Glamour Best Quotes

Sensuality is the hustle to always be at the leading edge of your glamour and enchantment.

When you know you were designed to be sensual, your potential haunts you.

Tam would gut me if he caught you drinking that.” “Always looking after your best interests,” I said, and pointedly chugged the contents of the glass. It was like a million fireworks exploding inside me, filling my veins with starlight. I laughed aloud, and Lucien groaned. “Human fool,” he hissed. But his glamour had been ripped away. His auburn hair burned like hot metal, and his russet eye smoldered like a bottomless forge. That was what I would capture next. “I’m going to paint you,” I said, and giggled—actually giggled—as the words popped out. “Cauldron boil and fry me,” he muttered, and I laughed again.

I see the way he looks at you, something I haven't seen in him since the day we lost Ariella. And...I know you love him in a way you can't love me.” He looked away, just for a moment, and took a deep breath. “Jealousy isn't something we deal with well,” he admitted. “But some of us have been around long enough to know when to let go, and what is most important. The happiness of my two best friends should be more important than some ancient feud.” Stepping close, he placed a palm on my cheek, brushing a strand of hair from my face. Glamour flared up around him, casting him in a halo of emerald light. In that moment, he was pure fey, unbound by shallow human fears and embarrassment, a being as natural and ancient as the forest. “I have always loved you, princess,” Robin Goodfellow promised, his green eyes shining in the darkness. “I always will. And I'll take whatever you can give me.

True love is the reward of true sensuality.

There can wisely be no “solutions,” no self-help, of a kind that removes problems altogether. What we can aim for, at best, is consolation—a word tellingly lacking in glamour. To believe in consolation means giving up on cures; it means accepting that life is a hospice rather than a hospital, but one we’d like to render as comfortable, as interesting, and as kind as possible.

He had grown fat on solitude, he thought, and had learned to expect nothing from the day but at best a dull contentment. Sometimes the dullness came to the fore with a strange and insistent ache which he would entertain briefly, but learn to keep at bay. Mostly, however, it was the contentment he entertained; the slow ease and the silence could, once night had fallen, fill him with a happiness that nothing, no society nor the company of any individual, no glamour or glitter, could equal.

Holmes, too, continued to embrace an exalted image of herself. In her acceptance speech at Glamour magazine’s Women of the Year Awards at Carnegie Hall, she held herself up as a role model for young women. “Do everything you can to be the best in science and math and engineering,” she urged them. “It’s that that our little girls will see when they start to think about who do they want to be when they grow up.

And this is the mystery that I declare unto thee: that from the Crown itself spring the three great delusions; Aleph is madness, and Beth is falsehood, and Gimel is glamour. —The Cry of the 3rd Aethyr Which Is Called ZON

Like a forest rose the huge peaks above the slumbering village, measuring the night and heavens. They beckoned him. And something born of the snowy desolation, born of the midnight and silent grandeur, born of the great listening hollows of the night, something that lay 'twixt terror and wonder, dropped from the vast wintry spaces down into his heart-- and called him. Very softly, unrecorded in any word or thought his brain could compass, it laid its spell upon him. Fingers of snow brushed the surface of his heart. The power and quiet majesty of the winter's night appalled him.... -The Glamour of the Snow

I had entered Kidneyland. I was officially a patient now. Somehow, I had managed to walk through the door: WELCOME TO THE WORLD OF SICKNESS. We have air-conditioning and HBO.

That is when the commitment to change would be put to the test: when the cameras are gone and the reporters are gone and the glamour disappears and the tedium sets in—the crushing tedium. That is when you realize, in your solitary moments, how much of your life you will have to sacrifice to change the world.

Disco bowling? Seriously? Is there such a thing?" He laughed. "I've never been,but you mentioned bowling a few weeks ago,and I figured tonight of all nights I could go ahead and impress you with my mad lack of bowling skills.Besides which, you look way too hot to waste on trick-or-treaters.They have a costume competition-you're a shoo-in." I laughed,giddy,and grabbed his hand to kiss his knuckles.I knew he'd rather stay at home,but he planned tonight around making me happy. And he wanted to show me off,which appealed to my vanity more than I cared to admit. Best. Boyfriend. Ever. "Pictures,please?And if we're going disco bowling,you have to dress up." He pretended to sigh,but his glamour hair grew out into a massive 'fro and I squealed with delight. Then it shifted into shorter hair with a yellow-blond side part. "I figure with an ascot and blue pants I can do a mean Fred to your Daphne,right?" Tonight was perfect.

