Gloss Quotes

Some of us get dipped in flat, some in satin, some in gloss...." He turned to me. "But every once in a while, you find someone who's iridescent, and when you do, nothing will ever compare.

Sometimes you just have to put on lip gloss and pretend to be psyched.

GIRL, write YOUR book dammit. Who cares what people think? If writers in the past cared what other people thought we'd still be glossing over 'inappropriate' kissing scenes. Break the fucking rules. Push yourself to the edge. Show the world what YOU can do. This is YOUR book. YOUR blood and guts. AND, don't you EVER, EVER, write one single line for SOMEONE ELSE.

Mulling this over, Vlad wiped her lip gloss from his lips with the back of his hand.Vampires, after all, didn't sparkle.

Consider the fact that maybe…just maybe…beauty and worth aren’t found in a makeup bottle, or a salon-fresh hairstyle, or a fabulous outfit. Maybe our sparkle comes from somewhere deeper inside, somewhere so pure and authentic and REAL, it doesn’t need gloss or polish or glitter to shine.

After running for my life from hunters, a girl with too much lip gloss doesn't register on my fear radar.

I took a deep breath. "I'm sorry I lied, I like your Star Wars sheets, you're not that bad of a driver, and I swear on my Very Cherry lip gloss that I will never lie to you again.

Why are you putting on lip gloss, my daughter?” Dad asked. “Trip to the library? Trip to the nunnery? I hear the nunneries are nice this time of year” … “Is this true, Kami? Are you going out on a date?” Dad asked tragically. “Wearing that? Wouldn’t you fancy a shapeless cardigan instead? You rock a shapeless cardigan, honey.

He already knows what I look like," Cath said. "There's no point in being tricky about it now." "How is doing your hair--and maybe putting on some lip gloss--being tricky?" "It's like I'm trying to distract him with something shiny.

She stared at her reflection in the glossed shop windows as if to make sure, moment by moment, that she continued to exist.

She could not ignore life. She had to live it and it was too brutal, too hostile, for her even to try to gloss over its harshness with a smile.

Real liberation comes not from glossing over or repressing painful states of feeling, but only from experiencing them to the full.

She had what it took: great hair, a profound understanding of strategic lip gloss, the intelligence to understand the world and a tiny secret interior deadness which meant she didn’t care.

Only downside to your place is the disturbing low amount of extraneous toiletries. No conditioner? Lip gloss? Sunscreen?" I jerked my thumb toward the front door. "I need to brush my teeth. And I need a shower." He grinned, hopping off the bike. "Now that is an invitation.

There was a kindliness about intoxication - there was that indescribable gloss and glamour it gave, like the memories of ephemeral and faded evenings.

Looking back, none of this would have happened if I’d brought lip gloss the night of the Homecoming Dance.

Look. I don’t want to push you into anything, but do you maybe want to —” “Call Magnus? Look, that’s a dead end, I know you’re trying to be helpful, but —” “—kiss me?” Jace finished. Alec looked as if he were about to fall off his chair. “WHAT? What? What?” “Once what would do.” Jace did his best to look as if this were the sort of suggestion one made all the time. “I think it might help.” Alec looked at him with something like horror. “You don’t mean that.” “Why wouldn’t I mean it?” “Because you’re the straightest person I know. Possibly the straightest person in the universe.” “Exactly,” Jace said, and leaned forward, and kissed Alec on the mouth. The kiss lasted approximately four seconds before Alec pulled forcefully away, throwing his hands up as if to ward Jace off from coming at him again. He looked as if he were about to throw up. “By the Angel,” he said. “Don’t ever do that again.” “Oh yeah?” Jace grinned, and almost meant it. “That bad?” “Like kissing my brother,” said Alec, with a look of horror in his eyes. “I thought you might feel that way.” Jace crossed his arms over his chest. “Also, I’m hoping we can just gloss over all the irony in what you just said.” “We can gloss over whatever you want to,” Alec said fervently. “Just don’t kiss me again.

I don't want her, he said, staring at my lips. I'm just so fucking unhappy, Pigeon. His eyes glossed over and he leaned in, tilting his head to kiss me.

You can see wealth in people no matter what they're wearing. It's in the cut of their chins, a certain gloss to the skin, a drag and pause to their responsiveness. When poor people hear a loud noise, they whip their heads around. Wealthy people finish their sentences, then just glance back.

But he hated to be sober. It made him conscious of the people around him, of that air of struggle, of greedy ambition, of hope more sordid than despair, of incessant passage up or down…. There was kindliness about intoxication – there was the indescribable gloss and glamour it gave, like the memories of ephemeral and faded evenings

A woman puts on a new dress eyeliner lip gloss to please others. A woman paints her toes to please herself. And if there was one thing I was familiar with it was pleasing...There's no way to finish that sentence without embarrassing myself.

First, it’s okay to be sad. It’s okay to feel things. Remember that. Second, be a kid for as long as you can. Play games, Travis. Be silly”—her eyes glossed over—“and you and your brothers take care of each other, and your father. Even when you grow up and move away, it’s important to come home. Okay?” My head bobbed up and down, desperate to please her. “One of these days you’re going to fall in love, son. Don’t settle for just anyone. Choose the girl that doesn’t come easy, the one you have to fight for, and then never stop fighting. Never”—she took a deep breath—“stop fighting for what you want. And never”—her eyebrows pulled in—“forget that Mommy loves you. Even if you can’t see me.” A tear fell down her cheek. “I will always, always love you.

I once had a love who folded secrets between her thighs like napkins and concealed memories in the valley of her breasts. There was no match for the freckles on her chest, and no one could mistake them for a field of honeysuckles. Upon her lips, a thousand lies were spread in sweet gloss. Her kiss was like a storybook from ancient history. She was at home with the body of a man inside her, beside her. At night, when she lay in bed crying, no one could mistake the tears she wept for a summer shower She is gone, my love. She was a wanderess, a wildflower.

It’s the Longing that ultimately undoes you. When it finds you, it gnaws at your bones and tugs at your chest. It fills you up inside like rot and makes you dream dreams and it drowns you. The Longing keeps you in bed, clutching at your sheets while the world goes on outside. It smells like old leaves and cigarette smoke, mixed with the scent of far-off places you will hear of, but never see. It’s the gloss on a lover’s lips the moment you realize you will never kiss those lips again. It is the bittersweet, unrequited love of creation and it will break your heart again and again and again. If you know the Longing the way I do, then these words are redundant. We understand each other perfectly, you and I.

At some point I was a Happy African Feminist Who Does Not Hate Men and Who Likes to Wear Lip Gloss and High Heels for Herself and Not For Men.

Wear your pain like lip gloss!

She straightens her hair, puts on eyeliner, glosses her lips and takes one last look in the mirror, all for the boy who doesn't care.

The aspiration to such uniformity and order alerts us to the fact that modern statecraft is largely a project of internal colonization, often glossed, as it is in its imperial rhetoric, as a 'civilizing mission'.

What remains of your past if you didn't allow yourself to feel it when it happened? If you don't have your experiences in the moment, if you gloss them over with jokes or zoom past them, you end up with curiously dispassionate memories.

you think you've never been wrong before?"-alex "sure i have why just last week I bought bobbi brown sandwash petal lip gloss when the pink blossom color would have looked so much better with my complexion. needless to say the purchase was a total disaster"- brittney "ill bet"-alex. "havent you ever been wrong before?"-brittany "absolutely. last week, when i robbed that bank over by the walgreens, I told the teller to hand over all the fifties he had in the till. what i really should have asked for was the twenties 'cause there were way more twenties than fifties"- alex "what a disaster"- brittany

Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like a beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is grayout.

Charlotte: "It’s too bad they don’t give out diplomas for what you learn at the mall, because I could graduate with honors in that subject. No really. Since I’ve worked there, I’ve become an expert on all things shopping-related. For example, I can tell you right off who to distrust at the mall: 1) Skinny people who work at Cinnabon. I mean, if they’re not eating the stuff they sell, how good can it be? 2) The salesladies at department store makeup counters. No matter what they tell you, buying all that lip gloss will not make you look like the pouty models in the store posters. 3) And most importantly—my best friend’s boyfriend, Bryant, who showed up at the food court with a mysterious blonde draped on his arm.

That word, calm, sounds impossibly beautiful, gloriously uncomplicated. A water-smooth word, a word that can take the edge away from fear, gloss it over, make it shiny. Calm. Gentle.

Wearing nothing but sweats and a sheer coat of lip gloss, she wiggle through her frosted window and jumped six feet to freedom, feeling more charged than a Visa card at Christmas time.

So what did you bring? Lip gloss and a hairbrush?” Smirking, she unpacked the sandwiches Mort's cook had made for her, along with an ample slice of chocolate cake. “You owe me an apology.” “Omigod, it's a feast! Okay, you're forgiven.

Active racism is telling a nurse supervisor that an African American nurse can’t touch your baby. It’s snickering at a black joke. But passive racism? It’s noticing there’s only one person of color in your office and not asking your boss why. It’s reading your kid’s fourth-grade curriculum and seeing that the only black history covered is slavery, and not questioning why. It’s defending a woman in court whose indictment directly resulted from her race…and glossing over that fact, like it hardly matters.

Guys don't know the power we hold over them with the right tint of lip gloss.

Why are you putting on lip gloss, my daughter?" Dad asked ." Trip to the library? Trip to the nunnery? I hear the nunneries are nice this time of year." "Not a date; I still remember Claud," Rusty said, and grabbed her ankle. " I forbid it." "You introduced me to Claud," Kami pointed out. "I'm a bad person," Rusty mumbled. "I do bad things." "Is this true, Kami? Are you going out on a date?" Dad asked tragically. "wearing that? Wouldn't you fancy a shapeless cardigan instead? You rock a shapeless cardigan honey.

I am not good at noticing when I'm happy, except in retrospect. My gift, or fatal flaw, is for nostalgia. I have sometimes been accused of demanding perfection, of rejecting heart's desires as soon as I get close enough that the mysterious impressionistic gloss disperses into plain solid dots, but the truth is less simplistic than that. I know very well that perfection is made up of frayed, off-struck mundanities. I suppose you could say my real weakness is a kind of long-sightedness: usually it is only at a distance, and much too late, that I can see the pattern.

