Glamour Look Quotes

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Actual happiness always looks pretty squalid in comparison with the overcompensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.
Aldous Huxley (Brave New World)
Elves are wonderful. They provoke wonder. Elves are marvellous. They cause marvels. Elves are fantastic. They create fantasies. Elves are glamorous. They project glamour. Elves are enchanting. They weave enchantment. Elves are terrific. They beget terror. The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning. No one ever said elves are nice. Elves are bad.
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
I can’t see through clothes or anything. Just glamour skin. Except I can see through all of you, since your clothes aren’t real.” I stopped, horrified. “I mean, I don’t look—It’s hard to see you, and I like looking at your real face, but I don’t try to see anything, because—Oh gosh, this sounds terrible.” He had a funny look on his face, like he wasn’t sure what to think. “Huh. That’s never been an issue before. Maybe next time you could bring me some shorts.
Kiersten White (Paranormalcy (Paranormalcy, #1))
Later,” I said to the room at large as I didn’t want to appear rude. For some reason this was met by Shirleen saying, "I’ll put money down that she’s living with him in four days.” My confused gaze swung to Shirleen but she was looking at the movie star glamour girl who was looking at me. “Three days,” Glamour girl said, smiling at me and I thought, in other circumstances, I would have liked to meet her. “A week, she’s got spirit,” The other black lady said. She was smiling at me too, not like I was the butt of some joke, but in a kind way. I opened the outer door. Before it closed behind me, I heard Luke say strangely, “Tonight.” Then everyone laughed.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
So what are you really wearing?" The words left her mouth before she could consider them. She winced. He didn't seem to mind; in fact, he flashed her one of his brief smiles. "And if I said nothing at all?" "Then I would point out that sometimes, if you look at something out of the corner of your eye, you can see right through glamour," she returned. That brought surprised laughter. "What a relief to us both then that I am actually wearing exactly what you saw me in this afternoon. Although one might point out that in that outfit, your last concern should be my modesty.
Holly Black (Tithe (Modern Faerie Tales, #1))
You could still be lying,” says the Roach. He turns to Cardan. “Try her.” “Your pardon?” Cardan says, drawing himself up, and the Roach seems to suddenly remember to whom he’s speaking in such an offhanded way. “Don’t be such a prickly rose, Your Majesty,” the Roach says with a shrug and a grin. “I’m not giving you an order. I’m suggesting that if you tried to glamour Jude, we could find out the truth.” Cardan sighs and walks toward me. I know this is necessary. I know that he doesn’t intend to hurt me. I know he can’t glamour me. And yet I draw back automatically. “Jude?” he asks. “Go ahead,” I say. I hear the glamour enter his voice, heady and seductive and more powerful than I expected. “Crawl to me,” he says with a grin. Embarrassment pinks my cheeks. I stay where I am, looking at all their faces. “Satisfied?” The Bomb nods. “You’re not charmed.
Holly Black (The Wicked King (The Folk of the Air, #2))
I think relationships are very difficult. It's very easy to get swept away with excitement, glamour, and passion. I think the trick is to look for friendship rather than passion.
Jane Green (Jemima J)
I had meant my promise to George. I had said that I was, before anything else, a Boleyn and a Howard through and through; but now, sitting in th shadowy room, looking out over the gray slates of the city, and up at the dark clouds leaning on the roof of Westminster Palace, I suddenly realized that George was wrong, and that my family was wrong, and that I had been wrong-- for all my life. I was not a Howard before anything else. Before anything else I was a woman who was capable of passion and who had a great need and a great desire for love, I didn't want the rewards for which Anne had surrendered her youth. I didn' want the arid glamour of George's life, I wanted the heat and the sweat and the passion of a man that I could love and trust. And I wanted to give myself to him: not for advantage, but for desire.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels))
You cannot seriously think you’re going to fight this guy. He could kick your ass with one arm tied behind his back, much less with all his voluminous vampire powers. He’s probably stronger than you, faster than you. He can probably jump higher. Hell, he can probably glamour you into making out with him right there on the mats.” We simultaneously looked over to where Ethan, half naked, was toeing off his black leather loafers. The muscles in his abdomen clenched as he moved. So did the lines of corded muscle across his shoulders. God, but he was beautiful. I narrowed my gaze. Beautiful but evil. Wicked. The repugnant dregs of foul malevolence. Or something. “Jesus,” Mallory whispered. “I want to support your quest for revenge and all, but maybe you should just let him glamour you.” She looked at me, and I could tell she was trying not to laugh. “Either you’re fucked, or you’re fucked, right?
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
When she's worried Vivien gives herself pedicures and facials. Nic lifts weights. I bake. So, Vivien ends up looking more glamourous. Nic gets fitter. And I just get fat.
Huntley Fitzpatrick (What I Thought Was True)
It's just because I love the past that I want this house to look back on its glamourous moment of youth and beauty, and I want its stairs to creak as if to the footsteps of women with hoop skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty.
F. Scott Fitzgerald (The Beautiful and Damned)
Tam would gut me if he caught you drinking that.” “Always looking after your best interests,” I said, and pointedly chugged the contents of the glass. It was like a million fireworks exploding inside me, filling my veins with starlight. I laughed aloud, and Lucien groaned. “Human fool,” he hissed. But his glamour had been ripped away. His auburn hair burned like hot metal, and his russet eye smoldered like a bottomless forge. That was what I would capture next. “I’m going to paint you,” I said, and giggled—actually giggled—as the words popped out. “Cauldron boil and fry me,” he muttered, and I laughed again.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I see the way he looks at you, something I haven't seen in him since the day we lost Ariella. And...I know you love him in a way you can't love me.” He looked away, just for a moment, and took a deep breath. “Jealousy isn't something we deal with well,” he admitted. “But some of us have been around long enough to know when to let go, and what is most important. The happiness of my two best friends should be more important than some ancient feud.” Stepping close, he placed a palm on my cheek, brushing a strand of hair from my face. Glamour flared up around him, casting him in a halo of emerald light. In that moment, he was pure fey, unbound by shallow human fears and embarrassment, a being as natural and ancient as the forest. “I have always loved you, princess,” Robin Goodfellow promised, his green eyes shining in the darkness. “I always will. And I'll take whatever you can give me.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
My mouth fell open. “Did you really just compare me to Olivia Newton-John?” “I just meant like going from, y’know, prim to all sexed up.” “I feel . . . weird.” “You look amazin. Amazin.” He pulled me against him, hands snaking under the glamour cardigan to make the acquaintance of my arse. Chloe gave a warning screech. “Don’t smudge ’im!” He grinned, tilting his head because, in my heels, I was just a little bit taller than he was. “You’re giving me chills, babes.” “Is that so? Are they multiplying?” “Hunjed pahcent.” “You’d better shape up, then.” “You’re like totally the one that I want
Alexis Hall (Glitterland (Spires, #1))
Peo­ple are look­ing for how to put ev­ery­thing to­geth­er. They need a uni­fied field the­ory that com­bines glam­our and ho­li­ness, fash­ion and spir­itu­al­ity. Peo­ple need to rec­on­cile be­ing good and be­ing good-​look­ing.
Chuck Palahniuk (Survivor)
The man gave him an appraising up and down. "You look like a witch." Loki looked down at himself. He'd forgone the glamoured clothes he'd been wearing and purchased an actual suit on the way here to save energy — all black, complete with a tiny dark pin through the tie and the highest-heeled boots that Paxton's had for men — disappointingly quite low. "Thank you." "Witches are girls." "Does that make it less of a compliment?
Mackenzi Lee (Loki: Where Mischief Lies)
There’s no such thing as magic,” I said. “Then call it something else.” She shrugged. “Call it attitude, if you like. Call it charisma, or chutzpah, or glamour, or charm. Because basically it’s just about standing straight, looking people in the eye, shooting them a killer smile, and saying, fuck off, I’m fabulous.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
The mantle of glamour has been taken from the women and given to the men. The women toil in their shadows, plain and ordinary-looking. So that transition has left a void. It is a void for drop-dead, impossible, over-the-top glamour. Supermodels fill that void. The only thing they have to do is work the runway, sweetie, and refuse to get out of bed for less than ten thousand dollars.
RuPaul (Lettin it All Hang Out: An Autobiography)
In the bottom right-hand corner was a decent-sized color photo of Mr. and Mrs. Carl Trudeau posing with their new acquisition. Brianna, ever photogenic, as she damned well be, emanated glamour. Carl looked rich, thin, and young, he thought, and Imelda was as baffling in print as she was in person. Was she really a work of art? Or was she just a hodgepodge of bronze and cement thrown together by some confused soul working hard to appear tortured?
John Grisham (The Appeal)
...friendship stands as a small affront to the total control of all things by mass entertainment and mass media and mass education and mass politics. For wherever such friendships persist, there persists the possibility of imaginative leaps that threaten the comfort of the banal. For you look at the friend and you remember the past, and treasure it. You love the friend, and suddenly you understand that this life of ours cannot fully be described by the motion of particulate matter in empty space. You see instantly that politics fades into unimportance, with all its noisy glamour and empty promises. You feel that others before you have known what it is to have the true friend, the one before whom you can, as Cicero put it, think out loud. You feel that, and it is like an earnest of eternity, of being grounded in a a love and beauty and goodness that is at the heart of all ages, and that transcends them all. Pals we may have, in the flatlands of contemporary life. Political allies, sure. Coworkers, aplenty. But not friends.
Anthony Esolen (Ten Ways to Destroy the Imagination of Your Child)
But spending too much time in the human world does strange things to them. Perhaps it is the amount of iron and technology that is so fatal to their existence. They start to lose themselves, a little at a time, until they are only shadows of their former selves, empty husks covered in glamour to make them look real. Eventually, they simply cease to exist.
