Go Ahead Drama Quotes

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I’ve got my Sig and I’m in a car I swiped,” Bert raged on.” I thought of that much ahead. I don’t miss! It’s like candy, Sammy. His car is candy red. Like Valentine’s Day for me!” I ain’t gonna let a perfect moment pass, Sammy. I’m my own man now in this stuff. I done enough already to earn the respect I don’t get. I’m not stupid, so go to bed.
Tom Baldwin (Macom Farm)
You cut my pride into a trillion pieces. I gave you my life, and you broke me, but guess what? I learned I do not have to listen to you. Go ahead and say what you have to say because your words are empty.
Charlena E. Jackson (Dying on The Inside and Suffocating on The Outside)
Everyone has their own drama. If you want to join the others, go ahead if you want to do that. Or, you can stick to your own. Sometimes it’s a lot easier that way.
Art Hochberg
Sometimes instead of creating a scene it’s better to quietly slip out of the scene, practically unseen. It saves a lot of drama, unless of course you’re into more drama in your life, in which case, go ahead and make a scene, see what happens.
Art Hochberg
FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
I’m the kind of patriot whom people on the Acela corridor laugh at. I choke up when I hear Lee Greenwood’s cheesy anthem “Proud to Be an American.” When I was sixteen, I vowed that every time I met a veteran, I would go out of my way to shake his or her hand, even if I had to awkwardly interject to do so. To this day, I refuse to watch Saving Private Ryan around anyone but my closest friends, because I can’t stop from crying during the final scene. Mamaw and Papaw taught me that we live in the best and greatest country on earth. This fact gave meaning to my childhood. Whenever times were tough—when I felt overwhelmed by the drama and the tumult of my youth—I knew that better days were ahead because I lived in a country that allowed me to make the good choices that others hadn’t. When I think today about my life and how genuinely incredible it is—a gorgeous, kind, brilliant life partner; the financial security that I dreamed about as a child; great friends and exciting new experiences—I feel overwhelming appreciation for these United States. I know it’s corny, but it’s the way I feel. If Mamaw’s second God was the United States of America, then many people in my community were losing something akin to a religion. The tie that bound them to their neighbors, that inspired them in the way my patriotism had always inspired me, had seemingly vanished. The symptoms are all around us. Significant percentages of white conservative voters—about one-third—believe that Barack Obama is a Muslim. In one poll, 32 percent of conservatives said that they believed Obama was foreign-born and another 19 percent said they were unsure—which means that a majority of white conservatives aren’t certain that Obama is even an American. I regularly hear from acquaintances or distant family members that Obama has ties to Islamic extremists, or is a traitor, or was born in some far-flung corner of the world. Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor—which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up: His accent—clean, perfect, neutral—is foreign; his credentials are so impressive that they’re frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right—adversity familiar to many of us—but that was long before any of us knew him. President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we’re not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren’t. He wears suits to his job while we wear overalls, if we’re lucky enough to have a job at all. His wife tells us that we shouldn’t be feeding our children certain foods, and we hate her for it—not because we think she’s wrong but because we know she’s right.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
my shoulder. She dropped her knees and let her feet hit the floor. “I’m sorry. I didn’t mean to get so upset.” Her entire demeanor changed. One quick nod from her father, and Aubrey’s tears dried up. Just how much had he overheard? How much had Aubrey told him before I got here? “Fine,” I said. “I’ll try and think of someone I might have seen after I left the park,” she said. “I’m sure there’s someone,” Dan chimed in. “She hasn’t been sleeping since all this started. You understand.” “I do,” I said rising. “But you both need to understand how serious this is. I need complete honesty. No surprises. I can’t sugarcoat things. I’m not your enemy. Whatever you think you have to protect, it can’t be from me. I need to know it all.” “You do,” Dan said. Aubrey folded herself against her father as he wrapped his arms around her. She looked so small. “I’m