“
Baby," she says in a harsh whisper, "in this world, lots of people will try to grind you down. They need you to be small so they can be big. You let them think whatever they want, but you make sure you get yours. You get yours.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
Don't exist.
Live.
Get out, explore.
Thrive.
Challenge authority. Challenge yourself.
Evolve.
Change forever.
Become who you say you always will. Keep moving. Don't stop. Start the revolution. Become a freedom fighter. Become a superhero. Just because everyone doesn't know your name doesn't mean you dont matter.
Are you happy? Have you ever been happy? What have you done today to matter? Did you exist or did you live? How did you thrive?
Become a chameleon-fit in anywhere. Be a rockstar-stand out everywhere. Do nothing, do everything. Forget everything, remember everyone. Care, don't just pretend to. Listen to everyone. Love everyone and nothing at the same time. Its impossible to be everything,but you can't stop trying to do it all.
All I know is that I have no idea where I am right now. I feel like I am in training for something, making progress with every step I take. I fear standing still. It is my greatest weakness.
I talk big, but often don't follow through. That's my biggest problem. I don't even know what to think right now. It's about time I start to take a jump. Fuck starting to take. Just jump-over everything. Leap.
It's time to be aggressive. You've started to speak your mind, now keep going with it, but not with the intention of sparking controversy or picking a germane fight. Get your gloves on, it's time for rebirth. There IS no room for the nice guys in the history books.
THIS IS THE START OF A REVOLUTION. THE REVOLUTION IS YOUR LIFE. THE GOAL IS IMMORTALITY. LET'S LIVE, BABY. LET'S FEEL ALIVE AT ALL TIMES. TAKE NO PRISONERS. HOLD NO SOUL UNACCOUNTABLE, ESPECIALLY NOT YOUR OWN. IF SOMETHING DOESN'T HAPPEN, IT'S YOUR FAULT.
Make this moment your reckoning. Your head has been held under water for too long and now it is time to rise up and take your first true breath.
Do everything with exact calculation, nothing without meaning. Do not make careful your words, but make no excuses for what you say. Fuck em' all. Set a goal for everyday and never be tired.
”
”
Brian Krans (A Constant Suicide)
“
He jests at scars that never felt a wound.
But soft! What light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou, her maid, art far more fair than she.
Be not her maid since she is envious.
Her vestal livery is but sick and green,
And none but fools do wear it. Cast it off!
It is my lady. Oh, it is my love.
Oh, that she knew she were!
She speaks, yet she says nothing. What of that?
Her eye discourses. I will answer it.—
I am too bold. 'Tis not to me she speaks.
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars
As daylight doth a lamp. Her eye in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.
See how she leans her cheek upon her hand.
Oh, that I were a glove upon that hand
That I might touch that cheek!
”
”
William Shakespeare
“
Magic gives you a lot of choices," Grandad says. "Most of them are bad.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
Rhys gave no warning as he gripped my arm, snarling softly, and tore off my glove. His touch was like a brand, and I flinched, yielding a step, but he held firm until he'd gotten both gloves off. " I heard you begging someone, anyone, to rescue you, to get you out. I heard you say no."
"I didn't say anything."
He turned my bare hand over, his hold tightening as he examined the eye he'd tattooed. He tapped the pupil. Once. Twice. " I heard it loud and clear.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
You're a pretty cool customer, huh?" says Agent Hunt.
"I hide my inner pain under my stoic visage."
Agent Hunt looks like he would like to put his fist through my stoic visage.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
You’re about to be rich, Kaz. What will you do when there’s no more blood to shed or vengeance to take?”
“There’s always more.”
“More money, more mayhem, more scores to settle. Was there never another dream?”
He said nothing. What had carved all the hope from his heart? She might never know.
Inej turned to go. Kaz seized her hand, keeping it on the railing. He didn’t look at her. "Stay,” he said, his voice rough stone. “Stay in Ketterdam. Stay with me.”
She looked down at his gloved hand clutching hers. Everything in her wanted to say yes, but she would not settle for so little, not after all she’d been through. “What would be the point?”
He took a breath. “I want you to stay. I want you to … I want you.”
“You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?”
He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting.
“How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?”
He released her hand, his shoulders bunching, his gaze angry and ashamed as he turned his face to the sea.
Maybe it was because his back was to her that she could finally speak the words. “I will have you without armor, Kaz Brekker. Or I will not have you at all.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I got bored," he says. "Besides, you know what's creepier than walking around your dead brothers' apartment? Sitting alone in a hearse in front of his apartment.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
Sevro." I lean forward. "Your eyes..."
He leans in close. "Do you like 'em?"
"Bloodydamn. Did you get Carved?"
"By the best in the business. Do you like 'em?"
"They're bloodydamn marvelous. Fit you like a glove."
He punches his hands together. "Glad you said that. Cuz they're yours."
I blanch. "What?"
"They're yours."
"My what?"
"Your eyes!"
"My eyes..."
"Do you want the eyes back?" Sevro asks, suddenly worried. "I can give them back."
"No!" I say. "It's just I forgot how crazy you are."
"Oh." He laughs and slaps my shoulder. "Good. I thought it might be something serious. So I'm prime keeping them?"
"Finders keepers," I say with a shrug.
”
”
Pierce Brown (Morning Star (Red Rising Saga, #3))
“
Ma and God
God gave us fingers--Ma says, "Use your fork."
God gave us voices--Ma says, "Don't scream."
Ma says eat broccoli, cereal and carrots.
But God gave us tasteys for maple ice cream.
God gave us fingers--Ma says, "Use your hanky."
God gave us puddles--Ma says, "Don't splash."
Ma says, "Be quiet, your father is sleeping."
But God gave us garbage can covers to crash.
God gave us fingers--Ma says, "Put your gloves on."
God gave us raindrops--Ma says, "Don't get wet."
Ma says be careful, and don't get too near to
Thoses strange lovely dogs that God gave us to pet.
God gave us fingers--Ma says, "Go wash 'em."
But God gave us coal bins and nice dirty bodies.
And I ain't too smart, but there's one thing for certain--
Either Ma's wrong or else God is.
”
”
Shel Silverstein
“
On Waterloo Bridge where we said our goodbyes,
the weather conditions bring tears to my eyes.
I wipe them away with a black woolly glove
And try not to notice I've fallen in love
On Waterloo Bridge I am trying to think:
This is nothing. you're high on the charm and the drink.
But the juke-box inside me is playing a song
That says something different. And when was it wrong?
On Waterloo Bridge with the wind in my hair
I am tempted to skip. You're a fool. I don't care.
the head does its best but the heart is the boss-
I admit it before I am halfway across
”
”
Wendy Cope (Serious Concerns)
“
How can you stand touching her?” my sister blurted, staring at our clasped hands. “Doesn’t that hurt?”
I seized on the change of topic. “These gloves are specialized rubber. They block the current.”
Gretchen’s gaze traveled over Vlad, disbelief still stamped on her features. “Yeah, but how do you two do anything else, unless he has a special, currentrepelling
glove for his—”
“Gretchen!” my father cut her off.
My cheeks felt hot. Don’t say a word, I thought to Vlad, seeing his chest tremble with suppressed laughter.
“He has a natural immunity,” I gritted out.
”
”
Jeaniene Frost (Once Burned (Night Prince, #1))
“
If you keep it," Daneca says, "he'll have his claws in you."
Everyone has their claws in me. Everyone.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
Marry, don't marry,' Auntie Aya says as we unfold layers of dough to make an apple strudel.
Just don't have your babies unless it's absolutely necessary.'
How do I know if it's necessary?'
She stops and stares ahead, her hands gloved in flour. 'Ask yourself, Do I want a baby or do I want to make a cake? The answer will come to you like bells ringing.' She flickers her fingers in the air by her ear. 'For me, almost always, the answer was cake.
”
”
Diana Abu-Jaber (The Language of Baklava: A Memoir)
“
What did she say?” asked Matthias.
Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.”
“That word she used: babink,” he said. “You’ve called me that before. What does it mean?”
Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.”
“Nina—”
“Barbarian.”
“I was just asking, there’s no need to name-call.”
“No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!”
“Barbarian isn’t an insult?” he asked, voice rising.
“No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.”
“It’s a game?”
“Not exactly.”
“Then what is it?”
Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—”
“Really?” Matthias asked. “He’s the hero?”
“In a manner of speaking. He kidnaps a Ravkan princess—”
“That would never happen.”
“In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.”
“He lives in a cave?”
“It’s a very nice cave. Furs. Jeweled cups. Mead.”
“Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?”
Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.”
“How does the story end? Do they fight battles?”
Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.”
Matthias’ jaw dropped. “In the cave?”
“You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—”
“To civilize him?”
“Yes, but that’s not until the third book.”
“There are three?”
“Matthias, do you need to sit down?”
“This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—”
“Calm down, Matthias.”
“Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.”
“Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear.
“We most certainly could not.”
“At one point he bathes her.”
Matthias’ steps faltered. “Why would he—”
“She’s tied up, so he has to.”
“Be silent.”
“Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.”
“How about I bite your lip?”
“Now you’re getting the hang of it, Helvar.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I am an American, Chicago born – Chicago, that somber city – and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent. But a man's character is his fate, says Heraclitus, and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles.
”
”
Saul Bellow (The Adventures of Augie March)
“
When I am an old woman I shall wear purple with a red hat which doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves and satin sandles, and say we've no money for butter.
I shall sit down on the pavement when I'm tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
and pick flowers in other people's gardens
And learn to spit.
You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beer mats and things in boxes.
But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
”
”
Jenny Joseph (Warning: When I Am an Old Woman I Shall Wear Purple)
“
You’ve suppressed all your rage and resentment because you wanted to be loved,” he says, no longer smiling. “Maybe I understand you, Juliette. Maybe you should trust me. Maybe you should accept the fact that you’ve tried to be someone you’re not for so long and that no matter what you did, those bastards were never happy. They were never satisfied. They never gave a damn, did they?” He looks at me and for a moment he seems almost human. For a moment I want to believe him. For a moment I want to sit on the floor and cry out the ocean lodged in my
throat.
