“
Imagine this:
You’re driving.
The sky’s bright. You look great.
In a word, in a phrase, it’s a movie,
you’re the star.
so smile for the camera, it’s your big scene,
you know your lines.
I’m the director. I’m in a helicopter.
I have a megaphone and you play along,
because you want to die for love,
you always have.
Imagine this:
You’re pulling the car over. Somebody’s waiting.
You’re going to die
in your best friend’s arms.
And you play along because it’s funny, because it’s written down,
you’ve memorized it,
it’s all you know.
I say the phrases that keep it all going,
and everybody plays along.
Imagine:
Someone’s pulling a gun, and you’re jumping into the middle of it.
You didn’t think you’d feel this way.
There’s a gun in your hand.
It feels hot. It feels oily.
I’m the director
and i’m screaming at you,
I’m waving my arms in the sky,
and everyone’s watching, everyone’s
curious, everyone’s
holding their breath.
'Planet of Love
”
”
Richard Siken (Crush)
“
Nick sat beside Simon, who was at his computer. Marcus stood at attention beside the food. Hale had his feet on the table, reading the morning paper. And someone had given the Bagshaws a gun.
'Pull!' Hamish yelled, and Angus pulled a cord and sent a skeet flying across the deep blue water.
A split second later, a loud crack was reverberating across the deck. Kat jumped. Hale sighed. The shot went far wide, and Marcus never moved a muscle.
”
”
Ally Carter (Uncommon Criminals (Heist Society, #2))
“
The light. The light is so bright that all that remains is you and the darkness. You can feel the audience breathing. It's like holding a gun or standing on a precipice and knowing you must jump. It feels slow and fast. It's like dying and being born and fucking and crying. It's like falling in love and being utterly alone with God; you taste your own mouth and feel your own skin and I knew I was alive and I knew who I was and that that wasn't who I'd been up till then. I'd been so far away but I knew I was home.
”
”
Russell Brand (My Booky Wook)
“
Let me get this straight. The man with the gun says stay in your seat and you take that to mean jump around the room like demented grasshoppers.
”
”
Koushun Takami (Battle Royale, Vol. 01 (Battle Royale, #1))
“
Are you crazy, Kenny Tracey? Do you have a death wish or something? Preventing someone from getting hurt and jumping in front of a bullet are not the same things!
”
”
Mark M. Bello (Betrayal High (Zachary Blake Legal Thriller, #5))
“
While some of his men were mounting a machine gun in the entrance, Hitler jumped up on a table and to attract attention fired a revolver shot toward the ceiling.
”
”
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
“
You about done?” I asked him. “I need the table.”
“What is it with you people?” Butters groused. “For God’s sake, these are real injuries here.”
“There will be more of them than a thousand reluctant physicians could patch up if we don’t get moving,” I said. “Today’s serious business, man.”
“How serious?”
“Can’t think when it’s been grimmer,” I said. “Freaking waste-of-space vampires, lying around on tables you need to use.”
“Useless wizards,” Thomas said, “jumping on enemy guns and accidentally shooting their allies with them.”
“Oh,” I said. “That was when I jumped Ace?”
He snorted. “Yeah.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
Loan sharks don’t negotiate, Finn. They break kneecaps and chop off fingers.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
What would happen is that every idiot in this town who owns a gun, which is basically every idiot in this town, would grab his gun, jump into his car, or somebody else's car, and lay rubber for I-95. Inside of ten minutes the city is gridlocked, and what happens next makes IwoJima look like a maypole dance. This whole town turns into the end of a Stephen King novel.
”
”
Dave Barry (Big Trouble)
“
Lately, it had been an endless procession of long, black nights and gray mornings, when her sense of failure swept over her like a five-hundred-pound wave; and she was scared. But it wasn't death that she feared. She had looked down into that black pit of death and had wanted to jump in, once too often. As a matter of fact, the thought began to appeal to her more and more.
She even knew how she would kill herself. It would be with a silver bullet. As round and as smooth as an ice-cold blue martini. She would place the gun in the freezer for a few hours before she did it, so it would feel frosty and cold against her head. She could almost feel the ice-cold bullet shooting through her hot, troubled brain, freezing the pain for good. The sound of the gun blast would be the last sound she would ever hear. And then... nothing. Maybe just the silent sound that a bird might hear, flying in the clean, cool air, high above the earth. The sweet, pure air of freedom.
No, it wasn't death she was afraid of. It was this life of hers that was beginning to remind her of that gray intensive care waiting room.
”
”
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
“
I won the argument against the knife that night, but barely. I had some other good ideas around that time--about how jumping off a building or blowing my brains out with a gun might stop the suffering. but something about spending a night with a knife in my hand did it.
The next morning I called my friend Susan as the sun came up, begged her to help me. I don't think a woman in the whole history of my family had ever done that before, had ever sat in the middle of the road like that and said, in the middle of her life, "I cannot walk another step further--somebody has to help me.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
That resolution of yours is a load of horseshit. This is the age of sex positivity, body positivity, and hashtag MeToo. It’s Lizzo’s world, Finn; we’re all just living in it. Don’t let anyone tell you you can’t have dessert.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Mother Superior jump the gun...
-The Beatles, Happiness is a Warm Gun
”
”
Lauren Myracle (Bliss (Crestview Academy, #1))
“
Because of social strictures against even the mildest swearing, America developed a particularly rich crop of euphemistic expletives - darn, durn, goldurn, goshdad, goshdang, goshawful, blast, consarn, confound, by Jove, by jingo, great guns, by the great horn spoon (a nonce term first cited in the Biglow Papers), jo-fired, jumping Jehoshaphat, and others almost without number - but even this cautious epithets could land people in trouble as late as the 1940s.
”
”
Bill Bryson (Made in America: An Informal History of the English Language in the United States)
“
That was four people right there who loved me. I wished like mad, in that moment, that I had no one at all. Not a single soul. Love was trapping me here. And they didn't know what it was like, what my head was like. Maybe if they were in my head for ten minutes they'd be like, 'Oh, okay, yes, actually. You should jump. There is no way you should feel this amount of pain. Run and jump and close you eyes and just do it. I mean, if you were on fire I could put a blanket around you, but the flames are invisible. There is nothing we can do. So jump. Or give me a gun and I'll shoot you. Euthanasia.'
But that was not how it worked. If you are depressed your pain is invisible.
”
”
Matt Haig (Reasons to Stay Alive)
“
Isn’t everyone on the planet or at least everyone on the planet called me stuck between the two impulses of wanting to walk away like it never happened and wanting to be a good person in love, loving, being loved, making sense, just fine? I want to be that person, part of a respectable people, but I also want nothing to do with being people, because to be people is to be breakable, to know that your breaking is coming, any day now and maybe not even any day but this day, this moment, right now a plane could fall out of the sky and crush you or the building you’re in could just crumble and kill you or kill the someone you love— and to love someone is to know that one day you’ll have to watch them break unless you do first and to love someone means you will certainly lose that love to something slow like boredom or festering hate or something fast like a car wreck or a freak accident or flesh-eating bacteria— and who knows where it came from, that flesh-eating bacteria, he was such a nice-looking fellow, it is such a shame— and your wildebeest, everyone’s wildebeest, just wants to get it over with, can’t bear the tension of walking around the world as if we’re always going to be walking around the world, because we’re not, because here comes a cancer, an illness a voice in your head that wants to jump out a window, a person with a gun, a freak accident, a wild wad of flesh-eating bacteria that will start with your face.
”
”
Catherine Lacey (Nobody Is Ever Missing)
“
It was the first time I saw the glimmer of a detective inside them, and I hoped he hadn’t seen the glimmer of a criminal in mine.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Geneverie fought down panic. She had to make him land this plane. "I give great blowjobs!"
Nick laughed. "Wish I had the time to check that out." He continued to aim the gun right between her eyes as he reached behind him to unlatch the cabin door.
(...)
Nich smiled. "But maybe you'de like to treat him to one of those blowjobs. You two will have a little time on your hands. Well, so long!" He jumped.
”
”
Vicki Lewis Thompson
“
In this long history of accelerating development, one can single out two especially significant jumps. The first, occurring between 100,000 and 50,000 years ago, probably was made possible by genetic changes in our bodies: namely, by evolution of the modern anatomy permitting modern speech or modern brain function, or both. That jump led to bone tools, single-purpose stone tools, and compound tools. The second jump resulted from our adoption of a sedentary lifestyle, which happened at different times in different parts of the world, as early as 13,000 years ago in some areas and not even today in others.
”
”
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies)
“
We want to reorganise the world, and that makes our brains jump the gun –sometimes. You look at a newspaper headline, take in one word, and before you know it your brain says: yes, that’s what it says. But it may not.
”
”
Alexander McCall Smith (The World According to Bertie (44 Scotland Street, #4))
“
Fixing a sneer on her face, she deliberately lowered her toolbox and let it fall with a terrible clatter. That he jumped like a rabbit under the gun pleased her.
“Christ Jesus!” he scraped his chair around, thumped a hand to his heart as if to get it pumping again.
“What’s the matter?”
“Nothing.” She continued to sneer. “Butterfingers,” she said sweetly and picked up her dented toolbox again. “Give you a start, did I?”
“You damn near killed me.
”
”
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
“
They had been attacked by guys in golf carts with blow guns, jumped off a cliff, been locked in a burning school, and had their heads stapled, but putting coins in a slot machine was considered too dangerous for kids. Go figure.
”
”
Dan Gutman (Mission Unstoppable)
“
There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground.
It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up.
She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground.
She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone.
She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself.
She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face.
To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead.
”
”
Pamela Todd (The Blind Faith Hotel)
“
He could surprise her sometimes, she had found. It had emerged that it was dangerous to assume that he wouldn’t catch her nuances; he caught a lot more than he let on. Also, his accent was improving. Or was it just that she had stopped hearing it? And he had started beginning his sentences with a “well” or an “oh,” on occasion. He seemed to take great delight in discovering new idioms—“jumped the gun,” for instance, which had sprinkled his conversations for the past several days. (“I was thinking the evening news would be on, but I see that I…” and then a weighty pause before “jumped the gun!” he finished up triumphantly.) Now and then, an expression he used would strike her as eerily familiar. “Good grief,” he said, and “Geez,” and once or twice, “It was semi-okay.” At such moments, she felt like someone who had accidentally glimpsed her own reflection in a mirror.
”
”
Anne Tyler (Vinegar Girl)
“
He picked up her gun. Pointed it at her. Pulled the trigger.
Isabet jumped like a startled lizard.
He handed the gun back to her. 'First tip. Get a new gun. As soon as a Ras Tiegan gun gets sand in it, it's useless. They don't work out here.'
Isabet's hand was trembling as she took the gun back. 'You seemed very certain of that.'
'Nyx unloaded it while we were arguing,' he said. 'If you want to keep up, you'll need to start paying attention.
”
”
Kameron Hurley (Rapture (Bel Dame Apocrypha, #3))
“
Thomas shook his head, gripped by terror, very slowly reaching for his gun with his free hand. “You wanna know why I have this limp, Tommy? Did I ever tell you? No, I don’t think I did.” “What happened?” Thomas asked, stalling for time. He slipped his fingers around the weapon. “I tried to kill myself in the Maze. Climbed halfway up one of those bloody walls and jumped right off. Alby found me and dragged me back to the Glade right before the Doors closed. I hated the place, Tommy. I hated every second of every day. And it was all … your … fault!” Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!” Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.
”
”
James Dashner (The Death Cure (Maze Runner, #3))
“
I don’t know whether to be terrified of the chick Lottie has lined up for me, or jump the gun and just walk into the dressing room and ask her to marry me.
”
”
Kristen Ashley (Dream Maker (Dream Team, #1))
“
The sight of Elgie flat on the slimy dock, groaning "My wife, my wife", with a gun pointed at him, and me jumping up and down, was even enough for a German to take pity.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
I signed up to fight for my country; to jump out of planes, shoot guns, and kill people.
”
”
Salvatore A. Giunta (Living with Honor: A Memoir by America's First Living Medal of Honor Recipient Since the Vietnam War)
“
jump. Noah heads down to me, and I look over, seeing Kaleb climbing off his bike with a… A… gun? Is he kidding?
”
”
Penelope Douglas (Credence)
“
Vero whispered, “he’s like a refrigerator with feet.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
I dug my mittens from the pockets of my coat and drew them on, wishing I had been prepared with something more Temperance Brennan and less Bernie Sanders.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
The engine starts, the car lurches into a U-turn. As we pull away, from the porch, a boy, no older than I am, points a toy pistol at us. The gun jumps and his mouth makes blasting noises. His father turns to yell at him. He shoots once, two more times. From the window of my helicopter, I look at him. I look him dead in the eyes and do what you do. I refuse to die.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
So how long have you been together? Two months?'
'Five.'
'Five? Jesus, Steve, you might as well get married. I should buy a hat.'
'Don't. They give away your Spock ears.'
She laughed. 'This is the Romanian girl?'
'Croatian.'
'Right. She's a painter?'
'Photographer.'
'Right.' She studied him.
'What?' he laughed self-consciously as though he was a twelve-year-old boy who'd just been caught with his first girlfriend.
'Nothing.'
'Come on.'
'I don't know Steve,' she cut into her meat, 'you've changed. You no longer write about Victoria Beckham and you have a girlfriend. I think...'
'You think what?'
'I don't know, I might be jumping the gun here, but I think there's a possibility you might not be gay after all.'
A chip was hurled at her head.
”
”
Cecelia Ahern (One Hundred Names)
“
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow.
Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
”
”
Bob Thurber (Paperboy: A Dysfunctional Novel)
“
He seemed to consider that as he set down his can. “You do the job long enough, gets harder to tell. We’re all liars,” he said, taking the gun and reloading the magazine with a snap. “Some of us are just better at hiding it.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Soon I was spending all my time in the basement, and I had moved from taking things apart to putting new things together. I began by building simple devices. Some, like my radios, were useful. Others were merely entertaining. For example, I discovered I could solder some stiff wires onto a capacitor and charge it up. For a few minutes, until the charge leaked away, I had a crude stun gun.
...So I decided to try it on my little brother. I charged the capacitor to a snappy but nonlethal level from a power supply I'd recently removed from our old Zenith television.
'Hey, let's play Jab a Varmint,' I said. I tried to smile disarmingly, keeping the capacitor behind my back and making sure I didn't ruin the effect by jabbing myself or some other object.
'What's that?' he asked, suspiciously.
Before he could escape, I stepped across the room and jabbed him. He jumped. Pretty high, too. Sometimes he would fight back, but this time he ran. The jab was totally unexpected and he didn't realize that I only had the one jab in my capacitor. It would be several years before I had the skill to make a multishot Varmint Jabber.
”
”
John Elder Robison (Look Me in the Eye)
“
People who work in law enforcement see a lot of things most of us couldn’t stomach, and their job is pretty thankless. It isn’t always easy to be the good guy. Most days, playing the bad guy probably feels like the easier option.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Consider the following: “Will Mindik be a good leader? She is intelligent and strong…” An answer quickly came to your mind, and it was yes. You picked the best answer based on the very limited information available, but you jumped the gun. What if the next two adjectives were corrupt and cruel? Take note of what you did not do as you briefly thought of Mindik as a leader. You did not start by asking, “What would I need to know before I formed an opinion about the quality of someone’s leadership?” System 1 got to work on its own from the first adjective: intelligent is good, intelligent and strong is very good. This is the best story that can be constructed from two adjectives, and System 1 delivered it with great cognitive ease. The story will be revised if new information comes in (such as Mindik is corrupt), but there is no waiting and no subjective discomfort. And there also remains a bias favoring the first impression.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
I suppose now is a terrible time to propose,” he told her, suddenly rueful. She looked at him in wonder. Truly, he had no shame, wooing her as he did when he could see she was in a dither. It took all her nerve to return his flirtatious banter and say, “Your timin’ needs work, Simon. But elopin’ might sit better than my quittin’. ” He grimaced. “I doubt it. I’d hate to stare down your pa’s gun barrel once we jumped the broom. Besides, I can’t marry someone I ain’t never courted or even kissed.
”
”
Laura Frantz (The Frontiersman's Daughter)
“
After deliberating my options for a split second, I rolled my chair over to watch him tattoo the guy he had hunched over, working on an old pirate ship right smack on the middle of the man’s brawny shoulder.
I didn’t say a word as I watched him, not wanting to distract him from the man who had been all too excited to request Slim’s work an hour before.
But my friend Slim had other thoughts. His green eyes flashed up at me. “What was that about?”
"Huh?" I played stupid.
Slim pulled the gun off the customer’s skin, dabbing at the beaded blood before continuing with a shake of his head. "Since when are you guys BFFs?"
I’d learned over the last month how chatty all the guys were, well, specifically Slim and Blake. If I answered his question just remotely weird, I’d bet my first born Slim would jump to some kind of crazy conclusion that I wanted no part of. So I went with the truth. “I heard him fart last night. It kind of broke the ice.”
The little whistle he let out told me that was good enough. He snorted and raised an eyebrow before getting back to work. “That’ll do it.
”
”
Mariana Zapata (Under Locke)
“
Look, Pa, look!” Laura said. “A wolf!”
Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him.
“It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass.
“A lynx?” said Ma.
“Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move.
“Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed.
The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again.
“Well, I’m beat!” Pa said.
“So am I,” said Ma. “But did you have to wake the baby?
”
”
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
“
He was one of the first people to complain about the increasing encroachment of the state into personal lives, but, actually, shouldn't there be a little more encroachment, when it came to things like this? Where was the protective fence, or the safety net? They made it hard for you to jump off bridges, or to smoke, to own a gun, to become a gynecologist. So how come they let you walk out on a stable, functioning relationship? They shouldn't. If this didn't work out, he could see himself become a homeless, jobless alcoholic within a year. And that would be worse for his health than a packet of Malboros.
”
”
Nick Hornby (Juliet, Naked)
“
Look, Pa, look!” Laura said. “A wolf!”
Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him.
“It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass.
“A lynx?” said Ma.
“Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move.
“Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed.
The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again.
“Well, I’m beat!” Pa said.
“So am I,” said Ma. “But did you have to wake the baby?” She rocked Carrie in her arms, hushing her.
Jack was perfectly well. But soon he lay down close to Laura and sighed a long sigh. His eyes were red with tiredness, and all the under part of him was caked with mud. Ma gave him a cornmeal cake and he licked it and wagged politely, but he could not eat. He was too tired.
“No telling how long he kept swimming,” Pa said. “Nor how far he was carried downstream before he landed.” And when at last he reached them, Laura called him a wolf, and Pa threatened to shoot him.
But Jack knew they didn’t mean it. Laura asked him, “You knew we didn’t mean it, didn’t you, Jack?” Jack wagged his stump of a tail; he knew.
”
”
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
“
I took my line straight away. I knew I was staking everything, but I jumped there and then. "We're on absolutely the biggest thing that has ever been invented," I said, and put the accent on "we." "If you want to keep me out of this, you'll have to do it with a gun. I'm coming down to be your fourth labourer to-morrow.
”
”
H.G. Wells (The First Men on the Moon)
“
Dear lady, ... dear gentleman, reader, [it's] not right ... to put down this writer on his writing ... And I'll tell you why, too: it hurts, that's why.... People try to understand why writers commit suicide by jumping off boats or by alcoholism or by being heroic continuously or by rope or gun or drug or knife or water, and ... I can tell you straight out, ... it is reading slurring remarks about their writing that drives writers to the grave. Dirty remarks passed by ... dirty but damned nicely educated and very highly-paid ladies and gentlemen have the effect of killing writers. Yes, that's right. Dirty words ... in slick paper magazines read by smart people do assassinate writers. ... And boy let me tell you I am all for it, even when by some ... misunderstanding the dirty words are directed to me rather than to the party really deserving them. Accidents happen, dear clever reviewer or critic, and let it not be said that William Saroyan is one not to see a situation from the point of view of the other party, ... and I shall be the first to defend your right to be critical and even sarcastic, knowing full well that it is not about me and my writing, although my name is by mistake taken in vain by you. ... But go on, go on, do your good clever writing, every one of you, I am home, your are home, and we are each of us not yet on Variety's Necrology list, so if we can't take it, who can?
”
”
William Saroyan
“
In this long history of accelerating development, one can single out two especially significant jumps. The first, occurring between 100,000 and 50,000 years ago, probably was made possible by genetic changes in our bodies: namely, by evolution of the modern anatomy permitting modern speech or modern brain function, or both. That jump led to bone tools, single-purpose stone tools, and compound tools.
”
”
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies)
“
Do you think I’m going to take her back? Do you think I’m still in love with her?”
She shrugs with one shoulder.
“Amanda,” I say, grappling for the words. When I don’t say anything else, she slowly turns her head to look at me. Fearful. Hopeful.
“I told her it was too late,” I admit. “I told her I didn’t love her anymore, because I don’t. That ship sailed a long time ago. And I told her I wished her the best of luck but the truth was, I’ve met someone else.” I give her a faint smile, aware of everything riding on this. “You.”
“Me?” she repeats, her voice barely audible.
“I didn’t mean it as a work partner. I didn’t mean it as someone I’m casually sleeping with. I meant in a completely jumping the gun, getting ahead of myself, answering for you when I shouldn’t, I want you to be my girlfriend kind of way. She doesn’t have my affection, my future or my heart. You do, Amanda. You do.
”
”
Karina Halle (Smut)
“
I looked sadly at my final note on the page: July. Five whole months. An eternity.
But what did it matter? Holmes and I would go ahead as we were - as we had been before I stood on a London pier and, seeing him resurrected from a fiery death, literally embraced an unexpected future. Patience, Russelll.
And yet, I was afraid. That real life would intervene. That doubts would chew at our feet, causing one or both of us to edge away from the brink. That neither of us had really meant it, and the memory of those dockside sensations would turn to threat. That my gift to him was nothing but selfish impulse of an uncertain young girl.
