, the lock flew off the “do-not-allow-yourself-to-even-think-about-it” portion of his brain, and every feeling he ever had for her—feelings he never even realized he had for her—flooded over him like a tidal wave. Love, tenderness, desire—it hit him so hard he had to excuse himself, go to the men’s room, rest his forehead against the cool metal of the bathroom stall, breathing heavily, wondering what the hell had just happened. It left him exhausted and spent, as if he’d just run a hundred miles.
And almost a year later, he was still exhausted, spent, frustrated … and madly in love.
”
”
Claire Matthews (Intimate Friends)
“
Yeah,” he muttered, bent and kissed her jaw then moved from the bed thinking that if she wasn’t cool with taking him ungloved, he was buying a fucking case of condoms and stashing them everywhere so they’d never run out. Her house. Her Cayenne. His truck. His wallet. Her wallet. His workout bag. His office. The club. Her nightstand. His bedroom at home.
Every-fucking-where.
Dozens of those fuckers.
”
”
Kristen Ashley (The Will (Magdalene, #1))
“
Mary Magdalene
With wandering eyes and aimless zeal,
She hither, thither, goes;
Her speech, her motions, all reveal
A mind without repose.
She climbs the hills, she haunts the sea,
By madness tortured, driven;
One hour's forgetfulness would be
A gift from very heaven!
She slumbers into new distress;
The night is worse than day:
Exulting in her helplessness;
Hell's dogs yet louder bay.
The demons blast her to and fro;
She has not quiet place,
Enough a woman still, to know
A haunting dim disgrace.
A human touch! a pang of death!
And in a low delight
Thou liest, waiting for new breath,
For morning out of night.
Thou risest up: the earth is fair,
The wind is cool; thou art free!
Is it a dream of hell's despair
Dissolves in ecstasy?
That man did touch thee! Eyes divine
Make sunrise in thy soul;
Thou seest love in order shine:-
His health hath made thee whole!
Thou, sharing in the awful doom,
Didst help thy Lord to die;
Then, weeping o'er his empty tomb,
Didst hear him Mary cry.
He stands in haste; he cannot stop;
Home to his God he fares:
'Go tell my brothers I go up
To my Father, mine and theirs.'
Run, Mary! lift thy heavenly voice;
Cry, cry, and heed not how;
Make all the new-risen world rejoice-
Its first apostle thou!
What if old tales of thee have lied,
Or truth have told, thou art
All-safe with Him, whate'er betide
Dwell'st with Him in God's heart!
”
”
George MacDonald
“
Relax enough, and your body becomes so familiar with the cradle-rocking rhythm that you almost forget you’re moving. And once you break through to that soft, half-levitating flow, that’s when the moonlight and champagne show up: “You have to be in tune with your body, and know when you can push it and when to back off,” Ann would explain. You have to listen closely to the sound of your own breathing; be aware of how much sweat is beading on your back; make sure to treat yourself to cool water and a salty snack and ask yourself, honestly and often, exactly how you feel. What could be more sensual than paying exquisite attention to your own body? Sensual counted as romantic, right?
”
”
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
“
DD/MM/YYYY was not an ordinary day.
Early in the morning, before the sunrise, a Baby Girl Fairy was dropped from the Fairy Lands to the Earth.
There were songs of joys and rejoices everywhere.
Cool breeze was playing and running across the meadows.
Dew drops were dancing and floating over the leaves.
Birds were swaying and singing in chorus:
"Happy Birthday Happy Birthday Happy Birthday (Name),
Happy Birthday Happy Birthday Happy Birthday to you.
”
”
Malik Adnan Ahmad
“
Thus, to give an obvious instance, if I have once enjoyed the cool shade of a tree, and been lulled into a deep repose by the sound of a brook running at its feet, I am sure that wherever I can find a tree and a brook, I can enjoy the same pleasure again. Hence, when I imagine these objects, I can easily form a mystic personification of the friendly power that inhabits them, Dryad or Naiad, offering its cool fountain or its tempting shade. Hence the origin of the Grecian mythology.
”
”
William Hazlitt
“
So I pulled a gun on him and demanded his wallet.”
The soda in my mouth becomes the soda in my nose. “You had a gun?” I cough and sputter into my napkin.
Mom’s eyes go round and she pressed her finger to her lips, mouthing, “Shhh!”
“Where did you get a gun?” I hiss.
“Oliver lent it to me. He was always looking out for me. Told me to shoot first and run. He said the asking-questions-later part was for the police.” She grins at my expression. “Does that earn me cool points?”