California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly

what I had to live with, the rest of the world must never see, for it separated me from them, as it had just done with my former best friends and with my one long love, Berry. There was rage and rage and rage, coating all like crude oil coating gulls. They had hurt me, bad. For now, I had no faith in the others of the world. And the delivery of medical care? Farce. BUFF ’n’ TURF. Revolving door. I wasn’t sitting at the end of the ambulance ride, no. There was no glamour in this. My first patient of the New Year was a five-year-old found in a clothes dryer, face bloodied. She had been hit by her pregnant mother, hit over and over with a bludgeon of pantyhose stuffed with shards of broken glass. How could I survive?

But for me all the East is contained in that vision of my youth. It is all in that moment when I opened my young eyes on it. I came upon it from a tussle with the sea—and I was young—and I saw it looking at me. And this is all that is left of it! Only a moment; a moment of strength, of romance, of glamour—of youth!... A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and—good-bye!—Night—Good-bye...!” He drank. “Ah! The good old time—the good old time. Youth and the sea. Glamour and the sea! The good, strong sea, the salt, bitter sea, that could whisper to you and roar at you and knock your breath out of you.” He drank again. “By all that’s wonderful, it is the sea, I believe, the sea itself—or is it youth alone? Who can tell? But you here—you all had something out of life: money, love—whatever one gets on shore—and, tell me, wasn’t that the best time, that time when we were young at sea; young and had nothing, on the sea that gives nothing, except hard knocks—and sometimes a chance to feel your strength—that only—what you all regret?” And we all nodded at him: the man of finance, the man of accounts, the man of law, we all nodded at him over the polished table that like a still sheet of brown water reflected our faces, lined, wrinkled; our faces marked by toil, by deceptions, by success, by love; our weary eyes looking still, looking always, looking anxiously for something out of life, that while it is expected is already gone—has passed unseen, in a sigh, in a flash—together with the youth, with the strength, with the romance of illusions.

Techno emerged in the early to mideighties in and around Detroit, at the hands of black middle-class DJs who for some reason idealized the glamour and suavity of European electronic pop and Italo disco, as it reached them via GQ and the radio DJ who called himself the Electrifying Mojo. They brought some rigor and a hint of Motown to it and created an industrial-sounding music that was funky, futuristic, and kind of arch—evoking the auto plants that were putting these kids’ parents out of work.

My dear Orga is here on my lap, sleeping blissfully after I spoilt her with the best cuts of meat from the café and a great deal of cream. Rose made several withering remarks about the devilish nature of faerie cats, as well as my indulgence of her, which he seemed to think a bit maudlin, and yet I saw that old hypocrite sneak her several morsels from his dinner plate when he thought I wasn't looking. Like Shadow, she has adopted a glamour here, and presently looks every bit the part of an ordinary mortal cat, apart from her eyes, which flask like gold coins.

I have spoken of reinventing marriage, of marriages achieving their rebirth in the middle age of the partners. This phenomenon has been called the 'comedy of remarriage' by Stanley Cavell, whose Pursuits of Happiness, a film book, is perhaps the best marriage manual ever published. One must, however, translate his formulation from the language of Hollywood, in which he developed it, into the language of middle age: less glamour, less supple youth, less fantasyland. Cavell writes specifically of Hollywood movies of the 1930s and 1940s in which couples -- one partner is often the dazzling Cary Grant -- learn to value each other, to educate themselves in equality, to remarry. Cavell recognizes that the actresses in these movie -- often the dazzling Katherine Hepburn -- are what made them possible. If read not as an account of beautiful people in hilarious situations, but as a deeply philosophical discussion of marriage, his book contains what are almost aphorisms of marital achievement. For example: ....'[The romance of remarriage] poses a structure in which we are permanently in doubt who the hero is, that is, whether it is the male or female who is the active partner, which of them is in quest, who is following whom.' Cary grant & Katherine Hepburn "Above all, despite the sexual attractiveness of the actors in the movies he discusses, Cavell knows that sexuality is not the ultimate secret in these marriage: 'in God's intention a meet and happy conversation is the chiefest and noblest end of marriage. Here is the reason that these relationships strike us as having the quality of friendship, a further factor in their exhilaration for us.' "He is wise enough, moreover, to emphasize 'the mystery of marriage by finding that neither law nor sexuality (nor, by implication, progeny) is sufficient to ensure true marriage and suggesting that what provides legitimacy is the mutual willingness for remarriage, for a sort of continuous affirmation. Remarriage, hence marriage, is, whatever else it is, an intellectual undertaking.