Julie Kagawa (The Iron King (The Iron Fey, #1))
He looked across the small table at Alec Lightwood, who was ignoring the glitter and glamour of Paris in order to write postcards to his family back home, and smile. Each time he finished a postcard, Alec wrote Wish you were here at the end. And each time, Magnus snatched the card and wrote, with a flourish, Except not really.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
With how you were reacting to that glamour, I'll have to keep an eye on you. Otherwise the next time I see you, you'll probably have a Doctor Who tramp stamp. For one awkward second, I realized that the only way Suzume could possibly look hotter to me was if she had a tattoo of the TARDIS on the middle of her lower back. I was profoundly grateful in that moment that the kitsune were unable to read minds.
M.L. Brennan (Iron Night (Generation V, #2))
Everyone else can go ahead and live in their beige movie. I prefer mine in Technicolor. They might all look at me and they might talk about me and they might think I'm weird. And you know what? I couldn't possibly disappoint them. So let's not. Instead, let's show them how it's done.
Dita Von Teese (Your Beauty Mark: The Ultimate Guide to Eccentric Glamour)
Now when I was a little chap I had a passion for maps. I would look for hours at South America, or Africa, or Australia, and lose myself in all the glories of exploration. At that time there were many blank spaces on the earth, and when I saw one that looked particularly inviting on a map (but they all look that) I would put my finger on it and say, 'When I grow up I will go there.' The North Pole was one of these places, I remember. Well, I haven't been there yet, and shall not try now. The glamour's off. Other places were scattered about the hemispheres. I have been in some of them, and ... well, we won't talk about that. But there was one yet — the biggest, the most blank, so to speak — that I had a hankering after. True, by this time it was not a blank space any more. It had got filled since my boyhood with rivers and lakes and names. It had ceased to be a blank space of delightful mystery — a white patch for a boy to dream gloriously over. It had become a place of darkness.
Joseph Conrad (Heart of Darkness)
I cannot get you close enough, I said to him, pitiful as a child, and never can and never will. We cannot get from anyone else the things we need to fill the endless terrible need, not to be dissolved, not to sink back into sand, heat, broom, air, thinnest air. And so we revolve around each other and our dreams collide. It is embarrassing that it should be so hard. Look out the window in any weather. We are part of all that glamour, drama, change, and should not be ashamed.
Ellen Gilchrist
The people setting out on these walks weren’t seeking to conquer peaks or test themselves against maps and miles. They were looking for a mystical communion with the land; they walked backwards in time to an imagined past suffused with magical, native glamour:
Helen Macdonald (H is for Hawk)
We are not looking for endless variety--we are looking for fashion." February 10, 1967, Memo re HAIR ON SITTINGS
Diana Vreeland (Glamour)
Nice looking young lady, but the ordinary kind, not glamourous, no Hollywood touch about her.
Agatha Christie (And Then There Were None: or Ten Little Indians)
Even when I was a very young man, I was looking for the purpose of life; I was looking for happiness all over the world; In fame and in glamour, in wealth and in splendor, not knowing how foolish it was. Happiness is not out there. Happiness is not in wealth or splendor. Happiness is inside me, in my mind, in my thoughts, It is in my perception of the world.
Debasish Mridha
Actual happiness always looks pretty squalid in comparison with the over-compensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.
Aldous Huxley (Brave New World)
Oh come now," Bast reproached, his smile falling away. "That's just insulting." "By earth and stone, I abjure you!" Kote dipped his fingers into the cup by his side and flicked droplets casually in Bast's direction. "Glamour be banished!" "With cider?" Bast managed to look amused and annoyed at the same time as he daubed a bead of liquid from the front of his shirt. "This better not stain.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Take the glamour out of war! I mean, how the bloody hell can you do _that_? Go and take the glamour out of a Huey, go take the glamour out of a Sheridan...Can _you_ take the glamour out of a Cobra, or getting stoned at China Beach? It's like taking the glamour out of an M-79, taking the glamour out of Flynn." He pointed to a picture he'd taken, Flynn laughing maniacally ("We're winning," he'd said), triumphantly. "Nothing the matter with _that_ boy, is there? Would you let your daughter marry that man? Ohhhh, war is _good_ for you, you can't take the glamour out of that. It's like trying to take the glamour out of sex, trying to take the glamour out of the Rolling Stones." He was really speechless, working his hands up and down to emphasize the sheer insanity of it. "I mean, you _know_ that it just _can't be done!_" We both shrugged and laughed, and Page looked very thoughtful for a moment. "The very _idea!_" he said. "Ohhh, what a laugh! Take the bloody _glamour_ out of bloody _war!
Michael Herr (Dispatches)
Why the hell wouldn’t you want to be one of the fabulous people, the life enhancers, the people who look interesting and smell luscious and who dare to be gorgeously more fascinating than their neighbors?
Simon Doonan (Eccentric Glamour: Creating an Insanely More Fabulous You)
Thus to enter a realm of immediate experience is most stimulating for those who have done their utmost in the personal and rational spheres of life and yet have found no meaning and no satisfaction there. In this way, too, the matter-of-fact and the commonplace come to wear an altered countenance, and can even acquire a new glamour. For it all depends on how we look at things, and not on how they are in themselves. The least of things with a meaning is worth more in life than the greatest of things without it.
C.G. Jung (Modern Man in Search of a Soul)
Even though I couldn't see it, I had a feeling Archer was raising an eyebrow at me. "Who are you supposed to be?" he asked in a low voice. I took deep breaths and tried to keep my face as impassive as possible. If anyone glanced over here, they had to think I was just talking to a waiter, not facing down an Eye in their midst. "Hecate," I said, plucking one of the glasses off his tray. "What are you doing here?" He shrugged, managing somehow to look elegant even in his waiter's uniform. "Who doesn't love a party? Plus, I thought there might be a chance you'd wear that blue dress again." My fingers tightened so hard on the crystal goblet that I'm surprised I didn't snap the stem. "You are a crazy person," I said, struggling to keep my voice calm. "Or an idiot. Or a crazy idiot person. Why aren't you at least glamoured or something?
Rachel Hawkins (Demonglass (Hex Hall, #2))
Elves are wonderful. They provoke wonder. Elves are marvelous. They cause marvels. Elves are fantastic. They create fantasies. Elves are glamorous. They project glamour. Elves are enchanting. They weave enchantment. Elves are terrific. They beget terror. The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning. No one ever said elves are nice. Elves are bad.
Terry Pratchett (Lords and Ladies (Discworld, #14))
For all of its glamour and frivolity, fashion happens to be a relevant and powerful force in our lives. At every level of society, people care greatly about the way they look, which affects both their self-esteem and the way other people interact with them.
Teri Agins (The End of Fashion)
Of course it does. Actual happiness always looks pretty squalid in comparison with the overcompensations for misery. And, of course, stability isn’t nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.
Aldous Huxley (Brave New World)
The leprechaun, according to legend, can be forced to yield up its treasure if you can keep watching it without letting your attention wander for so much as a moment. This has so much in common with experiences in meditation that Zen masters in America use it as a metaphor for meditative practice. There’s an important lesson here: glamour is hardly limited to the realm of Faery. Most human beings live most of their lives under its spell, chasing after treasures that—like the golden coins in countless fairy tales—turn to dried leaves the moment one looks away.
John Michael Greer (Monsters: An Investigator's Guide to Magical Beings)
You see, the glamour girl standing before you was not the dame I first laid eyes on in Penn Station. In fact, at first I thought she was the charwoman. Don’t you remember how frightful you looked that night, Honey Pie?” Sam patted Evie’s hand. Her strained smile pleased him. “She was sooty and grimy. Had on her mother’s dress and those thick woolen stockings that grandmas and war orphans wear. And one of her teeth was missing. Ghastly. But I was smitten.” “Oh, Daddy, you might need a visit to the dentist soon yourself.” Evie laughed and tightened her grip on Sam’s hand.
Libba Bray (Lair of Dreams (The Diviners, #2))
We bring Kingsley comfort, by being here, but only one visitor has brought him any pleasure: Jaime. He enjoyed, he exulted in Jaime – because the dew is yet on him, the glamour is yet on him. Jaime brought his youth, in all its Conradian force (youth, that ‘mighty power’). I haven’t got any youth to offer my father. This year has closed my youth. I’m sorry, Dad: I haven’t got any . . . Sometimes I imagine that the dead are allowed to watch their children. This would be one of their privileges. But there must come a point where the dead really wouldn’t want to look. William Amis, even Rosa Amis: they wouldn’t be watching now.
Martin Amis (Experience)
No one thinks when they first meet a person that there is some cosmic clock counting down the years, months, weeks, days, hours, minutes, seconds until you stop knowing each other. It doesn't occur to most people when you meet the person with whom you wish to spend the rest of your life that, at some point, one of you will leave. Sure, everyone knows this on a practical level--everyone dies, no one lives forever--but no one looks their spouse in the eye on the night of their wedding and actually hears the ticking of that clock. Its sound is buried far beneath the flash and glamour of what we think our futures hold for us. But it's there; don't be fooled. It ticks for all of us.
Ronald Malfi (Come with Me)
Tuxedos were meant for the glamour of nighttime, and Dave looked forward to when the sun would set and the tuxedo would finally fit perfectly.
Adi Alsaid (Never Always Sometimes)
No matter what we have come through, or how many perils we have safely passed, or how imperfect and jagged our life has been, we cannot in our heart of hearts imagine how it could have been different. As we look back on it, it slips in behind us in orderly disarray, and, with all its mistakes, acquires a sort of eternal fitness, and even, at times, a poetic glamour.