“It’s time you stopped pretending,” he says, so softly.
“Juliette—” He takes my face in his gloved hands, so unexpectedly gentle.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
Listen up, ’cause I’m only gonna say this once,” Ty muttered as they walked to their gate. “I don’t talk when I fly. I sleep. And I don’t listen when I eat, understand? I don’t wanna be buddies. I don’t wanna chat,” he said with a sarcastic lilt to the word. “I don’t wanna know about your childhood or how your momma whipped you with a rubber glove or how much therapy you had to go through ’cause you flunked out of preschool. I don’t wanna hear about how you want to be Director someday or how many collars you got chasin’ those Internet freaks or how proud you are of your bowel movements. I don’t wanna go shopping at Barney’s with you, and I’m not gonna help you pick out your ties to match your socks and, I swear to God, if you get me shot, I’ll kill you.
”
”
Abigail Roux (Cut & Run (Cut & Run, #1))
“
Inej turned to go. Kaz seized her hand, keeping it on the railing. He didn't look at her. "Stay," he said, his voice rough stone. "Stay in Ketterdam. Stay with me."
She looked down at his gloved hand clutching hers. Everything in her wanted to say yes, but she would not settle for so little, not after all she'd been through. "What would be the point?"
He took a breath. "I want you to stay. I want you to ... I want you."
"You want me." She turned the words over. Gently, she squeezed his hand. "And how will you have me, Kaz?"
"How will you have me?" she repeated. "Fully clothed, gloves on, your head turned away so our lips can never touch?
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I regret to say that during the first act of this, I fell so soundly asleep that the gentleman who brought me piled up a barricade of overcoat, hat, stick, and gloves between us to establish a separation in the eyes of the world, and went into an impersonation of A Young Man Who Has Come to the Theater Unaccompanied.
”
”
Dorothy Parker
“
She’s an old lady,” Barron says. “And she’s been locked up for years. Let her have some fun. She needs to blow off steam. Seduce old dudes. Lose money at canasta.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
Like go for a walk, say a little prayer
Take a deep breath of mountain air
Put on my glove and play some catch
It's time that I make time for that
Wade the shore and cast a line
Look up a long lost friend of mine
Sit on the porch and give my girl a kiss
Start livin', that's the next thing on my list.
”
”
Toby Keith
“
MY PAJAMAS ARE soaked with sweat when I jolt awake and there is a third person in my bedroom. A man I’ve never seen before. I begin screaming like an injured monkey.
“Calm down,” Josh says into my ear. I scramble into his lap and press my face into his collar bone, huffing his cedar scent so hard I probably suck out his ghost. I’m about to be taken to a scary medical facility, away from the safety of my bed and these arms.
“Don’t let them, Josh! I’ll get better!”
“I’m a doctor, Lucy. How long and what symptoms?” The man puts on some gloves.
”
”
Sally Thorne (The Hating Game)
“
Sam frowns at me, suddenly serious. "You know, I thought--for most of the first year we lived together--that you were going to kill me."
That makes me nearly spit out beer, I laugh so hard.
"No, look--living with you, it's like knowing there's a loaded gun on the other side of the room. You're like this leopard who's pretending to be a house cat."
That only makes me laugh harder.
"Shut up," he says. "You might do normal stuff, but a leopard can drink milk or fall off things like a house cat. It's obvious you're not--not like the rest of us. I'll look over at you, and you'll be flexing your claws, or I don't know, eating a freshly killed antelope."
"Oh," I say. It's a ridiculous metaphor, but the hilarity has gone out of me. I thought I did a good job of fitting in--maybe not perfect, but not as bad as Sam makes it sound.
"It's like Audrey," he says, stabbing the air with a finger clearly well on his way to inebriated and full of determination to make me understand his theory. "You acted like she went out with you because you did this good job of being a nice guy."
"I am a nice guy."
I try to be.
Sam snorts. "She liked you because you scared her. And then you scared her too much.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
Philip Sharpe was a soldier in God's army," says the minister. "Now he marches with the angels.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
The tapping grows insistent, and I turn, intending to tell off the Cadet. Instead, I'm faced with a slave-girl looking up at me through impossibly long eyelashes. A heated, visceral shock flares through me at the clarity of her dark gold eyes. For a second, I forget my name.
I've never seen her before, because if I had, I'd remember. Despite the heavy silver cuffs and high, painful-looking bun that mark all of Blackcliff's drudges, nothing about her says slave. Her black dress fits her like a glove, sliding over every curve in a way that makes more than one head turn. Her full lips and fine, straight nose would be the envy of most girls, Scholar or not. I stare at her, realize I'm staring, tell myself to stop staring, and then keep staring. My breath falters, and my body, traitor that is, tugs me forward until there are only inches between us.
“Asp-aspirant Veturius.”
It's the way she says my name—like it's something to fear—that brings me back to myself. Pull it together, Veturius. I step away, appalled at myself when I see the terror in her eyes.
“What is it?” I ask calmly.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
What?” I cut him off. “That’s not true—I do take this seriously—”
“Bullshit.” He laughs a short, sharp, angry laugh. “All you do is sit around and think about your feelings. You’ve got problems. Boo-freaking-hoo,” he says. “Your parents hate you and it’s so hard but you have to wear gloves for the rest of your life because you kill people when you touch them. Who gives a shit?” He’s breathing hard enough for me to hear him. “As far as I can tell, you’ve got food in your mouth and clothes on your back and a place to pee in peace whenever you feel like it. Those aren’t problems. That’s called living like a king. And I’d really appreciate it if you’d grow the hell up and stop walking around like the world crapped on your only roll of toilet paper. Because it’s stupid,” he says, barely reining in his temper. “It’s stupid, and it’s ungrateful. You don’t have a clue what everyone else in the world is going through right now. You don’t have a clue, Juliette. And you don’t seem to give a damn, either.” I swallow, so hard. “Now I am trying,” he says, “to give you a chance to fix things. I keep giving you opportunities to do things differently. To see past the sad little girl you used to be—the sad little girl you keep clinging to—and stand up for yourself. Stop crying. Stop sitting in the dark counting out all your individual feelings about how sad and lonely you are. Wake up,” he says. “You’re not the only person in this world who doesn’t want to get out of bed in the morning. You’re not the only one with daddy issues and severely screwed-up DNA. You can be whoever the hell you want to be now.
You’re not with your shitty parents anymore. You’re not in that shitty asylum, and you’re no longer stuck being Warner’s shitty little experiment. So make a choice,” he says. “Make a choice and stop wasting everyone’s time. Stop wasting your own time. Okay?
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
I take a few breaths to calm myself, step back, and lift Buttercup by the scruff of the neck. 'I should have drowned you when I had the chance.' His ears flatten and he raises a paw. I hiss before he gets a chance, which seems to annoy him a little, since he considers hissing his own personal sound of contempt. In retaliation, he gives a helpless kitten mew that brings my sister immediately to his defense.
'Oh, Katniss, don't tease him,' she says, folding him back in her arms. 'He's already so upset.'
The idea that I've wounded the brute's tiny cat feelings just invites further taunting. But Prim's genuinely distressed for him. So instead, I visualize Buttercup's fur lining a pair of gloves, an image that has helped me deal with him over the years.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
There have been times when I felt that I might die of loneliness. People sometimes say they might die of boredom, that they're dying for a cup of tea, but for me, dying of loneliness is not a hyperbole. When I feel like that, my head drops and my shoulders slump and I ache, I physically ache, for human contact - I truly feel that I might tumble to the ground and pass away if someone doesn't hold me, touch me. I don't mean a lover - this recent madness aside, I had long since given up on any notion that another person might love me that way - but simply a human being. The scalp massage at the hairdresser, the flu jab I had last winter - the only time I experience touch is from people whom I am paying, and they are almost wearing disposable gloves at the time. I'm merely stating the facts.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
Listen to me. I know something else. It will begin again. 200,000 dead and 80,000 wounded in nine seconds. Those are the official figures. It will begin again. It will be 10,000 degrees on the earth. Ten thousand suns, people will say. The asphalt will burn. Chaos will prevail. An entire city will be lifted off the ground, and fall back to earth in ashes…I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you?
”
”
Marguerite Duras (Hiroshima mon amour)
“
You are evil," I tell Lila.
"Flatterer," she says, but she smiles.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
Jesper sniffed. “I thought it had a certain rustic elegance.”
“No,” said Wylan. “He hasn’t been trained. He’s stubborn that way.”
“Independent,” corrected Jesper.
“Pigheaded.”
“But stylish.”
Kaz rapped his cane on the floor. “And now you know why I don’t visit more often.”
Jesper folded his arms. “No one asked you to visit more often. And I don’t remember issuing an invitation for lunch.”
“I have a job that requires both of your skill sets.”
“Kaz,” Wylan said, carefully collecting some of the half-full glasses around the room. “We’d prefer not to do anything illegal.”
“That’s not strictly true,” said Jesper. “Wylan would prefer it, and I want to keep Wylan happy.” He paused, unable to hide his interest. “Is it illegal?”
“Highly,” said Kaz.
“But the pay is excellent,” offered Nikolai.
“We don’t need money,” said Wylan.
“Isn’t it glorious?” Jesper sighed happily.
Kaz smoothed a gloved hand over his lapel, looking at no one. “It’s for Inej.”
Wylan set down the dirty glasses. “Why didn’t you say so? What do you need?
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
I seized on the change of topic. "These gloves are specialized rubber. They block the current."
Gretchen's gaze traveled over Vlad, disbelief still stamped on her features. "Yeah, but how do you two do anything else, unless he has a special, current-repelling glove for his ---"
"Gretchen!" my father cut her off.
My cheeks felt hot. Don't say a word, I thought to Vlad, seeing his chest tremble with suppressed laughter.
”
”
Jeaniene Frost
“
Mom" I say "Oh honey" she says "The doctor wants to see you to make sure you don't have the same thing that killed your brother. "
She turns to Ms.Logan who looks scandalized by the whole encounter. "These things can run in famalies" she confides.