Flying fighters is simply an assignment, but being a fighter pilot isn’t. Being a fighter pilot is a state-of-mind. It’s an attitude toward your job, toward the mission, toward the way you live your life. You don’t have to fly fighters to be a fighter pilot. You’ve simply got to have the attitude. There are fighter pilots driving B-52s and fighter pilots hauling trash. They may not have the flash and glamour, but they are the best they can possibly be at the job they’ve got to do. There are pilots who fly fighters and there are fighter pilots. You guys want to be fighter pilots, not pilots flying fighters. Look for the difference.” This is profound stuff for the Korat bar. It makes sense to me. I’ve thought a lot about

In tire world today there is a “liberal” or “enlightened” tradition which regards the combative side of man’s nature as a pure, atavistic evil, and scouts the chivalrous sentiment as part of the “false glamour” of war. And there is also a neo-heroic tradition which scouts the chivalrous sentiment as a weak sentimentality, which would raise from its grave (its shallow and unquiet grave!) the pre-Christian ferocity of Achilles by a “modern invocation”. Already in our own Kipling the heroic qualities of his favourite subalterns are dangerously removed from meekness and urbanity. One cannot quite imagine the adult Stalkey in the same room with the best of Nelson’s captains, still less with Sidney! These two tendencies between them weave the world’s shroud.

For the next nine months, Sylvia would report on campus trends, politics, tastes, style. It was an honor, but it was grueling. Sylvia was overworked. She had boyfriend problems. She longed for Europe. She broke her leg in a skiing accident. Her best friend, Marcia Brown, had gotten engaged and moved off campus - other girls were away on their junior year abroad. The whole campus seemed mired in some bleak haze- there were suicide attempts, abortions, disappearances, and hasty marriages. Sylvia coped with shopping binges in downtown Northhampton- sheer blouses, French pumps, red cashmere sweaters, white skirts, and tight black pullovers - clothes more suited to voguish amusements than studying. Everyone wanted to be one of Mademoiselle's guest editors, but Sylvia needed it - some shot of glamour to pull her out of the mud.

A writer spinning out the manuscript of a book is like a banker generating debts he knows can never be repaid. From one perspective it’s a waste of time, ‘the deliberate pouring of water through a sieve’, in Dostoyevsky’s phrase. The effort will not be repaid. From another, however, it’s an incredibly important process in which cultural charisma – intellectual glamour – is generated via a mechanism of guilt. A bookshelf is a glamorous row of reproaches. We know that there are books we ought to read, and ought to have read, because they are said to be wonderful and capable of making us better people. They sit there on the shelf, seeming to watch us, waiting for our best moment of spiritual preparedness. Yet we fail to read them. As a result we feel guilty. The books seem to say to us: – You are trivial and lazy. Your life could be so much richer and more creative, yet you fritter away your attention on television and Facebook, or idle gossip, or sports, or Olafur Eliasson installations. This guilt is much more wonderful than the contents of the books themselves could ever be, and spiritually much more uplifting. The unreadness of books outstrips their readness in beauty and in utility. It’s tremendously important to believe that there are heights which we’ve failed to attain, mountains we can glimpse in the distance but not climb. It’s almost like believing in heaven. To quote Kafka once more: Theoretically there is a perfect possibility of happiness: believing in the indestructible element in oneself and not striving towards it.

Palo Mayombe is perhaps best known for its display of human skulls in iron cauldrons and accompanied by necromantic practices that contribute to its eerie reputation of being a cult of antinomian and hateful sorcerers. This murky reputation is from time to time reinforced by uninformed journalists and moviemakers who present Palo Mayombe in similar ways as Vodou has been presented through the glamour and horror of Hollywood. It is the age old fear of the unknown and of powers that threaten the established order that are spawned from the umbra of Palo Mayombe. The cult is marked by ambivalence replicating an intense spectre of tension between all possible contrasts, both spiritual and social. This is evident both in the history of Kongo inspired sorcery and practices as well as the tension between present day practitioners and the spiritual conclaves of the cult. Palo Mayombe can be seen either as a religion in its own right or a Kongo inspired cult. This distinction perhaps depends on the nature of ones munanso (temple) and rama (lineage). Personally, I see Palo Mayombe as a religious cult of Creole Sorcery developed in Cuba. The Kongolese heritage derives from several different and distinct regions in West Africa that over time saw a metamorphosis of land, cultures and religions giving Palo Mayombe a unique expression in its variety, but without losing its distinct nucleus. In the history of Palo Mayombe we find elite families of Kongolese aristocracy that contributed to shaping African history and myth, conflicts between the Kongolese and explorers, with the Trans-Atlantic slave trade being the blood red thread in its development. The name Palo Mayombe is a reference to the forest and nature of the Mayombe district in the upper parts of the deltas of the Kongo River, what used to be the Kingdom of Loango. For the European merchants, whether sent by the Church to convert the people or by a king greedy for land and natural resources, everything south of present day Nigeria to the beginning of the Kalahari was simply Kongo. This un-nuanced perception was caused by the linguistic similarities and of course the prejudice towards these ‘savages’ and their ‘primitive’ cultures. To write a book about Palo Mayombe is a delicate endeavor as such a presentation must be sensitive both to the social as well as the emotional memory inherited by the religion. I also consider it important to be true to the fundamental metaphysical principles of the faith if a truthful presentation of the nature of Palo Mayombe is to be given. The few attempts at presenting Palo Mayombe outside ethnographic and anthropological dissertations have not been very successful. They have been rather fragmented attempts demonstrating a lack of sensitivity not only towards the cult itself, but also its roots. Consequently a poor understanding of Palo Mayombe has been offered, often borrowing ideas and concepts from Santeria and Lucumi to explain what is a quite different spirituality. I am of the opinion that Palo Mayombe should not be explained on the basis of the theological principles of Santeria. Santeria is Yoruba inspired and not Kongo inspired and thus one will often risk imposing concepts on Palo Mayombe that distort a truthful understanding of the cult. To get down to the marrow; Santeria is a Christianized form of a Yoruba inspired faith – something that should make the great differences between Santeria and Palo Mayombe plain. Instead, Santeria is read into Palo Mayombe and the cult ends up being presented at best in a distorted form. I will accordingly refrain from this form of syncretism and rather present Palo Mayombe as a Kongo inspired cult of Creole Sorcery that is quite capable

