Glitter Birthday Quotes

We've searched our database for all the quotes and captions related to Glitter Birthday. Here they are! All 19 of them:

Nobody wanted your dance, Nobody wanted your strange glitter, your floundering Drowning life and your effort to save yourself, Treading water, dancing the dark turmoil, Looking for something to give.
Ted Hughes (Birthday Letters)
You are everything that's ever been my favourite thing," she wanted to tell him. "You're my love song, my birthday cake, the sound of ocean waves and French words and a baby's laugh. You're a snow angel, crème brulée, a kaleidoscope filled with glitter. I love you and you'll never catch up, because I've gotten a head start and my heart is racing at light speed.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.
Jeffrey McDaniel
You are everything that’s ever been my favorite thing,” she wanted to tell him. “You are my love song, my birthday cake, the sound of ocean waves and French words and a baby’s laugh. You’re a snow angel, crème brulée, a kaleidoscope filled with glitter. I love you and you’ll never catch up, because I’ve gotten a head start and my heart is racing at light speed.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
Grandfather died a few days after his hundredth birthday. Both Father and I were there at the end, in the room where I'd been born, forty-four years ago. It was not unlike that day, with sunlight streaming through the windows, and hummingbirds hovering outside, iridescent sun-glittering flashes of jewels. A dove was calling, back in the cool shade. Grandfather's hand was cool, as cool as the river. He tried to sit up to look out at the sunlight. "Sycamores grow by running water," he sang, "cottonwoods by still water," and then he died, and I felt a century slip away.
Rick Bass (The Sky, The Stars, The Wilderness)
hands and transported by animal effort, eight dollars, ten dollars, sixteen dollars a ton. They were piled beside the railroad tracks as each section was built farther west. Hills of bones, mountains of blind skulls, loaded onto railroad cars and shipped back east to process sugar. So it was, every teaspoon of sugar that was stirred into a cup or baked into a pudding was haunted by the slave trade and the slaughter of the buffalo. Just as now, into every teaspoon, is mixed the pragmatic nihilism of industrial sugar farming and the death of our place on earth. This is the sweetness that pricks people’s senses and sparkles in a birthday cake and glitters on the tongue. Price guaranteed, delicious, a craving strong as love.
Louise Erdrich (The Mighty Red)
You are everything that’s ever been my favorite thing,” she wanted to tell him. “You are my love song, my birthday cake, the sound of ocean waves and French words and a baby’s laugh. You’re a snow angel, crème brulée, a kaleidoscope filled with glitter. I love you and you’ll never catch up, because I’ve gotten a head start and my heart is racing at light speed.” Someday
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
I left him and went up on deck to look out at the slithering city, its glitter of street lamps fizzy under the rain. There’s something wrong about a ship in dock, something pathetic, like a bird fluttering in a spill of oil. The Nova was tethered to her berth by ropes and chains, caught in a pool of greasy water. I could feel her shifting under my feet, tugging to be free.
Beryl Bainbridge (The Birthday Boys)
Before I forget to say it: Thank you. This is …” He examined the glittering greenhouse again, then looked out to the river beyond the glass walls. “This is …” He shook his head once more, setting down his glass, and she caught a glimmer of silver in his eyes that made her heart clench. He blinked it away and looked back at her with a small smile. “No one has thrown me a birthday party since I was a child.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
What is this, behind this veil, is it ugly, is it beautiful? It is shimmering, has it breasts, has it edges? I am sure it is unique, I am sure it is what I want. When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules. Is this the one for the annunciation? My god, what a laugh!' But it shimmers, it does not stop, and I think it wants me. I would not mind if it were bones, or a pearl button. I do not want much of a present, anyway, this year. After all I am alive only by accident. I would have killed myself gladly that time any possible way. Now there are these veils, shimmering like curtains, The diaphanous satins of a January window White as babies' bedding and glittering with dead breath. O ivory! It must be a tusk there, a ghost column. Can you not see I do not mind what it is. Can you not give it to me? Do not be ashamed--I do not mind if it is small. Do not be mean, I am ready for enormity. Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it. Let us eat our last supper at it, like a hospital plate. I know why you will not give it to me, You are terrified The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren. Do not be afraid, it is not so. I will only take it and go aside quietly. You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end. I do not think you credit me with this discretion. If you only knew how the veils were killing my days. To you they are only transparencies, clear air. But my god, the clouds are like cotton. Armies of them. They are carbon monoxide. Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million Probable motes that tick the years off my life. You are silver-suited for the occasion. O adding machine----- Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me. It stands at my window, big as the sky. It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history. Let it not come by the mail, finger by finger. Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it. Only let down the veil, the veil, the veil. If it were death I would admire the deep gravity of it, its timeless eyes. I would know you were serious. There would be a nobility then, there would be a birthday. And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side.