"Your afraid I'm going to come down with a bad case of getting two in the chest?" I say "cause you might be right about that running in families.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
Does it need to be so tight?" Nathaniel objected as Silas retied the cravat in a complicated series of knots, his gloved fingers moving with nimble certainty over the fabric.
"I'm afraid so, if you wish to remain fashionable," Silas replied. "And we don't want a repeat of the incident with Lady Gwendolyn."
Nathaniel scoffed. "How was I supposed to know tying it that way meant that I intended to proposition her? I have better things to do then learn secret signals with handkerchiefs and neckcloths."
"Had you listened to me, I would have told you, and spared you from getting champagne thrown in your face---though I heard several people say afterward that that was their favorite part of the dinner.
”
”
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
“
I love the inconvenience the same way that I sneakingly love a bad cold: the irresistible disruption to mundane life, forcing you to stop for a while and step outside your normal habits. I love the visual transformation it brings about, that recolouring of the world into sparkling white, the way that the rules change so that everybody says hello as they pass. I love what it does to the light, the purplish clouds that loom before it descends, and the way it announces itself from behind your curtains in the morning, glowing a diffuse whiteness that can only mean snow. Heading out in a snowstorm to catch the flakes on my gloves, I love the feeling of it fresh underfoot. I am rarely childlike and playful except in snow. It swings me into reverse gear.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
I’m gonna put a handful of condoms in the glove compartment of the car…. I don’t give a shit if you don’t want to talk about this with me, I don’t want to talk about this with you, either. You think I want you screwing in my car? No. But I’d much less rather have to pay for some kid you make because there ain’t condoms in there.
”
”
Justin Halpern (Sh*t My Dad Says)
“
I like how you call homosexuality an abomination."
"I don't say homosexuality's an abomination, Mr. President, the bible does."
"Yes it does. Leviticus-"
"18:22"
"Chapter in verse. I wanted to ask you a couple questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that can I ask another? My chief of staff, Leo Mcgary,insists on working on the sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself or is it ok to call the police? Here's one that's really important, cause we've got a lot of sports fans in this town. Touching the skin of a dead pig makes one unclean, Leviticus 11:7. If they promise to wear gloves, can the Washington Red Skins still play football? Can Notre Dame? Can West Point? does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads?
”
”
Aaron Sorkin
“
What's your name?" I ask him.
We're standing in front of my door.
He stops suprised. Lifts his chin almost imperecmptly. Focuses his eyes on my face until I begin to regret my question.
"You want to know my name."
I don't do it on purpose, but my eyes narrow just a bit.
"Warner is your last name, isn't it?"
He almost smiles. "You want to know my name"
"I didn't realize it was a secret."
He steps forward. His lips twitch. His eyes fall, his lips draw in a tight breath. He drops a gloved finger down the apple of my cheek. "I'll tell you mine if you tell me yours,"
He whispers, too close to my neck.
I inch backward. Swallow hard.
"You already know my name."
He's not looking at my eyes. "You're right. I should rephrase that. What I meant to say was I'll tell you mine if you show me yours."
"What?" I'm breathing too fast too suddenly.
He begins to pull off his gloves and I begin to panic.
"Show me what you can do."
My jaw is tight and my teeth have begun to ache. "I won't touch you"
"That's all right." He tugs off the other glove. "I don't exactly need your help."
"No-"
"Don't worry." He grins. "I'm sure it won't hurt you at all."
"No," I gasp "No, I won't-I can't-"
"Fine," Warner snaps "That's fine. You don't want to hurt me. I'm so utterly flattered." He almost rolls his eyes.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
I was diagnosed a thirteen. Paranoid got tacked on about a year later, after I verbally attacked a librarian for trying to hand me propaganda pamphlets for an underground communist force operating out of the basement of the public library. (She'd always been a very suspect type of librarian--I refuse to believe donning rubber gloves to handle books is a normal and accepted practice, and I don't care what anyone says.)
”
”
Francesca Zappia (Made You Up)
“
That's really paranoid," I say admiringly. "I'm going with that.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
You’re going to get all the things you think you can’t have,” she says quietly, reaching out to rub red lipstick from my cheek. “You just don’t know it yet.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
To think, for instance, that I have never been aware before how many faces there are. There are quantities of human beings, but there are many more faces, for each person has several. There are people who wear the same face for years; naturally it wears out, it gets dirty, it splits at the folds, it stretches, like gloves one has worn on a journey. These are thrifty, simple people; they do not change their face, they never even have it cleaned. It is good enough, they say, and who can prove to them the contrary? The question of course arises, since they have several faces, what do they do with the others? Thhey store them up. Their children will wear them. But sometimes, too, it happens that their dogs go out with them on. And why not? A face is a face.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
She heard the echoes of Ian’s screams in her head. Beth pressed her forehead to his hands, her heart wrenching. Ian’s hands were large, sinews hard under his kid-leather gloves. Yes, he was strong. In the Tuileres Gardens, it had taken both Mac and Curry to pull him away from Fellows. That didn’t mean others could try to tear at that strength, try to defeat him. The doctors in the horrible asylum had done it, and now Fellows was trying to.
I’m falling in love with you, she wanted to say into their clasped hands. Do you mind awfully?
”
”
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
“
I wince. I have no idea what to say. "Do you want to hit me back? You can."
"No, I don't want to hit you back, you idiot. I've sent you like thiry texts. Are you okay?"
My eyebrows go up. "You are asking me if I'm okay?"
"Yes."
It's like the moment I realised Dad wasn't going to let me chase him out of my room. I want to crumple on the floor. "No," I say. "I'm not."
"Then come on."
I don't move. My head is spinning. "Where are we going?"
"Downstairs. Get your gloves. If you need to throw punches, let's find something better than my face.
”
”
Brigid Kemmerer (More Than We Can Tell (Letters to the Lost, #2))
“
None of the patients could say the experiments didn't yield some benefits. It was the way the experiments were conducted that grated: with cold, clinical detachment. Masks, gloves, and carbolic acid were the order of the day fora ll staff, and while this may have been prudent it only made isolated people feel even more isolated.
”
”
Alan Brennert (Moloka'i (Moloka'i, #1))
“
There was nothing left for me to do, but go.
Though the things of the world were strong with me still.
Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain.
Pearls, rags, buttons, rug-tuft, beer-froth.
Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease.
A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse.
Geese above, clover below, the sound of one’s own breath when winded.
The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger.
Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.
Goodbye, I must now say goodbye to all of it.
Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day.
Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left.
Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac.
None of it was real; nothing was real.
Everything was real; inconceivably real, infinitely dear.
These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth.
And now we must lose them.
I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant.
Goodbye goodbye good-
”
”
George Saunders (Lincoln in the Bardo)
“
And her old Uncle William used to say a lady is known by
her shoes and her gloves.
”
”
Virginia Woolf (Mrs. Dalloway)
“
Then we talked a lot about our parents and how we didn't want to become them, but we had no other role models--or "maps," Alex kept saying. "My father is a terrible map, mostly because he doesn't ever lead me anywhere." And I thought about my parents being maps that led to places I didn't want to go-- and it made a shocking amount of sense, using the word maps to describe parents. If almost made you feel like you could fold Mom and Dad up and lock them away in the glove compartment of your car and just joyride for the rest of your life maybe.
”
”
Matthew Quick (Every Exquisite Thing)
“
He tries again, swallowing hard to ease away the painful lump in his throat. "It's just important. I love you. I'm yours. I need people to know."
"Alright," Lindsay says suddenly. He leans down to grab at Pip's bag, throwing stuff out onto the carpet, his iPod and phone and wallet and gloves and Attitude magazine until he finds what he's looking for, a green marker pen, and holds it between his teeth while he starts tugging at the hem of Pip's t-shirt. Pip's too surprised to do anything but submit, he lets Lindsay peel off his t-shirt and throw that on top of all the things from his bag then just watches as Lindsay pulls the pen out of the cap in his mouth and signs his name in big green letters on the side of Pip's stomach. He holds his breath, trying not to suck in the belly fat everybody else keeps telling him is imaginary. "There, you're mine, are you fucking happy now?" Lindsay snaps, and throws the recapped pen across the room to get lost in the bookcase somewhere.
”
”
Richard Rider (No Beginning, No End (Stockholm Syndrome, #3))
“
Good, because your mother says you’re not getting out of helping in the kitchen just because you’re a faerie princess now. She got you those long kitchen gloves so that you can still wash dishes.
”
”
Jim Butcher (Battle Ground (The Dresden Files, #17))
“
And there’s you,
with your purity and beauty.
You unyoke me.
We lie on the bed,
closer than a hand in a glove,
yet I still experience this distant ache.
I miss you even in your presence.
How did love find me
when I hid from it so masterfully?
How did love know when to strike?
I look into your infinite eyes
and can say nothing.
Because there, in front of me,
lies everything.
And you unyoke me.
”
”
Kamand Kojouri
“
You entered,
Abrupt like “Take it!”,
Mauling suede gloves, you tarried,
And said:
“You know,-
I’m soon getting married.”
Get married then.
It’s all right,
I can handle it.
You see - I’m calm, of course!
Like the pulse
Of a corpse.
Remember?
You used to say:
“Jack London,
Money,
Love and ardour,”--
I saw one thing only:
You were La Gioconda,
Which had to be stolen!
And someone stole you.
Again in love, I shall start gambling,
With fire illuminating the arch of my eyebrows.
And why not?
Sometimes, the homeless ramblers
Will seek to find shelter in a burnt down house!
You’re mocking me?
“You’ve fewer emeralds of madness
than a beggar kopecks, there’s no disproving this!”
But remember
Pompeii came to end thus
When somebody teased Vesuvius!
Hey!
Gentlemen!
You care for
Sacrilege,
Crime
And war.
But have you seen
The frightening terror
Of my face
When
It’s
Perfectly calm?
And I feel-
“I”
Is too small to fit me.
Someone inside me is getting smothered.