I have known its fascination since: I have seen the mysterious shores, the still water, the lands of brown nations, where a stealthy Nemesis lies in wait, pursues, overtakes so many of the conquering race, who are proud of their wisdom, of their knowledge, of their strength. But for me all the East is contained in that vision of my youth. It is all in that moment when I opened my young eyes on it. I came upon it from a tussle with the sea—and I was young—and I saw it looking at me. And this is all that is left of it! Only a moment; a moment of strength, of romance, of glamour—of youth!... A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and—good-bye!—Night—Good-bye...!” He drank. “Ah! The good old time—the good old time. Youth and the sea. Glamour and the sea! The good, strong sea, the salt, bitter sea, that could whisper to you and roar at you and knock your breath out of you.” He drank again. “By all that’s wonderful, it is the sea, I believe, the sea itself—or is it youth alone? Who can tell? But you here—you all had something out of life: money, love—whatever one gets on shore—and, tell me, wasn’t that the best time, that time when we were young at sea; young and had nothing, on the sea that gives nothing, except hard knocks—and sometimes a chance to feel your strength—that only—what you all regret?” And we all nodded at him: the man of finance, the man of accounts, the man of law, we all nodded at him over the polished table that like a still sheet of brown water reflected our faces, lined, wrinkled; our faces marked by toil, by deceptions, by success, by love; our weary eyes looking still, looking always, looking anxiously for something out of life, that while it is expected is already gone—has passed unseen, in a sigh, in a flash—together with the youth, with the strength, with the romance of illusions.

Stick around, though. I’m going to need all the help I can get to figure all this out.” “That’s me! Mister Helpful. Captain Dependable.” “That sounds like a brand of adult diapers.” “This nickname needs some work. Lord Wonderful? The Incredible Hunk?” “Please, for the love, go inside.” He laughed, then clomped up the steps and into the house. “Reth,” I shouted. “Reeeeeeeeth! Reth! Reth, Reth, Reth! If you don’t come in the next thirty seconds, I’m going to do find David’s golf clubs!” “That tone and level of voice does nothing attractive you for, my love.” I jumped, startled, but of course Reth would be behind me, leaning heavily on the porch railing. “You,” I said, glaring. “Fix it. Now.” A look of disdain on his face, he leaned over and trailed his fingers across Lend’s forehead. A single whispered word, and then . . . Nothing. “You liar!” I shouted, standing so abruptly that Lend rolled off my lap and down a step. As he hit the first one, color bloomed through him into his usual glamour and his eyes flew open in panic. “He was asleep, Evelyn.” Reth’s lips were pursed, but I knew he was smiling gleefully on the inside. “Lend!” I lunged forward, knocking into him, and we both rolled down the next two steps, landing in a heap on the gravel at the bottom. “You’re awake!” “Evie! I’m . . . wow, why am I so bruised?” “Shut up,” I said, grabbing his head and pulling him in for a kiss. It was freezing and we were on the ground but I didn’t care, couldn’t care, not when I could touch my Lend and he was awake to touch me, too. I knew I’d missed it, but it wasn’t until now that it hit me just how empty and desperate it felt to be separated from him like that. “Maybe,” he said, between tracing my neck with kisses, “we could go inside?” “Maybe,” I agreed, not getting up. “Or maybe,” Reth said, his voice dripping with disgust, “Evelyn could come with me to determine how best to fulfill her end of the deal.” Lend lifted a hand off me and held it in the air. I couldn’t see what he was doing with it, but I had a good idea, and I heartily approved. “See what I meant about the ability to focus?” Reth snapped. “You two are ridiculous.

