“
Imagine this:
You’re driving.
The sky’s bright. You look great.
In a word, in a phrase, it’s a movie,
you’re the star.
so smile for the camera, it’s your big scene,
you know your lines.
I’m the director. I’m in a helicopter.
I have a megaphone and you play along,
because you want to die for love,
you always have.
Imagine this:
You’re pulling the car over. Somebody’s waiting.
You’re going to die
in your best friend’s arms.
And you play along because it’s funny, because it’s written down,
you’ve memorized it,
it’s all you know.
I say the phrases that keep it all going,
and everybody plays along.
Imagine:
Someone’s pulling a gun, and you’re jumping into the middle of it.
You didn’t think you’d feel this way.
There’s a gun in your hand.
It feels hot. It feels oily.
I’m the director
and i’m screaming at you,
I’m waving my arms in the sky,
and everyone’s watching, everyone’s
curious, everyone’s
holding their breath.
'Planet of Love
”
”
Richard Siken (Crush)
“
Nick sat beside Simon, who was at his computer. Marcus stood at attention beside the food. Hale had his feet on the table, reading the morning paper. And someone had given the Bagshaws a gun.
'Pull!' Hamish yelled, and Angus pulled a cord and sent a skeet flying across the deep blue water.
A split second later, a loud crack was reverberating across the deck. Kat jumped. Hale sighed. The shot went far wide, and Marcus never moved a muscle.
”
”
Ally Carter (Uncommon Criminals (Heist Society, #2))
“
The light. The light is so bright that all that remains is you and the darkness. You can feel the audience breathing. It's like holding a gun or standing on a precipice and knowing you must jump. It feels slow and fast. It's like dying and being born and fucking and crying. It's like falling in love and being utterly alone with God; you taste your own mouth and feel your own skin and I knew I was alive and I knew who I was and that that wasn't who I'd been up till then. I'd been so far away but I knew I was home.
”
”
Russell Brand (My Booky Wook)
“
Let me get this straight. The man with the gun says stay in your seat and you take that to mean jump around the room like demented grasshoppers.
”
”
Koushun Takami (Battle Royale, Vol. 01 (Battle Royale, #1))
“
Are you crazy, Kenny Tracey? Do you have a death wish or something? Preventing someone from getting hurt and jumping in front of a bullet are not the same things!
”
”
Mark M. Bello (Betrayal High (Zachary Blake Legal Thriller, #5))
“
While some of his men were mounting a machine gun in the entrance, Hitler jumped up on a table and to attract attention fired a revolver shot toward the ceiling.
”
”
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
“
You about done?” I asked him. “I need the table.”
“What is it with you people?” Butters groused. “For God’s sake, these are real injuries here.”
“There will be more of them than a thousand reluctant physicians could patch up if we don’t get moving,” I said. “Today’s serious business, man.”
“How serious?”
“Can’t think when it’s been grimmer,” I said. “Freaking waste-of-space vampires, lying around on tables you need to use.”
“Useless wizards,” Thomas said, “jumping on enemy guns and accidentally shooting their allies with them.”
“Oh,” I said. “That was when I jumped Ace?”
He snorted. “Yeah.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
Loan sharks don’t negotiate, Finn. They break kneecaps and chop off fingers.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
What would happen is that every idiot in this town who owns a gun, which is basically every idiot in this town, would grab his gun, jump into his car, or somebody else's car, and lay rubber for I-95. Inside of ten minutes the city is gridlocked, and what happens next makes IwoJima look like a maypole dance. This whole town turns into the end of a Stephen King novel.
”
”
Dave Barry (Big Trouble)
“
Lately, it had been an endless procession of long, black nights and gray mornings, when her sense of failure swept over her like a five-hundred-pound wave; and she was scared. But it wasn't death that she feared. She had looked down into that black pit of death and had wanted to jump in, once too often. As a matter of fact, the thought began to appeal to her more and more.
She even knew how she would kill herself. It would be with a silver bullet. As round and as smooth as an ice-cold blue martini. She would place the gun in the freezer for a few hours before she did it, so it would feel frosty and cold against her head. She could almost feel the ice-cold bullet shooting through her hot, troubled brain, freezing the pain for good. The sound of the gun blast would be the last sound she would ever hear. And then... nothing. Maybe just the silent sound that a bird might hear, flying in the clean, cool air, high above the earth. The sweet, pure air of freedom.
No, it wasn't death she was afraid of. It was this life of hers that was beginning to remind her of that gray intensive care waiting room.
”
”
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
“
I won the argument against the knife that night, but barely. I had some other good ideas around that time--about how jumping off a building or blowing my brains out with a gun might stop the suffering. but something about spending a night with a knife in my hand did it.
The next morning I called my friend Susan as the sun came up, begged her to help me. I don't think a woman in the whole history of my family had ever done that before, had ever sat in the middle of the road like that and said, in the middle of her life, "I cannot walk another step further--somebody has to help me.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
That resolution of yours is a load of horseshit. This is the age of sex positivity, body positivity, and hashtag MeToo. It’s Lizzo’s world, Finn; we’re all just living in it. Don’t let anyone tell you you can’t have dessert.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Mother Superior jump the gun...
-The Beatles, Happiness is a Warm Gun
”
”
Lauren Myracle (Bliss (Crestview Academy, #1))
“
Because of social strictures against even the mildest swearing, America developed a particularly rich crop of euphemistic expletives - darn, durn, goldurn, goshdad, goshdang, goshawful, blast, consarn, confound, by Jove, by jingo, great guns, by the great horn spoon (a nonce term first cited in the Biglow Papers), jo-fired, jumping Jehoshaphat, and others almost without number - but even this cautious epithets could land people in trouble as late as the 1940s.
”
”
Bill Bryson (Made in America: An Informal History of the English Language in the United States)
“
That was four people right there who loved me. I wished like mad, in that moment, that I had no one at all. Not a single soul. Love was trapping me here. And they didn't know what it was like, what my head was like. Maybe if they were in my head for ten minutes they'd be like, 'Oh, okay, yes, actually. You should jump. There is no way you should feel this amount of pain. Run and jump and close you eyes and just do it. I mean, if you were on fire I could put a blanket around you, but the flames are invisible. There is nothing we can do. So jump. Or give me a gun and I'll shoot you. Euthanasia.'
But that was not how it worked. If you are depressed your pain is invisible.
”
”
Matt Haig (Reasons to Stay Alive)
“
Isn’t everyone on the planet or at least everyone on the planet called me stuck between the two impulses of wanting to walk away like it never happened and wanting to be a good person in love, loving, being loved, making sense, just fine? I want to be that person, part of a respectable people, but I also want nothing to do with being people, because to be people is to be breakable, to know that your breaking is coming, any day now and maybe not even any day but this day, this moment, right now a plane could fall out of the sky and crush you or the building you’re in could just crumble and kill you or kill the someone you love— and to love someone is to know that one day you’ll have to watch them break unless you do first and to love someone means you will certainly lose that love to something slow like boredom or festering hate or something fast like a car wreck or a freak accident or flesh-eating bacteria— and who knows where it came from, that flesh-eating bacteria, he was such a nice-looking fellow, it is such a shame— and your wildebeest, everyone’s wildebeest, just wants to get it over with, can’t bear the tension of walking around the world as if we’re always going to be walking around the world, because we’re not, because here comes a cancer, an illness a voice in your head that wants to jump out a window, a person with a gun, a freak accident, a wild wad of flesh-eating bacteria that will start with your face.
”
”
Catherine Lacey (Nobody Is Ever Missing)
“
It was the first time I saw the glimmer of a detective inside them, and I hoped he hadn’t seen the glimmer of a criminal in mine.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Geneverie fought down panic. She had to make him land this plane. "I give great blowjobs!"
Nick laughed. "Wish I had the time to check that out." He continued to aim the gun right between her eyes as he reached behind him to unlatch the cabin door.
(...)
Nich smiled. "But maybe you'de like to treat him to one of those blowjobs. You two will have a little time on your hands. Well, so long!" He jumped.
”
”
Vicki Lewis Thompson
“
We want to reorganise the world, and that makes our brains jump the gun –sometimes. You look at a newspaper headline, take in one word, and before you know it your brain says: yes, that’s what it says. But it may not.
”
”
Alexander McCall Smith (The World According to Bertie (44 Scotland Street, #4))
“
Fixing a sneer on her face, she deliberately lowered her toolbox and let it fall with a terrible clatter. That he jumped like a rabbit under the gun pleased her.
“Christ Jesus!” he scraped his chair around, thumped a hand to his heart as if to get it pumping again.
“What’s the matter?”
“Nothing.” She continued to sneer. “Butterfingers,” she said sweetly and picked up her dented toolbox again. “Give you a start, did I?”
“You damn near killed me.
”
”
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
“
They had been attacked by guys in golf carts with blow guns, jumped off a cliff, been locked in a burning school, and had their heads stapled, but putting coins in a slot machine was considered too dangerous for kids. Go figure.
”
”
Dan Gutman (Mission Unstoppable)
“
There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground.
It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up.
She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground.
She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone.
She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself.
She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face.
To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead.
”
”
Pamela Todd (The Blind Faith Hotel)
“
He could surprise her sometimes, she had found. It had emerged that it was dangerous to assume that he wouldn’t catch her nuances; he caught a lot more than he let on. Also, his accent was improving. Or was it just that she had stopped hearing it? And he had started beginning his sentences with a “well” or an “oh,” on occasion. He seemed to take great delight in discovering new idioms—“jumped the gun,” for instance, which had sprinkled his conversations for the past several days. (“I was thinking the evening news would be on, but I see that I…” and then a weighty pause before “jumped the gun!” he finished up triumphantly.) Now and then, an expression he used would strike her as eerily familiar. “Good grief,” he said, and “Geez,” and once or twice, “It was semi-okay.” At such moments, she felt like someone who had accidentally glimpsed her own reflection in a mirror.
”
”
Anne Tyler (Vinegar Girl)
“
He picked up her gun. Pointed it at her. Pulled the trigger.
Isabet jumped like a startled lizard.
He handed the gun back to her. 'First tip. Get a new gun. As soon as a Ras Tiegan gun gets sand in it, it's useless. They don't work out here.'
Isabet's hand was trembling as she took the gun back. 'You seemed very certain of that.'
'Nyx unloaded it while we were arguing,' he said. 'If you want to keep up, you'll need to start paying attention.