Randolph Bourne
Ultimately, our obsession with celebrities isn't about them; it's about us and our needs. Many of us look at these people—who have glamour, beauty, wealth, and youth—and familiarize ourselves with them until they begin to feel like real people in our lives. We discuss them at work, in the park, and over dinner. We develop feelings for them. We love them, or hate them, or pity them, or profess not to care but secretly do.
Jake Halpern
Anything that just adds information you can't use is plain dangerous. Anyway, there's too much of everything of this kind, that's come home to me, too much history and culture to keep track of, too many details, too much news, too much example, too much influence, too many guys who tell you to be as they are, and all this hugeness, abundance, turbulence, Niagara Falls torrent. Which who is supposed to interpret? Me? I haven't got that much head to master it all. I get carried away. It doesn't give my feelings enough of a chance if I have to store up and become like an encyclopedia. Why, just as a question of time spent in getting prepared for life, look! a man could spent forty, fifty, sixty years like that inside the walls of his own being. And all high conversation would take place within those walls. And all achievement would stay within those walls. And all glamour too. And even hate, monstrousness, enviousness, murder, would be inside them. This would be only a terrible, hideous dream about existing. It's better to dig ditches and hit other guys with your shovel than die in the walls.
Saul Bellow (The Adventures of Augie March)
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
At the age of 79, Hugo has long been an icon of glamour and elegance. She is known for a personal style both sensual and restrained, and many of Hugo’s most famous looks are considered touchstones of the fashion and Hollywood archives.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
She’d read a copy of On the Road that she’d swiped from the library, looking for the glamour and forbidden excitement, but all she could see in it was a bunch of boys driving around, showing up at their girlfriends’ when they needed a place to stay. Beth didn’t want to be a girlfriend who took in a broke boy and fed him, gave him money, and had sex with him before he went off to other adventures and other women. That didn’t sound like freedom, like free love. It sounded like a bore.
Simone St. James (The Book of Cold Cases)
He had envisioned each contour and line of her face, the spellbinding individuality of personal detail. Here was a woman who had lived, and that life had been kind and good. And within that goodness lay true glamour, which was far more than the sum of ephemeral, physical parts. That was why, even attired in an unpretentious house dress, her forty-eight-year-old face scarcely made up, Molly was glamorous in a way that put in the shade women half her age and on the cover of fashion magazines.
Ray Smith (The Magnolia That Bloomed Unseen)
THE SINGLE WOMAN, far from being a creature to be pitied and patronized, is emerging as the newest glamour girl of our times . . . She is engaging because she lives by her wits. She supports herself. She has had to sharpen her personality and mental resources to a glitter in order to survive in a competitive world and the sharpening looks good. Economically, she is a dream. She is not a parasite, a dependent, a scrounger, a sponger or a bum. She is a giver, not a taker, a winner and not a loser.
Eric Klinenberg (Going Solo: The Extraordinary Rise and Surprising Appeal of Living Alone)
I guess I don't know my daughter very well. Because the Jude I knew would cut out that boy's heart for what he did to you tonight.' At the shame of having the revel thrown in my face, I snap. 'You let me be humiliated in Faerie from the time I was a child. You've let Folk hurt me and laugh at me and mutilate me.' I hold up the hand with the missing fingertip, where one of his own guards bit it clean off. Another scar is at its centre, from where Dain forced me to stick a dagger through my hand. 'I've been glamoured and carried in to a revel, weeping and alone. As far as I can tell, the only difference between tonight and all the other nights when I endured indignities without complaint is that those benefited you, and when I endure this, it benefits me.' Madoc looks shaken. 'I didn't know.' 'You didn't want to know,' I return.
Holly Black (The Wicked King (The Folk of the Air, #2))
but she knew … she made her glamour look like you.” Lips parting, Cress envisioned herself hidden in that alcove again. Watching Thorne’s expression of bewilderment. Of desire. The way he’d kissed her, and held her … “I thought I was kissing you,” he confirmed, brushing her lips with his again. And again. Cress’s fingers found his lapels and she pulled him closer. It didn’t last long, though, as another memory resurfaced. She yanked away. “But … you told her you loved her.” His expression froze, desire giving way to alarm. They hovered in that moment for an eternity. Finally, Thorne gulped.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Disco bowling? Seriously? Is there such a thing?" He laughed. "I've never been,but you mentioned bowling a few weeks ago,and I figured tonight of all nights I could go ahead and impress you with my mad lack of bowling skills.Besides which, you look way too hot to waste on trick-or-treaters.They have a costume competition-you're a shoo-in." I laughed,giddy,and grabbed his hand to kiss his knuckles.I knew he'd rather stay at home,but he planned tonight around making me happy. And he wanted to show me off,which appealed to my vanity more than I cared to admit. Best. Boyfriend. Ever. "Pictures,please?And if we're going disco bowling,you have to dress up." He pretended to sigh,but his glamour hair grew out into a massive 'fro and I squealed with delight. Then it shifted into shorter hair with a yellow-blond side part. "I figure with an ascot and blue pants I can do a mean Fred to your Daphne,right?" Tonight was perfect.
Kiersten White (Supernaturally (Paranormalcy, #2))
Lend finished texting someone and slipped his phone into his back pocket, then stood up. I’d never paid much attention to guys’ jeans before (not for lack of desire, but rather lack of opportunity in the Center), but in the past few months I’d come to realize that most guys’ jeans are really, truly horrendous. Too baggy, too tight, too low, etc. It’s like guys don’t realize that they can look great in a good pair of jeans. Shockingly enough girls, too, enjoy a well-framed butt. Another area Lend was perfect in. His jeans choice, I mean. Well, his butt, too. I smiled and stared at his face, watching his two profiles—the glamour one, which fit snugly over his real one. He looked down and caught me staring. “Evie?” “You, my dear boyfriend, are kind of beautiful, you know that?” “That’s what all the old ladies tell me before pinching my cheek.” “Which cheek?” I reached out and goosed him. He jumped and swatted my hand away, laughing.
Kiersten White (Endlessly (Paranormalcy, #3))
Was she wrong? Was she making some great mistake? She looked around: gloom and desolation on every side. But she’d been wrong before about the appearance of things, trusting Mrs. Coulter because of her beautiful smile and her sweet-scented glamour. It was so easy to get things wrong; and without her dæmon to guide her, maybe she was wrong about this, too.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
I thought if I knew more my problem would be simplified, and maybe I should complete my formal education. But since I’ve been working for Robey I have reached the conclusion that I couldn’t utilize even ten percent of what I already knew. I’ll give you an example. I read about King Arthur’s Round Table when I was a kid, but what am I ever going to do about it? My heart was touched by sacrifice and pure attempts, so what should I do? Or take the Gospels. How are you supposed to put them to use? Why, they’re not utilizable! And then you go and pile on top of that more advice and information. Anything that just adds information that you can’t use is plain dangerous. Anyway, there’s too much of everything of this kind, that’s come home to me, too much history and culture to keep track of, too many details, too much news, too much example, too much influence, too many guys who tell you to be as they are, and all this hugeness, abundance, turbulence, Niagara Falls torrent. Which who is supposed to interpret? Me? I haven’t got that much head to master it all. I get carried away. It doesn’t give my feelings enough of a chance if I have to store up and become like an encyclopedia. Why, just as a question of time spent in getting prepared for life, look! a man could spend forty, fifty, sixty years like that inside the walls of his own being. And all great experience would only take place within the walls of his being. And all high conversation would take place within those walls. And all achievement would stay within those walls. And all glamour too. And even hate, monstrousness, enviousness, murder, would be inside them. This would be only a terrible, hideous dream about existing. It’s better to dig ditches and hit other guys with your shovel than die in the walls.
Saul Bellow
Actual happiness always looks pretty squalid in comparison with the overcompensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.
Isabel Campbell (The Witch-Mage Awakens (The Chronicles of the WitchBorn #2))
But for me all the East is contained in that vision of my youth. It is all in that moment when I opened my young eyes on it. I came upon it from a tussle with the sea—and I was young—and I saw it looking at me. And this is all that is left of it! Only a moment; a moment of strength, of romance, of glamour—of youth!... A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and—good-bye!—Night—Good-bye...!” He drank. “Ah! The good old time—the good old time. Youth and the sea. Glamour and the sea! The good, strong sea, the salt, bitter sea, that could whisper to you and roar at you and knock your breath out of you.” He drank again. “By all that’s wonderful, it is the sea, I believe, the sea itself—or is it youth alone? Who can tell? But you here—you all had something out of life: money, love—whatever one gets on shore—and, tell me, wasn’t that the best time, that time when we were young at sea; young and had nothing, on the sea that gives nothing, except hard knocks—and sometimes a chance to feel your strength—that only—what you all regret?” And we all nodded at him: the man of finance, the man of accounts, the man of law, we all nodded at him over the polished table that like a still sheet of brown water reflected our faces, lined, wrinkled; our faces marked by toil, by deceptions, by success, by love; our weary eyes looking still, looking always, looking anxiously for something out of life, that while it is expected is already gone—has passed unseen, in a sigh, in a flash—together with the youth, with the strength, with the romance of illusions.
Joseph Conrad (Youth, a Narrative)
Why detract from your mind, your face, your expression? The attention should be on you. Sexiness doesn't necessarily come with nakedness. I believe it's better to leave some things to the imagination, no matter how toned up a body is. If it's the opposite sex you're aiming to attract, believe me, any guy worth appealing to would rather wonder what it looks like under there than have you share it so magnanimously with the rest of the world.