I miss Diana more than I can express. The world seems a colder place without her luminous presence. To had had Diana’s friendship, to have known her personally, has been a gift beyond comparison. She brought joy and pride and a touch of glamour to my life for years. I loved and admired her without reservation. When Patrick recognized her picture on magazine covers, I thought how incredible it was that we actually knew the beautiful, famous Diana. Best of all, we knew she was even lovelier inside. I read her letters, feeling deeply touched that she continued to care for us. Seeing her in person--warm, unpretentious, and radiant--was a thrill that lasted a long, long time. It truly was, “like being brushed by angels’ wings,” as my friend at the funeral had said. Whoever would have thought when I called for a nanny so many years ago, that magic would enter my life. My family and I watched her dazzling progress from a shy teenager to a multi-faceted and charismatic woman. She fulfilled her many roles so beautifully. Yet to me, Diana was a beloved friend, not the world-famous Princess of Wales. Behind the glamour, I saw the qualities I’d always admired in her--kindness, integrity, and grace in all she did. Above all, Diana was born to be a mother. Showing affection was as natural to her as breathing. I saw her tender care for my young son. I know she was an utterly devoted mother to her own boys, giving them unconditional love and deriving her greatest joy in life from them. I’ve wished so often that her life had been a fairytale, that Diana had been spared the pain and loneliness she suffered. But without the despair, she might not have developed the strength and humanity that reached out to people everywhere. Diana instinctively looked beyond her own problems to ease the pain and distress of others. She touched so many people in her short lifetime. I never thought it would end this way--that she would die so young. I will always remember, as the last hymn faded into silence at her funeral, the solemn tread of the soldiers’ boots--so haunting, so final--as they carried her casket through the Abbey. I couldn’t bear that she was leaving forever. For months now, I’ve searched for some solace in this tragedy. I hope that Diana’s untimely death and the worldwide mourning for her have silenced forever those who belittled her values and doubted her appeal. She rests peacefully now beyond reproach--young and beautiful. Diana, you were greater than we realized. We will never, never forget you.

California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told.

This really drove home to me that Hugh Everett was no exception: studying the foundations of physics isn't a recipe for glamour and fame. It's more like art: the best reason to do it is because you love it. Only a small minority of my physics colleagues choose to work on the really big questions, and when I meet them, I feel a real kinship. I imagine that a group of friends who've passed up on lucrative career options to become poets might fell a similar bond, knowing that they're all in it not for the money but for the intellectual adventure.

Palo Mayombe is perhaps best known for its display of human skulls in iron cauldrons and accompanied by necromantic practices that contribute to its eerie reputation of being a cult of antinomian and hateful sorcerers. This murky reputation is from time to time reinforced by uninformed journalists and moviemakers who present Palo Mayombe in similar ways as Vodou has been presented through the glamour and horror of Hollywood. It is the age old fear of the unknown and of powers that threaten the established order that are spawned from the umbra of Palo Mayombe. The cult is marked by ambivalence replicating an intense spectre of tension between all possible contrasts, both spiritual and social. This is evident both in the history of Kongo inspired sorcery and practices as well as the tension between present day practitioners and the spiritual conclaves of the cult. Palo Mayombe can be seen either as a religion in its own right or a Kongo inspired cult. This distinction perhaps depends on the nature of ones munanso (temple) and rama (lineage). Personally, I see Palo Mayombe as a religious cult of Creole Sorcery developed in Cuba. The Kongolese heritage derives from several different and distinct regions in West Africa that over time saw a metamorphosis of land, cultures and religions giving Palo Mayombe a unique expression in its variety, but without losing its distinct nucleus. In the history of Palo Mayombe we find elite families of Kongolese aristocracy that contributed to shaping African history and myth, conflicts between the Kongolese and explorers, with the Trans-Atlantic slave trade being the blood red thread in its development.