”
”
Kameron Hurley (Rapture (Bel Dame Apocrypha, #3))
“
In this long history of accelerating development, one can single out two especially significant jumps. The first, occurring between 100,000 and 50,000 years ago, probably was made possible by genetic changes in our bodies: namely, by evolution of the modern anatomy permitting modern speech or modern brain function, or both. That jump led to bone tools, single-purpose stone tools, and compound tools. The second jump resulted from our adoption of a sedentary lifestyle, which happened at different times in different parts of the world, as early as 13,000 years ago in some areas and not even today in others.
”
”
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
“
Thomas shook his head, gripped by terror, very slowly reaching for his gun with his free hand. “You wanna know why I have this limp, Tommy? Did I ever tell you? No, I don’t think I did.” “What happened?” Thomas asked, stalling for time. He slipped his fingers around the weapon. “I tried to kill myself in the Maze. Climbed halfway up one of those bloody walls and jumped right off. Alby found me and dragged me back to the Glade right before the Doors closed. I hated the place, Tommy. I hated every second of every day. And it was all … your … fault!” Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!” Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.
”
”
James Dashner (The Death Cure (Maze Runner, #3))
“
I don’t know whether to be terrified of the chick Lottie has lined up for me, or jump the gun and just walk into the dressing room and ask her to marry me.
”
”
Kristen Ashley (Dream Maker (Dream Team, #1))
“
The sight of Elgie flat on the slimy dock, groaning "My wife, my wife", with a gun pointed at him, and me jumping up and down, was even enough for a German to take pity.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
I signed up to fight for my country; to jump out of planes, shoot guns, and kill people.
”
”
Salvatore A. Giunta (Living with Honor: A Memoir by America's First Living Medal of Honor Recipient Since the Vietnam War)
“
jump. Noah heads down to me, and I look over, seeing Kaleb climbing off his bike with a… A… gun? Is he kidding?
”
”
Penelope Douglas (Credence)
“
Vero whispered, “he’s like a refrigerator with feet.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
I dug my mittens from the pockets of my coat and drew them on, wishing I had been prepared with something more Temperance Brennan and less Bernie Sanders.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
The engine starts, the car lurches into a U-turn. As we pull away, from the porch, a boy, no older than I am, points a toy pistol at us. The gun jumps and his mouth makes blasting noises. His father turns to yell at him. He shoots once, two more times. From the window of my helicopter, I look at him. I look him dead in the eyes and do what you do. I refuse to die.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
So how long have you been together? Two months?'
'Five.'
'Five? Jesus, Steve, you might as well get married. I should buy a hat.'
'Don't. They give away your Spock ears.'
She laughed. 'This is the Romanian girl?'
'Croatian.'
'Right. She's a painter?'
'Photographer.'
'Right.' She studied him.
'What?' he laughed self-consciously as though he was a twelve-year-old boy who'd just been caught with his first girlfriend.
'Nothing.'
'Come on.'
'I don't know Steve,' she cut into her meat, 'you've changed. You no longer write about Victoria Beckham and you have a girlfriend. I think...'
'You think what?'
'I don't know, I might be jumping the gun here, but I think there's a possibility you might not be gay after all.'
A chip was hurled at her head.
”
”
Cecelia Ahern (One Hundred Names)
“
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow.
Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
”
”
Bob Thurber (Paperboy: A Dysfunctional Novel)
“
He seemed to consider that as he set down his can. “You do the job long enough, gets harder to tell. We’re all liars,” he said, taking the gun and reloading the magazine with a snap. “Some of us are just better at hiding it.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Soon I was spending all my time in the basement, and I had moved from taking things apart to putting new things together. I began by building simple devices. Some, like my radios, were useful. Others were merely entertaining. For example, I discovered I could solder some stiff wires onto a capacitor and charge it up. For a few minutes, until the charge leaked away, I had a crude stun gun.
...So I decided to try it on my little brother. I charged the capacitor to a snappy but nonlethal level from a power supply I'd recently removed from our old Zenith television.
'Hey, let's play Jab a Varmint,' I said. I tried to smile disarmingly, keeping the capacitor behind my back and making sure I didn't ruin the effect by jabbing myself or some other object.
'What's that?' he asked, suspiciously.
Before he could escape, I stepped across the room and jabbed him. He jumped. Pretty high, too. Sometimes he would fight back, but this time he ran. The jab was totally unexpected and he didn't realize that I only had the one jab in my capacitor. It would be several years before I had the skill to make a multishot Varmint Jabber.
”
”
John Elder Robison (Look Me in the Eye)
“
People who work in law enforcement see a lot of things most of us couldn’t stomach, and their job is pretty thankless. It isn’t always easy to be the good guy. Most days, playing the bad guy probably feels like the easier option.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
Consider the following: “Will Mindik be a good leader? She is intelligent and strong…” An answer quickly came to your mind, and it was yes. You picked the best answer based on the very limited information available, but you jumped the gun. What if the next two adjectives were corrupt and cruel? Take note of what you did not do as you briefly thought of Mindik as a leader. You did not start by asking, “What would I need to know before I formed an opinion about the quality of someone’s leadership?” System 1 got to work on its own from the first adjective: intelligent is good, intelligent and strong is very good. This is the best story that can be constructed from two adjectives, and System 1 delivered it with great cognitive ease. The story will be revised if new information comes in (such as Mindik is corrupt), but there is no waiting and no subjective discomfort. And there also remains a bias favoring the first impression.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
I suppose now is a terrible time to propose,” he told her, suddenly rueful. She looked at him in wonder. Truly, he had no shame, wooing her as he did when he could see she was in a dither. It took all her nerve to return his flirtatious banter and say, “Your timin’ needs work, Simon. But elopin’ might sit better than my quittin’. ” He grimaced. “I doubt it. I’d hate to stare down your pa’s gun barrel once we jumped the broom. Besides, I can’t marry someone I ain’t never courted or even kissed.
”
”
Laura Frantz (The Frontiersman's Daughter)
“
Look, Pa, look!” Laura said. “A wolf!”
Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him.
“It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass.
“A lynx?” said Ma.
“Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move.
“Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed.
The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again.
“Well, I’m beat!” Pa said.
“So am I,” said Ma. “But did you have to wake the baby?
”
”
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
“
He was one of the first people to complain about the increasing encroachment of the state into personal lives, but, actually, shouldn't there be a little more encroachment, when it came to things like this? Where was the protective fence, or the safety net? They made it hard for you to jump off bridges, or to smoke, to own a gun, to become a gynecologist. So how come they let you walk out on a stable, functioning relationship? They shouldn't. If this didn't work out, he could see himself become a homeless, jobless alcoholic within a year. And that would be worse for his health than a packet of Malboros.
”
”
Nick Hornby (Juliet, Naked)
“
Look, Pa, look!” Laura said. “A wolf!”
Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him.
“It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass.
“A lynx?” said Ma.
“Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move.
“Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed.
The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again.
“Well, I’m beat!” Pa said.
“So am I,” said Ma. “But did you have to wake the baby?” She rocked Carrie in her arms, hushing her.
Jack was perfectly well. But soon he lay down close to Laura and sighed a long sigh. His eyes were red with tiredness, and all the under part of him was caked with mud. Ma gave him a cornmeal cake and he licked it and wagged politely, but he could not eat. He was too tired.
“No telling how long he kept swimming,” Pa said. “Nor how far he was carried downstream before he landed.” And when at last he reached them, Laura called him a wolf, and Pa threatened to shoot him.
But Jack knew they didn’t mean it. Laura asked him, “You knew we didn’t mean it, didn’t you, Jack?” Jack wagged his stump of a tail; he knew.
”
”
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
“
Dear lady, ... dear gentleman, reader, [it's] not right ... to put down this writer on his writing ... And I'll tell you why, too: it hurts, that's why.... People try to understand why writers commit suicide by jumping off boats or by alcoholism or by being heroic continuously or by rope or gun or drug or knife or water, and ... I can tell you straight out, ... it is reading slurring remarks about their writing that drives writers to the grave. Dirty remarks passed by ... dirty but damned nicely educated and very highly-paid ladies and gentlemen have the effect of killing writers. Yes, that's right. Dirty words ... in slick paper magazines read by smart people do assassinate writers. ... And boy let me tell you I am all for it, even when by some ... misunderstanding the dirty words are directed to me rather than to the party really deserving them. Accidents happen, dear clever reviewer or critic, and let it not be said that William Saroyan is one not to see a situation from the point of view of the other party, ... and I shall be the first to defend your right to be critical and even sarcastic, knowing full well that it is not about me and my writing, although my name is by mistake taken in vain by you. ... But go on, go on, do your good clever writing, every one of you, I am home, your are home, and we are each of us not yet on Variety's Necrology list, so if we can't take it, who can?
”
”
William Saroyan
“
After deliberating my options for a split second, I rolled my chair over to watch him tattoo the guy he had hunched over, working on an old pirate ship right smack on the middle of the man’s brawny shoulder.
I didn’t say a word as I watched him, not wanting to distract him from the man who had been all too excited to request Slim’s work an hour before.
But my friend Slim had other thoughts. His green eyes flashed up at me. “What was that about?”
"Huh?" I played stupid.
Slim pulled the gun off the customer’s skin, dabbing at the beaded blood before continuing with a shake of his head. "Since when are you guys BFFs?"
I’d learned over the last month how chatty all the guys were, well, specifically Slim and Blake. If I answered his question just remotely weird, I’d bet my first born Slim would jump to some kind of crazy conclusion that I wanted no part of. So I went with the truth. “I heard him fart last night. It kind of broke the ice.”
The little whistle he let out told me that was good enough. He snorted and raised an eyebrow before getting back to work. “That’ll do it.
”
”
Mariana Zapata (Under Locke)
“
In this long history of accelerating development, one can single out two especially significant jumps. The first, occurring between 100,000 and 50,000 years ago, probably was made possible by genetic changes in our bodies: namely, by evolution of the modern anatomy permitting modern speech or modern brain function, or both. That jump led to bone tools, single-purpose stone tools, and compound tools.
”
”
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
“
Do you think I’m going to take her back? Do you think I’m still in love with her?”
She shrugs with one shoulder.
“Amanda,” I say, grappling for the words. When I don’t say anything else, she slowly turns her head to look at me. Fearful. Hopeful.
“I told her it was too late,” I admit. “I told her I didn’t love her anymore, because I don’t. That ship sailed a long time ago. And I told her I wished her the best of luck but the truth was, I’ve met someone else.” I give her a faint smile, aware of everything riding on this. “You.”