Rachel Zoe (Style A to Zoe: The Art of Fashion, Beauty, & Everything Glamour)
The Savage shook his head. “It all seems to me quite horrible.” “Of course it does. Actual happiness always looks pretty squalid in comparison with the overcompensations for misery. And, of course, stability isn’t nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.
Aldous Huxley (Brave New World)
To be free to communicate without consequence—is that ever a possibility? I want to say, “I don’t want you to have feelings about my feelings.” I want to be heard without consequence because to be heard is such a novelty. If someone asks while looking me straight in the eye, I slither away. Even though we are looking at each other, I am still hiding. My dark eyes are good for that. The feelings on the tip of my tongue have no shape; they’re listless, always trying to sneak up in a moment of poignancy. Sometimes what I want to say is “I want you to be mine!” Sometimes it is “I feel trapped!” Sometimes it is “I resigned myself to a fate I thought I wanted, but now I don’t!” But I have yearnings, that’s true. I make choices. I take action. That is simply how I navigate. But isn’t it who I am who goes out into the world? Do those few lonely moments when I return inward, away from noise and glamour, really count?
Marlowe Granados (Happy Hour)
We could probably go in without invisibility glamours,” said Isabelle, craning her neck to look down the street. “Half these people have more tattoos than we do.” “But none of them are nearly as attractive.” Jace narrowed his eyes as his Farsight rune took effect, following Isabelle’s gaze. Halfway up the line he saw a flash of something bright. Red hair. A girl with bright red hair was standing in line next to a dark-haired boy who was gesturing animatedly. “Well,” he amended. “Almost none of them.
Cassandra Clare (We Jace you a Clary Xmas)
My dear Orga is here on my lap, sleeping blissfully after I spoilt her with the best cuts of meat from the café and a great deal of cream. Rose made several withering remarks about the devilish nature of faerie cats, as well as my indulgence of her, which he seemed to think a bit maudlin, and yet I saw that old hypocrite sneak her several morsels from his dinner plate when he thought I wasn't looking. Like Shadow, she has adopted a glamour here, and presently looks every bit the part of an ordinary mortal cat, apart from her eyes, which flask like gold coins.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
So you get fancily dressed and sometimes professionally made up. A driver in a town car picks you up, which makes you feel weird and apologetic. An upbeat public relations person you don’t know leads you onto a red carpet where you’re shouted at to “look here!” and “here” at a hundred strangers with flashbulbs for faces. And then, after those brief moments of manufactured glamour, you find yourself in a regular old creaky movie theater seat, sipping Diet Coke from a sweaty plastic cup and salting your fingers with warm popcorn. Lights dim. Mandated enthusiasm begins.
Michelle McNamara (I'll Be Gone in the Dark)
In two months, I think, my college job will end. In two months I will have no office, no college, no salary, no home. Everything will be different. But, I think, everything already is. When Alice dropped down the rabbit-hole into Wonderland she fell so slowly she could take things from the cupboards and bookshelves on the walls, look curiously at the maps and pictures that passed her by. In my three years as a Cambridge Fellow there’d been lectures and libraries and college meetings, supervisions, admissions interviews, late nights of paper-writing and essay-marking, and other things soaked in Cantabrian glamour: eating pheasant by candlelight at High Table while snow dashed itself in flurries against the leaded glass and carols were sung and the port was passed and the silver glittered upon dark-polished refectory tables. Now, standing on a cricket pitch with a hawk on my hand, I knew I had always been falling as I moved past these things. I could reach out and touch them, pick them off their shelves and replace them, but they were not mine. Not really ever mine. Alice, falling, looked down to see where she was headed, but everything below her was darkness.
Helen Macdonald (H is for Hawk)
I discovered that I wasn’t good looking when I went out into the world to look for a job. No, don’t mistake me. I was never delusional. I knew I was no Helen of Troy[32]. But whenever I looked in the mirror, I liked what I saw. I liked my face. Plus I had a great figure. Anyway, turns out that when you are a woman looking for a job in a glamourous industry, you need to be fair and lovely. See, that’s successful branding for you – when you so unconsciously use the phrase ‘fair and lovely.’ Of course, back then in the early 1980s, the skin whitening cream, Fair & Lovely, was not marketed as the route to bagging the job of your dreams. That
Lata Subramanian (A Dance with the Corporate Ton: Reflections of a Worker Ant)
It was raining outside. It wasn’t heavy, but it left droplets on the windows, making it look like the window was covered in glitter which gleamed and shone in the candlelight. There was something outlandish about the place. It wasn’t only the grand rooms and the exquisite décor and not even the sheer size of the building; there was more to it. It was a feeling. She felt enveloped in it day and night. It wasn’t unpleasant or choking, but it wasn’t cosy and welcoming either. It was just there, like a straitjacket. She hoped that there could have been a bit more glitter and glamour to her days. She wasn’t exactly a sparkly kind of girl, but she missed… something.
Pamela Harju (A World Other Than Her Own)
When she did, her mouth fell open. The vivid glamour of the world outside paled in comparison to the world within. It was a palace of vaulting glass and shimmering tapestry and, woven through it all like light, magic. The air was alive with it. Not the secret, seductive magic of the stone, but a loud, bright, encompassing thing. Kell had told Lila that magic was like an extra sense, layered on top of sight and smell and taste, and now she understood. It was everywhere. In everything. And it was intoxicating. She could not tell if the energy was coming from the hundreds of bodies in the room, or from the room itself, which certainly reflected it. Amplified it like sound in an echoing chamber. And it was strangely—impossibly—familiar. Beneath the magic, or perhaps because of it, the space itself was alive with color and light. She’d never set foot inside St. James, but it couldn’t possibly have compared to the splendor of this. Nothing in her London could. Her world felt truly grey by comparison, bleak and empty in a way that made Lila want to kiss the stone for freeing her from it, for bringing her here, to this glittering jewel of a place. Everywhere she looked, she saw wealth. Her fingers itched, and she resisted the urge to start picking pockets, reminding herself that the cargo in her own was too precious to risk being caught. The
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
Flying fighters is simply an assignment, but being a fighter pilot isn’t. Being a fighter pilot is a state-of-mind. It’s an attitude toward your job, toward the mission, toward the way you live your life. You don’t have to fly fighters to be a fighter pilot. You’ve simply got to have the attitude. There are fighter pilots driving B-52s and fighter pilots hauling trash. They may not have the flash and glamour, but they are the best they can possibly be at the job they’ve got to do. There are pilots who fly fighters and there are fighter pilots. You guys want to be fighter pilots, not pilots flying fighters. Look for the difference.” This is profound stuff for the Korat bar. It makes sense to me. I’ve thought a lot about
Ed Rasimus (When Thunder Rolled: An F-105 Pilot over North Vietnam)
It’s okay,” I said, my voice breaking. “It’s okay. You guys stay back here. Try to help the others. I can’t let her hurt anyone else. She won’t leave until she gets me.” “You,” Lend whispered, then looked at Reth. “Something unspoken passed between them. “Keep her safe,” Lend said fiercely. Reth nodded. “Always.” Lend leaned forward and smashed his lips into mine, kissing me desperately, then pulled away. “I love you,” he said, his glamour melting off so it was him, just him for a heartbeat, and I got ready to stand and be lost forever. Then he replaced his water self with: Me. “No!” I screamed, but Reth wrapped his arms around me and traced one finger down my throat, freezing my voice. I screamed and screamed, ripping my throat to shreds but no sound came out. Lend-as-me stood up, lifting both hands in the air. “I’m coming,” my voice said. “Stop.” He walked out from behind the counter and I couldn’t see him and she’d kill him and I’d lose him forever and I couldn’t live in a world where he wasn’t. I kicked against the counter as hard as I could, trying to force Reth to let me go, but his arms weren’t flesh, they were permanent, there was no give. I slammed my head back into his chest again and again, but then I felt more than heard her faerie door closing as the air thinned again and I knew it was over and my world had been destroyed. Lend was gone, and it was my fault. I slammed my head against Reth again in rage; he pulled me closer and said, in a voice tender and sad, “Sleep.
Kiersten White (Endlessly (Paranormalcy, #3))
I looked at him over my glass of citronade. It was not easy to explain my father and usually I never talked about him. He was my secret property. Preserved for me alone, much as Manderley was preserved for my neighbour. I had no wish to introduce him casually over a table in a Monte Carlo restaurant. There was a strange air of unreality about that luncheon, and looking back upon it now it is invested for me with a curious glamour. There was I, so much of a schoolgirl still, who only the day before had sat with Mrs Van Hopper, prim, silent, and subdued, and twenty-four hours afterwards my family history was mine no longer, I shared it with a man I did not know. For some reason I felt impelled to speak, because his eyes followed me in sympathy like the Gentleman Unknown.
Daphne du Maurier (Rebecca)
He was fat. He was not very good looking. He didn’t play up to the press. But he tried. Boy did he try. I could still see him stretching from first to third on a single to center and belly-whopping into the bag, invariably safe. I related to Thurman. I had been a catcher in Little League, I was chunky, I played tough, and I too was pretty ugly. I always took Thurm’s side in arguments, and somehow I could feel what he was going through in that Yankee dugout, sensing his fear and dislike for Reggie (Jackson). I understood Thurman Munson’s terribly private ordeal, trying to simply play ball without wanting to be on the cover of a magazine, avoiding the fanfare in a town that breathes glamour and ignores dedication. His death signifies to me how difficult life really is, how hard it is to do what you want, to love and maintain your family and still do your job. The American dream drags onward….