Busy street of emotions On a languid Sunday afternoon on the busy street, Everything everywhere appeared to be missing a beat, Few of their desires, of their hopes, many of their own dreams, And in midst of all this I could hear strange screams, There was rush, there was movement, there was life in its busiest state, Many loved to be a part of it whereas a few showed all signs of hate, They were the ones who were not chasing life, they were after something different, That the busy street did not offer, and to the most people caught in its glamour it nothing meant, To me all appeared to be seeking the same illusive something, A thing that is born of nothing, and to a few it means everything, That something, about which I had no clue, but the busy street certainly knew about it, It knew everything about it, But it had concealed it from all, happy and sad alike, For now it had kept everyone busy pursuing what he/she liked, and what next he/she would like, It was then she appeared in the busiest corner of the street, Where people crossed each other; but noone nobody did ever meet, They all saw other people's eyes but not what their eyes could see, All were in this maze of fascinations where they had been before, but there they again and again wished to be, And then she got up and left this busy corner, And whispered in my ear, “let me show you a life that is real and livelier!” I followed her wherever she went, And that is how my Sunday was spent, Finally as the evening set in and people began to feel weary, And life too seemed dreary, I looked at the once busy street that was now empty and desolate, “This is the fact of life, and this is what you shall be able to isolate!” With these last words she disappeared, And now on the street, only I and my infinite avatars appeared, Everywhere, in everything, and the street got busy again, Because now I was dealing with life in its reality: joy, sorrow, love, faith, defection, everything and even pain, So whenever you visit this busy street, walk towards everything with every feeling, Because in our lives we all are either with retreating joy or with an advancing pain dealing!

-Sic vos non nobis- --not for you yourselves -- says Virgil to his bees and birds building nests and storing up food, mostly for others. Strange shadows fall across the glamour of glory. The law of sharing for the most of mankind seems to be that each shall give his best according to some inner commandment, and receive according to the decree of some far divinity, whose face is of a stranger, and whose heart is alien to the motives and sympathies that animate his own.

This attitude toward women was not only troubling; it was in absolute contrast to Geraldine’s own viewpoint. At Bendel, fashion was not about seducing men; it was a tool for women to find the best expression of themselves.

There are other problems more closely related to the question of culture. The poor fit between large scale and Korea’s familistic tendencies has probably been a net drag on efficiency. The culture has slowed the introduction of professional managers in situations where, in contrast to small-scale Chinese businesses, they are desperately needed. Further, the relatively low-trust character of Korean culture does not allow Korean chaebol to exploit the same economies of scale and scope in their network organization as do the Japanese keiretsu. That is, the chaebol resembles a traditional American conglomerate more than a keiretsu network: it is burdened with a headquarters staff and a centralized decision-making apparatus for the chaebol as a whole. In the early days of Korean industrialization, there may have been some economic rationale to horizontal expansion of the chaebol into unfamiliar lines of business, since this was a means of bringing modern management techniques to a traditional economy. But as the economy matured, the logic behind linking companies in unrelated businesses with no obvious synergies became increasingly questionable. The chaebol’s scale may have given them certain advantages in raising capital and in cross-subsidizing businesses, but one would have to ask whether this represented a net advantage to the Korean economy once the agency and other costs of a centralized organization were deducted from the balance. (In any event, the bulk of chaebol financing has come from the government at administered interest rates.) Chaebol linkages may actually serve to hold back the more competitive member companies by embroiling them in the affairs of slow-growing partners. For example, of all the varied members of the Samsung conglomerate, only Samsung Electronics is a truly powerful global player. Yet that company has been caught up for several years in the group-wide management reorganization that began with the passing of the conglomerate’s leadership from Samsung’s founder to his son in the late 1980s.72 A different class of problems lies in the political and social realms. Wealth is considerably more concentrated in Korea than in Taiwan, and the tensions caused by disparities in wealth are evident in the uneasy history of Korean labor relations. While aggregate growth in the two countries has been similar over the past four decades, the average Taiwanese worker has a higher standard of living than his Korean counterpart. Government officials were not oblivious to the Taiwanese example, and beginning in about 1981 they began to reverse somewhat their previous emphasis on large-scale companies by reducing their subsidies and redirecting them to small- and medium-sized businesses. By this time, however, large corporations had become so entrenched in their market sectors that they became very difficult to dislodge. The culture itself, which might have preferred small family businesses if left to its own devices, had begun to change in subtle ways; as in Japan, a glamour now attached to working in the large business sector, guaranteed it a continuing inflow of Korea’s best and brightest young people.73

Tiana peered down in stunned delight at the sparkling white silk draping her body. The rhinestone- and pearl- studded gown she now wore was unlike anything she'd ever owned. When she lifted her head, she gasped at her surroundings. Tiana twirled around in a slow circle, mesmerized by the glitz and glamour of a place she had only seen in her nightly dreams. The old sugar mill she'd had her heart set on buying for years was no longer decrepit and falling apart. The floors gleamed underneath her feet, shining so bright they nearly blinded her. Brilliant crystal chandeliers hung high above her head, illuminating a massive dining room that was crowded with patrons. Men in suit jackets and women wearing their Sunday best sat at cloth-covered tables adorned with extravagant centerpieces and sparkling china. Everyone seemed to be having a grand time, enjoying rich, fragrant dishes that smelled like the food Tiana used to cook with her daddy.