I swirl a fry in the mound of ketchup on my plate. “You want cool points for pulling a gun on my father?” I say it with all the appropriate disdain and condescension it deserves, but deep down, we both know she gets mega cool points for it.
“Psh.” She waves her hand. “I didn’t even know whether or not it would fire. And anyway, he didn’t hand me his wallet. He propositioned me instead.”
“Okay. Ew.”
“Not like that, you brat.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
She points at two big steps on the back of her bike.
"You have training... somethings? What are they?"
"Feet platforms. My dad made them for my cousin to use. Step on."
"But I don't have a cool helmet with a lightning bolt."
"Your head is hard enough."
"Funny." I steady myself without touching her.
"To the train yard," she says and pushes on the pedals. We don't move.
"Anytime," I tell her.
'You know. While we're still young and beautiful."
She pushes hard again. "You weight a ton."
"You need me to drive?"
"I need momentum, that's all. Get off."
"You're very charming, but you must hear that all the time."
"Get off," she says. "I'll ride, and you run after me and jump on the bike."
"Do many guys ask you out twice?"
"Only the ones with balls.
”
”
Cath Crowley (Graffiti Moon)
“
This is the dream I love the best. I had it once. I’ve tried to make it come back, but it does not. Two wolves are running. That is all. They run by moonlight across an open hillside and then into an oak forest. There is little underbrush and they do not slow. They are not even hunting. They are just running, taking joy in the stretch of their muscles and the cool air flowing into their open jaws. They owe nothing to no one. They have no decisions, no duties, and no king. They have the night and the running, and it is enough for them. I long to be that complete.
”
”
Robin Hobb (Fool's Assassin (The Fitz and the Fool, #1))
“
There is overwhelming evidence that meditation can increase focus and decrease anxiety, depression, and cortisol flooding. There is evidence that it decreases activation in the amygdala, one epicenter of fear in the brain, and increases activity in the prefrontal cortex. People who meditate are able to unstick themselves from cyclical, dangerous thinking and see things from a calmer, more positive perspective. The sympathetic nervous system, or the fight or flight system, is activated by stress. This is the system that gets us ready to run. The counter to this is the parasympathetic nervous system, the resting and digesting system. It lowers heart rate and blood pressure, slows breathing, and directly counters the stress response. Meditation activates the parasympathetic nervous system. It’s literally the antidote to stress. Plus, it’s what all the evolved, cool girls who look good without makeup are doing, according to social media.
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
[N]early every creationist debater will mention the second law of thermodynamics and argue that complex systems like the earth and life cannot evolve, because the second law seems to say that everything in nature is running down and losing energy, not getting more complex. But that's NOT what the second law says; every creationist has heard this but refuses to acknowledge it. The second law only applies to closed systems, like a sealed jar of heated gases that gradually cools down and loses energy. But the earth is not a closed system -- it constantly gets new energy from the sun, and this (through photosynthesis) is what powers life and makes it possible for life to become more complex and evolve. It seems odd that the creationists continue to misuse the second law of thermodynamics when they have been corrected over and over again, but the reason is simple: it sounds impressive to their audience with limited science education, and if a snow job works, you stay with it.
”
”
Donald R. Prothero (Evolution: What the Fossils Say and Why It Matters)
“
Cinder." Kai pulled one leg onto the bank, turning his body so they were facing each other. He took her hands between his and her heart began to drum unexpectedly. Not because of his touch, and not even because of his low, serious tone, but because it occurred to Cinder all at once that Kai was nervous.
Kai was never nervous.
"I asked you once," he said, running his thumbs over her knuckles, "if you thought you would ever be willing to wear a crown again. Not as the queen of Luna, but ... as my empress. And you said that you would consider it, someday."
She swallowed a breath of cool night air. "And ... this is that day?"
His lips twitched, but didn't quite become a smile. "I love you. I want to be with you for the rest of my life. I want to marry you, and, yes, I want you to be my empress."
Cinder gaped at him for a long moment before she whispered, "That's a lot of wanting."
"You have no idea."
She lowered her lashes. "I might have some idea."
Kai released one of her hands and she looked up again to see him reaching into his pocket - the same that had held Wolf's and Scarlet's wedding rings before. His fist was closed when he pulled it out and Kai held it toward her, released a slow breath, and opened his fingers to reveal a stunning ring with a large ruby ringed in diamonds.
It didn't take long for her retina scanner to measure the ring, and within seconds it was filling her in on far more information than she needed - inane worlds like carats and clarity scrolled past her vision. But it was the ring's history that snagged her attention. It had been his mother's engagement ring once, and his grandmother's before that.