Stewart J. Zully (My Life in Yankee Stadium: 40 Years As a Vendor and Other Tales of Growing Up Somewhat Sane in The Bronx)
Misty bit her lip — or at least that was what it looked like with the glamour. Kate could only imagine what she was doing with that mouth full of fangs. 'How do I know I can trust him? Or you?' Kate rose to her feet. 'You don’t. You never do, with people. Some things, you have to take on faith.' She turned and headed for the door, then paused and looked back. 'I don’t know how much you know about humans. I’m just guessing here, but we probably seem like a bunch of violent, paranoid, back-stabbing monkeys. ‘Cause we are. But the thing is … sooner or later, we all find ways to trust each other, even though we might get burned doing it.' Misty’s lip curled into a sneer. 'Because deep down inside, humans are all noble creatures that want to rise above their natures, right?' 'Oh, hell no,' Kate said. 'It’s just better than facing the darkness alone.' Then she turned and walked out, leaving the dumbstruck Misty behind her.
Chris Lester (Things Unseen (Metamor City, #9))
The separation from youth has even taken away the golden glamour of Nature, and the future appears hopeless and empty. But what robs Nature of its glamour, and life of its joy, is the habit of looking back for something that used to be outside, instead of looking inside, into the depths of the depressive state. This looking back leads to regression and is the first step along that path. Regression is also an involuntary introversion in so far as the past is an object of memory and therefore a psychic content, an endopsychic factor. It is a relapse into the past caused by a depression in the present. Depression should therefore be regarded as an unconscious compensation whose content must be made conscious if it is to be fully effective. This can only be done by consciously regressing along with the depressive tendency and integrating the memories so activated into the conscious mind—which was what the depression was aiming at in the first place.
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
I threw my binder of materials down on our apartment’s floral couch. “Seriously, pink is a neutral color! And what’s elegant about navy blue? No one ever says, ‘Hey, you know what’s elegant? The Navy!’” Arianna rolled her dead guys. “There is nothing neutral about pink. They need a color that looks good as a background to any shade of dress.” “What color clashes with pink?” “Orange?” “Well, if anyone shows up in an orange dress, she deserves to clash. Yuck.” “Chill out. You can do a lot with navy.” I sank down into the couch next to her. “I guess. I could do navy with silver accents. Stars?” “Yawn.” “Snowflakes?” “Gee, now you’re getting creative for a winter formal.” I ignored her tone, as usual. I was just glad she was here. She’d been gone a lot lately. “Hmm . . . maybe something softer. Like a water and mist theme?” I asked. “I . . . actually kind of like that.” “Wanna help me with the sketches?” She leaned forward and turned on Easton Heights. “Decorating a stupid dance is all yours. You’re the one who decided to be more involved in your ‘normal life.’ I’d prefer to be sleeping six feet under.” “This is probably a bad time to mention I also might have signed up to help with costumes for the spring play. And since I know nothing about sewing, I kind of maybe signed you up as a volunteer aide.” She sighed, running one glamoured corpse hand through her spiky red and black hair. “I am going to kill you in your sleep.” “As long as it doesn’t hurt.” We hummed along to the opening theme, which ended when the door banged open and my boyfriend walked through, shrugging out of his coat and beaming as he dropped a duffel bag. “Free! What did I miss?” Lend asked, his cheeks rosy from the cold and his smile lighting up his watery eyes beneath his dark glamour ones. “I lost the vote on color schemes for the dance, the last episode of Easton Heights before they go into reruns is back on in three minutes, and Arianna is going to murder me in my sleep.” “As long as it doesn’t hurt.” “That’s what I said!
Kiersten White (Endlessly (Paranormalcy, #3))
There is one circumstance in which the extremity of do-gooders looks normal, and that is war. In wartime — or in a crisis so devastating that it resembles war, such as an earthquake or a hurricane — duty expands far beyond its peacetime boundaries ... In war, what in ordinary times would be thought weirdly zealous becomes expected ... People respond to this new moral regime in different ways: some suffer under the tension of moral extremity and long for the forgiving looseness of ordinary life; others feel it was the time when they were most vividly alive, in comparison with which the rest of life seems dull and lacking in purpose... in wartime, duty takes on the glamour of freedom, because duty becomes more exciting than ordinary liberty. This is the difference between do-gooders and ordinary people: for do-gooders, it is always wartime. They always feel themselves responsible for strangers — they always feel that strangers, like compatriots in war, are their own people. They know that there are always those as urgently in need as the victims of battle, and they consider themselves conscripted by duty.
Larissa MacFarquhar (Strangers Drowning: Grappling with Impossible Idealism, Drastic Choices, and the Overpowering Urge to Help)
I went to the lectern to speak, I could barely contain my emotion. I glanced down at my prepared notes but suddenly had little interest in them. Looking up at the girls, I just began to talk, explaining that though I had come from far away, carrying this strange title of First Lady of the United States, I was more like them than they knew. That I, too, was from a working-class neighborhood, raised by a family of modest means and loving spirit, that I’d realized early on that school was where I could start defining myself—that an education was a thing worth working for, that it would help spring them forward in the world. At this point, I’d been First Lady for just over two months. In different moments, I’d felt overwhelmed by the pace, unworthy of the glamour, anxious about our children, and uncertain of my purpose. There are pieces of public life, of giving up one’s privacy to become a walking, talking symbol of a nation, that can seem specifically designed to strip away part of your identity. But here, finally, speaking to those girls, I felt something completely different and pure—an alignment of my old self with this new role. Are you good enough? Yes, you are, all of you. I told the students of Elizabeth Garrett Anderson that they’d touched my heart. I told them that they were precious, because they truly were.
Michelle Obama (Becoming)
10 Watch EQ at the Movies Hollywood. It’s the entertainment capital of the world known for glitz, glamour, and celebrity. Believe it or not, Hollywood is also a hotbed of EQ, ripe for building your social awareness skills. After all, art imitates life, right? Movies are an abundant source of EQ skills in action, demonstrating behaviors to emulate or completely avoid. Great actors are masters at evoking real emotion in themselves; as their characters are scripted to do outrageous and obvious things, it’s easy to observe the cues and emotions on-screen. To build social awareness skills, you need to practice being aware of what’s happening with other people; it doesn’t matter if you practice using a box office hero or a real person. When you watch a movie to observe social cues, you’re practicing social awareness. Plus, since you are not living the situation, you’re not emotionally involved, and the distractions are limited. You can use your mental energy to observe the characters instead of dealing with your own life. This month, make it a point to watch two movies specifically to observe the character interactions, relationships, and conflicts. Look for body language clues to figure out how each character is feeling and observe how the characters handle the conflicts. As more information about the characters unfold, rewind and watch past moments to spot clues you may have missed the first time. Believe it or not, watching movies from the land of make-believe is one of the most useful and entertaining ways to practice your social awareness skills for the real world.
Travis Bradberry (Emotional Intelligence 2.0)
Jude never loved Locke.” My face feels hot, but my shame is an excellent cover to hide behind. “She loved someone else. He’s the one she’d want dead.” I am pleased to see Cardan flinch. “Enough,” he says before I can go on. “I have heard all I care to on this subject—” “No!” Nicasia interrupts, causing everyone under the hill to stir a little. It is immense presumption to interrupt the High King. Even for a princess. Especially for an ambassador. A moment after she speaks, she seems to realize it, but she goes on anyway. “Taryn could have a charm on her, something that makes her resistant to glamours.” Cardan gives Nicasia a scathing look. He does not like her undermining his authority. And yet, after a moment, his anger gives way to something else. He gives me one of his most awful smiles. “I suppose she’ll have to be searched.” Nicasia’s mouth curves to match his. It feels like being back at lessons on the palace grounds, conspired against by the children of the Gentry. I recall the more recent humiliation of being crowned the Queen of Mirth, stripped in front of revelers. If they take my gown now, they will see the bandages on my arms, the fresh slashes on my skin for which I have no good explanation. They will guess I am not Taryn. I can’t let that happen. I summon all the dignity I can muster, trying to imitate my stepmother, Oriana, and the way she projects authority. “My husband was murdered,” I say. “And whether or not you believe me, I do mourn him. I will not make a spectacle of myself for the Court’s amusement when his body is barely cold.” Unfortunately, the High King’s smile only grows. “As you wish. Then I suppose I will have to examine you alone in my chambers.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Rhys kept starting at the table as he said, 'I didn't know. That you were with Tamlin. That you were staying at the Spring Court. Amarantha sent me that day after the Summer Solstice because I'd been so successful on Calanmai. I was prepared to mock him, maybe pick a fight. But then I got into that room, and the scent was familiar, but hidden... And then I saw the plate, and felt the glamour, and... There you were. Living in my second-most enemy's house. Dining with him. Reeking of his scent. Looking at him like... Like you loved him.' The whites of his knuckles showed. 'And I decided that I had to scare Tamlin. I had to scare you, and Lucien, but mostly Tamlin. Because I saw how he looked at you, too. So what I did that day...' His lips were pale, tight. 'I broke into your mind and held it enough that you felt it, that it terrified you, hurt you. I made Tamlin beg- as Amarantha had made me beg, to show him how powerless he was to save you. And I prayed my performance was enough to get him to send you away. Back to the human realm, away from Amarantha. Because she was going to find you. If you broke that curse, she was going to find you and kill you. 'But I was so selfish- I was so stupidly selfish that I couldn't walk away without knowing your name. And you were looking at me like I was a monster, so I told myself it didn't matter, anyway. But you lied when I asked. I knew you did. I had your mind in my hands, and you had the defiance and foresight to lie to my face. So I walked away from you again. I vomited my guts up as soon as I left.' My lips wobbled, and I pressed them together. 'I checked back once. To ensure you were gone. I went with them the day they sacked the manor- to make my performance complete. I told Amarantha the name of that girl, thinking you'd invented it. I had no idea... I had no idea she'd sent her cronies to retrieve Clare. But if I admitted my lie...' He swallowed hard. 'I broke into Clare's head when they brought her Under the Mountain. I took away her pain, and told her to scream when expected to. So they... they did those things to her, and I tried to make it right, but... After a week, I couldn't let them do it. Hurt her like that anymore. So while they tortured her, I slipped into her mind again and ended it. She didn't feel any pain. She felt none of what they did to her, even at the end. But... But I still see her. And my men. And the others that I killed for Amarantha.' Two tears slid down his cheeks, swift and cold. He didn't wipe them away as he said, 'I thought it was done after that. With Clare's death. Amarantha believed you were dead. So you were safe, and far away, and my people were safe, and Tamlin had lost, so... It was done. We were done. But then... I was in the back of the throne room that day the Attor brought you in. And I have never known such horror, Feyre, as I did when I watched you make that bargain. Irrational, stupid terror- I didn't know you. I didn't even know your name. But I thought of those painter's hands, the flowers I'd seen you create. And how she'd delight in breaking your fingers apart. I had to stand and watch as the Attor and its cronies beat you. I had to watch the disgust and hatred on your face as you looked at me, watched me threaten to shatter Lucien's mind. And then- then I learned your name. Hearing you say it... it was like an answer to a question I'd been asking for five hundred years.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I have known its fascination since: I have seen the mysterious shores, the still water, the lands of brown nations, where a stealthy Nemesis lies in wait, pursues, overtakes so many of the conquering race, who are proud of their wisdom, of their knowledge, of their strength. But for me all the East is contained in that vision of my youth. It is all in that moment when I opened my young eyes on it. I came upon it from a tussle with the sea—and I was young—and I saw it looking at me. And this is all that is left of it! Only a moment; a moment of strength, of romance, of glamour—of youth!... A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and—good-bye!—Night—Good-bye...!” He drank. “Ah! The good old time—the good old time. Youth and the sea. Glamour and the sea! The good, strong sea, the salt, bitter sea, that could whisper to you and roar at you and knock your breath out of you.” He drank again. “By all that’s wonderful, it is the sea, I believe, the sea itself—or is it youth alone? Who can tell? But you here—you all had something out of life: money, love—whatever one gets on shore—and, tell me, wasn’t that the best time, that time when we were young at sea; young and had nothing, on the sea that gives nothing, except hard knocks—and sometimes a chance to feel your strength—that only—what you all regret?” And we all nodded at him: the man of finance, the man of accounts, the man of law, we all nodded at him over the polished table that like a still sheet of brown water reflected our faces, lined, wrinkled; our faces marked by toil, by deceptions, by success, by love; our weary eyes looking still, looking always, looking anxiously for something out of life, that while it is expected is already gone—has passed unseen, in a sigh, in a flash—together with the youth, with the strength, with the romance of illusions.