What people see? That is only gloss. But, Anna, you light me up. Drew. Not the player. You didn't know how to live under my light? I don't have a light anymore unless you're there.

Adina sat up. “It’s denigrating and objectifying.” “No. It’s eye shadow and lipstick and sex and mystery and magic and transformation and fun. And nobody’s taking that away from me. You will pry my Petal Power lip gloss out of my cold, dead hands,” Shanti insisted.

Her lips taste like mint from toothpaste or gum, or sometimes like cherries or grapes from her lip gloss. She's soft when I hold her, with curves where my hands rest, and when I touch her I think stupid caveman things like, mine and totally mine—oh yeah, and all mine.

The body often contains emotional truths that words can too easily gloss over.

In books and movies, people were either whisked away to a magical land in the clothes they were standing up in, or they glossed over the packing part entirely. Simon now felt he had been robbed of critical information by the media. Should he be putting the kitchen knives in his bag? Should he bring the toaster and rig it up as a weapon?

Everybody knows deep down that life is as much about the things that do not happen as the things that do and that's not something that ought to be glossed over or denied because without frustration there would hardly be any need to daydream. And daydreams return me to my original sense of things and I luxuriate in these fervid primary visions until I am entirely my unalloyed self again. So even though it sometimes feels as if one could just about die from disappointment I must concede that in fact in a rather perverse way it is precisely those things I did not get that are keeping me alive.

I liked you a lot better when you were messing up her lip gloss instead of her mascara--Claire

Kisses are a means to plant on another's lips a smile glossed with happiness.

I look at her lips shiny and thick with so much gloss. There’s a wavering quality to her voice, like a car swerving down a dangerous road.

The singing stopped when I walked in. They all turned and stared at me, Bonne-Bell-Orange-Crush-glossed mouths hanging open, looking at me with the same horror and excitement they'd exhibit it I had just walked into the room naked. I stood there frozen, hyperaware of my scruffiness, my shirt untucked and one ponytail higher than the other. The Bad Dog turned me in on myself like a vortex, gleefully saying, Look, look. There they are, here you are. Separate. You do not belong.

She is so feisty I can’t decide if I want to squeeze her throat and watch her eyes gloss over with tears, or rip her tiny shorts off and bury my dick inside her, making her scream, making her so fucking dirty she’ll never get clean.

Each time she applied her lip gloss, she imagined another fleet of brain cells dying a horrible death.

In books or movies, people were either whisked away to a magical land in the clothes they were standing up in, or they glossed over the packing part entirely. Simon now felt he had been robbed of critical information by the media. Should he be putting the kitchen knives in his bag? Should he bring the toaster and rig it up as a weapon? Simon did neither of those things. Instead, he went with the safe option: clean underwear and hilarious T-shirts. Shadowhunters had to love hilarious T-shirts, right? Everyone loved hilarious T-shirts.

Slowly the reality of the situation sank in. He got his ass kicked, learned nothing, and got saved by a dumb dog and an old lady. If he lived long enough to report to Nancy back in Adrianglia, he would have to gloss over this part.

There is no such thing as privacy between a deity and his worshipper. There are no secrets, no glossed-over failures. Only promises kept and abandoned, sins committed and imagined, and raw emotion. How many of us are ready to have our lives judged? What would happen if we were found wanting?

You take away economic security and the whole pack of cards collapses. Everyone is at each other’s throats. All these vaunted bourgeois values that prop up society – love, duty, honour, respect – all rest on power-relations lubricated by economics. They are the gloss people put on the naked truth: self-interest.

Don't gloss over a routine or piece of code involved in the bug because you "know" it works. Prove it. Prove it in this context, with this data, with these boundary conditions.

The first time I taught a writing class in graduate school, I was worried. Not about the teaching material, because I was well prepared and I was teaching what I enjoyed. Instead I was worried about what to wear. I wanted to be taken seriously. I knew that because I was female, I would automatically have to prove my worth. And I was worried that if I looked too feminine, I would not be taken seriously. I really wanted to wear my shiny lip gloss and my girly skirt, but I decided not to. I wore a very serious, very manly, and very ugly suit. The sad truth of the matter is that when it comes to appearance, we start off with men as the standard, as the norm. Many of us think that the less feminine a woman appears, the more likely she is to be taken seriously. A man going to a business meeting doesn’t wonder about being taken seriously based on what he is wearing—but a woman does.

Where the wave of moonlight glosses The dim gray sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances, Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And is anxious in its sleep. . . .

It's not that you have lost touch with these people. You haven't. It's just that they have kept in such close touch with each other. When scrolling through your cell phone, you generally let their numbers be highlighted for a second, hovering, and then move along to people you have spoken to within the last month. It's not that you're a bad friend to these people. It's just that you're not a great one. They know the names of each other's coworkers and the blow-by-blow nature of each other's dramas; they go camping in the Berkshires together and have such sentences in their conversational arsenal as "you left your lip gloss in my bathroom." You have no such sentences. Your connection to your friends is half-baked and you are starting to forget their siblings' names, never mind their coworkers. But you're still in the play even if you're no longer a main character.

I looked into his eyes and then down at his mouth before continuing. “Have you ever noticed how pretty and beautiful words can be? How easy it is to say the things you think someone wants to hear. How you can affect a person’s entire day with just a few measly sentences?”My slight smile dropped. “But when you don’t follow them up with any action, they’re completely pointless. They’re just sounds and syllables. But they mean absolutely nothing.” My gaze glossed over as my mind wandered.

I rushed ahead until another girls' bathroom appeared. I pushed the door open, planning to leave Noah outside while I collected myself. But he followed me in. Two younger girls were standing at te mirror applying lip gloss. "Get out," Noah said to them, his voice laced with boredom. As if they were the ones who didn't belong in the girls' bathroom.

Nostalgia is possibly the greatest of the lies that we all tell ourselves. It is the glossing of the past to fit the sensibilities of the present.

He hated words. Words glossed every real thing with brittle artifice and deceit. Words were always lies, always intended to deceive even when they held the truth. . . .

And her lips: so inviting, bathed in shimmering wet, dark red gloss. They were meant for only two things, kissing and making love to your cock.

This is what happiness is, past the rubbish of its overuse as a word, past the cracked gloss of the letters that mean nothing when strung together. They mean something now, and I know what it's like when you and someone else are right together. How simple is is, and how amazing.

I'm weird. Everyone says so. I suppose it'because while other fifteen-year-olds are talking about the best lip gloss or which movie star is hotter, I would rather be curled up with a book.

But I regret, with every fiber of my being, that for even one moment you suffered under my hands.” Her eyes widen, the beautiful shades of brown glossing over. “You are, without a doubt, the only good I’ve ever known.” I rest my forehead on hers, my shaky breaths ghosting across her lips, my thumb rubbing against her cheek. “So… don’t lie to me, Wendy, darling. Because my heart won’t survive it if you do.

Just because a guy wears glasses and smiles at you doesn't mean he's nice." Lisa dug around in her purse for a tube of lip-gloss. "Maybe he's a visually impaired cannibal. Did you ever think of that? Like one of those serial killers you love so much." "I don't love serial killers," Katie argued, defensive. "Not romantically, at least.

The tendency to view the holistic work of the church as the action of the privileged toward the marginalized often derails the work of true community healing. Ministry in the urban context, acts of justice and racial reconciliation require a deeper engagement with the other—an engagement that acknowledges suffering rather than glossing over it.

Small talk was an art form, one of those things that made people’s eyes gloss over. Go silent, and they might start wondering why. But keep them talking about nothing at all, and they wouldn’t even blink.

Interrogate your instincts. Insecurity isn’t shameful. Attraction isn’t an embarrassment. Interpersonal affection isn’t a side note to be glossed over. Whatever the nature of the material that forms between two people, it’s the backbone of literature.

All my life I have been restless- I have felt there is something more wonderful than gloss- than wholeness- than staying at home.

Here are the tulips, budded and full-blown, their swoops and dips, their gloss and poses, the satin of their darks.

A woman’s beauty is supposed to be her grand project and constant insecurity. We’re meant to shellac our lips with five different glosses, but always think we’re fat. Beauty is Zeno’s paradox. We should endlessly strive for it, but it’s not socially acceptable to admit we’re there. We can’t perceive it in ourselves. It belongs to the guy screaming 'nice tits.

But Robin: their dear little Robs. More than ten years later, his death remained an agony; there was no glossing any detail; its horror was not subject to repair or permutation by any of the narrative devices that the Cleves knew. And—since this willful amnesia had kept Robin's death from being translated into that sweet old family vernacular which smoothed even the bitterest mysteries into comfortable, comprehensible form—the memory of that day's events had a chaotic, fragmented quality, bright mirrorshards of nightmare which flared at the smell of wisteria, the creaking of a clothes-line, a certain stormy cast of spring light.

The only antidote to perfectionism is to turn away from every whiff of plastic and gloss and follow our grief, pursue our imperfections, and exaggerate our eccentricities until the things we once sought to hide reveal themselves as our majesty.

a women puts on a new dress, eyeliner, lip gloss to please others. A women paints her toes to please herself. And if there was one thing I was familiar with, it was pleasing . . . There's no way to finish that sentence without embarrassing myself

In fiction, the characters have their own lives. They may start as a gloss on the author’s life, but they move on from there. In poetry, especially confessional poetry but in other poetry as well, the poet is not writing characters so much as emotional truth wrapped in metaphor. Bam! Pow! A shot to the gut.

Matthew had sheepishly unfolded the dress from its paper swathings and held it out with a deprecatory glance at Marilla, who feigned to be contemptuously filling the teapot, but nevertheless watched the scene out of the corner of her eye with a rather interested air. Anne took the dress and looked at it in reverent silence. Oh, how pretty it was--a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashinable way, with a little ruffle of filmy lace at the neck. But the sleeves--they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon.

Tess,” I said. For a moment, Emilia and I studied each other. She was tall, with strawberry-blond hair and eyes that walked the line between green and blue. She wore almost no makeup, except for a light gloss on her lips. “So you’re Ivy Kendrick’s sister,” she said finally. “I thought you’d be taller.” “I’ll get right to work on that.” Emilia cracked a very small smile.