I felt his gaze on me, and put on a look of good cheer before raising my face. "Of course. July will do nicely-and will give us plenty of time to arrange a distraction to get your cousin and his shot-guns away from the house."
He did not reply. Under his gaze, my smile faltered a bit. "It's fine, Holmes. You have commitments in Europe next month. I have much to do in Oxford. I will be here when you get back."
Abruptly, he jumped to his feet and swept across the room to the door. I watched him thrust his long arms into the sleeves of his overcoat. "Thursday, Russell," he said, clapping his hat onto his head. "Be ready on Thursday."
"For what?" I asked, but he was gone.
For anything, knowing him.
”
”
Laurie R. King (The Marriage of Mary Russell (Mary Russell and Sherlock Holmes, #2.5))
“
send my soul over thousands of miles, into the night, the darkness, and the unknown so that I will be with my family and loved ones, and so that I can express my fear for them, my love for them, my agony for them, and my hope that God will save and protect them. Then suddenly in the middle of the night I jump up with a wildly beating heart: somewhere I hear the rat-a-tat-tat of a machine gun. Sometimes it is very close by, like a hail of stones on the roof.
”
”
Ivan Bunin (Cursed Days: Diary of a Revolution)
“
At the edge of Saint-Michel is the Wildwood. The wolves who live there come out at night. They prowl fields and farms, hungry for hens and tender young lambs. But there is another sort of wolf, one that's far more treacherous. This is the wolf the old ones speak of.
"Run if you see him," they tell their granddaughters. "His tongue is silver, but his teeth are sharp. If he gets hold of you, he'll eat you alive."
Most of the village girls do what they're told, but occasionally one does not. She stands her ground, looks the wolf in the eye, and falls in love with him.
People see her run to the woods at night. They see her the next morning with leaves in her hair and blood on her lips. This is not proper, they say. A girl should not love a wolf.
So they decide to intervene. They come after the wolf with guns and swords. They hunt him down in the Wildwood. But the girl is with him and sees them coming.
The people raise their rifles and take aim. The girl opens her mouth to scream, and as she does, the wolf jumps inside it. Quickly the girl swallows him whole, teeth and claws and fur. He curls up under her heart.
The villagers lower their weapons and go home. The girl heaves a sigh of relief. She believes this arrangement will work. She thinks she can be satisfied with memories of the wolf’s golden eyes. She thinks the wolf will be happy with a warm place to sleep.
But the girl soon realized she’s made a terrible mistake, for the wolf is a wild thing and wild things cannot be caged. He wants to get out, but the girl is all darkness inside and he cannot find his way.
So he howls in her blood. He tears at her heart.
The howling and gnawing –it drives the girl mad.
She tries to cut him out, slicing lines in her flesh with a razor.
She tries to burn him out, holding a candle flame to her skin.
She tries to starve him out, refusing to eat until she’s nothing but skin over bones.
Before long, the grave takes them both.
A wolf lives in Isabelle. She tries hard to keep him down, but his hunger grows. He cracks her spine and devours her heart.
Run home. Slam the door. Throw the bolt. It won’t help.
The wolves in the woods have sharp teeth and long claws, but it’s the wolf inside who will tear you apart.
”
”
Jennifer Donnelly
“
There is another dangerous component to armed robberies, one that I could never understand. I noticed some time ago that with each robbery I committed there was an intense out of control anger that gripped me. It was as if I was there to get something that was inherently mine, and I came to take it by force. I’ve heard many stories directly from individuals about how they just burst into stores with their guns drawn. They would be shouting at people, gun butting them sometimes for no reason at all. One individual told me that he ran into a store and jump kicked a fella who just stood there. The only reason he was kicked is that he was there.
It’s as if once you’ve overridden your conscience of going through with the act, it is replaced with anger and a level of brutality that is usually reserved for when you are fighting for your life. This, to me, is what makes armed robberies so dangerous—because the slightest provocation or any sudden movement by anyone could lead to them being shot or killed. It is always an extremely delicate and dicey situation, because the armed robber is pulling the trigger out of fear more than anything else.
”
”
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
“
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain.
Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence.
A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop.
Then the screen door squeaked open and she took flight.
Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive.
He knew her path by now. He was ready for the hunt.
The clanging unbuckled belt boomed in her ears as he gained on her.
The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go.
Young trees teased her in this direction, so she moved east towards the evergreens.
Hunger and hurt left her no choice, she had to stop running soon.
She grabbed the first tree with a branch low enough to reach, and up she went.
The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree.
His footsteps pounded close by.
She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his.
She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up.
Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down.
She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension.
Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest.
He called her name once, twice. The third time’s tone not quite as friendly.
The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her.
His feet crunched in circles around the tree, eventually heading back home.
Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense.
“Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
”
”
Kim Bongiorno (Part of My World: Short Stories)
“
How can I be alone when these brain cells chat to me their million messages a minute. But sitting there in the ordinary trance that is any mammal’s birthright, say on a desert boulder or northern stump, a riverbank, we can imitate a barrel cactus, a hemlock tree, the water that flows through time as surely as ourselves. The mind loses its distant machine-gun patter, becomes a frog’s occasional croak. A trout’s last jump in the dark, a horned owl’s occasional hoot, or in the desert alone at night the voiceless stars light my primate fingers that I lift up to curl around their bright cosmic bodies.
”
”
Jim Harrison (The Shape of the Journey: New & Collected Poems)
“
Where the hell did the Pack find you two? At a beach volleyball tournament? Great tan. Love those curls.” LeBlanc shook his head. “He’s not even as big as I am. He’s what, six foot nothing? Two hundred pounds in steel-toed boots? Christ. I’m expecting some ugly bruiser bigger than Cain and what do I find? The next Baywatch star. Looks like his IQ would be low enough. Can he chew gum and tie his shoes at the same time?”
Clay stopped playing with his chair and turned to face the mirror. He got up, crossed the room, and stood in front of me. I was leaning forward, one hand pressed against the glass. Clay touched his fingertips to mine and smiled. LeBlanc jumped back.
“Fuck,” he said. “I thought that was one-way glass.”
“It is.”
Clay turned his head toward LeBlanc and mouthed three words. Then the door to his room opened and one of the officers called him out. Clay grinned at me, then sauntered out with the officer. As he left, a surge of renewed confidence ran through me.
“What did he say?” LeBlanc asked.
“Wait for me.”
“What?”
“It’s a challenge,” Marsten murmured from across the room. He didn’t look up from his magazine. “He’s inviting you to stick around and get to know him better.”
“Are you going to?” LeBlanc asked.
Marsten’s lips curved in a smile. “He didn’t invite me.”
LeBlanc snorted. “For a bunch of killer monsters, the whole lot of you are nothing but hot air. All your rules and challenges and false bravado.” He waved a hand at me. “Like you. Standing there so nonchalantly, pretending you aren’t the least bit concerned about having the two of us in the room.”
“I’m not.”
“You should be. Do you know how fast I could kill you? You’re standing two feet away from me. If I had a gun or knife in my pocket, you’d be dead before you had time to scream.”
“Really? Huh.”
LeBlanc’s cheek twitched. “You don’t believe me, do you? How do you know I’m not packing a gun? There’s no metal detector at the door. I could pull one out now, kill you, and escape in thirty seconds.”
“Then do it. I know, you don’t like our little games, but humor me. If you have a gun or a knife, pull it out. If not, pretend to. Prove you could do it."
“I don’t need to prove anything. Certainly not to a smart-mouthed—”
He whipped his hand up in mid-sentence. I grabbed it and snapped his wrist. The sound cracked through the room. The receptionist glanced over, but LeBlanc had his back to her. I smiled at her and she turned away.
“You—fucking—bitch,” LeBlanc gasped, cradling his arm. “You broke my wrist.”
“So I win.”
His face purpled. “You smug—”
“Nobody likes a sore loser,” I said. “Grit your teeth and bear it. There’s no crying in werewolf games. Didn’t Daniel teach you that?
”
”
Kelley Armstrong (Bitten (Women of the Otherworld, #1))
“
Juanita, in a town full of starlets and wanna-be starlets, stood out. She was prettier than Lupe Velez and could handle a gun or a client with equal ease. But she also had the sweetest nature of any girl I knew. She had a lot of fellas and they all seemed to be happy about it and I didn't ask too many questions. She had been helping wait tables beneath our office off and on for about six months before I'd picked up that insurance case. It was only right I make it up to her so after she paid the agency's bills, I split the remaining seven grand down the middle, 3,500 apiece. I'd never seen a girl so happy except maybe at the movies when Lombard was jumping up and down on the bed because Godfrey loved her.
”
”
Bobby Underwood (Beautiful Detour (Nostalgic Crime #1))
“
Thank you, V, he thought as he jumped out himself. Balz stayed tight on her heels as she hit a little walkway with a long stride, and about halfway to her front door, he realized how ridiculous he looked: He was still nakie with a sheet wrapped around his hey-nannies, and he had a gun down at one thigh and a duffle bag full of click-click-bang-bang hanging off his other shoulder. Too bad this wasn’t Halloween for the humans. He could have called himself a flasher-assassin and maybe gotten away with it. Plus, hey, guy shows up on your trick-or-treat doorstep with a forty caliber in his palm, you were likely to dump your bowl of candy wherever he told you to put the stuff. So he’d clean up and Rhage would be psyched.
”
”
J.R. Ward (Lover Arisen (Black Dagger Brotherhood, #20))
“
office, something that’s invisible to my vaunted powers. Crap. Where’s my gun? After backtracking, Myfanwy picked up her gun from the dust and listened carefully. Deathly silence. Feeling slightly absurd but still scared, she held her gun in two hands and jumped smoothly around the corner, landing in a position that implied she was prepared to open fire on whatever she saw. “Oh, thank God.” Not to worry, it’s not a weird monster. It’s just three rotting dead people, she thought as she threw up on her cute little gun. After wiping her mouth and then shaking the pistol to clear some vomit off it, she approached the corpses cautiously. All of them were dressed in purple garments, though they were now sodden in body fluids. Nasty.
”
”
Daniel O'Malley (The Rook (The Checquy Files, #1))
“
So far he’s never been bit, but there was once, deer hunt, climbing a bluff and he’d slipped, rolled down a shale slide into some kind of grotto and the whole place started buzzing. Big rattlesnake nest, twenty or so, all small but they’ll kill you just the same and he’d scrambled and cranked round after round through the bolt, felt a hot white pain in his leg, dropped the gun and jumped. Once he was out of it he pulled down his pants, found the bite but it wasn’t a bite, just the one hole and too big, something lodged under the skin. He cut at it for a time. Piece of copper jacket from one of his own bullets, turned out. Stood there, sun in his eyes, blood on his hands, pants full of blood and bunched at his ankles, happy as he’d been in a while.
- "Any Deadly Thing
”
”
Roy Kesey (Any Deadly Thing)
“
The overreactor is responsible, as the psychological term puts it, for the 'transference' of an emotion from the past on to someone in the present -- who perhaps doesn't entirely deserve it.
Our minds are, oddly, not always good at knowing what era they are in. They jump a little too easily, like an erstwhile victim of burglary who keeps a gun by the bed and is startled awake by every rustle.
What's worse for the loved ones standing in the vicinity is the people in the throes of a transference have no easy way of knowing, let alone calmly explaining, what they are up to; they simply feel that their response is entirely appropriate to the occasion. Their partners, on the other hand, may reach a rather different and rather flattering conclusion: that they are distinctly odd -- and maybe even a little mad.
”
”
Alain de Botton (The Course of Love)
“
Patton had been a reflective man, an extraordinarily well-read student of wars and military leaders, ancient and modern, with a curiosity about his war to match his energy. No detail had been too minor or too dull for him, nor any task too humble. Everything from infantry squad tactics to tank armor plate and chassis and engines had interested him. To keep his mind occupied while he was driving through a countryside, he would study the terrain and imagine how he might attack this hill or defend that ridge. He would stop at an infantry position and look down the barrel of a machine gun to see whether the weapon was properly sited to kill counterattacking Germans. If it was not, he would give the officers and men a lesson in how to emplace the gun. He had been a military tailor’s delight of creased cloth and shined leather, and he had worn an ivory-handled pistol too because he thought he was a cavalier who needed these trappings for panache. But if he came upon a truck stuck in the mud with soldiers shirking in the back, he would jump from his jeep, berate the men for their laziness, and then help them push their truck free and move them forward again to battle. By dint of such lesson and example, Patton had formed his Third Army into his ideal of a fighting force. In the process he had come to understand the capabilities of his troops and he had become more knowledgeable about the German enemy than any other Allied general on the Western Front. Patton had been able to command with certainty, overcoming the mistakes that are inevitable in the practice of the deadly art as well as personal eccentricities and public gaffes that would have ruined a lesser general, because he had always stayed in touch with the realities of his war.
”
”
Neil Sheehan (A Bright Shining Lie: John Paul Vann and America in Vietnam (Pulitzer Prize Winner))
“
The sky’s bright. You look great. In a word, in a phrase, it’s a movie, you’re the star.
So smile for the camera, it’s your big scene, you know your lines.
I’m the director. I’m in a helicopter. I have a megaphone and you play along, because you want to die for love, you always have.
Imagine this: You’re pulling the car over. Somebody’s waiting. You’re going to die
in your best friend’s arms. And you play along because it’s funny, because it’s written down,
you’ve memorized it, it’s all you know. I say the phrases that keep it all going, and everybody plays along.
Imagine: Someone’s pulling a gun, and you’re jumping into the middle of it. You didn’t think you’d feel this way. There’s a gun in your hand. It feels hot. It feels oily.
I’m the director and i’m screaming at you, I’m waving my arms in the sky, and everyone’s watching, everyone’s curious, everyone’s holding their breath.
- 'Planet of Love
”
”
Richard Silken
“
The second jump resulted from our adoption of a sedentary lifestyle, which happened at different times in different parts of the world, as early as 13,000 years ago in some areas and not even today in others. For the most part, that adoption was linked to our adoption of food production, which required us to remain close to our crops, orchards, and stored food surpluses. Sedentary living was decisive for the history of technology, because it enabled people to accumulate nonportable possessions. Nomadic hunter-gatherers are limited to technology that can be carried. If you move often and lack vehicles or draft animals, you confine your possessions to babies, weapons, and a bare minimum of other absolute necessities small enough to carry. You can’t be burdened with pottery and printing presses as you shift camp. That practical difficulty probably explains the tantalizingly early appearance of some technologies, followed by a long delay in their further development.
”
”
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies)
“
Wait in the car." He opened the door and started to climb out.
"Hold on! How long should I give you? What if you don't come back in a certain number of minutes? Should I call the cops?"
"Don't do anything. Don't call anyone. I'll be fine."
"But what if you're not?"
"Then go home."
And with that, he got out and jogged down the street, like if I heard screams or gunshots or whatever I would just drive on home like nothing happened. Well, good for you, I thought, watching him climb a short cement staircase and put a key in the door. You don't need anyone. Fine.
I watched the clock. Three minutes went by, four. I thought about knocking on the door, having of course no idea what I would actually do once I got there. Maybe I'd have to break the door down, wrestle Cameron away from the bad men, and then carry him out the way you hear people when they get a huge burst of adrenaline. Except the person I pictured rescuing was little Cameron, in shorts and a striped T-shirt, his arms wrapped around my neck.
Then there he was, bursting out of the apartment door and bounding down the steps, a big garbage bag in hand. He ran to the car, fast. I reached over and opened the passenger door and he jumped in.
"Go."
You can't exactly peel out in a '94 Escort, but I did my best. Cameron breathed hard, clutching the garbage bag to his chest.
"What happened?" I drove a good fifteen miles per hour over the speed limit, convinced we were being chased by angry roommates with guns.
"Nothing. You can slow down."
I didn't. "Nothing? Nothing happened?"
"They weren't even there."
Then I did slow down. "No one was there? At all?"
"Right." His breathing had returned to almost normal.
"Then what's the deal with freaking me out like that?" My voice came out high and hysterical and I realized how nervous I'd been, imagining some dangerous scenario from which Cameron had barely escaped, an echo of that day at his house.
"I don't know. I started to picture one of them pulling up and finding me there and...I panicked.
”
”
Sara Zarr (Sweethearts)
“
I hear civilians saying we’re all heroes, heard someone… was it Arthur Godfrey on Armed Forces Radio? I can’t recall, but it’s nonsense anyway. If everyone is a hero, then no one is. Others say everyone below ground is a hero, but a lot of those were just green kids who spent an hour or a day on the battlefield before standing up when they shouldn’t have, or stepping where they shouldn’t have stepped. If there’s something heroic about stand up to scratch your ass and having some Kraut sniper ventilate your head, I guess I don’t see it.
If by “hero”, you mean one of those soldiers who will follow an order to rush a Kraut machine gun or stuff a grenade in a tank hatch, well, that’s closer to meaning something. But the picture in your imagination, Gentle Reader, may not bear much similarity to reality. I knew a guy who did just that—jumped up on a Tiger tank and dropped a grenade (or was it two?) down the hatch. Blew the hell out of it too. But he’d just gotten a Dear John letter from his fiancée in the same batch of mail that informed him his brother had been killed. So I guess it was eight on the line between heroism and suicide.
”
”
Michael Grant (Silver Stars (Front Lines, #2))
“
The real secret to eliminating poverty is not a secret at all. It’s amazingly simple, but it makes the people living in their tony little bubbles seethe with rage. Ready for this? Marriage. Sounds too simple to be true, but here’s a fact—the Beverly LaHaye Institute researched data in 2012 to discover that if a family has two married parents, the poverty rate is about 7.5 percent. If a family is headed by a single mother, the poverty rate is almost 34 percent. While Hollywood celebrities make it seem quite normal to have a baby now, and think about a husband later (if at all or ever), most young, single women having babies aren’t Hollywood starlets with millions of dollars to afford full-time live-in nannies, private jets, and private schools. And the War on Poverty we discussed earlier was launched fifty years ago when most children were raised by two married parents. The Heritage Foundation has done extensive and admirable research on the economics of the family and found that the poverty rate for white, married couples in 2009 was 3.2 percent. If it was a white nonmarried family, the poverty rate jumped to 22 percent. For black couples who were married, 7 percent were in poverty; if a nonmarried black family, that number soared to almost 36 percent!
”
”
Mike Huckabee (God, Guns, Grits, and Gravy: and the Dad-Gummed Gummint That Wants to Take Them Away)
“
The first otter to go into deep water had felt the same fear that Tarka felt that night; for his ancestors, thousands of years ago, had been hunters in woods and along the banks of rivers, running the scent of blooded creatures on the earth, like all the members of the weasel race to which they belonged. This race had several tribes in the country of the Two Rivers. Biggest were the brocks, a tribe of badgers who lived in holts scratched among the roots of trees and bushes, and rarely went to water except to drink. They were related to the fitches or stoats, who chased rabbits and jumped upon birds on the earth; and to the vairs or weasels, who sucked the blood of mice and dragged fledgelings from the nest; and to the grey fitches or polecats, so rare in the forests; and to the pine-martens, a tribe so harried by men that one only remained, and he had found sanctuary in a wood where a gin was never tilled and a gun was never fired, where the red deer was never roused and the fox never chased. He was old; his canine teeth worn down. Otters knew the ponds in this wood and they played in them by day, while herons stalked in the shallows and nothing feared the old lady who sometimes sat on the bank, watching the wild creatures which she thought of as the small and persecuted kinsfolk of man.
”
”
Henry Williamson (Tarka the Otter)
“
You wanna know why I have this limp, Tommy? Did I ever tell you? No, I don’t think I did.”
“What happened?” Thomas asked, stalling for time. He slipped his fingers around the weapon.
“I tried to kill myself in the Maze. Climbed halfway up one of those bloody walls and jumped right off.
Alby found me and dragged me back to the Glade right before the Doors closed. I hated the place,
Tommy. I hated every second of every day. And it was all … your … fault!”
Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!”
Thomas tried to pull his hand away, but Newt was too strong.
“I can’t, Newt, I can’t.”
“Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.”
The words horrified Thomas. “Newt, maybe we can—”
“Shut up! Just shut up! I trusted you! Now do it!”
“I can’t.”
“Do it!”
“I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his
best friends?
“Kill me or I’ll kill you. Kill me! Do it!”
“Newt …”
“Do it before I become one of them!”
“I …”
“KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.”
With his heart falling into a black abyss, Thomas pulled the trigger.
”
”
James Dashner (Author) (The Death Cure (The Maze Runner, #3))
“
He had worked damn hard and prospered. Now it was time to live. He even thought he might get it up tonight and surprise his gorgeous Maggie; then it was Israel and the Pharaohs. Stopping at his front door he took a deep intake of the free English air and smiled contentedly; England was home and so was he, this time for good. He went in the front door and called out for her as he had done so many times before, 'Maggie . . . I'm home sweetheart!' He closed the door and hesitated for a moment, she was usually in his arms by now, planting a sweet little kiss on his expectant, eager lips. She had not been her best lately, complaining of headaches and spending a lot of time down at the library; but today was different, it was retirement day. Aha! This could be a surprise, he thought hanging up his coat. Calling out again, he rubbed his hands together and started to climb the stairs to wash up before tea. This is definitely a surprise . . . no smell of any grub! His whistling stopped abruptly half way up when he saw a darkened figure appear on the landing, pointing a gun at him. A finger tightened and the weapon jolted, sending screeching Belarusian memories echoing across his subconscious. The blast lifted him off his feet sending him to the floor below. The last image of Cedric Boban's life on earth was the flash of a sawn-off shotgun; which fired from a few feet, took his life and most of his upper torso away. The slate was clean, the screeching culled. His assailant moved halfway down before jumping over the banister to avoid the bloody mess on the stairs. Maggie walked steadily into the hall from the living room. She gave a little smile and took the small sawn-off shotgun from the gloved hands of the assassin,
”
”
Anthony Vincent Bruno (SAS: Body Count (The Wicked Will Perish, #1))
“
The blacksmith's boy went out with a rifle
and a black dog running behind.