Joseph Conrad (Youth, a Narrative)
My mum once told me that the bravest sailors weren’t the ones who sailed through the storm, but the ones who remained in port whilst it raged out at sea. I never really understood what she meant by that, until now. For seventeen years I succeeded in standing back and watching that storm wreak havoc, never once venturing into the expanse of the ocean like a large proportion of kids on my estate had done. Unlike me, they were drawn into the glamour and the notoriety of joining a gang. Some did it for the promise of a family unit that they didn’t have at home. Some did it because they were too weak or too vulnerable to say no, while others did it because they were bored. And some, like Eastern, joined out of sheer desperation. I chose to stay away. It’s true, I might’ve been the delinquent kid that everyone saw when they looked at me. I might’ve gotten into trouble with the law, but I refused to set sail into a storm that wasn’t of my own making. I refused to join a gang. The way I saw it, whatever trouble I got into was on my terms and not for some self-proclaimed gang leader with a skewed view of the world and their own set of rules. I never wanted to be beholden to anyone but myself, and above all else, I always wanted more out of life than the hand I’ve been dealt. Maybe it was my mother’s fault for filling my head with far-fetched stories, but I wanted what was on the other side of the storm. I wanted what lay far, far beyond the horizon. Deep down I’d craved the life my mum used to tell me about in her stories. It gave me something to focus on, to dream about, even if it wasn’t real. Ironic then, that I’m now a part of the life I worked so hard to avoid, trying to protect the people I love from falling victim to it. And all because my love for a makeshift family meant I couldn’t stand back and watch the storm anymore. I must set sail right into the heart of it because I love Eastern, Tracy and Braydon enough to do something about their situation. They might not be my blood, but they are my family and I won’t abandon them in a time of need. Pity the same couldn’t be said for my own parents.
Bea Paige (Reject (Academy of Misfits, #2))
Stick around, though. I’m going to need all the help I can get to figure all this out.” “That’s me! Mister Helpful. Captain Dependable.” “That sounds like a brand of adult diapers.” “This nickname needs some work. Lord Wonderful? The Incredible Hunk?” “Please, for the love, go inside.” He laughed, then clomped up the steps and into the house. “Reth,” I shouted. “Reeeeeeeeth! Reth! Reth, Reth, Reth! If you don’t come in the next thirty seconds, I’m going to do find David’s golf clubs!” “That tone and level of voice does nothing attractive you for, my love.” I jumped, startled, but of course Reth would be behind me, leaning heavily on the porch railing. “You,” I said, glaring. “Fix it. Now.” A look of disdain on his face, he leaned over and trailed his fingers across Lend’s forehead. A single whispered word, and then . . . Nothing. “You liar!” I shouted, standing so abruptly that Lend rolled off my lap and down a step. As he hit the first one, color bloomed through him into his usual glamour and his eyes flew open in panic. “He was asleep, Evelyn.” Reth’s lips were pursed, but I knew he was smiling gleefully on the inside. “Lend!” I lunged forward, knocking into him, and we both rolled down the next two steps, landing in a heap on the gravel at the bottom. “You’re awake!” “Evie! I’m . . . wow, why am I so bruised?” “Shut up,” I said, grabbing his head and pulling him in for a kiss. It was freezing and we were on the ground but I didn’t care, couldn’t care, not when I could touch my Lend and he was awake to touch me, too. I knew I’d missed it, but it wasn’t until now that it hit me just how empty and desperate it felt to be separated from him like that. “Maybe,” he said, between tracing my neck with kisses, “we could go inside?” “Maybe,” I agreed, not getting up. “Or maybe,” Reth said, his voice dripping with disgust, “Evelyn could come with me to determine how best to fulfill her end of the deal.” Lend lifted a hand off me and held it in the air. I couldn’t see what he was doing with it, but I had a good idea, and I heartily approved. “See what I meant about the ability to focus?” Reth snapped. “You two are ridiculous.
Kiersten White (Endlessly (Paranormalcy, #3))
I need to check your vitals, hon,” she explained. It had been several hours since I’d given birth. I guess this was the routine. She felt my pulse, palpated my legs, asked if I had pain anywhere, and lightly pressed on my abdomen, the whole while making sure I wasn’t showing signs of a blockage or a blood clot, a fever or a hemorrhage. I stared dreamily at Marlboro Man, who gave me a wink or two. I hoped he would, in time, be able to see past the vomit. The nurse then began a battery of questions. “So, no pain?” “Nope. I feel fine now.” “No chills?” “Not at all.” “Have you been able to pass gas in the past few hours?” *Insert awkward ten-second pause* I couldn’t have heard her right. “What?” I asked, staring at her. “Have you been able to pass gas lightly?” *Another awkward pause* What kind of question is this? “Wait…,” I asked. “What?” “Sweetie, have you been able to pass gas today?” I stared at her blankly. “I don’t…” “…Pass gas? You? Today?” She was unrelenting. I continued my blank, desperate stare, completely incapable of registering her question. Throughout the entire course of my pregnancy, I’d gone to great lengths to maintain a certain level of glamour and vanity. Even during labor, I’d attempted to remain the ever-fresh and vibrant new wife, going so far as to reapply tinted lip balm before the epidural so I wouldn’t look pale. I’d also restrained myself during the pushing stage, afraid I’d lose control of my bowels, which would have been the kiss of death upon my pride and my marriage; I would have had to just divorce my husband and start fresh with someone else. I had never once so much as passed gas in front of Marlboro Man. As far as he was concerned, my body lacked this function altogether. So why was I being forced to answer these questions now? I hadn’t done anything wrong. “I’m sorry…,” I stammered. “I don’t understand the question…” The nurse began again, seemingly unconcerned with my lack of comprehension skills. “Have you…” Marlboro Man, lovingly holding our baby and patiently listening all this time from across the room, couldn’t take it anymore. “Honey! She wants to know if you’ve been able to fart today!” The nurse giggled. “Okay, well maybe that’s a little more clear.” I pulled the covers over my head. I was not having this discussion.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
And if someone can lead me to him?” Malaki asks. “Report back to me first. I don’t want to chance losing him. Oh and by the way—” Des’s eyes inadvertently land on Temper, “be discreet.” “Why are you looking at me?” Temper’s voice is several octaves louder than everyone else’s. The Bargainer arches an eyebrow. “I’m as motherfucking discreet as they come,” she says. I’m trying really, really hard not to laugh, but the struggle is real. Malaki manages a sharp nod. “We will be discreet,” he assures Des. The sorceress huffs. “Y’all need to get your heads checked. I am not the problem.” She turns on Malaki. “And you don’t need to go making promises for me. I never even said I was coming along.” “And you don’t need to.” The Bargainer stands. “But if you imagined staying behind so that you could have fun with Callie, then you’ll be sorely disappointed. The future Night Queen has official business that will take her away from the palace.” It takes me a second to realize Des is referring to me. “Wait,” I say, “I haven’t agreed to be queen.” “Yeah,” Temper agrees, “my girl hasn’t agreed—what?” She turns on me. “Bitch, have you lost your mind? Take that crown and wear that shit like it’s your birthright.” Ignoring Temper, Des’s gaze falls on me, his features sharp. “I apologize, the Night King’s consort has official business that will take her away from the palace.” I narrow my eyes at my mate. I might not have jumped onboard with this whole queen business, but I sure as hell don’t want to be known simply as someone else’s consort. “Hoooo!” Temper whoops, falling back into her seat. “You better sleep with one eye open, Desmond. I’ve seen my girl make men pay for less.” He’s still staring intensely at me. “That’s odd. For as long as I’ve known Callie, she’s the one who’s paid for my services. I admit, it’ll be nice to not be the prostitute in our relationship for once.” Temper snickers, appraising Des all over again. “Fuck one eye. Sleep with both eyes open.” I shake my head at Des as I stand, my eyes slitted. “It’s time to go.” We give curt goodbyes to Temper and Malaki, then slip out of the library. “You do realize how close you were to getting glamoured, don’t you?” I say as we head down the hallway. Des’s eyes seem to be laughing at me. “You say that like I’d mind.