Four years to the day after Fairchild's 1908 gift of the trees to Washington's schools, on March 27, 1912, Mrs. Taft broke dirt during the private ceremony in West Potomac Park near the banks of the Potomac River. The wife of the Japanese ambassador was invited to plant the second tree. Eliza Scidmore and David Fairchild took shovels not long after. The 3,020 trees were more than could fit around the tidal basin. Gardeners planted extras on the White House grounds, in Rock Creek Park, and near the corner of Seventeenth and B streets close to the new headquarters of the American Red Cross. It took only two springs for the trees to become universally adored, at least enough for the American government to feel the itch to reciprocate. No American tree could rival the delicate glamour of the sakura, but officials decided to offer Japan the next best thing, a shipment of flowering dogwoods, native to the United States, with bright white blooms. Meanwhile, the cherry blossoms in Washington would endure over one hundred years, each tree replaced by clones and cuttings every quarter century to keep them spry. As the trees grew, so did a cottage industry around them: an elite group of gardeners, a team to manage their public relations, and weather-monitoring officials to forecast "peak bloom"---an occasion around which tourists would be encouraged to plan their visits. Eventually, cuttings from the original Washington, D.C, trees would also make their way to other American cities with hospitable climates. Denver, Colorado; Birmingham, Alabama; Saint Paul, Minnesota.

What was not so widely quoted in Washington (which was a shame because it was a far more prophetic comment) was the reaction of Lyndon’s great friend Sam Rayburn to Johnson’s enthusiasm about the new men. Stunned by their glamour and intellect, he had rushed back to tell Rayburn, his great and crafty mentor, about them, about how brilliant each was, that fellow Bundy from Harvard, Rusk from Rockefeller, McNamara from Ford. On he went, naming them all. “Well, Lyndon, you may be right and they may be every bit as intelligent as you say,” said Rayburn, “but I’d feel a whole lot better about them if just one of them had run for sheriff once.

The garden The garden, garden of everything, Where her glamour grows on everything, It is a vogue of feelings all, And how I love being with these feelings all, Her feelings, growing everywhere in this garden, Where she is my only beautiful imagination in this beauty’s own garden, Her thoughts grow as buds of joy everywhere, That wait to blossom as feelings not just here or there, but everywhere, And when these feelings bloom, I feel surrounded by her sensations and within them now my feelings bloom, Opening as petals of feelings representing a range of emotions, Her imaginations, her thoughts, and love’s all emotions, Then this garden smells like a nursery of all hopes, wishes and desires, And as her sensations fuse with my desires, The garden closes like a morning glory, And within it lie all my feelings submerged in her beauty’s glory, As I lie there in this blossom of bliss and garden of her beauty, The garden reveals its true splendour, its original beauty, And I see her standing there, and nothing else, Now she is the garden, she is an assimilation of all my desires and everything else, Then the universe does not exist, the world disappears; and just the garden remains, And in it she as its chief beauty grows, and there is what now remains, all that remains, Of me and my desires, and my all hopes, Because with her in the garden I feel no need for wishes and no need for hopes!

I need you to summon Ilias and Apollo within the hour." "No," Hermes said. Hades lifted a brow. "No?" "What about I have no powers don't you understand?" "You have no power, but you are a divine messenger and part of this war." "Why can't you summon them?" "I have other matters to attend to," he said. "I hope it's trimming that gods-awful beard." That was exactly the matter at hand. He also wanted to bathe. There were just some things glamour couldn't replace. "Even if that is the case—and it should be the case—you can summon Ilias and Apollo and shave faster than I can leave the Underworld." There was a brief moment of silence, and then Hades spoke. "Fine. I suppose I can just...send an email." Hermes gasped. "You wouldn't." Hades shrugged. "You have given me no choice." "After all I've done," Hermes said, throwing off his blanket. He jumped from the bed and started searching the floor for something. Hades hoped it was clothes. "If you are still referring to Ares's island—" "I'm talking about being your best friend!" Hermes said. "But best friends don't use their archenemy, do they? No. You know what's so fucking stupid about email? There are faster ways to communicate! Phones! You could just text! But you are so old, you don't even know that!

Warm skin tones looks best in elegant warm shades. Think fire and earth tones: reds, oranges, yellows, and browns.

Too many of the Black elite get drafted into white-adjacent privilege, suckled by personal prosperity and personal comfort, blinded by the glamour of the high society. They become the neo house Negroes, placated, passive, a resurrection of an antebellum relic in which the best and brightest of Black society, those who would otherwise be the generals in resistance and rebellion, are lulled to sleep by luxuries.

Whenever I see everyone rushing to bet their money on what’s hot, I remind myself of Bernard Baruch, the Wall Street legend and adviser to U.S. presidents. During the stock-market craze of the late 1920s, Baruch stopped for a shoeshine one day and the guy working on his shoes began giving him stock tips. His shoes looking fine, Baruch headed back to the office—and sold everything. I had my own Bernard Baruch moment in mid-1998 as most people were transfixed by the astonishing and continued rise of a group of glamour tech stocks.

