Glossy Car Quotes

We still groped for each other on the backstairs or in parked cars                                                                                                                                                       as the road around us grew glossy with ice and our breath softened the view through the glass                     already laced with frost, but more frequently I was finding myself sleepless, and he was running out of                                                                                                                                                                           lullabies. But damn if there isn’t anything sexier                                                             than a slender boy with a handgun,                                                                                                                                   a fast car, a bottle of pills.

God...this was who he loved, he thought. And always would. It was the thrust of that stubborn jaw, and the dark, slashing eyebrows, and those piercings up his ear and in his full lower lip. It was that thick, glossy black hair and the golden skin and that heavily muscled body. It was the way he laughed and the fact that he never, ever cried. It was the scars on his inside no one knew about and the conviction that he would always be the first to run into a burning building or a bloody fight or a car wreck. It was all the things Qhuinn had been and was ever going to be.

I saw why Hunter had looked so horrified at the idea of me staying in his house. The walls were covered in glossy posters of fast cars and movie starlets wearing thongs.

The paint was glossy, the car was clean, and we had a full tank of gas to us. The future was up to me, for now.

There was a fierce jam on the road to Gurgaon. Every five minutes the traffic would tremble - we'd move a foot - hope would rise - then the red lights would flash on the cars ahead of me, and we'd be stuck again. Eveyone honked. Every now and then, the various horns, each with its own pitch, blended into one continuous wail that sounded like a calf taken from its mother. Fumes filled the air. Wisps of blue exhaust glowed in front of every headlight; the exhaust grew so fat and thick it could not rise or escape, but spread horizontally, sluggish and glossy, making a kind of fog around us. Matches were continually being struck - the drivers of autorickshaws lit cigarettes, adding tobacco pollution to petrol pollution.

When she finally reached it, she bent forward and looked through the peephole. Jay was grinning back at her from outside. Her heart leaped for a completely different reason. She set aside her crutches and quickly unbolted the door to open it. "What took you so long?" Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here." "Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her. She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow." "I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly. "What is it?" she asked breathlessly. He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there. And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of. "Whose is it?" she asked admiringly. It was way better than her crappy little Honda. Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance." "Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time. "I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?" Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child." "I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him. He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness. At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her. It was the safest she'd felt in days...maybe weeks... And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.

[…] if sophistication is the ability to put a smile on one's existential desperation, then the fear of a glossy sheen is actually the fear that surface equals depth. *** […] we wake up, we do something—anything—we go to sleep, and we repeat it about 22,000 more times, and then we die. *** Part of our new boredom is that our brain doesn't have any downtime. Even the smallest amount of time not being engaged creates a spooky sensatino that maybe you're on the wrong track. Reboot your computer and sit there waiting for it to do its thing, and within seventeen seconds you experience a small existential implosion when you remember that fifteen years ago life was nothing but this kind of moment. Gosh, mabe I'll read a book. Or go for a walk. Sorry. Probably not going to happen. Hey, is that the new trailer for Ex Machina? *** In the 1990s there was that expression, "Get a life!" You used to say it to people who were overly fixating on some sort of minutia or detail or thought thread, and by saying, "Get a life," you were trying to snap them out of their obsession and get them to join the rest of us who are still out in the world, taking walks and contemplating trees and birds. The expression made sense at the time, but it's been years since I've heard anyone use it anywhere. What did it mean then, "getting a life"? Did we all get one? Or maybe we've all not got lives anymore, and calling attention to one person without a life would put the spotlight on all of humanity and our now full-time pursuit of minutia, details and tangential idea threads. *** I don't buy lottery tickets because they spook me. If you buy a one-in-fifty-million chance to win a cash jackpoint, you're simultaneously tempting fate and adding all sorts of other bonus probabilities to your plance of existence: car crashes, random shootings, being struck by a meteorite. Why open a door that didn't need opening? *** I read something last week and it made sense to me: people want other people to do well in life but not too well. I've never won a raffle or prize or lottery draw, and I can't help but wonder how it must feel. One moment you're just plain old you, and then whaam, you're a winner and now everyone hates you and wants your money. It must be bittersweet. You hear all those stories about how big lottery winners' lives are ruined by winning, but that's not an urban legend. It's pretty much the norm. Be careful what you wish for and, while you're doing so, be sure to use the numbers between thirty-two and forty-nine.