“Me?” she repeats, her voice barely audible.
“I didn’t mean it as a work partner. I didn’t mean it as someone I’m casually sleeping with. I meant in a completely jumping the gun, getting ahead of myself, answering for you when I shouldn’t, I want you to be my girlfriend kind of way. She doesn’t have my affection, my future or my heart. You do, Amanda. You do.
”
”
Karina Halle (Smut)
“
I looked sadly at my final note on the page: July. Five whole months. An eternity.
But what did it matter? Holmes and I would go ahead as we were - as we had been before I stood on a London pier and, seeing him resurrected from a fiery death, literally embraced an unexpected future. Patience, Russelll.
And yet, I was afraid. That real life would intervene. That doubts would chew at our feet, causing one or both of us to edge away from the brink. That neither of us had really meant it, and the memory of those dockside sensations would turn to threat. That my gift to him was nothing but selfish impulse of an uncertain young girl.
I felt his gaze on me, and put on a look of good cheer before raising my face. "Of course. July will do nicely-and will give us plenty of time to arrange a distraction to get your cousin and his shot-guns away from the house."
He did not reply. Under his gaze, my smile faltered a bit. "It's fine, Holmes. You have commitments in Europe next month. I have much to do in Oxford. I will be here when you get back."
Abruptly, he jumped to his feet and swept across the room to the door. I watched him thrust his long arms into the sleeves of his overcoat. "Thursday, Russell," he said, clapping his hat onto his head. "Be ready on Thursday."
"For what?" I asked, but he was gone.
For anything, knowing him.
”
”
Laurie R. King (The Marriage of Mary Russell (Mary Russell and Sherlock Holmes, #2.5))
“
send my soul over thousands of miles, into the night, the darkness, and the unknown so that I will be with my family and loved ones, and so that I can express my fear for them, my love for them, my agony for them, and my hope that God will save and protect them. Then suddenly in the middle of the night I jump up with a wildly beating heart: somewhere I hear the rat-a-tat-tat of a machine gun. Sometimes it is very close by, like a hail of stones on the roof.
”
”
Ivan Bunin (Cursed Days: Diary of a Revolution)
“
At the edge of Saint-Michel is the Wildwood. The wolves who live there come out at night. They prowl fields and farms, hungry for hens and tender young lambs. But there is another sort of wolf, one that's far more treacherous. This is the wolf the old ones speak of.
"Run if you see him," they tell their granddaughters. "His tongue is silver, but his teeth are sharp. If he gets hold of you, he'll eat you alive."
Most of the village girls do what they're told, but occasionally one does not. She stands her ground, looks the wolf in the eye, and falls in love with him.
People see her run to the woods at night. They see her the next morning with leaves in her hair and blood on her lips. This is not proper, they say. A girl should not love a wolf.
So they decide to intervene. They come after the wolf with guns and swords. They hunt him down in the Wildwood. But the girl is with him and sees them coming.
The people raise their rifles and take aim. The girl opens her mouth to scream, and as she does, the wolf jumps inside it. Quickly the girl swallows him whole, teeth and claws and fur. He curls up under her heart.
The villagers lower their weapons and go home. The girl heaves a sigh of relief. She believes this arrangement will work. She thinks she can be satisfied with memories of the wolf’s golden eyes. She thinks the wolf will be happy with a warm place to sleep.
But the girl soon realized she’s made a terrible mistake, for the wolf is a wild thing and wild things cannot be caged. He wants to get out, but the girl is all darkness inside and he cannot find his way.
So he howls in her blood. He tears at her heart.
The howling and gnawing –it drives the girl mad.
She tries to cut him out, slicing lines in her flesh with a razor.
She tries to burn him out, holding a candle flame to her skin.
She tries to starve him out, refusing to eat until she’s nothing but skin over bones.
Before long, the grave takes them both.
A wolf lives in Isabelle. She tries hard to keep him down, but his hunger grows. He cracks her spine and devours her heart.
Run home. Slam the door. Throw the bolt. It won’t help.
The wolves in the woods have sharp teeth and long claws, but it’s the wolf inside who will tear you apart.
”
”
Jennifer Donnelly
“
There is another dangerous component to armed robberies, one that I could never understand. I noticed some time ago that with each robbery I committed there was an intense out of control anger that gripped me. It was as if I was there to get something that was inherently mine, and I came to take it by force. I’ve heard many stories directly from individuals about how they just burst into stores with their guns drawn. They would be shouting at people, gun butting them sometimes for no reason at all. One individual told me that he ran into a store and jump kicked a fella who just stood there. The only reason he was kicked is that he was there.
It’s as if once you’ve overridden your conscience of going through with the act, it is replaced with anger and a level of brutality that is usually reserved for when you are fighting for your life. This, to me, is what makes armed robberies so dangerous—because the slightest provocation or any sudden movement by anyone could lead to them being shot or killed. It is always an extremely delicate and dicey situation, because the armed robber is pulling the trigger out of fear more than anything else.
”
”
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
“
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain.
Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence.
A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop.
Then the screen door squeaked open and she took flight.
Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive.
He knew her path by now. He was ready for the hunt.
The clanging unbuckled belt boomed in her ears as he gained on her.
The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go.
Young trees teased her in this direction, so she moved east towards the evergreens.
Hunger and hurt left her no choice, she had to stop running soon.
She grabbed the first tree with a branch low enough to reach, and up she went.
The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree.
His footsteps pounded close by.
She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his.
She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up.
Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down.
She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension.
Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest.
He called her name once, twice. The third time’s tone not quite as friendly.
The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her.
His feet crunched in circles around the tree, eventually heading back home.
Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense.
“Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
”
”
Kim Bongiorno (Part of My World: Short Stories)
“
Where the hell did the Pack find you two? At a beach volleyball tournament? Great tan. Love those curls.” LeBlanc shook his head. “He’s not even as big as I am. He’s what, six foot nothing? Two hundred pounds in steel-toed boots? Christ. I’m expecting some ugly bruiser bigger than Cain and what do I find? The next Baywatch star. Looks like his IQ would be low enough. Can he chew gum and tie his shoes at the same time?”
Clay stopped playing with his chair and turned to face the mirror. He got up, crossed the room, and stood in front of me. I was leaning forward, one hand pressed against the glass. Clay touched his fingertips to mine and smiled. LeBlanc jumped back.
“Fuck,” he said. “I thought that was one-way glass.”
“It is.”
Clay turned his head toward LeBlanc and mouthed three words. Then the door to his room opened and one of the officers called him out. Clay grinned at me, then sauntered out with the officer. As he left, a surge of renewed confidence ran through me.
“What did he say?” LeBlanc asked.
“Wait for me.”
“What?”
“It’s a challenge,” Marsten murmured from across the room. He didn’t look up from his magazine. “He’s inviting you to stick around and get to know him better.”
“Are you going to?” LeBlanc asked.
Marsten’s lips curved in a smile. “He didn’t invite me.”
LeBlanc snorted. “For a bunch of killer monsters, the whole lot of you are nothing but hot air. All your rules and challenges and false bravado.” He waved a hand at me. “Like you. Standing there so nonchalantly, pretending you aren’t the least bit concerned about having the two of us in the room.”
“I’m not.”
“You should be. Do you know how fast I could kill you? You’re standing two feet away from me. If I had a gun or knife in my pocket, you’d be dead before you had time to scream.”
“Really? Huh.”
LeBlanc’s cheek twitched. “You don’t believe me, do you? How do you know I’m not packing a gun? There’s no metal detector at the door. I could pull one out now, kill you, and escape in thirty seconds.”
“Then do it. I know, you don’t like our little games, but humor me. If you have a gun or a knife, pull it out. If not, pretend to. Prove you could do it."
“I don’t need to prove anything. Certainly not to a smart-mouthed—”
He whipped his hand up in mid-sentence. I grabbed it and snapped his wrist. The sound cracked through the room. The receptionist glanced over, but LeBlanc had his back to her. I smiled at her and she turned away.
“You—fucking—bitch,” LeBlanc gasped, cradling his arm. “You broke my wrist.”
“So I win.”
His face purpled. “You smug—”
“Nobody likes a sore loser,” I said. “Grit your teeth and bear it. There’s no crying in werewolf games. Didn’t Daniel teach you that?
”
”
Kelley Armstrong (Bitten (Otherworld, #1))
“
Juanita, in a town full of starlets and wanna-be starlets, stood out. She was prettier than Lupe Velez and could handle a gun or a client with equal ease. But she also had the sweetest nature of any girl I knew. She had a lot of fellas and they all seemed to be happy about it and I didn't ask too many questions. She had been helping wait tables beneath our office off and on for about six months before I'd picked up that insurance case. It was only right I make it up to her so after she paid the agency's bills, I split the remaining seven grand down the middle, 3,500 apiece. I'd never seen a girl so happy except maybe at the movies when Lombard was jumping up and down on the bed because Godfrey loved her.
”
”
Bobby Underwood (Beautiful Detour (Nostalgic Crime #1))
“
Thank you, V, he thought as he jumped out himself. Balz stayed tight on her heels as she hit a little walkway with a long stride, and about halfway to her front door, he realized how ridiculous he looked: He was still nakie with a sheet wrapped around his hey-nannies, and he had a gun down at one thigh and a duffle bag full of click-click-bang-bang hanging off his other shoulder. Too bad this wasn’t Halloween for the humans. He could have called himself a flasher-assassin and maybe gotten away with it. Plus, hey, guy shows up on your trick-or-treat doorstep with a forty caliber in his palm, you were likely to dump your bowl of candy wherever he told you to put the stuff. So he’d clean up and Rhage would be psyched.
”
”
J.R. Ward (Lover Arisen (Black Dagger Brotherhood, #20))
“
office, something that’s invisible to my vaunted powers. Crap. Where’s my gun? After backtracking, Myfanwy picked up her gun from the dust and listened carefully. Deathly silence. Feeling slightly absurd but still scared, she held her gun in two hands and jumped smoothly around the corner, landing in a position that implied she was prepared to open fire on whatever she saw. “Oh, thank God.” Not to worry, it’s not a weird monster. It’s just three rotting dead people, she thought as she threw up on her cute little gun. After wiping her mouth and then shaking the pistol to clear some vomit off it, she approached the corpses cautiously. All of them were dressed in purple garments, though they were now sodden in body fluids. Nasty.