going to need access to your medical records, your school records. You made a phone call to a friend of yours earlier in the night. Who was that?” Dan and Aubrey exchanged a glance. “Kaitlyn,” she said. “Kaitlyn Taylor. She’s my best friend. I swear I don’t remember what we talked about.” “Fine,” I said. “I’m going to talk to her too. I’m waiting on the medical examiner’s report on Coach D. We’ll have more to talk about when that gets back. In the meantime, anything I ask for, you need to get it for me. No questions. No arguments. This is the rest of your life we’re talking about, Aubrey. Not your mom’s. Not your dad’s. Yours. Do you understand?” She nodded but dropped her head again. “Good,” I said. “I need to be one step ahead of the prosecution at all times. Is there anything in those records I just mentioned that’s going to make me unhappy?” “Aubrey was seeing a therapist a little while back,” Dan said. “Your basic teenage drama.” Aubrey didn’t make eye contact with me. Teenage drama, my ass, I thought. Something was going on with this girl. Something tricky enough that Larry Drazdowski was bothered by it. And I was starting to believe with all my heart her father was at the center of it. Chapter 8 Someone was lying. Someone was always lying. In Aubrey’s case, it was more a lie of omission. And her father was a problem. Instinct told me he’d been coaching her all along. She still trusted
Robin James (Burden of Truth (Cass Leary Legal Thriller #1))
I navigated a couple of sharp curves and then saw another meaningless sign in Cyrillic, so I kept going. And then I was in the entrance of a tunnel. And then I was driving in the tunnel at fifty kilometers per hour and it was pitch-black all around. I was driving blind! I couldn’t see anything ahead or on either side of me. My stunned brain processed the fact that the first thing I had to do was to stop the bike, so I slowly braked while disengaging the gearbox. We passed the town of Katerini, where the road widened and had been improved with shoulders and guardrails along the waterside… I was just about to go to ninety kilometers per hour when we went around a curve and there, straight in front of us, was an enormous mountain with a snow cap. Charlie yelled, “Holy shit! Look at that!” I was awestruck. I knew it was Mt. Olympus, the tallest mountain in Greece and the home of the gods… “Where else could the gods have lived?” I asked.
Tim Scott (Driving Toward Destiny: A Novel)
Do not manhandle me. My answer is no. I'm not for sale." "But you don't have any family left," said Nicolas, raising an eyebrow. The next few moments blurred together into one messed-up vision. A fist flying into Nicolas's nose. A loud crack. Blood splattering on Camille's dress. Rémi putting his arm around me. Jane, Phillipa, and Marie racing up to see what the commotion was all about. The clicks of cameras. A nightmare. "This is private property. You're no longer guests of the château. Leave now," said Rémi as Nicolas scrambled up from the ground. "And stay away, far away from my fiancée, or I'll hunt you down." Jane, Marie, and Phillipa flanked my sides, supporting my shaky body. Phillipa hissed to Nicolas. "You're wrong. Sophie has a family. She has all of us. And her dad." I couldn't help but smile. What Phillipa said was true. I had everything. "He broke my nose," said Nicolas, holding his hand up to his face, blood pouring down like a waterfall. "I'm going to press charges against you, all of you, you pieces of merde." "Go ahead," said Rémi. "We may not be as wealthy as you are, but we're not doing so bad. You can try to destroy us, but if you know Sophie as well as I do, you know she fights back. And hard. Believe me. Nothing, not you, not me, will stand in her way. You're the only one with a reputation to lose---and from what I've read, most people think you're the scum of the earth." Camille walked up the steps. "I'm out of here." She stopped and looked over her shoulder. "I'm sorry, Sophie. I should have known. Small dick, small mind." "I do not have a small dick," screamed Nicolas, his face turning red. The guests from the Sunday lunch clasped their hands over their mouths. I felt like I was the star of a B movie. Who were these people? Cartoon characters? "Oh, yes, you have a small penis. The smallest one I've ever seen," said Camille, winking at me. "And you think with it. Now, take me back to Paris so I can get rid of you. That is, unless you want my Instagram to blow up. Don't forget. I have pictures of your cornichon." Nicolas raced after Camille. "You salope, those pictures are private." Camille placed her hands on her skinny hips. "For now," she said. I had to give Camille credit when it was due; she wasn't a brain-dead model, she was fierce.