Cobwebs snatched at his feet,
rivers hindered him,
thorn branches caught at his eyes to make him blind
and the sky turned into an unlucky opal,
but he didn't mind.
I can break branches, I can swim rivers, I can stare out
any spider I meet,
said he to his dog and his rifle.
The blacksmith's boy went over the paddocks
with his old black hat on his head.
Mountains jumped in his way,
rocks rolled down on him,
and the old crow cried, You'll soon be dead.
And the rain came down like mattocks.
But he only said,
I can climb mountains, I can dodge rocks, I can shoot an old crow any day,
and he went on over the paddocks.
When he came to the end of the day, the sun began falling,
Up came the night ready to swallow him,
like the barrel of a gun,
like an old black hat,
like a black dog hungry to follow him.
Then the pigeon, the magpie and the dove began wailing
and the grass lay down to pillow him.
His rifle broke, his hat blew away and his dog was gone and the sun was falling.
But in front of the night, the rainbow stood on the mountain,
just as his heart foretold.
He ran like a hare,
he climbed like a fox;
he caught it in his hands, the colours and the cold -
like a bar of ice, like the column of a fountain,
like a ring of gold.
The pigeon, the magpie and the dove flew up to stare,
and the grass stood up again on the mountain.
The blacksmith's boy hung the rainbow on his shoulder
instead of his broken gun.
Lizards ran out to see, snakes made way for him,
and the rainbow shone as brightly as the sun.
All the world said, Nobody is braver, nobody is bolder,
nobody else has done
anything equal to it. He went home as easy as could be
with the swinging rainbow on his shoulder.
”
”
Judith A. Wright
“
The thunder howled and the rain splashed, the leaves played with the breeze and the lightning flashed, and the tigress growled at last.
She looked here and she looked there, she hadn't seen so much rain anywhere, a desire suddenly came in her heart, a mad longing that had to start, she felt deep love in the rain, looking at her cubs all over again
But two years ago she had been wounded, By cowardly men who wanted her grounded, They were afraid of her power, they wanted to capture her and to enslave her in their tower
They laid traps and they waited in the trees, The jungle was full of birds and the bees, The tigress was out hunting for meat, her cubs awaiting in the cave for their treat
There was something missing in the air, the fragrance of jasmine was not there, The tigress looked up into the trees and saw the men's faces painted in grease, She challenged them looking into their eyes, And saw fear, fright , and faces full of lies! She roared with all her might, This was her land, She had all the right!
The cowardly men crouching behind the trees, Fired their guns in twos and threes, The brave Tigress looked them in the eye, She was the fire and she was the sky, Indomitable force, invincible power, She was the Tigress, The Queen in her Empire
None of the bullets could break her Spirit,
Only one could graze her right leg a bit, She roared with all her heart's might, For she was the Queen for all to sight!
The guns emptied and no more bullets to shoot, The cowardly men jumped from the trees and ran away in two hoots! The Tigress laughed and loudly roared,
For she was the power and her Spirit soared
She is the Tigress inside every Woman,
She has the Power to defeat any Man,
Love her and she would love you back,
Respect her and she would respect you back,
Dare to harm her and she would defeat you till the Last!
”
”
Avijeet Das
“
It was a roadblock, manned by an officer and several other soldiers.
Sivaram and the trishaw driver were ordered out of the vehicle, and I was
told to stay where I was. The soldiers held their rifl es aimed and ready as the
offi cer interrogated the trishaw driver, a Muslim man, who fumbled out his
documents. He was soon allowed to get back in his trishaw. When it was
Sivaram’s turn, he just stood there, completely quiet. After several questions,
the offi cer started screaming at him. Then he ordered his soldiers to take him,
and gestured for the trishaw driver to go on. Without thinking, I jumped out
of the trishaw. I was a visiting professor at Colombo University and he was one
of my students, I lied, approaching them. I threatened to call the American
Embassy if they arrested my ‘student.’ The offi cer yelled, in English, for me to
come no closer, to get back in the trishaw. Then he barked an order, and one
of the soldiers lifted his rifl e and aimed it directly at my head. I kept babbling
on about the embassy, but even I did not hear myself. All I could see was that
hole at the end of the rifl e and, above it, the sweaty face and very frightened
eyes of the soldier. He looked very young, maybe 18. I thought, I’m going to
die right now. And then we grew very quiet.
The offi cer barked another order, the soldier lowered his gun, and the
other soldiers pushed Sivaram back toward the trishaw. We got in and took
off. I do not believe we said anything on the way back to my rented room. I
remember giving the trishaw driver a big tip. Once inside, I sat down in one
of the two big rattan chairs in my room and tried to light a cigarette. But I
had the shakes and kept missing the end. Sivaram lit it for me, and then sat
staring at me in the other chair.
‘My God,’ I said, ‘that was horrible. He could have killed us.’
‘He wanted to kill us both.’
‘My God.’
‘But, one good thing maccaan, at last you begin to understand politics
now
”
”
Mark P. Whitaker (Learning Politics From Sivaram: The Life and Death of a Revolutionary Tamil Journalist in Sri Lanka (Anthropology, Culture and Society))
“
The first time he’d cut off ears because he was there and it was being done, but that was it. He wasn’t one of those who once they were in all that lawlessness couldn’t wait to get going, the ones who weren’t too well put together or were pretty aggressive to start off with and only needed the slightest opportunity to go ape-shit. One guy in his unit, guy they called Big Man, he wasn’t there one or two days when he’d slashed some pregnant woman’s belly open. Farley was himself only beginning to get good at it at the end of his first tour. But the second time, in this unit where there are a lot of other guys who’d also come back and who hadn’t come back just to kill time or to make a couple extra bucks, this second time, in with these guys who are always looking to be put out in front, ape-shit guys who recognize the horror but know it is the very best moment of their lives, he is ape-shit too. In a firefight, running from danger, blasting with guns, you can’t not be frightened, but you can go berserk and get the rush, and so the second time he goes berserk. The second time he fucking wreaks havoc. Living right out there on the edge, full throttle, the excitement and the fear, and there’s nothing in civilian life that can match it. Door gunning. They’re losing helicopters and they need door gunners. They ask at some point for door gunners and he jumps at it, he volunteers. Up there above the action, and everything looks small from above, and he just guns down huge. Whatever moves. Death and destruction, that is what door gunning is all about. With the added attraction that you don’t have to be down in the jungle the whole time. But then he comes home and it’s not better than the first time, it’s worse. Not like the guys in World War II: they had the ship, they got to relax, someone took care of them, asked them how they were. There’s no transition. One day he’s door gunning in Vietnam, seeing choppers explode, in midair seeing his buddies explode, down so low he smells skin cooking, hears the cries, sees whole villages going up in flames, and the next day he’s back in the Berkshires. And now he really doesn’t belong, and, besides, he’s got fears now about things going over his head. He doesn’t want to be around other people, he can’t laugh or joke, he feels that he is no longer a part of their world, that he has seen and done things so outside what these people know about that he cannot connect to them and they cannot connect to him. They told him he could go home? How could he go home?
”
”
Philip Roth (The Human Stain (The American Trilogy, #3))
“
Damn It Feels Good To Be A Gangsta
Verse 1
Damn it feels good to be a gangsta
A real gangsta-ass nigga plays his cards right
A real gangsta-ass nigga never runs his f**kin mouth
Cuz real gangsta-ass niggas don't start fights
And niggas always gotta high cap
Showin' all his boys how he shot em
But real gangsta-ass niggas don't flex nuts
Cuz real gangsta-ass niggas know they got em
And everythings cool in the mind of a gangsta
Cuz gangsta-ass niggas think deep
Up three-sixty-five a year 24/7
Cuz real gangsta ass niggas don't sleep
And all I gotta say to you
Wannabe, gonnabe, cocksuckin', pussy-eatin' prankstas
'Cause when the fire dies down what the f**k you gonna do
Damn it feels good to be a gangsta
Verse 2
Damn it feels good to be a gangsta
Feedin' the poor and helpin out with their bills
Although I was born in Jamaica
Now I'm in the US makin' deals
Damn it feels good to be a gangsta
I mean one that you don't really know
Ridin' around town in a drop-top Benz
Hittin' switches in my black six-fo'
Now gangsta-ass niggas come in all shapes and colors
Some got killed in the past
But this gangtsa here is a smart one
Started living for the lord and I last
Now all I gotta say to you
Wannabe, gonnabe, pussy-eatin' cocksuckin' prankstas
When the sh*t jumps off what the f**k you gonna do
Damn it feels good to be a gangsta
Verse 3
Damn it feels good to be a gangsta
A real gangta-ass nigga knows the play
Real gangsta-ass niggas get the flyest of the b**ches
Ask that gangsta-ass nigga Little Jake
Now b**ches look at gangsta-ass niggas like a stop sign
And play the role of Little Miss Sweet
But catch the b**ch all alone get the digit take her out
and then dump-hittin' the ass with the meat
Cuz gangsta-ass niggas be the gang playas
And everythings quiet in the clique
A gangsta-ass nigga pulls the trigger
And his partners in the posse ain't tellin' off sh*t
Real gangsta-ass niggas don't talk much
All ya hear is the black from the gun blast
And real gangsta-ass niggas don't run for sh*t
Cuz real gangsta-ass niggas can't run fast
Now when you in the free world talkin' sh*t do the sh*t
Hit the pen and let the mothaf**kas shank ya
But niggas like myself kick back and peep game
Cuz damn it feels good to be a gangsta
Verse 4
And now, a word from the President!
Damn it feels good to be a gangsta
Gettin voted into the White House
Everything lookin good to the people of the world
But the Mafia family is my boss
So every now and then I owe a favor gettin' down
like lettin' a big drug shipment through
And send 'em to the poor community
So we can bust you know who
So voters of the world keep supportin' me
And I promise to take you very far
Other leaders better not upset me
Or I'll send a million troops to die at war
To all you Republicans, that helped me win
I sincerely like to thank you
Cuz now I got the world swingin' from my nuts
And damn it feels good to be a gangsta
”
”
Geto Boys
“
Lark wrapped an arm around me and started to speak until Bailey’s startled voice interrupted us. A huge football player had her pinned against the wall and she was yelling for him to back off. Instead, he crowded her more while playing with her blonde hair.
“Hey!” I yelled as Lark and I rushed over.
Six four and wide shouldered, the guy was wasted and angry at the interruption. “Fuck off, bitches,” he muttered.
Bailey clawed at his neck, but he had her pinned in a weird way, so she couldn’t get any leverage.
While I was ready to jump on him in a weak attempt to save my friend, someone shoved the football player off Bailey. I hadn’t even seen the guy appear, but he stood between Bailey and the pissed jerk.
“Fuck off, man,” the asshole said. “She’s mine.”
“Nick,” Bailey mumbled, looking ready to cry. “He humped my leg. Crush his skull, will ya?”
Nick frowned at Bailey who was leaning on him now.
The football player was an inch or two bigger than Nick and outweighed him by probably fifty pounds. Feeling the fight would be short, the asshole reached for Bailey’s arm and Nick nailed the guy in the face. To my shock, the giant asshole collapsed on the ground.
“My hero,” Bailey said, looking ready to puke. She caressed Nick’s biceps and asked, “Do you work out?”
Running his hands through his dark wavy hair, Nick laughed. “You’re so wasted.”
“And you’re like the Energizer Bunny,” she cooed. “My bro said you took a punch, yet kept on ticking.”
Nick started to speak then heard the asshole’s friends riled up.
I was too drunk to know if everything happened really quickly or if my brain just took awhile to catch up.
The guys rushed Nick who dodged most of them and hit another. The room emptied out except for Nick, the guys, and us. I grabbed a beer bottle and threw it at one of the guys shoving Nick.
When the bottle hit him in the back, the bastard glared at me. “You want to fight, bitch?”
“Leave her alone,” Nick said, kicking one guy into the jerk looking to hit me.
As impressive as Nick was against six guys, he was just one guy against six. A losing bet, he took a shot to the face then the gut. Lark grabbed a folding chair and went WWE on one guy. I was tossing beers in the roundabout direction of the other guys. Yet, Bailey was the one who ended the fight by pulling out a gun.
“Back the fuck off or I’ll burn this motherfucking house to the ground!” she screamed then fired at a lamp. Everyone stopped and stared at her. When she noticed me wide-eyed, Bailey frowned. “Too much?”
Grinning, I followed Lark to the door. Nick followed us while the assholes seemed ready to piss themselves. Well, except for an idiot who looked ready to go for Bailey’s gun.
"Dude,” Nick muttered, “that’s Bailey Fucking Johansson. Unless you want to end up in a shallow grave, back the fuck off.”
“What he said!” Bailey yelled, waving her gun around before I hurried her out of the door. The cold air sobered up Bailey enough for her to return the gun to her purse. She was still drunk enough to laugh hysterically as we reached the SUV.
“Did you see me kill that lamp?”
“You did good,” I said, groggy as my adrenaline shifted to nausea and the alcohol threatened to come back up on me.
Nick walked us to the SUV. “Next time, you might want to wave the gun around before you get drunk and dance.”
“Don’t tell me what to do,” Bailey growled, crawling into the backseat. Then, realizing he saved her, she crawled back to face him. “You were so brave. I should totally get you off as a thank you."
“Maybe another time,” he said, laughing as she batted her eyes at him. “Are you guys safe to drive?”
Lark nodded. “I’m sober enough to remember everything tomorrow. Trust me that there’ll be mocking.
”
”
Bijou Hunter (Damaged and the Knight (Damaged, #2))
“
Speaking of shooting, my lady,” Mr. Pinter said as he came around the table, “I looked over your pistol as you requested. Everything seems to be in order.”
Removing it from his coat pocket, he handed it to her, a hint of humor in his gaze. As several pair of male eyes fixed on her, she colored. To hide her embarrassment, she made a great show of examining her gun. He’d cleaned it thoroughly, which she grudgingly admitted was rather nice of him.
“What a cunning little weapon,” the viscount said and reached for it. “May I?”
She handed him the pistol.
“How tiny it is,” he exclaimed.
“It’s a lady’s pocket pistol,” she told him as he examined it.
Oliver frowned at her. “When did you acquire a pocket pistol, Celia?”
“A little while ago,” she said blithely.
Gabe grinned. “You may not know this, Basto, but my sister is something of a sharpshooter. I daresay she has a bigger collection of guns than Oliver.”
“Not bigger,” she said. “Finer perhaps, but I’m choosy about my firearms.”
“She has beaten us all at some time or another at target shooting,” the duke said dryly. “The lady could probably hit a fly at fifty paces.”
“Don’t be silly,” she said with a grin. “A beetle perhaps, but not a fly.” The minute the words were out of her mouth, she could have kicked herself. Females did not boast of their shooting-not if they wanted to snag husbands.
“You should come shooting with us,” Oliver said. “Why not?”
The last thing she needed was to beat her suitors at shooting. The viscount in particular would take it very ill. She suspected that Portuguese men preferred their women to be wilting flowers.
“No thank you,” she said. “Target shooting is one thing, but I don’t like hunting birds.”
“Suit yourself,” Gabe said, clearly happy to make it a gentlemen-only outing, though he knew perfectly well that hunting birds didn’t bother her.
“Come now, Lady Celia,” Lord Devonmont said. “You were eating partridges at supper last night. How can you quibble about shooting birds?”
“If she doesn’t want to go, let her stay,” Gabe put in.
“It’s not shooting birds she has an objection to,” Mr. Pinter said in a taunting voice. “Her ladyship just can’t hit a moving target.”
She bit back a hot retort. Don’t scare off the suitors.
“That’s ridiculous, Pinter,” Gabe said. “I’ve seen Celia-ow! What the devil, Oliver? You stepped on my foot!”
“Sorry, old chap, you were in the way,” Oliver said as he went to the table. “I think Pinter’s right, though. Celia can’t hit a moving target.”
“Oh, for heaven’s sake,” she protested, “I most certainly can hit a moving target! Just because I choose not to for the sake of the poor, helpless birds-“
“Convenient, isn’t it, her sudden dislike of shooting ‘poor, helpless birds’?” Mr. Pinter said with a smug glance at Lord Devonmont.
“Convenient, indeed,” Lord Devonmont agreed. “But not surprising. Women don’t have the same ability to follow a bird in flight that a man-“
“That’s nonsense, and you know it!” Celia jumped to her feet. “I can shoot a pigeon or a grouse on the wing as well as any man here.”
“Sounds like a challenge to me,” Oliver said. “What do you think, Pinter?”
“A definite challenge, sir.” Mr. Pinter was staring at her with what looked like satisfaction.
Blast it all, had that been his purpose-to goad her into it?
Oh, what did it matter? She couldn’t let a claim like this or Lord Devonmont’s stand. “Fine. I’ll join you gentlemen for the shooting.”
“Then I propose that whoever bags the most birds gets to kiss the lady,” Lord Devonmont said with a gleam in his eye.
“That’s not much of a prize for me,” Gabe grumbled.
She planted her hands on her hips. “And what if I bag the most birds?”
“Then you get to shoot whomever you wish,” Mr. Pinter drawled.
As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
cursed life of the man I’m falling in love with, there’s no room for error. Especially when I can’t decide if I’d rather head butt him or jump his sexy bones. Mixed up in a tangled trap of spotlights, sequins and seduction, I’m gunning for a crown and my happily ever after with the arrogant alpha-hole who makes me feel alive.
”
”
Robyn Peterman (Fashionably Dead and Wed (Hot Damned, #7))
“
Imagine this:
You’re pulling the car over. Somebody’s waiting.
You’re going to die
in your best friend’s arms.
And you play along because it’s funny, because it’s written down,
you’ve memorized it,
it’s all you know.
I say the phrases that keep it all going,
and everybody plays along.
Imagine:
Someone’s pulling a gun, and you’re jumping into the middle of it.
You didn’t think you’d feel this way.
”
”
Richard Siken
“
There was a pop of backfire, and Iris jumped. It sounded so much like a gun firing, and her pulse spiked. She winced, fighting the urge to cower; choosing instead to open her eyes.
Roman was sitting on the milk crate just as she left him, with a scowl on his face. And a cat curled up in his lap.
”
”
Rebecca Ross
“
But she’s definitely more Lord and Taylor than Smith and Wesson.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
I scanned the sidewalks, the streets, and the building entrances, my eyes skimming over people and objects, letting my mind and my intuition do the work of looking for the break in the pattern, the thing that jumps out. I’d learned a while ago that trying too hard screws with your attention. You focus on a bright, shiny object and realize too late that it’s a handbag when what you’re actually looking for is a gun.
”
”
Matthew Iden (A Reason to Live (Marty Singer #1))
“
Now, President Bush was essentially admitting that money—the thing the government had promised to keep safe—had jumped the fence. The dollars people had invested in money-market funds were no longer investments that people might or might not get back. They were now money, guaranteed by the United States, just like money in the bank or a gold coin in a locked box guarded by a soldier with a gun.
”
”
Jacob Goldstein (Money: The True Story of a Made-Up Thing)
“
A cheerful and helpful nurse followed them into the cubicle, once Aggie became fully alert. “Well, hon, what happened to you?” Without the sincere expression on the nurse’s face, her syrupy tone would have sounded contrived. “I was walking past my brother, and he swung his bat and hit my head.” The nurse looked concerned, and Aggie realized that she didn’t know what happened. “So, your brother hit you with his baseball bat? Was he mad at you?” The woman shot a disapproving look at Aggie. “Oh, no! They were playing softball, and I was walking to the swing out back and didn’t see them. Laird’s probably pretty mad at himself.” Embarrassment in Tavish’s face and manner made him look dishonest. “Didn’t you see them playing? How could you just walk into the middle of a ball game?” Doubt and suspicion laced the nurse’s words, and she surreptitiously pressed a buzzer on the wall. Aggie sighed. She knew they were in trouble now. Tavish, unaware of the tension growing in the room, answered automatically. “Well, I wasn’t watching where I was going. I was reading and looked up just in time to see the bat coming at me. I ducked, but I think that just kept me from getting it in the neck.” Aggie laughed. She couldn’t help it. This was the boy’s third accident stemming from walking while reading. “Tavish, I have to make it a rule now. You may not open your book if you are standing on your feet. Do you understand?” Tavish sheepishly nodded. The nurse watched the exchange and then smiled. “Well, hon, I used to be real klutzy when I was your age, but it wasn’t because I was reading. I didn’t have a good excuse like that.” She gave Aggie a knowing look. “I have to go stop the nurse from calling someone about the accident. You understand.” Relief washed Aggie’s face, and she smiled. “I appreciate it. Sorry to be a bother.” “I’ll be right back. Happy to stop this one!” The nurse walked out of the room, and Aggie overheard her telling the receptionist to cancel the Social Services call. “I was premature— I remembered hearing about the house with all the kids and the 9-1-1 calls and jumped the gun. Tell Linda I am sorry for bothering her.
”
”
Chautona Havig (Ready or Not (Aggie's Inheritance, #1))
“
The OSS had developed a uniquely American cadre of intelligence analysts, but Donovan and his star officer, Allen W. Dulles, were enthralled by espionage and sabotage, skills at which Americans were amateurs. Donovan depended on British intelligence to school his men in the dark arts. The bravest of the OSS, the ones who inspired legends, were the men who jumped behind enemy lines, running guns, blowing up bridges, plotting against the Nazis with the French and the Balkan resistance movements.
”
”
Tim Weiner (Legacy of Ashes: The History of the CIA)
“
Of the 433 Medals of Honor awarded during World War II, none went to the more than one million African Americans who served. Nine black soldiers received the Distinguished Service Cross. In the navy, one African American received a high award: Dorie Miller, the cook at Pearl Harbor who jumped behind an AAA gun he had never been trained to use and fired at Japanese planes until he ran out of ammo. For his efforts, Miller received the Navy Cross, the third-highest decoration at that time (it was later elevated to the second-highest). Among the fifteen men awarded the Medal of Honor for their service on December 7, 1941, one was Mervyn Sharp Bennion, the mortally wounded captain of the USS West Virginia, whom Miller had helped pull to safety before he began firing.