Kai took her hand and slipped the ring onto her finger. Metal clinked against metal, and the priceless gem looked as ridiculous against her cyborg plating as the simple gold band had looked on Wolf's enormous, deformed, slightly hairy hand.
Cinder pressed her lips together and swallowed, hard, before daring to meet Kai's gaze again.
"Cinder," he said, "will you marry me?"
Absurd, she thought.
The emperor of the Eastern Commonwealth was proposing to her. It was uncanny. It was hysterical.
But it was Kai, and somehow, that also made it exactly right.
"Yes," she whispered. "I will marry you."
Those simple words hung between them for a breath, and then she grinned and kissed him, amazed that her declaration didn't bring the surge of anxiety she would have expected years ago. He drew her into his arms, laughing between kisses, and she suddenly started to laugh too. She felt strangely delirious.
They had stood against all adversity to be together, and now they would forge their own path to love. She would be Kai's wife. She would be the Commonwealth's empress. And she had every intention of being blissfully happy for ever, ever after.
”
”
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
“
There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground.
It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up.
She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground.
She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone.
She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself.
She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face.
To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead.
”
”
Pamela Todd (The Blind Faith Hotel)
“
What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn't it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour rid. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul. But... how to say it?
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
Breath (from the book Blue Bridge)
Whispering to myself
With every step I take,
Trying out names, for I know
There is something yet to be called …..
I know it, something up ahead
Just around the bend
Or over the rise –
A bird taking to the sky
From the edge of a jagged cliff –
A bird floating outwards
In silence ……. A silence
Waiting for a footstep
To crunch on stones,
For a voice to fling upward
Through sharp sunlight
With a name…… calling
Before the bird could call
Before the bird called.
Oh the bird was there alright
And sure it took flight
When it heard me approach
But it broke my heart
With a mighty croak!
So I’m sitting here playing
With a purple flower
Slender stem, no leaves
Purple fizz –
And it’s quiet again.
I am still
I am nothing
And the hill
Is a long, long slope
Down, down, down to the sea
Far below.
I could roll
I could run
I could scream
But I am nothing.
A cool wind blows
And the light is naked and nameless
And the rocks are faces of angels
And the bird in the sky wheels
And cries to forget the earth
And its ancient bones –
Oh, sensual pain –
Wings…. Wings…. Wings,
Singing wings.
If only I could begin
To describe the emptiness
Which fills me to the brim
With new breath
I might almost lose my name
And take instead a feather for my soul.
”
”
Jay Woodman
“
It's interesting that penny-pinching is an accepted defense for toxic food habits, when frugality so rarely rules other consumer domains. The majority of Americans buy bottled drinking water, for example, even though water runs from the faucets at home for a fraction of the cost, and government quality standards are stricter for tap water than for bottled. At any income level, we can be relied upon for categorically unnecessary purchases: portable-earplug music instead of the radio; extra-fast Internet for leisure use; heavy vehicles to transport light loads; name-brand clothing instead of plainer gear. "Economizing," as applied to clothing, generally means looking for discount name brands instead of wearing last year's clothes again. The dread of rearing unfashionable children is understandable. But as a priority, "makes me look cool" has passed up "keeps arteries functional" and left the kids huffing and puffing (fashionably) in the dust.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
The fact that Cincinnati thought I resembled him in any way sickened me. It made me want to run and hide. When I was a child in Detroit and terrors chased me, I would run to my hiding spot, a crawl space under the front porch of the boardinghouse we lived in. I’d wedge my small body into the cool brown earth and lie there, escaping the ugliness that was inevitably going on above me. I’d plug my ears with my fingers and hum to block out the remnants of Mother’s toxic tongue or sharp backhand. It became a habit, humming, and a decade later, I was still doing it. Life had turned cold again, the safety of the cocoon under the porch was gone, and lying in the dirt had become a metaphor for my life.
”
”
Ruta Sepetys (Out of the Easy)
“
Why do you care, anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn’t mean to use it so flippantly, but it’s too late now. "You can’t play both parts at the same time."
"I am not cruel." He scowls at me "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call you ranking a result of my favoritism rather than your skill."
I open my mouth to object, but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands.
"You didn't have to insult me to prove something to them," I say finally.
"And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck.
"Besides- it worked, didn't it?"
"At my expense."
"I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you. That you are capable of being hurt."
I slide my hands into my pockets and rock back on my heels. A strange feeling goes through me- a sweet, aching weakness. He did what he did because he believed in my strength.
At home it was Caleb who was strong, because he could forget himself, because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength.