Laura Thalassa (Dark Harmony (The Bargainer, #3))
Your beast's little trick didn't work on me,' she said with quiet steel. 'Apparently, an iron will is all it takes to keep a glamour from digging in. So I had to watch as Father and Elain went from sobbing hysterics into nothing. I had to listen to them talk about how lucky it was for you to be taken to some made-up aunt's house, how some winter wind had shattered our door. And I thought I'd gone mad- but every time I did, I would look at that painted part of the table, then at the claw marks farther down, and know it wasn't in my head.' I'd never heard of a glamour not working. But Nesta's mind was so entirely her own; she had put up such strong walls- of steel and iron and ash wood- that even a High Lord's magic couldn't pierce them. 'Elain said- said you went to visit me, though. That you tried.' Nesta snorted, her face grave and full of that long-simmering anger that she could never master. 'He stole you away into the night, claiming some nonsense about the Treaty. And then everything went on as if it had never happened. It wasn't right. None of it was right.' My hands slackened at my sides. 'You went after me,' I said. 'You went after me- to Prythian.' 'I got to the wall. I couldn't find a way through.' I raised a shaking hand to my throat. 'You trekked two days there and two days back- through the winter woods?' She shrugged, looking at the sliver she'd pried from the table. 'I hired that mercenary from town to bring me a week after you were taken. With the money from your pelt. She was the only one who seemed like she would believe me.' 'You did that- for me?' Nesta's eyes- my eyes, our mother's eyes- met mine. 'It wasn't right,' she said again. Tamlin had been wrong when we'd discussed whether my father would have ever come after me- he didn't possess the courage, the anger. If anything, he would have hired someone to do it for him. But Nesta had gone with that mercenary. My hateful, cold sister had been willing to brave Prythian to rescue me. ... I looked at my sister, really looked at her, at this woman who couldn't stomach the sycophants who now surrounded her, who had never spent a day in the forest but had gone into wolf territory... Who had shrouded the loss of our mother, then our downfall, in icy rage and bitterness, because the anger had been a lifeline, the cruelty a release. But she had cared- beneath it, she had cared, and perhaps loved more fiercely that I could comprehend, more deeply and loyally.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I miss Diana more than I can express. The world seems a colder place without her luminous presence. To had had Diana’s friendship, to have known her personally, has been a gift beyond comparison. She brought joy and pride and a touch of glamour to my life for years. I loved and admired her without reservation. When Patrick recognized her picture on magazine covers, I thought how incredible it was that we actually knew the beautiful, famous Diana. Best of all, we knew she was even lovelier inside. I read her letters, feeling deeply touched that she continued to care for us. Seeing her in person--warm, unpretentious, and radiant--was a thrill that lasted a long, long time. It truly was, “like being brushed by angels’ wings,” as my friend at the funeral had said. Whoever would have thought when I called for a nanny so many years ago, that magic would enter my life. My family and I watched her dazzling progress from a shy teenager to a multi-faceted and charismatic woman. She fulfilled her many roles so beautifully. Yet to me, Diana was a beloved friend, not the world-famous Princess of Wales. Behind the glamour, I saw the qualities I’d always admired in her--kindness, integrity, and grace in all she did. Above all, Diana was born to be a mother. Showing affection was as natural to her as breathing. I saw her tender care for my young son. I know she was an utterly devoted mother to her own boys, giving them unconditional love and deriving her greatest joy in life from them. I’ve wished so often that her life had been a fairytale, that Diana had been spared the pain and loneliness she suffered. But without the despair, she might not have developed the strength and humanity that reached out to people everywhere. Diana instinctively looked beyond her own problems to ease the pain and distress of others. She touched so many people in her short lifetime. I never thought it would end this way--that she would die so young. I will always remember, as the last hymn faded into silence at her funeral, the solemn tread of the soldiers’ boots--so haunting, so final--as they carried her casket through the Abbey. I couldn’t bear that she was leaving forever. For months now, I’ve searched for some solace in this tragedy. I hope that Diana’s untimely death and the worldwide mourning for her have silenced forever those who belittled her values and doubted her appeal. She rests peacefully now beyond reproach--young and beautiful. Diana, you were greater than we realized. We will never, never forget you.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
I found myself telling her about an evening some years before, when I was alone at home with my two sons. It was winter; it had been dark since mid-afternoon and the boys were becoming restless. Their father was out, driving back from somewhere. We were waiting for him to come home. I membered the feeling of tension in the room, which seemed to be related to the provisionality of the situation, the fact that we were waiting. The boys kept asking when he would be back and I too kept looking at the clock, waiting for time to pass. Yet I knew that nothing different or particularly important would happen when he got back. It was merely that something was being stretched to breaking point by his absence, something to do with belief: it was as though our ability to believe in ourselves, in our home and our family and in who we said we were, was being worn so thin it might give way entirely. I remembered the pressing feeling of reality, just under the surface of things, like a secret I was struggling to contain. I realized that I didn’t want to be there, in that room. I wanted to go out and walk across the fields in the dark, or go to a city where there was excitement and glamour, or be anywhere where the compulsion of waiting wasn’t lying on me like lead. I wanted to be free. The boys began to argue and fight, in the way that they often did. And this too seemed all at once like a form that could be broken, could be suddenly and shockingly transgressed. We were in the kitchen and I was making something for them to eat at the long stone counter. The boys were at the other end, sitting on stools. My younger son was pestering the older one, wanting him to play with him, and the older one was becoming increasingly irritated. I stopped what I was doing, intending to intervene in their fight, when I saw my older son suddenly take his brother’s head in his hands and drive it down hard against the countertop. The younger one fell immediately to the floor, apparently unconscious, and the older one left him there and ran out of the room. This show of violence, the like of which had never happened in our house before, was not simply shocking – it also concretised something I appeared already to know, to the extent that I believed my children had merely acted in the service of this knowledge, that they had been driven to enact something that they themselves didn’t realise or understand. It was another year before their father moved out of the house, but if I had to locate the moment when the marriage had ended it would be then, on that dark evening in the kitchen, when he wasn’t even there.
Rachel Cusk (Transit)
He crossed to the desk and took from a drawer a small package wrapped in black velvet. When he unfolded the cloth, Lyra saw something like a large watch or a small clock: a thick disc of brass and crystal. It might have been a compass or something of the sort. “What is it?” she said. “It’s an alethiometer. It’s one of only six that were ever made. Lyra, I urge you again: keep it private. It would be better if Mrs Coulter didn’t know about it. Your uncle –” “But what does it do?” “It tells you the truth. As for how to read it, you’ll have to learn by yourself. Now go – it’s getting lighter – hurry back to your room before anyone sees you.” He folded the velvet over the instrument and thrust it into her hands. It was surprisingly heavy. Then he put his own hands on either side of her head and held her gently for a moment. She tried to look up at him, and said, “What were you going to say about Uncle Asriel?” “Your uncle presented it to Jordan College some years ago. He might –” Before he could finish, there came a soft urgent knock on the door. She could feel his hands give an involuntary tremor. “Quick now, child,” he said quietly. “The powers of this world are very strong. Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current. Go well, Lyra; bless you, child; bless you. Keep your own counsel.” “Thank you, Master,” she said dutifully. Clutching the bundle to her breast, she left the study by the garden door, looking back briefly once to see the Master’s dæmon watching her from the windowsill. The sky was lighter already; there was a faint fresh stir in the air. “What’s that you’ve got?” said Mrs Lonsdale, closing the battered little suitcase with a snap. “The Master gave it me. Can’t it go in the suitcase?” “Too late. I’m not opening it now. It’ll have to go in your coat pocket, whatever it is. Hurry on down to the Buttery; don’t keep them waiting . . .” It was only after she’d said goodbye to the few servants who were up, and to Mrs Lonsdale, that she remembered Roger; and then she felt guilty for not having thought of him once since meeting Mrs Coulter. How quickly it had all happened! And now she was on her way to London: sitting next to the window in a zeppelin, no less, with Pantalaimon’s sharp little ermine-paws digging into her thigh while his front paws rested against the glass he gazed through. On Lyra’s other side Mrs Coulter sat working through some papers, but she soon put them away and talked. Such brilliant talk! Lyra was intoxicated; not about the North this time, but about London, and the restaurants and ballrooms, the soirées at Embassies or Ministries, the intrigues between White Hall and Westminster. Lyra was almost more fascinated by this than by the changing landscape below the airship. What Mrs Coulter was saying seemed to be accompanied by a scent of grown-upness, something disturbing but enticing at the same time: it was the smell of glamour.