The New Coach. Did she look at us that first week and see past the glossed hair and shiny legs, our glittered brow bones and girl bravado? See past all that to everything beneath, all our miseries, the way we all hated ourselves but much more everyone else?

Sooner or later, you will discover which kind of father you are, and at that moment you will, with perfect horror, recognize the type. You are the kind of father who fakes it, who yells, who measures his children with greatest accuracy only against one another, who evades the uncomfortable and glosses over the painful and pads the historic records of his sorrows and accomplishments alike. You are the kind who teases and deceives and toys with his children and subjects them to displays of rich and manifold sarcasm when--as is always the case--sarcasm is the last thing they need. You are the kind of father who pretends knowledge he doesn't possess, and imposes information with implacable gratuitousness, and teaches lessons at the moment when none can be absorbed, and is right, and has always been right, and always will be right until the end of time, and never more than immediately after he has been wrong. And when your daughter's body begins to betray her, and her sky flickers in the distance with the heat lightning of sex, you clear your throat and stroke your chin whiskers and tell her to go ask her mother. You can't help it--you're a walking cliché.

This life is so complex that we rarely get to be the people we are truly meant to be. Instead, we wear masks and put up walls to keep from dealing with the fear of rejection, the feeling of regret, the very idea that someone may not love us for who we are deep in our core, that they might not understand the things that drive us. I want to study the realness of life, not the gloss. There is beauty everywhere; even in the dark, there is light, and that is the rarest kind of all.

She straightens her hair, puts on eyeliner, glosses her lips, and takes one last look in the mirror, all for the boy who will never care

I’m a mad scientist. We don’t need lip gloss. We have jumper cables.

Decebel could admit now that maybe he had slightly overreacted when he tore into the room and found two males rifling through her suit case. So maybe he didn't have to throw Dragos through a wall. And, yeah, he could've kept from tossing Dorian right on top of Dragos. But in that moment his wolf had taken over, and all he could think was that her scent was around unmated males, that they were touching her things – things only he should know about. Decebel had glossed over that little tidbit, about why on earth he thought he had a right to know about her underwear.He'd felt that if he didn't get her things and her scent from their room he was going to kill someone, no doubt about it. One of those pups would have died that night.

Children lose their innocence piece by piece. The layers are carved away until our hearts have been exposed and polished into an unnatural gloss. We spend the rest of our lives trying to remember why we ever loved so passionately and how we dreamed so simply, before life chiseled us down to the core.

You think your past defines you, and worse, you think that it is an unchangeable reality, when really, your perception of it changes as you do. Because experience is always multi-dimensional, there are a variety of memories, experiences, feelings, “gists” you can choose to recall…and what you choose is indicative of your present state of mind. So many people get caught up in allowing the past to define them or haunt them simply because they have not evolved to the place of seeing how the past did not prevent them from achieving the life they want, it facilitated it. This doesn’t mean to disregard or gloss over painful or traumatic events, but simply to be able to recall them with acceptance and to be able to place them in the storyline of your personal evolution.

Travis is a fucking wreck! He won’t talk to us, he’s trashed the apartment, threw the stereo across the room…Shep can’t talk any sense into him!” “He took a swing at Shep when he found out we helped you leave. Abby! Please tell me!” she pleaded, her eyes glossing over. “It’s scaring me!” “It’s something else, Abby. He’s gone fucking nuts! I heard him call your name, and then he stomped all over the apartment looking for you. He barged into Shep’s room, demanding to know where you were. Then he tried to call you. Over, and over and over,” she sighed. “His face was…Jesus, Abby. I’ve never seen him like that.

Some other memories of the funeral have stuck in my mind. The old boy’s face, for instance, when he caught up with us for the last time, just outside the village. His eyes were streaming with tears, of exhaustion or distress, or both together. But because of the wrinkles they couldn’t flow down. They spread out, crisscrossed, and formed a smooth gloss on the old, worn face.

Tis a commodity that will lose the gloss with lying; the longer kept, the less worth: off with ’t, while ’tis vendible; answer the time of request. Virginity, like an old courtier, wears her cap out of fashion; richly suited, but unsuitable: just like the brooch and the toothpick, which wear not now.

What good is your reality, when justice fails and dishonesty is glossed over and the ones who keep faith suffer

At the house, the gathering broke up quickly. Sarai announced that she had a headache and needed to lie down. Without her to hold them together, the young nobles chose to go home. The gloss had been stripped from the afternoon.

No one could see her objectively anyway. Even those who saw her for the first time, before she had opened her mouth to sing. Found her radiant, as if her talent could not be contained in her voice and so poured like light though her skin. Then all that could be seen was the weight and the gloss of her hair and the pale pink of her cheeks and her beautiful hands.

In truth she is not a hard lady naturally, and the time has been when the sight of the venerable figure suing to her with such strong earnestness would have moved her to great compassion. But so long accustomed to suppress emotion and keep down reality, so long schooled for her own purposes in that destructive school which shuts up the natural feelings of the heart like flies in amber and spreads one uniform and dreary gloss over the good and bad, the feeling and the unfeeling, the sensible and the senseless, she had subdued even her wonder until now.

I had a pain in my neck from sleeping funny, at least five hours’ worth of homework, and a newfound realization that woman cannot live on cherry-flavored lip gloss alone. I dug in the bottom of my bag and found a very questionable breath mint, and figured that if I was going to die of starvation, I should at least have minty-fresh breath for the benefit of whatever classmate or faculty member would be forced to give me CPR.

Every morning in the middle of nowhere, without electricity or anyone to impress, I'd take great care in picking out my outfit and hover in front of a business card-size mirror to apply my lip gloss and check my eyebrows. I also felt I had a strong case for bringing a little black dress on expeditions. Village parties spring up more often than you might expect, and despite never having been a Girl Scout, I like to be prepared.

She catches sight of herself in her video-feed, her face contorted with fury. Wiping spittle from the sides of her mouth, she reaches behind her to grab her lip gloss and reapplies it. “And don’t even start thinking about what a bitch I am,” she says. Her eyes are steady, the heat receding from her skin. “This is not my fault. I’m just doing what we have been trained to do. This is who we are, freida. This is who we were designed to be.

Let Love clasp Grief lest both be drown’d, Let darkness keep her raven gloss: Ah, sweeter to be drunk with loss, To dance with death, to beat the ground. —Alfred, Lord Tennyson, “In Memoriam A.H.H.

... the structure of a page of good prose is, analyzed logically, not something frozen but the vibrating of a bridge, which changes with every step one takes on it

What I'm going to do up here, kid, is tell you a story. Like all stories, it's an attempt to make sense of something larger than itself. And, like most stories, it fails, to a certain degree. It's a gloss, a rendition, so it's not exact. But it'll do. -Silenus

Once upon a time, there was a bird. He was adorned with two perfect wings and with glossy, colorful, marvelous feathers. One day, a woman saw this bird and fell in love with him. She invited the bird to fly with her, and the two travelled across the sky in perfect harmony. She admired and venerated and celebrated that bird. But then she thought: He might want to visit far-off mountains! And she was afraid, afraid that she would never feel the same way about any other bird. And she thought: “I’m going to set a trap. The next time the bird appears, he will never leave again.” The bird, who was also in love, returned the following day, fell into the trap and was put in a cage. She looked at the bird every day. There he was, the object of her passion, and she showed him to her friends, who said: “Now you have everything you could possibly want.” However, a strange transformation began to take place: now that she had the bird and no longer needed to woo him, she began to lose interest. The bird, unable to fly and express the true meaning of his life, began to waste away and his feathers to lose their gloss; he grew ugly; and the woman no longer paid him any attention, except by feeding him and cleaning out his cage. One day, the bird died. The woman felt terribly sad and spent all her time thinking about him. But she did not remember the cage, she thought only of the day when she had seen him for the first time, flying contentedly amongst the clouds. If she had looked more deeply into herself, she would have realized that what had thrilled her about the bird was his freedom, the energy of his wings in motion, not his physical body. Without the bird, her life too lost all meaning, and Death came knocking at her door. “Why have you come?” she asked Death. “So that you can fly once more with him across the sky,” Death replied. “If you had allowed him to come and go, you would have loved and admired him ever more; alas, you now need me in order to find him again.

I need you to know that as much as you’re hurting right now, as much as you’ve been, that there is a man out there who is hurting just as fucking much, with every breath he takes.” I suck in a choppy breath, and my brother’s eyes gloss over. “And not for himself, but for you.” His attention falls to my stomach. “For both of you.

Middle school is kind of like Middle-earth. It’s a magical journey filled with elves, dwarves, hobbits, queens, kings, and a few corrupt wizards. Word to the wise: pick your traveling companions well. Ones with the courage and moral fiber to persevere. Ones who wield their lip gloss like magic wands when confronted with danger. This way, when you pass through the congested hallways rife with pernicious diversion, you achieve your desired destination—or at least your next class. -CeCee, Lucy and CeCee's How to Survive (and Thrive) in Middle School

She was a rapidly rising anchor. She had what it took: great hair, a profound understanding of strategic lip gloss, the intelligence to understand the world and a tiny secret interior deadness which meant she didn’t care.

So I decided I would now be a Happy African Feminist Who Does Not Hate Men. At some point I was a Happy African Feminist Who Does Not Hate Men And Who Likes To Wear Lip Gloss And High Heels For Herself And Not For Men. Of

This is what happiness is, past the rubbish of its overuse as a word, past the cracked gloss of the letters that mean nothing when strung together. They mean something now, and I know what it’s like when you and someone else are right together. How simple it is, and how amazing.

They all looked at Holly. She turned to face the cheerleader and said, “You need to learn that some things are more valuable than good looks. Data manipulation is more important than big boobs. Analytics is more useful than lip gloss.” Wow, she said that? Everyone laughed a bit, surprised, shocked. Holly turned and headed toward the concert hall. Grinning.

The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw- a flower.

A little mystery is not such a bad thing.

Some of us get dipped in flat, others in satin, some in gloss. Every once in a while you find someone who's iridescent and when you do, nothing will ever compare.