I stand on my tiptoes, lift my head, and kiss him. Only our lips touch.
"You're brilliant. You know that?" I shake my head. "You always know exactly what to do."
"Only because I've been thinking about his for a long time," he says, kissing me briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend, Tris?"
"Not exactly." I shrug. "Why? Do you want me to?"
He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous.
"Yes," he finally says.
”
”
Veronica Roth
“
Oh, don’t be afraid of dreams,” a voice said right next to me. I looked over. Somehow, I wasn’t surprised to find the homeless guy from the rail yard sitting in the shotgun seat. His jeans were so worn out they were almost white. His coat was ripped, with stuffing coming out. He looked kind of like a teddy bear that had been run over by a truck. “If it weren’t for dreams,” he said, “I wouldn’t know half the things I know about the future. They’re better than Olympus tabloids.” He cleared his throat, then held up his hands dramatically: “Dreams like a podcast, Downloading truth in my ears. They tell me cool stuff.” “Apollo?” I guessed, because I figured nobody else could make a haiku that bad. He put his finger to his lips. “I’m incognito. Call me Fred.” “A god named Fred?” “Eh, well…Zeus insists on certain rules. Hands off, when there’s a human quest. Even when something really major is wrong. But nobody messes with my baby sister. Nobody.” “Can
”
”
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
“
What, in nature," Kit asked, "is the most beautiful thing you've seen? Or the most terrible?"
"The Dismals," Giles answered promptly. "A beautiful aberration in the lay of the land--North Alabama. A section mysteriously lowered, strewn with boulders, ferny, mossy, cooler--the vegetation, they say, typical of Canada. There the creek runs clear, but all other Alabama rivers and waterways are muddy with sediment. I even like the name--the Dismals. An eternal place, disjunct with the climate, the time, and its location."
"You think being dismal is an attractive association with eternity?" I asked.
"It is a cool Eden in the Southern summer heat. What's yours, Una?"
"The Kentucky hills in spring. Layers of pink and white--redbud and dogwood."
"And you?" Giles asked Kit.
"Stars," he said. That was all.
”
”
Sena Jeter Naslund (Ahab's Wife, or The Star-Gazer)
“
I haven’t got a clue what this lot’s supposed to mean,” he said, staring down at a long list of calculations. “You know,” said Ron, whose hair was on end because of all the times he had run his fingers through it in frustration, “I think it’s back to the old Divination standby.” “What — make it up?” “Yeah,” said Ron, sweeping the jumble of scrawled notes off the table, dipping his pen into some ink, and starting to write. “Next Monday,” he said as he scribbled, “I am likely to develop a cough, owing to the unlucky conjunction of Mars and Jupiter.” He looked up at Harry. “You know her — just put in loads of misery, she’ll lap it up.” “Right,” said Harry, crumpling up his first attempt and lobbing it over the heads of a group of chattering first years into the fire. “Okay … on Monday, I will be in danger of — er — burns.” “Yeah, you will be,” said Ron darkly, “we’re seeing the skrewts again on Monday. Okay, Tuesday, I’ll … erm …” “Lose a treasured possession,” said Harry, who was flicking through Unfogging the Future for ideas. “Good one,” said Ron, copying it down. “Because of … erm … Mercury. Why don’t you get stabbed in the back by someone you thought was a friend?” “Yeah … cool …” said Harry, scribbling it down, “because … Venus is in the twelfth house.” “And on Wednesday, I think I’ll come off worst in a fight.” “Aaah, I was going to have a fight. Okay, I’ll lose a bet.” “Yeah, you’ll be betting I’ll win my fight.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
”
”
Paul Harding (Tinkers)
“
1
You said ‘The world is going back to Paganism’.
Oh bright Vision! I saw our dynasty in the bar of the House
Spill from their tumblers a libation to the Erinyes,
And Leavis with Lord Russell wreathed in flowers, heralded with flutes,
Leading white bulls to the cathedral of the solemn Muses
To pay where due the glory of their latest theorem.
Hestia’s fire in every flat, rekindled, burned before
The Lardergods. Unmarried daughters with obedient hands
Tended it. By the hearth the white-armd venerable mother
Domum servabat, lanam faciebat. At the hour
Of sacrifice their brothers came, silent, corrected, grave
Before their elders; on their downy cheeks easily the blush
Arose (it is the mark of freemen’s children) as they trooped,
Gleaming with oil, demurely home from the palaestra or the dance.