”
”
Vladimir Mayakovsky
“
Here the phenomenologist has nothing in common with the literary critic who, as has frequently been noted, judges a work that he could not create and, if we are to believe certain facile condemnations, would not want to create. A literary critic is a reader who is necessarily severe. By turning inside out like a glove an overworked complex that has become debased to the point of being part of the vocabulary of statesmen, we might say that the literary critic and the professor of rhetoric, who know-all and judge-all, readily go in for a simplex of superiority. As for me, being an addict of felicitous reading, I only read and re-read what I like, with a bit of reader's pride mixed in with much enthusiasm.
”
”
Gaston Bachelard (The Poetics of Space)
“
We made it, baby.
We’re riding in the back of the black
limousine. They have lined
the road to shout our names.
They have faith in your golden hair
& pressed grey suit.
They have a good citizen
in me. I love my country.
I pretend nothing is wrong.
I pretend not to see the man
& his blond daughter diving
for cover, that you’re not saying
my name & it’s not coming out
like a slaughterhouse.
I’m not Jackie O yet
& there isn’t a hole in your head, a brief
rainbow through a mist
of rust. I love my country
but who am I kidding? I’m holding
your still-hot thoughts in,
darling, my sweet, sweet
Jack. I’m reaching across the trunk
for a shard of your memory,
the one where we kiss & the nation
glitters. Your slumped back.
Your hand letting go. You’re all over
the seat now, deepening
my fuchsia dress. But I’m a good
citizen, surrounded by Jesus
& ambulances. I love
this country. The twisted faces.
My country. The blue sky. Black
limousine. My one white glove
glistening pink—with all
our American dreams.
”
”
Ocean Vuong (Night Sky with Exit Wounds)
“
Leah: I want those gubs Mommy.
Kate: They're not 'gubs' they're 'gloves'
Aaden and Leah try and say gloves
Leah: Gloves!
Kate: Good job!
Aaden: Gubs!
Kate: No
”
”
Kate Gosselin
“
Kaz snagged her wrist. "Inej." His gloved thumb moved over her pulse, traced the top of the feather tattoo. "If we don't make it out, I want you to know..."
She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope in to stillness. Those words would never come. The heart is an arrow.
She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself.
"If we don't die this night, I will die unafraid, Kaz. Can you say the same?"
His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough.
She dropped her hand. He took a deep breath.
Kaz had said he didn't want her prayers and she wouldn't speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...”
She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.
”
”
Virginia Woolf (To the Lighthouse)
“
Dear Jack:
I have no idea who he was. But he saved me. From you.
I watched from the doorway as he smacked, punched, and threw you against the wall. You fought back hard- I'll give you that- but you were no match for him.
And when it was over- when you'd finally passed out- the boy made direct eye contact with me. He removed the rag from my mouth and asked me if I was okay.
'Yes. I mean, I think so,' I told him.
But it was her that he was really interested in: the girl who was lying unconscious on the floor. Her eyes were swollen, and there looked to be a trail of blood running from her nose.
The boy wiped her face with a rag. And then he kissed her, and held her, and ran his hand over her cheek, finally grabbing his cell to dial 911.
He was wearing gloves, which I thought was weird. Maybe he was concerned about his fingerprints, from breaking in. But once he hung up, he removed the gloves, took the girl's hand, and placed it on the front of his leg- as if it were some magical hot spot that would make her better somehow. Tears welled up in his eyes as he apologized for not getting there sooner.
'I'm so sorry,' he just kept saying.
And suddenly I felt sorry too.
Apparently it was the anniversary of something tragic that'd happened. I couldn't really hear him clearly, but I was pretty sure he'd mentioned visiting an old girlfriend's grave.
'You deserve someone better,' he told her. 'Someone who'll be open and honest; who won't be afraid to share everything with you.' He draped his sweatshirt over her, kissed her behind the ear, and then promised to love her forever.
A couple minutes later, another boy came in, all out of breath. 'Is she alright?' he asked.
The boy who saved me stood up, wiped his tearful eyes, and told the other guy to sit with her until she woke up. And then he went to find scissors for me. He cut me free and brought me out to the sofa. 'My name's Ben,' he said. 'And help is on the way.'
When the girl finally did wake up, Ben allowed the other guy to take credit for saving her life. I wanted to ask him why, but I haven't been able to speak.
That's what this letter is for. My therapist says that I need to tell my side of things in order to regain my voice. She suggested that addressing my thoughts directly to you might help provide some closure.
So far, it hasn't done the trick.
Never your Jill,
Rachael
”
”
Laurie Faria Stolarz (Deadly Little Voices (Touch, #4))
“
Beth hates me."
I chuckled, loving Echo for calling it straight. I framed her face with my hands, letting my fingers enjoy the feel of her satin skin. "You 're my world, so i'd say that evens things out."
Echo's eyes widened and she paled. Why was she upset? My mind replayed every moment carefully and then froze, rewound, replayed and froze again on the words i'd said.
It had been so long since i'd let myself fall for anybody. I gazed into her beautiful green eyes and her fear melted. A shy smile tugged at her lips and at my heart. Fuck me and the rest of the world, I was in love.
Echo's gloved hands reached up and guided my head to hers. I let myself bask in her warmth and deepened our kiss, enjoying the teasing taste of her tongue and the way her soft lips moved against mine. Very easily, i could lose myself in her...forever.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I can't see why you should want to dance with me now, when you never have before." The statement was more revealing than she had intended it to be. She cursed her own wayward tongue, while his speculative gaze wandered over her face.
"I wanted to," he surprised her by murmuring. "However, there always seemed to be good reasons not to."
"Why--"
"Besides," Westcliff interrupted, reaching out to take her gloved hand, "there was hardly a point in asking when your refusal was a forgone conclusion." Deftly he pressed her hand to his arm and led her toward the mass of couples in the center of the room.
"It was not a forgone conclusion."
Westcliff glanced at her skeptically. "You're saying that you would have accepted me?"
"I might have."
"I doubt it."
"I did just now, didn't I?"
"You had to. It was a debt of honor."
She couldn't help but laugh. "For what, my lord?"
"The calf's head," he reminded her succinctly.
"Well, if you hadn't served such a nasty object in the first place, I wouldn't have needed to be rescued!"
"You wouldn't have need to be rescued if you didn't have such a weak stomach."
"You're not supposed to mention body parts in front of a lady," she said virtuously. "Your mother said so."
Westcliff grinned. "I stand corrected.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…”
She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow.
She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself.
“If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
President Josiah Bartlet: Good. I like your show. I like how you call homosexuality an abomination.
Dr. Jenna Jacobs: I don't say homosexuality is an abomination, Mr. President. The Bible does.
President Josiah Bartlet: Yes, it does. Leviticus.
Dr. Jenna Jacobs: 18:22.
President Josiah Bartlet: Chapter and verse. I wanted to ask you a couple of questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in Exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that, can I ask another? My Chief of Staff Leo McGarry insists on working on the Sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself, or is it okay to call the police? Here's one that's really important 'cause we've got a lot of sports fans in this town: Touching the skin of a dead pig makes one unclean. Leviticus 11:7. If they promise to wear gloves, can the Washington Redskins still play football? Can Notre Dame? Can West Point? Does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads? Think about those questions, would you? One last thing: While you may be mistaking this for your monthly meeting of the Ignorant Tight-Ass Club, in this building, when the President stands, nobody sits.
”
”
Aaron Sorkin (The West Wing Script Book)
“
It’s become trite, that old saying of John Lennon’s: “Life is what happens when you’re busy making other plans.” But, how right he was. We never know where Life will take us. We can dream, plan, and some quirk in the road will take us to another road. The book is written about our lives before we are even born. We can fight it, try to turn it around, ignore it, but our life ends up the way it was written.
”
”
Susan Marie Molloy (The Green Gloves)
“
You know what I think?”
Touching him feels so good, so strangely uncomplicated, like he’s the exception to every rule. “What?”
“I think you love your job,” he says softly. “I think you work that hard because you care ten times more than the average person.”
“About work,” I say.
“About everything.” His arms tighten around me. “Your sister. Your clients. Their books. You don’t do anything you’re not going to do one hundred percent. You don’t start anything you can’t finish.
“You’re not the person who buys the stationary bike as part of a New Year’s resolution, then uses it as a coatrack for three years. You’re not the kind of woman who only works hard when it feels good, or only shows up when it’s convenient. If someone insults one of your clients, those fancy kid gloves of yours come off, and you carry your own pen at all times, because if you’re going to have to write anything, it might as well look good. You read the last page of books first—don’t make that face, Stephens.” He cracks a smile in one corner of his mouth. “I’ve seen you—even when you’re shelving, you sometimes check the last page, like you’re constantly looking for all the information, trying to make the absolute best decisions.”
“And by you’ve seen me,” I say, “you mean you’ve watched me.”
“Of course I fucking do,” he says in a low, rough voice. “I can’t stop. I’m always aware of where you are, even if I don’t look, but it’s impossible not to. I want to see your face get stern when you’re emailing a client’s editor, being a hard-ass, and I want to see your legs when you’re so excited about something you just read that you can’t stop crossing and uncrossing them. And when someone pisses you off, you get these red splotches.” His fingers brush my throat. “Right here.”
“You’re a fighter,” he says. “When you care about something, you won’t let anything fucking touch it. I’ve never met anyone who cares as much as you do. Do you know what most people would give to have someone like that in their life?” His eyes are dark, probing, his heartbeat fast. “Do you know how fucking lucky anyone you care about is? You know . . .
”
”
Emily Henry (Book Lovers)
“
Kallias is going to explode on me at any moment. He’ll have me thrown into prison until he decides on the proper day and manner for killing me. He’ll—
Kallias laughs so loudly and abruptly, I nearly topple out of the armchair. He has his hands on his knees while his whole body shakes from the force of the laughter. What the devils?
Did I break the king?
He manages to straighten after a moment and look over at me, but then his face contorts and he’s back to uncontrollable laughter.
I feel my limbs grow tight, my face grow hot, anger pooling into every muscle.
“What the hell is wrong with you?” I snap, shouting over the top of his laughter. He wasn’t even this bad when he read Orrin’s love letter.