She's trapped me on the front side of the counter. Way. Too. Close. To. Her. LIP-GLOSS.

pretentious and over-active” semicolons have reached epidemic proportions in the world of academe, where they are used to gloss over imprecise thought.

There is a sort of gloss upon ingenious falsehoods that dazzles the imagination, but which neither belongs to, nor becomes the sober aspect of truth.

He could accept people with failings—even forgive them—but if he glossed over the problems, then they would never change.

I suggest to you that, although you may have endeavored to gloss over the fact to yourself, you did deliberately set about taking your husband from your friend. I suggest that you felt strongly attracted to him at once. But I suggest that there was a moment when you hesitated, when you realized that there was a choice–that you could refrain or go on. I suggest that the initiative rested with you–not with Monsieur Doyle. … You had everything, Madame, that life can offer. Your friend’s life was bound up in one person. You knew that, but, though you hesitated, you did not hold your hand. You stretched it out and, like the rich man in the Bible, you took the poor man’s one ewe lamb.

Since Lenin died, every Soviet leader had been a liar. They had all glossed over what was wrong and declined to acknowledge reality. The most striking characteristic of Soviet leadership for the last sixty-five year was the refusal to face facts.(1075)

something that at first sight appeared to be the luminous bones of some massive, extinct creature, now disinterred, with its ribs gathered into a neat bundle around the thick stump of a massive spinal column which time and the elements had polished to such a cool ceramic gloss that if I were to leave my hand on it I would have been surprised if it felt like anything other than glass

If I were to experience failure upon failure day after day — nothing but total embarrassment — then perhaps I'd develop some semblance of dignity as a result. But no, I would somehow illogically twist even such failures, gloss over them smoothly, so that it would seem like they had a perfectly good theory behind them. And I would have no qualms about putting on a desperate show to do so.

It’s all in Hogwarts, A History. Though, of course, that book’s not entirely reliable. A Revised History of Hogwarts would be a more accurate title. Or A Highly Biased and Selective History of Hogwarts, Which Glosses Over the Nastier Aspects of the School.” “What are you on about?” said Ron, though Harry thought he knew what was coming. “House-elves!” said Hermione, her eyes flashing. “Not once, in over a thousand pages, does Hogwarts, A History mention that we are all colluding in the oppression of a hundred slaves!

THE STOLEN CHILD Where dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water rats; There we've hid our faery vats, Full of berrys And of reddest stolen cherries. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wave of moonlight glosses The dim gray sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And anxious in its sleep. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wandering water gushes From the hills above Glen-Car, In pools among the rushes That scarce could bathe a star, We seek for slumbering trout And whispering in their ears Give them unquiet dreams; Leaning softly out From ferns that drop their tears Over the young streams. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Away with us he's going, The solemn-eyed: He'll hear no more the lowing Of the calves on the warm hillside Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal chest. For he comes, the human child, To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than he can understand.

It was forever fascinating to me that men never noticed much about Mary other than, "Well, I mean, she's pretty and everything..." That high gloss, which floored women, went right over men's heads. It was as though they had no receivers for her particular wavelength.

She stared at her reflection in the glossed shop windows as if to make sure, moment by moment, that she continued to exist. The silence between us was so profound I thought part of it must be my fault.

Nostalgia is possibly the greatest of the lies that we all tell ourselves. It is the glossing of the past to fit the sensibilities of the present. For some, it brings a measure of comfort, a sense of self and of source, but others, I fear, take these altered memories too far, and because of that, paralyze themselves to the realities about them.

STOP DIGGING.' The letters on the mirror were etched in my memory. Now, as I finished my make-up with a swipe of lip-gloss, I huffed on the mirror, and wrote in the steam obscuring my reflection one word: 'NO'.

What good is your reality, when justice fails and dishonesty is glossed over and the ones who keep faith suffer .... What good is your reality then?" " .... I never promised you a rose garden. I never promised you perfect justice .... and I never promised you peace or happiness .... The only reality I offer is challenge, and being well is being free to accept it or not at whatever level you are capable. I never promise lies, and the rose-garden world of perfection is a lie...and a bore, too!

When I was younger, imagining age, I would think, Maybe you appreciate things more when you don't have much time left. I forgot to include the loss of energy. Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like a beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is grayout.

The first dog I ever had was called Prince. I called him after the Black Prince. You know, the fellow who...' 'Massacred all the women and children in Limoges.' 'I don't remember that.' 'The history books gloss it over.

You may be speeding through book after book trying to find the next secret, or next technique which you think can help speed up your manifestations while glossing over the harder parts. The harder parts are about working on yourself, about cultivating your inner state, and about having the discipline to focus entirely inwards during the crucial gestation period of your manifestations! That is the hard inner work that most people usually eschew in favor of the easier outer techniques. But until and unless you do the inner work necessary, things are not going to get any better for you.

All I think about is you.” He moves my hand to his chest and I feel his heart beating rapidly against my palm and his eyes gloss over. “I love and live for only you.” Then he guides my hand down to his crotch. He’s completely erect and his dick is pressing firmly inside his slacks. “I want only you,” he says as he presses his forehead against mine. God I love this man.

She re-marked her lips with her lipstick. I saw sprays of silver in her coarse hair. I saw inscriptions of her years around her mouth, a solid crease between her brows from a lifetime of cynicism. The posture of a woman who had stood in a casual spotlight in every room she'd ever been in, not for gloss or perfection, for self-possession. Everything she touched she added an apostrophe to.

In our national parlance, what's usually meant by the word "maverick" is someone who skirts the edge of sanity--or is so insane as to appear sane--who then does something absolutely insane and yet, after the passage of time, and especially if the maverick's creation yields a profit of any kind, is deemed less and less insane until the maverick worms his or her way into the fibers of history. Then generations grow to envy the ingenuity and courage of the maverick while glossing over the maverick's genetic kookiness. On such shoulders, a country rises.

Rape culture is a funny thing. People gloss over some pretty shitty, creepy, wrong behavior, little brother, when they know the person in question. But you raise the reality of what they’re doing, and it’s a whole lot harder to shrug it off.

The sly ability to steal someone else's experience and recreate it as if it were my own is the only real talent I possess. Really, though, my guile is so bogus as to be offensive. If I were to experience failure upon failure day after day—nothing but total embarrassment—then perhaps I'd develop some semblance of dignity as a result. But no, I would somehow illogically twist even such failures, gloss over them smoothly, so that it would seem like they had a perfectly good theory behind them. And I would have no qualms about putting on a desperate show to do so.

We will not read of that which hurts our pride or fears or 'feelings'. We forget, or gloss over, or excuse, an experience which injured the tentacles of our personality. We forget the pscyhiatrist's definition of a neurosis as 'refused pain'. In the same way we escape from mental pain. We refuse to believe what we do not like.

Did she look at us that first week and see past the glossed hair and the shiny legs, our glittered brow bones and girl bravado? See past all that to everything beneath, all our miseries, the way we all hated ourselves but much more everyone else? Could she see past all of that to something else, something quivering and real, something poised to be transformed, turned out, made? See that she could make us, stick her hands in our glitter-gritted insides and build us into magnificent teen gladiators?

For before I met my friend there had been a period when I was prey to a morbid melancholy, if not depression, when I really believed I was lost, when for years I did no proper work but spent most of my days in a state of total apathy and often came close to putting an end to my life by my own hand. For years I had taken refuge in a terrible suicidal brooding, which deadened my mind and made everything unendurable, above all myself—brooding on the utter futility all around me, into which I had been plunged by my general weakness, but above all my weakness of character. For a long time I could not imagine being able to go on living, or even existing. I was no longer capable of seizing upon any purpose in life that would have given me control over myself. Every morning on waking I was inevitably caught up in this mechanism of suicidal brooding, and I remained in its grip throughout the day. And I was deserted by everyone because I had deserted everyone—that is the truth—because I no longer wanted anyone. I no longer wanted anything, but I was too much of a coward to make an end of it all. It was probably at the height of my despair—a word that I am not ashamed to use, as I no longer intend to deceive myself or gloss over anything, since nothing can be glossed over in a society and a world that perpetually seeks to gloss over everything in the most sickening manner—that Paul appeared on the scene at Irina’s apartment in the Blumenstockgasse.

The nutritional composition of beef provides much-needed protein, vitamins and iron.... Let us also not gloss over what is beef's most obvious benefit: Livestock take inedible and untasty grains and convert them into a protein-packed food most humans love to eat.

Where you’re going is no better than where you are,

In my heart’s sequestered chambers lie truths stripped of poet’s gloss .

The short story is where the writer bares all. There's no room for padding or glossing over. This is where imperfections are exposed and strengths are on display.

it was also around then that I became uncontrollably enamored of a makeup enhancement that shames me even today: lip gloss. I had so much lip gloss on you might have slid off and broken your own lips if you tried to kiss me. I’ve never really understood what lip gloss is meant to enhance. Is that how much spit I leave on there when I lick my lips? Even if I was licking my lips in some come-hither way, that still wouldn’t account for that slap of sticky shine.

We inhabit a world so inundated with composite pictorial-verbal forms [...] and with the technology for the rapid, cheap production of words and images that nature itself threatens to become what it was in the Middle Ages: an encyclopedic illuminated book overlaid with ornamentation and marginal glosses, every object converted into an image with its proper label or signature

The books I read this year were great, but then, so was the fanfiction. Over the years I’ve been asked if I’ve read anything good lately, and I’ve always bitten my tongue: I often have, but it’s not “real literature,” after all, but rather some 30-chapter masterpiece that someone has penned for free — for the love of the source material. I’m kind of done glossing over this major part of my reading life: for every good novel I read this year, I read a fantastic novel-length fic as well.

The world stops and your eyes gloss over. The Benjis of the world don't understand what you want, someone to make you pancakes. You don't care about money. You don't want to be spanked. You want love. Your father had a red ladle and now I have a red ladle and I will make you the pancakes you want so badly, the pancakes you haven't tasted since he died. Your mouth waters and you submit, softly. "Okay, Joe.