Walk carefully, do not wake the envy of the happy gods,
Shun Hubris. The middle of the road, the middle sort of men,
Are best. Aidos surpasses gold. Reverence for the aged
Is wholesome as seasonable rain, and for a man to die
Defending the city in battle is a harmonious thing.
Thus with magistral hand the Puritan Sophrosune
Cooled and schooled and tempered our uneasy motions;
Heathendom came again, the circumspection and the holy fears …
You said it. Did you mean it? Oh inordinate liar, stop.
2
Or did you mean another kind of heathenry?
Think, then, that under heaven-roof the little disc of the earth,
Fortified Midgard, lies encircled by the ravening Worm.
Over its icy bastions faces of giant and troll
Look in, ready to invade it. The Wolf, admittedly, is bound;
But the bond wil1 break, the Beast run free. The weary gods,
Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand,
Will limp to their stations for the Last defence. Make it your hope
To be counted worthy on that day to stand beside them;
For the end of man is to partake of their defeat and die
His second, final death in good company. The stupid, strong
Unteachable monsters are certain to be victorious at last,
And every man of decent blood is on the losing side.
Take as your model the tall women with yellow hair in plaits
Who walked back into burning houses to die with men,
Or him who as the death spear entered into his vitals
Made critical comments on its workmanship and aim.
Are these the Pagans you spoke of? Know your betters and crouch, dogs;
You that have Vichy water in your veins and worship the event
Your goddess History (whom your fathers called the strumpet Fortune).
”
”
C.S. Lewis
“
When they turned off, it was still early in the pink and green fields. The fumes of morning, sweet and bitter, sprang up where they walked. The insects ticked softly, their strength in reserve; butterflies chopped the air, going to the east, and the birds flew carelessly and sang by fits.
They went down again and soon the smell of the river spread over the woods, cool and secret. Every step they took among the great walls of vines and among the passion-flowers started up a little life, a little flight.
'We’re walking along in the changing-time,' said Doc. 'Any day now the change will come. It’s going to turn from hot to cold, and we can kill the hog that’s ripe and have fresh meat to eat. Come one of these nights and we can wander down here and tree a nice possum. Old Jack Frost will be pinching things up. Old Mr. Winter will be standing in the door. Hickory tree there will be yellow. Sweet-gum red, hickory yellow, dogwood red, sycamore yellow.' He went along rapping the tree trunks with his knuckle. 'Magnolia and live-oak never die. Remember that. Persimmons will all get fit to eat, and the nuts will be dropping like rain all through the woods here. And run, little quail, run, for we’ll be after you too.'
They went on and suddenly the woods opened upon light, and they had reached the river. Everyone stopped, but Doc talked on ahead as though nothing had happened. 'Only today,' he said, 'today, in October sun, it’s all gold—sky and tree and water. Everything just before it changes looks to be made of gold.'
("The Wide Net")
”
”
Eudora Welty (The Collected Stories)
“
The work I do is not exactly respectable. But I want to explain how it works without any of the negatives associated with my infamous clients. I’ll show how I manipulated the media for a good cause. A friend of mine recently used some of my advice on trading up the chain for the benefit of the charity he runs. This friend needed to raise money to cover the costs of a community art project, and chose to do it through Kickstarter, the crowdsourced fund-raising platform. With just a few days’ work, he turned an obscure cause into a popular Internet meme and raised nearly ten thousand dollars to expand the charity internationally. Following my instructions, he made a YouTube video for the Kickstarter page showing off his charity’s work. Not a video of the charity’s best work, or even its most important work, but the work that exaggerated certain elements aimed at helping the video spread. (In this case, two or three examples in exotic locations that actually had the least amount of community benefit.) Next, he wrote a short article for a small local blog in Brooklyn and embedded the video. This site was chosen because its stories were often used or picked up by the New York section of the Huffington Post. As expected, the Huffington Post did bite, and ultimately featured the story as local news in both New York City and Los Angeles. Following my advice, he sent an e-mail from a fake address with these links to a reporter at CBS in Los Angeles, who then did a television piece on it—using mostly clips from my friend’s heavily edited video. In anticipation of all of this he’d been active on a channel of the social news site Reddit (where users vote on stories and topics they like) during the weeks leading up to his campaign launch in order to build up some connections on the site. When the CBS News piece came out and the video was up, he was ready to post it all on Reddit. It made the front page almost immediately. This score on Reddit (now bolstered by other press as well) put the story on the radar of what I call the major “cool stuff” blogs—sites like BoingBoing, Laughing Squid, FFFFOUND!, and others—since they get post ideas from Reddit. From this final burst of coverage, money began pouring in, as did volunteers, recognition, and new ideas. With no advertising budget, no publicist, and no experience, his little video did nearly a half million views, and funded his project for the next two years. It went from nothing to something. This may have all been for charity, but it still raises a critical question: What exactly happened? How was it so easy for him to manipulate the media, even for a good cause? He turned one exaggerated amateur video into a news story that was written about independently by dozens of outlets in dozens of markets and did millions of media impressions. It even registered nationally. He had created and then manipulated this attention entirely by himself.