”
”
Daniel O'Malley (The Rook (The Checquy Files, #1))
“
So far he’s never been bit, but there was once, deer hunt, climbing a bluff and he’d slipped, rolled down a shale slide into some kind of grotto and the whole place started buzzing. Big rattlesnake nest, twenty or so, all small but they’ll kill you just the same and he’d scrambled and cranked round after round through the bolt, felt a hot white pain in his leg, dropped the gun and jumped. Once he was out of it he pulled down his pants, found the bite but it wasn’t a bite, just the one hole and too big, something lodged under the skin. He cut at it for a time. Piece of copper jacket from one of his own bullets, turned out. Stood there, sun in his eyes, blood on his hands, pants full of blood and bunched at his ankles, happy as he’d been in a while.
- "Any Deadly Thing
”
”
Roy Kesey (Any Deadly Thing)
“
The overreactor is responsible, as the psychological term puts it, for the 'transference' of an emotion from the past on to someone in the present -- who perhaps doesn't entirely deserve it.
Our minds are, oddly, not always good at knowing what era they are in. They jump a little too easily, like an erstwhile victim of burglary who keeps a gun by the bed and is startled awake by every rustle.
What's worse for the loved ones standing in the vicinity is the people in the throes of a transference have no easy way of knowing, let alone calmly explaining, what they are up to; they simply feel that their response is entirely appropriate to the occasion. Their partners, on the other hand, may reach a rather different and rather flattering conclusion: that they are distinctly odd -- and maybe even a little mad.
”
”
Alain de Botton (The Course of Love)
“
The sky’s bright. You look great. In a word, in a phrase, it’s a movie, you’re the star.
So smile for the camera, it’s your big scene, you know your lines.
I’m the director. I’m in a helicopter. I have a megaphone and you play along, because you want to die for love, you always have.
Imagine this: You’re pulling the car over. Somebody’s waiting. You’re going to die
in your best friend’s arms. And you play along because it’s funny, because it’s written down,
you’ve memorized it, it’s all you know. I say the phrases that keep it all going, and everybody plays along.
Imagine: Someone’s pulling a gun, and you’re jumping into the middle of it. You didn’t think you’d feel this way. There’s a gun in your hand. It feels hot. It feels oily.
I’m the director and i’m screaming at you, I’m waving my arms in the sky, and everyone’s watching, everyone’s curious, everyone’s holding their breath.
- 'Planet of Love
”
”
Richard Silken
“
The second jump resulted from our adoption of a sedentary lifestyle, which happened at different times in different parts of the world, as early as 13,000 years ago in some areas and not even today in others. For the most part, that adoption was linked to our adoption of food production, which required us to remain close to our crops, orchards, and stored food surpluses. Sedentary living was decisive for the history of technology, because it enabled people to accumulate nonportable possessions. Nomadic hunter-gatherers are limited to technology that can be carried. If you move often and lack vehicles or draft animals, you confine your possessions to babies, weapons, and a bare minimum of other absolute necessities small enough to carry. You can’t be burdened with pottery and printing presses as you shift camp. That practical difficulty probably explains the tantalizingly early appearance of some technologies, followed by a long delay in their further development.
”
”
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
“
Wait in the car." He opened the door and started to climb out.
"Hold on! How long should I give you? What if you don't come back in a certain number of minutes? Should I call the cops?"
"Don't do anything. Don't call anyone. I'll be fine."
"But what if you're not?"
"Then go home."
And with that, he got out and jogged down the street, like if I heard screams or gunshots or whatever I would just drive on home like nothing happened. Well, good for you, I thought, watching him climb a short cement staircase and put a key in the door. You don't need anyone. Fine.
I watched the clock. Three minutes went by, four. I thought about knocking on the door, having of course no idea what I would actually do once I got there. Maybe I'd have to break the door down, wrestle Cameron away from the bad men, and then carry him out the way you hear people when they get a huge burst of adrenaline. Except the person I pictured rescuing was little Cameron, in shorts and a striped T-shirt, his arms wrapped around my neck.
Then there he was, bursting out of the apartment door and bounding down the steps, a big garbage bag in hand. He ran to the car, fast. I reached over and opened the passenger door and he jumped in.
"Go."
You can't exactly peel out in a '94 Escort, but I did my best. Cameron breathed hard, clutching the garbage bag to his chest.
"What happened?" I drove a good fifteen miles per hour over the speed limit, convinced we were being chased by angry roommates with guns.
"Nothing. You can slow down."
I didn't. "Nothing? Nothing happened?"
"They weren't even there."
Then I did slow down. "No one was there? At all?"
"Right." His breathing had returned to almost normal.
"Then what's the deal with freaking me out like that?" My voice came out high and hysterical and I realized how nervous I'd been, imagining some dangerous scenario from which Cameron had barely escaped, an echo of that day at his house.
"I don't know. I started to picture one of them pulling up and finding me there and...I panicked.
”
”
Sara Zarr (Sweethearts)
“
The real secret to eliminating poverty is not a secret at all. It’s amazingly simple, but it makes the people living in their tony little bubbles seethe with rage. Ready for this? Marriage. Sounds too simple to be true, but here’s a fact—the Beverly LaHaye Institute researched data in 2012 to discover that if a family has two married parents, the poverty rate is about 7.5 percent. If a family is headed by a single mother, the poverty rate is almost 34 percent. While Hollywood celebrities make it seem quite normal to have a baby now, and think about a husband later (if at all or ever), most young, single women having babies aren’t Hollywood starlets with millions of dollars to afford full-time live-in nannies, private jets, and private schools. And the War on Poverty we discussed earlier was launched fifty years ago when most children were raised by two married parents. The Heritage Foundation has done extensive and admirable research on the economics of the family and found that the poverty rate for white, married couples in 2009 was 3.2 percent. If it was a white nonmarried family, the poverty rate jumped to 22 percent. For black couples who were married, 7 percent were in poverty; if a nonmarried black family, that number soared to almost 36 percent!
”
”
Mike Huckabee (God, Guns, Grits, and Gravy: and the Dad-Gummed Gummint That Wants to Take Them Away)
“
The first otter to go into deep water had felt the same fear that Tarka felt that night; for his ancestors, thousands of years ago, had been hunters in woods and along the banks of rivers, running the scent of blooded creatures on the earth, like all the members of the weasel race to which they belonged. This race had several tribes in the country of the Two Rivers. Biggest were the brocks, a tribe of badgers who lived in holts scratched among the roots of trees and bushes, and rarely went to water except to drink. They were related to the fitches or stoats, who chased rabbits and jumped upon birds on the earth; and to the vairs or weasels, who sucked the blood of mice and dragged fledgelings from the nest; and to the grey fitches or polecats, so rare in the forests; and to the pine-martens, a tribe so harried by men that one only remained, and he had found sanctuary in a wood where a gin was never tilled and a gun was never fired, where the red deer was never roused and the fox never chased. He was old; his canine teeth worn down. Otters knew the ponds in this wood and they played in them by day, while herons stalked in the shallows and nothing feared the old lady who sometimes sat on the bank, watching the wild creatures which she thought of as the small and persecuted kinsfolk of man.
”
”
Henry Williamson (Tarka the Otter)
“
He had worked damn hard and prospered. Now it was time to live. He even thought he might get it up tonight and surprise his gorgeous Maggie; then it was Israel and the Pharaohs. Stopping at his front door he took a deep intake of the free English air and smiled contentedly; England was home and so was he, this time for good. He went in the front door and called out for her as he had done so many times before, 'Maggie . . . I'm home sweetheart!' He closed the door and hesitated for a moment, she was usually in his arms by now, planting a sweet little kiss on his expectant, eager lips. She had not been her best lately, complaining of headaches and spending a lot of time down at the library; but today was different, it was retirement day. Aha! This could be a surprise, he thought hanging up his coat. Calling out again, he rubbed his hands together and started to climb the stairs to wash up before tea. This is definitely a surprise . . . no smell of any grub! His whistling stopped abruptly half way up when he saw a darkened figure appear on the landing, pointing a gun at him. A finger tightened and the weapon jolted, sending screeching Belarusian memories echoing across his subconscious. The blast lifted him off his feet sending him to the floor below. The last image of Cedric Boban's life on earth was the flash of a sawn-off shotgun; which fired from a few feet, took his life and most of his upper torso away. The slate was clean, the screeching culled. His assailant moved halfway down before jumping over the banister to avoid the bloody mess on the stairs. Maggie walked steadily into the hall from the living room. She gave a little smile and took the small sawn-off shotgun from the gloved hands of the assassin,
”
”
Anthony Vincent Bruno (SAS: Body Count (The Wicked Will Perish, #1))
“
Patton had been a reflective man, an extraordinarily well-read student of wars and military leaders, ancient and modern, with a curiosity about his war to match his energy. No detail had been too minor or too dull for him, nor any task too humble. Everything from infantry squad tactics to tank armor plate and chassis and engines had interested him. To keep his mind occupied while he was driving through a countryside, he would study the terrain and imagine how he might attack this hill or defend that ridge. He would stop at an infantry position and look down the barrel of a machine gun to see whether the weapon was properly sited to kill counterattacking Germans. If it was not, he would give the officers and men a lesson in how to emplace the gun. He had been a military tailor’s delight of creased cloth and shined leather, and he had worn an ivory-handled pistol too because he thought he was a cavalier who needed these trappings for panache. But if he came upon a truck stuck in the mud with soldiers shirking in the back, he would jump from his jeep, berate the men for their laziness, and then help them push their truck free and move them forward again to battle. By dint of such lesson and example, Patton had formed his Third Army into his ideal of a fighting force. In the process he had come to understand the capabilities of his troops and he had become more knowledgeable about the German enemy than any other Allied general on the Western Front. Patton had been able to command with certainty, overcoming the mistakes that are inevitable in the practice of the deadly art as well as personal eccentricities and public gaffes that would have ruined a lesser general, because he had always stayed in touch with the realities of his war.
”
”
Neil Sheehan (A Bright Shining Lie: John Paul Vann and America in Vietnam (Pulitzer Prize Winner))
“
The blacksmith's boy went out with a rifle
and a black dog running behind.
Cobwebs snatched at his feet,
rivers hindered him,
thorn branches caught at his eyes to make him blind
and the sky turned into an unlucky opal,
but he didn't mind.
I can break branches, I can swim rivers, I can stare out
any spider I meet,
said he to his dog and his rifle.