Lead us, Evolution, lead us Up the future's endless stair; Chop us, change us, prod us, weed us. For stagnation is despair: Groping, guessing, yet progressing, Lead us nobody knows where. Wrong or justice, joy or sorrow, In the present what are they while there's always jam-tomorrow, While we tread the onward way? Never knowing where we're going, We can never go astray. To whatever variation Our posterity may turn Hairy, squashy, or crustacean, Bulbous-eyed or square of stern, Tusked or toothless, mild or ruthless, Towards that unknown god we yearn. Ask not if it's god or devil, Brethren, lest your words imply Static norms of good and evil (As in Plato) throned on high; Such scholastic, inelastic, Abstract yardsticks we deny. Far too long have sages vainly Glossed great Nature's simple text; He who runs can read it plainly, 'Goodness = what comes next.' By evolving, Life is solving All the questions we perplexed. Oh then! Value means survival- Value. If our progeny Spreads and spawns and licks each rival, That will prove its deity (Far from pleasant, by our present, Standards, though it may well be).

For someone with so many books and such desire to obtain new copies, you seem awfully ambivalent about them.” “I know their power and impact. It is all about perception, is it not, Miss Chase?” She studied him. “I like to think it is about content, Lord Downing. But perception does lay a gloss on the surface. A finger must but swirl beneath.

Faye closes the inch between us. “Snow angels are vastly overrated,” she says. “And you could never be just a number.” I’m close enough to smell her lip gloss, something fruity and sweet. My heart slams against my ribs. She’s going to kiss me, right here in the bathroom. I was right. I wasn’t making it all up in my head. She likes me. She wants me.

Cultivation, old civilization, beauty, history! Surprising turnings of streets, shapes of venerable cottages, lovely aged eaves, unexpected and gossamer turrets, steeples, the gloss, the antiquity! Gardens. Whoever speaks of Paris has never seen Warsaw. [...] Whoever yearns for an aristocratic sensibility, let him switch on the great light of Warsaw.

As the exalting one man so greatly above the rest cannot be justified on the equal rights of nature, so neither can it be defended on the authority of scripture; for the will of the Almighty, as declared by Gideon and the prophet Samuel, expressly disapproves of government by kings. All anti-monarchical parts of scripture have been very smoothly glossed over in monarchical governments, but they undoubtedly merit the attention of countries which have their governments yet to form. "Render unto Cæsar the things which are Cæsar's" is the scripture doctrine of courts, yet it is no support of monarchical government, for the Jews at that time were without a king, and in a state of vassalage to the Romans.

Political realism is aware of the moral significance of political action. It is also aware of the ineluctable tension between the moral command and the requirements of successful political action. And it is unwilling to gloss over and obliterate that tension and thus to obfuscate both the moral and the political issue by making it appear as though the stark facts of politics were morally more satisfying than they actually are, and the moral law less exacting than it actually is.

Beauty is but a vain and doubtful good; A shining gloss that vadeth suddenly; A flower that dies when first it 'gins to bud; A brittle that's broken presently; A doubtful good, a gloss, a glass, a flower, Lost, vaded, broken, dead within an hour. And as goods lost are seld or never found, As vaded gloss no rubbing will refresh, As flowers dead lie withered on the ground, As broken glass no cement can redress; So beauty blemished once, for ever lost, In spite of physic, painting, pain and cost.

It is here that the stilted mannequins of my initial acquaintance begin to yawn and stretch and come to life. It was months before the gloss and mystery of newness, which kept me from seeing them with much objectivity, would wear entirely off... it is here, in my memory, that they cease being totally foreign and begin to appear, for the first time, in shapes very like their bright old selves.

It's not an honest face. It's not a kind face. It's a face made of anger and secrets and lies. From the tight, guarded mouth to the clenched, square jaw to the glossy shimmer of I-dare-you that coats the surface of her eyes, Aimee's face is a scary place for Meghan's gaze to rest. But beneath the gloss, behind the sharpness and tension, deep at Aimee's core, Meghan can see something warm and real. It's the same unnameable thing she saw in the sickroom on the first day of school. It's the same thing she feels pulsing softly deep in her own chest.

There are people and places and events that lead you to your final relationship, people and places and events you'd prefer to forget or at least gloss over. In the end, you can slap a pretty label on it- like serendipity or fate. Or you can believe that it's just the random way life unfolds.

[R]eal liberation comes not from glossing over or repressing painful states of feeling, but only from experiencing them to the full.… By accepting the darkness, the patient has not, to be sure, changed it into light, but she has kindled a light that illuminates the darkness within. By day no light is needed, and if you don’t know it is night you won’t light one, nor will any light be lit for you unless you have suffered the horror of darkness.

We had deluded ourselves that perhaps peace might find the Arabs able, unhelped and untaught, to defend themselves with paper tools. Meanwhile we glozed our fraud by conducting their necessary war purely and cheaply. But now this gloss had gone from me. Chargeable against my conceit were the causeless, ineffectual deaths of Hesa. My will had gone and I feared to be alone, lest the winds of circumstance, or power, or lust, blow my empty soul away.

None of us really cheer for glory, prizes, tourneys. None of us, maybe, know why we do it at all, except it is like a rampart against the routine and groaning afflictions of the school day. You wear that jacket, like so much armor, game days, the flipping skirts. Who could touch you? Nobody could.   My question is this: The New Coach. Did she look at us that first week and see past the glossed hair and shiny legs, our glittered brow bones and girl bravado? See past all that to everything beneath, all our miseries, the way we all hated ourselves but much more everyone else? Could she see past all of that to something else, something quivering and real, something poised to be transformed, turned out, made? See that she could make us, stick her hands in our glitter-gritted insides and build us into magnificent teen gladiators?

I’m mesmerized by lipstick prints on coffee cups. By the lines of lips against white pottery. By the color chosen by the woman who sat and sipped and lived life. By the mark she leaves behind. Some people read tea leaves and others can tell your future through the lines on your palm. I think I’d like to read lipstick marks on coffee mugs. To learn how to differentiate yearning from satiation. To know the curve of a deep-rooted joy or the line of bottomless grief. To be able to say, this deep blue red you chose and how firmly you planted your lips, this speaks of love on the horizon. But, darling, you must be sure to stand in your own truth. That barely-there nude that circles the entire rim? You are exploding into lightness and possibilities beyond what you currently know. The way the gloss only shows when the light hits it and the coffee has sloshed all over the saucer? people need to take the time to see you whole but my god, you’re glorious and messy and wonderful and free. The deep purple bruise almost etched in a single spot and most of the cup left unconsumed? Oh love. Let me hold the depth of your ache. It is true. He’s not coming back. I know you already know this, but do you also know this is not the end? Love. This is not the end. I imagine that I can know entire stories by these marks on discarded mugs. Imagine that I know something intimate and true of the woman who left them. That I could take those mugs home one day and an entire novel worth of characters would pour out, just like that.

Words should not be used merely because they are 'old' or obsolete. The words chosen, however remote they may be from colloquial speech or ephemeral suggestions, must be words that remain in literary use, especially in the use of verse, among educated people. (To such Beowulf was addressed, into whatever hands it may since have fallen.) They must need no gloss. The fact that a word was still used by Chaucer, or by Shakespeare, or even later, gives it no claim, if it has in our time perished from literary use.

For all the “I’m With Her” and “The Future Is Female” high-fiving floating around, it’s becoming increasingly apparent that merely having more white women in powerful positions isn’t going to result in a more just and equitable world. This reality continues to be glossed over by the rhetoric of “empowerment” and “lean-in” corporate feminism.

Why isn't every woman a feminist? Feminism tells a tale of female injury, but the average woman in heterosexual intimacy knows that men are injured too, as indeed they are. She may be willing to grant, this average woman, that men in general have more power than women in general. This undoubted fact is merely a fact; it is abstract, while the man of flesh and blood who stands before her is concrete: His hurts are real, his fears palpable. And like those heroic doctors on the late show who work tirelessly through the epidemic even though they may be fainting from fatigue, the woman in intimacy may set her own needs to one side in order better to attend to his. She does this not because she is "chauvinized" or has "false consciousness," but because this is what the work requires. Indeed, she may even excuse the man's abuse of her, having glimpsed the great reservoir of pain and rage from which it issues. Here is a further gloss on the ethical disempowerment attendant upon women's caregiving: in such a situation, a woman may be tempted to collude in her own ill-treatment.

My mother's advertising firm specialized in women's accessories. All day long, under the agitated and slightly vicious eye of Mathilde, she supervised photo shoots where crystal earrings glistened on drifts of fake holiday snow, and crocodile handbags-unattended, in the back seats of deserted limousines-glowed in coronas of celestial light. She was good at what she did; she preferred working behind the camera rather than in front of it; and I knew she got a kick out of seeing her work on subway posters and on billboards in Times Square. But despite the gloss and sparkle of the job (champagne breakfasts, gift bags from Bergdorf's) the hours were long and there was a hollowness at the heart of it that-I knew-made her sad.

If you had gone around the table last night ticking off the Ten Commandments and asking for a show of hands to indicate transgression, you would have thought we were doing the wave. A gloss of the New Testament rules and you would have heard the rotator cuffs snapping. But if you had asked a simpler question -- "Who among you is proud of this?" -- I think you would have seen no hands, and this is what I love about that crew. Chipped and profane, they have taught me that there is a certain vocabulary you learn only through attrition and heartache.

The way of Friends is to think quietly and to listen. We ask the question, we consider how the answer is made by different people, we ask again, answer again, change our minds; we reach an understanding. The Meeting evolves this way, not by shouting each other down, not by the weight of the majority, but by the capacity of individual human beings to comprehend one another.

What is your hidden story? What trials don’t you tell? What inner woe and wounds Do you keep buried oh so well? What are the shielded secrets That gloss your weary eyes? What unseen dread and pain Do you keep shrouded in disguise? Blind to your shackled burdens, I cannot see your fears. But written on your soul I sense a story penned in tears. I’d pay the price to read it, To learn whereby you weep. To comprehend, I swear Your burning secrets I would keep. What is your hidden story? What trials don’t you tell? What cost in woe and wounds For me to know you oh so well?

A tombstone is memory made concrete. Human memory is the ladder on which a country and a people advance. We must remember not only the good things, but also the bad; the bright spots, but also the darkness. The authorities in a totalitarian system strive to conceal their faults and extol their merits, gloss over their errors and forcibly eradicate all memory of man-made calamity, darkness, and evil.