Ellie Haworth is living the dream. She often tells herself so when she wakes up, hungover from too much white wine, feeling the ache of melancholy, in her perfect flat that nobody eve messes up in her absence. (She secretly wants a cat, but is afraid of becoming a cliche.) She holds down a job as a feature writer on a a national newspaper, has obedient hair, a body that is basically plump and slender in the right places, and is pretty enough to attract attention that she still pretends offends her. She has a sharp tongue-too sharp, according to her mother-a ready wit, several credit cards, and a small car she can manage without male help. When she meets people she knew at school, she can detect envy when she describes her life: she has not yet reached an age where the lack of a husband or children could b regarded as failure. When she meets meant, she can see them ticking off her attributes - great job, nice rack, sense of fun - as if she's a prize to be won. If, recently, she has become aware that the dream is a little fuzzy, that the edge she was once famed for at the office has deserted her since John came, that the relationship she had once found invigorating has begun to consume her in ways that are not exactly enviable, she chose not to look to hard. After all, it's easy when you're surrounded by people like you, journalists, and writers who drink hard, party hard have sloppy, disastrous affairs and unhappy partners home who, tired of their neglect, will eventually have affairs. She is one of them, one of their cohorts, living the life of the glossy magazine pages, a life she has pursued since she first knew she wanted to write. She is successful, single, selfish. Ellie Haworth is as happy as she can be. As anyone can be, considering. And nobody gets everything, so Ellie tells herself, when occasionally she wakes up trying to remember whose dream she's meant to be living.

The shiny silver sports car gleams under the automatic lights, a fresh slash against the wound opened by that glossy cover.

The movies were just kind of figuring out how to use computers in 2003, and nobody was just kind of figuring out how to use computers harder than Michael Bay. It’s tempting to say that every frame of Bad Boys II looks like a TV commercial, but truly every frame looks like a print advertisement, like those Candies ads where Jenny McCarthy’s taking a shit, shallow and glossy and tinged acid green. There are four car chases, one of which is at least fifteen minutes long. Even the most passing transitions are giddily tasteless: the camera EXPLODES out of the speedboat’s tailpipe and ZOOMS across Biscayne Bay and WHAMS down the ventilation shaft in the backward sunglasses factory and SHOOMPS into the buttcrack of a raver’s low-rise jeans and SPROINGS across her transverse colon and SQUEAKS through her appendix and AIRHORNS out her belly button and PLOPS into the Cuban drug lord’s mojito as he shoots his favorite nephew in the head while saying, “Adios, kemosabe,” or something fucking cool like that. When faced with a choice, Bay picks “all of the above” every time. He’s like a dog in one of those obedience trials who’s like, “Obedience? I don’t know her,” and just goes buck wild on the sausages. Except instead of “obedience” it’s “having a coherent plot that holds the audience’s attention” and instead of “sausages” it’s “explosions, Ferrari chases, and how many different cool kinds of box could a gun come in.

I hear from the sofa- ‘Wear a jacket, Karly!’ My mom thinks even when I’m dressed, I’m still half-naked. So, out the door, I see sis get on the yellow bus. Waving at me like a moron out the window! And the cold feels like a b*tch slap to my face, yet it is a good way to wake up. I got into the SUV that was wrecked the night before. Thinking that this thing is like a coffin to me, yet I could say anything, or Jenny would think I have completely lost my mind. So, we go down all the same roads, not stopping at any of the red or yellow lights or signs. When Liv gets into the car she leans forward and grabs my hot- chocolate, and the smell of her perfume is strawberry, it is a body spray she has been wearing devotedly ever senses she was twelve and her hips and boobs develop like the end of sixth grade, she buys like five bottles every time we go into Sally Beauty Supply. I know that she has it on her, so I ask her for a squirt, even though I am sick of it after all these years, and even though I don’t want to smell like her, I ask for it anyway, I don’t want to smell like balls! Even though it stopped being cool in seventh grade, to where kiddy stuff like she still does- I have to close my eyes, overwhelmed, and coffin as a puff of it surrounds me, or then what I asked for. Gross, I smell like a pre-teen after gym class now, just trying to cover it up. Closing my eyes was a horrible idea. One- I get to feeling car sick. Two- I can see where Jenny is driving, and the way it feels- it must be off the road. Three- I start to daydream about Marcel, plus heartsick over Ray still, even though I was done after what he did to me, I can stop having feelings for him, he was the first that took me from behind. Oh no, he was not my first love god no, I didn’t know what love was until I saw it in Marcel's eyes, but was it real? That is what I am afraid of- trusting my heart to a boy again. I could see all the flashes of sincere light within Marcel's home, I could see him holding as no boy has ever done with me. I could almost feel the tingle of his kiss on my lips. ‘Holy freaking crap balls,’ said Jenny. I snap my eyes open as Jenny swerves to avoid hitting a cuddly black cat, walking past. That is when I start to look out the window into the side mirror, and the glossy dark trees are flocking on either side of us like outlined ghosts in the navy-blue sky. I smell something hot. I said- ‘Yeah that’s just me.’ I hear Jenny shrieking not too long after I feel relaxed, and yet once more, I feel my stomach go to the bottom of my feet and back up, as the SUV rolls to the one side, tires wailing- ‘It was a family of deer this time, trying not to get murdered. You should have seen their faces. It’s like mine every time I ride in this SUV.

Tell me about one of your favorite moments together, Marissa.” There are so many for Marissa to choose from, whole albums of memories. She selects one of the glossy snapshots: “Just last year, Matthew and I were invited to a black-tie dinner at the Kennedy Center. It was magical. We hired a car and driver and danced all night. He looked so handsome. It was because of his work on behalf of the World Wildlife Fund that we went—” Avery cuts her off. “That’s an Instagram post. Give me something real.” Marissa flinches. In those few words, Avery has cut to the core of what their marriage has become: curated moments served up in public, while in private the emptiness between them slowly expands.