The blacksmith's boy went over the paddocks
with his old black hat on his head.
Mountains jumped in his way,
rocks rolled down on him,
and the old crow cried, You'll soon be dead.
And the rain came down like mattocks.
But he only said,
I can climb mountains, I can dodge rocks, I can shoot an old crow any day,
and he went on over the paddocks.
When he came to the end of the day, the sun began falling,
Up came the night ready to swallow him,
like the barrel of a gun,
like an old black hat,
like a black dog hungry to follow him.
Then the pigeon, the magpie and the dove began wailing
and the grass lay down to pillow him.
His rifle broke, his hat blew away and his dog was gone and the sun was falling.
But in front of the night, the rainbow stood on the mountain,
just as his heart foretold.
He ran like a hare,
he climbed like a fox;
he caught it in his hands, the colours and the cold -
like a bar of ice, like the column of a fountain,
like a ring of gold.
The pigeon, the magpie and the dove flew up to stare,
and the grass stood up again on the mountain.
The blacksmith's boy hung the rainbow on his shoulder
instead of his broken gun.
Lizards ran out to see, snakes made way for him,
and the rainbow shone as brightly as the sun.
All the world said, Nobody is braver, nobody is bolder,
nobody else has done
anything equal to it. He went home as easy as could be
with the swinging rainbow on his shoulder.
”
”
Judith A. Wright
“
The thunder howled and the rain splashed, the leaves played with the breeze and the lightning flashed, and the tigress growled at last.
She looked here and she looked there, she hadn't seen so much rain anywhere, a desire suddenly came in her heart, a mad longing that had to start, she felt deep love in the rain, looking at her cubs all over again
But two years ago she had been wounded, By cowardly men who wanted her grounded, They were afraid of her power, they wanted to capture her and to enslave her in their tower
They laid traps and they waited in the trees, The jungle was full of birds and the bees, The tigress was out hunting for meat, her cubs awaiting in the cave for their treat
There was something missing in the air, the fragrance of jasmine was not there, The tigress looked up into the trees and saw the men's faces painted in grease, She challenged them looking into their eyes, And saw fear, fright , and faces full of lies! She roared with all her might, This was her land, She had all the right!
The cowardly men crouching behind the trees, Fired their guns in twos and threes, The brave Tigress looked them in the eye, She was the fire and she was the sky, Indomitable force, invincible power, She was the Tigress, The Queen in her Empire
None of the bullets could break her Spirit,
Only one could graze her right leg a bit, She roared with all her heart's might, For she was the Queen for all to sight!
The guns emptied and no more bullets to shoot, The cowardly men jumped from the trees and ran away in two hoots! The Tigress laughed and loudly roared,
For she was the power and her Spirit soared
She is the Tigress inside every Woman,
She has the Power to defeat any Man,
Love her and she would love you back,
Respect her and she would respect you back,
Dare to harm her and she would defeat you till the Last!
”
”
Avijeet Das
“
It was a roadblock, manned by an officer and several other soldiers.
Sivaram and the trishaw driver were ordered out of the vehicle, and I was
told to stay where I was. The soldiers held their rifl es aimed and ready as the
offi cer interrogated the trishaw driver, a Muslim man, who fumbled out his
documents. He was soon allowed to get back in his trishaw. When it was
Sivaram’s turn, he just stood there, completely quiet. After several questions,
the offi cer started screaming at him. Then he ordered his soldiers to take him,
and gestured for the trishaw driver to go on. Without thinking, I jumped out
of the trishaw. I was a visiting professor at Colombo University and he was one
of my students, I lied, approaching them. I threatened to call the American
Embassy if they arrested my ‘student.’ The offi cer yelled, in English, for me to
come no closer, to get back in the trishaw. Then he barked an order, and one
of the soldiers lifted his rifl e and aimed it directly at my head. I kept babbling
on about the embassy, but even I did not hear myself. All I could see was that
hole at the end of the rifl e and, above it, the sweaty face and very frightened
eyes of the soldier. He looked very young, maybe 18. I thought, I’m going to
die right now. And then we grew very quiet.
The offi cer barked another order, the soldier lowered his gun, and the
other soldiers pushed Sivaram back toward the trishaw. We got in and took
off. I do not believe we said anything on the way back to my rented room. I
remember giving the trishaw driver a big tip. Once inside, I sat down in one
of the two big rattan chairs in my room and tried to light a cigarette. But I
had the shakes and kept missing the end. Sivaram lit it for me, and then sat
staring at me in the other chair.
‘My God,’ I said, ‘that was horrible. He could have killed us.’
‘He wanted to kill us both.’
‘My God.’
‘But, one good thing maccaan, at last you begin to understand politics
now
”
”
Mark P. Whitaker (Learning Politics From Sivaram: The Life and Death of a Revolutionary Tamil Journalist in Sri Lanka (Anthropology, Culture and Society))
“
The first time he’d cut off ears because he was there and it was being done, but that was it. He wasn’t one of those who once they were in all that lawlessness couldn’t wait to get going, the ones who weren’t too well put together or were pretty aggressive to start off with and only needed the slightest opportunity to go ape-shit. One guy in his unit, guy they called Big Man, he wasn’t there one or two days when he’d slashed some pregnant woman’s belly open. Farley was himself only beginning to get good at it at the end of his first tour. But the second time, in this unit where there are a lot of other guys who’d also come back and who hadn’t come back just to kill time or to make a couple extra bucks, this second time, in with these guys who are always looking to be put out in front, ape-shit guys who recognize the horror but know it is the very best moment of their lives, he is ape-shit too. In a firefight, running from danger, blasting with guns, you can’t not be frightened, but you can go berserk and get the rush, and so the second time he goes berserk. The second time he fucking wreaks havoc. Living right out there on the edge, full throttle, the excitement and the fear, and there’s nothing in civilian life that can match it. Door gunning. They’re losing helicopters and they need door gunners. They ask at some point for door gunners and he jumps at it, he volunteers. Up there above the action, and everything looks small from above, and he just guns down huge. Whatever moves. Death and destruction, that is what door gunning is all about. With the added attraction that you don’t have to be down in the jungle the whole time. But then he comes home and it’s not better than the first time, it’s worse. Not like the guys in World War II: they had the ship, they got to relax, someone took care of them, asked them how they were. There’s no transition. One day he’s door gunning in Vietnam, seeing choppers explode, in midair seeing his buddies explode, down so low he smells skin cooking, hears the cries, sees whole villages going up in flames, and the next day he’s back in the Berkshires. And now he really doesn’t belong, and, besides, he’s got fears now about things going over his head. He doesn’t want to be around other people, he can’t laugh or joke, he feels that he is no longer a part of their world, that he has seen and done things so outside what these people know about that he cannot connect to them and they cannot connect to him. They told him he could go home? How could he go home?
”
”
Philip Roth (The Human Stain (The American Trilogy, #3))
“
Damn It Feels Good To Be A Gangsta
Verse 1
Damn it feels good to be a gangsta
A real gangsta-ass nigga plays his cards right
A real gangsta-ass nigga never runs his f**kin mouth
Cuz real gangsta-ass niggas don't start fights
And niggas always gotta high cap
Showin' all his boys how he shot em
But real gangsta-ass niggas don't flex nuts
Cuz real gangsta-ass niggas know they got em
And everythings cool in the mind of a gangsta
Cuz gangsta-ass niggas think deep
Up three-sixty-five a year 24/7
Cuz real gangsta ass niggas don't sleep
And all I gotta say to you
Wannabe, gonnabe, cocksuckin', pussy-eatin' prankstas
'Cause when the fire dies down what the f**k you gonna do
Damn it feels good to be a gangsta
Verse 2
Damn it feels good to be a gangsta
Feedin' the poor and helpin out with their bills
Although I was born in Jamaica
Now I'm in the US makin' deals
Damn it feels good to be a gangsta
I mean one that you don't really know
Ridin' around town in a drop-top Benz
Hittin' switches in my black six-fo'
Now gangsta-ass niggas come in all shapes and colors
Some got killed in the past
But this gangtsa here is a smart one
Started living for the lord and I last
Now all I gotta say to you
Wannabe, gonnabe, pussy-eatin' cocksuckin' prankstas
When the sh*t jumps off what the f**k you gonna do
Damn it feels good to be a gangsta
Verse 3
Damn it feels good to be a gangsta
A real gangta-ass nigga knows the play
Real gangsta-ass niggas get the flyest of the b**ches
Ask that gangsta-ass nigga Little Jake
Now b**ches look at gangsta-ass niggas like a stop sign
And play the role of Little Miss Sweet
But catch the b**ch all alone get the digit take her out
and then dump-hittin' the ass with the meat
Cuz gangsta-ass niggas be the gang playas
And everythings quiet in the clique
A gangsta-ass nigga pulls the trigger
And his partners in the posse ain't tellin' off sh*t
Real gangsta-ass niggas don't talk much
All ya hear is the black from the gun blast
And real gangsta-ass niggas don't run for sh*t
Cuz real gangsta-ass niggas can't run fast
Now when you in the free world talkin' sh*t do the sh*t
Hit the pen and let the mothaf**kas shank ya
But niggas like myself kick back and peep game
Cuz damn it feels good to be a gangsta
Verse 4
And now, a word from the President!
Damn it feels good to be a gangsta
Gettin voted into the White House
Everything lookin good to the people of the world
But the Mafia family is my boss
So every now and then I owe a favor gettin' down
like lettin' a big drug shipment through
And send 'em to the poor community
So we can bust you know who
So voters of the world keep supportin' me
And I promise to take you very far
Other leaders better not upset me
Or I'll send a million troops to die at war
To all you Republicans, that helped me win
I sincerely like to thank you
Cuz now I got the world swingin' from my nuts
And damn it feels good to be a gangsta
”
”
Geto Boys
“
Lark wrapped an arm around me and started to speak until Bailey’s startled voice interrupted us. A huge football player had her pinned against the wall and she was yelling for him to back off. Instead, he crowded her more while playing with her blonde hair.
“Hey!” I yelled as Lark and I rushed over.
Six four and wide shouldered, the guy was wasted and angry at the interruption. “Fuck off, bitches,” he muttered.
Bailey clawed at his neck, but he had her pinned in a weird way, so she couldn’t get any leverage.
While I was ready to jump on him in a weak attempt to save my friend, someone shoved the football player off Bailey. I hadn’t even seen the guy appear, but he stood between Bailey and the pissed jerk.