”
”
Linda Hervieux (Forgotten: The Untold Story of D-Day's Black Heroes, at Home and at War)
“
A loud knock shook her door.
Emma damn near jumped off the sofa. Her neck popped as she jerked her head around to stare at the door with wide eyes. Her heart began to slam against her ribs as fear trickled through her.
Who the hell would be knocking on her door this late at night?
Who the hell would be knocking on her door at any time of day or night?
No one she knew would do so without calling first. And deliverymen and women didn’t drop off packages at freaking midnight.
As quickly and quietly as a mouse, she darted into her bedroom and grabbed the 9mm her father had bought her and trained her to use. Flicking off the safety, she returned to the living room and swung by the coffee table to tuck her phone in her pajama pants pocket in case she needed to call 911. Only then did she cautiously approach the door.
Another knock thundered through the house.
Adrenaline spiking, she peered through the door’s peephole.
Shock rippled through her. “Oh shit,” she whispered. Setting the gun on the coatrack bench beside her, she hastily unlocked the dead bolt, then the knob, and flung open the door.
Cliff stood before her, his big body blocking her view of the yard.
Emma gaped up at him.
He wore the standard blacks of network guards covered with a long black coat similar to that of an Immortal Guardian. His face, neck, and hands were streaked with blood. His clothing glistened with wet patches. And his eyes shone bright amber.
She had never seen them so bright and knew it meant that whatever emotion roiled inside him was intense.
Panic consumed her. “Cliff,” she breathed. Stepping onto the porch, she swiftly glanced around, terrified she might see soldiers in black approaching with weapons raised.
When none materialized, she grabbed his wrist and yanked him inside.
Her hands shook as she closed and bolted the door, her fingers leaving little streaks of blood on the white surface.
Spinning around, she stared up at him. “What happened? Are you hurt?” Her gaze swept over him, noting every wet patch on his clothing, every ruby-red splotch on his skin. Was that his blood or someone else’s? “How did you get here? Are you hurt?” Closing the distance between them, she began to run her hands over his chest in search of wounds.
Cliff grabbed her wrists to halt her frantic movements. His glowing eyes dropped to the points at which they touched. He drew his thumbs over her skin as if to confirm she was real. Then he met her gaze. “I need your shower,” he said, voice gruff.
Heart pounding, she nodded. As soon as he released her, she pointed. “It’s through there.”
Without another word, he strode toward it. His heavy boots thudded loudly in the quiet as he entered the short hallway, then turned in to the bathroom. The door closed. Water began to pound tile.
Emma didn’t move.
Cliff was here. In her home. What the hell had happened?
”
”
Dianne Duvall (Cliff's Descent (Immortal Guardians, #11))
“
Aidas trotted for the counter and jumped onto it in one graceful spring, then surveyed all of them. His blue gaze returned to Bryce at last. “Why don’t you know how to use your powers yet?” Bryce rolled her shoulders, cracking her neck, and held out a hand. A kernel of starlight flared in her palm. “I can use them.” A soft, hissing laugh. “Party tricks. I meant your real powers. Your heritage.” Hunt’s fingers tightened on his gun. Bryce challenged, “What powers?” Aidas’s eyes glowed like blue stars. “I remember the last Starborn Queen, Theia, and her powers.” He seemed to shudder. “Your light is her light. I’d recognize that luster anywhere. I’m assuming you have her other gifts as well.” “You knew the last Starborn Queen?” Ruhn asked. Starlight glinted among Ruhn’s shadows, shimmering down the length of his sword. Aidas’s eyes now flared with a strange sort of rage as he looked upon the Fae Prince. “I did. And I knew the sniveling prince whose light you bear.” A ripple of stunned silence went through the room.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
But one thing I know for certain is that she jumped in front of that gun . . . Nobody made her do that. It was instinctual, immediate. She wanted to save me.
”
”
Sophie Lark (Heavy Crown (Brutal Birthright, #6))
“
You testified that your son was drafted for the NFL," Zara said, the tone of her voice changing from demanding to conversational. "Did he get his love of the sport from you?"
"I played in college," the witness said. "Wide receiver. I was a lock for a top-ten draft selection until I tore a ligament and that was the end for me."
"You must have caught some good ones in your time." Now her voice was all warmth and sympathy, tinged with awe.
The witness's eyes grew misty. "I miss those days."
Plaintiff's counsel objected on the basis of irrelevance, and the judge sustained. Zara walked back to her table and consulted her notes.
Was that it? He'd been expecting some theatrics, a smoking gun, or even a witness reduced to tears. Even without any legal training, he could see her cross-examination hadn't elicited any particularly useful information, and yet she didn't seem perturbed.
Zara bent down to grab something from her bag. "Hut!" She spun around and threw a foam football at the plaintiff, her shout echoing through the courtroom, freezing everyone in place.
The plaintiff shot out of his seat and took two steps to the side, hands in the air. "I got it. I got it." With a jump he grabbed the football and held it up, victorious. His smile faded as he stared at the stunned crowd, clearly realizing what he'd just done.
"Objection." Plaintiff's counsel glared at Zara. "What was that?"
"I believe it's called a Hail Mary pass." Zara smiled at the judge. "No further questions.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
According to Shirts’s account, Lee sent messengers south to Santa Clara to bring more Paiutes to the Meadows. By Friday, September 11, there were also “a good many whites come along.” That morning, the militiamen gathered near the besieged wagons and raised a white “flag”—a handkerchief on a stick—signaling they were there to help.18 The emigrants allowed Lee into their corral for negotiation. Hoag remembered how Lee relayed the story to the Harmony congregation. The emigrants’ spokesman asked Lee if “he meant what he showed by the flag.” “Yes,” Lee answered, he “meant peace.” “Do you give us peace?” Lee asked in return. “Yes,” the negotiator replied, but another emigrant protested, “No!” “All I wish,” Lee insisted, is for you “to surrender your arms and we will see that you go unhurt.” “If you give up your arms you are a fool,” the protesting emigrant urged their spokesman. “I don’t know,” the negotiator hesitated. “He promises peace.” “Don’t you be such [a] god damned fool as that,” a third man jumped in. “If you do you are dead men.” “No, I will promise you peace,” Lee assured. “All I want is your arms.”19 After a tense parley, the emigrants finally surrendered their guns on Lee’s promise to protect them back to Cedar City.
”
”
Richard E. Turley (Vengeance Is Mine: The Mountain Meadows Massacre and Its Aftermath)
“
I didn’t believe that for a second. She knew that he was out to get us from the beginning. She knew it was a setup. But one thing I know for certain is that she jumped in front of that gun . . . Nobody made her do that. It was instinctual, immediate. She wanted to save me. Which means that whatever else she might have done, she does care about me. That part wasn’t entirely a lie. But it can’t bring my father back from the dead.
”
”
Sophie Lark (Heavy Crown (Brutal Birthright, #6))
“
Her pulse jumped, as if it had nothing to do with the rest of her. “Roarke, what’s going on here?” “Lieutenant.” He leaned forward, touched his lips to hers. “Indications are we’re having a romance.” Then he laughed, kissed her again, hard and quick. “I believe I could have held a gun to your head and you wouldn’t have looked as terrified. Well, you’ll have several days to think it through, won’t you?” She had a feeling several years wouldn’t be enough.
”
”
J.D. Robb (Naked in Death (In Death, #1))
“
What the fuck!" Truth yelled as he and Juelz jumped on the table with Meek and Zelan. Some of the rats missed the gate and were moving around on the floor, and Gabe opened fire, literally! He had his blow torch working overtime, and his gun out shooting anything moving. All you could here was Melo, and Gina screaming for dear life as Ari dumped the snakes in the pit and Gabe just lost it, he started blowing his torch inside the circle on the damn snakes, the rats, Melo, and Gina.
”
”
K. Renee (Loved By A Billionaire: Ma Lai)
“
I gotta make a run, so I’m gone pass on that, lil mama.” I tried to get up from the chair, and that shit damn near sucked me back in. The moment I stood up, a fuckin’ mice jumped from the damn chair. I couldn’t get my fuckin’ gun I quick enough ‘cause these bitches got me fucked up. I let loose in that raggedy muthafucka wit’ my dick slanging and her ass running around screaming like she didn’t know these muthafuckas were in here.
”
”
K. Renee (When It All Falls Down)
“
I heard your wife was about to die, and I just wanted to be the one to comfort him when she does.” I jumped up with my gun on this bitch so fuckin’ fast she didn’t have time to react. "Go head, bruh, kill that bitch. She deserves every fuckin’ bullet in that muthafuckin’ clip!" Jus sat back in his seat sipping on his drink.
”
”
K. Renee (After The Reign)
“
ask how much the mafia pays to carry out murders. Fríjol tells me without stopping for a moment. One thousand pesos. That is about $85. The figure seems so ludicrous that I check it out in several other interviews up in the barrios with former and active gang members. They all say the same thing. One thousand pesos to carry out a killing. The price of a human life in Juárez is just $85.
To traffic drugs is no huge step to the dark side. All kinds of people over the world move narcotics and don’t feel they’ve crossed a red line. But to take a human life. That is a hard crime. I can at least comprehend assassins killing to jump from poverty to riches. But for someone to take a life for just $85—enough to eat some tacos and buy a few beers over the week—shows a terrifying degradation in society.
To try to get a handle on how this has happened, I talk to social worker Sandra Ramirez at a youth center in the westside slums. Sandra grew up in the barrios and worked on assembly lines before trying to steer young people away from crime. She says the teenage sicarios are the result of systematic alienation over the last two decades. The slums were a convenient place for factory workers but got nothing from the government. As the factory jobs slumped with the economy, the slums were left to rot. One 2010 study found that a stunning 120,000 Juárez youngsters aged thirteen to twenty-four—or 45 percent of the total—were not enrolled in any education nor had any formal employment.
“The government offers nothing. It can’t even compete with a thousand pesos. It is only the mafia that comes to these kids and offers them anything. They offer them money, cell phones, and guns to protect themselves. You think these kids are going to refuse? They have nothing to lose. They only see the day-to-day. They know they could die and they say so. But they don’t care. Because they have lived this way all their lives.” ask how much the mafia pays to carry out murders. Fríjol tells me without stopping for a moment. One thousand pesos. That is about $85. The figure seems so ludicrous that I check it out in several other interviews up in the barrios with former and active gang members. They all say the same thing. One thousand pesos to carry out a killing. The price of a human life in Juárez is just $85.
To traffic drugs is no huge step to the dark side. All kinds of people over the world move narcotics and don’t feel they’ve crossed a red line. But to take a human life. That is a hard crime. I can at least comprehend assassins killing to jump from poverty to riches. But for someone to take a life for just $85—enough to eat some tacos and buy a few beers over the week—shows a terrifying degradation in society.
To try to get a handle on how this has happened, I talk to social worker Sandra Ramirez at a youth center in the westside slums. Sandra grew up in the barrios and worked on assembly lines before trying to steer young people away from crime. She says the teenage sicarios are the result of systematic alienation over the last two decades. The slums were a convenient place for factory workers but got nothing from the government. As the factory jobs slumped with the economy, the slums were left to rot. One 2010 study found that a stunning 120,000 Juárez youngsters aged thirteen to twenty-four—or 45 percent of the total—were not enrolled in any education nor had any formal employment.
“The government offers nothing. It can’t even compete with a thousand pesos. It is only the mafia that comes to these kids and offers them anything. They offer them money, cell phones, and guns to protect themselves. You think these kids are going to refuse? They have nothing to lose. They only see the day-to-day. They know they could die and they say so. But they don’t care. Because they have lived this way all their lives.
”
”
Ioan Grillo (El Narco: Inside Mexico's Criminal Insurgency)
“
I ask how much the mafia pays to carry out murders. Fríjol tells me without stopping for a moment. One thousand pesos. That is about $85. The figure seems so ludicrous that I check it out in several other interviews up in the barrios with former and active gang members. They all say the same thing. One thousand pesos to carry out a killing. The price of a human life in Juárez is just $85.
To traffic drugs is no huge step to the dark side. All kinds of people over the world move narcotics and don’t feel they’ve crossed a red line. But to take a human life. That is a hard crime. I can at least comprehend assassins killing to jump from poverty to riches. But for someone to take a life for just $85—enough to eat some tacos and buy a few beers over the week—shows a terrifying degradation in society.
To try to get a handle on how this has happened, I talk to social worker Sandra Ramirez at a youth center in the westside slums. Sandra grew up in the barrios and worked on assembly lines before trying to steer young people away from crime. She says the teenage sicarios are the result of systematic alienation over the last two decades. The slums were a convenient place for factory workers but got nothing from the government. As the factory jobs slumped with the economy, the slums were left to rot. One 2010 study found that a stunning 120,000 Juárez youngsters aged thirteen to twenty-four—or 45 percent of the total—were not enrolled in any education nor had any formal employment.
“The government offers nothing. It can’t even compete with a thousand pesos. It is only the mafia that comes to these kids and offers them anything. They offer them money, cell phones, and guns to protect themselves. You think these kids are going to refuse? They have nothing to lose. They only see the day-to-day. They know they could die and they say so. But they don’t care. Because they have lived this way all their lives.
”
”
Ioan Grillo (El Narco: Inside Mexico's Criminal Insurgency)
“
Licorice tattoo turned a gun metal blue
Scrawled across the shoulders of a dying town
Took the one eyed-jacks across the railroad tracks
And the scar on its belly pulled a stranger passing through
He's a juvenile delinquent, never learned how to behave
But the cops would never think to look in Burma-Shave
And the road was like a ribbon and the moon was like a bone
He didn't seem to be like any guy she'd ever known
He kind of looked like Farley Granger with his hair slicked back
She says, I'm a sucker for a fella in a cowboy hat
How far are you going?
Said depends on what you mean
He says I'm only stopping here to get some gasoline
I guess I'm going thataway just as long as it's paved
And I guess you'd say I'm on my way to Burma Shave
And with her knees up on the glove compartment
She took out her barrettes and her hair spilled out like root beer
And she popped her gum and arched her back
Hell, Marysville ain't nothing but a wide spot in the road
Some nights my heart pounds like thunder
Don't know why it don't explode
'Cause everyone in this stinking town's got one foot in the grave
And I'd rather take my chances out in Burma Shave
Presley's what I go by, why don't you change the stations?
Count the grain elevators in the rearview mirror
She said mister, anywhere you point this thing
It got to beat the hell out of the sting
Of going to bed with every dream that dies here every mornin'
And so drill me a hole with a barber pole
And I'm jumping my parole just like a fugitive tonight
Why don't you have another swig and pass that car if you're so brave
I wanna get there before the sun comes up in Burma Shave
And the spiderweb crack and the mustang screamed
The smoke from the tires and the twisted machine
Just a nickel's worth of dreams and every wishbone that they saved
Lie swindled from them on the way to Burma Shave
And the sun hit the derrick and cast a batwing shadow
Up against the car door on the shotgun side
And when they pulled her from the wreck
You know she still had on her shades
They say that dreams are growing wild
Just this side
Of Burma Shave
”
”
Tom Waits
“
There were four people in the room. All men. All with their mouths open in shock. There was Dr Houllier, at his desk. Two guys in suits, maybe in their forties, near the door. And one in the centre, facing me. He looked like he was in his sixties. He had an angular face with a burn scar on his left cheek. It was triangle-shaped. He had bulging eyes. Abnormally long arms and legs. Three fingers were missing from his right hand. He was using his thumb and remaining finger to pinch the bezel of his watch. I said, ‘Dendoncker?’ He didn’t react. I jumped off the tray. He fumbled in his jacket pocket. Produced a gun. A revolver. An NAA-22S. It was a tiny little thing. Less than four inches long.
”
”
Lee Child (Better off Dead (Jack Reacher, #26))
“
simple gun pointed at his head has Saint bending down to retrieve it. “Tie her to the bed,” Aero demands. Saint’s eyes land on mine. Aero scratches the side of his head again with the barrel of the gun and his taut abdomen flexes, highlighting the evidence of our matching wounds, his still oozing blood down his flesh. “I’m not a man of much patience. Fucking do it. Now.” I close my eyes tightly, nodding slightly. Walking towards the bed, I approach Saint. I place my palm on his shaking hand holding the rosary, and our eyes connect. “I’m scared,” I whisper truthfully. Saint tries to read my gaze, but I already feel him faltering, slipping away. “Just do what he says,” I plead. “He’s a dangerous man.” The corners of his eyes crease with his growing uncertainty. I can tell he’s racking his brain for the answers, for a way out of this, but Aero’s entirely too calculated. There isn’t a plot twist he hasn’t already imagined. “On the fucking bed!” he yells behind us, causing me to jump.
”
”
Jescie Hall (That Sik Luv)
“
Maybe we’ve gone soft. Gotten used to the relative safety of the farms in the past week. But Mack slows down immediately, and I jump off without hesitation so I can run over to help. I should know better. We both should. But things have felt settled and secure since we got together for real, like the worst of the danger should be over. But we still live in the world. And The Wild has never been safe. And this is undoubtedly a trap for the most gullible of travelers. Evidently today that’s us. Before I can reach the prostrate woman, a man steps out from behind a thick tree. The woman isn’t armed, but he is. And he lifts his pistol, aiming it unwaveringly at the largest threat. That’s Mack, of course. I can’t even take a breath before he’s pulled the trigger, firing directly at Mack. I act on pure instinct. Not because I’ve thought it through in even the slightest of ways. This stranger is shooting a gun at Mack, and Mack will always—always, always—be mine. So I jump right at the man, blocking Mack from the bullet that would have killed him. Unfortunately that means the bullet hits me instead.
”
”
Claire Kent (Beacon (Kindled #8))
“
The curtains snapped open, and a stocky male appeared. Both Kira and Jennifer jumped. A sinking feeling coursed through her as the young man’s eyes changed from whatever color they had been to glowing, bright green. “Why hello there,” the vampire said. “And just who might you be?” Kira’s hand went immediately into her purse for her gun, but the vampire had her wrist seized before she’d even grasped the handle. Jennifer bleated in fear and jumped back, cringing against the curtained wall. The vampire hauled Kira up with her wrist still held in that painful grip. Shit! ran through her mind over and over. She should have had the gun in her hand before she began talking to Jennifer. Maybe then she could’ve squeezed off a shot that would’ve disabled the vampire enough for her and Jennifer to get away. The vampire grabbed her purse in a flash, yanking on Kira’s wrist hard enough for her to feel like her arm was about to be ripped out of its socket.
”
”
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
“
The Newton Twins were the first to try to force the machine to be wrong. Both their tickets said Old Age, so they committed suicide. Ten times they tried, and ten times they failed. Gun jammed. Car engine died. Gas ran out. Tree branch snapped—and by now, the media was all over it. They injected HIV, and it just went away. Concrete slippers in the lake, underwater for half an hour—but the medics brought them back to life, pictures of health. One of the twins, Julie, jumped off the railway bridge, but her sister was scared of heights, so abstained. Nonetheless, she was caught by the tarp on a slow-moving train, and trudged home three days later. I try to inject some perspective, but it’s hard when religion died overnight.
”
”
Anonymous
“
I mean sleeping with you was plan B. Dewey jumped the gun on that one, though I can't say as I blame him. If I were in his shoes, I'm not sure I would have even bothered with plan A." (Wendell)
”
”
Marshall Thornton (The Ghost Slept Over)
“
Meanwhile, I’m thinking about how he grinned at me when I followed his command to sit back down. My heart skipped a beat or two, and my pulse started to race just from pleasing him. Does that make me a sub? You know, like those women who get off on men telling them what to do inside and outside the bedroom? I may be jumping the gun, but the thought of pleasing Alex— in any way, shape, or form, inside, outside, on the couch, against the wall, on this countertop— gets me really hot.
”
”
Barbie Bohrman (Playing It Safe)
“
I want to be the kind of mom she wasn’t.” She blinks her pretty blue eyes at me. “I think you’re already succeeding at that.” I stay quiet for a minute. “I always said the same thing. I wanted to be the dad my dad wasn’t. He just took off. And I swore I would be better and do better.” I mentally shrug. “Now I can’t have kids, so I guess it’s a moot point.” “I don’t want to jump the gun or anything,” she says. She winces. “But if we ever got to the point where we wanted to make this permanent…” “I’m already there,” I blurt out. She laughs. “Do you think you might want to be a father to my kids? Like an all-the-way kind of dad? They have dads, you know that, but they’re not active in their lives.” My heart swells in my chest, and I have to blink hard. “Yep,” I say past the lump in my throat. “I’d adopt them, if they’d let me, and be an all-the-way kind of dad.” I roll her over and settle between her thighs again. But I just want to look into her face. “And you can be an all-the-way kind of mom, and we can be ecstatically happy with the three we were blessed with. I already love them.” She brushes my hair back from my face. “You do, don’t you?” “I think I fell in love with them around the same time I fell in love with you. On day one.” I laugh because I’m baring my soul here and it feels damn uncomfortable.
”
”
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
“
A bang pounded through the air. Lex jumped, a fresh batch of goose bumps breaking out across her skin as she considered the possibilities of what could have made that noise. Seconds later it rang out again, followed by a series of slightly quieter staccato bursts of sound, like a machine gun. Then, oddly, a dry, wheezing noise, as if the machine gun were having an asthma attack.
Lex squinted across the dark field and finally saw it—a tall puff of smoke slowly coming toward them. The worried line of Uncle Mort’s mouth crinkled into a smirk. “That crafty old bag.”
“Crafty old what now?” Lex watched the slow-moving cloud, which was now weaving back and forth in wide, erratic curves. “What is that? A car?”
“No,” said Uncle Mort, standing up. “That, my friend, is far too fine a contraption to be called a mere car.”