Dallas latched on to the forearm of my hand curled around her throat and plastered her back against the hood of the car as I continued fucking her hard. The door behind us opened, and Jared walked in. “Oh, sorry. I didn’t mean to—” “Get the fuck out,” I roared. My demand shook the walls so hard I was surprised they hadn’t cracked. The door promptly closed. Perhaps because it was, by far, the most pleasurable experience I’d ever had, the orgasm wasn’t instant. It skulked forward, gripping each of my limbs with its claws, taking over me like a drug. I knew I’d regret what was about to happen. Yet, I could not even entertain the idea of stopping. Dallas quaked beneath me. The muscles of her thighs strained. Sliding into her hot tightness a few more times, I finally erupted inside her. It was glorious. And at the same time, felt as if someone had sucked my chest empty. I came, and I came, and I came into Dallas’s cunt. When I finally pulled out, everything between us was sticky. I peered down between her legs. My thick white cum dripped from her swollen red slit to the hood of my car. Pink flakes of blood scattered inside the cloudy, milky liquid. Panting and out of breath, I realized this marked the first time that I’d lost myself to a moment. That I’d forgotten everything. Including the fact that she was present. My gaze rode up her bruised pussy to her torso. Sometime during sex, I’d torn the top of her dress without even noticing. Red marks covered her exposed breasts. Full of scratches and bites. Her neck still bore the imprints of my fingers—how hard had I grabbed her? And though I dreaded seeing the aftermath on her face, I couldn’t stop myself. I looked up and nearly keeled over to vomit. Flushed pink cloaked her face. A single silent tear traveled down her cheek. A glossy sheen coated her hazel eyes, almost golden in their tone and empty as my chest. The corner of her lips had produced a thin line of blood. Her doing. Not mine. She’d bitten them to tamp down her pained cries. Shortbread wanted me to fuck her bareback so badly, she’d suffered through the entire ordeal. Incomparable guilt slammed into me. Bitterness hit the back of my throat. I’d taken her without considering her pleasure. Against my better judgment. And in the process, I’d ruined her first genuine experience of sex. “Sorry.” I jerked away from Dallas, shoved my dripping half-mast cock back into my pants, and zipped up. “Jesus. Fuck. I’m so—” The rest of the sentence vanished in my throat. I shook my head, still in disbelief that I’d fucked her to the point of blood and tears. Without even sparing her a glance. She sat up. That lone tear still shimmered from her cheek, somehow even worse than a loud sob. “Do you have any gum?” The perfect, even composure braided into her voice rattled me. In fact, everything about Dallas rattled me. On autopilot, I produced two pieces of gum from my tin container, forking them over to her. She tucked both into her pretty pink mouth that I would never kiss and fuck again. “Shortbread…” I stopped. An apology wouldn’t even begin to cover it. “No. It’s my time to speak.” She made no move to flee. To slap me. To call the police, her parents, her sister. My cum still dripped fat white drops through her exposed pussy. A single streak of blood smeared across the hood of my car. I stood far enough from her that I wasn’t a threat and listened.(Chapter 44)

Tell me about one of your favorite moments together, Marissa.” There are so many for Marissa to choose from, whole albums of memories. She selects one of the glossy snapshots: “Just last year, Matthew and I were invited to a black-tie dinner at the Kennedy Center. It was magical. We hired a car and driver and danced all night. He looked so handsome. It was because of his work on behalf of the World Wildlife Fund that we went—” Avery cuts her off. “That’s an Instagram post. Give me something real.

Behind me, Eaden cleared his throat. “Rachel?” He was holding open the door of a sleek, tiny black sports car, the kind I didn’t know the name of, but recognized as expensive. He looked amused at the way my mouth fell open a little. “You drive?” I was dumbfounded. I walked back towards him and the glossy black automobile. He raised an eyebrow. “Yes, I drive. I’m immortal, not Amish.

When I was twelve, Flip came through Reno and gave out autographs at a casino. I didn't have a glossy photo for him to sign, so I had him sign my hand. For weeks I took a shower with a plastic bag over that hand, rubbed-banded at the wrist. It wasn't quite a romantic infatuation. There are levels of readiness. Young girls don't entertain the idea of sex, their body and another's together. That comes later, but there isn't nothing before it. There's an innocent displacement, a dreaming, and idols are perfect for a little girl's dreaming. They aren't real. They aren't the gas station attendant trying to lure you into the back of the service station, a paperboy trying to lure you into a tool-shed, a friend's father trying to lure you into his car. They don't lure. They beckon, but like desert mirages. Flip Farmer was safely unreachable. He was something special. I chose him from among all the men in the world, and he signed the back of my hand and smiled with very white, straight teeth. He gave us each that same smile, the children and adults who lined up at Hannah's. We weren't individuals but a surface he moved over, smiling and remote. The thing was, if he had returned my gaze, I probably would have washed his autograph from my hand.