“Fuck off, man,” the asshole said. “She’s mine.”
“Nick,” Bailey mumbled, looking ready to cry. “He humped my leg. Crush his skull, will ya?”
Nick frowned at Bailey who was leaning on him now.
The football player was an inch or two bigger than Nick and outweighed him by probably fifty pounds. Feeling the fight would be short, the asshole reached for Bailey’s arm and Nick nailed the guy in the face. To my shock, the giant asshole collapsed on the ground.
“My hero,” Bailey said, looking ready to puke. She caressed Nick’s biceps and asked, “Do you work out?”
Running his hands through his dark wavy hair, Nick laughed. “You’re so wasted.”
“And you’re like the Energizer Bunny,” she cooed. “My bro said you took a punch, yet kept on ticking.”
Nick started to speak then heard the asshole’s friends riled up.
I was too drunk to know if everything happened really quickly or if my brain just took awhile to catch up.
The guys rushed Nick who dodged most of them and hit another. The room emptied out except for Nick, the guys, and us. I grabbed a beer bottle and threw it at one of the guys shoving Nick.
When the bottle hit him in the back, the bastard glared at me. “You want to fight, bitch?”
“Leave her alone,” Nick said, kicking one guy into the jerk looking to hit me.
As impressive as Nick was against six guys, he was just one guy against six. A losing bet, he took a shot to the face then the gut. Lark grabbed a folding chair and went WWE on one guy. I was tossing beers in the roundabout direction of the other guys. Yet, Bailey was the one who ended the fight by pulling out a gun.
“Back the fuck off or I’ll burn this motherfucking house to the ground!” she screamed then fired at a lamp. Everyone stopped and stared at her. When she noticed me wide-eyed, Bailey frowned. “Too much?”
Grinning, I followed Lark to the door. Nick followed us while the assholes seemed ready to piss themselves. Well, except for an idiot who looked ready to go for Bailey’s gun.
"Dude,” Nick muttered, “that’s Bailey Fucking Johansson. Unless you want to end up in a shallow grave, back the fuck off.”
“What he said!” Bailey yelled, waving her gun around before I hurried her out of the door. The cold air sobered up Bailey enough for her to return the gun to her purse. She was still drunk enough to laugh hysterically as we reached the SUV.
“Did you see me kill that lamp?”
“You did good,” I said, groggy as my adrenaline shifted to nausea and the alcohol threatened to come back up on me.
Nick walked us to the SUV. “Next time, you might want to wave the gun around before you get drunk and dance.”
“Don’t tell me what to do,” Bailey growled, crawling into the backseat. Then, realizing he saved her, she crawled back to face him. “You were so brave. I should totally get you off as a thank you."
“Maybe another time,” he said, laughing as she batted her eyes at him. “Are you guys safe to drive?”
Lark nodded. “I’m sober enough to remember everything tomorrow. Trust me that there’ll be mocking.
”
”
Bijou Hunter (Damaged and the Knight (Damaged, #2))
“
Speaking of shooting, my lady,” Mr. Pinter said as he came around the table, “I looked over your pistol as you requested. Everything seems to be in order.”
Removing it from his coat pocket, he handed it to her, a hint of humor in his gaze. As several pair of male eyes fixed on her, she colored. To hide her embarrassment, she made a great show of examining her gun. He’d cleaned it thoroughly, which she grudgingly admitted was rather nice of him.
“What a cunning little weapon,” the viscount said and reached for it. “May I?”
She handed him the pistol.
“How tiny it is,” he exclaimed.
“It’s a lady’s pocket pistol,” she told him as he examined it.
Oliver frowned at her. “When did you acquire a pocket pistol, Celia?”
“A little while ago,” she said blithely.
Gabe grinned. “You may not know this, Basto, but my sister is something of a sharpshooter. I daresay she has a bigger collection of guns than Oliver.”
“Not bigger,” she said. “Finer perhaps, but I’m choosy about my firearms.”
“She has beaten us all at some time or another at target shooting,” the duke said dryly. “The lady could probably hit a fly at fifty paces.”
“Don’t be silly,” she said with a grin. “A beetle perhaps, but not a fly.” The minute the words were out of her mouth, she could have kicked herself. Females did not boast of their shooting-not if they wanted to snag husbands.
“You should come shooting with us,” Oliver said. “Why not?”
The last thing she needed was to beat her suitors at shooting. The viscount in particular would take it very ill. She suspected that Portuguese men preferred their women to be wilting flowers.
“No thank you,” she said. “Target shooting is one thing, but I don’t like hunting birds.”
“Suit yourself,” Gabe said, clearly happy to make it a gentlemen-only outing, though he knew perfectly well that hunting birds didn’t bother her.
“Come now, Lady Celia,” Lord Devonmont said. “You were eating partridges at supper last night. How can you quibble about shooting birds?”
“If she doesn’t want to go, let her stay,” Gabe put in.
“It’s not shooting birds she has an objection to,” Mr. Pinter said in a taunting voice. “Her ladyship just can’t hit a moving target.”
She bit back a hot retort. Don’t scare off the suitors.
“That’s ridiculous, Pinter,” Gabe said. “I’ve seen Celia-ow! What the devil, Oliver? You stepped on my foot!”
“Sorry, old chap, you were in the way,” Oliver said as he went to the table. “I think Pinter’s right, though. Celia can’t hit a moving target.”
“Oh, for heaven’s sake,” she protested, “I most certainly can hit a moving target! Just because I choose not to for the sake of the poor, helpless birds-“
“Convenient, isn’t it, her sudden dislike of shooting ‘poor, helpless birds’?” Mr. Pinter said with a smug glance at Lord Devonmont.
“Convenient, indeed,” Lord Devonmont agreed. “But not surprising. Women don’t have the same ability to follow a bird in flight that a man-“
“That’s nonsense, and you know it!” Celia jumped to her feet. “I can shoot a pigeon or a grouse on the wing as well as any man here.”
“Sounds like a challenge to me,” Oliver said. “What do you think, Pinter?”
“A definite challenge, sir.” Mr. Pinter was staring at her with what looked like satisfaction.
Blast it all, had that been his purpose-to goad her into it?
Oh, what did it matter? She couldn’t let a claim like this or Lord Devonmont’s stand. “Fine. I’ll join you gentlemen for the shooting.”
“Then I propose that whoever bags the most birds gets to kiss the lady,” Lord Devonmont said with a gleam in his eye.
“That’s not much of a prize for me,” Gabe grumbled.
She planted her hands on her hips. “And what if I bag the most birds?”
“Then you get to shoot whomever you wish,” Mr. Pinter drawled.
As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
cursed life of the man I’m falling in love with, there’s no room for error. Especially when I can’t decide if I’d rather head butt him or jump his sexy bones. Mixed up in a tangled trap of spotlights, sequins and seduction, I’m gunning for a crown and my happily ever after with the arrogant alpha-hole who makes me feel alive.
”
”
Robyn Peterman (Fashionably Dead and Wed (Hot Damned, #7))
“
Imagine this:
You’re pulling the car over. Somebody’s waiting.
You’re going to die
in your best friend’s arms.
And you play along because it’s funny, because it’s written down,
you’ve memorized it,
it’s all you know.
I say the phrases that keep it all going,
and everybody plays along.
Imagine:
Someone’s pulling a gun, and you’re jumping into the middle of it.
You didn’t think you’d feel this way.
”
”
Richard Siken
“
There was a pop of backfire, and Iris jumped. It sounded so much like a gun firing, and her pulse spiked. She winced, fighting the urge to cower; choosing instead to open her eyes.
Roman was sitting on the milk crate just as she left him, with a scowl on his face. And a cat curled up in his lap.
”
”
Rebecca Ross
“
But she’s definitely more Lord and Taylor than Smith and Wesson.
”
”
Elle Cosimano (Finlay Donovan Jumps the Gun (Finlay Donovan, #3))
“
I scanned the sidewalks, the streets, and the building entrances, my eyes skimming over people and objects, letting my mind and my intuition do the work of looking for the break in the pattern, the thing that jumps out. I’d learned a while ago that trying too hard screws with your attention. You focus on a bright, shiny object and realize too late that it’s a handbag when what you’re actually looking for is a gun.
”
”
Matthew Iden (A Reason to Live (Marty Singer #1))
“
Now, President Bush was essentially admitting that money—the thing the government had promised to keep safe—had jumped the fence. The dollars people had invested in money-market funds were no longer investments that people might or might not get back. They were now money, guaranteed by the United States, just like money in the bank or a gold coin in a locked box guarded by a soldier with a gun.
”
”
Jacob Goldstein (Money: The True Story of a Made-Up Thing)
“
A cheerful and helpful nurse followed them into the cubicle, once Aggie became fully alert. “Well, hon, what happened to you?” Without the sincere expression on the nurse’s face, her syrupy tone would have sounded contrived. “I was walking past my brother, and he swung his bat and hit my head.” The nurse looked concerned, and Aggie realized that she didn’t know what happened. “So, your brother hit you with his baseball bat? Was he mad at you?” The woman shot a disapproving look at Aggie. “Oh, no! They were playing softball, and I was walking to the swing out back and didn’t see them. Laird’s probably pretty mad at himself.” Embarrassment in Tavish’s face and manner made him look dishonest. “Didn’t you see them playing? How could you just walk into the middle of a ball game?” Doubt and suspicion laced the nurse’s words, and she surreptitiously pressed a buzzer on the wall. Aggie sighed. She knew they were in trouble now. Tavish, unaware of the tension growing in the room, answered automatically. “Well, I wasn’t watching where I was going. I was reading and looked up just in time to see the bat coming at me. I ducked, but I think that just kept me from getting it in the neck.” Aggie laughed. She couldn’t help it. This was the boy’s third accident stemming from walking while reading. “Tavish, I have to make it a rule now. You may not open your book if you are standing on your feet. Do you understand?” Tavish sheepishly nodded. The nurse watched the exchange and then smiled. “Well, hon, I used to be real klutzy when I was your age, but it wasn’t because I was reading. I didn’t have a good excuse like that.” She gave Aggie a knowing look. “I have to go stop the nurse from calling someone about the accident. You understand.” Relief washed Aggie’s face, and she smiled. “I appreciate it. Sorry to be a bother.” “I’ll be right back. Happy to stop this one!” The nurse walked out of the room, and Aggie overheard her telling the receptionist to cancel the Social Services call. “I was premature— I remembered hearing about the house with all the kids and the 9-1-1 calls and jumped the gun. Tell Linda I am sorry for bothering her.