”
”
Ryan Holiday (Trust Me, I'm Lying: Confessions of a Media Manipulator)
“
What happened? Stan repeats.
To us?
To the country?
What happened when childhood ends in Dealey Plaza, in Memphis, in the kitchen of the Ambassador, your belief your hope your trust lying in a pool of blood again? Fifty-five thousand of your brothers dead in Vietnam, a million Vietnamese, photos of naked napalmed children running down a dirt road, Kent State, Soviet tanks roll into Prague so you turn on drop out you know you can't reinvent the country but maybe you reimagine yourself you believe you really believe that you can that you can create a world of your own and then you lower that expectation to just a piece of ground to make a stand on but then you learn that piece of ground costs money that you don't have.
What happened?
Altamont, Charlie Manson, Sharon Tate, Son of Sam, Mark Chapman we saw a dream turn into a nightmare we saw love and peace turn into endless war and violence our idealism into realism our realism into cynicism our cynicism into apathy our apathy into selfishness our selfishness into greed and then greed was good and we
Had babies, Ben, we had you and we had hopes but we also had fears we created nests that became bunkers we made our houses baby-safe and we bought car seats and organic apple juice and hired multilingual nannies and paid tuition to private schools out of love but also out of fear.
What happened?
You start by trying to create a new world and then you find yourself just wanting to add a bottle to your cellar, a few extra feet to the sunroom, you see yourself aging and wonder if you've put enough away for that and suddenly you realize that you're frightened of the years ahead of you what
Happened?
Watergate Irangate Contragate scandals and corruption all around you and you never think you'll become corrupt but time corrupts you, corrupts as surely as gravity and erosion, wears you down wears you out I think, son, that the country was like that, just tired, just worn out by assassinations, wars, scandals, by
Ronald Reagan, Bush the First selling cocaine to fund terrorists, a war to protect cheap gas, Bill Clinton and realpolitik and jism on dresses while insane fanatics plotted and Bush the Second and his handlers, a frat boy run by evil old men and then you turn on the TV one morning and those towers are coming down and the war has come home what
Happened?
Afghanistan and Iraq the sheer madness the killing the bombing the missiles the death you are back in Vietnam again and I could blame it all on that but at the end of the day at the end of the day
we are responsible for ourselves.
We got tired, we got old we gave up our dreams we taught ourselves to scorn ourselves to despise our youthful idealism we sold ourselves cheap we aren't
Who we wanted to be.
”
”
Don Winslow (The Kings of Cool (Savages, #1))
“
What a skeletal wreck of man this is.
Translucent flesh and feeble bones,
the kind of temple where the whores and villains try to tempt the holistic domes.
Running rampid with free thought to free form, and the free and clear.
When the matters at hand are shelled out like lint at a
laundry mat to sift and focus on the bigger, better, now.
We all have a little sin that needs venting,
virtues for the rending and laws and systems and stems are ripped
from the branches of office, do you know where your post entails?
Do you serve a purpose, or purposely serve?
When in doubt inside your atavistic allure, the value of a summer spent, and a winter earned.
For the rest of us, there is always Sunday.
The day of the week the reeks of rest, but all we do is catch our breath,
so we can wade naked in the bloody pool, and place our hand on the big, black book.
To watch the knives zigzag between our aching fingers.
A vacation is a countdown, T minus your life and
counting, time to drag your tongue across the sugar cube,
and hope you get a taste.
WHAT THE FUCK IS ALL THIS FOR?
WHAT THE HELL’S GOING ON? SHUT UP!
I can go on and on but lets move on, shall we?
Say, your me, and I’m you, and they all watch the things we do,
and like a smack of spite they threw me down the stairs,
haven’t felt like this in years.
The great magnet of malicious magnanimous refuse, let me go,
and punch me into the dead spout again.
That’s where you go when there’s no one else around,
it’s just you, and there was never anyone to begin with, now was there?
Sanctimonious pretentious dastardly bastards with their thumb on the pulse,
and a finger on the trigger.
CLASSIFIED MY ASS! THAT’S A FUCKING SECRET, AND YOU KNOW IT!