He says something I can’t quite make out, then rubs tears from his eyes and tries again. “You killed him!” He throws his head back and laughs and laughs.
And somehow, I know that I’m not in trouble. How can I be if he’s this jovial over the fact?
I could deny it. Plead on my behalf. But Kallias isn’t stupid. Though the constable doesn’t have enough evidence to convict me, Kallias knows the truth of it.
“I’ve an inclination to kill again,” I say, glaring at him.
Kallias props himself up on the nearest wall of books, catching his breath. Once he’s calm, he strides over to me and places his gloved hands on either side of my head.
“My little hellion. Quite the force to be reckoned with, aren’t you? Oh, say you’ll marry me, Alessandra!”
I swallow, thoroughly confused. “You’re not going to hang me?”
“Hang you?” he repeats, letting his hands fall to his sides. “The man did you wrong, Alessandra. Honestly, you’ve saved me the trouble of tracking him down and killing him myself.
”
”
Tricia Levenseller (The Shadows Between Us (The Shadows Between Us, #1))
“
Do you ever have days like that when nothing can go wrong? And then there are the days when can go right, Paula continued. When your hair won't lie down properly, and your stockings develop ladders at the worst possible moment, or your suspender breaks, and buttons fly off your gloves. When you say the wrong things to the wrong people, and spill coffee on your favorite frock, and break your reading glasses, and your cook asks for a raise - you know the kind of thing I mean, said Paula.
”
”
D.E. Stevenson (The Young Clementina)
“
Helen of Troy Does Counter Dancing
The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.
I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worst suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshipers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretense
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slam of ham,
but I come from the province of the gods
where meaning are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mothers was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look - my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.
”
”
Margaret Atwood (Morning In The Burned House: Poems)
“
My birth certificate says: Female Negro Mother: Mary Anne Irby, 22, Negro Father: Jack Austin Woodson, 25, Negro In Birmingham, Alabama, Martin Luther King Jr. is planning a march on Washington, where John F. Kennedy is president. In Harlem, Malcolm X is standing on a soapbox talking about a revolution. Outside the window of University Hospital, snow is slowly falling. So much already covers this vast Ohio ground. In Montgomery, only seven years have passed since Rosa Parks refused to give up her seat on a city bus. I am born brown-skinned, black-haired and wide-eyed. I am born Negro here and Colored there and somewhere else, the Freedom Singers have linked arms, their protests rising into song: Deep in my heart, I do believe that we shall overcome someday. and somewhere else, James Baldwin is writing about injustice, each novel, each essay, changing the world. I do not yet know who I’ll be what I’ll say how I’ll say it . . . Not even three years have passed since a brown girl named Ruby Bridges walked into an all-white school. Armed guards surrounded her while hundreds of white people spat and called her names. She was six years old. I do not know if I’ll be strong like Ruby. I do not know what the world will look like when I am finally able to walk, speak, write . . . Another Buckeye! the nurse says to my mother. Already, I am being named for this place. Ohio. The Buckeye State. My fingers curl into fists, automatically This is the way, my mother said, of every baby’s hand. I do not know if these hands will become Malcolm’s—raised and fisted or Martin’s—open and asking or James’s—curled around a pen. I do not know if these hands will be Rosa’s or Ruby’s gently gloved and fiercely folded calmly in a lap, on a desk, around a book, ready to change the world . . .
”
”
Jacqueline Woodson (Brown Girl Dreaming)
“
He spins us both, wrapping us in his wings until I’m dazed and giggling.
“I wanted to lift you above me and swing you in circles until we were both dizzy and laughing,” he murmurs against my neck as we tumble to the ground, trapped beneath his tented wings.
My body aches on impact—but it’s a delicious ache. I can hardly breathe with the weight of his ribs covering mine, with the scent of his tobacco surrounding me, smothering and intoxicating. The curve of his smiling mouth glides along my collarbone and I gasp at the velvety sensation. I force his head up so I can look at him . . . break the spell.
He slips the bejeweled headband from my hair, sweeping stray strands from my face. The slickness of his gloves grazes my eye markings.
“I wanted to kiss your lips and share your breath,” he says softly as he leans close.
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
I knew in that moment, we were never meant to surrender our childlike innocence, to trade a world in which we fit like a glove for one that hung on us like ill-fitting hand-me-downs. However, all about us insisted on our membership. And instead of a handshake or a mystical password as entrance into this spurious society, we agreed instead to share a lie, the one that says we’re safe, secure, and fulfilled living this way.
”
”
Christina Carson (Dying to Know)
“
Aaron opened his mouth, closed it again, and fixed Nicky with an annoyed look. "You're explaining this to Andrew when he gets back." "Oh, hell no," Nicky said, and jerked a thumb at Neil. "I'mma leave that one to him. Thanks for taking one for the team, Neil. You're a real friend." Nicky grinned over at Neil, but his amusement didn't last. He seemed confused by whatever he saw on Neil's face and backpedaled with, "Don't worry, we'll send Renee along with you for backup. Last I checked Andrew only wins half their fights, so you might actually survive. Uh. Neil?" He should just let it go, or at least leave it to think about later, but Neil couldn't resist. "Are we?" he asked, because hadn't Betsy said it just a few days ago? He hadn't understood it then and hadn't even tried, too angry and upset over everything else that was happening. Tonight it almost meant something, though what, Neil didn't know. Realizing Nicky couldn't follow his twisting train of thought, Neil forced himself to say, "Friends?" It was like that one word punched all the joy out of Nicky, but the look that crossed Nicky's face next was too fast for Neil to decipher. Nicky's smile was back a second later, but it didn't reach his eyes. Neil might have apologized, except Nicky reached out and scrubbed a gloved hand through Neil's hair. "You are going to be the absolute death of me," Nicky said. "Yeah, kid. We're friends. You're stuck with us, like it or not.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
She learned how to deal with the moments when his memory lapsed. Sometimes, she felt it happen even without him saying a word. On a sunny fall day, she lay next to him on the ground, and as he dozed she felt his old life, his memories, radiate off his skin. She felt everything leave him but her. She shed her own life, too, to match him. They lay there together like a point in time. A cloud drifted in front of the sun and things to shift inside of him, and when she sensed this, she allowed things to shift inside of her, too. They became their regular selves again, still warm from the lost memory of a minute ago.
But underneath her happiness was a dread that one day this would be all they had. All associations would be lost: the smell of the gloves, the sound of the truck door slamming shut. All the details she still wanted to know. Everything reduced to nothing more than itself.
”
”
Emily Ruskovich (Idaho)
“
You have the most contact with Packard."
"No, I don't."
"Yes, you do," they say in unison.
"You just saw him," Helmut says.
"He had to deliver some gloves to me," I explain.
Helmut raises an eyebrow. "And he couldn't have sent them with one of his people?"
I don't answer. I'm thinking about those pretty gloves, clearly chosen to match that specific dress of mine. So thoughtful. Did he pick them out himself?
Helmut snorts. "And what was he wearing?"
"A dinner jacket," I say, "but just to blend in with the crowd."
"And did you share any food or beverage-"
"It wasn't a date."
Simon tips his glass into his mouth and chews ice loudly.
"It wasn't a date.
”
”
Carolyn Crane (Double Cross (The Disillusionists, #2))
“
So do you guys go to Warren?” I ask, downing the rest of my punch. They look at each other. One of them, Lars I think, coughs in my face. Then, Beowulf says wistfully, “Your beauty is nuanced and labyrinthine like a sentence by Proust.” I laugh, but Beowulf looks dead serious. He raises his glass to me. I notice his punch is in a plastic sippy cup. That he’s wearing black leather gloves. “Melanie Shingler is a whore compared to you,” says the boy next to him. Blake. “Pigeon-toed. Bad eyeliner. I couldn’t see it then because I was a fool but I have since developed my perception.” He too solemnly raises his sippy cup to me. He’s also wearing black leather gloves, I see. They all are.
”
”
Mona Awad (Bunny (Bunny, #1))
“
He went with olive green, because it almost matched his borrowed coat, which was tan. He chose pants with flannel lining, a T-shirt a flannel shirt, and a sweater made of thick cotton. He added white underwear and a pair of black gloves and a khaki watch cap. Total damage was a hundred and thirty bucks. The store owner took a hundred and twenty cash. Four days wear, probably, at the rate of thirty dollars a day. Which added up to more than ten grand a year, just for clothes. Insane, some would say. But Reacher liked the deal. He knew that most folks spent much less than ten grand a year on clothes. They had a small number of good items that they kept in closets and laundered in basements. But the closets and basements were surrounded by houses, and houses cost a whole lot more than ten grand a year, to buy or rent, and to maintain and repair and insure.
So who was really nuts ?
”
”
Lee Child (61 Hours (Jack Reacher, #14))
“
The door slowly opens, and a tall, thin person ducks inside. He’s wearing the same green surgeon scrubs, face mask, and blue gloves that the pre-op nurses wear, but his wavy brown hair is peeking out from under a clear surgical cap. His eyes find mine and I let go of the railings in surprise. “What are you doing here?” I whisper, watching as Will sits down in a chair beside me, scooting it back to make sure he’s a safe distance away. “It’s your first surgery without Abby,” he says in explanation, a new expression I don’t quite recognize filling his blue eyes. It’s not mocking or jokey, it’s totally and completely open. Almost earnest. I swallow hard, trying to stop the emotions that come bubbling up, tears clouding my eyes.
”
”
Rachael Lippincott (Five Feet Apart)
“
Ha! Listen, this guy walks into a bar, with a shopping bag, right? He sits down, puts the bag on the bar. Something in the bag is moving, and the bartender says ‘Hey, buddy, no animals in here’. You with me, Jones?” “Yah.” “The guy is looking real unhappy, totally down in the dumps, he reaches in the bag. He pulls out a brass lantern, then a small piano, a little stool, and finally a little guy in a tuxedo, about a foot tall. The little guy sits on the stool and starts playing the piano. Playing the piano, right?” “Yah. Got, it.” “Bartender says,” Williams’ grasp on a handhold slipped for a heart-stopping moment before the suit gloves restored their sticky grip. He could see the problem was some sort of fluid leaking from the access hatch above had coated the handhold. He moved his hand to the left to avoid the slippery fluid, and continued climbing down. “Bartender says, ‘That’s amazing, where’d you get him?’ Guy points to the lamp. ‘Magic genie granted me a wish, But he don’t hear so well-’ Before the guy can stop him, the bartender grabs the lamp, rubs it and shouts ‘I want a million bucks!’. POOF! The bar is filled with ducks! Ducks everywhere, under the tables, in the street outside, feathers flying all over the place. The bartender says ‘What the hell?’ So the guy says ‘I told you the genie don’t hear so well. You really think I asked for a twelve inch pianist?