”
”
Chautona Havig (Ready or Not (Aggie's Inheritance, #1))
“
The OSS had developed a uniquely American cadre of intelligence analysts, but Donovan and his star officer, Allen W. Dulles, were enthralled by espionage and sabotage, skills at which Americans were amateurs. Donovan depended on British intelligence to school his men in the dark arts. The bravest of the OSS, the ones who inspired legends, were the men who jumped behind enemy lines, running guns, blowing up bridges, plotting against the Nazis with the French and the Balkan resistance movements.
”
”
Tim Weiner (Legacy of Ashes: The History of the CIA)
“
Of the 433 Medals of Honor awarded during World War II, none went to the more than one million African Americans who served. Nine black soldiers received the Distinguished Service Cross. In the navy, one African American received a high award: Dorie Miller, the cook at Pearl Harbor who jumped behind an AAA gun he had never been trained to use and fired at Japanese planes until he ran out of ammo. For his efforts, Miller received the Navy Cross, the third-highest decoration at that time (it was later elevated to the second-highest). Among the fifteen men awarded the Medal of Honor for their service on December 7, 1941, one was Mervyn Sharp Bennion, the mortally wounded captain of the USS West Virginia, whom Miller had helped pull to safety before he began firing.
”
”
Linda Hervieux (Forgotten: The Untold Story of D-Day's Black Heroes, at Home and at War)
“
A loud knock shook her door.
Emma damn near jumped off the sofa. Her neck popped as she jerked her head around to stare at the door with wide eyes. Her heart began to slam against her ribs as fear trickled through her.
Who the hell would be knocking on her door this late at night?
Who the hell would be knocking on her door at any time of day or night?
No one she knew would do so without calling first. And deliverymen and women didn’t drop off packages at freaking midnight.
As quickly and quietly as a mouse, she darted into her bedroom and grabbed the 9mm her father had bought her and trained her to use. Flicking off the safety, she returned to the living room and swung by the coffee table to tuck her phone in her pajama pants pocket in case she needed to call 911. Only then did she cautiously approach the door.
Another knock thundered through the house.
Adrenaline spiking, she peered through the door’s peephole.
Shock rippled through her. “Oh shit,” she whispered. Setting the gun on the coatrack bench beside her, she hastily unlocked the dead bolt, then the knob, and flung open the door.
Cliff stood before her, his big body blocking her view of the yard.
Emma gaped up at him.
He wore the standard blacks of network guards covered with a long black coat similar to that of an Immortal Guardian. His face, neck, and hands were streaked with blood. His clothing glistened with wet patches. And his eyes shone bright amber.
She had never seen them so bright and knew it meant that whatever emotion roiled inside him was intense.
Panic consumed her. “Cliff,” she breathed. Stepping onto the porch, she swiftly glanced around, terrified she might see soldiers in black approaching with weapons raised.
When none materialized, she grabbed his wrist and yanked him inside.
Her hands shook as she closed and bolted the door, her fingers leaving little streaks of blood on the white surface.
Spinning around, she stared up at him. “What happened? Are you hurt?” Her gaze swept over him, noting every wet patch on his clothing, every ruby-red splotch on his skin. Was that his blood or someone else’s? “How did you get here? Are you hurt?” Closing the distance between them, she began to run her hands over his chest in search of wounds.
Cliff grabbed her wrists to halt her frantic movements. His glowing eyes dropped to the points at which they touched. He drew his thumbs over her skin as if to confirm she was real. Then he met her gaze. “I need your shower,” he said, voice gruff.
Heart pounding, she nodded. As soon as he released her, she pointed. “It’s through there.”
Without another word, he strode toward it. His heavy boots thudded loudly in the quiet as he entered the short hallway, then turned in to the bathroom. The door closed. Water began to pound tile.
Emma didn’t move.
Cliff was here. In her home. What the hell had happened?
”
”
Dianne Duvall (Cliff's Descent (Immortal Guardians, #11))
“
Aidas trotted for the counter and jumped onto it in one graceful spring, then surveyed all of them. His blue gaze returned to Bryce at last. “Why don’t you know how to use your powers yet?” Bryce rolled her shoulders, cracking her neck, and held out a hand. A kernel of starlight flared in her palm. “I can use them.” A soft, hissing laugh. “Party tricks. I meant your real powers. Your heritage.” Hunt’s fingers tightened on his gun. Bryce challenged, “What powers?” Aidas’s eyes glowed like blue stars. “I remember the last Starborn Queen, Theia, and her powers.” He seemed to shudder. “Your light is her light. I’d recognize that luster anywhere. I’m assuming you have her other gifts as well.” “You knew the last Starborn Queen?” Ruhn asked. Starlight glinted among Ruhn’s shadows, shimmering down the length of his sword. Aidas’s eyes now flared with a strange sort of rage as he looked upon the Fae Prince. “I did. And I knew the sniveling prince whose light you bear.” A ripple of stunned silence went through the room.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
But one thing I know for certain is that she jumped in front of that gun . . . Nobody made her do that. It was instinctual, immediate. She wanted to save me.
”
”
Sophie Lark (Heavy Crown (Brutal Birthright, #6))
“
You testified that your son was drafted for the NFL," Zara said, the tone of her voice changing from demanding to conversational. "Did he get his love of the sport from you?"
"I played in college," the witness said. "Wide receiver. I was a lock for a top-ten draft selection until I tore a ligament and that was the end for me."
"You must have caught some good ones in your time." Now her voice was all warmth and sympathy, tinged with awe.
The witness's eyes grew misty. "I miss those days."
Plaintiff's counsel objected on the basis of irrelevance, and the judge sustained. Zara walked back to her table and consulted her notes.
Was that it? He'd been expecting some theatrics, a smoking gun, or even a witness reduced to tears. Even without any legal training, he could see her cross-examination hadn't elicited any particularly useful information, and yet she didn't seem perturbed.
Zara bent down to grab something from her bag. "Hut!" She spun around and threw a foam football at the plaintiff, her shout echoing through the courtroom, freezing everyone in place.
The plaintiff shot out of his seat and took two steps to the side, hands in the air. "I got it. I got it." With a jump he grabbed the football and held it up, victorious. His smile faded as he stared at the stunned crowd, clearly realizing what he'd just done.
"Objection." Plaintiff's counsel glared at Zara. "What was that?"
"I believe it's called a Hail Mary pass." Zara smiled at the judge. "No further questions.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
According to Shirts’s account, Lee sent messengers south to Santa Clara to bring more Paiutes to the Meadows. By Friday, September 11, there were also “a good many whites come along.” That morning, the militiamen gathered near the besieged wagons and raised a white “flag”—a handkerchief on a stick—signaling they were there to help.18 The emigrants allowed Lee into their corral for negotiation. Hoag remembered how Lee relayed the story to the Harmony congregation. The emigrants’ spokesman asked Lee if “he meant what he showed by the flag.” “Yes,” Lee answered, he “meant peace.” “Do you give us peace?” Lee asked in return. “Yes,” the negotiator replied, but another emigrant protested, “No!” “All I wish,” Lee insisted, is for you “to surrender your arms and we will see that you go unhurt.” “If you give up your arms you are a fool,” the protesting emigrant urged their spokesman. “I don’t know,” the negotiator hesitated. “He promises peace.” “Don’t you be such [a] god damned fool as that,” a third man jumped in. “If you do you are dead men.” “No, I will promise you peace,” Lee assured. “All I want is your arms.”19 After a tense parley, the emigrants finally surrendered their guns on Lee’s promise to protect them back to Cedar City.
”
”
Richard E. Turley (Vengeance Is Mine: The Mountain Meadows Massacre and Its Aftermath)
“
I didn’t believe that for a second. She knew that he was out to get us from the beginning. She knew it was a setup. But one thing I know for certain is that she jumped in front of that gun . . . Nobody made her do that. It was instinctual, immediate. She wanted to save me. Which means that whatever else she might have done, she does care about me. That part wasn’t entirely a lie. But it can’t bring my father back from the dead.
”
”
Sophie Lark (Heavy Crown (Brutal Birthright, #6))
“
Her pulse jumped, as if it had nothing to do with the rest of her. “Roarke, what’s going on here?” “Lieutenant.” He leaned forward, touched his lips to hers. “Indications are we’re having a romance.” Then he laughed, kissed her again, hard and quick. “I believe I could have held a gun to your head and you wouldn’t have looked as terrified. Well, you’ll have several days to think it through, won’t you?” She had a feeling several years wouldn’t be enough.
”
”
J.D. Robb (Naked in Death (In Death, #1))
“
What the fuck!" Truth yelled as he and Juelz jumped on the table with Meek and Zelan. Some of the rats missed the gate and were moving around on the floor, and Gabe opened fire, literally! He had his blow torch working overtime, and his gun out shooting anything moving. All you could here was Melo, and Gina screaming for dear life as Ari dumped the snakes in the pit and Gabe just lost it, he started blowing his torch inside the circle on the damn snakes, the rats, Melo, and Gina.
”
”
K. Renee (Loved By A Billionaire: Ma Lai)
“
I gotta make a run, so I’m gone pass on that, lil mama.” I tried to get up from the chair, and that shit damn near sucked me back in. The moment I stood up, a fuckin’ mice jumped from the damn chair. I couldn’t get my fuckin’ gun I quick enough ‘cause these bitches got me fucked up. I let loose in that raggedy muthafucka wit’ my dick slanging and her ass running around screaming like she didn’t know these muthafuckas were in here.
”
”
K. Renee (When It All Falls Down)
“
I heard your wife was about to die, and I just wanted to be the one to comfort him when she does.” I jumped up with my gun on this bitch so fuckin’ fast she didn’t have time to react. "Go head, bruh, kill that bitch. She deserves every fuckin’ bullet in that muthafuckin’ clip!" Jus sat back in his seat sipping on his drink.
”
”
K. Renee (After The Reign)
“
ask how much the mafia pays to carry out murders. Fríjol tells me without stopping for a moment. One thousand pesos. That is about $85. The figure seems so ludicrous that I check it out in several other interviews up in the barrios with former and active gang members. They all say the same thing. One thousand pesos to carry out a killing. The price of a human life in Juárez is just $85.
To traffic drugs is no huge step to the dark side. All kinds of people over the world move narcotics and don’t feel they’ve crossed a red line. But to take a human life. That is a hard crime. I can at least comprehend assassins killing to jump from poverty to riches. But for someone to take a life for just $85—enough to eat some tacos and buy a few beers over the week—shows a terrifying degradation in society.