Philip Pullman (His Dark Materials)
Everywhere you look with this young lady, there’s a purity of motivation,” Shultz told him. “I mean she really is trying to make the world better, and this is her way of doing it.” Mattis went out of his way to praise her integrity. “She has probably one of the most mature and well-honed sense of ethics—personal ethics, managerial ethics, business ethics, medical ethics that I’ve ever heard articulated,” the retired general gushed. Parloff didn’t end up using those quotes in his article, but the ringing endorsements he heard in interview after interview from the luminaries on Theranos’s board gave him confidence that Elizabeth was the real deal. He also liked to think of himself as a pretty good judge of character. After all, he’d dealt with his share of dishonest people over the years, having worked in a prison during law school and later writing at length about such fraudsters as the carpet-cleaning entrepreneur Barry Minkow and the lawyer Marc Dreier, both of whom went to prison for masterminding Ponzi schemes. Sure, Elizabeth had a secretive streak when it came to discussing certain specifics about her company, but he found her for the most part to be genuine and sincere. Since his angle was no longer the patent case, he didn’t bother to reach out to the Fuiszes. — WHEN PARLOFF’S COVER STORY was published in the June 12, 2014, issue of Fortune, it vaulted Elizabeth to instant stardom. Her Journal interview had gotten some notice and there had also been a piece in Wired, but there was nothing like a magazine cover to grab people’s attention. Especially when that cover featured an attractive young woman wearing a black turtleneck, dark mascara around her piercing blue eyes, and bright red lipstick next to the catchy headline “THIS CEO IS OUT FOR BLOOD.” The story disclosed Theranos’s valuation for the first time as well as the fact that Elizabeth owned more than half of the company. There was also the now-familiar comparison to Steve Jobs and Bill Gates. This time it came not from George Shultz but from her old Stanford professor Channing Robertson. (Had Parloff read Robertson’s testimony in the Fuisz trial, he would have learned that Theranos was paying him $500,000 a year, ostensibly as a consultant.) Parloff also included a passage about Elizabeth’s phobia of needles—a detail that would be repeated over and over in the ensuing flurry of coverage his story unleashed and become central to her myth. When the editors at Forbes saw the Fortune article, they immediately assigned reporters to confirm the company’s valuation and the size of Elizabeth’s ownership stake and ran a story about her in their next issue. Under the headline “Bloody Amazing,” the article pronounced her “the youngest woman to become a self-made billionaire.” Two months later, she graced one of the covers of the magazine’s annual Forbes 400 issue on the richest people in America. More fawning stories followed in USA Today, Inc., Fast Company, and Glamour, along with segments on NPR, Fox Business, CNBC, CNN, and CBS News. With the explosion of media coverage came invitations to numerous conferences and a cascade of accolades. Elizabeth became the youngest person to win the Horatio Alger Award. Time magazine named her one of the one hundred most influential people in the world. President Obama appointed her a U.S. ambassador for global entrepreneurship, and Harvard Medical School invited her to join its prestigious board of fellows.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
When I went back to look for it again I could never find it. It was as if someone had put some kind of glamour, some kind of spell, on that ground, and I felt as if I was walking in circles around it again and again, never able to see what was in front of my eyes. That was how I felt about what happened to me when I turned thirteen. I felt as if I was always circling around my own brain trying to understand.
Francesca Lia Block
Done right, [Vampirella]'s a perfect blend of goth and glamour, of horror and heroine, of sex and savagery. I've always strived to capture the essence of the old Enric covers, which treated the character with a certain respect, and depicted her in a very non exploitative way. I often look at the old Bob McGinnis "Carter Brown" book covers and wonder what she would look like painted by master of the female form such as he.
Joe Jusko (The Art of Vampirella)
Once upon a time, all the clocks chimed midnight. Cinderella flees from the ball as her illusion unweaves. Beauty races towards her Beast before the last echo of the clock falls silent. Illusions fall. Magic ends. The clock chimes. Nothing lasts forever, and midnight is a purposeful stop. A pause to remind you that there is always a clock ticking. There will never be enough time, and for every Beauty who saves her Beast, there will be a voiceless mermaid who dissolves into sea foam. But there is another thing about midnight. It is when illusions break. When you can see the truth beneath them, if you are looking. There is always a crack in the illusion, a gap in the perfection, even if it is only visible with the ticking of a clock. Midnight is when you look, if there is a truth you need to see. If you are brave enough to bear what you witness. For just a moment, the smoke dissipates, the mirrors shatter, and the glamour is gone. All that's left is the truth of the story, the truth in your heart, your darkest secret. A glass shoe abandoned on the stairs. Once upon a time. Tick. Tock.
Kat Howard (Roses and Rot)
I whisper some hoodoo and put on the glamour I used last night. Again, Sinclair and the roaches are startled. To Sandoval’s credit, she just looks me over like she’s selecting which lobster in the tank to eat for dinner.
Richard Kadrey (Hollywood Dead (Sandman Slim, #10))
She appreciated her own reflection- she looked less than a tenth of her earthly age- but knew the years were bound to catch up. There had been a time or two when she had put a glamour on herself, to reverse those years, to remember and even to capture the attention of a young man so she could make the kind of vigorous love she had enjoyed before. But she wouldn't have tried to keep up the glamour permanently, or to create the violent kind of spells that she could have to remain in a state of perpetual youth. The crone cannot be a sage or wisewoman until she reaches beyond the shallow confines of her skin. Children of the earth must also change, like the seasons do. Autumn had seen herself in all these transitions: the tentative buds of spring; the heavy sensuality of summer. And now, like the fall, she was colorful and majestic but right on the verge of winter, to be stripped down to what was really important, the bare branches of what was true.
Amy S. Foster (When Autumn Leaves)
The vampire stared at me for a moment more. Then it shuddered, drawing its wing membranes about itself. Black slime turned into patches of pale, perfect flesh that spread over the vampire’s dark skin like a growth of fungus. The flabby black breasts swelled into softly rounded, rosy-tipped perfection once more. Bianca stood before me a moment later, settling her dress back into modesty again, her arms crossed over her as though she was cold, her back stiff and her eyes angry. She was no less beautiful than she had been a few moments before, not a line or a curve any different. But for me, the glamour had been ruined. She still had the same eyes, dark and fathomless and alien. I would always remember what she truly looked like, beneath her flesh mask.
Jim Butcher (Storm Front (The Dresden Files, #1))
By some quirk of fate, I had been chosen—along with five others—as a candidate to be the next equerry to the Princess of Wales. I knew little about what an equerry actually did, but I did not greatly care. I already knew I wanted to do the job. Two years on loan to the royal household would surely be good for promotion, and even if it was not, it had to be better than slaving in the Ministry of Defense, which was the most likely alternative. I wondered what it would be like to work in a palace. Through friends and relatives I had an idea it was not all red carpets and footmen. Running the royal family must involve a lot of hard work for somebody, I realized, but not, surely, for the type of tiny cog that was all I expected to be. In the wardroom of the frigate, alongside in Loch Ewe, news of the signal summoning me to London for an interview had been greeted with predictable ribaldry and a swift expectation that I therefore owed everybody several free drinks. Doug, our quiet American on loan from the U.S. Navy, spoke for many. He observed me in skeptical silence for several minutes. Then he took a long pull at his beer, blew out his mustache, and said, “Let me get this straight. You are going to work for Princess Di?” I had to admit it sounded improbable. Anyway, I had not even been selected yet. I did not honestly think I would be. “Might work for her, Doug. Only might. There’re probably several smooth Army buggers ahead of me in the line. I’m just there to make it look democratic.” The First Lieutenant, thinking of duty rosters, was more practical. “Whatever about that, you’ve wangled a week ashore. Lucky bastard!” Everyone agreed with him, so I bought more drinks. While these were being poured, my eye fell on the portraits hanging on the bulkhead. There were the regulation official photographs of the Queen and Prince Philip, and there, surprisingly, was a distinctly nonregulation picture of the Princess of Wales, cut from an old magazine and lovingly framed by an officer long since appointed elsewhere. The picture had been hung so that it lay between the formality of the official portraits and the misty eroticism of some art prints we had never quite got around to throwing away. The symbolic link did not require the services of one of the notoriously sex-obsessed naval psychologists for interpretation. As she looked down at us in our off-duty moments the Princess represented youth, femininity, and a glamour beyond our gray steel world. She embodied the innocent vulnerability we were in extremis employed to defend. Also, being royal, she commanded the tribal loyalty our profession had valued above all else for more than a thousand years, since the days of King Alfred. In addition, as a matter of simple fact, this tasty-looking bird was our future Queen. Later, when that day in Loch Ewe felt like a relic from another lifetime, I often marveled at the Princess’s effect on military people. That unabashed loyalty symbolized by Arethusa’s portrait was typical of reactions in messhalls and barracks worldwide. Sometimes the men gave the impression that they would have died for her not because it was their duty, but because they wanted to. She really seemed worth it.
Patrick D. Jephson (Shadows Of A Princess: An Intimate Account by Her Private Secretary)
Actual happiness always looks pretty squalid in comparison with the over-compensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand. / La felicidad real siempre aparece escuálida por comparación con las compensaciones que ofrece la desdicha. Y, naturalmente, la estabilidad no es, ni con mucho, tan espectacular como la inestabilidad. Y estar satisfecho de todo no posee el hechizo de una buena lucha contra la desventura, ni el pintoresquismo del combate contra la tentación o contra una pasión fatal o una duda. La felicidad nunca tiene grandeza.
Aldous Huxley (Brave New World)