Government is another way to say better…than…you.
It’s like ice but no pick, a murder charge that won’t stick,
it’s like a whole other world where you can smell the food,
but you can’t touch the silverware.
Huh, what luck. Fascism you can vote for.
Humph, isn’t that sweet?
And we’re all gonna die some day, because that’s the American way,
and I’ve drunk too much, and said too little,
when your gaffer taped in the
middle, say a prayer, say a face, get your self together and see what’s happening.
SHUT UP! FUCK YOU! FUCK YOU!
I’m sorry, I could go on and on but
their times to move on so, remember: you’re a wreck, an accident.
Forget the freak, your just nature.
Keep the gun oiled, and the temple cleaned shit snort,
and blaspheme, let the heads cool, and the engine run.
Because in the end, everything we do, is just everything we’ve done.
”
”
Stone Sour (Stone Sour)
“
If he doesn’t get here soon, I’m going to fall asleep, Susan grumbled.
He loved hearing her voice in his head even when she was cranky.
The thought made him smile. I’ve been keeping you up too late.
Not really, she replied. I’ve always been a night owl. I just haven’t been sleeping late the way I usually do.
And had had one scare after another whilst awake.
Did I mention I’m still sore from digging your handsome ass up?
He laughed.
It was totally worth it, of course, she went on.But if we find out you’re single, I might hit you up for a nice long massage.
He cursed when his body immediately responded to the image of her naked and laid out before him, waiting for him to run his hands all over her body. Now who’s flirting?
Ooh, she purred. That’s so cool. Even in your thoughts, your voice deepens and gets all growly when you’re turned on. Before he could respond, she made a sound of impatience.Damn it. Now I’m turned on.
He laughed, delighted that she inspired him to do so even in such grim circumstances.
”
”
Dianne Duvall (Awaken the Darkness (Immortal Guardians #8))
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
"Pounding steps approached in the night. Malachi appeared out of the black, shirtless and dripping despite the cool evening air. (He was out for a run and just returned.) His talesm seemed to glow when he caught sight of her, a low sliver light in the darkness. He said nothing, shooting Rhys a glare as he walked past them and into the house.
'Has he kissed you?' Rhys asked when Malachi was gone.
'Yes, on the island.'
'Was it more than fine?' (She had described Rhy's kiss as 'fine' previous to this scene.)
Her breath left her body in a rush of memories. 'So much more than fine.'
He nudged her shoulder with his own. 'Then don't be stubborn, go to him.'
Fifteen minutes and another glass of wine later, Ava knocked on his door. Malachi opened it, holding a towel. He'd showered, and a few drops of water still clung to his tanned shoulders. He wore a pair of loose pants and a guarded expression.
'What do you want?'
'I kissed Rhys.'
Now she knew she wasn't imagining it. The tattoos pulsed silver in the dim light of the hall. Ava forced her eyes back to Malachi's face which was locked down tight. Only a tic in his jaw told Ava her words have even been heard.
His voice was low and thick with tension. 'Get that out of your system?'
'Felt a little like kissing my brother.'
He dropped the towel and tugged her into the room.'This won't' "
”
”
Elizabeth Hunter (The Scribe (Irin Chronicles, #1))
“
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep black space high up among many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived.
It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of the dots. At length, I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at the very moment with great emotion, in intricate detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which whole worlds of feeling and energy were wrapped, in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.”
And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water…I saw may apples in forest, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided and apples grew striped and spotted in the fall. Mountains kept their cool caves, and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wilds ducks flew, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remembered the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “Yes, that’s how it was then, that part there we called ‘France’”. I was filled with the deep affection of nostalgia- and then I opened my eyes.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
Napoleon I., whose career had the quality of a duel against the whole
of Europe, disliked duelling between the officers of his army. The great military emperor was not a washbuckler, and had little respect for tradition.
Nevertheless, a story of duelling, which became a legend in the army, runs through the epic of imperial wars. To the surprise and admiration of their fellows, two officers, like insane artists trying to gild refined gold or paint the lily, pursued a private contest through the years of universal carnage.
They were officers of cavalry, and their connection with the high-spirited but fanciful animal which carries men into battle seems particularly appropriate.
It would be difficult to imagine for heroes of this legend two officers of infantry of the line, for example, whose fantasy is tamed by much walking exercise, and whose valour necessarily must be of a more plodding kind. As to gunners or engineers, whose heads are kept cool on a diet of mathematics, it is simply unthinkable.