“What then, a truck? A tank?”
“Is it—” Driggs stopped himself, looking embarrassed.
Lex looked at him. “Were you going to say Batmobile?”
“I was maybe going to say Batmobile. What of it?”
The townspeople didn’t seem to know what to make of the phenomenon either. They scrambled to get out of its way as it plowed toward them, some of them diving into the snow. Yet as the smoke picked up speed, something arose out of the murkiness—a glint of metal, a reflective glass surface—all the pieces eventually coming together to form something that was decidedly not even close to a Batmobile: a giant black hearse.
Uncle Mort grinned. “The Stiff
”
”
Gina Damico (Rogue (Croak, #3))
“
Pfc. Leonard J. Savitskie and his driver jumped into the car and swung its .50-caliber machine gun on the Krauts. An enemy mortar opened up behind the building and Savitskie, with a hand grenade, raced from his car behind the building under small-arms fire, lobbed the grenade and destroyed mortar and crew. The one-man task force then got into his armored
”
”
Ernest Dupuy (St Vith: Lion in the Way : 106th Infantry Division in World War II [Illustrated Edition])
“
Is this man bothering you, sweetheart?” Nolan said, coming forward and placing a proprietary hand on her shoulder. Sarah half turned and jumped, clearly startled. “Nolan! I’m glad you’re here. Please, just take me home.” Her face was flushed dully red with misery as she reached for his arm and took hold of it. He looked down into her eyes, hoping she read the love in them. “Of course.” Then he looked back at Holt, making sure the man wasn’t going for a gun. He wasn’t, but if looks could kill, Nolan knew he would have been sprawled on the floor. Clearly conscious of his enthralled audience, Holt’s face screwed itself into a mask of scorn as he looked him up and down. “This is the fellow you left me for? This Yankee swell in a frock coat? How could you, Sarah? Your ma an’ pa must be rollin’ in their graves, knowin’ their daughter’s cozy with a Yankee.” “That’s enough,” Nolan snapped. “The lady’s leaving, and you’re not to bother her further.” Holt cocked his head and drawled, “I declare, he talks funny.” A few of the onlookers chuckled. Nolan clenched his fists, but Sarah’s hand tightened on his wrist. “Please, let’s just go.” They turned and started for the door, but Holt wasn’t done. “You’ll be sorry, Sarah! This whole town’s gonna be sorry you threw me over!
”
”
Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
“
And then I had to jump back and get my gun. I thought it was in your room.”
I glare at him. “My gun was in my room. Yours wasn’t, because you took it from me this afternoon.”
“Because I couldn’t find it in your—
”
”
Rysa Walker (Time's Edge (The Chronos Files, #2))
“
I looked around the property. “It’s a lot different here now, with the primary in custody and the lifter about to be nailed. You can almost enjoy it.” I glanced at the imposter’s black angular machine gun. It wasn’t pointed near me but if he caught on that I knew who he was I’d be dead before I could move an inch. The man said, “That’s true—except for some deer with a suicidal personality who jumped out of the bushes over there a little while ago. We almost had venison for breakfast. Just heard him again, the same place. They’re not really very bright, are they?” “I don’t think that’s why God made them.” Was he suspicious? I couldn’t tell. I continued, “Listen, Tony, when I get back I want to coordinate getting the Kesslers to Fairfax in the morning. Loving’ll be in custody by then. But I want some protection on them for the next couple of days, until everything’s resolved. Agent Frederick said you might be willing to take that on.” I was vamping. Overdoing it? I wondered. I wasn’t sure. A bad performance would kill me.
”
”
Jeffery Deaver (Edge)
“
You’re right. I don’t have a right to ask.” But I sat there on the bar stool, staring at him, willing him to give me what I needed. Risk your life for me old buddy ol’ pal, I’d do the same for you. Riiight. “If you could swear you wouldn’t use the info to kill him, I could tell you,” Luther said. “It’d be a lie.” “You got a warrant to kill him?” he asked. “Not active, but I could get one.” “Would you wait for it?” “It’s illegal to kill a vampire without a court order of execution,” I said. He stared at me. “That ain’t the question. Would you jump the gun to make sure of the kill?” “Might.” He shook his head. “You gonna be up on charges one of these days, girl. Murder is a serious rap.” I shrugged. “Beats getting your throat torn out.” He
”
”
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
“
Can we attest to moments of blowing it? I'm not a very good cook. One day, while my husband and I worked upstairs in our home offices, I heard a loud pop. The pop sounded like a gun. We both jumped up and ran downstairs. I turned toward the kitchen and found our lab looking up at the stove, tail wagging as if to say, "Up there!" Upon further investigation, I realized I forgot that I had put eggs in a pot to boil My forgetfulness created an unfolding of events that ultimately led to eggs exploding. Fragments of egg were everywhere! In my attempt to fix the situation, I grabbed the scalding pot and thrust it under cold water. My husband yelled, "No!"
You guessed it. When the water hit the eggs, those that hadn't already burst exploded at that very moment. Shrapnel of egg hit me square in the face speckled my hair, and splattered my clothes. I stood dumbfounded--frozen as if I really were hit by shrapnel. I expected my husband to do what I felt Jesus would have done--grab a towel and help clean me up. Instead, he stood there, lips curled and eyebrows raised, and said, "You have egg on your face."
Isn't that what we often do when the men in our life mess up? Sometimes our messes lead to those moments; sometimes they leave us broken and weeping--or at the very least, with egg on our faces.
”
”
Tina Samples (Messed Up Men of the Bible)
“
Tactical patience refers to an operator’s impulse control; it is his ability to see myriad possibilities into which a situation can unravel, but he remains cool, calm, and collected so as not get lost in the web of complexity. He is always ready—physically, mentally, and emotionally—to face whatever challenges are forthcoming, but he doesn’t “jump the gun” and make any assumptions. Conflict is inevitable, and he knows it. (More on this later.)
”
”
Jeff Boss (Navigating Chaos: How to Find Certainty in Uncertain Situations)
“
What did you say?” Henry grated.
“I said shut up, Henry.” Rachel’s voice was still soft, but the glint in her eyes was fighting mean. “I’ve put up with your cussedness for nigh on nine years. No more. You apologize to Loretta Jane this instant.”
“Or you’ll do what?”
Rachel lifted a challenging brow. “Well, I reckon you’re too big for me to grab you by the heels and bash your brains. Guess I’ll have to blow them out. Now apologize. I won’t have that kind of talk in my house.”
“Your house?”
“That’s right.”
Henry did an admirable job of trying to appear amused. Placing his hands on his hips, he bent one knee and eyed the rifle. “Rachel, darlin’, you have a gun right now. Here shortly, you’re gonna have to put it down and cook. And when you do, I’m gonna beat the sass plumb out of you. Now I suggest you be the one to apologize. If you do it convincin’ enough, maybe I’ll forgit this ever happened.”
Loretta figured the bluff would probably work. Aunt Rachel had never been long on guts, and Loretta didn’t see her getting a goodly supply in the space of ten minutes. Rachel surprised her, though. Instead of apologizing, she set her jaw and raised her chin.
“Henry, if you touch me when I’m cookin’, I’ll rip you from stem to bow with my butcher knife. I’ve had it up to my gullet with you.”
“Give me that gun!” Henry stomped toward her.
Rachel took quick aim. The explosion of noise nearly scared Loretta out of her skin. Henry jumped straight up, clearing the floor by several inches.
“Holy Mother, you near shot my foot off, you damned fool woman!”
“Next time, I won’t miss.”
Henry sputtered, so mad he looked fit to bust. “Rachel, I swear, I’ll give you the hidin’ of your life for this.”
“Touch her, Uncle Henry, and I’ll knock you senseless with a chunk of firewood,” Loretta inserted.
“And if she don’t do a good job of it, I’ll finish it for her!” Amy yelled from the loft ladder. “Good for you, Ma! Give the old wart toad what for!”
Rachel returned the Spencer to the rack. “Well, Henry? It sounds like three to one. You gonna apologize to Loretta Jane or not?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Leaving the Connecticut River
March 8, 1704
Temperature 40 degrees
By the time Mercy had sorted this out, her three brothers were gone. She panicked. “Sam!” she screamed. “John! Benny!” She ran from group to group, darting behind sledges, racing among the dogs, circling the fires. “Sam! John!”
What was the matter with her? How could she have stayed separate from them? Why had she not kicked Tannhahorens in the shins, as Ruth would have, and marched with her brothers no matter what he said? Ruth was right, he was nothing but an Indian!
O Father! she thought. O Mother! I let you down again. I didn’t protect Tommy. I didn’t save Marah or Stepmama or the baby. And now the boys are gone.
On her second screaming circle of the camp, Tannhahorens caught her. “Boys go,” he said.
“But are they all right? I didn’t say good-bye! You never let me talk to them at all! I don’t even know their masters’ names!” A new and even more horrifying thought struck Mercy. It tore the wind from her lungs and her voice broke. “Will my brothers and I go to the same place? Will I see them again?”
Poor Father, come home to find his entire family ripped away in a night. Father would comfort himself that Mercy was taking care of the boys--and he would be wrong.
Tannhahorens had fewer English words than Mercy had Mohawk. He could not understand this outpouring. He steered her back to his possessions. “Raquette,” he said.
Mercy jumped in front of him, blocking his path. He was hung with weapons in preparation for departure: knives, tomahawk, hatchet, gun, two bows, quiver of arrows. But something new hanging from Tannhahorens’ chest gave her pause. A Catholic cross. Although in her whole life, Mercy had seen only one spoon and a belt buckle made of silver, she knew this cross to be silver.
She wrenched her eyes from its beauty. It would be a sin to find a cross beautiful. Religion must be heart and soul, not scraps of metal.
Tannhahorens pushed her along in front of him. “Raquette,” he said irritably.
“Raquette?” she begged. “Is that your town? Is that Sam’s master’s name? Are the boys together? Is Same going to be able to watch out for John and Benny?”
This time, ragged trousers and a torn stained coat blocked Tannhahorens’s way The Indian looked harshly at the Englishman in front of him, and Mercy wished she had learned words like please. But Tannhahorens walked on and left them together.
“Oh, Uncle Nathaniel!” she said, and they wrapped their arms around each other.
He held her tightly. He had to clear his throat several times to find his voice. “Your brothers are not together,” he said, “but they seemed all right. They were not afraid. Benny’s Indian has a sled and he will ride as he did yesterday. John’s with five other English, all adults. They will watch for him. And Sam is with the Kellogg girls. He’ll be busy taking care of Joanna and Rebecca.”
Her three brothers, going in three directions in the hands of strangers.
“They took my Will and my Mary in the last band,” said her uncle. “I have some hope. The Indians treat my children tenderly. When nobody else had a morsel to eat, their masters fed them.”
Sam. John. Benny. Will. Little Mary.
Gone.
”
”
Caroline B. Cooney (The Ransom of Mercy Carter)
“
My teeth clatter in my mouth as everything ripples and shudders in the storm of shells, whining, whizzing. The kid on the bicycle rolls out of sight. Untouched. A miracle. A dream. The shells abruptly cease and there is only the settling creak of the car seat, a scatter of twittering birds in the shrubs and trees.
I could use some gum. Where do you buy gum so early besides the service station? It seems wrong to go there since we don't need any gasoline. We don't drive enough. A tank of gas lasts us forever.
I get behind the wheel and in the mirror I can see my eyelids fluttering. I sit squeezing the steering wheel until I realize I haven't started the engine. The garage conceals me. I don't want to go out into the open. A horse whinnys – are they bringing up the artillery? It's the farm field where old Wallam tills a little garden, his yard is the biggest and runs alongside the back of ours to the farm where his family has their orchards. What's wrong with me? Sounds of explosions, bullets, voices of men. Volleys. I smell smoke. Burning things, festering ruptured corpses with maggots pulsing under horrible skin and the shells, the horse, it's hit, it shrieks, explodes apart – can we pull the gun by hand? The crew is dead too, bullets are making their bodies jump even after they have broken apart like smashed holiday nuts.
I want to scream. Maybe I am?
I begin breathing rapidly. I don't know how long I am there but I hear the screen door open and I key the ignition.
“Car troubles?” Mr. Kincaid calls out to me from the front porch.
“No troubles,” I say setting my arm out the window and holding the mirror to keep my hand steady. “Lovely day.”
The sun was really rising, taking the temperature up with it, hot shards of searing light coming over the treetops to stab at everything that couldn't find the shade. I couldn't find the shade.
”
”
Leonard Mokos (The Bad Canadian)
“
You wanna know? To remember?" Jersey batted his stump. "Just after I got mine, the Germans opened up with a machine gun and cut down my best pal and the sergeant while they were finishing off the jerry who shot me. It was my fault! I knew the kid was still breathing, and I knew what I ought to do, but I looked at his face, and I couldn't do it. Then he up and shot me, and my buddy and the sergeant stopped to do what I couldn't do, and they got killed for it. I was soft and my friends got killed for it."
"Come on, Jersey. You can't think it was your fault. You couldn't know what would happen."
"It was my fault--my leg, their lives--because I was soft."
Frank jumped back to shore and sat down next to Jersey. "Don't you think there's something to be cherished in that kind of softness?
”
”
John C. Houser (The Door Behind Us)
“
Think of it like a fast-food franchise, the informant said, like a pizza delivery service. Each heroin cell or franchise has an owner in Xalisco, Nayarit, who supplies the cell with heroin. The owner doesn’t often come to the United States. He communicates only with the cell manager, who lives in Denver and runs the business for him. Beneath the cell manager is a telephone operator, the informant said. The operator stays in an apartment all day and takes calls. The calls come from addicts, ordering their dope. Under the operator are several drivers, paid a weekly wage and given housing and food. Their job is to drive the city with their mouths full of little uninflated balloons of black tar heroin, twenty-five or thirty at a time in one mouth. They look like chipmunks. They have a bottle of water at the ready so if police pull them over, they swig the water and swallow the balloons. The balloons remain intact in the body and are eliminated in the driver’s waste. Apart from the balloons in their mouths, drivers keep another hundred hidden somewhere in the car. The operator’s phone number is circulated among heroin addicts, who call with their orders. The operator’s job, the informant said, is to tell them where to meet the driver: some suburban shopping center parking lot—a McDonald’s, a Wendy’s, a CVS pharmacy. The operators relay the message to the driver, the informant said. The driver swings by the parking lot and the addict pulls out to follow him, usually down side streets. Then the driver stops. The addict jumps into the driver’s car. There, in broken English and broken Spanish, a cross-cultural heroin deal is accomplished, with the driver spitting out the balloons the addict needs and taking his cash. Drivers do this all day, the guy said. Business hours—eight A.M. to eight P.M. usually. A cell of drivers at first can quickly gross five thousand dollars a day; within a year, that cell can be clearing fifteen thousand dollars daily. The system operates on certain principles, the informant said, and the Nayarit traffickers don’t violate them. The cells compete with each other, but competing drivers know each other from back home, so they’re never violent. They never carry guns. They work hard at blending in. They don’t party where they live. They drive sedans that are several years old. None of the workers use the drug. Drivers spend a few months in a city and then the bosses send them home or to a cell in another town. The cells switch cars about as often as they switch drivers. New drivers are coming up all the time, usually farm boys from Xalisco County. The cell owners like young drivers because they’re less likely to steal from them; the more experienced a driver becomes, the more likely he knows how to steal from the boss. The informant assumed there were thousands of these kids back in Nayarit aching to come north and drive some U.S. city with their mouths packed with heroin balloons.
”
”
Sam Quinones (Dreamland: The True Tale of America's Opiate Epidemic)
“
They had been attacked by guys in golf carts with blow guns, jumped off a cliff, been locked in a burning school, and had their heads stapled, but putting coins in a slot machine was considered too dangerous for kids.
”
”
Dan Gutman (Mission Unstoppable)
“
She glanced down at the triangle of three dots tattooed on the fleshy web between her index finger and thumb. The day she got jumped into Ninth Street, Veto had tattooed the dots into her skin using ink and a pin. Later, he had tattooed the teardrop under her right eye when she got out of Youth Authority Camp. The second teardrop was for her second stay in Youth Authority. She would have gone back a third time for firing a gun, if a lenient judge hadn't sentenced her to do community service work instead. She had fired the gun in frustration when she couldn't stop her homegirls from doing a throw-down. The cops had caught her, but she wouldn't turn rata. She was willing to go back to camp to protect her homegirls. That was the code. But the judge had seen something different in her eyes this time and let her off with community service.
Jimena had known about her destiny by then, and she had changed. It amazed her even now, if she thought about it. Who would have thought she was meant for something so important?
”
”
Lynne Ewing (Night Shade (Daughters of the Moon, #3))
“
Advancing on both sides of the road, the English soldiers attacked the building in which Pfriemberger had holed up. But the Gefreiter did not give up. He fired bursts into the group of attacking soldiers and forced them to take cover. Then he changed position and would show up at another point, opening fire from there. Wherever the English showed up, he forced them to take cover. The enemy, who assumed an entire squad of paratroopers was in the building, pulled back. A single man had accomplished the mission of an entire platoon. With unbridled trust in himself and his comrades, whom he knew would not leave him in the lurch, he had accomplished the seemingly impossible. By doing so, he had also saved his comrades in the gun positions at Chania.
”
”
Frank Kurowski (Jump Into Hell: German Paratroopers in World War II)
“
A young blonde woman is distraught because she fears her husband is having an affair, so she goes to a gun shop and buys a handgun. The next day she comes home to find her husband in bed with a beautiful redhead. She grabs the gun and holds it to her own head. The husband jumps out of bed, begging and pleading with her not to shoot herself. Hysterically the blonde screams at her husband, “Shut up, you're next!
”
”
Michael Hopkins (The Big Book of Interesting Stuff)
“
There was literally flawless obedience when they were living under my roof-at least when I was home. If I told them to go to bed, they jumped up and went to bed. If I told them to rake the leaves, they raked the leaves. If I told them to clean the fish, they cleaned the fish. People would come over to visit us and were amazed at how obedient our sons were. Their teachers always told us our boys were among the most well-behaved students in school. I believe it’s because my boys were always aware of the consequences of not doing what they were told to do. They always respected me, and they respected their mother because I didn’t want them taking advantage of the woman who put them on Earth.
I also didn’t allow my sons to fight with each other. They could argue and disagree all they wanted-and Jase and Willie managed to do it regularly. I didn’t have a problem with them raising their voices at each other to make a point. I wanted to encourage them to argue and make a case for their beliefs. But if it came to blows and there was meat popping, they were getting three licks each. I didn’t care who threw the first punch. If it ever came to physical blows, I’d step in and everybody involved got three licks.
Another thing I didn’t allow was tearing up good hunting and fishing equipment. I wanted them to respect someone else’s property and to be thankful for what we had, even if it wasn’t much. If one of my boys borrowed one of my guns or fishing poles and tore it up while they were using it, they received three licks. I always wanted my boys to have access to my guns to hunt, just like I had access to Pa’s guns when I was growing up. When I was young, I knew if I broke a gun, we probably weren’t going to eat that night because we were so dependent on wild game for food. But since my boys knew there was going to be a meal on the table every night, they weren’t always as respectful of my equipment. When Alan was about fourteen, he and a few of his buddies borrowed all of my Browning shotguns to go bird-hunting. They were hunting on a muddy track and because they were careless and immature, mud got into a few of the shotgun barrels. They were very fortunate the guns still fired and didn’t blow up in their faces! When Alan returned home, he was so scared to tell me what happened to my Browning shotguns-my Holy Grails-that he enlisted Kay’s help to break the news. I’m sure Alan thought I was going to beat him on the spot, but I simply told him to go outside. I was afraid to whip him right then because I was so angry. After cooling off, I pulled Alan and his buddies together and gave them a stern lecture about gun safety and respecting other people’s property. I also told Alan-after I gave him three licks-that he was on probation from using my guns for a long time.
”
”
Phil Robertson (Happy, Happy, Happy: My Life and Legacy as the Duck Commander)
“
I'd've loved more songs, because if you don't put on a radio station there isn't very much songs in GTA IV. He can jump out from the automobile when it halts, in case you enter into a terrible enough mishap while Chop is driving along with you and go house. Incidentally an enlargement for the first was situated in London. So, in case you want to try Freefall then you certainly must complete 'Meat company'. Some sites accept this-but many the others refuse. Each sport in the set offers some thing new to gamers. and gun you down additionally if other armed citizens see you perpetrate a crime they could get ballsy and try to destroy you on-the-spot also. The Hollywood aspect had proceeded, you were always being hassled by perople such as principal character's brother, Roman, to really go and do a little mundane task like drinking till you fell over, enjoying darts or bowling.
Later on, he determines to see a location called Downtown. Most of the big websites remark continuously about how terrific the cut-scenes are. The overall game's storyline is centered around Nike Bellic, a former soldier from Eastern Europe, who concerns america to get the "American desire". When Chop is on you, he assaults anyone that reveals aggression towards Franklin, and might even eliminate them. The gameplay is continually open world permitting player to decide on assignments packaged with activity-experience, third-person shooting, stealth, racing and sometimes roleplaying.
Next, look at the Caligula Palace. I don't accept being of any Leather encounter character even. In V, players reach jump in and out of the lives of each one of the three figures so that you can feel the storyline from other points of view. As an issue of fact, you actually have to be cautious about everybody in Grand Theft Auto just around they must be careful for you and also your murderous manners. In the event you held turning them down, they got irritated. And this stops the scene and you're in the sport. I presume cut scenes may be pleasant benefit for completing a larger part of a sport. http://hh.vom
”
”
GTA Cheats
“
Everybody hit the deck except for Chesty. It took him a few seconds to figure out nobody was shooting but us. He calmly walked down the line, talking to us while he looked for the targets we were imagining, until he was sure we had jumped the gun. He called off the firing and then personally pulled a few of us out of the bushes. I had never seen a man so fearless in all my life.