Sylvia Plath
On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.
Sylvia Plath
Lucy grimaces at me. “I ran into Marie and Beth while we were out.” “Oh? And how were they?” Marie and Beth had been Lucy’s best friends for years, though it’s been a few months since I last saw them around. “They were on some kind of outing for Marie’s birthday,” Lucy says, and her eyes glitter. She sniffs. “Apparently they don’t think I’m worth an invitation anymore.” “What?” She hugs her arms around her middle, squeezing her eyes shut. “When I asked why they didn’t invite me, Marie said they figured I would say no, so they didn’t bother. As if I’m choosing to be sick. As if the reason I didn’t go to Beth’s spring tea was because I couldn’t be bothered and not because I was afraid I might vomit on her mother’s sofa.” Her voice breaks. “Oh, Luce.” I wrap my arms around her, and she buries her face against my neck. “Is it so terrible of me to want an invitation, even if I’m unable to go?” I shake my head, combing my fingers through her hair. “Of course not.” “You know what else Beth said? She said, ‘You aren’t as fun anymore, and Marie wanted to have a good time.’” A sob chokes out of her lips, and her shoulders shake. “It’s like they think I’m lazy or something.” An inferno rages in my chest. I squeeze her tighter, blinking away my own tears. “They’re wrong, Lucy. You are the most fun person I know, and you sure as hell aren’t lazy. I’d like to see Marie or Beth work half as hard as you.” “But I don’t want to work hard just to live my life. I want to go to the tea parties and the birthday outings and have fun like them.” She mops her eyes with her sleeve. I press a kiss to her forehead as the blood under my skin boils. The things I wish I could say to those girls. To their mothers. I grit my teeth and tighten my arms around my sister, wishing I could protect her from every hurt, every ache, every unkind word. “I know, Luce.I know.
Jessica S. Olson (A Forgery of Roses)
New York glitters at the 50th Birthday.
Petra Hermans (Voor een betere wereld)
Chaol lifted his glass and drank. “Before I forget to say it: Thank you. This is …” He examined the glittering greenhouse again, then looked out to the river beyond the glass walls. “This is …” He shook his head once more, setting down his glass, and she caught a glimmer of silver in his eyes that made her heart clench. He blinked it away and looked back at her with a small smile. “No one has thrown me a birthday party since I was a child.” She scoffed, fighting past the tightness in her chest. “I’d hardly call this a party—” “Stop trying to downplay it. It’s the greatest gift I’ve been given in a long while.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Telos Too many Alphas. Too much Alpha. Sunstruck With Alpha. Eye-sick, Head-sick, sick sick sick O Sick of Alpha. You kicked school it Collapsed in Alphas. You shook The lightning conductor between your teeth- All the sky-signs registered Alpha. ... You stamped and you stamped ... and the whole band Started up Alpha. The whole stadium Clapped Alpha, roared Alpha. ... bull's-eyed A straight row of Alphas. Won a huge Plastic Alpha...You smashed her With a kitchen stool and out fell Tick-tock Alpha. ...Signed the street-scene snowscape Alpha. ... The furies of Alpha you crawled under Or hurdled every letter in the Alphabet And hurling yourself beyond Omega fell Into a glittering Universe of Alpha.
Ted Hughes (Birthday Letters)
Mum also left a pile of letters in thick cream envelopes for Imogen and me to read on our next three birthdays. The envelopes are decorated with drawings of flowers, love hearts, and sunshines, with our name and age written in the middle in Mum’s curly handwriting. Three letters just aren’t enough. I’ll only be thirteen when I get the last one. Why did Mum think it was okay to stop the letters then? What about when I’m eighteen, or twenty-five, thirty-seven, fifty-two, or even seventy? Some people still get letters from their mums at that age. When Dad showed us the six envelopes, I asked him why there were only three each. He put his head in his hands and spoke so quietly that I could barely make out the words. “She had to stop writing, love. There was no more time.
Yvette Clark (Glitter Gets Everywhere)
...the charming rainbow waltz of the lovely ocean world, and the thousands of butterflies fluttering among the glittering pearls at the gentle rays of the sunset, wish you a MESMERIZINGLY BEAUTIFUL BIRTHDAY illuminated by enchanted, sparkling rainbows!
Gabriella Eva Nagy (Enchanted Rainbows)
Magnus Bane was always brightly burning, whimsical and effervescent, ethereal and carefree. He was the High Warlock of Brooklyn, who wore blazing colors and shiny glitter around his eyes. He was the sort of person who threw birthday parties for his cat and loved whomever he wanted loudly and proudly. Only there was dark waiting behind the brightness. Alec had to learn that side of Magnus, too, or he would never really know him.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
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