The names of the two officers were Feraud and D'Hubert, and they were both lieutenants in a regiment of hussars, but not in the same regiment. [The duel]
”
”
Joseph Conrad (A Set of Six)
“
Months later, when I rarely saw the Angels, I still had the legacy of the big machine -- four hundred pounds of chrome and deep red noise to take out on the Coast Highway and cut loose at three in the morning, when all the cops were lurking over on 101. My first crash had wrecked the bike completely and it took several months to have it rebuilt. After that I decided to ride it differently: I would stop pushing my luck on curves, always wear a helmet and try to keep within range of the nearest speed limit ... my insurance had already been canceled and my driver's license was hanging by a thread.
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head ... but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz ... not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach.
There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
”
”
Hunter S. Thompson
“
Smiling, Simon stared into the depths of his brandy.
“What a difficult evening you’ve had,” he heard Westcliff remark sardonically. “First you were compelled to carry Miss Peyton’s nubile young body all the way to her bedroom …then you had to examine her injured leg. How terribly inconvenient for you.”
Simon’s smile faded. “I didn’t say that I had examined her leg.”
The earl regarded him shrewdly. “You didn’t have to. I know you too well to presume that you would overlook such an opportunity.”
“I’ll admit that I looked at her ankle. And I also cut her corset strings when it became apparent that she couldn’t breathe.” Simon’s gaze dared the earl to object.
“Helpful lad,” Westcliff murmured.
Simon scowled. “Difficult as it may be for you to believe, I receive no lascivious pleasure from the sight of a woman in pain.”
Leaning back in his chair, Westcliff regarded him with a cool speculation that raised Simon’s hackles. “I hope you’re not fool enough to fall in love with such a creature. You know my opinion of Miss Peyton—”
“Yes, you’ve aired it repeatedly.”
“And furthermore,” the earl continued, “I would hate to see one of the few men of good sense I know to turn into one of those prattling fools who run about pollenating the atmosphere with maudlin sentiment—”
“I’m not in love.”
“You’re in something,” Westcliff insisted. “In all the years I’ve known you, I’ve never seen you look so mawkish as you did outside her bedroom door.”
“I was displaying simple compassion for a fellow human being.”
The earl snorted. “Whose drawers you’re itching to get into.”
The blunt accuracy of the observation caused Simon to smile reluctantly. “It was an itch two years ago,” he admitted. “Now it’s a full-scale pandemic.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping.
My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock.
It was a baby on the beach.
In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb.
With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket.
My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines.
She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.
”
”
Alice Sebold (The Lovely Bones)
“
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t.
Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass.
Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.”
I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
”
”
Bruce Springsteen (Born to Run)
“
Angry heat tightens my skin. “Never took you for a coward,” I blurt.
His head snaps in my direction. “What do you mean by that?”
“You came here tonight for a reason. Why don’t you own up to it?” Before I can think about it, I lean across the center console and stare him directly in the face. “Do you always run from what you want?”
Maybe I’m going out on a limb to imply he wants me, but the pulse throbbing at his neck tells me it’s so. And he is here, after all.
His gaze drops to my mouth. “I can’t think of the last time I had anything I truly wanted,” he says huskily, so low I could hardly hear him. It’s more like I felt him.
His words echo through me, striking a chord so deep that I’m sure there’s a reason for all this. A reason we’ve found each other, first in the mountains and now here. A reason. Something more. Something bigger than coincidence. “Me too.”
He leans across the console. Sliding a hand behind my neck, he tugs my face closer. I move fluid, melting toward him. “Maybe it’s time to change that then.”
At the first brush of his mouth, stinging heat surges through me, shocking me motionless. My veins and skin pop and pulse.
I rise on my knees, clutch his shoulders with clawing fingers, trying to get closer. My hands drift, rounding over his smooth shoulders, skimming down a rock-hard chest. His heart beats like a drum beneath my fingers. My blood burns, lungs expand and smolder. I can’t draw enough air through my nose . . . or at least not enough to chill my steaming lungs.
His hands slide over my cheeks, holding my face. His skin feels like ice to my blistering flesh, and I kiss him harder.
“Your skin,” he whispers against my mouth,” it’s so . . .”
I drink him in, his words, his touch, moaning at his taste, at the sudden burning pull of my skin. The delicious tugging in my back.
He kisses me deeper with cool, dry lips. Moves his hands down my face, along my jaw to my neck. His fingertips graze beneath my ear, and I shiver. “Your skin is so soft, so warm . . .
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
”
”
P.C. Cast (Revealed (House of Night #11))
“
They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.
”
”
George MacDonald (The Princess and Curdie (Princess Irene and Curdie, #2))