”
”
Craig Alanson (Black Ops (Expeditionary Force, #4))
“
I’m glad you still have your survival instinct.”
“We’ve all got something.” I lift my fingertips to the exposed skin on my face. It’s colder than the night sea. Cupping my hands, I blow into them, let my breath warm my nose and cheeks. “I apparently still have a face, which is good.”
Holden vaults up onto the wooden platform and I step up after him. “That is good,” he says, pulling me in close. He lifts his gloved hands to my cheeks. “After all, this is one of my favorite faces.”
I scrunch my lips into a pretend pout. “One of?”
He grins. “Well, you know. I’m a sucker for the classics. Helen of Troy, the Mona Lisa, that—”
“Hey. The Mona Lisa isn’t even hot.” I give him a little shove away from me, toward the edge of the platform.
“Disagree,” Holden says. “She’s beautiful in her own way. That mischievous smile, those dark, soulful eyes, the way she—”
“Fine, whatever.” I cross my arms. “But I insist on being ranked above her.”
“Okay, okay,” Holden says. “Yours can be my second-favorite face . . . right after that guy from The Scream.” He pulls me in close again.
“You’re such an ass,” I say, as our lips touch.
Holden laughs. “My girl Mona Lisa would never be so rude.
”
”
Paula Stokes (Hidden Pieces)
“
A serving-man, proud in heart and mind; that curled
my hair; wore gloves in my cap; served the lust of
my mistress' heart, and did the act of darkness with
her; swore as many oaths as I spake words, and
broke them in the sweet face of heaven: one that
slept in the contriving of lust, and waked to do it:
wine loved I deeply, dice dearly: and in woman
out-paramoured the Turk: false of heart, light of
ear, bloody of hand; hog in sloth, fox in stealth,
wolf in greediness, dog in madness, lion in prey.
Let not the creaking of shoes nor the rustling of
silks betray thy poor heart to woman: keep thy foot
out of brothels, thy hand out of plackets, thy pen
from lenders' books, and defy the foul fiend.
Still through the hawthorn blows the cold wind:
Says suum, mun, ha, no, nonny.
Dolphin my boy, my boy, sessa! let him trot by.
Storm still.
”
”
William Shakespeare (King Lear)
“
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic.
He stared at them. “How—”
“I got them from the discarded clothes. Before I made the climb.”
“Six stories in the dark.”
She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again.
He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish.
“When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.”
He looked away. “You should. You were always too good for the Barrel.”
It was time to go. “Saints’ speed, Kaz.”
Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…”
She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow.
She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself.
“If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?”
His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough.
She dropped her hand. He took a deep breath.
Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Did we win?”
“I’m here, aren’t I?”
He must be running. Her body jounced painfully against his chest with every lurching step. He needed his cane.
“I don’t want to die.”
“I’ll do my best to make other arrangements for you.”
She closed her eyes.
“Keep talking, Wraith. Don’t slip away from me.”
“But it’s what I do best.”
He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.”
She tried. Her vision was blurring, but she could make out a pale, shiny scar on Kaz’s neck, right beneath his jaw. She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information – stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognised the eagerness in their voices and the way they tracked him with their eyes.
One night, as he’d passed her in the parlour, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlour. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life.
“I can help you,” she said now.
“Help me with what?”
She couldn’t remember. There was something she was supposed to tell him. It didn’t matter any more.
“Talk to me, Wraith.”
“You came back for me.”
“I protect my investments.”
Investments. “I’m glad I’m bleeding all over your shirt.”
“I’ll put it on your tab.”
Now she remembered. He owed her an apology. “Say you’re sorry.”
“For what?”
“Just say it.”
She didn’t hear his reply.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Gannets
I am watching the white gannets
blaze down into the water
with the power of blunt spears
and a stunning accuracy--
even though the sea is riled and boiling
and gray with fog
and the fish
are nowhere to be seen,
they fall, they explode into the water
like white gloves,
then they vanish,
then they climb out again,
from the cliff of the wave,
like white flowers--
and still I think
that nothing in this world moves
but as a positive power--
even the fish, finning down into the current
or collapsing
in the red purse of the beak,
are only interrupted from their own pursuit
of whatever it is
that fills their bellies--
and I say:
life is real,
and pain is real,
but death is an imposter,
and if I could be what once I was,
like the wolf or the bear
standing on the cold shore,
I would still see it--
how the fish simply escape, this time,
or how they slide down into a black fire
for a moment,
then rise from the water inseparable
from the gannets' wings.
”
”
Mary Oliver (New and Selected Poems, Volume One)
“
Don't exist.
Live.
Get out, explore.
Thrive.
Challenge authority. Challenge yourself.
Evolve.
Change forever.
Become who you say you always will. Keep moving. Don't stop. Start the revolution. Become a freedom fighter. Become a superhero. Just because everyone doesn't know your name doesn't mean you don't matter.
Are you happy? Have you ever been happy? What have you done today to matter? Did you exist or did you live? How did you thrive?
Become a chameleon—fit in anywhere. Be a rockstar—stand out everywhere. Do nothing, do everything. Forget everything, remember everyone. Care, don't just pretend to. Listen to everyone. Love everyone and nothing at the same time. Its impossible to be everything, but you can't stop trying to do it all. . . .
Leap.
It's time to be aggressive. You've started to speak your mind, now keep going with it. . . . Get your gloves on, it's time for rebirth. There IS no room for the nice guys in the history books.
THIS IS THE START OF A REVOLUTION. THE REVOLUTION IS YOUR LIFE. THE GOAL IS IMMORTALITY. LET'S LIVE, BABY. LET'S FEEL ALIVE AT ALL TIMES. TAKE NO PRISONERS. HOLD NO SOUL UNACCOUNTABLE, ESPECIALLY NOT YOUR OWN. IF SOMETHING DOESN'T HAPPEN, IT'S YOUR FAULT.
Make this moment your reckoning. Your head has been held under water for too long and now it is time to rise up and take your first true breath.
Do everything with exact calculation, nothing without meaning. Do not make careful your words, but make no excuses for what you say. Fuck em' all. Set a goal for everyday and never be tired.
”
”
Brian Krans (A Constant Suicide)
“
Inej kept her eyes averted, shuffling a stack of papers into a pile on the desk as Kaz stripped out of his vest and shirt. She wasn’t sure if she was flattered or insulted that he didn’t seem to give a second thought to her presence.
“How long will we be gone?” she asked, darting a glance at him through the open doorway. He was corded muscle, scars, but only two tattoos—the Dregs’ crow and cup on his forearm and, above it, a black R on his bicep. She’d never asked him what it meant.
It was his hands that drew her attention as he shucked off his leather gloves and dipped a cloth in the washbasin. He only ever removed them in these chambers, and as far as she knew, only in front of her. Whatever affliction he might be hiding, she could see no sign of it, only slender lockpick’s fingers, and a shiny rope of scar tissue from some long ago street fight.
“A few weeks, maybe a month,” he said as he ran the wet cloth under his arms and the hard planes of his chest, water trickling down his torso.
For Saints’ sake, Inej thought as her cheeks heated. She’d lost most of her modesty during her time with the Menagerie, but really, there were limits. What would Kaz say if she suddenly stripped down and started washing herself in front of him? He’d probably tell me not to drip on the desk, she thought with a scowl.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information—stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognized the eagerness in their voices and the way they tracked him with their eyes.
One night, as he’d passed her in the parlor, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlor. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life.
“I can help you,” she said now.
“Help me with what?”
She couldn’t remember. There was something she was supposed to tell him. It didn’t matter anymore.
“Talk to me, Wraith.”
“You came back for me.”
“I protect my investments.”
Investments. “I’m glad I’m bleeding all over your shirt.”
“I’ll put it on your tab.”
Now she remembered. He owed her an apology. “Say you’re sorry.”
“For what?”
“Just say it.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
We head to that corner of the basement. Rev straddles the weight bench and sits down while Declan sits on a yoga ball and leans against the corner. They fall into these positions so easily that I wonder if this is their space, the way Rowan and I claim her room or the plush couch in my basement.
I’m not a violent person, but hitting something sounds really good.
I draw back a hand and swing, throwing my whole body into it.
Ow. Ow. The bag swings slightly, but shock reverberates down my arm. I think I’ve dislocated every joint of every finger, but I can feel it, and it’s the first thing I’ve truly felt in weeks. It feels fantastic. I need one of these in my basement.
I grit my teeth and pull back my arm to do it again.
“Whoa.” A hand catches my arm in midswing.
I’m standing there, gasping, and Declan has a hold of my elbow. His eyebrows are way up.
“So . . . yeah,” he says. “I don’t want to be sexist here, but after the way you talk about cars, I didn’t expect you to throw a punch like that.”
I draw back and straighten, feeling foolish. “Sorry.”
“What are you apologizing for?” He looks at me like I’m crazy. “I just don’t want to watch you break a wrist.”
“Here.” Rev half stands, holding out a pair of black padded gloves. He’s pushed back the hood of his sweatshirt, and I wonder if he’s grown more comfortable around me—or if he’s just warm. “If you really want to beat on it, put on gloves
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
Inej turned to go. Kaz seized her hand, keeping it on the railing. He didn’t look at her. “Stay,” he said, his voice rough stone. “Stay in Ketterdam. Stay with me.”
She looked down at his gloved hand clutching hers. Everything in her wanted to say yes, but she would not settle for so little, not after all she’d been through. “What would be the point?”