”
”
Jim Proser (I'm Staying with My Boys: The Heroic Life of Sgt. John Basilone, USMC)
“
You got a gun, you get in trouble. I don't need no gun. I got a little hatchet that I keep under the seat of my car. Some son of a bitch bangs into my car, I jump out and beat him with the hatchet.
”
”
Robert Daley (Prince of the City: The True Story of a Cop Who Knew Too Much)
“
He yanked me by hair and tried to force me on my knees in front of him. The sound of a gun being cocked back caused Joubert and me to jump. It was Khalil holding a big ass gun to the back of Joubert's head.
”
”
Mz. Lady P. (Fallin' For a Thug)
“
Nudity and explicit sex are far more easily available now than are clear images of death. The quasi-violence of movies and television dwells on the lively acts of killing – flying kicks, roaring weapons, crashing cars, flaming explosions. These are the moral equivalents of old-time cinematic sex. The fictional spurting of gun muzzles after flirtation and seduction but stop a titillating instant short of actual copulation. The results of such aggressive vivacity remain a mystery. The corpse itself, riddled and gaping, swelling or dismembered, the action of heat and bacteria, of mummification or decay are the most illicit pornography.
The images we seldom see are the aftermath of violent deaths. Your family newspaper will not print photos of the puddled suicide who jumped from the fourteenth floor. No car wrecks with the body parts unevenly distributed, no murder victim sprawled in his own juices. Despite the endless preaching against violent crime, despite the enormous and avid audience for mayhem, these images are taboo.
”
”
Sean Tejaratchi (Death Scenes: A Homicide Detective's Scrapbook)
“
Suicide by Jason. I'd have to file that one away with the rest of them. The ways and means. Razors, pills, hanging, guns, jumping in the river, rigging up a car to feed me carbon monoxide. I'd been through the pros and cons. I wasn't sure how or when it would happen. Really hoped I'd be dead before people started finding out about all this weird sex stuff. Because if they knew this about me, I was sure they were going to assume that it was the reason. Everybody milling around my mother's house in black, eating little triangle sandwiches with the crusts cut off. 'Oh, of course. That's why. Well, how unfortunate.'
I didn't want to be dismissed so easily. There were a hundred different reasons. Or there was no reason at all. There was just big, fat, fucking fate sitting on my head.
”
”
Janet E. Cameron (Cinnamon Toast and the End of the World)
“
And then Kraunauer was there, moving quickly around to face Ivan. “Is it done?” he said. “Where’s the—Urk!” He jumped back as Brian straightened and faced him and then, as I stepped out of the shadows and came into view, too, Kraunauer stumbled back one more step. “How—” he said. And then, just as I was preparing a sharp, withering riposte that would settle Frank Kraunauer’s hash once and for all with great wit as well as with perfect justice, he moved his hand—moved it so fast that I didn’t really see the gun he was holding until a half second later, when Brian’s gun went off: once, twice, three shots.
”
”
Jeff Lindsay (Dexter Is Dead (Dexter, #8))
“
We stalked carefully through the park in best paramilitary fashion, the lost patrol on its mission into the land of the B movie. To Deborah’s credit, she was very careful. She moved stealthily from one piece of cover to the next, frequently looking right to Chutsky and then left at me. It was getting harder to see her, since the sun had now definitely set, but at least that meant it was harder for them to see us, too—whoever them might turn out to be. We leapfrogged through the first part of the park like this, past the ancient souvenir stand, and then I came up to the first of the rides, an old merry-go-round. It had fallen off its spindle and lay there leaning to one side. It was battered and faded and somebody had chopped the heads off the horses and spray-painted the whole thing in Day-Glo green and orange, and it was one of the saddest things I had ever seen. I circled around it carefully, holding my gun ready, and peering behind everything large enough to hide a cannibal. At the far side of the merry-go-round I looked to my right. In the growing darkness I could barely make out Debs. She had moved up into the shadow of one of the large posts that held up the cable car line that ran from one side of the park to the other. I couldn’t see Chutsky at all; where he should have been there was a row of crumbling playhouses that fringed a go-kart track. I hoped he was there, being watchful and dangerous. If anything did jump out and yell boo at us, I wanted him ready with his assault rifle. But there was no sign of him, and even as I watched, Deborah began to move forward again, deeper into the dark park. A warm, light wind blew over me and I smelled the Miami night: a distant tang of salt on the edge of rotting vegetation and automobile exhaust. But even as I inhaled the familiar smell, I felt the hairs go up on the back of my neck and a soft whisper came up at me from the lowest dungeon of Castle Dexter, and a rustle of leather wings rattled softly on the ramparts. It was a very clear notice that something was not right here and this would be a great time to be somewhere else; I froze there by the headless horses, looking for whatever had set off the Passenger’s alarm. I saw and heard nothing. Deborah had vanished into the darkness and nothing moved anywhere, except a plastic shopping bag blowing by in the gentle wind. My stomach turned over, and for once it was not from hunger. My
”
”
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
“
As Tracy explained it, “I stopped at my vehicle and got a handgun, a revolver. Ted went toward Peter, and I aimed my gun at [Peter], and Peter tossed his gun down. Ted approached Peter, and Peter hit Ted in the jaw. Ted pushed him back and we all jumped on.
”
”
John R. Lott Jr. (The Bias Against Guns: Why Almost Everything You'Ve Heard About Gun Control Is Wrong)
“
What should he do? Jacob wondered. What could he do? “Last chance, Mrs. Weisz. Where is Avraham?” She was weeping, begging, pleading, but to no avail. He had to do something, Jacob told himself. He couldn’t just let them kill her. “Time’s up, Mrs. Weisz. I am very disappointed.” Suddenly Jacob heard his mother scream at the top of her lungs. “RUN, JACOB—RUUUUUNNNN!” And then the gun went off again. Jacob heard his mother’s body drop to the floor. For a split second he froze, barely able to make sense of the nightmare unfolding below. But then he heard the sound of heavy boots coming across the living room floor and heading up the stairs. Instinctively he jumped up, ran back to his room, threw open the window, and jumped out onto the roof.
”
”
Joel C. Rosenberg (The Auschwitz Escape)
“
In December of each year the Tolowa people gathered together at the Axis Mundi to celebrate the creation of the earth. It’s a ten day celebration beginning at the winter solstice, the shortest day of the year ... It would take days for people to arrive and as the population grew, the new Anglo settlement in Crescent City became a little worried, they thought that the Indians were maybe gathering to ... wipe them out or something. Since they had only been in the area less than a year, the settlers didn’t realize that this was a normal annual thing. So the Tolowa people all across the area and the Yurok further south gathered together at the centre of the world, to dance and celebrate ... They danced all night until morning, and then they rested during the day and prepared food and so forth and then in the evening the dance started again ... And each night the dance became a little more elaborate than the night before ... On about the sixth night ... the local militiamen got together, and they drank some whisky and got a good buzz going, and then they got on their horses and went out and surrounded the village, which was one of the larger towns in the area. And of course we all lived in plankhouses made from redwood then. They lined up along a slough which lies in front of the village and then they began to set the buildings on fire, and as the people were trying to escape they were killed. Anybody who jumped into the slough to get away was gunned down into the water. And it happens that I have a great-great-uncle who survived, he was in the sweat house and he slid out and went into the slough and got away, and then he pushed himself southward in the slough. In the morning the entire village was set aflame, and hundreds of people were burned and killed outright. He said the slough was literally red with the blood of the people, and the babies that were found crying were just tossed into the flames to destroy them as well. So several hundred people perished there at ... Yan’daak’$$$$t, and later the place was called Burnt Ranch. And the local people still know where Burnt Ranch is ... The next year, because Axis Mundi was destroyed, the dance was moved to ‘Eechuulet, and they started to dance there and they were attacked again and my great-grandmother said that there were seven layers of bodies in the dance house when they burned it. They just stacked them in and torched the house down and ... burned them up there. The next year, 1855, there was ... a battle at the mouth of the Smith River, where about seventy of our people were killed. But by this time our numbers were drastically reduced...
”
”
James Wilson (The Earth Shall Weep: A History of Native America)
“
He pulled on the lever and the gate opened, making a huge squealing sound. It was a simmering hot day in Springfield. The sun pounded on Steve's helmet for a while until his head was pounding from the heat. He had been traveling for three hours now, he hasn't had a drink of water for a while now, so he decided to look for the nearest pond to get a drink of fresh water. He took out his map and pinpointed the exact location of a small pond. He made sure to tie the horse to the tree with a special knot he had learned in survival training. He jumped off, walked to the pond, and took out his cup. He drank water until his belly was full, then he decided he was going to sit down for a second and stretch his legs. There was rustling in the bushes behind him. He unholstered his bow-gun, loaded the arrows, and turned around to see who it was. He couldn't see anything from where he was sitting, so he stood up and walked toward the sound. He looked behind the bushes but there was nothing. Then he heard rustling behind him. "Hold it right there," said a raspy voice behind him . Steve froze in place and slowly turned around. It was a villager holding an iron-sword. "Now, drop your weapon," Steve dropped his weapon. "Now kick the weapon over to me," Steve pushed the weapon toward the villager. He picked it up and unloaded the arrows from the chamber. "Now walk!" The villager poked Steve on the side and pointed toward a small cabin not far from there. Villager:
”
”
Andrew J. (Pixel Stories: Journey Through Snowland (Book #3))
“
When we returned to camp, Steve insisted I sit down and not lift a finger while he cooked me a real Aussie breakfast: bacon and sausage with eggs, and toast with Vegemite. This last treat was a paste-like spread that’s an Australian tradition. For an Oregon girl, it was a hard sell. I always thought Vegemite tasted like a salty B vitamin. I chowed down, though, determined to learn to love it.
As the sun rose in full, Steve began to get bored. He was antsy. He wanted to go wrangle something, discover something, film anything. Finally, at midmorning, the crew showed up.
“Let’s go,” Steve said. “There’s an eagle’s nest my dad showed me when I was just a billy lid. I want to see if it might still be there.”
Right, I thought, a nest you saw with Bob years ago. What are the chances we’re going to find that?
John looked longingly at the dam. “Thought we might have a tub first,” he said. The grime of the desert covered all of them.
“Oh, I think we should go,” I said hastily, the cow carcass fresh in my mind. “You don’t need a bath, do you, guys?”
“Come on,” Steve urged. “Wedge-tailed eagles!”
No rest for the weary.
“So, Steve,” I said as gently as I could, not wanting to dissuade him as we headed out. “How old were you when Bob took you to see this nest?”
“Must’ve been six,” he said. More than two decades ago. I stared around at the limitless horizon. I had my doubts. I watched Steve’s eyes dart across the landscape. He struck out in a particular direction and led us over a series of jump-ups. Then he’d get his bearings and head off again.
One hour. Two hours. If someone had put a gun to my head I could not have led them back to the dam.
“I think I know where it is,” Steve said abruptly. We continued on a little farther. Sure enough, in the distance I saw an unusually large eucalypt. In its main fork was what appeared to be a thick pile of debris and sticks, carefully laid together, that must have been eight feet thick.
There it was, an eagle’s nest, twenty feet off the ground.
”
”
Terri Irwin (Steve & Me)
“
We spent twenty days and endured three thousand miles of jolting, pounding, off-road bush driving. But we had a hard-won sense of accomplishment when we pulled up on the stunning cliff-side view of the Great Australian Bight, a huge open bay carved out of the southern coastline. We had made it.
Below us, three hundred feet down a sheer rock face, was the Southern Ocean. A pod of southern right whales passed by, their calves following along with them. Steve and I and the crew watched the family dramas of the whales play out below us.
A calf felt naughty and went darting away from his mother’s side. Come back, the mother called, come back, come back, you naughty little whale. When she was under the water, we couldn’t hear anything, but as she surfaced we could actually hear the whale song from our perch three hundred feet in the air.
Mama scolded the calf, and we saw the young whale come dutifully shooting back over to follow his mother for a while. Sometimes the calf would approach his mama for a drink of milk and nurse for a few minutes. Then he would escape once more, and the whole scenario played itself out all over again.
We watched the whales for hours. That night around the campfire, we discussed whaling, how sad and cruel and horrible it was.
“If we killed cows the way we killed whales, people wouldn’t stand for it,” Steve said. “Imagine if you drove a truck with a torpedo gun off the back. When you saw a cow you fired at it, and then you either electrocuted it over the course of half an hour or the head of the torpedo blew up inside of it, rendering it unable to walk or move until it finally bled to death.”
“We’ve got to get that message out,” I said to Steve. But his idea was to bring the beauty and joy of the whales to people, so that they would naturally fall in love with them and not want to hurt them. He didn’t want to dwell on images that would make people sad and upset.
Steve remained thoughtful and silent as the fire died. The ocean sounded against the cliffs below. The games of the whale families played over and over in our minds.
In spite of our extensive searching, we never saw a live dingo down the whole line of our journey. It was time to try a different approach. The next morning the helicopter pilot arrived early. Going up with him, Steve actually finally spotted some dingoes from the air.
The beautiful, ginger-colored dogs played along the fence, jumping over it or skirting under it with effortless ease.
”
”
Terri Irwin (Steve & Me)
“
I need to see you again."
Her pulse jumped, as if it had nothing to do with the rest of her. "Roarke, what's going on here?"
"Lieutenant." He leaned forward, touched his lips to hers. "Indications are we're having a romance." Then he laughed, kissed her again, hard and quick. "I believe I could have held a gun to your head and you wouldn't have looked as terrified. Well, you'll have several days to think it through, won't you?"
She had a feeling several years wouldn't be enough.
”
”
J.D. Robb
“
A concierge in a lavish hotel like this could make your life very easy—if he thought you were a rich, but occasionally confused, eccentric. Who’d had his luggage stolen. Though initially, there had been some hesitation on the man’s part. He’d asked if “Mr. Troy” could provide any identification whatsoever.
Lachlain had inched forward in his seat, staring him down for long moments, his expression balanced between anger at the question and embarrassment for the man for asking. “No.” The answer was casually threatening, succinct, subject-ending.
The man had jumped at the word as he might at an unexpected gun report. Then he’d swallowed and hesitated no more, even at the most bizarre demands. He hadn’t even raised an eyebrow when Lachlain wanted sunset and sunrise charts—or when he wanted to study them as he devoured a twenty-ounce steak.
”
”
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
“
When Darcy start givin’ her lip at da beginnin’, she like, “Fuck dat playa—I don’t give a damn how thick his paper be.” But as da book go on, Lizzy start thinkin’ she mighta jumped da gun judgin’ dat fool. It take a while for Lizzy to learn she need to slow her roll and give a brutha a chance.
”
”
Sparky Sweets (Thug Notes: A Street-Smart Guide to Classic Literature)
“
She could feel Cameron move up behind her; the warmth of his body was right there, though he didn’t touch her. Then one hand caressed her upper arm while the other pulled her hair away from her ear. “This is the first time I’ve ever driven two hundred miles to see a woman I’ve barely met, Vanessa,” he whispered. Vanni bit on her lower lip. She’d been sleepless last night, thinking. She knew Cameron was interested in her, but that wasn’t enough. Her mind was on Paul. She turned around. “I’m very vulnerable, Cameron,” she said by way of warning. “I know. I’ll treat you carefully.” “You’re going to have to treat me patiently,” she said. “I’m not prepared to be any more than friends right now.” He laughed and shook his head. “I’d sure like to see where this could go.” “Friends,” she said. “Or nothing at all.” He cocked his head and smiled. “Do friends kiss? Just to see if there’s…chemistry?” She shook her head. “They do not. Not yet.” “Yet is a much more encouraging response than nothing at all. I guess friends kiss when they’ve gotten to know each other and there’s trust. Do I have that right?” She sighed deeply. If not for Paul, she might be attracted to Cameron. He was handsome, sexy, sweet. “It’s too soon. My mother-in-law jumped the gun, introducing us and—” “Nah, it’s not Carol’s fault. I’m jumping the gun because…” He shrugged. “Because you’re beautiful and fun. So shoot me.” She smiled at him. “I don’t think your life is in danger for calling me beautiful and fun. That’s very nice. But I’m not getting involved with you right now.” “You said we’d be friends,” he argued. And he reached out to stroke her hair. “Behave like a friend, Cameron. Like a Boy Scout.” He laughed at her. “You’re asking way too much. I’ll behave, but let’s keep this in perspective. I’m a man. You’re a damn sexy woman.” “Do I have to worry you won’t mind your manners?” she asked, lifting a brow. “Absolutely not,” he promised. “You’re in charge.” “Then no touching until… No touching.” He put his hands in his pockets. “Whatever you want, Vanessa. I’m just going to—” At that very moment, Plenty whinnied, backed away from the stream and bolted. “Shoot!” Vanni said. “That little troublemaker.” She pushed Cameron away, grabbed the reins of the gelding, leaped into the saddle and said, “I’ll be back.” She directed her horse after Plenty. “Don’t go away,” she yelled, laughing, as if he could go anywhere, stranded as he was.
”
”
Robyn Carr (Second Chance Pass)
“
I thought you were over this—running off and taking matters into your own hands. I thought we talked about this. On several occasions.”
She turned around. The fire had left his eyes, but his face remained mirthless. “You talked at me about it, maybe.” She sighed. “I’m not jumping through mirrors hunting down an Excisioner with a gun again.” Half lie. “Saraj wasn’t anywhere near Gosport.” Hopefully a lie.
“But he could have been.”
“He could also be in my closet,” she quipped. “Or hiding in the ivy.” She gestured to the window. “Or having tea with the butcher, biding his time until one of us needs a pound of pork. You yourself said that Saraj has no reason to come after us.
”
”
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
“
Drake's whip hand spun Diana like a top.
She cried out. That sound, her cry, pierced Caine like an arrow.
Diana staggered and almost righted herself, but Drake was too quick, too ready.
His second strike yanked her through the air. She flew and then fell.
“Catch her!” Caine was yelling to himself. Seeing her arc as she fell. Seeing where she would hit. His hands came up, he could use his power, he could catch her, save her. But too slow.
Diana fell. Her head smashed against a jutting point of rock. She made a sound like a dropped pumpkin.
Caine froze.
The fuel rod, forgotten, fell from the air with a shattering crash.
It fell within ten feet of the mine shaft opening. It landed atop a boulder shaped like the prow of a ship.
It bent, cracked, rolled off the boulder, and crashed heavily in the dirt.
Drake ran straight at Caine, his whip snapping. But Jack stumbled in between them, yelling, “The uranium! The uranium!”
The radiation meter in his pocket was counting clicks so fast, it became a scream.
Drake piled into Jack, and the two of them went tumbling.
Caine stood, staring in horror at Diana. Diana did not move. Did not move. No snarky remark. No smart-ass joke.
“No!” Caine cried.
“No!”
Drake was up, disentangling himself with an angry curse from Jack.
“Diana,” Caine sobbed.
Drake didn’t rely on his whip hand now, too far away to use it before Caine could take him down. He raised his gun. The barrel shot flame and slugs, BAM BAM BAM BAM BAM.
Inaccurate, but on full automatic, Drake had time. He swung the gun to his right and the bullets swooped toward where Caine stood like he was made of stone.
Then the muzzle flash disappeared in an explosion of green-white light that turned night into day. The shaft of light missed its target. But it was close enough that the muzzle of Drake’s gun wilted and drooped and the rocks behind Drake cracked from the blast of heat.
Drake dropped the gun. And now it was Drake’s turn to stare in stark amazement. “You!”
Sam wobbled atop the rise. Quinn caught him as he staggered.
Now Caine snapped back to the present, seeing his brother, seeing the killing light.
“No,” Caine said. “No, Sam: He’s mine.”
He raised a hand, and Sam went flying backward along with Quinn.
“The fuel rod!” Jack was yelling, over and over. “It’s going to kill us all. Oh, God, we may already be dead!”
Drake rushed at Caine. His eyes were wide with fear. Knowing he wouldn’t make it. Knowing he was not fast enough.
Caine raised his hand, and the fuel rod seemed to jump off the ground.
A javelin.
A spear. He held it poised. Pointed straight at Drake.
Caine reached with his other hand, extending the telekinetic power to hold Drake immobilized.
Drake held up his human hand, a placating gesture. “Caine…you don’t want to…not over some girl. She was a witch, she was…”
Drake, unable to run, a human target. The fuel rod aimed at him like a Spartan’s spear.
Caine threw the fuel rod. Tons of steel and lead and uranium.
Straight at Drake.
”
”
Michael Grant (Hunger (Gone, #2))
“
hotbed of radicalism in the capital, the campus and its adjacent streets were jammed with students. Just finished with their midday prayers, they were now chanting and marching. Some were firing machine guns into the air. Charlie could feel the same violent spirit that had pervaded the scene around the embassy, and he immediately slammed on the brakes and screeched to a halt. Jamming the car into reverse, he gunned the engine and began to back up but was cut off by a VW van filled with students that had come up behind them. The VW’s driver suddenly began screaming something about their American car, and six young men jumped out, carrying wooden sticks and metal pipes. “Lock your doors, Claire,” Charlie ordered, doing the same on his side. Wild-eyed, the students surrounded the Buick, taunting and cursing them.
”
”
Joel C. Rosenberg (The Auschwitz Escape)
“
Maybe it had been too much of a shock for her, imagining herself on a dusty ranch a thousand miles from the only life she’d ever known. Maybe he’d jumped the gun and proposed before she was ready. But he believed a man should go after what he wanted. And Lord help him, he wanted Ada.