Jana Ann Bridal Couture Bridal Stores San Diego Hundreds of dresses available off-the-rack, yet none that catch your eye? We’ve been there before, and we understand the frustration. Take all the frustration out of your wedding dress search by taking a quick stop into the best bridal store in San Diego, at Jana Ann Bridal Couture. The Jana Ann Bridal Couture has a different approach to the wedding dress dilemma. Rather than stocking hundreds of dresses that only appeal to a small percentage of people, we reserve samples of dresses that you can customize from the bottom up. This ensures that every bride-to-be can find the dress of their dreams with ease at our bridal store in San Diego. We make sure that every frill and foil on the dress is customized to the bride’s choice. From the materials used to the form and fitting, each detail is used to express the bride’s identity and her love for her spouse-to-be! We create a love story out of the white gown worn at the wedding ceremony. Whether Priyanka Chopra Jonas or Megan Markle inspires you, you can use your wedding dress as a definite fashion statement that can keep you joyful; even in the memory of the day! The majority of stores tagged as bridal stores in San Diego tend to lack the glitz and glamour of a custom-made wedding gown! We at Jana Ann Coutier recognize that wedding dresses are not one-type-fits-all. Brides come in all shapes and sizes, so we can help you determine which silhouette is most flattering. We add features and style elements to hide your trouble areas and accentuate your curves for a more captivating look on your big day! Brides also come with different tastes and preferences. Some like to stay simpler, while others want to go all out with embellishments. Don’t limit yourself if you’re going to go big or remain traditional. Since most San Diego bridal stores search leads you to boutiques creating designer wear replicas, our specialty will satisfy your expectations for the dream wedding dress! We hope to help you create the dress of your dreams and feel fantastic on your wedding day, with the knowledge that your dress is one-of-a-kind, just like you! For a bridal store that values your opinion and time, stop by our location in San Diego today. Ready to get started? Get an appointment with Jana Ann to create the wedding ensemble of your dreams. Call us: (619) 649-2439 #San_Diego_Wedding_Dresses #Bridal_Shops_San_Diego #San_Diego_Bridal_Boutique #Custom_Wedding_Dresses_San Diego #Plus_Size_Wedding_Dresses_San_Diego #Beach_Wedding_Dresses_San_Diego #Bridal_Stores_San_Diego #Simple Wedding_Dresses_San_Diego #Wedding_Shops_San_Diego #San_Diego_Bridal_Shops

Celebrating your event with style and creativity Everyone works on a budget. Not all of us have the resources and time to hire wedding planners and party organizers to celebrate important days of your lives. You don’t have to skimp on an anniversary, birthday, engagement or any other special days just because you are on a budget. There are several DIY party ideas and accessories available on the internet that will help you celebrate that special occasion with much gusto and style. Celebrating a special day- be it your own wedding, engagement, throwing the best birthday bash, or a theme party, it is rather a challenging and exciting time, that churns up your creative juices that can leave one exhausted and confused. Especially when one desires to be innovative and wishes to throw a party that leaves the guests spell bounded and the-talk-of-the-town, there are several websites that provide amazing Party Loot Bags and accessories that are affordable and unique. Since we often think of the celebration as synonymous with splurging, these special occasions can feel challenged. After all, it's hard to enjoy yourself when all you can think about is the amount of money a party or wedding planner is charging you. This is your cue to be innovative as there are various fun and exciting DIY Party Accessories and Dessert buffets that can make your event memorable without spending too much of your hard earned money. With DIY ideas, you can enjoy 99 percent of excitement and 1 percent anxiety. There are a myriad of delightful Wedding Bomboniere ideas and items that can be easily procured through online stores. With ease and convenience, you can order Bomboniere Australia and party accessories from the comforts of your home and shop for the best quality products online. Web sites now cater for DIY items that style up any event- from weddings, engagements, christening, baby showers, birthdays, and much more. These companies offer a plethora of crazy, fun, unique and creative ideas and DIY items that are affordable, convenient, and highly accessible, promising a grand celebration of your special day. If you wish to have your rein on the planning and organizing of your wedding, you can explore some great ideas and accessories through these websites that are run by creative individuals assuring an enriching experience. Browse through great DIY Dessert Buffets and loot bags, and choose from hundreds of incredible ideas and accessories to celebrate your day with glamour, style, and charm. Make a lasting impression on your guests through DIY Party Accessories and buffet packages. There are many services on the internet that guide you through the entire event and help you plan your dream wedding in the most efficient and creative manner.