Looking at obesity without preconceived ideas,” she wrote, “one would assume that the main trend of research should be directed toward an examination of abnormalities of the fat metabolism, since by definition excessive accumulation of fat is the underlying abnormality. It so happens that this is the area in which the least work has been done.” She added, “As long as it was not known how the body builds up and breaks down its fat deposit, the ignorance was glossed over by simply stating that food taken in excess of body needs was stored and deposited in the fat cells, the way potatoes are put into a bag. Obviously, this is not so.

The vast universal suffering feel as thine: Thou must bear the sorrow that thou claimst to heal; The day-bringer must walk in darkest night. He who would save the world must share its pain. If he knows not grief, how shall he find grief’s cure? If far he walks above mortality’s head, How shall the mortal reach that too high path? If one of theirs they see scale heaven’s peaks, Men then can hope to learn that titan climb. God must be born on earth and be as man That man being human may grow even as God. He who would save the world must be one with the world, All suffering things contain in his heart’s space And bear the grief and joy of all that lives. His soul must be wider than the universe And feel eternity as its very stuff, Rejecting the moment’s personality Know itself older than the birth of Time, Creation an incident in its consciousness, Arcturus and Belphegor grains of fire Circling in a corner of its boundless self, The world’s destruction a small transient storm In the calm infinity it has become. If thou wouldst a little loosen the vast chain, Draw back from the world that the Idea has made, Thy mind’s selection from the Infinite, Thy senses’ gloss on the Infinitesimal’s dance, Then shalt thou know how the great bondage came. Banish all thought from thee and be God’s void.

There are certain prejudices attached to the human mind which it requires all our wisdom to keep from interfering with our happiness; certain set notions, acquired in infancy, and cherished involuntarily by age, which grow up and assume a gloss so plausible, that few minds, in what is called a civilized country, can afterwards overcome them. Truth is often perverted by education. While the refined Europeans boast a standard of honour, and a sublimity of virtue, which often leads them from pleasure to misery, and from nature to error, the simple, uninformed American follows the impulse of his heart, and obeys the inspiration of wisdom. Nature, uncontaminated by false refinement, every where acts alike in the great occurrences of life. The Indian discovers his friend to be perfidious, and he kills him; the wild Asiatic does the same; the Turk, when ambition fires, or revenge provokes, gratifies his passion at the expence of life, and does not call it murder. Even the polished Italian, distracted by jealousy, or tempted by a strong circumstance of advantage, draws his stiletto, and accomplishes his purpose. It is the first proof of a superior mind to liberate itself from the prejudices of country, or of education… Self-preservation is the great law of nature; when a reptile hurts us, or an animal of prey threatens us, we think no farther, but endeavour to annihilate it. When my life, or what may be essential to my life, requires the sacrifice of another, or even if some passion, wholly unconquerable, requires it, I should be a madman to hesitate.

The ICC [Interstate Commerce Commission] illustrates what might be called the natural history of government intervention. A real or fancied evil leads to demands to do something about it. A political coalition forms consisting of sincere, high-minded reformers and equally sincere interested parties. The incompatible objectives of the members of the coalition (e.g., low prices to consumers and high prices to producers) are glossed over by fine rhetoric about “the public interest,” “fair competition,” and the like. The coalition succeeds in getting Congress (or a state legislature) to pass a law. The preamble to the law pays lip service to the rhetoric and the body of the law grants power to government officials to “do something.” The high-minded reformers experience a glow of triumph and turn their attention to new causes. The interested parties go to work to make sure that the power is used for their benefit. They generally succeed. Success breeds its problems, which are met by broadening the scope of intervention. Bureaucracy takes its toll so that even the initial special interests no longer benefit. In the end the effects are precisely the opposite of the objectives of the reformers and generally do not even achieve the objectives of the special interests. Yet the activity is so firmly established and so many vested interests are connected with it that repeal of the initial legislation is nearly inconceivable. Instead, new government legislation is called for to cope with the problems produced by the earlier legislation and a new cycle begins.

1. Looks are only a reflection of how you want other people to see you. It’s better to be fucked up on the outside, than fucked up on the inside. Mascara and lip gloss can’t cure a broken heart, and they damn sure don’t do shit for depression. 2. Fuck sponsors. Make friends. Friends are the rare people in your life who’ll tell you when you’re fucking up. Even when you don’t want to hear it and think they’re just being mean or trying to put you down—they’re usually just trying to help and they have your best interests at heart. 3. The smartest person in the room will always be more valuable than the prettiest person in the room. (But you can always be both :-) LOL )

We don’t open our hearts by being a tower of strength. We don’t open our hearts by glossing over things in our head. We open our hearts by feeling what we feel. We open our hearts by being vulnerable, honest, and gentle. We’ve become so strong, so self-sufficient. I can deal with that, we say. No big deal. I’ll keep moving on. Yet many circumstances we’ve been through, and some we’re going through now, cause break lines in our heart. Some of the fractures are small. Some are big. They really hurt. Maybe certain people in our lives weren’t there for us, aren’t there for us now in a way we’d like them to be. Maybe some deceived us unconsciously or betrayed us deliberately. I can deal with that, we say. I understand. They have their own issues. I forgive… Yes, people do have their own issues. And we do forgive. But now it may be time to learn gentleness, compassion, understanding, and forgiveness for ourselves as well. We don’t open our hearts by ignoring the break lines. We take our hand, knowing it’s held by God, and gently run our fingers across each crack. Yes, it’s there. Yes, I feel it. Yes, I’m ready to heal my heart.

Did I tell you how much I liked your sermon on Sunday?” “You did not, or I would have remembered it.” “Well, it was glorious. You were very bold, I thought, to preach on sin. Hardly anyone wants to hear sin preached.” “Mainstream Christianity glosses over the fact that it isn’t just a question of giving up sin, but of doing something far more difficult—giving up our right to ourselves.” He made the turn onto the busy highway toward Wesley, which always, somehow, seemed a shock to his senses. “The sin life in us must be transformed into the spiritual life.” “How?” “Through sacrifice and obedience.” She smiled ironically. “How do you think that will be received by those of us who come to sit in a comfortable pew and find a hot seat instead? “They’ll just have to go across the street until I’ve finished preaching on that particular subject.” She laughed with delight. “You’re different these days.” He laughed with her. “I pray so,” he said.

Triton’s trident, they put the Royals on trial! But as much as Galen would love to throw that in their faces, he won’t. This is his one chance, however small it is, to turn things around for him and Emma. And he’s not about to toss that chance to sea with both hands. Rachel has pulled more chairs out to accommodate the gathering. The table they circle is shinier than Emma’s lip gloss. Unlike the human meetings Galen has attended with Rachel to sell his underwater finds, there is no paperwork on the table, no cups of coffee, no cell phones. Also unlike human meetings, most participants are either dressed in bathing suits or bathrobes. Leave it to Rachel’s creative hospitality. It is a sight Galen will never forget, seeing the elderly council of Archives sit uncomfortably in human chairs. If the situation weren’t so dire, he’d have to laugh. Especially since Tandel’s bathrobe has the human symbol of peace all over it in fluorescent colors. “Thank you for coming,” Galen says. He takes his place next to Grom, who sits at the head of the table. Appropriately, Antonis sits at the head of the other end, accompanied by Rayna and Toraf. Emma is at Galen’s left side. He doesn’t need to look at her to know she’s scowling at him.

The election of Obama was a profoundly unserious act by an unserious nation, and, if you were Putin, the ChiComs, or the ayatollahs, you would have to be awfully virtuous not to take advantage of it....He's WEIRD in the sense of those students in the behavioral studies: Western Educated Idle Rich Deadbeat. He's not, even in Democrat terms, a political figure--as Bill Clinton or Joe Biden are. Instead, he's a creature of the broader culture: there are millions of people like Barack Obama, the eternal students of an unbounded lethargic transnational campus for whom global compassion and the multicultural pose are merely the modish gloss on a cult of radical grandiose narcissism. Even as he denies American exceptionalism, he gets turned on by his own.

Profs who go to Knossos to look for books on Phobos or Kronos go on to jot down monophthongs (kof or rho) from two monoglot scrolls on Thoth, old god of Copts - both scrolls torn from hornbooks, now grown brown from mold. Profs who gloss works of Woolf, Gogol, Frost or Corot look for books from Knopf: Oroonoko or Nostromo - not Hopscotch (nor Tlooth). Profs who do schoolwork on Pollock look for photobooks on Orozco or Rothko (two tomfools who throw bold colors, blotch on blotch, onto tondos of dropcloth).

Eve returned to her lip-gloss application. "Biology. Ms Whittier," she said, not bothering to look at Luke. "Cool. Me too. Can I borrow that?" He reached around her and plucked her lip glaze out of her fingers. She still held the wand. He held out his hand for it. "What? No," Eve said. "Come on, it's my first day. I want to make a good impression. And clearly biology can't be understood without lipstick," Luke joked. "Funny." Eve grabbed the lip glaze back. "This stuff is really good for you." Luke raised his eyebrows. They disappeared into his floppy blond hair. He didn't have expressive dark brows like Mal. "It has green tea antioxidants," Eve continued. "And macadamia extract and aloe vera for healing." "Oh. That's different then," Luke said. "Carry on.

They each look at Ava, then at me, in turn, scanning down from our heads to our feet, their eyes taking us in like little mouths sipping strange drinks. As they do, their noses twitch, their eight eyes do not blink, but stare and stare. Then they look back at the Duchess and lean in to each other, their lip-glossed mouths forming whispery words. Ava squeezes my arm, hard. The Duchess turns and arches an eyebrow at us. She raises a hand up. Is there an invisible gun in it? No. It’s an empty, open hand. With which she then waves. At me. With something like a smile on her face. Hi, her mouth says. My hand shoots up of its own accord before I can even stop myself. I’m waving and waving and waving. Hi, I’m saying with my mouth, even though no sound comes out. Then the rest of the Bunnies hold up a hand and wave too.