”
”
Dorothy Love (Beyond All Measure (Hickory Ridge, #1))
“
Cade struggled helplessly for words to convey his feelings, but Lily was already straining against another pain. "Why does it not come?" he demanded sharply of Dove Woman, who was merely sitting cross-legged on the floor, humming to herself. "Because it is not time," she repeated. "But it is killing her! Look how she suffers. We must do something." Cade paced, throwing anxious looks at Lily as she took a deep breath and released the bed once more. "You had better go out with the others, Cade. There is nothing you can do to speed the child's coming." Not understanding the actual words between Cade and Dove Woman, Lily understood their content. "I will fetch Travis. He will give you something for the pain." Before Cade could start for the door, Lily gave a groan of pure agony, and Dove Woman unhurriedly rose from the floor. "She is in pain! Santa Maria, do something!" Cade dropped to his knees beside the bed and tried to lift Lily into his arms, but she reached for the bed rails. "Send him out," Dove Woman enunciated in clear Spanish when Lily rested once more. "It will save pain for both." Lily looked up at Cade's anguished expression, startled by the immense emotion displayed for the first time on his usually implacable features, and her heart took two leaps and a jump before settling more calmly in her chest. "Leave, Cade. There is nothing more you can do here," she said softly. "How can I leave?" he cried. "I have done this to you. I would take the pain away." As Lily's eyes closed with the onset of the next contraction, Cade panicked. "Lily, I can't lose you! Lily, please..." Dove Woman went to the door and murmured to the two boys waiting outside. The eldest looked rebellious at her words, but he disappeared into the opposite cabin. Moments later, he returned with Travis. Travis pounded on the closed bedroom door and shouted, "Cade, get your royal ass out here before I have to come in and get you!" Lily's eyes blinked open, and she half smiled at this command. "Go, Cade. You can't bring the child any faster." "I can't leave you here to suffer alone." Cade touched her brow, unwilling to form even in his mind the words for the fear he felt. He had just watched a man die, but it was Lily’s pain that was ripping him apart, tearing down the walls of his heart and soul. "I wish there was music," Lily whispered, surrendering to the pain once again. Cade caught the wish even as Travis slammed into the room, gun in hand to order him out. "Cade, damn you, the women want you out!" Travis shouted. Seeing only an obstruction between himself and the means to satisfy Lily's wish, Cade coolly knocked Travis's gun aside, floored him with a single punch, and stepping over his friend's fallen body, walked out the door. In
”
”
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
“
Scarlett …” The alarming voice of Nickolas sounded from behind her. This girl was looking for her own execution. As much as he dreaded admitting it they had lost. The rebellion failed many and young people sacrificed their lives for this failure. Scarlett was a victim he was not willing to sacrifice. She only turned to him without saying a word. Her gaze was invincible. He saw literal flames burning in her blue eyes. He recognized the emotion immediately. Scarlett’s eyes were burning with rage! Was he seeing things, or were these actual flames?
“It’s time for this bastard to pay for being such a treacherous ass!” she spoke. With every word, it was as if the fire in her eyes whirled around her pupils like a vortex. She felt her whole body start to burn. The blood in her veins was boiling like never before. Smoke began to emerge from her skin. It hurt her, she felt as if her whole body had set itself on fire. The pain could not be compared to the first time it happened with her palms. She was fighting the urge to scream as loud as she could, but could not afford even the slightest distraction. Nickolas’s life, as well as Chris’, depended on her.
The men around her looked stunned at what was happening. Pratcher realized that nothing had played with his sanity when the soldiers, along with Hammerdell, took a step back after the girl’s body had begun emitting smoke. It was all very real indeed. What the hell was going on?
“Get away from her! She will set herself on fire!” Christopher grabbed the man’s shoulders and pulled him back. He knew what was going to happen. He had seen Scarlett burn her palms, but never her whole body. He was afraid for her! The telekinesis with the jeep was a step away from killing her, and with that burning, her death could be inevitable. There was not enough energy in her body to escape without consequences.
Scarlett did not stop focusing on her anger. She had to maintain it if she wanted to achieve the desired result. The pain was taking over her, she felt exhausted and gave out smoke. Her eyes did not go down from Hammerdell. At first, her hands were ablaze, and fire spread all over her body as if it had been covered with gas. Her clothes became ash. Scarlett remained naked under the tongues of the red flames. She fell to her knees on the pebble track - the fire swirled, and the pain was growing even more intolerable.
“Shoot!” The mayor screamed in a voice full of fear. He had never seen such a thing. What was that hat girl? Definitely not an ordinary person!
Seconds before they pulled the trigger, the guns jumped off from the hands of the soldiers all by themselves. A cone of fire separated from Scarlett and flew towards them, enclosing them in a perfect circle. She sacrificed her last drop of strength to create a fiery dome above them, which trapped her enemies and became a lid from which they could not get away. They burned alive with the last shrieking screams of panic, fear, and despair. It was over. Hammerdell had earned his merit. Now, the rebels could finally rest easy. In pain and exhaustion, she left herself get swallowed by the darkness.
”
”
I. G. Lilith
“
BREAKFAST WAS SOMETHING of a disappointment. Captain Hamond had always drunk cocoa, originally to encourage the crew to do the same and then because he liked it, whereas Jack and Stephen were neither of them human until the first pot of coffee was down, hot and strong. ‘Killick,’ said Jack, ‘toss this hog’s wash over the side and bring coffee at once.’ ‘Ax pardon, sir,’ said Killick, seriously alarmed. ‘I forgot the beans, and the cook’s got none.’ ‘Then jump to the purser’s steward, the gun-room cook, the sick-bay, anywhere, and get some, or your name will not be Preserved much longer, I can tell you. Cut along. God-damned lubber, to forget our coffee,’ he said to Stephen, with warm indignation.
”
”
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
“
Why, then, the peculiar and somehow outsized response? The behavior makes little sense when one tries to understand it according to the current facts. It’s as if some aspect of the present scenario were drawing energy from another source, as if it were unwittingly triggering a pattern of behavior that the other person originally developed long ago in order to meet a particular threat which has now somehow been subconsciously re-evoked. The overreactor is responsible, as the psychological term puts it, for the “transference” of an emotion from the past onto someone in the present—who perhaps doesn’t entirely deserve it. Our minds are, oddly, not always good at knowing what era they are in. They jump a little too easily, like an erstwhile victim of burglary who keeps a gun by the bed and is startled awake by every rustle. What’s worse for the loved ones standing in the vicinity is that people in the throes of a transference have no easy way of knowing, let alone calmly explaining, what they are up to; they simply feel that their response is entirely appropriate to the occasion. Their partners on the other hand may reach a rather different and rather less flattering conclusion: that they are distinctly odd—and maybe even a little mad.
”
”
Alain de Botton (The Course of Love)
“
To be fair I’ve done a ton of jumping in my lifetime. I’ve jumped down throats, I’ve jumped the gun, I’ve jumped ship, I’ve jumped to conclusions, and I’ve even jumped on the occasional bandwagon. This time I’m going to jump at the chance. I will jump in with both
feet. Hashtag #jumpforjoy.
”
”
J.A. Piiper (Good Grief: Waking Up to a New Mourning)
“
He was one of the first people to complain about the increasing encroachment of the state into personal lives, but, actually, shouldn’t there be a little more encroachment, when it came to things like this? Where was the protective fence, or the safety net? They made it hard for you to jump off bridges, or to smoke, to own a gun, to become a gynecologist So how come they let you walk out on a stable, functioning relationship? They shouldn’t. If this didn’t work out, he could see himself become a homeless, jobless alcoholic within a year. And that would be worse for his health than a packet of Marlboros.
”
”
Nick Hornby (Juliet, Naked)
“
Great. The woman who’d been watching my house like it was a Netflix Original would be spending a week getting up close and personal with the detectives who were unknowingly investigating us.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Sure you don’t. Because you’re a nice person and everybody likes you, right? Well I have a lot of experience with nice people,” he whispered, “and it’s always the nice ones that have something to hide.” The cuffs snapped open and I backed quickly out of his reach. “Better get some practice,” he growled. “I’m betting you’re gonna need it.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
I don’t know, Finn. I’m not getting serial killer vibes out of her. Sam’s studied every kind of cyber-fraud that exists. She takes down bad guys with a keyboard, not a firearm.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Maybe I have to be in mortal danger,” I huff. “Should we ask for Lucas’s gun?” Usually Julian laughs at my jokes, but right now he’s too busy thinking. “You’re like a child,” he finally says. I wrinkle my nose at the insult, but he continues anyway. “This is how children are at first, when they can’t control themselves. Their abilities present in times of stress or fear, until they learn to harness those emotions and use them to their advantage. There’s a trigger, and you need to find yours.” I remember how I felt in the Spiral Garden, falling to what I thought was my doom. But it wasn’t fear running through my veins as I collided with the lightning shield—it was peace. It was knowing that my end had come and accepting there was nothing I could do to stop it—it was letting go. “It’s worth a try, at least,” Julian prods. With a groan, I face the wall again. Julian lined it with some stone bookshelves, all empty of course, so I have something to aim at. Out of the corner of my eye, I see him back away, watching me all the time. Let go. Let yourself go, the voice in my head whispers. My eyes slide closed as I focus, letting my thoughts fall away so that my mind can reach out, feeling for the electricity it craves to touch. The ripple of energy, alive beneath my skin, moves over me again until it sings in every muscle and nerve. That’s usually where it stops, just on the edge of feeling, but not this time. Instead of trying to hold on, to push myself into this force, I let go. And I fall into what I can’t explain, into a sensation that is everything and nothing, light and dark, hot and cold, alive and dead. Soon the power is the only thing in my head, blotting out all my ghosts and memories. Even Julian and the books cease to exist. My mind is clear, a black void humming with force. Now when I push at the sensation, it doesn’t disappear and it moves within me, from my eyes to the tips of my fingers. To my left, Julian gasps aloud. My eyes open to see purple-white sparks jumping from the contraption to my fingers, like electricity between wires.
”
”
Victoria Aveyard (Red Queen (Red Queen, #1))
“
Don’t panic? Do you have any idea what happens to men who get caught in bathrooms with small children without their pants on? I was just
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Wouldn’t it have been easier to just drive back to Maryland and tell your sorority sisters the truth, that you didn’t take their money so you can’t give it back?
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Feliks doesn’t have an office,” I reminded her in a low voice. “He has a jail cell. And he isn’t a businessman, he’s a narcissistic sociopath with an army of enforcers who like to slit people’s throats. Of course he can’t be reasoned with.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Yes,” I deadpanned, “I can see where that would have been a promising start to a healthy and honest relationship.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
He’s a despicable human being. It was about time he suffered a loss. He doesn’t care about anyone else’s pain. He’s never helped anyone. Healed anyone. He doesn’t deserve the kind of wealth he’s amassed at the expense of innocent victims.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
I’m not talking about your love life, Finn! I’m talking about the Mickler case! You knew I was investigating Harris Mickler’s disappearance! You knew I was talking to the bartenders at The Lush, and you never said a word! Were you seeing him then, too?
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
I want to jump out the car with Kayla, and I want to outrun that boy and his dog and that fake gun, and I want to walk us all the way home. My insides feels like they want to fight.
”
”
Jesmyn Ward (Sing, Unburied, Sing)
“
(Lager fire)
The penlights and the bonfire only illumined the beach on a school night trip out of town and a few feet of the pitch-black dark water, with the big full twilight moon, and the faces of the people who had jumped, still nodding in the aquatic, glorious, too contented to feel the cold, taunting the other competitors. The gun was just the goes between the legs.
It was the loneliness that got me in the end, like the knife, Jenny fake die to get boys to kiss her, the topmost of the ridge was a shaggy mass of black, where the trees, cove, where encroaching on the black rock, on a pink and orange backdrop, where the rock was getting slowly pulled into the on the city far away, one or the other. But Maggie knew who they were, and she wanted all me in the water, yet the plan was to be with him full about what a girl to do?
All the competitors had to announce themselves once they reached the top of the ridge, and then, this year’s sportscaster, white wood roller-coaster bulb lights reflection of the waves, three or more kids had yet to jump: Marcel being one.
”
”
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
“
The whole district of Australia where I lived was just a small plot in the immensity of the huge continent whose fringes only had been explored. Berrima, in fact, was merely a little paddock which had been carved out of the wilderness. Yet even here in the stillness of the early evening I had a feeling that as a human being I was an intruder in the forest. For these dense forests belonged to the pale ghostly trees and to the strange creatures that were hidden in them. Then, suddenly, I would jump as if a gun had been fired close to me, as the silence was rent by the piercing din of the kookaburra, screeching and screeching from the branches of a tree above, until the menacing sound changed to a mocking laugh. The low, hoarse laugh would seem unending. Abruptly it would finish in an obscene, deep-throated chuckle, which had an odd quality of knowingness and familiarity, suggesting an intimate awareness of the stark fear of the man walking through the undergrowth below, and a malicious pleasure at the prospect of some inevitable and terrible doom.
”
”
Robin Maugham (The link: a Victorian mystery)
“
I took a knee beside her and motioned toward the guns. “Rifles don’t assault people. They are completely harmless machines, just like cars or airplanes. They have no ability to hurt anyone until a person with evil intent puts one in his hands. There’s no history of one of those weapons jumping up and hurting anyone. AR means Armalite Rifle. That’s the manufacturer who first produced them. People who don’t understand the difference between an evil person and a harmless machine came up with the concept of an ‘assault rifle.
”
”
Cap Daniels (The Blind Chase (Chase Fulton #15))
“
Those directions didn’t pan out. It wasn’t anything you did or said. It was my interpretation of what you said. I jumped the gun. We have to start over in the morning, and I’m going to request a transcript of your session from Dr. Evans.” “Will that help?” “I sure hope so. Devon and Liza don’t have a lot of time left. You said you only got a little water to drink and no food, right?” “Unfortunately, yes.
”
”
C.M. Sutter (Run For Your Life (Mitch Cannon Savannah Heat #1))
“
I was walking down the street with a friend the other day and a guy with a gun jumps out of an alley and says “Stick ’em up.” As I pull out my wallet, I figure, “Shouldn’t be a total loss.” So I pull out some money, turn to my friend and say, “Hey, Fred, here’s that fifty bucks I owe you.” The robber was so offended he took out a thousand dollars of his own money, forced Fred to lend it to me at gunpoint, and then took it back again.
”
”
David Graeber (Debt: The First 5,000 Years)
“
My sigh smelled like cheddar-flavored crackers and resignation.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
The Keiths are Keiths because they are not particularly handsome, not particularly intelligent, not particularly kind. A Keith would never train to compete in professional sports or practice an instrument until he became a maestro. Neither would a Keith jump in front of a loaded gun, but he would help you gather the contents of your grocery bag if you spilled it on the sidewalk. On a city bus, your gaze would pass pleasantly over a Keith as though over a stretch of ocean.
”
”
Mary South (You Will Never Be Forgotten: Stories)
“
Why don’t they charge?” Gaston looked at the field. A shell exploding overhead made both their horses jump. “I believe they’re having trouble in the mud, sir,” he said when he had his horse under control. “The good news is the Vin horsemen have even farther to go, over ground just as muddy.” It was true. Hell, it was part of the reason he’d chosen this place to make his stand—it neutralized the Vins’ advantage in cavalry—but he hadn’t counted on conditions this bad. As he watched, the flank of the Vin skirmish line fired a rippling volley that put down dozens of dragoons. “Goddamn it!” he bellowed. They were only skirmishers, which God in His wisdom had placed on Earth so they could be slaughtered by horsemen, and yet here they were, taking a piss on his dragoons. Gaston had a telescope to his eye. He lowered it and said, “I fear we cannot blunt this assault, sir. We might think of an ordered withdrawal.” “To where, Gaston?” He paused to take a cup of tea from the aide he’d sent out. He sipped it. Nice and hot. Wonderful. “To Arle? To be trapped there by encircling forces? No, it’s here or nowhere.” He could tell Gaston didn’t agree, but Gaston was a good officer and said nothing of it. General Lord Fieren sipped his tea, accidentally wetting his mustache when a round shot shrieked overhead
”
”
Robyn Bennis (The Guns Above (Signal Airship, #1))
“
There was no benefit in trying to make the machine go on any further. The river Elbe was within walking distance, the fuel was gone, and the engine was in danger of catching fire. We drove the old panzer further into the marshes, knowing this was the end, and not wanting the machine to fall into any other hands, either Russian, American or even German. With the wounded and the civilians lifted off, we drove the Panther in second gear for a few more metres, until it hit a stretch of water surrounded by bulrushes. It began to subside, the engine end going down first. We jumped clear and watched it sink. With fumes rising into the air, the front plate rose up, the long gun barrel dripping with marsh water. The cupola, from which I had seen so much and given so many orders in the heat of combat, filled up with the stagnant water, and slid below the surface. There were some final bubbles and fumes. I stood there in silence as the green weeds gathered over the Panther, and, when the surface was still, I turned with my crew and we walked at the head of our small column along the choked roads down to the great River Elbe.
”
”
Wolfgang Faust (The Last Panther - Slaughter of the Reich - The Halbe Kessel 1945 (Wolfgang Faust's Panzer Books))
“
Nanette raised her street sign. “Is that it? May I kill you now?” “No, no!” I said. “I am just, ah, letting Calypso sit so…so she can act as my chorus. A good Greek performance always needs a chorus.” Calypso’s hand looked like a crushed eggplant. Her ankle had swollen around the top of her sneaker. I didn’t see how she could stay conscious, much less act as a chorus, but she took a shaky breath and nodded. “Ready.” “Lo!” I said. “I arrived at Camp Half-Blood as Lester Papadopoulos!” “A pathetic mortal!” Calypso chorused. “Most worthless of teens!” I glared at her, but I didn’t dare stop my performance again. “I overcame many challenges with my companion, Meg McCaffrey!” “He means his master!” Calypso added. “A twelve-year-old girl! Behold her pathetic slave, Lester, most worthless of teens!” The policeman huffed impatiently. “We know all this. The emperor told us.” “Shh,” said Nanette. “Be polite.” I put my hand over my heart. “We secured the Grove of Dodona, an ancient Oracle, and thwarted the plans of Nero! But alas, Meg McCaffrey fled from me. Her evil stepfather had poisoned her mind!” “Poison!” Calypso cried. “Like the breath of Lester Papadopoulos, most worthless of teens!” I resisted the urge to push Calypso into the flower bed. Meanwhile, Leo was making his way toward the bulldozer under the guise of an interpretive dance routine, spinning and gasping and pantomiming my words. He looked like a hallucinating ballerina in boxer shorts, but the blemmyae politely got out of his way. “Lo!” I shouted. “From the Oracle of Dodona we received a prophecy—a limerick most terrible!” “Terrible!” Calypso chorused. “Like the skills of Lester, most worthless of teens.” “Vary your adjectives,” I grumbled, then continued for my audience: “We traveled west in search of another Oracle, along the way fighting many fearsome foes! The Cyclopes we brought low!” Leo jumped onto the running board of the bulldozer. He raised his staple gun dramatically, then stapled the bulldozer operator twice in the pectorals—right where his actual eyes would be. That could not have felt good—even for a tough species such as the blemmyae. The operator screamed and grabbed his chest. Leo kicked him out of the driver’s seat. The police officer yelled, “Hey!” “Wait!” I implored them. “Our friend is only giving you a dramatic interpretation of how we beat the Cyclopes. That’s totally allowed while telling a story!
”
”
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
“
Mike had bet that he could go twice around the track while Thurman and his Ford made a mere three rounds! There was one shrewd catch, however. Donnybrook needed no cranking, and Thurman must wait for the starting gun before cranking his Ford, jumping into his roadster, and streaking off after the stallion and his master.
”
”
Sterling North (Rascal)
“
The workers stopped en mass, stood clustered together, facing the Communists. The first car stopped behind Jack’s truck. Three men got out; each one held a rifle. A truck stopped beside it. Two more men jumped onto the road. A third truck rolled into place and Mr. Welty stepped out, holding a shotgun. He walked forward, stopped about three feet behind Jack, and faced the strikers. “Wages are lowering today to seventy-five cents for a hundred pounds of cotton,” Welty said. “If you don’t take the wage and pick, there are plenty who will.” Five armed men fanned out behind him, guns at the ready. Jack turned to face Welty, walked boldly toward the owner, went toe to toe with him, became the tip of the arrow of the strikers. “They won’t pick for that,” Jack said. “You don’t even work for me, you lyin’ Red,” Welty said. “I’m trying to help these workers. That’s all. Your greed is un-American. They aren’t going to pick for seventy-five cents. That’s not a living wage.” Jack turned to the workers. “He needs you to pick but he doesn’t want to pay you. What do we say?
”
”
Kristin Hannah (The Four Winds)
“
In 1993, the management guru Peter Drucker wrote: ‘That knowledge has become the resource, rather than a resource, is what makes our society “post-capitalist”. It changes, and fundamentally, the structure of society. It creates new social dynamics. It creates new economic dynamics. It creates new politics.’ 7 At the age of ninety, the last surviving pupil of Josef Schumpeter had jumped the gun a little, but the insight was correct.
”
”
Paul Mason
“
I was very close to the age where I would have been sent to train, but was saved from that fate when we were forced out of Pinyudo, all forty thousand of us, by the Ethiopian forces that overthrew President Mengistu.
...
The area near the river was marshy and the group was soaked, wading through the heavy water. The river, when we arrived, was high and moving quickly. Trees and debris flew with the current. The first shots seemed small and distant. I turned to follow the sound. I saw nothing, but the gunfire continued and grew louder. The attackers were nearby. The sounds multiplied, and I heard the first screams. A woman up the river spat a stream of blood from her mouth before falling, lifeless, into the water. She had been shot by an unseen assailant, and the current soon took “her toward my group. Now the panic began. Tens of thousands of us splashed through the shallows of the river, too many unable to swim. To stay on the bank meant certain death, but to jump into that river, swollen and rushing, was madness.
“The Ethiopians were attacking, their Eritrean cohorts with them, the Anyuak doing their part. They wanted us out of their country, they were avenging a thousand crimes and slights.
I paddled and kicked. I looked again for the spot on the riverbank where I had last seen the crocodiles. They were gone.
—The crocodiles!