He took a breath. “I want you to stay. I want you to … I want you.”
“You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?”
He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting.
“How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?”
He released her hand, his shoulders bunching, his gaze angry and ashamed as he turned his face to the sea.
Maybe it was because his back was to her that she could finally speak the words. “I will have you without armor, Kaz Brekker. Or I will not have you at all.”
Speak, she begged silently. Give me a reason to stay. For all his selfishness and cruelty, Kaz was still the boy who had saved her. She wanted to believe he was worth saving, too.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I've stuck like a plaster to the old faith I was born in. Yes; there's this to be said for the Church, a man can belong to the Church and bide in his cheerful old inn, and never trouble or worry his mind about doctrines at all. But to be a meetinger, you must go to chapel in all winds and weathers, and make yerself as frantic as a skit. Not but that chapel members be clever chaps enough in their way. They can lift up beautiful prayers out of their own heads, all about their families and shipwrecks in the newspaper."
"They can -- they can," said Mark Clark, with corroborative feeling; "but we Churchmen, you see, must have it all printed aforehand, or, dang it all, we should no more know what to say to a great gaffer like the Lord than babes unborn,"
"Chapelfolk be more hand-in-glove with them above than we," said Joseph, thoughtfully.
"Yes," said Coggan. "We know very well that if anybody do go to heaven, they will. They've worked hard for it, and they deserve to have it, such as 'tis. I bain't such a fool as to pretend that we who stick to the Church have the same chance as they, because we know we have not. But I hate a feller who'll change his old ancient doctrines for the sake of getting to heaven.
”
”
Thomas Hardy
“
Thomas heard the stamping of hooves of horses, a shout of warning, and the Institute carriage came crashing through the Portal barely remaining on all four of its wheels as it came. Balios and Xanthos looked very pleased with themselves as the carriage spun in midair and landed, with a jarring thud, at the foot of the steps. Magnus Bane was in the driver’s seat, wearing a dramatic white opera scarf and holding the reins in his right hand. He looked even more pleased with himself than the horses.
“I wondered if it was possible to ride a carriage through a Portal,” he said, jumping down from the seat. “As it turns out, it is. Delightful.”
The carriage doors opened, and rather unsteadily, Will, Lucie, and a boy Thomas didn’t know clambered out. Lucie waved at Thomas before leaning against the side of the carriage; she was looking rather green about the gills.
Will went around the carriage to unstrap the luggage, while the unfamiliar boy—tall and slender, with straight black hair and a pretty face—put a hand on Lucie’s shoulder. Which was surprising—it was an intimate gesture, one that would be considered impolite unless the boy and girl in question were friends or relatives, or had an understanding between them. It seemed, however, unlikely that Lucie could have an understanding with someone Thomas had never seen before. He rather bristled at the thought, in an older-brother way—James didn’t seem to be here, so someone had to do the bristling for him.
“I told you it would work!” Will cried in Magnus’s direction. Magnus was busy magicking the unfastened baggage to the top of the steps, blue sparks darting like fireflies from his gloved fingertips. “We should have done that on the way out!”
“You did not say it would work,” Magnus said. “You said, as I recall, ‘By the Angel, he’s going to kill us all.’
“Never,” said Will. “My faith in you is unshakable, Magnus. Which is good,” he added, rocking back and forth a little, “because the rest of me feels quite shaken indeed.
”
”
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
“
Stop! Stop!”
Sophie shrieked with laughter as she ran down the stone steps that led to the garden behind Bridgerton House. After three children and seven years of marriage, Benedict could still make her smile, still make her laugh . . . and he still chased her around the house any chance he could get.
“Where are the children?” she gasped, once he’d caught her at the base of the steps.
“Francesca is watching them.”
“And your mother?”
He grinned. “I daresay Francesca is watching her, too.”
“Anyone could stumble upon us out here,” she said, looking this way and that.
His smile turned wicked. “Maybe,” he said, catching hold of her green-velvet skirt and reeling her in, “we should adjourn to the private terrace.”
The words were oh-so-familiar, and it was only a second before she was transported back nine years to the masquerade ball.
“The private terrace, you say?” she asked, amusement dancing in her eyes. “And how, pray tell, would you know of a private terrace?”
His lips brushed against hers. “I have my ways,” he murmured.
“And I,” she returned, smiling slyly, “have my secrets.”
He drew back. “Oh? And will you share?”
“We five,” she said with a nod, “are about to be six.”
He looked at her face, then looked at her belly. “Are you sure?”
“As sure as I was last time.”
He took her hand and raised it to lips. “This one will be a girl.”
“That’s what you said last time.”
“I know, but—”
“And the time before.”
“All the more reason for the odds to favor me this time.”
She shook her head. “I’m glad you’re not a gambler.”
He smiled at that. “Let’s not tell anyone yet.”
“I think a few people already suspect,” Sophie admitted.
“I want to see how long it takes that Whistledown woman to figure it out,” Benedict said.
“Are you serious?”
“The blasted woman knew about Charles, and she knew about Alexander, and she knew about William.”
Sophie smiled as she let him pull her into the shadows. “Do you realize that I have been mentioned in Whistledown two hundred and thirty-two times?”
That stopped him cold. “You’ve been counting?”
“Two hundred and thirty-three if you include the time after the masquerade.”
“I can’t believe you’ve been counting.”
She gave him a nonchalant shrug. “It’s exciting to be mentioned.”
Benedict thought it was a bloody nuisance to be mentioned, but he wasn’t about to spoil her delight, so instead he just said, “At least she always writes nice things about you. If she didn’t, I might have to hunt her down and run her out of the country.”
Sophie couldn’t help but smile. “Oh, please. I hardly think you could discover her identity when no one else in the ton has managed it.”
He raised one arrogant brow. “That doesn’t sound like wifely devotion and confidence to me.”
She pretended to examine her glove. “You needn’t expend the energy. She’s obviously very good at what she does.”
“Well, she won’t know about Violet,” Benedict vowed. “At least not until it’s obvious to the world.”
“Violet?” Sophie asked softly.
“It’s time my mother had a grandchild named after her, don’t you think?”
Sophie leaned against him, letting her cheek rest against the crisp linen of his shirt. “I think Violet is a lovely name,” she murmured, nestling deeper into the shelter of his arms. “I just hope it’s a girl. Because if it’s a boy, he’s never going to forgive us . . .
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could.
When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.”
Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.”
“They’re pearls of wisdom, actually.”
I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow.
Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.”
“Or gold,” I tell her smugly. “I hear it’s worth its weight.”
Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.”
“Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun.
“I don’t need you to flirt with me,” he says. “I already know you find me irresistible.”
Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.”
Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile.
“Is it because you think I look sexier wearing nothing?”
Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin.
“I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.”
“Okay,” Madrid says. “Now I feel nauseated.
”
”
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
“
Speak to me about power. What is it?”
I do believe I’m being out-Cambridged. “You want me to discuss power? Right here and now?”
Her shapely head tilts. “No time except the present.”
“Okay.” Only for a ten. “Power is the ability to make someone do what they otherwise wouldn’t, or deter them from doing what they otherwise would.”
Immaculée Constantin is unreadable. “How?”
“By coercion and reward. Carrots and sticks, though in bad light one looks much like the other. Coercion is predicated upon the fear of violence or suffering. ‘Obey, or you’ll regret it.’ Tenth-century Danes exacted tribute by it; the cohesion of the Warsaw Pact rested upon it; and playground bullies rule by it. Law and order relies upon it. That’s why we bang up criminals and why even democracies seek to monopolize force.” Immaculée Constantin watches my face as I talk; it’s thrilling and distracting. “Reward works by promising ‘Obey and benefit.’ This dynamic is at work in, let’s say, the positioning of NATO bases in nonmember states, dog training, and putting up with a shitty job for your working life. How am I doing?”
Security Goblin’s sneeze booms through the chapel.
“You scratch the surface,” says Immaculée Constantin.
I feel lust and annoyance. “Scratch deeper, then.”
She brushes a tuft of fluff off her glove and appears to address her hand: “Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.’ That thought sickens me, Hugo Lamb, like nothing else. Doesn’t it sicken you?
”
”
David Mitchell (The Bone Clocks)
“
Chivalry looks good on you, ma'alor," he said, brushing a dark curl out of Robb's face. "And I hate that I like it."
"Your flattery will only get you so far," Robb joked, trying to grin, but it turned sour and bitter. "I like you, but I have no right to say that. For what my mother did--for what I did. But...if there was a way for you to forgive me, no matter how long it takes, would you let me? Will you let me try to be worthy of you?"
The question took Jax by surprise.
He sat back, quite unable to find a response.
I've seen you stars, he wanted to say, and this is impossible.
All his life he'd thought that all fates flowed in a continuous, never-ending river, but now the current was disrupted, the path unsettled. They had changed the stars, and he was falling in love with a boy who should have died.
Robb shifted, uncomfortable. "Or--or if you don't feel the same way--"
"I'm sorry," Jax began, but when he looked into Robb's eyes, there were tears there. Alarmed, he quickly added, "No, no! That's not what I meant! I don't mean--"
"I knew you wouldn't. I'm sorry, I'm so sorry." Tears curved down Robb's cheeks, and almost exasperated, Jax wiped them away.
"I can't LIE, you insufferable Ironblood," he chided. "I'm apologizing because I can't forgive you right now, but that doesn't mean I don't want to kiss you, ma'alor. And it doesn't mean I don't like you. I do. I like you, but do you really want ME? Someone who can't touch other people? That's my reality. I'll never kiss you without seeing your fate. I'll never touch you without seeing how you'll die. Am I someone you could be happy with?"
Robb's brow furrowed. "Screw fate. I'll tear down the stars for you."
For HIM? Even though Jax had to wear gloves, and could never brush his lips against Robb's jawline without seeing the stars, never kiss Robb's ears, or traced the lines of his body, or feel the heat that pulsed just beneath his skin, hot and red and wanting. Jax felt his throat tighten as tears pooled at the edges of his eyes. He didn't cry. He never cried.