From an early age, Mimi had a way of glossing over the more painful disappointments in her life: the loss of her father; the forced exile from Houston; the husband who remained so distant from her. Even if she didn’t admit it, these losses hurt, and took their toll. Having so many children, however, offered Mimi a brand-new narrative—or at least distracted her, changed the subject, shored up the losses, helped her dwell less on what was missing. For a woman who so often felt abandoned, here was a way to create all the company she would ever need.

I recently asked more than seventy eminent researchers if they would have done I their work differently if they had thought Darwin's theory was wrong. The responses were all the same: no. I also examined the outstanding biodiscoveries of the past century: the discovery of the double helix; the characterization of the ribosome: the mapping of genomes; research on medications and drug reactions: improvements in food production and sanitation; the development of new surgeries; and others. I even queried biologists working in areas where one would expect the Darwinian paradigm to have most benefited research, such as the emergence of resistance to antibiotics and pesticides. Here, as elsewhere, I found that Darwin's theory had provided no discernible guidance, but was brought in, after the breakthroughs, as an interesting narrative gloss.

With the best of intentions, the generation before mine worked diligently to prepare their children to make an intelligent case for Christianity. We were constantly reminded of the superiority of our own worldview and the shortcomings of all others. We learned that as Christians, we alone had access to absolute truth and could win any argument. The appropriate Bible verses were picked out for us, the opposing positions summarized for us, and the best responses articulated for us, so that we wouldn’t have to struggle through two thousand years of theological deliberations and debates but could get right to the bottom line on the important stuff: the deity of Christ, the nature of the Trinity, the role and interpretation of Scripture, and the fundamentals of Christianity. As a result, many of us entered the world with both an unparalleled level of conviction and a crippling lack of curiosity. So ready with the answers, we didn’t know what the questions were anymore. So prepared to defend the faith, we missed the thrill of discovering it for ourselves. So convinced we had God right, it never occurred to us that we might be wrong. In short, we never learned to doubt. Doubt is a difficult animal to master because it requires that we learn the difference between doubting God and doubting what we believe about God. The former has the potential to destroy faith; the latter has the power to enrich and refine it. The former is a vice; the latter a virtue. Where would we be if the apostle Peter had not doubted the necessity of food laws, or if Martin Luther had not doubted the notion that salvation can be purchased? What if Galileo had simply accepted church-instituted cosmology paradigms, or William Wilberforce the condition of slavery? We do an injustice to the intricacies and shadings of Christian history when we gloss over the struggles, when we read Paul’s epistles or Saint Augustine’s Confessions without acknowledging the difficult questions that these believers asked and the agony with which they often asked them. If I’ve learned anything over the past five years, it’s that doubt is the mechanism by which faith evolves. It helps us cast off false fundamentals so that we can recover what has been lost or embrace what is new. It is a refining fire, a hot flame that keeps our faith alive and moving and bubbling about, where certainty would only freeze it on the spot. I would argue that healthy doubt (questioning one’s beliefs) is perhaps the best defense against unhealthy doubt (questioning God). When we know how to make a distinction between our ideas about God and God himself, our faith remains safe when one of those ideas is seriously challenged. When we recognize that our theology is not the moon but rather a finger pointing at the moon, we enjoy the freedom of questioning it from time to time. We can say, as Tennyson said, Our little systems have their day; They have their day and cease to be; They are but broken lights of thee, And thou, O Lord, art more than they.15 I sometimes wonder if I might have spent fewer nights in angry, resentful prayer if only I’d known that my little systems — my theology, my presuppositions, my beliefs, even my fundamentals — were but broken lights of a holy, transcendent God. I wish I had known to question them, not him. What my generation is learning the hard way is that faith is not about defending conquered ground but about discovering new territory. Faith isn’t about being right, or settling down, or refusing to change. Faith is a journey, and every generation contributes its own sketches to the map. I’ve got miles and miles to go on this journey, but I think I can see Jesus up ahead.

Life Contains Inevitable Difficulties Life is not only short, but difficult. There are times of great joy, love, triumph, and delight, moments when we are beside ourselves with happiness. But there are also times of inevitable sorrow: of sickness and loss, of grief and despair. There are also incomprehensible amounts of unnecessary sorrow: of senseless oppression and torment, slaughter and suffering. None of us escapes life unscathed. It is crucial to recognize this and not gloss over the inevitable difficulties of life, because “If a way to the Better there be, it exacts a full look at the Worst.” This is why religious scholar Jacob Needleman concluded, from his survey of world religions: The perception of the suffering inherent in the human condition, the perception of man’s inhumanity to man: this moment of awareness has been spoken of in all traditions as a tremendous moment. It is a tremendous moment because it is the recognition of suffering—both ours and the world’s—which gives birth to both compassion and the urge to awaken. These motives propel us to spiritual practice and thereby eventually allow us to escape suffering and to relieve the suffering of others. Our

Will you promise me something else, too?” Violet nodded. “Don’t make the same mistake I did and wait for the perfect time to do the things you want to do in life. For so long, I sat on my hands because I was afraid of what people would think of me—my husband, his colleagues, our friends. I was afraid to put my heart into the things I really cared about because I didn’t want to be controversial, or for people to disagree with me. Don’t do that.

In the opening essay of his 2005 book, Black Rednecks and White Liberals, Thomas Sowell neatly summarized some of these findings: The cultural values and social patterns prevalent among Southern whites included an aversion to work, proneness to violence, neglect of education, sexual promiscuity, improvidence, drunkenness, lack of entrepreneurship, reckless searches for excitement, lively music and dance, and a style of religious oratory marked by strident rhetoric, unbridled emotions, and flamboyant imagery. This oratorical style carried over into the political oratory of the region in both the Jim Crow era and the civil rights era, and has continued on into our own times among black politicians, preachers, and activists.26 Most whites have of course abandoned this behavior, and have risen socioeconomically as a result. How ironic that so many blacks cling to these practices in an effort to avoid “acting white.” And how tragic that so many liberals choose to put an intellectual gloss on black cultural traits that deserve disdain. The civil rights movement, properly understood, was about equal opportunity. But a group must be culturally equipped to seize it. Blacks today on balance remain ill equipped, and the problem isn’t white people.

Pan and the Cherries I RECOGNIZED him by his skips and hops, And by his hair I knew that he was Pan. Through sunny avenues he ran, And leapt for cherries to the red tree-tops. Upon his fleece were pearling water drops Like little silver stars. How pure he was! And this was when my spring was arched with blue. Now, seeing a cherry of a smoother gloss, He seized it, and bit the kernel from the pulp. I watched him with great joy ... I came anigh ... He spat the kernel straight into my eye. I ran to kill Pan with my knife! He stretched his arm out, swirled-- And the whole earth whirled! Let us adore Pan, god of all the world!

Perhaps some wine will wash things clean,’ suggested Bugg. ‘Won’t hurt. Pour us some, please. You, guard, come and join us—standing there doing nothing must be a dreadful bore. No need to gape like that, I assure you. Doff that helm and relax—there’s another guard just like you on the other side of that door, after all. Let him bear the added burden of diligence. Tell us about yourself. Family, friends, hobbies, scandals—’ ‘Sire,’ warned Bugg. ‘Or just join us in a drink and feel under no pressure to say anything at all. This shall be one of those interludes swiftly glossed over in the portentous histories of great and mediocre kings. We sit in the desultory aftermath, oblivious to omens and whatever storm waits behind yonder horizon. Ah, thank you, Bugg—my Queen, accept that goblet and come sit on my knee—oh, don’t make that kind of face, we need to compose the proper scene. I insist and since I’m King I can do that, or so I read somewhere. Now, let’s see . . . yes, Bugg, stand right over there—oh, massaging your brow is the perfect pose. And you, dearest guard—how did you manage to hide all that hair? And how come I never knew you were a woman? Never mind, you’re an unexpected delight—ow, calm down, wife—oh, that’s me who needs to calm down. Sorry. Women in uniforms and all that. Guard, that dangling helm is exquisite by the way, take a mouthful and do pass judgement on the vintage, yes, like that, oh, most perfect! ‘Now, it’s just occurred to me that we’re missing something crucial. Ah, yes, an artist. Bugg, have we a court artist? We need an artist! Find us an artist! Nobody move!

Furthermore, Professor Uzzi-Tuzii had begun his oral translation as if he were not quite sure he could make the words hang together, going back over every sentence to iron out the syntactical creases, manipulating the phrases until they were not completely rumpled, smoothing them, clipping them, stopping at every word to illustrate its idiomatic uses and its commutations, accompanying himself with inclusive gestures as if inviting you to be content with approximate equivalents, breaking off to state grammatical rules, etymological derivations, quoting the classics. but just when you are convinced that for the professor philology and erudition mean more than what the story is telling, you realize the opposite is true: that academic envelope serves only to protect everything the story says and does not say, an inner afflatus always on the verge of being dispersed at contact with the air, the echo of a vanished knowledge revealed in the penumbra and in tacit allusions. Torn between the necessity to interject glosses on multiple meanings of the text and the awareness that all interpretation is a use of violence and caprice against a text, the professor, when faced by the most complicated passages, could find no better way of aiding comprehension than to read them in the original, The pronunciation of that unknown language, deduced from theoretical rules, not transmitted by the hearing of voices with their individual accents, not marked by the traces of use that shapes and transforms, acquired the absoluteness of sounds that expect no reply, like the song of the last bird of an extinct species or the strident roar of a just-invented jet plane that shatters the sky on its first test flight. Then, little by little, something started moving and flowing between the sentences of this distraught recitation,. The prose of the novel had got the better of the uncertainties of the voice; it had become fluent, transparent, continuous; Uzzi-Tuzii swam in it like a fish, accompanying himself with gestures (he held his hands open like flippers), with the movement of his lips (which allowed the words to emerge like little air bubbles), with his gaze (his eyes scoured the page like a fish's eyes scouring the seabed, but also like the eyes of an aquarium visitor as he follows a fish's movement's in an illuminated tank).