Samantha Verant (Sophie Valroux's Paris Stars (Sophie Valroux, 2))
Before he could push me any further, I pressed him back. “I have to get to class,” I protested. “I can’t afford to miss lessons before my Elemental Trials.” “No, we wouldn’t want you to fail The Reckoning, would we?” Caleb teased, moving his mouth across my jaw and working really damn hard to keep me here. “I mean it,” I said on a laugh, pushing him back more firmly. Caleb pouted at me, refusing to step back while he kept me caged in with his body. “Come to Terra House tonight then,” he asked, his navy eyes sparkling with promises. “I won’t be going anywhere tonight, there’s a curfew, remember?” “Those rules don’t apply to me. Besides, I’ll keep you safe if you’re with me. You’ll just have to stay the whole night.” I rolled my eyes at him. “I can keep myself safe, thanks. But now I’m going to be late-” “If I run you to class will you come tonight?” he asked, his mouth slipping to my neck and sending shivers right through my spine. “If you get me there on time, I’ll consider it,” I replied. Caleb glanced at his watch then cursed, sweeping me into his arms before speeding back out of the tiny room. I managed not to shriek like a nine year old on a roller coaster, but I did cling onto his blazer like my life depended on it as the world shot past us in a blur so intense I couldn’t concentrate on a single thing. Caleb skidded to a halt right outside the Fire Arena locker rooms and placed me back on my feet before leaning close to speak in my ear. “One minute to spare. I’ll expect you tonight, sweetheart.” He pressed his mouth to mine and my heart leapt a little at the fact that he’d done so in plain sight. I had no intention of being marked as his in front of the whole school and I pulled back quickly, looking around to make sure no one had seen us. Luckily, we were already so close to being late that everyone else had already headed inside so I was spared the drama. “Don’t go getting ahead of yourself,” I warned as I headed into the girls’ locker room. “I only said I’d consider it.” The door swung closed between us and I bit down on a smile as I headed in to get changed. I almost considered refusing to wear the flame resistant outfit required for the class, but I decided that today wasn’t the day for me to have that argument with Professor Pyro. I’d just have to accept the fact that I wouldn’t have the same level of control over my fire magic as I would without it. But I’d keep practicing without the outfit until I was confident enough to prove her wrong. In the meantime I had to get through this class and hope she would just be pleased that I’d finally managed to get in a training session with Darius. The thought of the Dragon Shifter set me on edge. But I’d known I’d have to face him some time. Hopefully there would be enough going on in class to ensure that that time wouldn’t have to be now. (tory)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
THERE WAS ANOTHER, much bigger risk we took that first season. Based on a literal back-of-a-napkin pitch at a restaurant in Hollywood, ABC’s head of drama had given the go-ahead to a pilot from David Lynch, by then famous for his cult films Eraserhead and Blue Velvet, and the screenwriter and novelist Mark Frost. It was a surreal, meandering drama about the murder of a prom queen, Laura Palmer, in the fictional Pacific Northwest town of Twin Peaks. David directed the two-hour pilot, which I vividly remember watching for the first time and thinking, This is unlike anything I’ve ever seen and we have to do this.
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
It felt like we were on fire. Everything got so hot, it was almost too much to stand. Kissing him, having his body close. I thought of how you feel when you're eating a meal and don't realize how hungry you are till you're three bites in. You start eating faster, savoring every bite. Now I couldn't stop, so I took another kiss, then another. I let his tongue slip into my mouth, and I shivered again. He smiled at my reaction and went in for more. The way his hands started to move over my body gave me the impression he had been there before. I could have stopped, I knew I should have stopped, but all the drama and emotional pain I'd experienced over the last few days made me recklessly ignore that thought. I tore his shirt off. He gasped, which made me giggle. I covered my mouth, and he grabbed my hand and put it around his neck. He scooped me up and I tightened my thighs around his waist. He sat me down on the bar and peeled off my blouse. Any last ounce of Southern lady I had left in me exited the building. I unhooked my bra and threw it across the room. Screw it. If I was going to go ahead and make a mistake, I might as well take the fast lane. We watched it slingshot and land on a booth. "Is the door locked?" he asked, gasping for air. "Think so," I said, taking big gulping breaths. I was drowning and was totally fine with it. "Good," he said. He pulled me to the end of the bar and pulled my shoes off. I hopped off and helped him along by unbuttoning my jeans and wiggling out of them as sexily as I could. He did the same. "Man, you look good enough to eat," he said. "So do you. Take a bite," I said. We were standing about four feet apart and our clothes were all over the floor. I stood there almost naked and drank in the sight of him. He took a few slow steps toward me, like a lion about to jump on his prey, and dug in.