To try to get a handle on how this has happened, I talk to social worker Sandra Ramirez at a youth center in the westside slums. Sandra grew up in the barrios and worked on assembly lines before trying to steer young people away from crime. She says the teenage sicarios are the result of systematic alienation over the last two decades. The slums were a convenient place for factory workers but got nothing from the government. As the factory jobs slumped with the economy, the slums were left to rot. One 2010 study found that a stunning 120,000 Juárez youngsters aged thirteen to twenty-four—or 45 percent of the total—were not enrolled in any education nor had any formal employment.
“The government offers nothing. It can’t even compete with a thousand pesos. It is only the mafia that comes to these kids and offers them anything. They offer them money, cell phones, and guns to protect themselves. You think these kids are going to refuse? They have nothing to lose. They only see the day-to-day. They know they could die and they say so. But they don’t care. Because they have lived this way all their lives.” ask how much the mafia pays to carry out murders. Fríjol tells me without stopping for a moment. One thousand pesos. That is about $85. The figure seems so ludicrous that I check it out in several other interviews up in the barrios with former and active gang members. They all say the same thing. One thousand pesos to carry out a killing. The price of a human life in Juárez is just $85.
To traffic drugs is no huge step to the dark side. All kinds of people over the world move narcotics and don’t feel they’ve crossed a red line. But to take a human life. That is a hard crime. I can at least comprehend assassins killing to jump from poverty to riches. But for someone to take a life for just $85—enough to eat some tacos and buy a few beers over the week—shows a terrifying degradation in society.
To try to get a handle on how this has happened, I talk to social worker Sandra Ramirez at a youth center in the westside slums. Sandra grew up in the barrios and worked on assembly lines before trying to steer young people away from crime. She says the teenage sicarios are the result of systematic alienation over the last two decades. The slums were a convenient place for factory workers but got nothing from the government. As the factory jobs slumped with the economy, the slums were left to rot. One 2010 study found that a stunning 120,000 Juárez youngsters aged thirteen to twenty-four—or 45 percent of the total—were not enrolled in any education nor had any formal employment.
“The government offers nothing. It can’t even compete with a thousand pesos. It is only the mafia that comes to these kids and offers them anything. They offer them money, cell phones, and guns to protect themselves. You think these kids are going to refuse? They have nothing to lose. They only see the day-to-day. They know they could die and they say so. But they don’t care. Because they have lived this way all their lives.
”
”
Ioan Grillo (El Narco: Inside Mexico's Criminal Insurgency)
“
I ask how much the mafia pays to carry out murders. Fríjol tells me without stopping for a moment. One thousand pesos. That is about $85. The figure seems so ludicrous that I check it out in several other interviews up in the barrios with former and active gang members. They all say the same thing. One thousand pesos to carry out a killing. The price of a human life in Juárez is just $85.
To traffic drugs is no huge step to the dark side. All kinds of people over the world move narcotics and don’t feel they’ve crossed a red line. But to take a human life. That is a hard crime. I can at least comprehend assassins killing to jump from poverty to riches. But for someone to take a life for just $85—enough to eat some tacos and buy a few beers over the week—shows a terrifying degradation in society.
To try to get a handle on how this has happened, I talk to social worker Sandra Ramirez at a youth center in the westside slums. Sandra grew up in the barrios and worked on assembly lines before trying to steer young people away from crime. She says the teenage sicarios are the result of systematic alienation over the last two decades. The slums were a convenient place for factory workers but got nothing from the government. As the factory jobs slumped with the economy, the slums were left to rot. One 2010 study found that a stunning 120,000 Juárez youngsters aged thirteen to twenty-four—or 45 percent of the total—were not enrolled in any education nor had any formal employment.
“The government offers nothing. It can’t even compete with a thousand pesos. It is only the mafia that comes to these kids and offers them anything. They offer them money, cell phones, and guns to protect themselves. You think these kids are going to refuse? They have nothing to lose. They only see the day-to-day. They know they could die and they say so. But they don’t care. Because they have lived this way all their lives.
”
”
Ioan Grillo (El Narco: Inside Mexico's Criminal Insurgency)
“
Licorice tattoo turned a gun metal blue
Scrawled across the shoulders of a dying town
Took the one eyed-jacks across the railroad tracks
And the scar on its belly pulled a stranger passing through
He's a juvenile delinquent, never learned how to behave
But the cops would never think to look in Burma-Shave
And the road was like a ribbon and the moon was like a bone
He didn't seem to be like any guy she'd ever known
He kind of looked like Farley Granger with his hair slicked back
She says, I'm a sucker for a fella in a cowboy hat
How far are you going?
Said depends on what you mean
He says I'm only stopping here to get some gasoline
I guess I'm going thataway just as long as it's paved
And I guess you'd say I'm on my way to Burma Shave
And with her knees up on the glove compartment
She took out her barrettes and her hair spilled out like root beer
And she popped her gum and arched her back
Hell, Marysville ain't nothing but a wide spot in the road
Some nights my heart pounds like thunder
Don't know why it don't explode
'Cause everyone in this stinking town's got one foot in the grave
And I'd rather take my chances out in Burma Shave
Presley's what I go by, why don't you change the stations?
Count the grain elevators in the rearview mirror
She said mister, anywhere you point this thing
It got to beat the hell out of the sting
Of going to bed with every dream that dies here every mornin'
And so drill me a hole with a barber pole
And I'm jumping my parole just like a fugitive tonight
Why don't you have another swig and pass that car if you're so brave
I wanna get there before the sun comes up in Burma Shave
And the spiderweb crack and the mustang screamed
The smoke from the tires and the twisted machine
Just a nickel's worth of dreams and every wishbone that they saved
Lie swindled from them on the way to Burma Shave
And the sun hit the derrick and cast a batwing shadow
Up against the car door on the shotgun side
And when they pulled her from the wreck
You know she still had on her shades
They say that dreams are growing wild
Just this side
Of Burma Shave
”
”
Tom Waits
“
There were four people in the room. All men. All with their mouths open in shock. There was Dr Houllier, at his desk. Two guys in suits, maybe in their forties, near the door. And one in the centre, facing me. He looked like he was in his sixties. He had an angular face with a burn scar on his left cheek. It was triangle-shaped. He had bulging eyes. Abnormally long arms and legs. Three fingers were missing from his right hand. He was using his thumb and remaining finger to pinch the bezel of his watch. I said, ‘Dendoncker?’ He didn’t react. I jumped off the tray. He fumbled in his jacket pocket. Produced a gun. A revolver. An NAA-22S. It was a tiny little thing. Less than four inches long.
”
”
Lee Child (Better off Dead (Jack Reacher, #26))
“
simple gun pointed at his head has Saint bending down to retrieve it. “Tie her to the bed,” Aero demands. Saint’s eyes land on mine. Aero scratches the side of his head again with the barrel of the gun and his taut abdomen flexes, highlighting the evidence of our matching wounds, his still oozing blood down his flesh. “I’m not a man of much patience. Fucking do it. Now.” I close my eyes tightly, nodding slightly. Walking towards the bed, I approach Saint. I place my palm on his shaking hand holding the rosary, and our eyes connect. “I’m scared,” I whisper truthfully. Saint tries to read my gaze, but I already feel him faltering, slipping away. “Just do what he says,” I plead. “He’s a dangerous man.” The corners of his eyes crease with his growing uncertainty. I can tell he’s racking his brain for the answers, for a way out of this, but Aero’s entirely too calculated. There isn’t a plot twist he hasn’t already imagined. “On the fucking bed!” he yells behind us, causing me to jump.
”
”
Jescie Hall (That Sik Luv)
“
Maybe we’ve gone soft. Gotten used to the relative safety of the farms in the past week. But Mack slows down immediately, and I jump off without hesitation so I can run over to help. I should know better. We both should. But things have felt settled and secure since we got together for real, like the worst of the danger should be over. But we still live in the world. And The Wild has never been safe. And this is undoubtedly a trap for the most gullible of travelers. Evidently today that’s us. Before I can reach the prostrate woman, a man steps out from behind a thick tree. The woman isn’t armed, but he is. And he lifts his pistol, aiming it unwaveringly at the largest threat. That’s Mack, of course. I can’t even take a breath before he’s pulled the trigger, firing directly at Mack. I act on pure instinct. Not because I’ve thought it through in even the slightest of ways. This stranger is shooting a gun at Mack, and Mack will always—always, always—be mine. So I jump right at the man, blocking Mack from the bullet that would have killed him. Unfortunately that means the bullet hits me instead.
”
”
Claire Kent (Beacon (Kindled #8))
“
The curtains snapped open, and a stocky male appeared. Both Kira and Jennifer jumped. A sinking feeling coursed through her as the young man’s eyes changed from whatever color they had been to glowing, bright green. “Why hello there,” the vampire said. “And just who might you be?” Kira’s hand went immediately into her purse for her gun, but the vampire had her wrist seized before she’d even grasped the handle. Jennifer bleated in fear and jumped back, cringing against the curtained wall. The vampire hauled Kira up with her wrist still held in that painful grip. Shit! ran through her mind over and over. She should have had the gun in her hand before she began talking to Jennifer. Maybe then she could’ve squeezed off a shot that would’ve disabled the vampire enough for her and Jennifer to get away. The vampire grabbed her purse in a flash, yanking on Kira’s wrist hard enough for her to feel like her arm was about to be ripped out of its socket.
”
”
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
“
The Newton Twins were the first to try to force the machine to be wrong. Both their tickets said Old Age, so they committed suicide. Ten times they tried, and ten times they failed. Gun jammed. Car engine died. Gas ran out. Tree branch snapped—and by now, the media was all over it. They injected HIV, and it just went away. Concrete slippers in the lake, underwater for half an hour—but the medics brought them back to life, pictures of health. One of the twins, Julie, jumped off the railway bridge, but her sister was scared of heights, so abstained. Nonetheless, she was caught by the tarp on a slow-moving train, and trudged home three days later. I try to inject some perspective, but it’s hard when religion died overnight.
”
”
Anonymous
“
I mean sleeping with you was plan B. Dewey jumped the gun on that one, though I can't say as I blame him. If I were in his shoes, I'm not sure I would have even bothered with plan A." (Wendell)
”
”
Marshall Thornton (The Ghost Slept Over)