Mara, remember how you kicked sand into that neighbor child’s eyes? I yelled at you and made you apologize in your best dress, and that night I cried by myself in the bathroom because you are Bad’s child as much as you are mine. Remember when you ran into the plate glass window and cut your arms so badly we had to drive you to the nearest hospital in the pickup truck, and when it was over Bad begged me to replace the backseat because of all the blood? Or when Tristan told us that he wanted to invite a boy to prom and you put your arm around him like this? Mara, remember? Your own babies? Your husband with his Captain Ahab beard and calloused hands and the house you bought in Vermont? Mara? How you still love your little brother with the ferocity of a star; an all-consuming love that will only end when one of you collapses? The drawings you handed us as children? Your paintings of dragons, Tristan’s photographs of dolls, your stories about anger, his poems about angels? The science experiments in the yard, blackening the grass to gloss? Your lives sated and[…]

So many ruins bear witness to good intentions which went astray, good intentions unenlightened by any glimmer of wisdom. To bring religion to the people is a fine and necessary undertaking, but this is not a situation in which the proposed end can be said to justify the means. The further people have drifted from the truth, the greater is the temptation to water down the truth, glossing over its less palatable aspects and, in short, allowing a policy of compromise to become one of adulteration. In this way it is hoped that the common man – if he can be found – will be encouraged to find a small corner in his busy life for religion without having to change his ways or to grapple with disturbing thoughts. It is a forlorn hope. Standing, as it were, at the pavement’s edge with his tray of goods, the priest reduces the price until he is offering his wares for nothing: divine judgement is a myth, hell a wicked superstition, prayer less important than decent behaviour, and God himself dispensable in the last resort; and still the passers-by go their way, sorry over having to ignore such a nice man but with more important matters demanding their attention. And yet these matters with which they are most urgently concerned are, for so many of them, quicksands in which they feel themselves trapped. Had they been offered a real alternative, a rock firm-planted from the beginning of time, they might have been prepared to pay a high price.

I suspect that self-deception is similar to its cousins, overconfidence and optimism, and as with these other biases, it has both benefits and disadvantages. On the positive side, an unjustifiably elevated belief in ourselves can increase our general well-being by helping us cope with stress; it can increase our persistence while doing difficult or tedious tasks; and it can get us to try new and different experiences. We persist in deceiving ourselves in part to maintain a positive self-image. We gloss over our failures, highlight our successes (even when they’re not entirely our own), and love to blame other people and outside circumstances when our failures are undeniable. Like our friend the crab, we can use self-deception to boost our confidence when we might not otherwise feel bold. Positioning ourselves on the basis of our finer points can help us snag a date, finish a big project, or land a job. (I am not suggesting that you puff up your résumé, of course, but a little extra confidence can often work in our favor.) On the negative side, to the extent that an overly optimistic view of ourselves can form the basis of our actions, we may wrongly assume that things will turn out for the best and as a consequence not actively make the best decisions. Self-deception can also cause us to “enhance” our life stories with, say, a degree from a prestigious university, which can lead us to suffer a great deal when the truth is ultimately revealed. And, of course, there is the general cost of deception. When we and those around us are dishonest, we start suspecting everyone, and without trust our lives become more difficult in almost every way.

Where did Grizel go?” Sandor asked as they turned to leave. “She’s supposed to stay by your side.” “I’m right here,” a husky female voice said as a lithe gray goblin in a fitted black jumpsuit seemed to melt out of the shadows. Fitz’s bodyguard was just as tall as Sandor, but far leaner—and what she lacked in bulk she made up for in stealth and grace. “I swear,” she said, tapping Sandor on the nose. “It’s almost too easy to evade you.” “Anyone can hide in this chaos,” Sandor huffed. “And now is not the time for games!” “There’s always time for games.” Grizel tossed her long ponytail in a way that almost seemed . . . Was it flirty? Sandor must’ve noticed too, because his gray skin tinted pink. He cleared his throat and turned to Sophie. “Weren’t we heading to the cafeteria?” She nodded and followed Fitz into the mazelike halls, where the colorful crystal walls shimmered in the afternoon sunlight. The cafeteria was on the second floor of the campus’s five-story glass pyramid, which sat in the center of the courtyard framed by the U-shaped main building. Sophie spent most of the walk wondering how long it would take Dex to notice her new accessories. The answer was three seconds—and another after that to notice the matching rings on Fitz’s thumbs. His periwinkle eyes narrowed, but he kept his voice cheerful as he said, “I guess we’re all giving rings this year.” Biana held out her hand to show Sophie a ring that looked familiar—probably because Sophie had a less sparkly, slightly more crooked, definitely less pink version on her own finger. “I also made one for you,” Dex told Fitz. “It’s in your thinking cap. And I have some for Tam and Linh, whenever we see them again. That way we’ll all have panic switches—and I added stronger trackers, so I can home in on the signal even if you don’t press your stone. Just in case anything weird happens.” “Your Technopath tricks aren’t necessary,” Sandor told him, pointing to their group of bodyguards—four goblins in all. “But it’s still good to have a backup plan, right?” Biana asked, admiring her ring from another angle. The pink stone matched the glittery shadow she’d brushed around her teal eyes, as well as the gloss on her

Acedia is not a relic of the fourth century or a hang-up of some weird Christian monks, but a force we ignore at our peril. Whenever we focus on the foibles of celebrities to the detriment of learning more about the real world- the emergence of fundamentalist religious and nationalist movements, the economic factors endangering our reefs and rain forests, the social and ecological damage caused by factory farming - acedia is at work. Wherever we run to escape it, acedia is there, propelling us to 'the next best thing,' another paradise to revel in and wantonly destroy. It also sends us backward, prettying the past with the gloss of nostalgia. Acedia has come so far with us that it easily attached to our hectic and overburdened schedules. We appear to be anything but slothful, yet that is exactly what we are, as we do more and care less, and feel pressured to do still more.

That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.

the fact is, our relationships to these corporations are not unambiguous. some memebers of negativland genuinely liked pepsi products. mca grew up loving star wars and didn't mind having his work sent all over the united states to all the "cool, underground magazines" they were marketing to--why would he? sam gould had a spiritual moment in the shower listening to a cd created, according to sophie wong, so that he would talk about tylenol with his independent artist friends--and he did. many of my friends' daughters will be getting american girl dolls and books as gifts well into the foreseeable future. some skateboarders in washington, dc, were asked to create an ad campaign for the east coast summer tour, and they all love minor threat--why not use its famous album cover? how about shilling for converse? i would have been happy to ten years ago. so what's really changed? the answer is that two important things have changed: who is ultimately accountable for veiled corporate campaigns that occasionally strive to obsfucate their sponsorship and who is requesting our participation in such campaigns. behind converse and nike sb is nike, a company that uses shit-poor labor policies and predatory marketing that effectively glosses over their shit-poor labor policies, even to an audience that used to know better. behind team ouch! was an underground-savvy brainreservist on the payroll of big pharma; behind the recent wave of street art in hip urban areas near you was omd worldwide on behalf of sony; behind your cool hand-stenciled vader shirt was lucasfilm; and behind a recent cool crafting event was toyota. no matter how you participated in these events, whether as a contributor, cultural producer, viewer, or even critic, these are the companies that profited from your attention.

Take a look in the mirror. Who are you today? Discover yourself anew. Don’t assume you are the same person you were last week or last year. Don’t limit yourself with your history. Look at your partner with new eyes each day as well. Who is this person? Rediscover him. Don’t assume he is the same person that you were with last week or last year. Don’t jail him with your judgments or his past. You cannot control how your partner shows up. What you can control, however, is how you show up in relationship to him. Rather than a stale repetition of the good old days we all fight so hard to re-create, be open to the newness in each moment and give your relationship a chance to breathe. Trying hard to keep a relationship together is a classic sign that it’s falling apart. Don’t pretend everything is OK when it’s not or gloss over problems in order to save face. Welcome challenges and speak your truth. Every so-called problem is an opportunity in disguise for you to expand and express new levels of your irresistibility.

It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.

Many scientists espouse values or goals that, under critical challenge, they cannot characterize in a succinct and cogent way. They may be imprecise, ambiguous, or both. Such familiarly cited cognitive goals as simplicity and elegance often have this weakness, because most advocates of these goals can offer no coherent definition or characterization of them; indeed, it is probably not too wide of the mark to suggest that a major reason that most scientists purport to subscribe to the value of simplicity is why relatively few of them have anything very specific in mind. The imprecision of the concept allows for multiple interpretations; and in that fluid environment, almost everyone can devise a gloss on "simple" or "elegant" which he can find congenial. It should be clear why them charge of semantic utopianism, when warranted by the merits of the case, is a serious criticism of a goal, cognitive or otherwise. If someone purports to subscribe to an aim, but can neither describe it in the abstract nor identify it in concrete examples, there is no objective way to ascertain when that aim has been realized and when it has not. Values of that sort are too arbitrary to deserve any place in a rational activity.

Virginity being blown down man will quicklier be blown up; marry, in blowing him down again, with the breach yourselves made you lose your city. It is not politic in the commonwealth of nature to preserve virginity. Loss of virginity is rational increase, and there was never virgin got till virginity was first lost. That you were made of is mettel to make virgins. Virginity, by being once lost may be ten times found; by being ever kept it is ever lost. ‘Tis too cold a companion. Away with ‘t! There’s little can be said in’t; ’tis against the rule of nature. To speak on the part of virginity, is to accuse your mothers; which is most infallible disobedience. He that hangs himself is a virgin; virginity murthers itself, and should be buried in highways out of all sanctified limit, as a desperate offendress against nature. Virginity breeds mites, much like a cheese; consumes itself to the very paring, and so dies with feeding his own stomach. Besides, virginity is peevish, proud, idle, made of self-love which is the most inhibited sin in the canon. Keep it not; you cannot choose but loose by’t. Out with ‘t! Within the year it will make itself two, which is a goodly increase, and the principal itself not much the worse. Away with ‘t! Tis a commodity that will lose the gloss with lying; the longer kept, the less worth: off with ’t, while ’tis vendible; answer the time of request. Virginity, like an old courtier, wears her cap out of fashion; richly suited, but unsuitable: just like the brooch and the toothpick, which wear not now. Your date is better in your pie and your porridge than in your cheek; and your virginity, your old virginity, is like one of our French withered pears: it looks ill, it eats drily. Marry, 'tis a withered pear; it was formerly better; marry, yet 'tis a withered pear! Will you anything with it?

In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.