—Yes. We must swim fast. Come. There are so many of us. We’re at a mathematical advantage. Swim, Achak, just keep paddling. A scream came from very close. I turned to see a boy in the jaws of a crocodile. The river bloomed red and the boy’s face disappeared.
—Keep going. Now he’s too busy to eat you.
We were halfway across the river now, and my ears heard the hiss under the water and the bullets and mortars cracking the air. Each time my ears fell below the surface, a hiss overtook my head, and it felt like the sound of the crocodiles coming for me. I tried to keep my ears above the surface, but when my head was too high, I pictured a bullet entering the back of my skull.
...
I pushed my face into the dirt, but secretly I watched the slaughter below. Thousands of boys and men and women and babies were crossing the river, and soldiers were killing them randomly and sometimes with great care. There were a few SPLA troops fighting from our side of the river, but for the most part they had already escaped, leaving the Sudanese civilians alone and unprotected. The Ethiopians, then, had their choice of targets, most of them unarmed.
“they chased the Sudanese from their land with machetes and the few rifles they possessed. They hacked and shot those running to the river, and they shot those flailing across the water. Shells exploded, sending plumes of white twenty feet into the air. Women dropped babies in the river. Boys who could not swim simply drowned... Some of the dead were then eaten by crocodiles. The river ran in many colors that day, green and white, black and brown and red.
“—Come here!" a woman said. I looked to find the source of the voice, and turned to see an Ethiopian woman in a soldier’s uniform.
—Come here and I will help you find Pochalla! she said. The other boys began walking toward her.
—No! I said.
—See how she’s dressed!
—Don’t fear me, she said. I am just a woman! I am a mother trying to help you boys. Come to me, children! I am your mother! Come to me! The unknown boys ran toward her. Achor stayed with me. When they were twenty feet from her, the woman turned, lifted a gun from the grass, and with her eyes full of white, she shot the taller boy through the heart. I could see the bullet leaving his back. His body kneeled and then fell on its side, his head landing before his shoulder.
“Run! he said, grabbing my shirt from behind. We ran from her, diving into the grass and then crawling and hurtling away fom the woman, who was still shouting at us.
"Come back!" she said. "I am your mother, come back, my children!
”
”
Dave Eggers (What Is the What)
“
see the fear in her eyes turn to anger as she loads her guns again. She pulls out a knife, and I watch as she jumps to stand on her one good leg and throws the knife. Johnson’s eyes widen seconds before the knife sticks into his forehead, but the gunshots ring out faster, and I watch as her body jerks and drops, the bullets hitting her. “No!” I shout again, slamming my fist into the wall as my heart caves in on itself. Then I look at Leonard. “The chopper. Get me to the fucking chopper now!” He shakes his head slowly. “Even if we could get to it, it’d be too late, Logan.” My stomach rolls and my heart implodes in my chest as I slide down the wall, gripping my head as everything in me turns to stone, weighing too much to move. Tears burn against my eyes as I watch Lana weakly climb across the floor, firing again at the deputies. I can’t watch. I can’t watch her die.
”
”
S.T. Abby (Paint It All Red (Mindf*ck, #5))
“
I don’t take kindly to any of you shanty boys touching me,” she said. “So unless I give you permission, from now on, you’d best keep your hands off me.” With the last word, she lifted her boot and brought the heel down on Jimmy’s toes. She ground it hard. Like most of the other shanty boys, at the end of a day out in the snow, he’d taken off his wet boots and layers of damp wool socks to let them dry overnight before donning them again for the next day’s work. Jimmy cursed, but before he could move, she brought her boot down on his other foot with a smack that rivaled a gun crack. This time he howled. And with an angry curse, he shoved her hard, sending her sprawling forward. She flailed her arms in a futile effort to steady herself and instead found herself falling against Connell McCormick. His arms encircled her, but the momentum of her body caused him to lose his balance. He stumbled backward. “Whoa! Hold steady!” Her skirt and legs tangled with his, and they careened toward the rows of dirty damp socks hanging in front of the fireplace. The makeshift clotheslines caught them and for a moment slowed their tumble. But against their full weight, the ropes jerked loose from the nails holding them to the beams. In an instant, Lily found herself falling. She twisted and turned among the clotheslines but realized that her thrashing was only lassoing her against Connell. In the downward tumble, Connell slammed into a chair near the fireplace. Amidst the tangle of limbs and ropes, she was helpless to do anything but drop into his lap. With a thud, she landed against him. Several socks hung from his head and covered his face. Dirty socks covered her shoulders and head too. Their stale rotten stench swarmed around her. And for a moment she was conscious only of the fact that she was near to gagging from the odor. She tried to lift a hand to move the sock hanging over one of her eyes but found that her arms were pinned to her sides. She tilted her head and then blew sideways at the crusty, yellowed linen. But it wouldn’t budge. Again she shook her head—this time more emphatically. Still the offending article wouldn’t fall away. Through the wig of socks covering Connell’s head, she could see one of his eyes peeking at her, watching her antics. The corner of his lips twitched with the hint of a smile. She could only imagine what she looked like. If it was anything like him, she must look comical. As he cocked his head and blew at one of his socks, she couldn’t keep from smiling at the picture they both made, helplessly drenched in dirty socks, trying to remove them with nothing but their breath. “Welcome to Harrison.” His grin broke free. “You know how to make a girl feel right at home.” She wanted to laugh. But as he straightened himself in the chair, she became at once conscious of the fact that she was sitting directly in his lap and that the other men in the room were hooting and calling out over her intimate predicament. She scrambled to move off him. But the ropes had tangled them together, and her efforts only caused her to fall against him again. She was not normally a blushing woman, but the growing indecency of her situation was enough to chase away any humor she may have found in the situation and make a chaste woman like herself squirm with embarrassment. “I’d appreciate your help,” she said, struggling again to pull her arms free of the rope. “Or do all you oafs make a sport of manhandling women?” “All you oafs?” His grin widened. “Are you insinuating that I’m an oaf?” “What in the hairy hound is going on here?” She jumped at the boom of Oren’s voice and the slam of the door. The room turned quiet enough to hear the click-click of Oren pulling down the lever of his rifle. She glanced over her shoulder to the older man, to the fierceness of his drawn eyebrows and the deadly anger in his eyes as he took in her predicament.
”
”
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
“
The light. The light is so bright that all that remains is you and the darkness. You can feel the audience breathing. It’s like holding a gun or standing on a precipice and knowing you must jump. It feels slow and fast. It’s like dying and being born and fucking and crying. It’s like falling in love and being utterly alone with God; you taste your own mouth and feel your own skin and I knew I was alive and I knew who I was and that that wasn’t who I’d been up till then. I’d never been so far away but I knew I was home. “I know everything,” I thought.
”
”
Anonymous
“
She said it was sweet that I came to her rescue, or something like that.” Layla pressed her hand to her heart, smiling. “Awww. She felt protected.” “From her innocent date.” “Still. I’m sure she didn’t approve of you, you know, beating up her date and all, but a woman does love a protective man.” “Sounds old-fashioned.” “Not old-fashioned, timeless. Trust me. So pray about it, okay? ’Cause I think she’d make a great sister-in-law.” “You’re jumping the gun, little girl.” But he couldn’t deny the tiny thrill that coursed through him at the thought.
”
”
Denise Hunter (Barefoot Summer (Chapel Springs #1))
“
Waiting on God, rather than jumping the gun by taking matters into your own hands, is the epitome of wisdom, as the contrasting lives and destinies of Saul (1 Samuel 13:8–14) and David (1 Samuel 26:10–11) make clear. Prayer:
”
”
Timothy J. Keller (The Songs of Jesus: A Year of Daily Devotions in the Psalms)
“
The blind was freezing cold and dark inside, and I was all alone and kind of scared. I unzipped the sleeping bag and wrapped it around me. Within ten minutes I was dead asleep on the floor.
Dawn broke, and two and a half hours later, I finally opened my eyes. Oh, my goodness. I’ve been asleep a while.
I pushed the sleeping bag off and stood up to peek out the window. Right in front of the deer stand were two deer--a doe and a small four-point buck (legal back then). My heart started beating hard in my chest. I grabbed my gun and eased the old rifle up onto the ledge. Then I squeezed the trigger and boom! The buck fell right over while the doe took off. I was so fired up.
I climbed down the ladder, dragging the sleeping bag with me, and sat down by the dead buck. With no cell phone, I just sat, wrapped up in the sleeping bag, and waited for my dad. And, yes, I fell asleep again, right next to the warm body.
“Son, get up.” A voice penetrated my sleepy head.
I jumped up and wrestled my way out of my warm cocoon.
Dad was there, and he was excited too. He’s not a big hugger, but he patted me on the back. “You got one.”
I smiled up at him.
“I can’t believe you just laid down beside him, though.”
“Sir, I got tired and lay down and went to sleep.”
“Gotcha. Well, he’s a good one,” Dad said.
”
”
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
Small-business taxes can be a bitch around here. Before you jump, call that number.” “I’m not feeling froggy.” That might’ve been a lie. What was I if I wasn’t in the life? A man possessed of my temperament doesn’t hang up his guns and pitch hay forever. He gets buried with bandoliers across his chest.
”
”
Laird Barron (Blood Standard (Isaiah Coleridge, #1))
“
The MS City of New York commanded by Captain George T. Sullivan, maintained a regular schedule between New York City and Cape Town, South Africa until the onset of World War II when on March 29, 1942 she was attacked off the coast of Cape Hatteras, North Carolina by the German submarine U-160 commanded by Kapitänleutnant Georg Lassen.
The torpedo struck the MS City of New York at the waterline under the ship’s bridge instantly disabling her. Surfacing the U-boat circled the crippled ship making certain that all of the crew had a chance to abandon ship. In all four lifeboats were lowered holding 41 passengers, 70 crewmen and 13 officers. The armed guard stayed behind but considering the fate of those in the lifeboats did not fire on the submarine.
At a distance of about 250 yards the submarine fired a round from her deck gun striking the hapless vessel on the starboard side at the waterline, by her number 4 hold. It took 20 minutes for the MS City of New York to sink stern first. The nine members of the armed guard waited until the water reached the ships after deck before jumping into the water.
The following day, a U. S. Navy PBY Catalina aircraft was said to have searched the area without finding any survivors. Almost two days after the attack, a destroyer, the USS Roper rescued 70 survivors of which 69 survived. An additional 29 others were picked up by USS Acushnet, formally a seagoing tugboat and revenue cutter, now operated by the U.S. Coast Guard. All of the survivors were taken to the U.S. Naval Base in Norfolk, Virginia.
Almost two weeks later, on 11 April, a U.S. Army bomber on its way to Europe, located the forth boat at 38°40N/73°00W having been carried far off shore by the Gulf Stream. The lifeboat contained six passengers, four women, one man and a young girl plus 13 crew members. Two of the women died of exposure.
The eleven survivors and two bodies (the mother of the child and the armed guard) were picked up by the U.S. Coast Guard Cutter CG-455 and were brought to Lewes, Delaware. The final count showed that seven passengers, one armed guard and 16 crewmen died.
”
”
Hank Bracker
“
Like jumping off a skyscraper in a dream and waking to floorboards, bruises. Like drinking something sweet then going into convulsions five minutes later. Like being dropped in the middle of a jungle with a gun and orders to kill. Some things are real before they happen.
”
”
Laura Elizabeth Woollett (Beautiful Revolutionary)
“
He was a hero. He got shot during a school shooting. He jumped the guy with the gun and got shot in the process.
”
”
Angela Dusenberry (Kayla's Big Move (Undercover Angels #1))
“
Wait until all introductions are complete before conversing. Sometimes one person in a group jumps the gun and begins talking before others in the group have been introduced. This mistake is entirely avoidable if everyone pays attention to the introducer and allows him or her to name everyone.
”
”
Anonymous
“
He had a speech planned, but I jumped the gun a bit and it got jumbled. He went all scowly and sexy. It was great.
”
”
Lucy Parker (Headliners (London Celebrities #5))
“
Arden sighed and looked at the window. “I don’t know many people who care for it,” he said. “What about potato guns?” Joseph asked. “You ever make one when you were a kid, fill it with hairspray and shoot at the neighbor’s dog?” “Nope,” Buster said, “sorry.” He could feel the article slipping away from him, imagined going on the Internet and fabricating the entire thing. “And the war?” asked David. “I’m not a fan,” Buster replied. He looked down at his shoes, black leather sneakers with complicated stitching, his toes already slightly numb inside of them. He thought about reaching over Joseph, pushing open the door, and jumping out.
”
”
Kevin Wilson (The Family Fang)
“
Months before, Lincoln had been forced to slap down another Union general for jumping the gun on emancipation. In his jurisdiction in Missouri, General John C. Frémont declared martial law and abolished slavery in August 1861.
”
”
Catherine Clinton (Harriet Tubman: The Road to Freedom)
“
You really want to know?”
Beatrice nodded. Catherine simply waited. If he wanted to tell them, he would. Clarence was not the sort of man you could persuade or plead with.
“All right. It was the year I graduated from law school. Like the other black men in my class, I was inspired by Judge Ruffin, the first black man to graduate from Harvard Law and the first to become a judge in Massachusetts. I thought I was going to be just like him. Me, a poor boy raised by a widowed mother who used to clean other people’s houses to pay the rent. Well, I went through Howard on scholarship, then Harvard on scholarship, and my first year out I worked for an organization offering legal aid to other poor folk—black, Irish, Italian, all sorts. I was sent to one of the counties in the western part of the state, to defend a black man accused of raping a white woman. That was the first time a judge called me ‘boy.’ I got my client off all right—the woman herself stood in the witness stand to say it wasn’t rape. They wanted to get married. That was legal in Massachusetts, and she was of age, but her father didn’t want her to marry a black man, so he told the sheriff that my client had raped her. She was visibly pregnant.
“My client walked out of that courthouse a free man, but there was a crowd waiting for him outside, and suddenly her brother stepped out of that crowd. He was the sheriff’s deputy. He had a gun, and he said he was going to shoot that damn . . . his language isn’t fit to repeat. He was determined to kill my client. Without thinking, I jumped on him and wrestled with him for the gun. It went off. . . . He bled to death in my arms. So I was tried for manslaughter in that courthouse, in front of that judge. Despite his jury instructions, I was acquitted—you could almost see him frothing at the mouth with fury and tearing his hair out, the day I walked out of that courtroom, a free man. Everyone in that crowd had seen it was an accident, but who was going to give me a job after that? It didn’t matter that I was innocent. My face had been on the cover of the Boston Globe as the black man who’d killed a white policeman.
”
”
Theodora Goss (European Travel for the Monstrous Gentlewoman (The Extraordinary Adventures of the Athena Club, #2))
“
Here comes Glenda, bitches!” Garrett roared a second before the sound of breaking glass filled the warehouse. That insane bastard had jumped through the skylight and was plummeting through the air with two machine guns belching out bullets as fast as they could be fired.
”
”
Jocelynn Drake (Rialto (Unbreakable Bonds, #8))
“
When the bullets started flying at the Seafood Market disco in Tel Aviv, shoe salesman William Hazan’s first instinct was to duck under a table. His second was to open his wife’s purse and grab a gun to confront the attacker—a move that probably saved many lives. “I didn’t lose my cool,” Hazan told Israel Radio from his hospital bed a few hours after the violence. “Thank God I had my pistol with me.” Hazan and his wife were eating with friends at the nightclub when a Palestinian suicide shooter opened fire with an automatic rifle. After Hazan pulled out the gun he’s been carrying around for years, he crawled under the tables toward the exit and dashed outside. There, he saw a tall man hitting a shorter man with a knife and jumped to conclusions. “I thought the small man was the terrorist,” Hazan said. “I was going to hit him with the butt of my pistol, but then I got a knife in my belly,” he said. “I realized I was looking at the wrong man, so I turned my gun and shot the other one.” Because of his quick action, the killer—who had already shot dead three people and wounded more than two dozen others—never got the chance to detonate the explosives strapped to his body. Uri Dan, “Hero Grabs Pistol from Wife’s Purse and Guns
Down Terrorist,” New York Post, Tuesday, March 5, 20021
”
”
John R. Lott Jr. (The Bias Against Guns: Why Almost Everything You'Ve Heard About Gun Control Is Wrong)
“
I hear the door open and close, and I peek to see the one and only.
“What do you want?” I ask, staring back up at the stars, taking a large sip of my beer.
He doesn’t answer, but takes a seat next to me. I turn to see he’s also drinking a beer. He’s back in his work attire, sporting a pair of kakis and a button up polo. “What happened to your Guns-N-Roses shirt? Don’t want anyone to know your alter ego? They might find out you’re really some sort of party animal who raves to heavy metal and goes on drinking binges instead of science fairs?” I laugh taking another swig. We connect eyes and something in them tells me that I might be on to something. “No way. Tell me I’m not wrong. The science teacher secretly has a bad side.” He stands quickly sticking out his hand.
“Come with me.”
Huh? “No way. Why? You gonna try and retaliate? Avenge all teachers I’ve tried to take out this week?” His laugh is like a tickle to my lady parts. I fight to admit that I seriously love that sound.
“No, but it would be fitting though, Peter Parker, saving the world from the reckless bad girl.” I give him my evil eye while he smiles wider. “Come with me. I promise, I’ll bring you back in one piece.” His hand taunting, I decide, what the hell. I stick my hand out, sliding it into his, the feel of his warm skin wrapped around mine. He walks me around to the front of the house and a few cars down, until he stops beside a Jeep. Unlocking the door, he says, “Jump in,” and walks around the other side. Knowing I have a pretty loud voice if he does try and kill me, I jump in. The inside smells just like him. Of spice and aftershave.
”
”
J.D. Hollyfield (Passing Peter Parker)
“
Sharon did have house guests to keep her company, though. Abigail Folger, the heiress to the Folger Coffee Company and her boyfriend, Wojciech Frykowski, were also living at Cielo Drive. On the evening of August 8, 1969, Sharon made phone calls to her sister and her friend to cancel plans she had made, saying that she was tired and would spend the night in with another friend, Jay Sebring. The foursome, Sharon, Jay, Abigail, and Wojciech, ate at a local Mexican restaurant before returning to Sharon’s home at Cielo Drive. At 11.30 pm, Manson took his follower and right-hand man Tex Watson to one side and explained to him what he had to do. For the good of the family, Manson said, Tex had to lead the others to Cielo Drive to “totally destroy everyone in that house” and steal whatever they could. It’s unclear whether Manson even knew who was now living in that particular house, but he must have known they were rich and that they would serve as an example to the rest of the world that no one was safe. Manson rounded up Susan Atkins, Patricia Krenwinkel, and new follower Linda Kasabian. Dressed in black, the girls grabbed their knives and jumped into the car with Tex. Manson rested at Spahn Ranch, waiting for news from 10050 Cielo Drive. When the group arrived at the house, Tex climbed a telephone pole and snipped the wire. It was only now that the group had arrived that Tex told the girls exactly what they were there to do. If the girls were shocked, they didn’t show it, and they dutifully followed Tex’s lead in what came next. Steve Parent, an 18-year-old friend of the caretaker at Cielo Drive, was the first to be murdered. Parent was leaving the property in his car, having just visited his friend, when Tex shot him four times. Tex then entered the house through an open window and told the girls to follow him inside. New follower Kasabian was terrified and unable to help, so Tex told her to go back to the car and keep watch. In the sitting room of the house, Tex woke Wojciech who had fallen asleep on the couch, and Susan ventured upstairs where she found Abigail reading in bed. Abigail saw Susan but wasn’t alarmed at first. It wasn’t unusual for strangers to be in the house. But when Susan brandished a large knife and told Abigail, Sharon, and Jay to go with her downstairs, the group were terrified. Tex tied a rope around Wojciech’s throat, threw it over a beam in the house, and tied it around Sharon’s throat. Tex demanded money and grew furious when no one produced any, then he shot Jay in the stomach. As Sharon and Abigail screamed in terror, Tex stabbed Jay, over and over again. Realizing that no one was going to escape alive if he didn’t do something, Wojciech tried to break free, causing Susan to attack him with a knife. Wojciech was able to overpower Susan, so Tex shot him twice then battered him with the handle of his gun. Incredibly, Wojciech still managed to escape the house, but Tex caught up with him on the lawn and ended his life with a knife. Abigail also broke free of Patricia, but she caught her and stabbed her repeatedly. Tex finally ended Abigail’s life with his knife. Sharon was the only person still alive in the house; she pleaded for her life and the life of her unborn child. As Sharon begged, Susan Atkin’s began stabbing her, being sure to stab her directly through her pregnant stomach. Later, Susan said she “got sick of listening to her so I stabbed her and then I just stabbed her and she fell and I stabbed her again, just kept stabbing and stabbing.” The group almost left without writing the bloody graffiti Manson had explicitly told them to leave behind. Susan went back into the house and used a towel to write “PIG” on the front door of 10500 Cielo Drive in the victims’ blood.
”
”
Hourly History (Charles Manson: A Life From Beginning to End)
“
I wanted to kill myself. I would have done it, too, if I had owned a gun. I was considering the gruesome alternatives — pills, slitting my wrists with a razor blade, jumping off a bridge — when another student called to ask me a detailed question on relativity. There was no way, after fifteen minutes of thinking about Mr. Einstein, that suicide was still a viable option. Divorce, certainly. Celibacy, highly likely. But death was out of the question. I could never have prematurely terminated my love affair with physics.
”
”
Arthur C. Clarke
“
I had known that I would not find Morel alone. I knew that Africa still had plenty of those adventurers always ready to jump at a chance to break the law — to rob, pillage, and in general live a life of freedom.’ Our continent has not yet lost all its attraction for men who feel free only with a gun in their hand.
”
”
Romain Gary (The Roots of Heaven)
“
He captured my lips and kissed me like he was still smoldering. Wade snuck up behind me and said, “If you two don’t cut that out, we’re going to need a damn fire hose to put you out.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
If this is about my car’s extended warranty, I’m hanging up.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))