Robb took Jax's hand, and kissed his gloved knuckles. "And lucky for you," Robb added, "I'm not planning to ever die, so you don't have to worry about my stars."
He laughed. "You make being mad at you hard, ma'alor."
"I plan on making it impossible," replied Robb, and raised an eyebrow. "What does ma'alor mean?"
Jax chewed on his bottom lip. 'It means..." But he couldn't bear that sort of embarrassment, so he simply leaned into the Ironblood and kissed him. Savoring the moment, the unknowingness of it all.
Until new images came flooding across his senses like a wave of darkness across the stars.
”
”
Ashley Poston (Heart of Iron (Heart of Iron, #1))
“
Okay, I’m going to tell you what I think. It’s like this,” he said grimly. “Quit or don’t quit. Take the promotion or not take it. But, if you take the graveyard shift, mark my words, we will eventually—I don’t know how, and I don’t know when—live to regret it.” Without saying another word he walked inside. In bed Alexander let her kiss his hands. He was on his back, and Tatiana sidled up to him naked, kneeling by his side. Taking his hands, she kissed them slowly, digit by digit, knuckle by knuckle, pressing them to her trembling breasts, but when she opened her mouth to speak, Alexander took his hands away. “I know what you’re about to do,” he said. “I’ve been there a thousand times. Go ahead. Touch me. Caress me. Whisper to me. Tell me first you don’t see my scars anymore, then make it all right. You always do, you always manage to convince me that whatever crazy plan you have is really the best for you and me,” he said. “Returning to blockaded Leningrad, escaping to Sweden, Finland, running to Berlin, the graveyard shift. I know what’s coming. Go ahead, I’ll be good to you right back. You’re going to try to make me all right with you staying in Leningrad when I tell you that to save your hard-headed skull you must return to Lazarevo? You want to convince me that escaping through enemy territory across Finland’s iced-over marsh while pregnant is the only way for us? Please. You want to tell me that working all Friday night and not sleeping in my bed is the best thing for our family? Try. I know eventually you’ll succeed.” He was staring at her blonde and lowered head. “Even if you don’t,” he continued, “I know eventually, you’ll do what you want anyway. I don’t want you to do it. You know you should be resigning, not working graveyard—nomenclature, by the way, that I find ironic for more reasons that I care to go into. I’m telling you here and now, the path you’re taking us on is going to lead to chaos and discord not order and accord. It’s your choice, though. This defines you—as a nurse, as a woman, as a wife—pretend servitude. But you can’t fool me. You and I both know what you’re made of underneath the velvet glove: cast iron.” When Tatiana said nothing, Alexander brought her to him and laid her on his chest. “You gave me too much leeway with Balkman,” he said, kissing her forehead. “You kept your mouth shut too long, but I’ve learned from your mistake. I’m not keeping mine shut—I’m telling you right from the start: you’re choosing unwisely. You are not seeing the future. But you do what you want.” Kneeling next to him, she cupped him below the groin into one palm, kneading him gently, and caressed him back and forth with the other. “Yes,” he said, putting his arms under his head and closing his eyes. “You know I love that, your healing stroke. I’m in your hands.” She kissed him and whispered to him, and told him she didn’t see his scars anymore, and made it if not all right then at least forgotten for the next few hours of darkness.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
And barbarians were inventors not only of philosophy, but almost of every art. The Egyptians were the first to introduce astrology among men. Similarly also the Chaldeans. The Egyptians first showed how to burn lamps, and divided the year into twelve months, prohibited intercourse with women in the temples, and enacted that no one should enter the temples from a woman without bathing. Again, they were the inventors of geometry. There are some who say that the Carians invented prognostication by the stars. The Phrygians were the first who attended to the flight of birds. And the Tuscans, neighbours of Italy, were adepts at the art of the Haruspex. The Isaurians and the Arabians invented augury, as the Telmesians divination by dreams. The Etruscans invented the trumpet, and the Phrygians the flute. For Olympus and Marsyas were Phrygians. And Cadmus, the inventor of letters among the Greeks, as Euphorus says, was a Phoenician; whence also Herodotus writes that they were called Phoenician letters. And they say that the Phoenicians and the Syrians first invented letters; and that Apis, an aboriginal inhabitant of Egypt, invented the healing art before Io came into Egypt. But afterwards they say that Asclepius improved the art. Atlas the Libyan was the first who built a ship and navigated the sea. Kelmis and Damnaneus, Idaean Dactyli, first discovered iron in Cyprus. Another Idaean discovered the tempering of brass; according to Hesiod, a Scythian. The Thracians first invented what is called a scimitar (arph), -- it is a curved sword, -- and were the first to use shields on horseback. Similarly also the Illyrians invented the shield (pelth). Besides, they say that the Tuscans invented the art of moulding clay; and that Itanus (he was a Samnite) first fashioned the oblong shield (qureos). Cadmus the Phoenician invented stonecutting, and discovered the gold mines on the Pangaean mountain. Further, another nation, the Cappadocians, first invented the instrument called the nabla, and the Assyrians in the same way the dichord. The Carthaginians were the first that constructed a triterme; and it was built by Bosporus, an aboriginal. Medea, the daughter of Æetas, a Colchian, first invented the dyeing of hair. Besides, the Noropes (they are a Paeonian race, and are now called the Norici) worked copper, and were the first that purified iron. Amycus the king of the Bebryci was the first inventor of boxing-gloves. In music, Olympus the Mysian practised the Lydian harmony; and the people called Troglodytes invented the sambuca, a musical instrument. It is said that the crooked pipe was invented by Satyrus the Phrygian; likewise also diatonic harmony by Hyagnis, a Phrygian too; and notes by Olympus, a Phrygian; as also the Phrygian harmony, and the half-Phrygian and the half-Lydian, by Marsyas, who belonged to the same region as those mentioned above. And the Doric was invented by Thamyris the Thracian. We have heard that the Persians were the first who fashioned the chariot, and bed, and footstool; and the Sidonians the first to construct a trireme. The Sicilians, close to Italy, were the first inventors of the phorminx, which is not much inferior to the lyre. And they invented castanets. In the time of Semiramis queen of the Assyrians, they relate that linen garments were invented. And Hellanicus says that Atossa queen of the Persians was the first who composed a letter. These things are reported by Seame of Mitylene, Theophrastus of Ephesus, Cydippus of Mantinea also Antiphanes, Aristodemus, and Aristotle and besides these, Philostephanus, and also Strato the Peripatetic, in his books Concerning Inventions. I have added a few details from them, in order to confirm the inventive and practically useful genius of the barbarians, by whom the Greeks profited in their studies. And if any one objects to the barbarous language, Anacharsis says, "All the Greeks speak Scythian to me." [...]
”
”
Clement of Alexandria (Stromateis, Books 1-3 (Fathers of the Church))
“
I say, it sounds like some dangerous psychotic killer wrote this, and this buttoned-down schizophrenic could probably go over the edge at any moment in the working day and stalk from office to office with an Armalite AR-180 carbine gas-operated semiautomatic. My boss just looks at me. The guy, I say, is probably at home every night with a little rattail file, filing a cross into the tip of every one of his rounds. This way, when he shows up to work one morning and pumps a round into his nagging, ineffectual, petty, whining, butt-sucking, candy-ass boss, that one round will split along the filed grooves and spread open the way a dumdum bullet flowers inside you to blow a bushel load of your stinking guts out through your spine. Picture your gut chakra opening in a slow-motion explosion of sausage-casing small intestine. My boss takes the paper out from under my nose. Go ahead, I say, read some more. No really, I say, it sounds fascinating. The work of a totally diseased mind. And I smile. The little butthole-looking edges of the hole in my cheek are the same blue-black as a dog’s gums. The skin stretched tight across the swelling around my eyes feels varnished. My boss just looks at me. Let me help you, I say. I say, the fourth rule of fight club is one fight at a time. My boss looks at the rules and then looks at me. I say, the fifth rule is no shoes, no shirts in the fight. My boss looks at the rules and looks at me. Maybe, I say, this totally diseased fuck would use an Eagle Apache carbine because an Apache takes a thirty-shot mag and only weighs nine pounds. The Armalite only takes a five-round magazine. With thirty shots, our totally fucked hero could go the length of mahogany row and take out every vice-president with a cartridge left over for each director. Tyler’s words coming out of my mouth. I used to be such a nice person. I just look at my boss. My boss has blue, blue, pale cornflower blue eyes. The J and R 68 semiautomatic carbine also takes a thirty-shot mag, and it only weighs seven pounds. My boss just looks at me. It’s scary, I say. This is probably somebody he’s known for years. Probably this guy knows all about him, where he lives, and where his wife works and his kids go to school. This is exhausting, and all of a sudden very, very boring. And why does Tyler need ten copies of the fight club rules? What I don’t have to say is I know about the leather interiors that cause birth defects. I know about the counterfeit brake linings that looked good enough to pass the purchasing agent, but fail after two thousand miles. I know about the air-conditioning rheostat that gets so hot it sets fire to the maps in your glove compartment. I know how many people burn alive because of fuel-injector flashback. I’ve seen people’s legs cut off at the knee when turbochargers start exploding and send their vanes through the firewall and into the passenger compartment. I’ve been out in the field and seen the burned-up cars and seen the reports where CAUSE OF FAILURE is recorded as "unknown.” No, I say, the paper’s not mine. I take the paper between two fingers and jerk it out of his hand. The edge must slice his thumb because his hand flies to his mouth, and he’s sucking hard, eyes wide open. I crumble the paper into a ball and toss it into the trash can next to my desk. Maybe, I say, you shouldn’t be bringing me every little piece of trash you pick up.
”
”
Chuck Palahniuk (Fight Club)
“
Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.”
Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door.
Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet.
“If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella.
“God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair.
“It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?”
“With a hot bath,” said Lucinda, “followed by some tea and refreshments.”
From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her.
“Don’t know as I want a bath just now,” Jake said.
“Not for you, you dolt, for Lady Cameron.”
Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted.
“You want a bath?” Jake repeated dumbly, staring at Lucinda.
“Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.”
“His master,” said a biting voice from a rear doorway, “is aware of that.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))