Victoria Benton Frank (My Magnolia Summer)
The boy went ahead with the dog, trudging across the sand, maintaining the same lethargic pace. She watched them go. And as she rinsed the sand from the board, she felt restored, somehow lighter. She wanted her old life back, just the two of them, before all the drama. But it wasn't possible. So she'd have to make do with moments like these: perfect and fleeting.
Samantha Wood
I have come!’’ Kostya yelled in a dramatic manner, tossing his head so the sweep of dark auburnhair that had come down over his forehead was flipped back. ‘‘Hello, everyone! Mayling! Isn’t this exciting?’’ Cyrene called, ruining Kostya’s big moment. He glared at her. ‘‘Oh, I’m so sorry. Go right ahead, punkanoodle. I know you want tomake a good impression on everyone.’’ Even the sigh that Kostya heaved was filled with drama. ‘‘I told you not to call me that! It’s not fitting.’’ ‘‘Sorry,’’ Cyrene said, looking remorseful. ‘‘Forgot. Go ahead, Kostie.’’ Even at the distance we were from the door, I could see Kostya cast a glance upward as he obviously soughtpatience. Gabriel made an odd snorting noise, as if he was trying to hold back laughter. Normally I would have had a hard time keeping my own face straight, but I was more concerned about what Cyrene was doing here than the fact that her personality and Kostya’s were so obviously unsuited to each other.
Katie MacAlister (Up In Smoke (Silver Dragons, #2))
 When St. Kari of the Blade Met Luke Skywalker, Star Wars Jedi Knight  “What’s that?” Kari asked pointing to the silvery object attached to Luke’s waist. “It’s my lightsaber,” Luke said cautiously, not knowing where this was going. “It’s like your sword, only many years advanced.” “I see me thinks,” grinned Kari, “although I cannot see how such a short object labors as a sword. Can you show me how? Here, block my blade.” Kari pull-whipped her sharp, simple straight edge fast and held it so that its steel shaft was stationed off Lukes left shoulder. “I don’t want to ruin your sword,” Luke said with a slight grinning shrug. “It will cut your blade in half.” “No it shan’t. C’mon and try” quipped Kari, her violet-grey eyes dancing with mirth. Luke felt compelled just a little bit to teach the seemingly uncomplicated girl a lesson in advanced blade-play. He struck at her sword, but to his amazement, the laser did not cut through Kari’s antiquated, plain cross-hilt weapon, as it easily should have. She wryed and smiled. “I’ve never seen anything like this,” Luke said eyes widening in surprise. “The only thing that resists a lightsaber cut is Cortosis.” “Let me try cutting at you,” Kari said, her gridelin eyes glittering in delight. As she struck Luke’s sword, the neat humming cylindrical beam of laser light that was Luke’s blade fell as one solid piece to the ground and began to eat itself inward and disappear, both ends vaporizing and fizzling, meeting in the middle and ending with a loud “pop!” “How did you do that?” Skywalker asked in amazement. “What’s your sword made of?” Kari smiled. “My sword is made of adamantine eternal belief. It both cut and resisted your blade because I shalled it to. I am she. All swordplay in the ’Halla exists on the edge of belief, something you will have to learn if you are to survive here whilst your sky-ship is being refitted and rigged out. Learn about the ’Halla, Luke.” Luke awkwardly grimaced. His lightsaber was an amazing piece of advanced technology and here this wispy backwater of a fencing lass had just “out-believed” him, making his well-ahead art of laser swordplay more primitive than the girl’s unadorned straightedge. He remembered Yoda’s words on failure and belief and felt stupid. The word Jedi was not in Kari’s vocabulary, Luke thought, but notwithstanding, she seemed more than a Jedi than he.
Douglas M. Laurent